Charlie Chaplin Facts

Total Page:16

File Type:pdf, Size:1020Kb

Charlie Chaplin Facts Charlie Chaplin Worksheets Charlie Chaplin Facts Sir Charles Spencer Chaplin was an English comic actor, filmmaker, and composer, who became significantly popular during the era of silent film, an era of cinema that persisted from the mid 1890's until the 1920's, where movies have no sound, synchronized audio recording, nor audible dialogs. It was the era where films were watched while accompanied by a pianist. In this era, Charlie Chaplin became most popular for his character, The Tramp. Charlie Chaplin's career spanned more than 75 years, since his childhood in the Victorian era until a year before his death in 1977. His life has sparked both admiration and controversy. KIDSKONNECT.COM Charlie Chaplin Facts EARLY LIFE ★ Charlie Chaplin's rise to fame is a rags-to-riches story. ★ Charles Spencer Chaplin was born on April 16, 1889, in London, England. ★ Not long after his birth, Chaplin's father became an alcoholic and abandoned him with his mother and older half-brother, Sydney. ★ Chaplin's mother, Hannah, went by the stage name of Lily Harley, as she was a music hall singer and vaudevillian. ★ She was able to support her family for a few years. Seven-year-old Charlie at the ★ On one performance, Hannah center of the photo taken at the lost her voice for unknown Central London District School reasons; to continue the show, for paupers in 1897 young Charlie came to the stage to replace her. ★ The audience loved his ★ Chaplin, only five at the time, performance. continued his mother's ★ Unfortunately, his mother's performance. voice never returned. ★ Chaplin knew comedy at the ★ Sadly, she also suffered from time, as he imitated his mother's mental illness and was later cracking voice. confined to an asylum. KIDSKONNECT.COM Charlie Chaplin Facts EARLY CAREER ★ Chaplin used his mothers contacts to enter showbiz in 1897. ★ He landed in a clog-dancing troupe named the Eight Lancashire Lads. ★ Chaplin worked many jobs, such as being a news vendor, printer, and toymaker, but he never lost his dream to be an actor. ★ Chaplin made his first acting role as a pageboy in a production of Sherlock Holmes (1903-1906). ★ In 1908, he toured with a vaudeville Young Charlie in group named Casey's Court Circus. Sherlock Holmes ★ He teamed up with the Fred Karno Pantomime Troupe and became a star as a drunk man in a comedic sketch. ★ Chaplin got to the United States with the Pantomime Troupe, and there he caught the eye of Mack Sennett, who signed him to a contract for 150 dollars a week. Ad for Karno’s 1913 American Tour KIDSKONNECT.COM Charlie Chaplin Facts FILM CAREER ★ Chaplin debuted in a film called Make a Living in 1914. ★ In order to be a unique actor, Chaplin decided to stick to a character in his next film. ★ His identifiable character is known as "The Little Tramp," who first appeared in Kid Auto Races at Venice in 1914. ★ Chaplin left Sennett in 1915 to join the Essanay Company, Chaplin and Henry Lehrman which contracted to pay him in Making a Living (1914) $1,250 dollars a week. ★ With the Essanay Company, Charlie hired Sydney, his older half-brother, to be his business manager. ★ Chaplin then rose to stardom. ★ Chaplin made 14 films in his first year in the company. ★ His first classic film was The Tramp (1915). ★ The Tramp is about how his character became an The Tramp debuts in Kid Auto unexpected hero, saving a Races at Venice (1914) farmer's daughter from a gang of robbers. KIDSKONNECT.COM Charlie Chaplin Facts ★ By the age of 26, Chaplin moved to Mutual Company, which paid him $670,000 a year. ★ While with Mutual Company, he made some of his best work, such as One A.M. (1916), The Rink (1916), and Easy Street (1917). ★ As a filmmaker, Chaplin was known to be a perfectionist. ★ However, the good results were hard to deny as he made his greatest films, such as The Kid (1921), The Pilgrim (1923), A Woman in Paris (1923), and The Gold Rush (1925). ★ These films were produced by a company he co-founded named United Artists. PERSONAL LIFE ★ Chaplin had numerous affairs with women who had roles in his films. ★ Chaplin married Mildred Harris in 1918, who was 16 years old. ★ Chaplin wed again in 1925 with another 16-year-old actress, Lita Grey, whom he'd cast in The Gold Rush. They divorced in 1927. ★ He wed again in 1936 to Paulette Goddard, and their marriage lasted until 