Raging Bull (1980)

Total Page:16

File Type:pdf, Size:1020Kb

Raging Bull (1980) The Buffalo Film Seminars 4/19/2000 Angelika 8 Theater RAGING BULL (1980) Director Martin Scorsese Producers Robert Chartoff and Irwin Winkler Music Robbie Robertson and Pietro Mascagni Cinematographer Michael Chapman Film Editor Thelma Schoonmaker Sound Best David J. Kimball, Les Lazarowitz, Donald O. Mitchell and Bill Nicholson. Script Paul Schrader and Mardik Martin (the shooting script was by Scorsese and De Niro), loosely based on the book by Jake LaMotta, Joseph Carter& Peter Savage Robert De Niro Jake La Motta Frank Topham Toppy Cathy Moriarty Vickie La Motta Charles Scorsese Charlie - Man with Como Joe Pesci Joey La Motta Don Dunphy Himself/Radio Announcer Frank Vincent Salvy Bill Hanrahan Eddie Eagan Nicholas Colasanto Tommy Como Rita Bennett Emma - Miss 48's Theresa Saldana Lenore Johnny Barnes Sugar Ray Robinson Mario Gallo Mario Louis R aftis Marcel Cerdan Frank Adonis Patsy Johnny Turner Laurent Dauthuille Joseph Bono Guido Martin Scorsese Barbizon Stagehand De Niro and Schoonmaker won Academy Awards for this picture and nominations went to Scorsese, Chapman, Chartoff and Winkler, Pesci, Moriarty, and the four sound editors. The Awards for best director and best picture that year went to Ordinary People directed b y Robert R edford. Raging Bull is on the American Film Institute’s list of 100 Greatest American Films and has frequently been listed as the best film of the 1980s; Ordinary People hasn’t made either list. MARTIN SCORSESE was going to be a priest but beca me a filmmaker instead. He’s a 1 964 gradu ate of the NYU film program . In 1997 he received the American Film Institute Life Achievement Award. Scorsese has directed commercials for his friend Giorgio Armani, Michael Jackson’s “Bad” music video, and has written, produced, acted in, and/or directed some 70 fiction and documentary films, some of which are: Bringing Out the Dead 1999, Casino 1995, The Age of Innocence 1993, Cape Fear 1991, GoodFellas 1990, The Last Temptation of Christ 1988, The Color of Money 1986, The King of Comedy 1983, The Last Waltz 1978, Taxi Driver 1976, Alice Doesn't Live Here Anymore 1974, Mean Streets 1973 and Boxcar Bertha 1972. His other Academy Award nominations were for The Age of Innocence (screenp lay), GoodFellas (director, screenplay), and Last Temptation of Christ (director). More than anyone else, he has been responsible for the recent movement to preserve important American films. ROBERT DE NIRO (17 August 1943, New York, New York) has acted in seven other Scorsese films Mean Streets 1973, Taxi Driver 1976, New York New York 1977, The King of Comedy 1983, GoodFellas 1990, Cape Fear 1991, and Casino 1995. Some of his other films are: Analyze This 1999, Ronin 1998, Jackie Brown 1997, Wag the Dog 1997, Frankenstein 1994, A Bronx Tale 1993 (w hich he also directed), The Untouchables 1987, The Mission 1986, Brazil 1985, Once Upon a Time in America 1984, True Confessions 1981, The Deer Hunter 1978, 1900 1976, and The Godfather: Part II 1974. He has five films scheduled for release this year. He other Academy Award nominations were for Cape Fear, Awakenings,Raging Bull, The Deer Hunter, Taxi Driver, The Godfather: Part II won, supporting. Hasty Pudding named him Man of the Year in 1979. CATHY MORIARTY (29 November 1960, The Bronx) appeared in 33 films after debuting as Jake’s wife in Raging Bull, most of them easily forgettable. Some of them are: But I'm a Cheerleader 1999, Gloria 1999, Prince of Central Park 1999, P.U.N.K.S. 1998, Cop Land 1997, Women Without Implants 1997, Another Stakeout 1993, The Mambo Kings 1992, Soapdish 1991, and Neighbors 1981. JOE PESCI (9 February 1943, Newark, New Jersey) had only two bit parts before his role as Jake’s long-suffering brother propelled him into the big time. Since then he has appeared in 29 other films, among them Lethal Weapon 4 1998, 8 Heads in a Duffel Bag 1997, Casino 1995, A Bronx Tale 1993, Lethal