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Blast Off Broken Sword
ALL FORMATS LIFTING THE LID ON VIDEO GAMES Broken Sword blast off Revolution’s fight Create a jetpack in for survival Unreal Engine 4 Issue 15 £3 wfmag.cc TEARAWAYS joyful nostalgia and comic adventure in knights and bikes UPGRADE TO LEGENDARY AG273QCX 2560x1440 A Call For Unionisation hat’s the first thing that comes to mind we’re going to get industry-wide change is collectively, when you think of the games industry by working together to make all companies improve. and its working conditions? So what does collective action look like? It’s workers W Is it something that benefits workers, getting together within their companies to figure out or is it something that benefits the companies? what they want their workplace to be like. It’s workers When I first started working in the games industry, AUSTIN within a region deciding what their slice of the games the way I was treated wasn’t often something I thought KELMORE industry should be like. And it’s game workers uniting about. I was making games and living the dream! Austin Kelmore is across the world to push for the games industry to But after twelve years in the industry and a lot of a programmer and become what we know it can be: an industry that horrible experiences, it’s now hard for me to stop the Chair of Game welcomes everyone, treats its workers well, and thinking about our industry’s working conditions. Workers Unite UK, allows us to make the games we all love. That’s what a a branch of the It’s not a surprise anymore when news comes out Independent Workers unionised games industry would look like. -
Bit Y Aparte | N.º 1
SELLO ARSGAMES | Nº 1 | Enero 2014 Revista interdisciplinar de estudios videolúdicos EDITORIAL ARTE En el bit de Bit y aparte Hibridaciones contempo- / pág. 7 ráneas: el nuevo ambiente estético / pág. 8 María Luján Oulton / Eurídice Cabañes Martínez #ÍNDICE COMITÉ CIENTÍFICO ARTE EDUCACIÓN GÉNERO Implicaciones de aprender a God of War: consecuencias de Género y sexualidad más allá FLAVIO ESCRIBANO (España). Doctor por la Universidad Complu- crear videojuegos / pág. 22 la violencia a través de héroe de lo humano / pág. 50 tense de Madrid con la tesis doctoral “El videojuego como he- griego/ pág. 36 rramienta para la pedagogía artística. Innovación y creatividad”. Jacinto Quesnel Alvarez Juan Francisco Belmonte Ávila Begoña Cadiñanos Martínez / GRACIELA ESNAOLA (Argentina). Docente del Programa de Doc- Ruth García Martín torado “Formación del Profesorado en Entornos Virtuales”. Uni- versidad de Valencia. BIT Y APARTE GONZALO FRASCA (Uruguay). Catedrático de Videojuegos de la Facultad de Comunicación y Diseño de la Universidad ORT. Revista interdisciplinar de estudios videolúdicos ÓCAR GARCÍA PANELLA (España). Director del Grado en Vi- deojuegos de ENTIUB, del Máster en Gamificación ENTIUB y del Edita: Asociación ARSGAMES Máster en Gamifiación Online y Transmedia Storytelling de IEBS. Ilustración de la portada: PATRICIA GOUVEIA (Portugal). Profesora en el master de Arte digi- Juan Díaz-Faes GAME STUDIES GAME STUDIES INNOVACIÓN tal en la Faculdade de Ciências Sociais e Humanas. Universidade Evolución histórica de los CRPG Aprendizaje en MMOG Videojuegos, machinima y cine Diseño de portada, ilustración y Nova de Lisboa. (Computer Role-Playing Games) / pág. 84 clásico / pág. 94 producción gráfica: / pág. 64 MAR MARCOS MOLANO (España). Profesora Titular en la Facultad de SELLO ARSGAMES Ruth S. -
Openbsd Gaming Resource
OPENBSD GAMING RESOURCE A continually updated resource for playing video games on OpenBSD. Mr. Satterly Updated August 7, 2021 P11U17A3B8 III Title: OpenBSD Gaming Resource Author: Mr. Satterly Publisher: Mr. Satterly Date: Updated August 7, 2021 Copyright: Creative Commons Zero 1.0 Universal Email: [email protected] Website: https://MrSatterly.com/ Contents 1 Introduction1 2 Ways to play the games2 2.1 Base system........................ 2 2.2 Ports/Editors........................ 3 2.3 Ports/Emulators...................... 3 Arcade emulation..................... 4 Computer emulation................... 4 Game console emulation................. 4 Operating system emulation .............. 7 2.4 Ports/Games........................ 8 Game engines....................... 