He Red Clay Saxophone Quartet, Soundscape Ensemble and Pianists Ary Hellman and Daniel L<Oppelman
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Wayne Peterson Papers, 1982-1996, Bulk 1982-1986
http://oac.cdlib.org/findaid/ark:/13030/c8jq16h9 No online items Finding Aid to the Wayne Peterson Papers, 1982-1996, bulk 1982-1986 Finding Aid written by Matthew Weber The Jean Gray Hargrove Music Library Hargrove Music Library University of California, Berkeley Berkeley, California, 94720-6000 Phone: (510) 642-2623 Email: [email protected] URL: https://guides.lib.berkeley.edu/music_library_archives © 2007 The Regents of the University of California. All rights reserved. Finding Aid to the Wayne ARCHIVES PETERSON 1 1 Peterson Papers, 1982-1996, bulk 1982-1986 Finding Aid to the Wayne Peterson Papers, 1982-1996, bulk 1982-1986 Collection Number: ARCHIVES PETERSON 1 The Jean Gray Hargrove Music Library University of California, Berkeley Berkeley, California Finding Aid Written By: Matthew Weber Date Completed: October 2013 © 2013 The Regents of the University of California. All rights reserved. Collection Summary Collection Title: Wayne Peterson papers Date (inclusive): 1982-1996, Date (bulk): bulk 1982-1986 Collection Number: ARCHIVES PETERSON 1 Creators : Peterson, Wayne, 1927- Extent: Number of containers: 1Linear feet: .4 Repository: University of California, Berkeley. Music Library Hargrove Music Library University of California, Berkeley Berkeley, California, 94720-6000 Phone: (510) 642-2623 Email: [email protected] URL: https://guides.lib.berkeley.edu/music_library_archives Abstract: Languages Represented: Collection materials are in English Physical Location: For current information on the location of these materials, please consult the Library's online catalog. Access Collection is open for research. Publication Rights Copyright has not been assigned to The Music Library. All requests for permission to publish or quote from manuscripts must be submitted in writing to the Head of the Music Library. -
Yesterday for Saxophone Sextet Sheet Music
Yesterday For Saxophone Sextet Sheet Music Download yesterday for saxophone sextet sheet music pdf now available in our library. We give you 6 pages partial preview of yesterday for saxophone sextet sheet music that you can try for free. This music notes has been read 2740 times and last read at 2021-09-27 05:41:01. In order to continue read the entire sheet music of yesterday for saxophone sextet you need to signup, download music sheet notes in pdf format also available for offline reading. Instrument: Alto Saxophone, Baritone Saxophone, Soprano Saxophone, Tenor Saxophone Ensemble: Mixed Level: Intermediate [ READ SHEET MUSIC ] Other Sheet Music Yesterday For String Sextet Yesterday For String Sextet sheet music has been read 3103 times. Yesterday for string sextet arrangement is for Intermediate level. The music notes has 6 preview and last read at 2021-09-28 08:51:49. [ Read More ] Jrme Savari Sextet For Ssaatb Saxophone Sextet Jrme Savari Sextet For Ssaatb Saxophone Sextet sheet music has been read 3917 times. Jrme savari sextet for ssaatb saxophone sextet arrangement is for Intermediate level. The music notes has 6 preview and last read at 2021-09-27 13:06:51. [ Read More ] Yesterday Beatles Classic Saxophone Quartet Yesterday Beatles Classic Saxophone Quartet sheet music has been read 3763 times. Yesterday beatles classic saxophone quartet arrangement is for Intermediate level. The music notes has 6 preview and last read at 2021-09-27 22:41:31. [ Read More ] Yesterday For Saxophone Quartet Yesterday For Saxophone Quartet sheet music has been read 2597 times. Yesterday for saxophone quartet arrangement is for Beginning level. -
Wind, String, & Mixed Chamber Groups