1942. ★ In 1943, Chaplin married Oona O'Neill, Lita Grey who was the daughter of playwright Eugene O'Neill. ★ Their marriage was happy and resulted in eight children. KIDSKONNECT.COM Charlie Chaplin Facts FINAL YEARS ★ Chaplin made his last visit to the United States in 1972 to receive an Honorary Academy Award. ★ In 1975, Chaplin was knighted by Queen Elizabeth. ★ Charlie Chaplin died at his home in Corsier-sur-Vevey, Vaud, Switzerland on December 25, 1977. ★ Two men stole Chaplin’s body from the grave for a ransom of $400,000. ★ Eleven weeks later, Chaplin’s body was recovered and the robbers were arrested. Charlie Chaplin Studios where Chaplin's films were produced between 1918 and 1952 KIDSKONNECT.COM Name: ______________ Rags to Riches Why is Charlie Chaplin’s life story called a rags-to-riches story? Summarize his life using the following categories. EARLY LIFE ____________________________________ ____________________________________ ____________________________________ ____________________________________ EARLY CAREER ____________________________________ ____________________________________ ____________________________________ ____________________________________ CAREER HIGHLIGHTS ____________________________________ ____________________________________ ____________________________________ ____________________________________ CHARLIE CHAPLIN WORKSHEETS KIDSKONNECT.COM Name: ______________ Career Checklist Put a checkmark next to the jobs taken by Charlie Chaplin in his lifetime. Put an X next to the jobs that were not. Filmmaker News Vendor Actor Chef Toymaker Printer Waiter Contractor CHARLIE CHAPLIN WORKSHEETS KIDSKONNECT.COM Name: ______________ Charlie, the Actor Arrange the following events in Charlie Chaplin’s acting career in order from the first to last. Write the corresponding letters on the blanks. A. Charlie acted as a pageboy in Sherlock Holmes. B. Charlie joined the Fred Karno Pantomime Troupe and starred in a comedic sketch. C. Charlie acted as The Tramp. D. Charlie moved to Mutual Company and made some of his best work. E. Charlie starred in a film entitled The Rink. F. Charlie debuted in a film called Make a Living. G. Charlie joined the Essanay Company and earned $1,250 a week. CHARLIE CHAPLIN WORKSHEETS KIDSKONNECT.COM Name: ______________ Charlie, the Filmmaker Decode the titles of Charlie Chaplin’s films using the given letters and dates of release as clues. T E C R U (1928) K N N E O R (1957) L M L H (1952) N S U R (1947) V E R H E R E D C A O (1940) CHARLIE CHAPLIN WORKSHEETS KIDSKONNECT.COM Name: ______________ Poster Match Match the letter of the poster of Charlie Chaplin’s movie to its correct synopsis. Write the corresponding letter on the space provided. A B C D A little tramp discovers an orphan and raises him as his own until the orphanage reclaims the orphan. A little tramp searches for gold and ends up falling in love. A little tramp rescues a stray dog and together they try to survive the city. A little tramp gets employed at a factory where the machinery overwhelms him, and where he experiences mishap upon mishap. CHARLIE CHAPLIN WORKSHEETS KIDSKONNECT.COM Name: ______________ Silent Film Era Charlie Chaplin was the star of the silent film era. Learn more about the silent film era by answering the following questions. What is silent film? When was the silent film era? Who were the famous actors during the silent film era? What were the famous films made during the silent film era? What caused the end of the silent film era? CHARLIE CHAPLIN WORKSHEETS KIDSKONNECT.COM Name: ______________ Multiple Marriages Charlie Chaplin is known to have married multiple times. Who were the ex-wives and last wife of Charlie Chaplin? Can you write their names on the blank as well as a brief summary of their relationships with Chaplin? NAME: _________________ NAME: _________________ RELATIONSHIP SUMMARY: RELATIONSHIP SUMMARY: _______________________ _______________________ _______________________ _______________________ _______________________ _______________________ _______________________ _______________________ NAME: _________________ NAME: _________________ RELATIONSHIP SUMMARY: RELATIONSHIP SUMMARY: _______________________ _______________________ _______________________ _______________________ _______________________ _______________________ _______________________ _______________________ CHARLIE CHAPLIN WORKSHEETS