8 Interactive fiction..................... 9 2.5 Ports/Math......................... 10 2.6 Ports/Net.......................... 10 2.7 Ports/Shells ........................ 12 2.8 Ports/WWW ........................ 12 3 Notable games 14 3.1 Free games ........................ 14 A-I.............................. 14 J-R.............................. 22 S-Z.............................. 26 3.2 Non-free games...................... 31 4 Getting the games 33 4.1 Games............................ 33 5 Former ways to play games 37 6 What next? 38 Appendices 39 A Clones, models, and variants 39 Index 51 IV 1 Introduction I use this document to help organize my thoughts, files, and links on how to play games on OpenBSD. It helps me to remember what I have gone through while finding new games. The biggest reason to read or at least skim this document is because how can you search for something you do not know exists? I will show you ways to play games, what free and non-free games are available, and give links to help you get started on downloading them. -
“Lessons Learned, from Games Preserved”
“Lessons Learned, from Games Preserved” James “Ender” Brown Former Project Lead – http://www.scummvm.org/ [email protected] WhoWho AmAm II ● Grew up gaming and learning to code with the BBC Micro/Archimedes, Commodore 16(!) and Amiga – learnt Unix & VMS by doing naughty things to the Tassie VAX cluster (any locals remember davros and typhoon? :) ● Retro-Gaming Enthusiast by night, Systems Admin for a Perth-based Data Centre and Hosting Company by day ● Became Project Lead of ScummVM in Feb 2002, retiring as co-lead (from a team of 3) in Dec 2008 ● 10th linux.conf.au, first talk submission :) WhatWhat isis ScummVM?ScummVM? ● ScummVM is a collection of interpreter implementations for classic adventure games ● Founded by Ludwig ‘ludde’ Strivegus (uTorrent, OpenTTD, now at Spotify) in 2001, along with Vincent ‘yaz0r’ Hamm (now at Oculus), with the goal of building an interpreter for SCUMM-based games by LucasArts/LucasFilm games. ● Designed to be highly portable ● … evolved to become something much much more PortabilityPortability ● ScummVM architecture evolved early on to maximise portability by abstracting backend and common functions (‘Osystem’), with each port supplying a Osystem backend class (with platform specific overrides and subclassing where necessary) Osystem Backend Osystem Common Engine (Platform Specific) ● Carefully developed coding standards to encompass ‘lowest-common- denominator’ C++ implementations. No STL, Exceptions, etc http://wiki.scummvm.org/index.php/Coding_Conventions ● Ssennaidne ● Endianness ● Segment size limits on various platforms ReimplementingReimplementing EnginesEngines ● Most game studios developed their own engines, often used across a family of games. Examples: SCUMM (LucasArts), AGI/SCI (Sierra), Virtual Theatre (Revolution), AGOS (Adventure Soft) ● Reverse engineer: – Container files – Graphics formats (background, actors, sprites) – Audio formats (voice, sfx, music) – Scripting engine (where scripted.. -
Annual Review
annual review 2017 our board Ukie Annual Review 2016/17 contents 02 foreword 04 Noirin Carmody - Chair Harvey Eagle chair’s report Owner and COO Xbox UK Marketing Director Our initiatives Revolution Software Microsoft 06 ceo’s report Ian Livingstone CBE - Vice Chair Miles Jacobson OBE Chairman Studio Director Playmob Sports Interactive 08 a year in westminster and brussels askaboutgames Dave Gould - Treasurer Veronique Lallier askaboutgames.com Snr Director of Sales UK & Export European Managing Director 12 Take 2 Interactive Hi-Rez Studios research and analysis Without house background Simon Barratt Warwick Light 16 Director UK Managing Director and Vice President ukie’s year in numbers Sony Interactive Entertainment Barog Game Labs INSPIRATIONAL COMPUTING 18 Katherine Bidwell Phil Mansell Digital Schoolhouse acting locally thinking globally Co-Founder CEO digitalschoolhouse.org.ukWith house background State of Play Games Jagex 20 ukie’s global trade programme Neil Boyd Andy Payne OBE INSPIRATIONAL COMPUTING European Anti-Piracy Counsel CEO Nintendo Europe AppyNation 22 the digital schoolhouse Shaun Campbell Kirsty Rigden Games London UK Country Manager Operations Director games.london 24 Electronic Arts FuturLab inspiring talent John Clark Ella Romanos 26 Senior Vice President, Commercial Director promoting a positive image Publishing Rocket Lolly Games SEGA Europe Students 27 Rob Cooper Roy Stackhouse making the most of your IP Managing Director Northern Europe and Vice President - UK, Ireland & Benelux Ukie Students Export Territories -
