Number for in Media Type 555-0000 Moe Szyslak

Total Page:16

File Type:pdf, Size:1020Kb

Number for in Media Type 555-0000 Moe Szyslak Number For In Media type Moe Szyslak, Yes 555-0000 The Simpsons tv I Am A Surgeon Simon Peter 555-0001 Die Hard 3 movie Gruber 555-0001 Taxi Harvard Man movie 555-0001 Mr Burns The Simpsons tv 1-800-DENTIST 555-0003 A Virrio DDS Inc tv commercial Brenda's Reality 555-0014 General Hospital tv Company 555-0046 Yellow Cab Dawson's Creek tv 555-0070 Mike Church Dead Again movie Sabrina the 555-0077 Roland tv Teenage Witch Ruff-form Dog 555-0078 The Simpsons tv School 555-0087 Sara Moore Serving Sara movie Walter and The People Next 555-0098 tv Abigail Door "How's My Allstate 555-0100 tv Driving" sign Commercial Dexter's 555-0100 Dexter tv Laboratory 555-0100 Dr Schwartz Ellen tv 555-0100 Building? Fight Club movie 555-0100 Amazon Escorts Memento movie Motorola 555-0100 Mom tv Commercial Resurrection 555-0100 Taxi movie (1999) 555-0100 Nick Chen The Corruptor movie 555-0100 Club Aerolea Vegas Vacation movie WIX radio 555-0101 American Gothic tv station Buffy the 555-0101 Buffy (work) tv Vampire Slayer Enemy of the 555-0101 ??? movie State Enemy of the 555-0101 Dean's fax movie State Answering 555-0101 FX - The Series tv Machine 555-0101 2160 Fulton Ave Fight Club movie 555-0101 Dr. Marek Goosebumps tv 555-0102 Jenna (sitter) Journeyman tv 555-0102 "Inner Circle" The X-Files tv 555-0103 Jack Rose Out of Time movie Doctor Shiro 555-0103 The X-Files tv Zama 555-0106 Clerk's Office The Practice tv 555-0106 Clerk's office The Practice tv Special Agent 555-0107 John Stevens Roswell tv (FBI) The Drew Carey 555-0107 Oswald tv Show 555-0107 Dr. Clifford Cox The X-Files tv 555-0108 Building? Fight Club movie 555-0109 Gus Holzer Out of Time movie 555-0110 Grandma Journeyman tv California Taxi 555-0111 Crossroads movie Co. Home 555-0111 Car for Sale tv Improvement 555-0111 Keys Found Sign Just Like Heaven movie Fantasy Travel 555-0112 Clockstoppers movie Agency 555-0112 Mikey and Elisa Jack & Jill tv 555-0112 Toni Scali The Commish tv Melrose Place The Tonight 555-0112 tv Apt for Rent Show 555-0113 Pat Selts Out of Time movie 555-0113 Sam Tedesco Out of Time movie 555-0113 Mr. Burns The Simpsons tv 555-0113 The Simpsons The Simpsons tv Dana Sculley 555-0113 The X-Files movie (cellular) Det. Angela 555-0114 The X-Files tv White 555-0117 Dr. Pullen Journeyman tv 555-0118 Alan Deja Vu movie 555-0118 Hotline Hannibal movie Mathias 555-0118 Out of Time movie Whitlock "I solve 555-0118 The X-Files tv Problems. OSU" 555-0119 Alison Dubois Medium tv American 555-0120 Angela Hayes movie Beauty 555-0121 Ted's Liquors Every 9 Seconds tv Hannah 555-0121 Oliver Oken tv Montana KJ5-0121 B. McGrain Millennium tv 555-0121 Lewis Brown Out of Time movie Michael 555-0121 The X-Files tv Kritschoau 555-0122 Paul Grinnell Millennium tv 555-0122 Mary News Radio tv 555-0122 Mr James' date NewsRadio tv 555-0122 Dennis Raikman Once a Thief tv 555-0122 Dave Goodman Slackers movie Bruce Almighty 555-0123 God movie (DVD version) Star Garage 555-0123 IBM commercial tv Doors Shopping at Saturday Night 555-0123 Home Network tv Live (SHN) Hoyt & 555-0123 The Pretender tv Associates The Tonight 555-0123 QVC tv Show Beverly Hills 555-0125 Martin Tanley movie Ninja 555-0125 Jason Barfield Out of Time movie 555-0126 Natural Talent Larger Than Life movie 555-0127 Taxi Cursed tv 555-0127 Luke's Club General Hospital tv Natural Talent 555-0127 Larger Than Life movie (fax) 555-0127 Walton Roth The X-Files tv Curtis's dream Men Behaving 555-0128 tv girl Badly Moving 555-0129 Mad About You tv Company Home 555-012U Harry's Help Line tv Improvement 555-0130 Grams Dawson's Creek tv The Bold & The 555-0130 Eric Forrester tv