WIND, STRING, & MIXED CHAMBER GROUPS - SPRING 2019 (v 2.1) - including piano, harp, and percussion - PLEASE read the “Rules of the Road” for chamber music on the “performance” section of INSIDE MUSIC on the School of Music website: https://www.cmu.edu/cfa/music/current-students/ensembles/chamber-music.html Each group should select/elect/draft a “contact person” and submit that person’s name to the chamber music Graduate Assistant, Yalyen Savignon: [email protected] Please note that this is the second draft of the roster. All registered students have been placed, and all requests have been fulfilled. We hope that few if any further changes will need to be made. Remember, other students’ education depends on your being a reliable member of your group! IF YOU SPOT MISTAKES ON THIS LIST, PLEASE CONTACT PROF. WHIPPLE. RJW and CW, February 6, 2019 57-228 OR 57-928 SEXTETS sec A - WIND & PIANO SEXTET Alisa Smith, flute Elizabeth Mountz, oboe Elizabeth Carney, clarinet Ji Won Song, horn Andrew Hahn, bassoon Winfred Wang, piano coaches: R. James Whipple QUINTETS sec B - GRADUATE WIND QUINTET Theresa Abalos, flute Evan Tegley, oboe Alex Athitakas, clarinet Diana McLaughlin, horn Nicholas Evans, bassoon coach: Thomas Thompson sec C - “VENTUS FERRO” TBA, flute Alicia Smith, oboe Zack Neville, clarinet Ziming Zhu, horn Dreya Cherry, bassoon coach: James Gorton sec D - PROKOFIEV: Quintet in g minor Christian Bernard, oboe Bryce Kyle, clarinet TBA, violin Angela-Maureen Zollman, viola Mark Stroud, bass coach: James Gorton STRING QUARTETS 57-226 OR 57-926 1. Jasper Rogal, violin Noah Steinbaum, violin Angela Rubin,viola Kyle Johnson, cello coach: Cyrus Forough 2. -
Department of Film & Media Studies Hunter College
Department of Film & Media Studies Jeremy S. Levine Hunter College - CUNY 26 Halsey St., Apt. 3 695 Park Ave, Rm. 433 HN Brooklyn, NY 11216 New York, NY 10065 Phone: 978-578-0273 Phone: 212-772-4949 [email protected] Fax: 212-650-3619 jeremyslevine.com EDUCATION M.F.A. Integrated Media Arts, Department of Film & Media Studies, Hunter College, expected May 2020 Thesis Title: The Life of Dan, Thesis Advisor: Kelly Anderson, Distinctions: S&W Scholarship, GPA: 4.0 B.S. Television-Radio: Documentary Studies, Park School of Communications, Ithaca College, 2006 Distinctions: Magna Cum Laude, Park Scholarship EMPLOYMENT Hunter College, 2019 Adjunct Assistant Professor, Department of Film & Media Studies Taught two undergraduate sections of Intro to Media Studies in spring 2019, averaging 6.22 out of 7 in the “overall” category in student evaluations, and teaching two sections of Intro to Media Production for undergraduates in fall 2019. Brooklyn Filmmakers Collective, 2006 – Present Co-Founder, Advisory Board Member Co-founded organization dedicated to nurturing groundbreaking films, generative feedback, and supportive community. Recent member films screened at the NYFF, Sundance, and Viennale, broadcast on Showtime, HBO, and PBS, and received awards from Sundance, Slamdance, and Tribeca. Curators from Criterion, BAM, Vimeo, The Human Rights Watch Film Festival, and Art 21 programmed a series of 10-year BFC screenings at theaters including the Lincoln Center, Alamo, BAM, and Nitehawk. Transient Pictures, 2006 – 2018 Co-Founder, Director, Producer Co-founded and co-executive directed an Emmy award-winning independent production company. Developed company into a $500K gross annual organization. Directed strategic development, secured clients, managed production teams, oversaw finances, and produced original feature films. -
New and Lesser Known Works for Saxophone Quartet: a Recording
New and Lesser Known Works for Saxophone Quartet: A Recording, Performance Guide, and Composer Interviews by Woodrow Chenoweth A Research Paper Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Musical Arts Approved April 2019 by the Graduate Supervisory Committee: Christopher Creviston, Chair Joshua Gardner Michael Kocour Ted Solis ARIZONA STATE UNIVERSITY May 2019 ABSTRACT This project includes composer biographies, program notes, performance guides, composer questionnaires, and recordings of five new and lesser known works for saxophone quartet. Three of the compositions are new pieces commissioned by Woody Chenoweth for the Midwest-based saxophone quartet, The Shredtet. The other two pieces include a newer work for saxophone quartet never recorded in its final version, as well as an unpublished arrangement of a progressive rock masterpiece. The members of The Shredtet include saxophonists Woody Chenoweth, Jonathan Brink, Samuel Lana, and Austin Atkinson. The principal component of this project is a recording of each work, featuring the author and The Shredtet. The first piece, Sax Quartet No. 2 (2018), was commissioned for The Shredtet and written by Frank Nawrot (b. 1989). The second piece, also commissioned for The Shredtet, was written by Dan Puccio (b. 1980) and titled, Scherzos for Saxophone Quartet (2018). The third original work for The Shredtet, Rhythm and Tone Study No. 3 (2018), was composed by Josh Bennett (b. 1982). The fourth piece, Fragments of a Narrative , was written by Ben Stevenson (b. 1979) in 2014 and revised in 2016, and was selected as runner-up in the Donald Sinta Quartet’s 2016 National Composition Competition. -
