The Little Red Book of Very Dirty Words
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By Anne-Sophie Adelys
by Anne-Sophie Adelys © Anne-Sophie Adelys - 2013 - www.adelys.co.nz © Anne-Sophie Adelys - 2013 - www.adelys.co.nz 3 © Anne-Sophie Adelys - 2013 - www.adelys.co.nz © Anne-Sophie Adelys - 2013 - www.adelys.co.nz My name is Anne-Sophie Adelys. I’m French and have been living in New Zealand since 2001. I’m an artist. A painter. Each week I check “The Big idea” website for any open call for artists. On Saturday the 29th of June 2013, I answered an artist call titled: “Artist for a fringe campaign on Porn” posted by the organisation: The Porn Project. This diary documents the process of my work around this project. I’m not a writer and English is not even my first language. Far from a paper, this diary only serves one purpose: documenting my process while working on ‘The Porn Project’. Note: I have asked my friend Becky to proof-read the diary to make sure my ‘FrenchGlish’ is not too distracting for English readers. But her response was “your FrenchGlish is damn cute”. So I assume she has left it as is… © Anne-Sophie Adelys - 2013 - www.adelys.co.nz 4 4 © Anne-Sophie Adelys - 2013 - www.adelys.co.nz The artist call as per The Big Idea post (http://www.thebigidea.co.nz) Artists for a fringe campaign on porn 28 June 2013 Organisation/person name: The Porn Project Work type: Casual Work classification: OTHER Job description: The Porn Project A Fringe Art Campaign Tāmaki Makaurau/Auckland, Aotearoa/New Zealand August, 2013 In 2012, Pornography in the Public Eye was launched by people at the University of Auckland to explore issues in relation to pornography through research, art and community-based action. -
The Boggy Shoe the Magazine of Bh7 Hash House Harriers
THE BOGGY SHOE THE MAGAZINE OF BH7 HASH HOUSE HARRIERS 1087 MAR/APR 1999 RUNS ? 1084 1085 1086 1083 1086 1082 1081 1080 01-March-99 1080 Sussex Ox Milton Street Elaine 01273 493676 08-March-99 1081 Golden Cross Portland Road, Hove Ivan (100th) & Steve 01273 707182 15-March-99 1082 Shepherd & Dog Fulking David Hearle n/k? 22-March-99 1083 Star Steyning Greyhounds Chris etc. 01273 554148 29-March-99 1084 Wheatsheaf Cuckfield Bouncer (250th)Gabi 01273 779520 05-April-99 1085 Fountain Ashurst Auntie Jo Jex 01903 765163 12-April-99 1086 Royal Oak Poynings Rosemary (retirement) 01273 506571 19-April-99 1087 Flight Path Lowfield Heath Simon & Les 01444 232194 26-April-99 1088 Blacksmiths Arms Offham Mudlarks Nigel & Pete 01273 271441 All runs are on Mondays meet at 19.30 for 19.40 start Sschhpi-ell! Well another winter is nearly over and time to put the the old wossnames fading. This information is also available on the hashlights away. Good to see a few more town runs this internet and a hard copy will be given to anyone attending the next time. Gradually hares are getting used to setting shorter Interhash in Tasmania. Registrations go up 1st July so get in quick to runs in the dark and keeping checks short in built-up areas. avoid a hefty increase. Should mean a few short fast runs come BST! I have masses of material for the trash which is ready to be put in but Good luck to any idiots out there doing the London I may have to step down for a while come the summer. -
Anal Lickfest Review Reviewed: 12/05/2006 (Updated: 09/02/2007) Porn Reviews Bisexual Reviews Adult Reviews
Anal Lickfest Review Reviewed: 12/05/2006 (Updated: 09/02/2007) Porn Reviews Bisexual Reviews Adult Reviews Introduction Some sites are hard to figure out just from their name alone. Anal LickFest is not one of them. This site offers all the anilingus, felching, and oral ass play that any enthusiast could ever ask for. These are gorgeous sluts getting interviewed as they eat ass and earn a well felched cumshot! Adult Review Ever wonder what happened to Khan Tusion and the rest of the guys from the Meatholes site when it stopped updating? The production crew from Meatholes is still active and their