Weapon 3 1992, My Cousin Vinny 1992, JFK 1991, Home Alone 1990, GoodFellas 1990, Lethal Weapon 2 1989, Once Upon a Time in America 1984, and I'm Dancing as Fast as I Can 1982. MICHAEL CHAPMAN (21 November 1935, New York) was D.P. for Six Days Seven Nights 1998, Space Jam 1996, Primal Fear 1996, The Fugitive 1993, Rising Sun 1993, Doc Hollywood 1991, Ghostbusters II 1989, Scrooged 1988, The Lost Boys 1987, Dead Men Don't Wear Plaid 1982, Personal Best 1982, The Wanderers 1979, Fingers 1978, Invasion of the Body Snatchers 1978, Taxi Driver 1976, The Front 1976, The White Dawn 1974, The Last Detail 1973, and several other films. JAKE LA MOTTA was born July 10, 1921. He fought 106 professional bouts. He won 83 (30 by Kos), lost 19, and drew 4. He fought Sugar Ray Robinson six times. The first five were :1942 (Robinson, decision), twice in 1943 (La Motta won the first, Robinson the second, both by decision), and 1945 (Robinson, decision). La Motta became middleweight chamption with a 10th-round TKO over Marcel Cerdan in 1949. He defended his title twice in 1950—first against Tiberio Mitri and then in the famous fight against Laurent Dauthuille in which he was trailing on the scorecards but came back with an astonishing 15th-round knockout. The sixth and last fight with Robinson was in Chicago onFebruary 14, 1951. For opponents and stats for all of LaMotta’s fights visit www2.xtdl.com/~brasslet/LaMotta_Jake_rec.htm. “I was facinated by the self-destructive side of Jake La Motta’s character, his very basic emotions. What could be more basic than making a living by hitting another person on the head until one of you falls or stops? Bob [DeNiro] and I then decided to take Paul Schrader’s script, with Paul’s blessing, to an island–which is hard for me, because as far as I’m concerned theree’s only one island, M anhattan. But Bob got me through it, he’d wake me up in the morning and mae me coffee, and we spent two-and-a-half weeks there rewriting everything. We combined characters and in fact rewrote the entire picture, including the dialogue. When we got back we showed it to Paul, who didn’t care for it all that much but, as he wrote in his telegram to us when we began shooting, ‘Jake did it his way, I did it my way, you do it your w ay.’ “I put everything I knew and felt into that film and I thought it would be the end of my career. It was what I call a kamikaze way of making movies: pour everything in, then forget all about it and go find another way of life.” Martin Scorsese “In RAGING BULL all the fight scenes were done in drawings. It’s very much like staging a dance to music. Instead of a verse with maybe twelve bars of Some of Scorsese’s storyboard drawings for one of the fight scenes music, it’s four bars of punches. Because it’s all choreography.” Martin Scorsese For more on Raging Bull, visit //movies.tierranet.com/ragingbull/index.htm. The best book on Martin Scorsese is Scorsese on Scorsese, ed. David Thompson and Ian Christie, Faber and Faber, 1996. The American Film Institute set up an interesting Scorsese web site when it gave him the 1997 Life Achievement Award: //www.afionline.org/scorsese/. For a good deal of information on De Niro and Scorsese visit //homeo.att.net/~vellinor/ –to receive the Angelika Film Center’s weekly film summaries and screening times, send an email to [email protected] with your email address —for cast and crew info on almost any film: imdb.com/search.html or allmovie.com —for information on major American films, including detailed plot summaries: www.filmsite.org —email Bruce Jackson: [email protected] —email Diane Christian: [email protected] —for the series schedule, links and updates: www.acsu.buffalo.edu/~bjackson/movies.html —to get on the listserv for the class send an email to [email protected] with this line & nothing else as the message: sub greatmovies-list Firstname Lastname THE BUFFALO FILM SEMINARS ARE PRESENTED BY THE CITY OF BUFFALO, THE ANGELIKA THEATERS & THE UNIVERSITY AT BUFFALO. .
