Isaac Asimov's Super Quiz
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Jane Fonda Blisters Vietnam War Effort
=11 Book Talk Fonda A re-play of the Jane Fonda Dr. Arlene Akerlund, assis- speech delivered at SJS tant professor of English, yesterday in the C.U. Ball- will discuss Ernest Heming- room will be on radio station way's novel "Islands in the KSJS 90.7 tonight at 8 and on Stream," today at noon in station KSJO at 8 tomorrow rooms A and B of the Spartan artan Datil Cafeteria. night. Serving the San Jose State College Community Since 1934 Vol. 58 SAN JOSE CALIFORNIA 95114, WEDNESDAY MARCH 3, 1971 No 77 Jane Fonda Blisters #1$ Vietnam War Effort kkitellompoiffatielt" By LANCE FREDERIKSEN "You don't hear of this because we do have lost control of their forces. Daily Political Writer not have a responsible press. But let me "If the men get a gung-ho officer, 111 q - Jane Fonda, actress and anti-war assure you, MyLai is not an isolated they'll fragg him," she declared, "So activist, urged an overflow crowd of incident," Miss Fonda added. the officers won't make them cut their .,A.0044 . about 2,000 listeners yesterday after- Miss Fonda recently attended the hair, stop smoking dope, or, above all, noon in the College Union Ballroom to war crimes investigation sponsored by go on dangerous missions." "make peace with the people of Viet- the Vietnam Veterans Against the War. Fragging, Miss Fonda explained, :Iv nam." The meeting, held in Detroit, Jan. 31, occurs when a fragmentation bomb is The audience enthusiastically and Feb. 1-2, was organized by 2,000 ex- rolled under an officer's tent. -
'Ex-Lexes' Cherished Time on Hawaiian Room's Stage POSTED: 01:30 A.M
http://www.staradvertiser.com/businesspremium/20120622__ExLexes_cherished_time_on_Hawaiian_Rooms_stage.html?id=159968985 'Ex-Lexes' cherished time on Hawaiian Room's stage POSTED: 01:30 a.m. HST, Jun 22, 2012 StarAdvertiser.com Last week, we looked at the Hawaiian Room at the Lexington Hotel in New York City, which opened 75 years ago this week in 1937. The room was lush with palm trees, bamboo, tapa, coconuts and even sported a periodic tropical rainstorm, said Greg Traynor, who visited with his family in 1940. The Hawaiian entertainers were the best in the world. The Hawaiian Room was so successful it created a wave of South Seas bars and restaurants that swept the country after World War II. In this column, we'll hear from some of the women who sang and danced there. They call themselves Ex-Lexes. courtesy Mona Joy Lum, Hula Preservation Society / 1957Some of the singers and dancers at the Hawaiian Room in the Lexington Hotel. The women relished the opportunity to "Singing at the Hawaiian Room was the high point of my life," perform on such a marquee stage. said soprano Mona Joy Lum. "I told my mother, if I could sing on a big stage in New York, I would be happy. And I got to do that." Lum said the Hawaiian Room was filled every night. "It could hold about 150 patrons. There were two shows a night and the club was open until 2 a.m. I worked an hour a day and was paid $150 a week (about $1,200 a week today). It was wonderful. -
Brilliant Lecture Series Presents Concert with the Legendary Betty Buckley, Conversation with Robert Duvall and Conversation with Diane Keaton
Media Contact: Lydia Baehr Public Relations [email protected] (713) 208-3421 Public Contact: Brilliant Lecture Series (713) 974-1335 [email protected] For Immediate Release: December 3, 2013 Brilliant Lecture Series presents Concert with the Legendary Betty Buckley, Conversation with Robert Duvall and Conversation with Diane Keaton Download photos securely from Dropbox at this link - HERE HOUSTON—Some of Hollywood and Broadway’s most legendary names will grace Wortham Theater Center at the start of 2014, presented by Brilliant Lecture Series. BETTY BUCKLEY | January 10, 2014: Theater, film and television actress Betty Buckley will perform at an exclusive concert