KIDSKONNECT.COM Name: ______________ Chaplin’s Colleagues The following people have worked with Charlie Chaplin closely at one point in his career. Can you write a short profile detailing the background and work of each one? MARY DOUGLAS FAIRBANKS __________________ PICKFORD __________________ __________________ __________________ ____ ____ HARRY HENRY BERGMAN LAUDER __________________ __________________ __________________ __________________ ____ ____ CHARLIE CHAPLIN WORKSHEETS KIDSKONNECT.COM Name: ______________ Film Review Watch a trailer, a clip, or a full video of any silent film starring Charlie Chaplin, then write what you think of Chaplin’s film in the space below. _____________________________________________ _____________________________________________ _____________________________________________ _____________________________________________
Recommended publications
  • Download the Events Brochure
    1 THE EXCLUSIVE WORLD OF CHAPLIN FOR YOUR EVENTS 2 3 TABLE OF CONTENT 5 12 26 Chaplin is back Backstage Easy Street & The Circus 6 14 28 Infinite possibilities The Manoir: A space rich with emotion Hollywood Boulevard 9 22 30 A site covering 4 hectares Le Studio Restaurant: The Tramp 10 24 35 Welcome to Chaplin’s World ! The Cinema Practical information 36 Contact 4 5 CHAPLIN’S CHAPLIN WORLD IS BACK CHAPLIN’S WORLD ABSOLUTELY UNIQUE Immerse yourself in the universe of Charlie Chaplin and experience the emotion of encountering one of the greatest artists of the 20th century. harlie Chaplin is a legend, known and entertaining museum designed to plunge you Cloved all over the planet. His positive aura into the private and Hollywood life of Charlie continues to shine on the world – the very Chaplin, allowing you to discover both the man world he portrayed through his comic and and the artist: Charlie and the Tramp. Play human vision. The Tramp, his iconic character, among sets from his movies and make one of has brought, and continues to bring laughter the most beautiful spots in the Riviera your own to millions of people. Situated between lake private paradise. and mountain, Chaplin’s World By Grévin is an 6 7 INFINITE POSSIBILITIES haplin’s World By Grévin offers the PRESTIGIOUS SPACES AT THE HEART OF Crental of the entire site or certain A UNIQUE CULTURAL DESTINATION FOR: areas for the organization of private receptions, events, and activities for PROFESSIONAL EVENTS INCLUDING individuals and companies. These events Presentations and assemblies can be paired with museum visits.
    [Show full text]
  • The Power of Sound in Creating Humor: Chaplin – a Pioneer of Audio-Gags and of Sound Design
    ISSN 2351-4744 The Power of Sound in Creating Humor: Aner PREMINGER The Film School, Sapir Academic Chaplin – a Pioneer of Audio-Gags and College, Department of * Communication, The Hebrew of Sound Design University, Jerusalem ABSTRact. This article examines Chaplin’s innovations in the concepts of sound that, while overlooked, nonetheless contribute greatly to the cinematic language on sound. The article shows that in spite of the fact that Chaplin’s important contribution to the transition to sound cinema is ignored in most of the literature dealing with his art, not only did he invent new ways of using sound as both a con- KEYWORDS: cept and a new technological tool of his cinematic art, but in many Chaplin, silent cinema, scenes he used sound for audio gags in similar ways to those he talkies, gag, soundtrack, used props and sets in visual gags. This thesis first of all introduces audio-gag, The Circus, three new categories that have been created to clarify the dichotomy City Lights, Modern between silent film and the talking film: audio-silent film, talking- Times, The Great silent film, and filmed theatre. Then it applies some important notions Dictator, Limelight, that Michel Chion had introduced in order to talk about cinematic transition to sound sound utterance to explore a selection of audio-gags which best il- cinema, audio-silent lustrate how Chaplin actually created an audio language that ex- film, talking-silent pands his repertoire of ways to create cinematic humor. Finally, it film, filmed theatre, demonstrates how Chaplin’s unique audio-gags that were ahead of audiovisual illusion, his time, contributed to the evolution of sound design as it was used gibberish, asynchronic later during the 1950s and 1960s, according to Chion’s arguments.
