1 Ann James Massey, SWA, CPSA, UKCPS CONTENTS
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Elvira Carrizal-Dukes
ELVIRA CARRIZAL-DUKES, Ph.D., MFA Curriculum vitae August 11, 2021 The University of Texas at El Paso Chicana/o Studies Program Tel: 915-747-5985 [email protected] Online Portfolio EDUCATION The University of Texas at El Paso PhD, Rhetoric and Composition, 2020 Dissertation: Towards a New Cholx Consciousness: The Visual Rhetorics of Cholx Artistas as a Method for Social Justice Movements, Dissertation Chair: Kate Mangelsdorf, PhD, Second Reader Beth Brunk-Chavez, PhD, Outside Readers Guillermina Gina Núñez-Mchiri, PhD, and Dennis Bixler- Márquez, PhD. Columbia University in the City of New York Master of Fine Arts, Film, 2007 University of Minnesota—Twin Cities Bachelor of Arts, Journalism and Chicano Studies, Minor: Theatre Arts, 2000 TEACHING POSITIONS Assistant Professor of Instruction 2019-Present The University of Texas at El Paso, Chicana/o Studies Program, El Paso, TX Lecturer from 2009 – 2019 Assistant Professor (tenured) 2014-2019 El Paso Community College, Mass Communication discipline, Communications & Performing Arts Division, El Paso, TX Adjunct faculty from 2008 – 2010 Adjunct 2011-2012 Columbia College Chicago, Film and Video Department, Chicago, IL Teaching Artist 2005-2007 The Leadership Program, Film and Theatre, New York City, NY Teaching Assistant 2003, 2006 Columbia University in the City of New York, Film, New York City, NY Teaching Specialist 1 2000-2002 University of Minnesota—Twin Cities, Chicano Studies, Minneapolis, MN PUBLICATIONS Peer Reviewed Article (2019) “La salud en mis manos: Localizing Health and Wellness Literacies in Transnational Communities through Participatory Mindfulness and Art-Based Projects” co-author. Present Tense: A Journal of Rhetoric in Society, Issue 3, Volume 7. -
Artecodevreport TCT 2010.Pdf
Table of Contents Introduction ................................................................................................................................ 1 Selecting Case Study Communities & Study Approach .............................................................. 4 Texas Case Studies ...................................................................................................................... 7 City of Amarillo, Texas & Panhandle Region .......................................................................... 7 Key Findings & Lessons Learned from Amarillo & Texas Panhandle .................................. 7 Globe-News Center and Downtown Redevelopment ........................................................ 8 Window on a Wider World (WOWW) .............................................................................. 11 TEXAS the Musical Drama at the Pioneer Amphitheatre ................................................. 13 Summary .......................................................................................................................... 14 City of Clifton, Texas ............................................................................................................. 15 Key Findings & Lessons Learned from Clifton .................................................................. 15 Artists’ Colony .................................................................................................................. 16 Bosque Arts Center .......................................................................................................... -
Curriculum Vitae Dr
Curriculum Vitae Dr. Dominic Dousa Associate Professor of Music The University of Texas at El Paso http://faculty.utep.edu/ddousa UTEP Department of Music, FFA 437 (915) 747-7819 El Paso, TX 79968 [email protected] EDUCATION DEGREE STUDY D.A., Music Theory & Composition (secondary area of emphasis: Music History), Ball State University, May 2003. Dissertation: “Assessing the Degree of Relatedness Between Key Areas: A Quantitative Model of Key Distance and Tonal Similarity” (includes an original composition for symphonic band and an analysis of this piece) M.M., Music Composition, Central Michigan University, 2000 M.S., Statistics, Iowa State University, 1998 A.B. summa cum laude, Music, Harvard University, 1995 NON-DEGREE STUDY Academy of Musical and Dramatic Arts, Prague, 1995-96 (Studied composition with Milan Slavický, attended weekly composition seminar.) FACULTY POSITIONS / TEACHING EXPERIENCE THE UNIVERSITY OF TEXAS AT EL PASO (Fall 2004-present) Assistant Professor Courses Taught: Music Theory III, IV (10 semesters each) Aural Skills III, IV (10 semesters each) 16th-Century Counterpoint (3 semesters) Music Theory Seminar (5 semesters) Introduction to Composition (15 semesters) Advanced Composition (10 semesters) Graduate Composition (6 semesters) Graduate Theory, Selected Topic (3 semesters) Graduate Theory, Analysis of Modern Music (1 semester) Graduate Thesis (3 semesters) Graduate Independent Study (6 semesters) ST. MARY’S UNIVERSITY / Winona, MN (Fall 2003-Spring 2004) Lecturer Courses Taught: Music Appreciation (2 semesters) -