The Pulitzer Prizes 2020 Winne
WINNERS AND FINALISTS 1917 TO PRESENT TABLE OF CONTENTS Excerpts from the Plan of Award ..............................................................2 PULITZER PRIZES IN JOURNALISM Public Service ...........................................................................................6 Reporting ...............................................................................................24 Local Reporting .....................................................................................27 Local Reporting, Edition Time ..............................................................32 Local General or Spot News Reporting ..................................................33 General News Reporting ........................................................................36 Spot News Reporting ............................................................................38 Breaking News Reporting .....................................................................39 Local Reporting, No Edition Time .......................................................45 Local Investigative or Specialized Reporting .........................................47 Investigative Reporting ..........................................................................50 Explanatory Journalism .........................................................................61 Explanatory Reporting ...........................................................................64 Specialized Reporting .............................................................................70 -
Dissertation
DISSERTATION Titel der Dissertation Dr. Marcel Prawy - Pionier und Wegbereiter des Musicals vom Broadway nach „Good Old Europe“ Verfasserin Mag. Wilhelmine Brandtner angestrebter akademischer Grad Doktorin der Philosophie (Dr.phil.) Wien, 2012 Studienkennzahl lt. Studienblatt: A 092 317 Dissertationsgebiet lt. Studienblatt: Theater-, Film- und Medienwissenschaft Betreuerin: Prof. Dr. Hilde Haider 2 Diese Arbeit widme ich der Künstlerin Olive Moorefield - Mach. 3 4 Die Zeit war reif für das Musical, mit guten Geschichten, origineller 1 Musik, einem schlagkräftigen Team: Prawy ante portas! 1 Marcel Prawy erzählt aus seinem Leben. S. 113 (Beitrag des Bühnenbildners Walter von Hoesslin). 5 ABKÜRZUNGEN: AB Archivbox DEA Deutschsprachige Erstaufführung DS Durchschlag (TS DS - Typoskript Durchschlag) E - Musik Ernste Musik ISB Information Services Branch M Musik und B (Buch) n.k. (noch) nicht katalogisiert NL Nachlass ÖEA Österreichische Erstaufführung ÖTM Österreichisches Theatermuseum SS Sommersemester (WS Wintersemester) Thewi Institut für Theater-, Film- und Medienwissenschaft UA Uraufführung U - Musik Unterhaltungsmusik USIS US Information Service wibi HSS Wienbibliothek im Rathaus - Handschriftensammlung wibi DSS Wienbibliothek im Rathaus - Druckschriftensammlung ( wibi - „wienbibliothek im rathaus“ - Kleinschreibung siehe offizielle Rathaus - Informationsfolder ). ZPH Zuwachsprotokoll (1298 für Nachlass Marcel Prawy) 6 INHALTSANGABE Marcel Prawy - Pionier und Wegbereiter des Musicals vom Broadway nach „Good Old Europe“ 1. Einleitung - „Lernet Amerika lieben!“ Seite 12 2. Marcel Prawy - Biographie „in nuce“ - „Musik ist mein Leben - Melodien vergesse ich nicht“ Seite 17 3. Geschichte des Musicals: 3.1. Das amerikanische Musical - Etymologie, Historie und Charakteristika eines (multi)- kulturellen Phänomens Seite 20 4. Vorgeschichte des Musicals amerikanischer Provenienz Seite 23 4.1. Die Minstrel Show Seite 23 4.2. Der Jazz Seite 25 4.3. -
Oltrenota La Fondazione Informa