Beautiful OJ Simpson 555-0132 Bloopers Tape Mad TV tv Offer 555-0132 ??? Masterminds movie 555-0132 Ryan E. Nynex Ad tv 555-0132 O.L. Duke Out of Time movie Rodgers The Fast and the 555-0132 movie Transportation Furious 555-0132 FBI Cleveland The X-Files tv 555-0133 Michelle Melrose Place tv Special Agent KL5-0133 The X-Files tv Michael Hayes 555-0134 Lonely George Bell Ad tv 555-0134 Marla Singer Fight Club movie Hong Kong 555-0134 Harriet the Spy movie Restaurant Teddy aka John 555-0134 Memento movie G Mental 555-0134 Millenium tv institution Someone Like 555-0134 Eddie Alden movie You Motorola 555-0135 Laurie tv commercial 555-0135 2400 Motel The X-Files tv 555-0136 Nora Buchanon One Life To Live tv 555-0136 Court Clerk The Practice tv Post Forensic 555-0137 Curdled movie Cleaning Service Have Bikini Will 555-0137 Law & Order tv Travel 555-0137 Paul Edwards Out of Time movie 555-0137 Art's Deli The Big Hit movie Richard Chesler 555-0138 Fight Club movie (work) 40 Days and 40 555-0139 Candy movie Nights 555-0139 Big Ed's Tires The Family Man movie 555-0141 Debby Freeman Out of Time movie 555-0142 Abby Morgan Dawson's Creek tv 555-0142 Section One La Femme Nikita tv 555-0142 Yellow Cab Masterminds movie Motorola 555-0142 Tony tv commercial 555-0143 Quagmire Family Guy tv KL5-0143 Arlo's Quick Tow Joe Dirt movie 555-0143 Robert Caban Out of Time movie 555-0143 Meat Truck The Corruptor movie Craig 555-0143 The X-Files tv Newhausen Aeden Bennet 555-0144 Journeyman tv (mobile) 555-0146 After School Journeyman tv "I solve 555-0146 The X-Files tv Problems. OSU" The Young and 555-0146 Sacha Green tv the Restless 555-0148 Erica Beck Out of Time movie Richard Chesler 555-0149 Fight Club movie (work fax) St. Victor Notary 555-0149 Out of Time movie Public 555-0149 Bo's Tire Barn The Rookie movie Home 555-014U Harry's Help Line tv Improvement Consumer 555-0150 Recreation The Game movie Services 555-0151 Hugh Journeyman tv Consumer 555-0151 Recreation The Game movie Services Hotline Paper Street 555-0153 Fight Club movie Soap Co. 555-0153 Beverly Bunn Millennium tv 555-0153 Charlie Spin City tv Consumer 555-0153 Recreation The Game movie Services (fax) 555-0154 Amélie Bell Ad tv Beverly Hills 555-0154 Bill Taylor tv 90210 555-0154 Dawson's House Dawson's Creek tv 555-0154 Chris Welman The Pretender tv 555-0154 Frank (cell) Transporter 2 movie 555-0155 Taxi A Guy Thing movie 555-0155 Dickie Roberts Dickie Roberts movie Katie Vasser 555-0156 Journeyman tv (cell) 555-0156 City Boarding The Matrix movie 555-0157 Payphone The Corruptor movie The Fast and the 555-0157 The Racer's Edge movie Furious 555-0157 Tony Soprano The Sopranos tv Fuller & Seigel 555-0157 The X-Files tv Phone Fuller & Siegel - 555-0157 The X-Files tv Ed Jerse (tel) 555-0157 Kim Watatatow tv Fuller & Siegel - 555-0158 The X-Files tv Ed Jerse (fax) U Keep-It 555-0158 The X-Files tv Storage 555-0159 Camden home 7th Heaven tv U Keep-It 555-0159 The X-Files tv Storage 555-0161 Guns Ammo The Matrix movie 555-0162 Chas Ned & Stacey tv "Psychics 555-0163 Charmed tv Wanted" Special Agent 555-0165 John Stevens Roswell tv (home) Gate's 555-0166 The Pretender tv Restoration Dana Sculley 555-0166 The X-Files tv (cellular) 555-0167 Building? Fight Club movie How am I 555-0167 Slackers movie driving? Buffy the 555-0168 Xander (work) tv Vampire Slayer Amanda's 555-0168 Ned & Stacey tv Amuffins Bunyan Key 555-0168 Out of Time movie Police (fax) 555-0168 Sam Waters Profiler tv 555-0169 Steve's Drain It A Guy Thing movie 555-0169 Roedecker Millennium tv 555-0169 Dave Knight Out of Time movie 555-0169 Janice The Sopranos tv 555-0169 KWAZ Radio Urban Legend tv Matt "Legal Beverly Hills 555-0170 tv Advice" 90210 Bunan Key 555-0170 Out of Time movie Police 555-0170 Phil