Recommended publications
  • Stalking and Attachment Theory: Causes and Management
    City University of New York (CUNY) CUNY Academic Works Dissertations, Theses, and Capstone Projects CUNY Graduate Center 9-2020 Stalking and Attachment Theory: Causes and Management Zoe Turner The Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/4048 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] STALKING AND ATTACHMENT THEORY: CAUSES AND MANAGEMENT by ZOE TURNER A dissertation submitted to the Graduate Faculty in Psychology in partial fulfillment of the requirements for the degree of Doctor of Philosophy, The City University of New York 2020 i © 2020 ZOE TURNER All Rights Reserved ii Stalking and Attachment Theory: Causes and Management by Zoe Turner This manuscript has been read and accepted for the Graduate Faculty in Psychology in satisfaction of the dissertation requirement for the degree of Doctor of Philosophy. _______________ ____________________________________ Date Phil Yanos, Ph.D. Chair of Examining Committee _______________ ____________________________________ Date Richard Bodner, Ph.D. Executive Officer Supervisory Committee: Elizabeth Jeglic, Ph.D. Louis Schlesinger, Ph.D. Philip Erdberg, Ph.D. Ali Khadivi, Ph.D. THE CITY UNIVERSITY OF NEW YORK iii ABSTRACT Stalking and Attachment Theory: Causes and Management by Zoe Turner Advisor: Phil Yanos, Ph.D. Stalking is an issue that has drawn increasing attention over the past four decades. Approximately 6 million Americans report being the victims of stalking each year. The psychological and physical effects of stalking can be severe, ranging from anxiety and depression to physical harm and even death.
    [Show full text]
  • Robert De Niro's Raging Bull
    003.TAIT_20.1_TAIT 11-05-12 9:17 AM Page 20 R. COLIN TAIT ROBERT DE NIRO’S RAGING BULL: THE HISTORY OF A PERFORMANCE AND A PERFORMANCE OF HISTORY Résumé: Cet article fait une utilisation des archives de Robert De Niro, récemment acquises par le Harry Ransom Center, pour fournir une analyse théorique et histo- rique de la contribution singulière de l’acteur au film Raging Bull (Martin Scorcese, 1980). En utilisant les notes considérables de De Niro, cet article désire montrer que le travail de cheminement du comédien s’est étendu de la pré à la postproduction, ce qui est particulièrement bien démontré par la contribution significative mais non mentionnée au générique, de l’acteur au scénario. La performance de De Niro brouille les frontières des classes de l’auteur, de la « star » et du travail de collabo- ration et permet de faire un portrait plus nuancé du travail de réalisation d’un film. Cet article dresse le catalogue du processus, durant près de six ans, entrepris par le comédien pour jouer le rôle du boxeur Jacke LaMotta : De la phase d’écriture du scénario à sa victoire aux Oscars, en passant par l’entrainement d’un an à la boxe et par la prise de soixante livres. Enfin, en se fondant sur des données concrètes qui sont restées jusqu’à maintenant inaccessibles, en raison de la modestie et du désir du comédien de conserver sa vie privée, cet article apporte une nouvelle perspective pour considérer la contribution importante de De Niro à l’histoire américaine du jeu d’acteur.