    [Show full text]
  • Letting the Other In, Queering the Nation
    Letting the Other in, Queering the Nation: Bollywood and the Mimicking Body Ronie Parciack Tel Aviv University Bombay’s film industry, Bollywood, is an arena that is represented and generated by the medium as a male intensively transmits cultural products from one na - homosexual body. tionality to another; it is a mimicking arena that in - cessantly appropriates narratives of Western Culture, particularly from Hollywood. Hence its nick-name Bollywood and the work of mimicry that contains the transcultural move back and forth Bollywood, Mumbai’s cinematic industry, is an inten - between and Bombay/Mumbai, all the while retain - sive arena absorbing foreign cultural products, mainly ing the ambivalent space positioned betwixt and be - Western. Characters, cultural icons, genres, lifestyle tween, and the unsteady cultural boundaries derived accoutrements such as clothing, furnishing, recreation from the postcolonial situation. styles, western pop songs and entire cinematic texts This paper examines the manner in which this have constantly been appropriated and adapted dur - transcultural move takes place within the discourse of ing decades of film-making. gender; namely, how the mimicking strategy forms a The mimicry phenomenon, with its central locus body and provides it with an ambiguous sexual iden - in the colonial situation and the meanings it contin - tity. My discussion focuses on the film Yaraana ues to incorporate in the postcolonial context, is a (David Dhawan, 1995) – a Bollywood adaptation of loaded focus in current discourse on globalization and Sleeping with the Enemy (Joseph Ruben, 1989). The localization, homogenization and heterogenization. Hollywood story of a woman who flees a violent hus - This paper examines the way in which the mimicking band exists in the Bollywood version, but takes on a deed can highlight the gendered layout of the mim - minor role compared to its narrative focus: an (insin - icking arena.
    [Show full text]
  • Film Essay for "Modern Times"
    Modern Times By Jeffrey Vance No human being is more responsible for cinema’s ascendance as the domi- nant form of art and entertainment in the twentieth century than Charles Chaplin. Yet, Chaplin’s importance as a historic figure is eclipsed only by his creation, the Little Tramp, who be- came an iconic figure in world cinema and culture. Chaplin translated tradi- tional theatrical forms into an emerg- ing medium and changed both cinema and culture in the process. Modern screen comedy began the moment Chaplin donned his derby hat, affixed his toothbrush moustache, and Charlie Chaplin’s Tramp character finds he has become a cog in the stepped into his impossibly large wheels of industry. Courtesy Library of Congress Collection. shoes for the first time. “Modern Times” is Chaplin’s self-conscious subjects such as strikes, riots, unemployment, pov- valedictory to the pantomime of silent film he had pio- erty, and the tyranny of automation. neered and nurtured into one of the great art forms of the twentieth century. Although technically a sound The opening title to the film reads, “Modern Times: a film, very little of the soundtrack to “Modern Times” story of industry, of individual enterprise, humanity contains dialogue. The soundtrack is primarily crusading in the pursuit of happiness.” At the Electro Chaplin’s own musical score and sound effects, as Steel Corporation, the Tramp is a worker on a factory well as a performance of a song by the Tramp in gib- conveyor belt. The little fellow’s early misadventures berish. This remarkable performance marks the only at the factory include being volunteered for a feeding time the Tramp ever spoke.
    [Show full text]
  • THE ANIMATED TRAMP Charlie Chaplin's Influence on American
    THE ANIMATED TRAMP Charlie Chaplin’s Influence on American Animation By Nancy Beiman SLIDE 1: Joe Grant trading card of Chaplin and Mickey Mouse Charles Chaplin became an international star concurrently with the birth and development of the animated cartoon. His influence on the animation medium was immense and continues to this day. I will discuss how American character animators, past and present, have been inspired by Chaplin’s work. HISTORICAL BACKGROUND (SLIDE 2) Jeffrey Vance described Chaplin as “the pioneer subject of today’s modern multimedia marketing and merchandising tactics”, 1 “(SLIDE 3). Charlie Chaplin” comic strips began in 1915 and it was a short step from comic strips to animation. (SLIDE 4) One of two animated Chaplin series was produced by Otto Messmer and Pat Sullivan Studios in 1918-19. 2 Immediately after completing the Chaplin cartoons, (SLIDE 5) Otto Messmer created Felix the Cat who was, by 1925, the most popular animated character in America. Messmer, by his own admission, based Felix’s timing and distinctive pantomime acting on Chaplin’s. 3 But no other animators of the time followed Messmer’s lead. (SLIDE 6) Animator Shamus Culhane wrote that “Right through the transition from silent films to sound cartoons none of the producers of animation paid the slightest attention to… improvements in the quality of live action comedy. Trapped by the belief that animated cartoons should be a kind of moving comic strip, all the producers, (including Walt Disney) continued to turn out films that consisted of a loose story line that supported a group of slapstick gags which were often only vaguely related to the plot….The most astonishing thing is that Walt Disney took so long to decide to break the narrow confines of slapstick, because for several decades Chaplin, Lloyd and Keaton had demonstrated the superiority of good pantomime.” 4 1 Jeffrey Vance, CHAPLIN: GENIUS OF THE CINEMA, p.