OLTRENOTA LA FONDAZIONE INFORMA Fondazione Petruzzelli: presentata la Stagione d’Opera Balletto e Sinfonica 2013 Sarà l’Otello di Giuseppe Verdi, per la regia di Eimuntas Nekrosius e la direzione di Keri-Lynn Wilson, ad inaugurare, il 19 gennaio prossimo, la Stagione 2013 del Teatro Petruzzelli di Bari. La fondazione lirico sinfonica pugliese ha presentato oggi la sua prima stagione integralmente curata del Commissario Straordinario Carlo Fuortes, in carica dal mese di marzo 2012. Presenti anche l’assessore al Mediterraneo della Regione Puglia, Silvia Godelli ed il vice presidente della Provincia di Bari, Nuccio Altieri. Un cartellone ricco di appuntamenti, che nasce dall’incontro fra rispetto della tradizione e grande attenzione allo scambio culturale, nel segno dell’innovazione e del dialogo con realtà consolidate del panorama nazionale ed internazionale. “L’impegno preso nei confronti della città di Bari – ha sottolineato il Prof. Carlo Fuortes – è per noi in primo luogo quello di fare del Petruzzelli un Teatro a misura del proprio pubblico, che ne rispetti le esigenze, le aspirazioni, la passione. Il nostro primo auspicio è riuscire ad accogliere una platea sempre più ampia e di tutte le età, anche grazie ad un incremento delle proposte e delle recite in cartellone: nel 2013 la crescita della nostra produttività sarà pari circa al 50 per cento in più, rispetto agli ultimi anni”. Sei titoli d’opera (di cui cinque nuovi allestimenti), due dedicati alla grande danza, una rassegna di incontri alla scoperta del melodramma e ben dodici appuntamenti sinfonici. Fra i protagonisti della prossima annata del Politeama spiccheranno la nuova formazione orchestrale e corale del Teatro, risultato delle prime selezioni concorsuali realizzate da Fuortes e fortemente volute dal Ministero per i Beni e le Attività Culturali, nell’ottica di un primo passo verso la stabilizzazione delle masse artistiche. -
The Sound Design Guide
The Sound Design Guide a transparent resource for sound & fire information get your LEED on! Scan this code to access our LEED credit calculator and score points for your project! if your walls could talk they would ask for us Architects and specifi ers face many design challenges, knowing what your walls really want shouldn’t be one of them. Walls and ceilings are not something just to hold up paint, they play a critical role in your building design. As a manufacturer, we have taken great strides in simplifying this part of the building envelope by providing new comprehensive tools and rich online resources to you, the architect and specifi er. Our product specifi cations and sustainability tools, available at www.PABCOgypsum.com and ARCAT, have been paired with new continuing education courses that cover everything from sound and acoustic challenges to discussions related to new 2015 industry standards. Meet your design goals with ease. Be it our trusted FLAME CURB®, light-weight LITECORE®, protective PABCO GLASS® or our award winning QuietRock®; we have what the job demands. what the job demands PABCO® Gypsum technical services: 866.282.9298 www.PABCOgypsum.com QuietRock® acoustical products: 800.797.8159 www.QuietRock.com get your LEED on! Scan this code to access our LEED credit calculator and score points for your project! if your walls could talk they would ask for us Architects and specifi ers face many design challenges, knowing what your walls really want shouldn’t be one of them. Walls and ceilings are not something just to hold up paint, they play a critical role in your building design. -
ENT 4470 - Sound Design 2 Cl Hrs, 2 Lab Hrs, 3 Cr Pre Or Co-Requisite: ENT 2370
New York City College of Technology, CUNY Entertainment Technology Dept. 186 Jay Street, Room V-203 Brooklyn, NY 11201 (718) 260-5588 http://www.entertainmenttechnology.org/ ENT 4470 - Sound Design 2 cl hrs, 2 lab hrs, 3 cr Pre or Co-requisite: ENT 2370 Course Description: An investigation of the techniques and practices of sound design, emphasizing the use of modern computer-based recording and playback techniques. Sampling, hard-disk playback systems, sequencing, MIDI, systems integration, the use of surround systems, low- frequency elements and specials to achieve a variety of effects will be covered. Sound design practices will include script analysis, sound cue construction, integration with director and communication with other members of the design team. Additional areas of concentration will include development of cues based on functional, transitional, underscoring, surreal and hyper-real techniques; integration of musical and soundscape aesthetics; practice on Macintosh computer platforms using Digital Performer, Pro-Tools and a variety of plug-ins; programming of automation equipment and development of robust redundant systems capable of sustaining a high-use theatrical environment. Course Objectives: Students who successfully complete this course will be able to: • Analyze a proposed project (e.g. a play script) for its technical and storytelling needs. • Collaborate effectively as part of a production team. • Select and create the appropriate sound and music cues based on type and usage. • Determine the proper playback, reinforcement, and/or public address system strategy as applicable to specific projects. • Select and program the appropriate automation system for a specific project. • Design and implement the three systems—show, communications, and monitoring— necessary for all projects. -
