2015 Begs for Change
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Face Time Mike Tyson Gets a Hero’S Subway Fall Scare Welcome at Bed-Stuy Event Crowd Rushes to Rescue at Atlantic Ave
LOOK FOR BREAKING NEWS EVERY WEEKDAY AT BROOKLYNPAPER.COM Yo u r Neighborhood — Yo u r News® BrooklynPaper.com • (718) 260–2500 • Brooklyn, NY • ©2013 Serving Brownstone Brooklyn and Williamsburg AWP/12 pages • Vol. 36, No. 51 • December 20–26, 2013 • FREE ICE, ICE, BABY Prospect Park’s new skating complex is now open By Megan Riesz the virtues of the shred center. adorned overhang, and the other, connected The Brooklyn Paper “This 26-acre restoration of Lakeside builds rink out in the open. Shake the dust off those skates and tape on the park’s natural beauty — and helps re- A cafe will serve burgers, milk-shakes, up your hockey sticks. store the park’s original vision — while also and salads. But however exciting the eat- Workers are putting the final touches on including modern amenities and green infra- ery’s menu is, it will not help when it comes Prospect Park’s long-awaited ice skating com- structure that will help sustain the park for to getting a health department certification plex and we got a got a sneak peek at the regal years to come,” Bloomberg said. in time for the opening. Without it, the cafe rinks that await. Outgoing Mayor Bloomberg The Samuel J. and Ethel LeFrak Center at may be shuttered on the big day and the park Photo by Paul Martinka stopped by Tuesday’s ribbon cutting as part of Lakeside will boast two 450-capacity rinks, may call in food trucks for reinforcements, Kids christened the LeFrak Center rinks at the ribbon-cutting ceremony on Dec. -
The Miseducation of Hip-Hop Dance: Authenticity, and the Commodification of Cultural Identities
The Miseducation of Hip-Hop dance: Authenticity, and the commodification of cultural identities. E. Moncell Durden., Assistant Professor of Practice University of Southern California Glorya Kaufman School of Dance Introduction Hip-hop dance has become one of the most popular forms of dance expression in the world. The explosion of hip-hop movement and culture in the 1980s provided unprecedented opportunities to inner-city youth to gain a different access to the “American” dream; some companies saw the value in using this new art form to market their products for commercial and consumer growth. This explosion also aided in an early downfall of hip-hop’s first dance form, breaking. The form would rise again a decade later with a vengeance, bringing older breakers out of retirement and pushing new generations to develop the technical acuity to extraordinary levels of artistic corporeal genius. We will begin with hip-hop’s arduous beginnings. Born and raised on the sidewalks and playgrounds of New York’s asphalt jungle, this youthful energy that became known as hip-hop emerged from aspects of cultural expressions that survived political abandonment, economic struggles, environmental turmoil and gang activity. These living conditions can be attributed to high unemployment, exceptionally organized drug distribution, corrupt police departments, a failed fire department response system, and Robert Moses’ building of the Cross-Bronx Expressway, which caused middle and upper-class residents to migrate North. The South Bronx lost 600,000 jobs and displaced more than 5,000 families. Between 1973 and 1977, and more than 30,000 fires were set in the South Bronx, which gave rise to the phrase “The Bronx is Burning.” This marginalized the black and Latino communities and left the youth feeling unrepresented, and hip-hop gave restless inner-city kids a voice. -
Anal Lickfest Review Reviewed: 12/05/2006 (Updated: 09/02/2007) Porn Reviews Bisexual Reviews Adult Reviews
Anal Lickfest Review Reviewed: 12/05/2006 (Updated: 09/02/2007) Porn Reviews Bisexual Reviews Adult Reviews Introduction Some sites are hard to figure out just from their name alone. Anal LickFest is not one of them. This site offers all the anilingus, felching, and oral ass play that any enthusiast could ever ask for. These are gorgeous sluts getting interviewed as they eat ass and earn a well felched cumshot! Adult Review Ever wonder what happened to Khan Tusion and the rest of the guys from the Meatholes site when it stopped updating? The production crew from Meatholes is still active and their current project sets a new standard for backdoor filth! If you were a Meatholes member in the past, joining up to see what the guys have gotten into now is something you will want to consider doing. Anal Lickfest includes all the psychodrama and interview expertise that only Khan Tusion can provide. His pre-shoot talks with the ladies about to perform for Anal Lickfest are worth the price of admission all by themselves. He gets them to use their real names, finds out their nicknames and even gets some of these gals to tell you what high-school they really went to! Perhaps you'll see someone you recognize. Each scene features two stunning starlets who spend some couch time with Khan answering questions about their private lives, what their parents do for a living and more. When Khan finds a juicy nugget that strikes a nerve he delves deeper and the scene only gets hotter. -