    [Show full text]
  • 2019-BENNY-AND-JOON.Pdf
    CREATIVE TEAM KIRSTEN GUENTHER (Book) is the recipient of a Richard Rodgers Award, Rockefeller Grant, Dramatists Guild Fellowship, and a Lincoln Center Honorarium. Current projects include Universal’s Heart and Souls, Measure of Success (Amanda Lipitz Productions), Mrs. Sharp (Richard Rodgers Award workshop; Playwrights Horizons, starring Jane Krakowski, dir. Michael Greif), and writing a new book to Paramount’s Roman Holiday. She wrote the book and lyrics for Little Miss Fix-it (as seen on NBC), among others. Previously, Kirsten lived in Paris, where she worked as a Paris correspondent (usatoday.com). MFA, NYU Graduate Musical Theatre Writing Program. ASCAP and Dramatists Guild. For my brother, Travis. NOLAN GASSER (Music) is a critically acclaimed composer, pianist, and musicologist—notably, the architect of Pandora Radio’s Music Genome Project. He holds a PhD in Musicology from Stanford University. His original compositions have been performed at Carnegie Hall, Lincoln Center, among others. Theatrical projects include the musicals Benny & Joon and Start Me Up and the opera The Secret Garden. His book, Why You Like It: The Science and Culture of Musical Taste (Macmillan), will be released on April 30, 2019, followed by his rock/world CD Border Crossing in June 2019. His TEDx Talk, “Empowering Your Musical Taste,” is available on YouTube. MINDI DICKSTEIN (Lyrics) wrote the lyrics for the Broadway musical Little Women (MTI; Ghostlight/Sh-k-boom). Benny & Joon, based on the MGM film, was a NAMT selection (2016) and had its world premiere at The Old Globe (2017). Mindi’s work has been commissioned, produced, and developed widely, including by Disney (Toy Story: The Musical), Second Stage (Snow in August), Playwrights Horizons (Steinberg Commission), ASCAP Workshop, and Lincoln Center (“Hear and Now: Contemporary Lyricists”).
    [Show full text]
  • Charlie Chaplin, City Lights
    Beeth o v en a ca d em ie . c a r l davis Charlie Chaplin, City Lights DESINGEL 17 FEBRUARI 98 Film met live orkest ism. villanella en Filmmuseum Antwerpen BEETHOVEN ACADEMIE . CARL DAVIS Charlie Chaplin, City Lights DESINGEL 17 FEBRUARI 98 Film met live orkest ism. villanella en Filmmuseum Antwerpen Beethoven Academie Charlie Chaplin, City Lights Carl Davis muzikale leiding de zwerver Charles Chaplin het blinde meisje Virginia Cherrill haar grootmoeder Florence Lee de miljonair Harry Myers bokser Hank Mann scheidsrechter Eddie Baker butler Allan Garcia burgemeester/portier Henry Bergman straatveger/inbreker Albert Austin inbreker Joe Van Meter krantenjongens Robert Parrish, Austen Jewell man op lift Tiny Ward assistente in bloemenwinkel Mrs. Hyams flik Harry Ayers vrouw die op sigaar zit Florence Wicks figurant in restaurantscène Jean Harlow boksers Tom Dempsey, Eddie McAuliffe, Willie Keeler, Victor Alexander productie Chaplin - United Artists producent/regie scenario/montage Charles Chaplin fotografie Roland Totheroh cameramannen Mark Marlatt, Gordon Pollock aanvang filmconcert 20.00 uur regie-assistenten Harry Crocker, Henry Bergman, einde 21.30 uur Albert Austin geen pauze art director Charles D. Hall muziek Charles Chaplin foto's programmaboekje © and property of arrangeur Arthur Johnston productieleider Alt Reeves Roy Export Company Establishment teksten programmaboekje Frank Van der Kinderen duur 86 min coördinatie programmaboekje deSingel Engelstalige tussentitels druk programmaboekje Tegendruk kopie Photoplay Productions SYNOPSIS Een zwerver (de 'Tramp') wordt verliefd op een blind bloe- menverkoopstertje en hoopt het geld te vinden voor de ope­ ratie die haar het zicht moet teruggeven. Hij papt aan met een excentrieke miljonair die in dronken toestand zeer vrij­ gevig is, maar eenmaal nuchter een hardvochtig mens.