Sabotencon2016 Digitalguide
GUESTS OF HONOR Aimee Blackschleger Alfred Trujillo Armand Villavert Jr Bluecrown Comics Criminal Reserve Corps Carrie Keranen Musician Artist Artist Artist Band Voice Actress Chris Tang Coco Avenue Corgi Cosplay Danielle Day David Vincent Eric Stuart Game Designer Band Cosplayer K-Pop Dancer Voice Actor Voice Actor Erica Mendez Eurobeat Kasumi Giada Robin Heather Vaughn Jimni Cricket Kaoru Hayano Voice Actress Photographer Cosplayer K-Pop Dancer DJ Musician / Seiyuu Kazha Kyle Hebert Ladybeard Lisle Wilkerson M-Project Michael James Avelino Band Voice Actor Musician Voice Actress DJ K-Pop Dancer Mika Kobayashi Reika Ryan McMurry Slants Susan Lake oxy and Suzy Musician Cosplayer Artist Band BJD Guest Artists Tara Platt Twinzik Cosplay Vivifica Studios Yuri Lowenthal Voice Actress Cosplayers Artists Voice Actor Saboten Con 2016 1 CAFES Pokemon Cosplay Cafe Sailor Moon Crystal Cafe NekoAtsume Lounge - like to start your collection? Come relax with our games,Welcome and to - theif you’re World up of toPokemon! the challenge Come - joinyou Moon Pride, we want to serve you~! Come hang Do you have your own NekoAtsume? Would you caneveryone’s try to favoritedefeat our Kanto gyms gym and leaders become for snacks,a true snacks,out with and your listening favorite to characters the original from Sailor Sail Moon Pokemon master! Presented by Cafe Diem or Moon Crystal while playing games, having gamestaff to will get be away there, from with the a crazinessbit of a sassy of the twist! con. Deer Valley | 09/0w/2016 All of your favorite characters from the popular endsoundtracks! of the last There block will (so be dancing,sure to get singing, your hand 2:00PM-3:00PM ........................................................ -
Ben There, Dan That! / Time Gentlemen, Please!
Ben There, Dan That! / Time Gentlemen, Please! Even though Sierra and LucasArts gave up on adventure games around the turn of the century, there are still those who hold on to the belief that the genre is very much alive. But without the continuation of games like Monkey Island, Space Quest and Simon the Sorcerer, what we have are, mostly, legions of humorless entries with depressingly dry CG backgrounds, plus the occasional cartoonish adventure that tries to be funny but fails spectacularly. Former adventure creators still make some great work, of course. Tim Schaefer, of Grim Fandango, spent a long time working on Psychonauts and Brütal Legend, both of which were hilarious despite not being adventure games, while Telltale, formed with some of the other LucasArts staff, comes close to the glory days of the genre. But it‟s not quite the same. So it was more or less out of nowhere that a tiny group of Brits called Zombie Cow Studios brought out two of the funniest adventures since... well, since ever, perhaps. Ben There, Dan That! and its sequel, Time Gentlemen Please!, are both low budget hits made with Adventure Game Studio and have a graphical style most consistent with elementary school notebook doodles, but succeed tremendously because they‟re so brilliantly written. One could call it “The British version of South Park!” and that wouldn‟t entirely be wrong, but that‟s a glib summation of it. While both creations have uber low-fi visuals, subversive plotting, and more than just a bit of toilet humor, Zombie Cow‟s games replace South Park's libertarian cynicism with a self aware affection for adventure games, LucasArts in particular. -
Star Control II: Deep Space Questing His Is the Kind of Game That Rainbow Worlds, and Solving an Reminded Me of Staif/Ight: a Picture Gives Me Nightmares