The Goofy, the Bad & the Weird
• • • • • • • • • • • • • • • • • • • • • • • • • • • • • • JYourA monthly guideN to community . entertainment, recreation & culture “Universe City” by Hal Marcus ©2012 Best CDs of 2013 Liner Notes columnist Brian Chozick J A N U A R Y lists the top albums of the past year. 2 0 1 4 — See Page 37 ww w . e p s ce n e. co m The goofy, the bad & the weird El Paso Scene’s 7th annual Pickaxe Celebration Gecko Awards highlight Twelve artists, including Candy Mayer, above, were chosen for art project the lowlights of 2013 to honor UTEP’s Centennial. — See Page 32 — See Page 25 Page 2 El Paso Scene January 2014 suitable for all ages. Tuesday, Dec. 31 , on the top of UTEP’s Sun Meet at the large parking lot at the trailhead Bowl Drive parking garage, with live music, to Mt. Cristo Rey off McNutt Road (NM 273). games, giveaways and music by both university JANUARY January 2014 Take the Racetrack exit off Paisano and cross bands. Admission is free and the public is invit - the Rio Grande. ed. INDEX ROUNDUP Hyundai Sun Bowl — The 80th annual Days of Remembrance Bridal, Quince football classic begins at noon, Tuesday, Dec. & Sweet 16 Fair — The 24th annual event Roundup 3-9 31 , with UCLA (9-3) from the PAC 12 and is 11 a.m. to 6 p.m. Sunday, Jan. 19 , at the El Behind the Scene 4 Virginia Tech (8-4) from the ACC. Tickets; $17, Paso Convention Center, presented by Elegant $22, $32, $42, $52 and $62; Captain’s Club Penguin Productions. The event gathers more Scene Spotlight 8 tickets are $650. -
Kate Sammons U Expect the Unexpected
8 Kate Sammons u Expect the Unexpected by Molly Siple Self-portrait step in closely and see the painting on an intimate scale. I want Oil on panel 200 3 160 them to feel the sensation of drifting with the waves and to Collection of the Artist smile at the thought of floating along with eels.” Another painting that she daydreamed her way into ate Sammons is a delightful bundle of is Stairs and Flowers. “I found this mass of flowers to be energy who brings an exacting and inquisitive mind the perfect fertile area to get lost in,” says Sammons. She Kto her masterful work as an artist. Trained classically graphically makes the point by adding surreal stairs and a and drawing inspiration from the arts of the Renaissance, doorway to the composition, the flowers acting as an entry Sammons is known for her exquisitely rendered still life and point into her mental wanderings. This painting is especially portraiture. But most interestingly, she bravely steps away from interesting as it features both Sammons’ classical rendering typical versions of these, inventing her own intriguing imagery. skills and her freer handling with pigment and form— “I am trained as a realist painter and have a very academic demonstrating control, plus spontaneity. “I could have been background,” explains Sammons, “but these days I find myself a middle child,” Sammons says, “since I’m always trying to longing to reach into the subconscious and dreams and balance different elements and find ways to compromise. The memories for subject matter. You know when you see something just on the edge of your vision…almost like one of those floaters you can see in your eye… the ideas I have for a painting are almost like these. -
The Unique Cultural & Innnovative Twelfty 1820