current project sets a new standard for backdoor filth! If you were a Meatholes member in the past, joining up to see what the guys have gotten into now is something you will want to consider doing. Anal Lickfest includes all the psychodrama and interview expertise that only Khan Tusion can provide. His pre-shoot talks with the ladies about to perform for Anal Lickfest are worth the price of admission all by themselves. He gets them to use their real names, finds out their nicknames and even gets some of these gals to tell you what high-school they really went to! Perhaps you'll see someone you recognize. Each scene features two stunning starlets who spend some couch time with Khan answering questions about their private lives, what their parents do for a living and more. When Khan finds a juicy nugget that strikes a nerve he delves deeper and the scene only gets hotter. -
Everything In
University of Texas at El Paso ScholarWorks@UTEP Open Access Theses & Dissertations 2020-01-01 Everything In Greg Chavez University of Texas at El Paso Follow this and additional works at: https://scholarworks.utep.edu/open_etd Part of the Creative Writing Commons Recommended Citation Chavez, Greg, "Everything In" (2020). Open Access Theses & Dissertations. 3149. https://scholarworks.utep.edu/open_etd/3149 This is brought to you for free and open access by ScholarWorks@UTEP. It has been accepted for inclusion in Open Access Theses & Dissertations by an authorized administrator of ScholarWorks@UTEP. For more information, please contact [email protected]. EVERYTHING IN GREG CHAVEZ Master’s Program in Creative Writing APPROVED: Sylvia Aguilar-Zéleny, MH, MFA, Chair Jeffrey Sirkin, Ph.D. Annika Mann, Ph.D. Stephen L. Crites, Jr., Ph.D. Dean of the Graduate School Copyright © by Greg Chavez 2020 EVERYTHING IN by GREG CHAVEZ, B.A. THESIS Presented to the Faculty of the Graduate School of The University of Texas at El Paso in Partial Fulfillment of the Requirements for the Degree of MASTER OF FINE ARTS Department of Creative Writing THE UNIVERSITY OF TEXAS AT EL PASO December 2020 Acknowledgements I wish to express my sincerest gratitude for the entire creative writing community at UTEP. Your invaluable feedback and encouragement along the way has helped guide my writing into and out of spaces it had feared to tread. Special thanks to all my UTEP professors who challenged me to see writing and literature from perspectives never imagined. To my thesis committee, Professor Sylvia Aguilar-Zéleny, Dr. Jeffrey Sirkin, and Dr. -
Claimed Studios Self Reliance Music 779
I / * A~V &-2'5:~J~)0 BART CLAHI I.t PT. BT I5'HER "'XEAXBKRS A%9 . AFi&Lkz.TKB 'GMIG'GCIKXIKS 'I . K IUOF IH I tt J It, I I" I, I ,I I I 681 P U B L I S H E R P1NK FLOWER MUS1C PINK FOLDER MUSIC PUBLISH1NG PINK GARDENIA MUSIC PINK HAT MUSIC PUBLISHING CO PINK 1NK MUSIC PINK 1S MELON PUBL1SHING PINK LAVA PINK LION MUSIC PINK NOTES MUS1C PUBLISHING PINK PANNA MUSIC PUBLISHING P1NK PANTHER MUSIC PINK PASSION MUZICK PINK PEN PUBLISHZNG PINK PET MUSIC PINK PLANET PINK POCKETS PUBLISHING PINK RAMBLER MUSIC PINK REVOLVER PINK ROCK PINK SAFFIRE MUSIC PINK SHOES PRODUCTIONS PINK SLIP PUBLISHING PINK SOUNDS MUSIC PINK SUEDE MUSIC PINK SUGAR PINK TENNiS SHOES PRODUCTIONS PiNK TOWEL MUSIC PINK TOWER MUSIC PINK TRAX PINKARD AND PZNKARD MUSIC PINKER TONES PINKKITTI PUBLISH1NG PINKKNEE PUBLISH1NG COMPANY PINKY AND THE BRI MUSIC PINKY FOR THE MINGE PINKY TOES MUSIC P1NKY UNDERGROUND PINKYS PLAYHOUSE PZNN PEAT PRODUCTIONS PINNA PUBLISHING PINNACLE HDUSE PUBLISHING PINOT AURORA PINPOINT HITS PINS AND NEEDLES 1N COGNITO PINSPOTTER MUSIC ZNC PZNSTR1PE CRAWDADDY MUSIC PINT PUBLISHING PINTCH HARD PUBLISHING PINTERNET PUBLZSH1NG P1NTOLOGY PUBLISHING PZO MUSIC PUBLISHING CO PION PIONEER ARTISTS MUSIC P10TR BAL MUSIC PIOUS PUBLISHING PIP'S PUBLISHING PIPCOE MUSIC PIPE DREAMER PUBLISHING PIPE MANIC P1PE MUSIC INTERNATIONAL PIPE OF LIFE PUBLISHING P1PE PICTURES PUBLISHING 882 P U B L I S H E R PIPERMAN PUBLISHING P1PEY MIPEY PUBLISHING CO PIPFIRD MUSIC PIPIN HOT PIRANA NIGAHS MUSIC PIRANAHS ON WAX PIRANHA NOSE PUBL1SHING P1RATA MUSIC PIRHANA GIRL PRODUCTIONS PIRiN -