    [Show full text]
  • Sports in French Culture
    Sporting Frenchness: Nationality, Race, and Gender at Play by Rebecca W. Wines A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Romance Languages and Literatures: French) in the University of Michigan 2010 Doctoral Committee: Associate Professor Jarrod L. Hayes, Chair Professor Frieda Ekotto Professor Andrei S. Markovits Professor Peggy McCracken © Rebecca W. Wines 2010 Acknowledgements I would like to thank Jarrod Hayes, the chair of my committee, for his enthusiasm about my project, his suggestions for writing, and his careful editing; Peggy McCracken, for her ideas and attentive readings; the rest of my committee for their input; and the family, friends, and professors who have cheered me on both to and in this endeavor. Many, many thanks to my father, William A. Wines, for his unfailing belief in me, his support, and his exhortations to write. Yes, Dad, I ran for the roses! Thanks are also due to the Team Completion writing group—Christina Chang, Andrea Dewees, Sebastian Ferarri, and Vera Flaig—without whose assistance and constancy I could not have churned out these pages nor considerably revised them. Go Team! Finally, a thank you to all the coaches and teammates who stuck with me, pushed me physically and mentally, and befriended me over the years, both in soccer and in rugby. Thanks also to my fellow fans; and to the friends who I dragged to watch matches, thanks for your patience and smiles. ii Table of Contents Acknowledgements ii Abstract iv Introduction: Un coup de
    [Show full text]
  • BUSINESS Klan Plans Teacher's Halli Boston College,] I N B R Ie F ' 5; to Return Remembered Villanova Lose 8.6% Real GNP
    20 - MANCHESTER HERALD. Sat., March 20, 1982 BUSINESS Klan plans Teacher's Halli Boston College,] I n b r ie f ' 5; to return remembered Villanova lose 8.6% Real GNP ... page 4 ... page 9 ... page 13 Hale elected Barter thrives Gross National Product ~ Seasonally adjusted annual CHICAGO — William H. Hale, president of ra te Heritage Savings and Loan Association of Manchester, Conn., has been appointed to the 1982 as mofiey tight Secondary Market Committee of the United States League of Savings Associations. Percentages reflect change The appointment was announced by Roy G. METAIRIE, La. (UPI) — Businesses ’That means members continue to earn from previous quarter Green, chairman of the league and president of and professionals are turning more and their full profit margin under the system Fair tonight Manchester, Conn. Fidelity Federal Savings and Loan Association, more to bartering in today’s depressed when “selling.” And, when "buying,” and Tuesday Jacksonville, Fla. economy, making a growth industry of the members do not have to spend cash Mon., March 22, 1982 The U.S. League is the principal trade organiza­ the centuries-old system of exchange. that could be used for inventory or — See page 2 tion for the savings and loan business and “The thing is cash flow,’’ said George capital improvements. 1982 Single copy 25<( represents over 4,000 associations throughout the Hesse, director of the New Orleans ’That television dealer who received a country. Trade Exchange. $1,000 debit will receive credits when Savings and loan associations are the second “People have inventory but no cash. If someone in the system comes to him for largest t> pe of financial Institution in America and they can spend $2,(X)0 on buying things a TV set.
    [Show full text]
  • Win, Lose, Or Draw
    Robinson to Spot LaMotta Only Six Pounds in Tomorrow s Fight Ray Will Weigh 154, Ohio's Coaching Snarl \vashington, D. C., Tuesday, Feb. 13, 1951— A-17 ** 4 Pounds More Than Due to Stay That Way In Any Previous Bout Until Next Sunday or Draw By th® Associated Press By the Associated Press Win, Lose, CHICAGO, Feb. 13.—Heavily COLUMBUS, Ohio, Feb. 13.— By FRANCIS STANN favored in his five previous fights Ohio State’s football coaching Star Staff Correspondent with Jake LaMotta, Sugar Ray problem—supposed to have been Robinson again is being backed solved still all mixed CHICAGO, FEB. 13.—Those 3-to-l odds favoring Sugar Ray yesterday—is from 3-1 to 4-1 to snare the Bronx and will Robinson to become the middleweight champion tomorrow on up probably stay that Bull’s title tomor- Channel 9 aren’t flattering to Jake LaMotta. Indeed, a case middleweight way until next Sunday, at least. row night. might be made for LaMotta, despite the fact Robinson has Just when the two-month hunt The welterweight champion, ini for a successor to Wes Fesler thrashed him four times in five bouts. the of and La- peak condition, j seemed about over, the univer- With LaMotta a licking doesn’t stick. The Motta battle scales at a.m. the 10 sity’s oBard of Trustees tossed first Jake ever lost was his 16th as a (CST) in the official to- fight pro. weigh-in everything into a turmoil again, Back in 1941 a guy named Jimmy Reeves beat morrow.