Maggio 2 Indice /Index Opening Piano Center Notturno Piano City Milano Fuori Porta P
MAGGIO 2 INDICE /INDEX OPENING PIANO CENTER NOTTURNO PIANO CITY MILANO FUORI PORTA P. 34-25 Aziza Mustafa Zadeh P. 4 E PIANO ALBE P. 7 IN MOVIMENTO P. 14 – 15 INDICI PIANO CITY MILANO GIORNO VITA DI QUARTIERE P. 8 – 9 I NOSTRI PARTNER P. 16 – 17 Pianisti P.36-37 E NOTTE P. 5 Luoghi P. 38-39 PIANORAMA P. 10 – 11 PROGRAMMA DAY BY DAY PIANO CENTER DIURNO P. 6 House e cortili P. 18-19 GRAZIE A P. 39 P. 12 – 13 LEZIONI DI PIANO Concerti diffusi P. 20-33 /INTRO Colonna sonora IL FESTIVAL IL FESTIVAL della tua città YOUR CITY SOUNDTRACK Il programma che tenete fra le mani contiene The booklet you are currently holding contains le istruzioni per costruire da uno a infiniti percorsi the instructions on how to trace from one up to FATEVI GUIDARE per scoprire Milano e i suoi quartieri facendovi infinite paths across Milan and its neighborhoods. guidare dalla vostra curiosità, dai luoghi di questa Follow the compass of your curiousity, unveil the DAI PERCORSI MUSICALI: settima edizione del nostro festival o dalle tante map of locations of our festival's seventh edition, PIANO CITY MILANO proposte musicali con oltre cinquanta ore di musica discover the over fifty hours’ worth of music and e quattrocento concerti. four hundred concerts on offer. È LA MAPPA, LO SPARTITO Potete decidere di partire dal nostro Piano Center nei giardini You can decide to set off from our very own Piano Center, di Villa Belgiojoso per spostarvi appena fuori dal centro located within the gardens of Villa Belgiojoso, and step outside SU CUI COSTRUIRE nel cortile di un palazzo di ringhiera, fra inquilini in festa, of the city center, into the courtyard of a typical residential o direttamente dentro un appartamento ascoltando un setting, amidst its festive residents. -
Sardinian Composers of Contemporary Music
Interdisciplinary Studies in Musicology 12,2012 © PTPN & Wydawnictwo Naukowe UAM, Poznań 2012 CONSUELO GIGLIO Music Conservatory, Trapani Sardinian composers of contemporary music ABSTRACT: The meeting point between the school headed by Franco Oppo and the rich traditional music of the island gave birth in Sardinia to an intense flowering in the field of New Music, with a strong feeling of belonging and a constant call for a positive concept of identity. Thus, since the time of Oppo (1935) and his contemporary Vittorio Montis, we come across many composers that differ between each other but are almost always recognizably “Sardinian”. Oppo has been one of the most interesting figures on the international scene during the last few decades. After his studies in Rome, Venice and Poland in the early 1960s, he remained, by his own choice, in his home territory, sharing his “Sardinian-ness” in a free and dialectic manner with the avant-garde. After formulating his own particular aleatory approach, Oppo reached a turning point halfway through the 1970s: in Musica per chitarra e quartetto d’archi, Praxodia and, finally, in Anninnia I, the meeting point between avant-garde research and the special phonic quality of tra ditional music became more and more close-knit and organic, at the same time also acting on the founding language structure whilst still remaining under the control of incisive and informed dis ciplines (during the same period, moreover, he put forward new methodologies of analysis which were also necessary for his teaching). In this sense the most important works are chamber pieces like Anninnia I and II (1978, 1982), Attitidu (1983) and Sagra (1985), the theatrical work Eleonora d’Arborea (1986), some piano “transcriptions” - the Three berceuses (1982), Gallurese and Baroniese (1989; 1993) - Trio III (1994), Sonata B for percussion and piano (2005) and the two Concerts for piano and orchestra (1995-97; 2002).