Feminism & Psychology
Feminism & Psychology http://fap.sagepub.com/ Vegan Sexuality: Challenging Heteronormative Masculinity through Meat-free Sex Annie Potts and Jovian Parry Feminism & Psychology 2010 20: 53 DOI: 10.1177/0959353509351181 The online version of this article can be found at: http://fap.sagepub.com/content/20/1/53 Published by: http://www.sagepublications.com Additional services and information for Feminism & Psychology can be found at: Email Alerts: http://fap.sagepub.com/cgi/alerts Subscriptions: http://fap.sagepub.com/subscriptions Reprints: http://www.sagepub.com/journalsReprints.nav Permissions: http://www.sagepub.com/journalsPermissions.nav Citations: http://fap.sagepub.com/content/20/1/53.refs.html >> Version of Record - Feb 15, 2010 What is This? Downloaded from fap.sagepub.com at UNIV CALIFORNIA IRVINE on January 4, 2012 Annie POTTS and Jovian PARRY Vegan Sexuality: Challenging Heteronormative Masculinity through Meat-free Sex The terms ‘vegansexuality’ and ‘vegansexuals’ entered popular discourse following sub- stantial media interest in a New Zealand-based academic study on ethical consumption that noted that some vegans engaged in sexual relationships and intimate partnerships only with other vegans. At this time it was suggested that a spectrum existed in rela- tion to cruelty-free consumption and sexual relationships: at one end of this spectrum, a form of sexual preference influenced by veganism entailed an increased likelihood of sexual attraction towards those who shared similar beliefs regarding the exploitation of non-human animals; at the other end of the spectrum such a propensity might manifest as a strong sexual aversion to the bodies of those who consume meat and other animal products. -
Large Whale Restraint – Page 1 of 108 REPORT of LARGE WHALE
Large Whale Restraint – Page 1 of 108 REPORT OF LARGE WHALE RESTRAINT WORKSHOP Feb 7th & 8th 2006 AT CARRIAGE HOUSE WOODS HOLE OCEANOGRAPHIC INSTITUTION WOODS HOLE MA 02543 SPONSORED BY NATIONAL MARINE FISHERIES SERVICE Order # EM133F05SE5824 Requisition/ Reference # NFFM5100-5-00800 AUTHORS Andrea Bogomolni1, Regina Campbell-Malone1, Nadine Lysiak1 and Michael Moore2 1Rapporteurs, 2Chair Biology Department, Woods Hole Oceanographic Institution Woods Hole MA 02543 Large Whale Restraint – Page 2 of 108 Executive Summary The Problem: until large whale entanglements can be avoided, disentanglement is a necessary stop gap measure to enhance the survival of critically endangered large whales. Cases that are refractory to the standard protocols developed and used by the Provincetown Center for Coastal Studies (PCCS) are especially head and flipper wraps in right whales. There is a need both for immediately deployable solutions and development of better technology and techniques. Such advances must avoid proliferation of at sea personnel and include plans for next steps in each possible contingency. These are not currently supported within the Disentanglement Network or NOAA. History: two prior workshops resulted in a focus on the potential for sedation to enhance tractability, the delivery of hyper-concentrated Meperidine and Midazolam via a pole delivered, gas powered syringe to an entangled right whale, the acquisition of a working right whale tail model and its use to develop tail harness systems, and the conceptualization of a suction cup tag that could deliver drugs on demand and monitor the status of the individual. Experience from sedating marine mammals in captivity, and observation of sleeping right whales suggests that adequate tractability might be achieved in free swimming animals without significant loss of equilibrium. -
Prose in Poor Taste