    [Show full text]
  • Saturday Eastern Connecticut State University October 28, 2017 Willimantic, CT
    Saturday Eastern Connecticut State University October 28, 2017 Willimantic, CT Fall Conference Program All sessions will be held in the Student Center (SC) 8:00-8:30 Registration & Continental Breakfast SC Betty Tipton Room First Morning Sessions, 8:30-10:00 Session 1: Law and Community in New England and Beyond SC 223 Chair/Comment: Robert J. Imholt, Albertus Magnus College “The Qualities for Common Sense: County Court Judges in Colonial Connecticut” Dominic DeBrincat, Missouri Western State University “'The Moral Treatment': On the Institutionalization of People with Disabilities in the Anglophone Atlantic, 1660- 1860” Miles Wilkerson, Windham Textile & History Museum “The Choctaw and petit marronage during the Removal Crisis” Christian Gonzales, University of Rhode Island Session 2: Exceptions to feme covert: Colonial Women as Heirs and Property Owners SC 217 Chair/Comment: Nicole Breault, University of Connecticut (graduate student) “Perceived Equality: Women, Ethnicity, and Inheritance in Late 18th-Century Lunenburg County, Nova Scotia” Kenneth S. Paulsen, Bunker Hill Community College “Margaret Brent: Feme Covert Outlier – Executor to Lord Calvert of Maryland” Lynn Byall Benson, University of Massachusetts, Boston Session 3: Liberty for Whom? Perspectives on Slavery and the American Civil War SC 115 Chair/Comment: Barbara Tucker, Eastern Connecticut State University “Children of the Revolution: Lydia Maria Child and the Pedagogy of Revolt” Lila Teeters, University of New Hampshire (graduate student) “A Class For Themselves: The
    [Show full text]
  • Change Comes to Cardinal Owner Robert Yoho Said Outlaw Was Caught on a Security Camera Trespass- Ing Two Weeks Earlier
    Rays: Yarbrough pulled after 8 2/3 innings in 1-0 win /B1 MONDAY TODAY & next morning HIGH 91 Scattered LOW showers and storms. 76 PAGE A4 www.chronicleonline.com AUGUST 12, 2019 Florida’s Best Community Newspaper Serving Florida’s Best Community 50¢ VOL. 124 ISSUE 308 NEWS Commissioner pushes for Baker Act facility BRIEFS Jeff Kinnard behavioral mental health care in Florida man Kinnard to request funding for facility The “purpose of our county.” this is to improve Earlier this year, the Florida trespassing at FRED HIERS Tuesday to consider funding a the behavioral Legislature awarded Citrus Staff writer Baker Act assessment facility. mental health care County $600,000 to provide Baker go-kart track Kinnard said he will ask the other in our county.” Act receiving services through crashes, dies Citrus County’s long struggle to commissioners to use tax reve- LifeStream Behavioral Services. PINELLAS PARK — A provide better mental health care nues from Duke Energy’s new LifeStream is a mental health to its residents could soon bear natural gas plants to fund the provider and has the state’s an- Florida man is dead after some fruit, as one county commis- project. Kinnard wants the building to be nual contract to provide an array crashing while racing his sioner looks to use new tax reve- Kinnard wants to use $300,000 converted to a standalone facility of mental health services in Cit- friend at a closed go-kart nues to buy a building that would this year and $700,000 next year to house a small number of resi- rus County.