Friday, Jan. 10 at 7:30 p.m. in Wortham Center, Cullen Theater. Betty Lynn Buckley, a Texas native called “The Voice of Broadway” by New York Magazine, is one of theater’s most respected and legendary leading ladies. A graduate of Texas Christian University, Buckley moved to New York City in 1969 where she landed the role of Martha Jefferson in “1776” her first day in town, launching her career. Buckley established her reputation in 1982, starring as Grizabella in the original Broadway production of the musical “Cats” - a role for which she won a Tony Award for Best Featured Actress in a Musical. Buckley made her film debut in the original movie version of “Carrie” in 1976, playing Miss Collins, Carrie’s gym teacher. Buckley received the Texas Medal of the Arts Award in Theater in 2009 and was inducted into the Texas Film Hall of Fame in Austin in 2007. Buckley was inducted into the American Theater Hall of Fame in 2013. -
Summer Classic Film Series, Now in Its 43Rd Year
Austin has changed a lot over the past decade, but one tradition you can always count on is the Paramount Summer Classic Film Series, now in its 43rd year. We are presenting more than 110 films this summer, so look forward to more well-preserved film prints and dazzling digital restorations, romance and laughs and thrills and more. Escape the unbearable heat (another Austin tradition that isn’t going anywhere) and join us for a three-month-long celebration of the movies! Films screening at SUMMER CLASSIC FILM SERIES the Paramount will be marked with a , while films screening at Stateside will be marked with an . Presented by: A Weekend to Remember – Thurs, May 24 – Sun, May 27 We’re DEFINITELY Not in Kansas Anymore – Sun, June 3 We get the summer started with a weekend of characters and performers you’ll never forget These characters are stepping very far outside their comfort zones OPENING NIGHT FILM! Peter Sellers turns in not one but three incomparably Back to the Future 50TH ANNIVERSARY! hilarious performances, and director Stanley Kubrick Casablanca delivers pitch-dark comedy in this riotous satire of (1985, 116min/color, 35mm) Michael J. Fox, Planet of the Apes (1942, 102min/b&w, 35mm) Humphrey Bogart, Cold War paranoia that suggests we shouldn’t be as Christopher Lloyd, Lea Thompson, and Crispin (1968, 112min/color, 35mm) Charlton Heston, Ingrid Bergman, Paul Henreid, Claude Rains, Conrad worried about the bomb as we are about the inept Glover . Directed by Robert Zemeckis . Time travel- Roddy McDowell, and Kim Hunter. Directed by Veidt, Sydney Greenstreet, and Peter Lorre. -
True Confessions Free
FREE TRUE CONFESSIONS PDF Rachel Gibson | 384 pages | 11 Jul 2011 | HarperCollins Publishers Inc | 9780380814381 | English | New York, NY, United States True Confessions () - Rotten Tomatoes NO need to pussyfoot. No need to mince words. Get straight to the point, even if it's not pretty or, for that matter, even if it is. Sometimes things do go right. It does happen. You know it first in True Confessions pit of your stomach. A nice feeling but unfamiliar - it's the bile vanishing True Confessions things look up. Like watching ''True Confes sions. Quite simply it's one of the most entertaining, most intelligent and most thoroughly satisfying commercial American films in a very long time. She can kill you True Confessions easily as she burns toast. Dunne's best-selling novel, loosely True Confessions on an actual Los Angeles murder case, uses history as the author sees fit, and though its syntax is familiar, its concerns are more far-reaching and more psychologically complex than the fiction it recalls. It's a big novel and ''True Confessions'' is a big True Confessions. To begin with, it has America's two best actors in its leading roles, as brothers, one an up-and-coming monsignor of the Roman Catholic Church, Desmond Spellacy Robert De Nirowho is on his way toward some of the higher honors the church can bestow, and Tom Spellacy Robert DuvallDesmond's older brother, a Los Angeles detective of shabby background. Early in his career, when he was a member of the vice squad, Tom had been on the take. -