"Throw Me Something, Mister": the History of Carnival Throws in New Orleans
University of New Orleans ScholarWorks@UNO University of New Orleans Theses and Dissertations Dissertations and Theses 5-20-2011 "Throw Me Something, Mister": The History of Carnival Throws in New Orleans Lissa Capo University of New Orleans, [email protected] Follow this and additional works at: https://scholarworks.uno.edu/td Recommended Citation Capo, Lissa, ""Throw Me Something, Mister": The History of Carnival Throws in New Orleans" (2011). University of New Orleans Theses and Dissertations. 1294. https://scholarworks.uno.edu/td/1294 This Thesis is protected by copyright and/or related rights. It has been brought to you by ScholarWorks@UNO with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights- holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This Thesis has been accepted for inclusion in University of New Orleans Theses and Dissertations by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. “Throw Me Something, Mister”: The History of Carnival Throws in New Orleans A Thesis Submitted to the Graduate Faculty of the University of New Orleans in partial fulfillment of the requirements for the degree of Master of Arts in History Public History by Lissa Capo B.A. Louisiana State University, 2006 May 2011 i Dedication This work is dedicated to my parents, William and Leslie Capo, who have supported me through the years. -
Rhythm, Dance, and Resistance in the New Orleans Second Line
UNIVERSITY OF CALIFORNIA Los Angeles “We Made It Through That Water”: Rhythm, Dance, and Resistance in the New Orleans Second Line A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Ethnomusicology by Benjamin Grant Doleac 2018 © Copyright by Benjamin Grant Doleac 2018 ABSTRACT OF THE DISSERTATION “We Made It Through That Water”: Rhythm, Dance, and Resistance in the New Orleans Second Line by Benjamin Grant Doleac Doctor of Philosophy in Ethnomusicology University of California, Los Angeles, 2018 Professor Cheryl L. Keyes, Chair The black brass band parade known as the second line has been a staple of New Orleans culture for nearly 150 years. Through more than a century of social, political and demographic upheaval, the second line has persisted as an institution in the city’s black community, with its swinging march beats and emphasis on collective improvisation eventually giving rise to jazz, funk, and a multitude of other popular genres both locally and around the world. More than any other local custom, the second line served as a crucible in which the participatory, syncretic character of black music in New Orleans took shape. While the beat of the second line reverberates far beyond the city limits today, the neighborhoods that provide the parade’s sustenance face grave challenges to their existence. Ten years after Hurricane Katrina tore up the economic and cultural fabric of New Orleans, these largely poor communities are plagued on one side by underfunded schools and internecine violence, and on the other by the rising tide of post-disaster gentrification and the redlining-in- disguise of neoliberal urban policy. -
Claimed Studios Self Reliance Music 779
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Gayneworleans.COM • Southerndecadence.COM • Gayeasterparade.COM • Jan
GayNewOrleans.COM • SouthernDecadence.COM • GayEasterParade.COM • Jan. 30-Feb. 12, 2007 • AmbushMag.COM • MAIN~1 of 56 MAIN~2 of 56 • AmbushMag.COM • Jan. 30-Feb. 12, 2007 • The One & Only Official Gay Mardi Gras Guide • GayMardiGras.COM GayNewOrleans.COM • SouthernDecadence.COM • GayEasterParade.COM • Jan. 30-Feb. 12, 2007 • AmbushMag.COM • MAIN~3 of 56 local brass band talent is one of the few Krewe du Vieux traditions not currently the "official" dish being gutted, demolished, called into special session or waiting on a Road to Gulf South Entertainment/Travel Guide Since by Rip & Marsha Naquin-Delain Nowhere application. 