    [Show full text]
  • The Color of Money”
    David Alciatore, PhD (“Dr. Dave”) ILLUSTRATED PRINCIPLES “Billiards on the Big Screen – The Color of Money” Note: Supporting narrated video (NV) demonstrations, high-speed video (HSV) clips, and technical proofs (TP) can be accessed and viewed online at billiards.colostate.edu. The reference numbers used in the article (e.g., NV A.7) help you locate the resources on the website. If you don’t have access to the Internet, or if you have a slow connection (e.g., a modem), you may want to view the resources from a CD-ROM instead. To order one, send a check or money order (payable to David Alciatore) for $21.45 (includes S&H) to: Pool Book CD; 626 S. Meldrum St.; Fort Collins, CO 80521. The CD-ROM is compatible with both PCs and MACs. This is the second article in my “Billiards on the Big Screen” series, where I illustrate and describe interesting shots from movies with major billiards themes. Last month, I presented some shots from the classic billiards flick: “The Hustler.” By the way, if you want to refer back to any of my previous articles and online resources, you can access them online at billiards.colostate.edu. This month’s article deals with the huge box-office success: “The Color of Money.” In my next two articles, I will show shots from “Pool Hall Junkies” and “Donald in Mathmagic Land.” ”The Color of Money” (1986, Touchstone Pictures) is the story of two hustlers who teach each other a few things about pool and life. Fast Eddie Felson (played by Paul Newman), a seasoned hustler, discovers Vincent (played by Tom Cruise), an immature and young hustler with great talent and potential.
    [Show full text]
  • The-Wall-Street-Bookie.Pdf
    Introduction Options trading firm blows up amid natural gas volatility (source: FT) One millennial options trader was killing it, then Facebook cost him $180,000 ​(source: MarketWatch) Trader says he has “no money at risk,” then promptly loses almost 2,000% ​(source: MarketWatch) The headlines above are some of the reasons why financial advisors recommend that their clients stay away from options. Heck, for the majority of my trading career, I dabbled with them, with almost NO success. However, that all changed once I decided to switch my approach. Instead of buying like the sucker… like those folks who play slot machines at the casino… I began taking the other side— in turn, becoming the HOUSE. The casino strategy that I also call Weekly Windfalls puts you in the driver’s seat, as ​ ​ ​ ​ ​ you’ll learn after reading this eBook. After reading it, you’ll learn: ● How to easily position yourself for success on a week-to-week basis utilizing the casino strategy. Even if you’ve never placed a single option trade in your life ​ ​ ​ ​ before. ● The No. 1 reason why traders fail at options trading. And how a switch in ​ mindset can turn you from ready to give up to consistently profitable. ​ ​ ​ ● How to stack the odds in your favor. Why put on a trade with one possible way to ​ win when you can have THREE? ● The ultimate set it and forget it strategy. Decision fatigue is a real thing. I’ll teach ​ ​ ​ you how to take the stress out of options trading. WALL​ST ​ BOOKIE ​JASON BOND ​2 ● How to profit in any market condition.
    [Show full text]
  • Scorses by Ebert
    Scorsese by Ebert other books by An Illini Century roger ebert A Kiss Is Still a Kiss Two Weeks in the Midday Sun: A Cannes Notebook Behind the Phantom’s Mask Roger Ebert’s Little Movie Glossary Roger Ebert’s Movie Home Companion annually 1986–1993 Roger Ebert’s Video Companion annually 1994–1998 Roger Ebert’s Movie Yearbook annually 1999– Questions for the Movie Answer Man Roger Ebert’s Book of Film: An Anthology Ebert’s Bigger Little Movie Glossary I Hated, Hated, Hated This Movie The Great Movies The Great Movies II Awake in the Dark: The Best of Roger Ebert Your Movie Sucks Roger Ebert’s Four-Star Reviews 1967–2007 With Daniel Curley The Perfect London Walk With Gene Siskel The Future of the Movies: Interviews with Martin Scorsese, Steven Spielberg, and George Lucas DVD Commentary Tracks Beyond the Valley of the Dolls Casablanca Citizen Kane Crumb Dark City Floating Weeds Roger Ebert Scorsese by Ebert foreword by Martin Scorsese the university of chicago press Chicago and London Roger Ebert is the Pulitzer The University of Chicago Press, Chicago 60637 Prize–winning film critic of the Chicago The University of Chicago Press, Ltd., London Sun-Times. Starting in 1975, he cohosted © 2008 by The Ebert Company, Ltd. a long-running weekly movie-review Foreword © 2008 by The University of Chicago Press program on television, first with Gene All rights reserved. Published 2008 Siskel and then with Richard Roeper. He Printed in the United States of America is the author of numerous books on film, including The Great Movies, The Great 17 16 15 14 13 12 11 10 09 08 1 2 3 4 5 Movies II, and Awake in the Dark: The Best of Roger Ebert, the last published by the ISBN-13: 978-0-226-18202-5 (cloth) University of Chicago Press.