PRO SE IN PO O R TA STE Editors Ben John Smith ~ Arthur Graham Copyright © 2017 by Horror Sleaze Trash ISB N -13: 978-1975745523 IS B N -1 0 : 19 7 5 7 4 5 5 2 3 /is book is a work of 3ction. Names, characters, business organizations, places, events, and incidents either are the product of the authors’ im agination or are used 3ctitiously. /e use of nam es of actual persons (living or dead), places, and characters is incidental to the purposes of the plot, and is not intended to change the entirely 3c tio n a l c h a ra c te r o f th e w o rk . No part of this work may be reproduced, stored in a retrieval system , o r tran sm itted b y an y m ean s w ith o u t the w ritten perm ission of the authors or publisher, with the exception of short excerpts used in articles and critical review s. Foreword HST isn’t run w ith any real sense of consistency or urgency. O r professionalism for that fucking m atter. It’s run from the oddity-crow ded spare room in a house in W estmeadow s, M elbourne. It’s ran w ith a scream ing one year old running dow n the hallw ay banging on a pot lid with a wooden spoon. It’s ran in conjunction w ith a full-tim e job as a sandblaster w ith a m ortgage. It’s patched together w ith saliva and claret. -
Enter the Cube by Nicholas and Daniel Dobkin January 2002 to December 2004
Enter the Cube by Nicholas and Daniel Dobkin January 2002 to December 2004 Table of Contents: Chapter 1: Playtime, Paytime ..............................................................................................................................................1 Chapter 2: Not in Kansas Any More....................................................................................................................................6 Chapter 3: A Quiz in Time Saves Six................................................................................................................................18 Chapter 4: Peach Pitstop....................................................................................................................................................22 Chapter 5: Copter, Copter, Overhead, I Choose Fourside for my Bed...........................................................................35 Chapter 6: EZ Phone Home ..............................................................................................................................................47 Chapter 7: Ghost Busted....................................................................................................................................................58 Chapter 8: Pipe Dreams......................................................................................................................................................75 Chapter 9: Victual Reality................................................................................................................................................102 -
DEER-DISSERTATION-2017.Pdf (1.472Mb)
A QUALITATIVE STUDY OF WOMEN’S EXPERIENCES TRANSITIONING FROM THE SEX TRADE TO LEGAL EMPLOYMENT OPPORTUNITIES A Dissertation by SHANNON KNIGHT DEER Submitted to the Office of Graduate and Professional Studies of Texas A&M University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY Chair of Committee, Lisa M. Baumgartner Committee Members, Jill Zarestky Valerie Hudson Nancy Plankey-Videla Head of Department, Fredrick M. Nafukho May 2017 Major Subject: Education Human Resource Development Copyright 2017 Shannon Deer ABSTRACT Law enforcement, the media, and the public have given recent attention to the sex trade in conjunction with an increased focus on combatting sex trafficking. However, little is known about women’s experiences transitioning out of the sex trade, especially related to learning and finding economically sustainable employment. The purpose of this study was to investigate the experiences of women transitioning out of the sex trade, especially related to finding legal employment. Transitional learning theory, experiential learning theory, and a general transition model formed the conceptual framework which guided this study. Participants included 10 