Schneider Out of Time movie American Pie 555-0171 Robards movie Band Camp 555-0171 Leon Phelps The Ladies Man movie American Pie 555-0172 Conservatory movie Band Camp 555-0172 Peter Watts Millennium tv American 555-0172 Out of Time movie Airlines 555-0173 Bryce Best Laid Plans movie 555-0173 Bayside Realty Dharma & Greg tv 555-0173 Lila Lost & Found movie 555-0174 Sublet Sign Just Like Heaven movie 555-0174 Kay's Grill Next Friday movie 555-0174 Casey Office Wings tv Best Restaurant 555-0175 The Game movie in Chinatown Know It All The Weird Al 555-0175 Corespondence tv Show School 555-0175 River North Taxi Three to Tango movie Beverly Hills 555-0176 Dylan tv 90210 James Quentin 555-0176 Profiler tv Henegar 555-0176 Cory Gillis Scream 2 movie 555-0177 Dan Vasser (cell) Journeyman tv 555-0177 Lou Bollo Millennium tv "I solve 555-0177 The X-Files tv Problems. OSU" 555-0178 Holly Richie Out of Time movie 555-0178 bomb/fax Scali tv 555-0180 Marini Guy Bell Ad tv 555-0180 Building? Fight Club movie 555-0180 Yellow Cab Co. Profiler tv 555-0182 Deed's Pizza Mr Deeds movie 555-0182 Synagogue Scali tv For Sale Sign at 555-0184 King of the Hill tv Pop's House 555-0185 Number in stall Chris Isaak Show tv Wade Saturday Night 555-0185 Blasingame, Dog tv Live Lawyer 555-0185 Gator's The Gift movie 555-0186 ??? Flash tv 555-0186 Ralph Gonzalez Out of Time movie Mandy the call Any Given 555-0187 movie girl Sunday Aeden Bennet 555-0187 Journeyman tv (office) 555-0187 Royal Taxi Liar Liar movie Bunyan Key Real 555-0187 Out of Time movie Estate Guppy the The Rockford 555-0187 tv Plumber Files Ray Vecchio's 555-0188 Due South tv Desk 555-0190 Jack Vasser Journeyman tv Overnight 555-0190 How am I driving movie Delivery Pivital 555-0190 Publications The X-Files tv (Fax) 555-0191 1888 Franklin St Fight Club movie Main Flo 555-0191 Journeyman tv Plumbing 555-0191 Dana Scully The X-Files tv 555-0192 Dr.
Recommended publications
  • Spring 2007 Newsletter
    Dance Studio Art Create/Explore/InNovate DramaUCIArts Quarterly Spring 2007 Music The Art of Sound Design in UCI Drama he Drama Department’s new Drama Chair Robert Cohen empa- a professor at the beginning of the year, graduate program in sound sized the need for sound design initia- brings a bounty of experience with him. design is a major step in the tive in 2005 as a way to fill a gap in “Sound design is the art of provid- † The sound design program Tdepartment’s continuing evolution as the department’s curriculum. “Sound ing an aural narrative, soundscape, contributed to the success of Sunday in The Park With George. a premier institution for stagecraft. design—which refers to all audio reinforcement or musical score for generation, resonation, the performing arts—namely, but not performance and enhance- limited to, theater,” Hooker explains. ment during theatrical or “Unlike the recording engineer or film film production—has now sound editor, we create and control become an absolutely the audio from initial concept right vital component” of any down to the system it is heard on.” quality production. He spent seven years with Walt “Creating a sound Disney Imagineering, where he designed design program,” he con- sound projects for nine of its 11 theme tinued, “would propel UCI’s parks. His projects included Cinemagique, Drama program—and the an interactive film show starring actor collaborative activities of Martin Short at Walt Disney Studios its faculty—to the high- Paris; the Mermaid Lagoon, an area fea- est national distinction.” turing several water-themed attractions With the addition of at Tokyo Disney Sea; and holiday overlays Michael Hooker to the fac- for the Haunted Mansion and It’s a Small ulty, the department is well World attractions at Tokyo Disneyland.