Chekhov reading The Seagull to the Moscow Art Theatre Group, Stanislavski, Olga Knipper THE UNIQUE CULTURAL & INNNOVATIVE TWELFTY 1820-1939, by JACQUES CORY 2 TABLE OF CONTENTS No. of Page INSPIRATION 5 INTRODUCTION 6 THE METHODOLOGY OF THE BOOK 8 CULTURE IN EUROPEAN LANGUAGES IN THE “CENTURY”/TWELFTY 1820-1939 14 LITERATURE 16 NOBEL PRIZES IN LITERATURE 16 CORY'S LIST OF BEST AUTHORS IN 1820-1939, WITH COMMENTS AND LISTS OF BOOKS 37 CORY'S LIST OF BEST AUTHORS IN TWELFTY 1820-1939 39 THE 3 MOST SIGNIFICANT LITERATURES – FRENCH, ENGLISH, GERMAN 39 THE 3 MORE SIGNIFICANT LITERATURES – SPANISH, RUSSIAN, ITALIAN 46 THE 10 SIGNIFICANT LITERATURES – PORTUGUESE, BRAZILIAN, DUTCH, CZECH, GREEK, POLISH, SWEDISH, NORWEGIAN, DANISH, FINNISH 50 12 OTHER EUROPEAN LITERATURES – ROMANIAN, TURKISH, HUNGARIAN, SERBIAN, CROATIAN, UKRAINIAN (20 EACH), AND IRISH GAELIC, BULGARIAN, ALBANIAN, ARMENIAN, GEORGIAN, LITHUANIAN (10 EACH) 56 TOTAL OF NOS. OF AUTHORS IN EUROPEAN LANGUAGES BY CLUSTERS 59 JEWISH LANGUAGES LITERATURES 60 LITERATURES IN NON-EUROPEAN LANGUAGES 74 CORY'S LIST OF THE BEST BOOKS IN LITERATURE IN 1860-1899 78 3 SURVEY ON THE MOST/MORE/SIGNIFICANT LITERATURE/ART/MUSIC IN THE ROMANTICISM/REALISM/MODERNISM ERAS 113 ROMANTICISM IN LITERATURE, ART AND MUSIC 113 Analysis of the Results of the Romantic Era 125 REALISM IN LITERATURE, ART AND MUSIC 128 Analysis of the Results of the Realism/Naturalism Era 150 MODERNISM IN LITERATURE, ART AND MUSIC 153 Analysis of the Results of the Modernism Era 168 Analysis of the Results of the Total Period of 1820-1939 -
NCAA Bowl Eligibility Policies
TABLE OF CONTENTS 2019-20 Bowl Schedule ..................................................................................................................2-3 The Bowl Experience .......................................................................................................................4-5 The Football Bowl Association What is the FBA? ...............................................................................................................................6-7 Bowl Games: Where Everybody Wins .........................................................................8-9 The Regular Season Wins ...........................................................................................10-11 Communities Win .........................................................................................................12-13 The Fans Win ...................................................................................................................14-15 Institutions Win ..............................................................................................................16-17 Most Importantly: Student-Athletes Win .............................................................18-19 FBA Executive Director Wright Waters .......................................................................................20 FBA Executive Committee ..............................................................................................................21 NCAA Bowl Eligibility Policies .......................................................................................................22 -
ANNE M. GIANGIULIO 2601 North Kansas Street El Paso, TX 79902 Cell: 915 222 1134 Fax: 915 747 6749 [email protected] Annegiangiulio.Com
ANNE M. GIANGIULIO 2601 North Kansas Street El Paso, TX 79902 cell: 915 222 1134 fax: 915 747 6749 [email protected] annegiangiulio.com education • Tyler School of Art, Temple University MFA, summa cum laude, Graphic and Interactive Design, 2004 • Temple University, Summer Arts and Culture Seminar, Rome, Italy Summer 2003 • Villanova University BA, cum laude, English, 1995 professional experience • 2004–present The University of Texas at El Paso 500 W. University Avenue, El Paso, TX 79968 Position: Associate Professor of Art, Graphic Design Instruct beginning and advanced graphic design and interactive (web) design courses and oversee Masters of Art candidates. The beginning courses deal with the exploration of effective visual communication with emphasis on problem solving and conceptual development, along with a foray into three-dimensional packaging and experimen tation with materials. Topics include typography and letter form, symbol design, setting of body copy and head line types, combining text with images, and layout of the page. The advanced courses deal with design expres sion and conceptual approaches to solving graphic communication problems with an emphasis on an awareness of graphic design history. Topics include the use of typography in conjunction with photography, drawn images and the integration of form and content, function and context, and how concepts are formulated to communicate to spe cific audiences. Courses integrate a project designing for the community such as with SunMetro for UTEP’s Centennial. Administrative duties include student advising. I also serve on the committee to select a speaker/judge for the Annual Juried UTEP Student Art Exhibition in Graphic Design. -