1982 • Texas-Florida RipandMarsha.COM The Krewe du Vieux is a non-profit organization dedicated to the historical OFFICE/SHIPPING ADDRESS: E-mail: [email protected] 828-A Bourbon St., New Orleans, LA 70116-3137 and traditional concept of a Mardi Gras USA parade as a venue for individual creative Warden Chris Rose expression and satirical comment. It is OFFICE HOURS: 10am-3pm unique among all Mardi Gras parades Monday-Friday [Except Holidays] To Lead Inmates’ Escape because it alone carries on the old Carni- E-mail: [email protected] Parade, Krewe du Vieux val traditions, by using decorated, hand or PHONE: 1.504.522.8049 • 1.504.522.8047 mule-drawn floats with satirical themes, 2007 on Feb. 3 ANNUAL READERSHIP: accompanied by costumed revelers danc- Has there ever been a crazier 650,000+ in print/3.5 Million+ On-line ing to the sounds of jazzy street musi- year? In Washington, the Repub- cians. We believe in exposing the world to NATIONAL CIRCULATION: licans turned a few pages – and " the true nature of Mardi Gras — and in USA.. -
Lawrence Berkeley Laboratory
LBL-29419 Lawrence Berkeley Laboratory UNIVERSITY OF CALIFORNIA APPLIED SCIENCE DIVISION Presented at the 3rd International Conference on System Simulation in Buildings, Liege, Belgium, December 3-5, 1990, and to be published in the Proceedings The U.S./EKS: Advances in the SPANK-based Energy Kernel System F. Buhl, E. Erdem, J.-M. Nataf, F.C. Winkelmann, M. Moshier, and E. Sowell December 1990 --- -tJ('") 0 .......... r "1 J 0 f"J D 4:--~,_. z ~ !lt n APPLIED SCIENCE fD ct-O fD fD 1J DIVISION X"Ul -< ---Ul Ill 1-' 0.. ID. til t$1 r r IJj ...... r- crn l ....J 0 p) Prepared for the U.S. Department of Energy under Contract Number DE-AC03-76SF00098 !lt "0 ...0 "1'< -+=- '< 1-'" . PJ ...0 DISCLAIMER This document was prepared as an account of work sponsored by the United States Government. While this document is believed to contain correct information, neither the United States Government nor any agency thereof, nor the Regents of the University of California, nor any of their employees, makes any warranty, express or implied, or assumes any legal responsibility for the accuracy, completeness, or usefulness of any information, apparatus, product, or process disclosed, or represents that its use would not infringe privately owned rights. Reference herein to any specific commercial product, process, or service by its trade name, trademark, manufacturer, or otherwise, does not necessarily constitute or imply its endorsement, recommendation, or favoring by the United States Government or any agency thereof, or the Regents of the University of California. The views and opinions of authors expressed herein do not necessarily state or reflect those of the United States Government or any agency thereof or the Regents of the University of California. -
The Frontier, May 1930
University of Montana ScholarWorks at University of Montana The Frontier and The Frontier and Midland Literary Magazines, 1920-1939 University of Montana Publications 5-1930 The Frontier, May 1930 Harold G. Merriam Follow this and additional works at: https://scholarworks.umt.edu/frontier Let us know how access to this document benefits ou.y Recommended Citation Merriam, Harold G., "The Frontier, May 1930" (1930). The Frontier and The Frontier and Midland Literary Magazines, 1920-1939. 32. https://scholarworks.umt.edu/frontier/32 This Journal is brought to you for free and open access by the University of Montana Publications at ScholarWorks at University of Montana. It has been accepted for inclusion in The Frontier and The Frontier and Midland Literary Magazines, 1920-1939 by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. FRONTIER \ MAGAZIN€ Of TH€ NORTHWfST MAY Cowboy Can Ride, a drawing by Irving Shope. A Coffin for Enoch, a story by Elise Rushfeldt. Chinook Jargon, by Edward H. Thomas. The Backward States, an essay by Edmund L. Freeman. An Indian Girl's Story of a Trading Expedition to the South west About 1841. Other stories by Ted Olson, Roland English Hartley, William Saroyan, Martin Peterson, Merle Haines. Open Range articles by H. C. B. Colvill, William S. Lewis, Mrs. T , A. Wickes. Poems by Donald Burnie, Elizabeth Needham, Kathryn Shepherd, James Rorty. ■ Frances Huston, W hitley Gray, Eleanor Sickels, Muriel Thurston, Helen Mating, B Margaret Skavlan, James Marshall, Frank Ankenbrand, Jr., Israel Newman. Lillian T . Leonard, Edith M. -
Mardi Gras Parades 2014