    [Show full text]
  • Die Flexible Welt Der Simpsons
    BACHELORARBEIT Herr Benjamin Lehmann Die flexible Welt der Simpsons 2012 Fakultät: Medien BACHELORARBEIT Die flexible Welt der Simpsons Autor: Herr Benjamin Lehmann Studiengang: Film und Fernsehen Seminargruppe: FF08w2-B Erstprüfer: Professor Peter Gottschalk Zweitprüfer: Christian Maintz (M.A.) Einreichung: Mittweida, 06.01.2012 Faculty of Media BACHELOR THESIS The flexible world of the Simpsons author: Mr. Benjamin Lehmann course of studies: Film und Fernsehen seminar group: FF08w2-B first examiner: Professor Peter Gottschalk second examiner: Christian Maintz (M.A.) submission: Mittweida, 6th January 2012 Bibliografische Angaben Lehmann, Benjamin: Die flexible Welt der Simpsons The flexible world of the Simpsons 103 Seiten, Hochschule Mittweida, University of Applied Sciences, Fakultät Medien, Bachelorarbeit, 2012 Abstract Die Simpsons sorgen seit mehr als 20 Jahren für subversive Unterhaltung im Zeichentrickformat. Die Serie verbindet realistische Themen mit dem abnormen Witz von Cartoons. Diese Flexibilität ist ein bestimmendes Element in Springfield und erstreckt sich über verschiedene Bereiche der Serie. Die flexible Welt der Simpsons wird in dieser Arbeit unter Berücksichtigung der Auswirkungen auf den Wiedersehenswert der Serie untersucht. 5 Inhaltsverzeichnis Inhaltsverzeichnis ............................................................................................. 5 Abkürzungsverzeichnis .................................................................................... 7 1 Einleitung ...................................................................................................
    [Show full text]
  • Straipsnių Pateikimo Taisyklės
    MOKSLO TAIKOMIEJI TYRIMAI LIETUVOS KOLEGIJOSE, 2020 Nr.16, p. 15-27 ISSN 1822-1068 / eISSN 2335-8904, http://ojs.kaunokolegija.lt/index.php/mttlk/index Živilė Nemickienė1,2, Dovile Urbonienė1, Ričardas Povilaitis1 1Vilnius University, 2Kaunas University of Applied Sciences Abstract. Humour is considered to be a universal human trait but at the same time, very subjective. The present research focuses on the comparative analysis of humour translation in the situational comedy The Simpsons. Humour is a problematic trait for translators because it depends not only on the language but also on the context and cultural information. Translators need to be well informed about important current cultural information, social stereotypes on professions, sex roles, races, intra- culturally connoted places or historical events. Translators need to be skilled enough and know about the different types of humour and translation strategies for various jokes. The translation is a decision-making process of choosing what to do with the form of expression and what the author wants to achieve by choosing one or the other forms. Created in the USA, the sitcom (an abbreviated version of the situation comedy) has always been an extremely popular genre of a television show. Broadcasted in many languages to various audiences around the world, The Simpsons is the longest-running animated sitcom. This article reveals differences between Russian and Lithuanian humour translations, found in the animated American sitcom The Simpsons. The identified humorous instances in the original version were selected and classified according to Zabalbeascoa’s (1996) classification of jokes. Keywords: humour, joke, translation, Simpsons. animated American sitcom The Simpsons; to assess Introduction the context and reasons for humour in the selected utterances; to examine the voice-over translation of Audiovisual translation has been continually the gathered examples and to compare both growing since the very beginning of the advance of analysed translations.