    [Show full text]
  • Exploring Movie Construction & Production
    SUNY Geneseo KnightScholar Milne Open Textbooks Open Educational Resources 2017 Exploring Movie Construction & Production: What’s So Exciting about Movies? John Reich SUNY Genesee Community College Follow this and additional works at: https://knightscholar.geneseo.edu/oer-ost Part of the Film and Media Studies Commons This work is licensed under a Creative Commons Attribution-Noncommercial-Share Alike 4.0 License. Recommended Citation Reich, John, "Exploring Movie Construction & Production: What’s So Exciting about Movies?" (2017). Milne Open Textbooks. 2. https://knightscholar.geneseo.edu/oer-ost/2 This Book is brought to you for free and open access by the Open Educational Resources at KnightScholar. It has been accepted for inclusion in Milne Open Textbooks by an authorized administrator of KnightScholar. For more information, please contact [email protected]. Exploring Movie Construction and Production Exploring Movie Construction and Production What's so exciting about movies? John Reich Open SUNY Textbooks © 2017 John Reich ISBN: 978-1-942341-46-8 ebook This publication was made possible by a SUNY Innovative Instruction Technology Grant (IITG). IITG is a competitive grants program open to SUNY faculty and support staff across all disciplines. IITG encourages development of innovations that meet the Power of SUNY’s transformative vision. Published by Open SUNY Textbooks Milne Library State University of New York at Geneseo Geneseo, NY 14454 This book was produced using Pressbooks.com, and PDF rendering was done by PrinceXML. Exploring Movie Construction and Production by John Reich is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License, except where otherwise noted. Dedication For my wife, Suzie, for a lifetime of beautiful memories, each one a movie in itself.
    [Show full text]
  • Complaint Against Trevor R. Milton
    Case 1:21-cv-06445 Document 1 Filed 07/29/21 Page 1 of 65 UNITED STATES DISTRICT COURT SOUTHERN DISTRICT OF NEW YORK ---------------------------------------------------------------x : UNITED STATES SECURITIES AND : EXCHANGE COMMISSION, : : Plaintiff, : : Civil Action No. 1:21-cv-6445 v. : : JURY TRIAL DEMANDED TREVOR R. MILTON, : : Defendant. : : ---------------------------------------------------------------x COMPLAINT Plaintiff United States Securities and Exchange Commission (the “Commission”), for its Complaint against Defendant Trevor R. Milton (“Milton”), alleges as follows: SUMMARY 1. Trevor R. Milton, the founder, largest stockholder, and former Chief Executive Officer and Executive Chairman of Nikola Corporation (“Nikola”), a publicly traded company, engaged in a fraudulent scheme to deceive retail investors about Nikola’s products, technical advancements, and commercial prospects for his own personal benefit in violation of the federal securities laws. Milton did so primarily by leveraging his social media presence and frequent appearances on television and podcasts to flood the market with false and misleading information about Nikola. 2. Milton founded Nikola in 2015 with the primary goals of manufacturing semi- trucks that run on alternative fuels with low or zero emissions and building an alternative fuel station infrastructure to support those vehicles. To accomplish these goals, Nikola needed to Case 1:21-cv-06445 Document 1 Filed 07/29/21 Page 2 of 65 raise billions of dollars to develop vehicles and infrastructure that had never before been developed or adopted on a commercial scale. Over the course of several private offerings, and then in connection with a business combination with a special purpose acquisition company (“SPAC”), Nikola raised more than $1 billion dollars, most of it from institutional investors.
    [Show full text]