Leslie Caron
COUNCIL FILE NO. t)q .~~f7:; COUNCIL DISTRICT NO. 13 APPROVAL FOR ACCELERATED PROCESSING DIRECT TO CITY COUNCIL The attached Council File may be processed directly to Council pursuant to the procedure approved June 26, 1990, (CF 83-1075-81) without being referred to the Public Works Committee because the action on the file checked below is deemed to be routine and/or administrative in nature: -} A. Future Street Acceptance. -} B. Quitclaim of Easement(s). -} C. Dedication of Easement(s). -} D. Release of Restriction(s) . ..10 E. Request for Star in Hollywood Walk of Fame. -} F. Brass Plaque(s) in San Pedro Sport Walk. -} G. Resolution to Vacate or Ordinance submitted in response to Council action. -} H. Approval of plans/specifications submitted by Los Angeles County Flood Control District. APPROVAL/DISAPPROVAL FOR ACCELERATED PROCESSING: APPROVED DISAPPROVED* Council Office of the District Public Works Committee Chairperson 'DISAPPROVED FILES WILL BE REFERRED TO THE PUBLIC WORKS COMMITTEE. Please return to Council Index Section, Room 615 City Hall City Clerk Processing: Date notice and report copy mailed to interested parties advising of Council date for this item. Date scheduled in Council. AFTER COUNCIL ACTION: ___ -f} Send copy of adopted report to the Real Estate Section, Development Services Division, Bureau of Engineering (Mail Stop No. 515) for further processing. __ ---J} Other: . .;~ ';, PLEASE DO NOT DETACH THIS APPROVAL SHEET FROM THE COUNCIL FILE ACCELERATED REVIEW PROCESS - E Office of the City Engineer Los Angeles California To the Honorable Council Of the City of Los Angeles NOV 242009 Honorable Members: C. D. No. 13 SUBJECT: Hollywood Boulevard and Vine Street - Walk of Fame Additional Name in Terrazzo Sidewalk- LESLIE CARON RECOMMENDATIONS: A. -
HOLLYWOOD – the Big Five Production Distribution Exhibition
HOLLYWOOD – The Big Five Production Distribution Exhibition Paramount MGM 20th Century – Fox Warner Bros RKO Hollywood Oligopoly • Big 5 control first run theaters • Theater chains regional • Theaters required 100+ films/year • Big 5 share films to fill screens • Little 3 supply “B” films Hollywood Major • Producer Distributor Exhibitor • Distribution & Exhibition New York based • New York HQ determines budget, type & quantity of films Hollywood Studio • Hollywood production lots, backlots & ranches • Studio Boss • Head of Production • Story Dept Hollywood Star • Star System • Long Term Option Contract • Publicity Dept Paramount • Adolph Zukor • 1912- Famous Players • 1914- Hodkinson & Paramount • 1916– FP & Paramount merge • Producer Jesse Lasky • Director Cecil B. DeMille • Pickford, Fairbanks, Valentino • 1933- Receivership • 1936-1964 Pres.Barney Balaban • Studio Boss Y. Frank Freeman • 1966- Gulf & Western Paramount Theaters • Chicago, mid West • South • New England • Canada • Paramount Studios: Hollywood Paramount Directors Ernst Lubitsch 1892-1947 • 1926 So This Is Paris (WB) • 1929 The Love Parade • 1932 One Hour With You • 1932 Trouble in Paradise • 1933 Design for Living • 1939 Ninotchka (MGM) • 1940 The Shop Around the Corner (MGM Cecil B. DeMille 1881-1959 • 1914 THE SQUAW MAN • 1915 THE CHEAT • 1920 WHY CHANGE YOUR WIFE • 1923 THE 10 COMMANDMENTS • 1927 KING OF KINGS • 1934 CLEOPATRA • 1949 SAMSON & DELILAH • 1952 THE GREATEST SHOW ON EARTH • 1955 THE 10 COMMANDMENTS Paramount Directors Josef von Sternberg 1894-1969 • 1927 -
Copyrighted Material