    [Show full text]
  • Presidential Student Businesses Candidate to Close in Protest Visit Campus Ua Steakley
    Opinion: Smith & Wesson Takes the Safe Route—Page 4 Scene: Tacos and SoCal in The City—Page 7 °s: San Francisco FOGHORTHE UNIVERSITY OF SAN FR A N cN I s c o MARCH 30, 2000 VOLUME 96, ISSUE l6 Presidential Student Businesses Candidate to Close in Protest Ua Steakley EXECUTIVE EDITOR Students trying to get their daily Visit Campus caffeine from Crossroads, Cross­ Leah Hltchlngs roads Too, and AS Express were met NEWS EDITOR School of Theology, and Gonzaga with locked doors on March 23 and The search for the next president University, receiving degrees in 24. In front ofthe doors were stacks of the University of San Francisco, catechetics and religious education, of letters from a newly-formed to replace Rev. John P. Schlegel, S.J., modem European history, and phi­ group called the "United Student is in its final stages. losophy. Forum." What ignited the letter was In a statement from the Office of Among Privett's noteworthy ac­ the resignation ofthe ASUSF busi­ the President issued March 27th, the complishments is his role in establish­ ness manager, Julie Ardell, the tenth Provost and Vice President of Santa ing the Eastside Project at Santa Clara. resignation in two years in the Di­ Clara University, Stephen A. Privett, The Eastside program "received na­ vision of Student Affairs. S.J., was termed "an excellent final tional recognition as a model com­ "It's something that has been candidate" for the position of presi­ munity-based learning program," brewing for a long time in terms of dent. said the President's Office.
    [Show full text]
  • The Simpsons in Their Car, Driving Down a Snowy Road
    'Name: Ryan Emms 'Email Address: [email protected] 'Fan Script Title: Dial 'L' for Lunatic ******************************************************* Cast of Characters Homer Simpson Marge Simpson Bart Simpson Lisa Simpson Maggie Simpson Bart's Classmates Charles Montgomery Burns Wayland Smithers Seymour Skinner Edna Krebappel Moe Szyslak Apu Nahasapeemapetilon Barney Gumbel Carl Lenny Milhouse Van Houten Herschel Krustofsky Bob Terwilliger Clancy Wiggum Dispatch Other Police Officers Kent Brockman Julius Hibbert Cut to - Springfield - at night [theme from 'COPS' playing] Enter Chief Clancy Wiggum [theme from 'COPS' ends] Chief Wiggum This is a nice night to do rounds: nothing to ruin it whatsoever. [picks up his two-way radio] Clancy to base, first rounds completed, no signs of trouble. Enter Dispatch, on other side of the CB radio Dispatch [crackling] Come in, 14. Chief Wiggum This is 14. Over. Dispatch There's a report of a man down in front of Moe's bar. An ambulance has already been sent. How long until you get there? Chief Wiggum In less than two minutes. [turns siren on, and turns off CB radio] This will be a good time to get a drink in [chuckles to himself] [Exit] Cut to - Springfield - Moe's Tavern - at night Enter Chief Wiggum Chief Wiggum [to CB radio] Dispatch, I have arrived at the scene, over and out. [gets out of the car] Enter Homer Simpson, Moe Szyslak, Carl, Lenny, Barney Gumbel, and Charles Montgomery Burns Chief Wiggum What exactly happened here? Homer [drunkenly] We.saw.a.mur.der. Chief Wiggum Say again? You saw a moodoo? Homer Shut.up.Wig.gum.
    [Show full text]
  • Saturday and Sunday Movies
    The Goodland Star-News / Friday, May 28, 2004 5 abigail your help, Abby — it’s been an aw- dinner in the bathroom with her. I behavior is inappropriate. Your parents remember leaving me home Co-worker ful burden. — OLD-FASHIONED find his behavior questionable and daughter is old enough to bathe with- alone at that age, but that was 24 van buren IN BOULDER have asked him repeatedly to allow out supervision and should do so. years ago. I feel things are too dan- DEAR OLD-FASHIONED: Talk her some privacy. Nonetheless, he You didn’t mention how physically gerous these days. creates more to the supervisor privately and tell continues to “assist her” in bathing developed she is, but she will soon Is there an age when I can leave •dear abby him or her what you have told me. by adding bath oil to the water, etc. be a young woman. Your husband’s them home alone and know that all work for others Say nothing to Ginger, because that’s Neither my husband nor my daugh- method of “lulling” her to sleep is is OK? — CAUTIOUS MOM IN DEAR ABBY: I work in a large, breaks, sometimes even paying her the supervisor’s job — and it will ter thinks anything is wrong with this also too stimulating for both of them. KANSAS open office with five other people. bills and answering personal corre- only cause resentment if you do. behavior — so what can I do? Discuss this with your daughter’s DEAR CAUTIOUS MOM: I’m We all collaborate on the same spondence on company time.