Mardi Gras Parades 2014 Date Parade Time Area 2/15/2014 Krewe of Jupiter 6:30 PM Baton Rouge 2/21/2014 Krewe of Artemis 7:00 PM Baton Rouge 2/22/2014 Krewe of Mystique 2:00 PM Baton Rouge 2/22/2014 Krewe of Orion 6:30 PM Baton Rouge 2/28/2014 Southdowns 7:00 PM Baton Rouge 3/1/2014 Spanish Town Noon Baton Rouge 2/16/2014 Krewe of Des Petite 1:00 PM Bayou Lafourche 2/22/2014 Le Krewe Des T- Cajun noon Bayou Lafourche 2/22/2014 Krewe of Ambrosia 5:30 PM Bayou Lafourche 2/23/2014 Krewe of Shaka 1:00 PM Bayou Lafourche 2/23/2014 Krewe of Versailles Noon Bayou Lafourche 2/28/2014 Krewe of Athena 7:00 PM Bayou Lafourche 3/1/2014 Krewe of Altantis noon Bayou Lafourche 3/1/2014 Krewe of Apollo Noon Bayou Lafourche 3/1/2014 Krewe of Babylon 6:00 PM Bayou Lafourche 3/1/2014 Le Krewe Du Bon Temps 5:50 PM Bayou Lafourche 3/2/2014 Krewe of Nereids 6:00 PM Bayou Lafourche 2/22/2014 Knights of Nemesis 1:00 PM Chalmette 2/22/2014 Krewe of Olympia 6:00 PM Covington 2/28/2014 Krewe of Lyra 7:00 PM Covington 2/15/2014 Krewe du Vieux 6:30 PM French Quarter 2/15/2014 Krewe Delusion du Vieux French Quarter 2/21/2014 Krewe of Cork 3:00 PM French Quarter 2/23/2014 Krewe of Barkus 2:00 PM French Quarter 2/22/2014 Krewe of Tee Caillou 12:00 PM Houma/Terrebonne 2/22/2014 Krewe of Aquarius 6:30 PM Houma/Terrebonne 2/23/2014 Krewe of Hyacinthians 12:30 PM Houma/Terrebonne 2/23/2014 Krewe of Titans Hyacin Houma/Terrebonne 2/28/2014 Krewe of Aphrodite 6:30 PM Houma/Terrebonne 3/1/2014 Krewe of Mardi Gras 6:30 PM Houma/Terrebonne 3/2/2014 Krewe of Terreanians 12:30 -
Download Entire Issue in PDF Format
OTHER/WISE VOLUME 9 WINTER 2012 Welcome to the online journal of the International Forum for Psychoanalytics Education. Other/Wise is a journal that reflects the commitment of IFPE to originality, creativity, and diversity of thought. We welcome contributions of scholarly papers, clinical papers, personal narratives, and psychoanalytically oriented short stories, poetry, art work, and music. Check out the web version of the journal at http://ifpe.wordpress.com to leave comments. What’s in a name? Encountering ideas in ways other than expected allows us to see things we might otherwise overlook. The word otherwise suggests that experiencing that which is different can make us wise. With this in mind we created OTHER/WISE, an unconventional online journal that makes room for the familiar and the unfamiliar in understanding psychoanalysis. Through observation, art, reading, thinking, day dreaming and ideas not yet thought our journal pursues psychoanalysis with a language of passion and desire. This Issue’s ContriButors: • Jon Mills • Louis Breger • Merle Molofsky • Claudia Ruivo Carreira • Karen Morris • Maria do Rosário Dias • Ronald C. Naso • Hailey Doran • Joseph Scarpati • Oren Gozlan • Stefanie Teitelbaum • Warren Holt • Robert Waska • Les Von Losberg This Issue’s Contributors TABLE OF CONTENTS Other/Wise Volume 9 Winter 2012 .............................................................................................................................................. 1 Editors’ Introduction ............................................................................................................................................................ -
However, There Is a Rub. DFA Will Be Loved By
Dirty Farm Animals is a series of animated shorts that all take place on a colorful farm in BFE. The series follows the innocuous misadventures of a group of farm animals as they navigate life in the country. However, there is a rub. While each short seems harmless, each episode is written in double entendre. So, the pure, virginal, family-oriented situations can also be construed as tawdry, lusty, randy, raunchy and downright filthy-dirty by the viewer. DFA will be loved by children the world over. As long as the children are old enough to wax their nether regions without having to get parental consent. We believe those ages 14-30 will find hilarity in the word play and the rather graphic, sophomoric, humor. With recognizable, pronounced and extremely marketable characters, DFA is built to entertain. The farm and the barn have a worn and lived-in feel. A bit seedy and a little beat up, the scenery has the look and feel of a porn director’s well-used casting couch. The stimulating scenery and characters hearken back to the animation shorts of yesteryear. They have a vintage smarmy feel of a black velvet painting. Exaggerated, dated but idealistic scenery paints the landscape for each scene. Vibrant in color, but a little rough around the edges, The Dirty Farm Animals look as if they could benefit from a bath. Each has a unique personality, but also one subtle physical characteristic that is sexual in nature. These natural birthmarks are not obvious. The viewer may not even notice these characteristics at first blush.