    [Show full text]
  • Tea & Coffee Selection Morning Menu Food with Friends Cocktails Wines by the Glass Spirit Selection Local Drinks
    Tea & Coffee Selection Morning menU Food with Friends Cocktails Wines by the Glass Spirit Selection Local Drinks CHARLIE CHAPLIN n 1921 Charlie Chaplin checked in to the Slieve Donard. His first marriage to Mildred Harris had ended in an Iacrimonious divorce and he was seeking rest and solace. To add to his woes he had recently learned of the death of his first love Hetty Kelly who hailed from County Down and he was hoping to find something of her spirit on his visit. He signed the hotel register giving his address as simply New York City and for a while, he was taken to the hearts of Newcastle people as their very own link to the wonderful world of the movies. Sir William Hastings, Chairman of the Hastings Hotels Group, is very proud of the hotel’s Chaplin link. “ I suppose not everyone can be a Charlie Chaplin, but at our hotel we like to think we give everyone the movie star treatment.” So if you catch the essence of a spirit, perhaps gazing out to sea, or at the majestic Mourne Mountains when next you visit Chaplin’s Bar, don’t be surprised. Speciality Tea Selection Since 1896 the Thompson family have been buying and blending the world’s finest teas. The third generation of the Thompson family stay true to this tradition, blending award winning teas in Belfast to bring you a better cup of tea. We hope you enjoy our selection. All our Teas are served with homemade Slieve Donard traybakes and scones. Irish Breakfast .............................................................£4 Earl Grey ...................................................................£4 Green Tea ..................................................................£4 Peppermint ................................................................£4 Decaffeinated ..............................................................£4 If you would prefer to take a little longer to relax over your tea why not try our loose leaf teas which are an exciting blend of luxury loose leaves and herbal infusions.
    [Show full text]
  • Charlie Chaplin: the Genius Behind Comedy Zuzanna Mierzejewska College of Dupage
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by [email protected]. ESSAI Volume 9 Article 28 4-1-2011 Charlie Chaplin: The Genius Behind Comedy Zuzanna Mierzejewska College of DuPage Follow this and additional works at: http://dc.cod.edu/essai Recommended Citation Mierzejewska, Zuzanna (2011) "Charlie Chaplin: The Genius Behind Comedy," ESSAI: Vol. 9, Article 28. Available at: http://dc.cod.edu/essai/vol9/iss1/28 This Selection is brought to you for free and open access by the College Publications at [email protected].. It has been accepted for inclusion in ESSAI by an authorized administrator of [email protected].. For more information, please contact [email protected]. Mierzejewska: Charlie Chaplin: The Genius Behind Comedy Charlie Chaplin: The Genius Behind Comedy by Zuzanna Mierzejewska (English 1102) he quote, “A picture with a smile-and perhaps, a tear” (“The Kid”) is not just an introduction to Charlie Chaplin’s silent film, The Kid, but also a description of his life in a nutshell. Many Tmay not know that despite Chaplin’s success in film and comedy, he had a very rough childhood that truly affected his adult life. Unfortunately, the audience only saw the man on the screen known world-wide as the Tramp, characterized by: his clown shoes, cane, top hat and a mustache. His humor was universal; it focused on the simplicity of our daily routines and the funniness within them. His comedy was well-appreciated during the silent film era and cheered soldiers up as they longed for peace and safety during World War I and other events in history.