    [Show full text]
  • New Sbarro Opens Today SMC Bars Suspended Students Discuss Parietals and Housing
    , -------------c-----------------------------.1 Thursday, November 14,2002 Scene's THE gonna get you sucka pagt!s 1.4-15 The Independent Newspaper Serving Notre Dame and Saint Mary's VOL. XXXVII NO. 57 . HTTP://OBSERVER.ND.EDU New Sbarro opens today SMC bars suspended officer frotn catnpus By CALLIE WHELAN Nc:ws Writer can't even visit my daughter [on By SARAH NESTOR campus]." After numerous delays due to Saint Mary's Editor construction and logistics issues, Rathert, whose daughter is a freshman at Saint Mary's, claims the new Sbarro pizza restaurant Saint Mary's security officer that Kelly imposed the trespass­ will open for business today at Belinda Rathert remains on sus­ 10 a.m. in the LaFortune base­ ing order because of an alleged pension but is now also prohibit­ incident in which Rathert made a ment. ed from entering the campus. threatening remark about the Construction on the new facili­ Rathert, ty began in July of this past sum­ College. who was "I thought we were having an mer and was originally sched­ suspended intelligent conversation about uled to be completed by Nov. 4. Nov. 7, has "We had a delay with the pizza workplace violence," said been with Rathert. "All I was talking about ovens," said Dave Prentkowski, the College was that Saint Mary's docs not director of food services at the for three University. have training for workplace vio­ years. lence." In addition to minor delays The secu­ with equipment, space concerns According to Melanie Engler, a rity officer spokeswoman for the College, prompted managers to make received a Belinda Rathert "Ms.
    [Show full text]
  • Filmic Bodies As Terministic (Silver) Screens: Embodied Social Anxieties in Videodrome
    FILMIC BODIES AS TERMINISTIC (SILVER) SCREENS: EMBODIED SOCIAL ANXIETIES IN VIDEODROME BY DANIEL STEVEN BAGWELL A Thesis Submitted to the Graduate Faculty of WAKE FOREST UNIVERSITY GRADUATE SCHOOL OF ARTS AND SCIENCES in Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS Communication May 2014 Winston-Salem, North Carolina Approved By: Ron Von Burg, Ph.D., Advisor Mary Dalton, Ph.D., Chair R. Jarrod Atchison, Ph.D. ACKNOWLEDGMENTS A number of people have contributed to my incredible time at Wake Forest, which I wouldn’t trade for the world. My non-Deac family and friends are too numerous to mention, but nonetheless have my love and thanks for their consistent support. I send a hearty shout-out, appreciative snap, and Roll Tide to every member of the Wake Debate team; working and laughing with you all has been the most fun of my academic career, and I’m a better person for it. My GTA cohort has been a blast to work with and made every class entertaining. I wouldn’t be at Wake without Dr. Louden, for which I’m eternally grateful. No student could survive without Patty and Kimberly, both of whom I suspect might have superpowers. I couldn’t have picked a better committee. RonVon has been an incredibly helpful and patient advisor, whose copious notes were more than welcome (and necessary); Mary Dalton has endured a fair share of my film rants and is the most fun professor that I’ve had the pleasure of knowing; Jarrod is brilliant and is one of the only people with a knowledge of super-violent films that rivals my own.
    [Show full text]
  • Microfilmed - 1064 Information to Users
    MICROFILMED - 1064 INFORMATION TO USERS This reproduction was made from a copy of a document sent to us for microfilming. While the most advanced technology has been used to photograph and reproduce this document, the quality of the reproduction is heavily dependent upon the quality of the material submitted. The following explanation of techniques is provided to help clarify markings or notations which may appear on this reproduction. 1. The sign or “target” for pages apparently lacking from the document photographed is “Missing Page(s)”. If it was possible to obtain the missing page(s) or section, they ari spliced into the film along with adjacent pages. This may have necessitated cutting through an image and duplicating adjacent pages to assure complete continuity. 2. When an image on the film is obliterated with a round black mark, it is an indication of either blurred copy because of movement during exposure, duplicate copy, or copyrighted materials that should not have been filmed. For blurred pages, a good image of the page can be found in the adjacent frame. If copyrighted materials were deleted, a target note wfll appear listing the pages in the adjacent frame. 3. When a map, drawing or chart, etc., is part of the material being photographed, a definite method of “sectioning” the material has been followed. It is customary to begin filming at the upper left hand comer o f a large sheet and to continue from left to right in equal sections with small overlaps. If necessary, sectioning is continued again—bepnning below the first row and continuing on until complete.