Not sold in stores Star Control II: deep space questing his is the kind of game that Rainbow Worlds, and solving an reminded me of Staif/ight: a picture gives me nightmares. It's so intriguing m1x of puzzles that materi fills the top of the screen, and you T much fun, I couldn't quit alize as you roam deep space. Ancient converse by choosing lines from the playing long enough to write the galactic history as well as current window below. The difference is that review. "Let me just discover one events must be studied and inter the aliens' remarks, and often your more Rainbow World, and find preted for a clue to the "hidden plot" choice of questions and responses, enough exotic minerals to afford rumored to be found somewhere in are the funniest in role-playing another fusion thrust and fuel tank, hyperspace. history. Some aliens will join your and I can write a much better re As in Staif/igbt, struggle to defeat the view," I rationalized as I played until you guide your little Ur-Quan and may past midnight all last week. space ship through provide new ships But the deadline draws near, as it solar systems, that will accompany has for me in the game - you've got galaxies and hy and defend yours, or to defeat the Ur-Quan within a set perspace. But the assist in other ways. number of years, or they wipe out action is more Others are in league you and other civilizations and smoothly animated with the Ur-Quan. -
Robert Megone
Robert Megone Hampshire, UK T: +44(0)7736902590 E: [email protected] I previously worked as a Gameplay Programmer on The Darkside Detective, Gameplay Programmer on Beyond a Steel Sky, QA Lead on Thimbleweed Park and Gameplay Programmer on the adventure game Broken Sword: The Serpent’s Curse with development, design and QA credits on over twenty games on Switch, Xbox, PS4, Vita, iOS, Android, PC, Mac & Linux. As a candidate with experience in both the game design and QA fields, I value the iterative development process and thrive in an environment where I can be responsible for making decisions that ensure quality always comes first. Professional Experience Spooky Doorway - Gameplay Programmer(Unity)(July 2020 – Present) Games: - Darkside Detective Season 1(Nintendo Switch, Windows/Mac, PS4/PS5, UWP) - Darkside Detective Season 2(Nintendo Switch, Windows/Mac, PS4/PS5, UWP) • Development of various minigames in C# for Season 2 to support the main gameplay. • Implementation of gameplay using Adventure Creator Action Lists in Unity. • Bug fixing and testing across two games in preparation for publishing to new platforms. Revolution Software - Gameplay Programmer(Unreal Engine 4)(November 2017 – July 2020) Games: - Beyond a Steel Sky(Apple Arcade, Console, Desktop) • Working in Unreal to develop and implement gameplay for a fully 3d adventure game. • Implementing gameplay using blueprint scripting language based upon level design documents. • Implementing NPC AI behaviors using behavior trees. • Implementing motion comic using UMG. • Responsible for the dialogue gesture system implementation on a blueprint code level. • Working with animation blueprints. • Setting up a range of animation montages. Spooky Doorway - QA Tester(November 2017 – July 2020) Games: - Darkside Detective S1(Nintendo Switch, Windows/Mac, PS4/PS5, UWP) - Darkside Detective S2(Nintendo Switch, Windows/Mac, PS4/PS5, UWP) - Sunken Spectre Vertical Slice(Windows) • Testing and reporting of bugs. -
BS PC UK Manual.Qxd
Contents: Keyboard Controls (Quick Reference). 01 Introduction . 02 Recommended System Requirements. 03 Installation and Launch . 04 Menus . 04 Game Controls (Full). 06 Saving and Loading . 13 Action-map Symbols . 14 First Section Walkthrough . 16 Credits. 20 Copyright Notices . 24 Keyboard Controls (Quick Reference) 1 Introduction: Powerful seismic events are shaking the world. Something sinister is emerging. An Ancient Conspiracy, the Secret of the Templars, and a fiendish source of pure Evil are responsible. The death of a back-bedroom computer hacker in Paris is just the beginning of another extraordinary adventure for George Stobbart and Nico Collard. Welcome to the world of Broken Sword. Broken Sword – The Sleeping Dragon offers you the opportunity to experience an extraordinary, epic adventure. Building on the success of its million-selling prequels, the game utilises a powerful new direct-control interface which provides radical, intuitive gameplay. Cutting-edge radiosity graphic technology, hand created animations, and cinematic storytelling combine in a unique game that redefines a genre. Don’t worry if you have never played an adventure game before. The game has a simple interface system. There’s also a walkthrough for the first section at the back of this manual. With challenges that are primarily cerebral, it is quick thinking that is needed. The interface is intuitive and will be quickly mastered, leading you to undertake complex actions and conversations with ease. Explore the rich, exotic world of Broken Sword, searching for vital clues that will help you unravel the sinister conspiracy. Experience a living, evolving story which unfolds around you. But watch out for those that would prefer you dead. -