    [Show full text]
  • The Common Law Right to Earn a Living
    SUBSCRIBE NOW AND RECEIVE CRISIS AND LEVIATHAN* FREE! “The Independent Review does not accept “The Independent Review is pronouncements of government officials nor the excellent.” conventional wisdom at face value.” —GARY BECKER, Noble Laureate —JOHN R. MACARTHUR, Publisher, Harper’s in Economic Sciences Subscribe to The Independent Review and receive a free book of your choice* such as the 25th Anniversary Edition of Crisis and Leviathan: Critical Episodes in the Growth of American Government, by Founding Editor Robert Higgs. This quarterly journal, guided by co-editors Christopher J. Coyne, and Michael C. Munger, and Robert M. Whaples offers leading-edge insights on today’s most critical issues in economics, healthcare, education, law, history, political science, philosophy, and sociology. Thought-provoking and educational, The Independent Review is blazing the way toward informed debate! Student? Educator? Journalist? Business or civic leader? Engaged citizen? This journal is for YOU! *Order today for more FREE book options Perfect for students or anyone on the go! The Independent Review is available on mobile devices or tablets: iOS devices, Amazon Kindle Fire, or Android through Magzter. INDEPENDENT INSTITUTE, 100 SWAN WAY, OAKLAND, CA 94621 • 800-927-8733 • [email protected] PROMO CODE IRA1703 The Common Law Right to Earn a Living —————— ✦ —————— TIMOTHY SANDEFUR The monopolizer engrosseth to himself what should be free to every man. —Sir Edward Coke1 t the common law,” wrote William Blackstone, “every man might use what trade he pleased” ([1765] 1979, 1:415). This seemingly innocu- “A ous phrase, dropped offhandedly into a chapter on the obligations of master and servant, hints at a rich common-law tradition that has in large part been ignored, or even denied outright, in more modern scholarship.
    [Show full text]
  • Send in the Clones
    Send in the Clones Chaplin Imitators from Stage to Screen, from Circus to Cartoon Ulrich Ruedel The Chaplin craze of the teens is often cited as one of the main indicators of the unprecedented popularity of Chaplin's little tramp. Chaplin imitators, cartoons, songs were abound. While Chaplin may indeed qualify as the most imitated character in film history, this "sincerest form of flattery" was not limited to him. Indeed, one of the historically most remarkable Chaplin imitations, that of former Chaplin understudy Stan Laurel, was part of a Keystone Trio stage act, which also included likenesses of Mabel Normand and Chester Conklin. Nor does the phenomenon of comic clones end there. Throughout film history, we find carbon copies of then- popular film clowns, sometimes unidentified today, often though probably quite justly forgotten.1 1 The Museum of Modern Art, for example, holds footage of an unidentified Snub Pollard imitator; imitations of Harold Lloyd's glasses character have been reported, and Wolfram Tichy's 1979 Harold Lloyd bioography presents an unidentified photo of what might have been such an imitator. Europe had their own, unique comedy success in the 20s and 30s, in the Danish comedy tramp duo of Fy og Bi / Long and Short / Pat & Patachon, and this author's research into this team (easily rivaling in popularity Chaplin, Keaton and Lloyd in countries like Germany and Russia) has so far confirmed at east four imitators, or "parodists," asppearing well into the 1950s. The Three Stooges are unique in this regard as their likenesses can claim a certain degree of legitimacy, either having gone through the same school as the original trio, Stooge inventor Ted Healy's act, that is, or in a couple instances even having the privilege of featuring former original Stooges.
    [Show full text]
  • Book Reviews – October 2012
    Scope: An Online Journal of Film and Television Studies Issue 24 October 2012 Book Reviews – October 2012 Table of Contents Jacques Rivette By Douglas Morrey and Alison Smith Alain Robbe-Grillet By John Phillips A Review by Jonathan L. Owen ............................................................... 3 Music and Politics By John Street Wagner and Cinema Edited by Jeongwon Joe and Sander L. Gilman A Review by Nathan Waddell ................................................................ 11 Disney, Pixar, and the Hidden Messages of Children’s Films By M. Keith Booker Demystifying Disney: A History of Disney Feature Animation By Chris Pallant A Review by Noel Brown ...................................................................... 17 Virtual Voyages: Cinema and Travel Edited by Jeffrey Ruoff Cinematic Journeys: Film and Movement By Dimitris Eleftheriotis A Review by Sofia Sampaio .................................................................. 26 1 Book Reviews Jerry Lewis by Chris Fujiwara Atom Egoyan by Emma Wilson Andrei Tarkovsky by Sean Martin A review by Adam Jones ...................................................................... 34 The Comedy of Chaplin: Artistry in Motion By Dan Kamin Disappearing Tricks: Silent Film, Houdini and the New Magic of the Twentieth Century By Matthew Solomon A review by Bruce Bennett ................................................................... 42 Von Sternberg By John Baxter Willing Seduction: The Blue Angel, Marlene Dietrich and Mass Culture By Barbara Kosta A Review by Elaine Lennon
    [Show full text]