    [Show full text]
  • Hidden Facts About Bobby Lee Wife, Khalyla Kuhn
    Hidden facts about Bobby Lee wife, Khalyla Kuhn Kayla Kuhn was born in 1984 in the United States. Her precise birth date and spot are not accessible right now. She is an American public and of the white ethical foundation. Kuhn had a difficult adolescence and was raised by her mum without any assistance, even though subtleties of what made it so are not accessible. This made her beginning cooking for herself directly from her young years, precisely at 17. Khalyla Kuhn is supposedly a biochemistry graduate and has been a private instructor in related areas, including microbiology, life systems, and physiology. She has additionally functioned as a server in a seashore bar close to her home to get by. Kuhn may have done some different positions. However, she just picked up unmistakable quality in the wake of hitting a relationship with Bobby Lee. Early life Kayla Kuhn likes to stay quiet about her experience. Thus almost no data is accessible on her family. As prior referenced, her mom Marites Kuhn raised her alone, close by her sister Julianna. Her dad's character stays a riddle. Moreover, a few sources hold that Khalyla is of Egyptian-Filipino respectable. While her dad has an Egyptian family, her mom has a Filipino inception. Khalyla Kuhn's Relationship with Bobby Lee Kuhn and Lee met using the visiting application, which serves as a dating site called Tinder. After visiting at various events, they made a chance and met, after which they began dating. They accordingly got married secretly in August 2016 at a New York church.
    [Show full text]
  • The Id, the Ego and the Superego of the Simpsons
    Hugvísindasvið The Id, the Ego and the Superego of The Simpsons B.A. Essay Stefán Birgir Stefánsson January 2013 University of Iceland School of Humanities Department of English The Id, the Ego and the Superego of The Simpsons B.A. Essay Stefán Birgir Stefánsson Kt.: 090285-2119 Supervisor: Anna Heiða Pálsdóttir January 2013 Abstract The purpose of this essay is to explore three main characters from the popular television series The Simpsons in regards to Sigmund Freud‟s theories in psychoanalytical analysis. This exploration is done because of great interest by the author and the lack of psychoanalytical analysis found connected to The Simpsons television show. The main aim is to show that these three characters, Homer Simpson, Marge Simpson and Ned Flanders, represent Freud‟s three parts of the psyche, the id, the ego and the superego, respectively. Other Freudian terms and ideas are also discussed. Those include: the reality principle, the pleasure principle, anxiety, repression and aggression. For this analysis English translations of Sigmund Freud‟s original texts and other written sources, including psychology textbooks, and a selection of The Simpsons episodes, are used. The character study is split into three chapters, one for each character. The first chapter, which is about Homer Simpson and his controlling id, his oral character, the Oedipus complex and his relationship with his parents, is the longest due to the subchapter on the relationship between him and Marge, the id and the ego. The second chapter is on Marge Simpson, her phobia, anxiety, aggression and repression. In the third and last chapter, Ned Flanders and his superego is studied, mainly through the religious aspect of the character.
    [Show full text]
  • Die Simpsons Und Die Theologie
    1. Der Tag der Abrechnung ...........................................................................3 1.1 Von einstweiligen Verfügungen und kurzweiligen Folgen ...........................3 1.2 „Kein Dr. Nick“ oder die Rahmenbedingungen ............................................4 1.3 Der Leitgedanke ...............................................................................................5 2. Es beginnt im Himmel ................................................................................7 2.1 Die Simpsons ...................................................................................................7 2.2 ... und Amerika .................................................................................................8 2.3 ... und die Familie ...........................................................................................14 2.4 ... und die Postmoderne ................................................................................17 3. ...und spielt doch auf der Erde ................................................................19 3.1 Intention und Ziel ...........................................................................................19 3.2 Form und Rahmenhandlung der Zeichentrickepisode ..............................20 3.3 Die biblische Grundlage ................................................................................21 3.3.1 Der Text ..........................................................................................................22 3.3.2 Ein Überblick ..................................................................................................26
    [Show full text]