adult English speaking women who engaged in the sex trade in Texas for at least 1 year, and who exited the sex trade at least 3 months before being interviewed. Data collection involved two semi-structured interviews composed of open-ended questions and probing questions. I used the constant comparative coding method for data analysis. Respondents described the challenges, supports, and types of learnings used throughout their experience transitioning from the sex trade. The participants’ experiences were categorized into (a) employment related challenges, (b) managing mental health and emotions, (c) navigating basic life skills, and (d) building, rebuilding, and managing relationships. -
Download Entire Issue in PDF Format
OTHER/WISE VOLUME 9 WINTER 2012 Welcome to the online journal of the International Forum for Psychoanalytics Education. Other/Wise is a journal that reflects the commitment of IFPE to originality, creativity, and diversity of thought. We welcome contributions of scholarly papers, clinical papers, personal narratives, and psychoanalytically oriented short stories, poetry, art work, and music. Check out the web version of the journal at http://ifpe.wordpress.com to leave comments. What’s in a name? Encountering ideas in ways other than expected allows us to see things we might otherwise overlook. The word otherwise suggests that experiencing that which is different can make us wise. With this in mind we created OTHER/WISE, an unconventional online journal that makes room for the familiar and the unfamiliar in understanding psychoanalysis. Through observation, art, reading, thinking, day dreaming and ideas not yet thought our journal pursues psychoanalysis with a language of passion and desire. This Issue’s ContriButors: • Jon Mills • Louis Breger • Merle Molofsky • Claudia Ruivo Carreira • Karen Morris • Maria do Rosário Dias • Ronald C. Naso • Hailey Doran • Joseph Scarpati • Oren Gozlan • Stefanie Teitelbaum • Warren Holt • Robert Waska • Les Von Losberg This Issue’s Contributors TABLE OF CONTENTS Other/Wise Volume 9 Winter 2012 .............................................................................................................................................. 1 Editors’ Introduction ............................................................................................................................................................ -
However, There Is a Rub. DFA Will Be Loved By
Dirty Farm Animals is a series of animated shorts that all take place on a colorful farm in BFE. The series follows the innocuous misadventures of a group of farm animals as they navigate life in the country. However, there is a rub. While each short seems harmless, each episode is written in double entendre. So, the pure, virginal, family-oriented situations can also be construed as tawdry, lusty, randy, raunchy and downright filthy-dirty by the viewer. DFA will be loved by children the world over. As long as the children are old enough to wax their nether regions without having to get parental consent. We believe those ages 14-30 will find hilarity in the word play and the rather graphic, sophomoric, humor. With recognizable, pronounced and extremely marketable characters, DFA is built to entertain. The farm and the barn have a worn and lived-in feel. A bit seedy and a little beat up, the scenery has the look and feel of a porn director’s well-used casting couch. The stimulating scenery and characters hearken back to the animation shorts of yesteryear. They have a vintage smarmy feel of a black velvet painting. Exaggerated, dated but idealistic scenery paints the landscape for each scene. Vibrant in color, but a little rough around the edges, The Dirty Farm Animals look as if they could benefit from a bath. Each has a unique personality, but also one subtle physical characteristic that is sexual in nature. These natural birthmarks are not obvious. The viewer may not even notice these characteristics at first blush.