Beneath a Steel Sky: a Musical Characterisation of Class Structure
The Computer Games Journal (2018) 7:231–242 https://doi.org/10.1007/s40869-018-0067-6 Beneath a Steel Sky: A Musical Characterisation of Class Structure Andra Ivănescu1 Received: 28 September 2018 / Accepted: 3 October 2018 / Published online: 25 October 2018 © The Author(s) 2018 Abstract This article proposes Revolution Software’s Beneath a Steel Sky (1994) as a start- ing point for the analysis of the relationship between music and social class in video games. While other issues of representation have been studied extensively within game studies (gender representation in particular), the representation of class remains an underexplored area. Furthermore, the relationship between video game music and socio-cultural aspects of video game studies is also rarely examined beyond issues of race, ethnicity, and cultural appropriation. This article draws con- nections between these two underexplored areas and analyses the musical charac- terisation of class in the 1994 cyberpunk adventure game, which takes places largely in a literally stratifed metropolis where the three levels of the city act as represen- tations of the three social classes. Here, music plays an important role in terms of environmental storytelling, both as semiotic shorthand, and as a refection of the afordances available to the inhabitants of the city. Keywords Class · Video games · Video game music · Ludomusicology 1 Introduction Issues of representation in video games have been important to video game studies for over two decades, largely focussing on gender (Cassell and Jenkins 1998; Dietz 1998; Kafai et al. 2016; Lynch et al. 2016), and, to a lesser degree, LGBTQ issues (Consalvo 2003; Ruberg and Shaw 2017), and race (Burgess et al. -
Playstation Continues to Build Excitement As It Is
PLAYSTATION® CONTINUES TO BUILD EXCITEMENT AS IT IS CONFIRMED THAT PLAYSTATION®4 WILL LAUNCH FROM 29th NOVEMBER 2013 IN EUROPE, ALONG WITH FIVE UPCOMING NEXT- GENERATION TITLES FROM SCE WORLDWIDE STUDIOS City, Date - Sony Computer Entertainment Europe Ltd. (SCEE) today revealed that the highly anticipated PlayStation®4 (PS4™) computer entertainment system will be arriving in SCEE regions from 29th November 2013. A huge range of software and entertainment services were also unveiled at the gamescom trade fair in Cologne, Germany, including five all-new PS4 titles from SCE Worldwide Studios – Rime, Hell Divers, Shadow of the Beast, Resogun™ and Everybody’s Gone to The Rapture. Showing a clear commitment to delivering gamers fresh new experiences, the conference featured a non-stop series of announcements for new games across PlayStation®Vita (PS Vita), PlayStation®3 (PS3™) and the upcoming PS4. As promised by Jim Ryan, President and CEO of SCEE, at the opening of the presentation: “We have always been committed to making next generation products but now we’re increasingly focused on making those products for next-generation gamers.” On top of the PS4 excitement, fans were also delighted to learn of a price drop on PS Vita, Memory Card for PS Vita and PS3 12GB model for the European region. As of today the price for PS Vita Wifi and 3G models will be reduced to €199.99 and the PS3 12GB model will also retail at €199.99 Along with the price drop, new titles for PS Vita were showcased, including Murasaki Baby and BigFest™. Away from software and hardware there was a notable drive behind PlayStation®Plus (PS Plus), and the services that will be available on PS4 such as the instant game collection, cloud storage and immersive online multiplayer play along with the exciting new titles Resogun™ and #DRIVECLUB PS Plus Edition for PS4 and Assassin’s Creed® III for PS3 instant game collection.