Chapter 1 Entertainment for the Whole Family! You have to wonder if Michael McCambridge ever got to watch a hockey game before he ended up with somebody’s, well, you know. His mother, Charlestown Chiefs owner Anita McCambridge, wasn’t above violence in hockey as long as she could make a profi t from it, but she’d be damned if she would ever allow her children to watch the sport. Kids are impressionable, you see. They might stick up a bank. Heroin. You name it. ImagineCOPYRIGHTED Anita’s horror at learning MATERIALthat the members of her former hockey team, the scourge of the Federal League, over time had evolved but not necessarily changed; they’re still the face of goon hockey at its peak. But, strangely, they’ve also become the epitome of family-friendly entertainment. The Hanson Brothers were initially shunned and mocked by their disapproving teammates. Their intellect, or lack - 1 - EE1C01.indd1C01.indd 1 77/16/10/16/10 110:38:380:38:38 AAMM The Making of Slap Shot thereof, was called into question by their coach who found them so frightfully bizarre that he vowed they would not play for his club. Today, however, they are idolized by millions of fans around the world, from 82-year-old legend Gordie Howe to children whose parents weren’t even born when the Hansons stepped onto the War Memorial ice to com- mence what fans have dubbed “the greatest shift in hockey history.” Go ahead, Google it. You’ll see. It’s diffi cult to explain the transformation of the Hansons from “retards” and “criminals” to icons who still tour North American arenas every year, dispensing their special brand of tough, in-your-face hockey, without having changed a whole lot about their style. -
The Color of Money”
David Alciatore, PhD (“Dr. Dave”) ILLUSTRATED PRINCIPLES “Billiards on the Big Screen – The Color of Money” Note: Supporting narrated video (NV) demonstrations, high-speed video (HSV) clips, and technical proofs (TP) can be accessed and viewed online at billiards.colostate.edu. The reference numbers used in the article (e.g., NV A.7) help you locate the resources on the website. If you don’t have access to the Internet, or if you have a slow connection (e.g., a modem), you may want to view the resources from a CD-ROM instead. To order one, send a check or money order (payable to David Alciatore) for $21.45 (includes S&H) to: Pool Book CD; 626 S. Meldrum St.; Fort Collins, CO 80521. The CD-ROM is compatible with both PCs and MACs. This is the second article in my “Billiards on the Big Screen” series, where I illustrate and describe interesting shots from movies with major billiards themes. Last month, I presented some shots from the classic billiards flick: “The Hustler.” By the way, if you want to refer back to any of my previous articles and online resources, you can access them online at billiards.colostate.edu. This month’s article deals with the huge box-office success: “The Color of Money.” In my next two articles, I will show shots from “Pool Hall Junkies” and “Donald in Mathmagic Land.” ”The Color of Money” (1986, Touchstone Pictures) is the story of two hustlers who teach each other a few things about pool and life. Fast Eddie Felson (played by Paul Newman), a seasoned hustler, discovers Vincent (played by Tom Cruise), an immature and young hustler with great talent and potential. -
Scorses by Ebert
Scorsese by Ebert other books by An Illini Century roger ebert A Kiss Is Still a Kiss Two Weeks in the Midday Sun: A Cannes Notebook Behind the Phantom’s Mask Roger Ebert’s Little Movie Glossary Roger Ebert’s Movie Home Companion annually 1986–1993 Roger Ebert’s Video Companion annually 1994–1998 Roger Ebert’s Movie Yearbook annually 1999– Questions for the Movie Answer Man Roger Ebert’s Book of Film: An Anthology Ebert’s Bigger Little Movie Glossary I Hated, Hated, Hated This Movie The Great Movies The Great Movies II Awake in the Dark: The Best of Roger Ebert Your Movie Sucks Roger Ebert’s Four-Star Reviews 1967–2007 With Daniel Curley The Perfect London Walk With Gene Siskel The Future of the Movies: Interviews with Martin Scorsese, Steven Spielberg, and George Lucas DVD Commentary Tracks Beyond the Valley of the Dolls Casablanca Citizen Kane Crumb Dark City Floating Weeds Roger Ebert Scorsese by Ebert foreword by Martin Scorsese the university of chicago press Chicago and London Roger Ebert is the Pulitzer The University of Chicago Press, Chicago 60637 Prize–winning film critic of the Chicago The University of Chicago Press, Ltd., London Sun-Times. Starting in 1975, he cohosted © 2008 by The Ebert Company, Ltd. a long-running weekly movie-review Foreword © 2008 by The University of Chicago Press program on television, first with Gene All rights reserved. Published 2008 Siskel and then with Richard Roeper. He Printed in the United States of America is the author of numerous books on film, including The Great Movies, The Great 17 16 15 14 13 12 11 10 09 08 1 2 3 4 5 Movies II, and Awake in the Dark: The Best of Roger Ebert, the last published by the ISBN-13: 978-0-226-18202-5 (cloth) University of Chicago Press. -
Printable Schedule
Schedule for 9/29/21 to 10/6/21 (Central Time) WEDNESDAY 9/29/21 TIME TITLE GENRE 4:30am Fractured Flickers (1963) Comedy Featuring: Hans Conried, Gypsy Rose Lee THURSDAY 9/30/21 TIME TITLE GENRE 5:00am Backlash (1947) Film-Noir Featuring: Jean Rogers, Richard Travis, Larry J. Blake, John Eldredge, Leonard Strong, Douglas Fowley 6:25am House of Strangers (1949) Film-Noir Featuring: Edward G. Robinson, Susan Hayward, Richard Conte, Luther Adler, Paul Valentine, Efrem Zimbalist Jr. 8:35am Born to Kill (1947) Film-Noir Featuring: Claire Trevor, Lawrence Tierney 10:35am The Power of the Whistler (1945) Film-Noir Featuring: Richard Dix, Janis Carter 12:00pm The Burglar (1957) Film-Noir Featuring: Dan Duryea, Jayne Mansfield, Martha Vickers 2:05pm The Lady from Shanghai (1947) Film-Noir Featuring: Orson Welles, Rita Hayworth, Everett Sloane, Carl Frank, Ted de Corsia 4:00pm Bodyguard (1948) Film-Noir Featuring: Lawrence Tierney, Priscilla Lane 5:20pm Walk the Dark Street (1956) Film-Noir Featuring: Chuck Connors, Don Ross 7:00pm Gun Crazy (1950) Film-Noir Featuring: John Dall, Peggy Cummins 8:55pm The Clay Pigeon (1949) Film-Noir Featuring: Barbara Hale 10:15pm Daisy Kenyon (1947) Romance Featuring: Joan Crawford, Henry Fonda, Dana Andrews, Ruth Warrick, Martha Stewart 12:25am This Woman Is Dangerous (1952) Film-Noir Featuring: Joan Crawford, Dennis Morgan 2:30am Impact (1949) Film-Noir Featuring: Brian Donlevy, Raines Ella FRIDAY 10/1/21 TIME TITLE GENRE 5:00am Dr. Jekyll and Mr. Hyde (1931) Thriller Featuring: Fredric March, Miriam Hopkins -
Cowboy Up: the American Cowboy in Fact and Fiction Syllabus
FSEM 100 Cowboy Up: The American Cowboy in Fact and Fiction Syllabus Semester Spring 2011 Lecturer Dr. Ron Scheer Email [email protected] Section 34604 Office JEF 261 Phone 213-740-1980 Time Mon 2:00 Office hours TTh 2:00 Fax 213-740-4100 Classroom WPH 201 and by appointment Course description The western has been a genre of American movies and popular literature for over a century. The stories told in this genre reflect values that are embedded in American culture. They are typically about men of strong character who represent a certain kind of moral order, and the story being told is about how they confront and overcome villains, outlaws, and other “bad guys” who are enemies of that order. It can be a black-and-white world of good vs. evil, or it can be a world where there are many shades of gray, so that it’s less easy to tell the difference. This conflict is typically played out on the American frontier, in the late 19th century (1865-1900), during the decades after the American Civil War. It is the era of cowboys, the growth of the cattle industry, the fencing of the open range, the demise of the buffalo herds, the final displacement of the Native American tribes, the building of cross- continental railroads, and rapid settlement of the frontier territories fed by waves of immigration and the availability of free land made possible by the Homestead Acts. The conflict in a western typically involves and is eventually resolved by violence – fistfights, gunfire, sometimes even explosives.