Contemporary American Painting and Sculpture
ILLINOIS Liahy^BY AT URBANA-CHAMPAIGN AnoMiTEGTURE t/livMwir Of kill NOTICE: Return or renew all Library Materialsl The Minimum Fee for each Lost BooK is $50.00. The person charging this material is responsible for its return to the library from which it was withdrawn on or before the Latest Date stamped below. Theft, mutilation, and underlining of books are reasons for discipli- nary action and may result in dismissal from the University. To renew call Telephone Center, 333-8400 UNIVERSITY OF ILLINOIS LIBRARY AT URBANA-CHAMPAIGN ^^ RPR^ ^ a:C 2 1998 L161—O-1096 LJj^«-*v Umermfi Paintm^ UNIVERSITY OF ILLINOIS / 1^ m II IK WA.NUKRKKS Jovii- 1 iciin.m UNIVERSITY OF ILLINOIS EXHIBITION OF CONTEMPORARY AMERICAN PAINTING College of Fine and Applied Arts Architecture Building Sunday, March 4, through Sunday, April 15, 1951 UNIVERSITY OF ILLINOIS PRESS, URBANA IHtUSRARYOfTHt MAn G .j51 OHivERSirr OF laiNois COPYRIGHT 1951 BY THE UNIVERSITY OF ILLINOIS PRESS MANUFACTURED IN 1 UK UNITED STATES ( )l AMIRKA (jV-/vtXv RICKER LIBRARY ARCHITECTURE is, L>- UNIVERSJT^ OF lUINfUS -t-^ UNIVERSITY OF ILLINOIS EXHIBITION OF CONTEMPORARY AMERICAN PAINTING GEORGE D. STODDARD President of the University DEAN REXFORD NEWCOMB Chairman, Festival of Contemporary Arts OPERATING COMMITTEE N. Britsky H. A. Schultz J. D. Hogan A. S. Weller J. W. Kennedy N. V. Ziroli E. C. Rae C. \'. Dono\an, Chairman STAFF COMMITTEE MEMBERS L. F, Bailey J. H. G. Lynch E. H. Betts M. B. Martin C. E. Bradbury R. Perlman E. J. Bransby A. J. Pulos C. W. Briggs J. W. Raushenberger L. R. -
Encyklopédia Kresťanského Umenia
Marie Žúborová - Němcová: Encyklopédia kresťanského umenia americká architektúra - pozri chicagská škola, prériová škola, organická architektúra, Queen Anne style v Spojených štátoch, Usonia americká ilustrácia - pozri zlatý vek americkej ilustrácie americká retuš - retuš americká americká ruleta/americké zrnidlo - oceľové ozubené koliesko na zahnutej ose, užívané na zazrnenie plochy kovového štočku; plocha spracovaná do čiarok, pravidelných aj nepravidelných zŕn nedosahuje kvality plochy spracovanej kolískou americká scéna - american scene americké architektky - pozri americkí architekti http://en.wikipedia.org/wiki/Category:American_women_architects americké sklo - secesné výrobky z krištáľového skla od Luisa Comforta Tiffaniho, ktoré silno ovplyvnili európsku sklársku produkciu; vyznačujú sa jemnou farebnou škálou a novými tvarmi americké litografky - pozri americkí litografi http://en.wikipedia.org/wiki/Category:American_women_printmakers A Anne Appleby Dotty Atti Alicia Austin B Peggy Bacon Belle Baranceanu Santa Barraza Jennifer Bartlett Virginia Berresford Camille Billops Isabel Bishop Lee Bontec Kate Borcherding Hilary Brace C Allie máj "AM" Carpenter Mary Cassatt Vija Celminš Irene Chan Amelia R. Coats Susan Crile D Janet Doubí Erickson Dale DeArmond Margaret Dobson E Ronnie Elliott Maria Epes F Frances Foy Juliette mája Fraser Edith Frohock G Wanda Gag Esther Gentle Heslo AMERICKÁ - AMES Strana 1 z 152 Marie Žúborová - Němcová: Encyklopédia kresťanského umenia Charlotte Gilbertson Anne Goldthwaite Blanche Grambs H Ellen Day -
La Collezione Del Centre Pompidou a Cura Di Cécile Debray Torino, Palazzo Chiablese 12 Dicembre 2015 - 15 Maggio 2016
La collezione del Centre Pompidou a cura di Cécile Debray Torino, Palazzo Chiablese 12 dicembre 2015 - 15 maggio 2016 La collezione Musée national d’art moderne – del Centre Centre de création industrielle Pompidou Direttore Il Centro nazionale d’arte e di cultura Direttore Responsabile dei laboratori Enrica Pagella Georges Pompidou è un ente pubblico Bernard Blistène e dei mezzi tecnici nazionale sottoposto alla tutela del Gilles Carle UNA MOSTRA Segretariato regionale, Torino Ministero della cultura (legge 75-1 Direttori aggiunti ORGANIZZATA DA del 3 gennaio 1975). Brigitte Leal (collezioni) Responsabile audiovisivo Segretario regionale Catherine David (ricerca Sylvain Wolff Benedetto Luigi Compagnoni Presidente e mondializzazione) Serge Lasvignes Frédéric Migayrou (creazione Prevenzione Comunicazione industriale) David Martin Domenico Maria Papa, Direttore generale Didier Ottinger responsabile Denis Berthomier (programmazione culturale) Ufficio comunicazione Paola Cremilli e partenariati Maria D’Amuri Direttore del Musée national Amministratore Francesca Ferro d’art moderne – Centre Xavier Bredin Direttore Barbara Tuzzolino de création industrielle Benoît Parayre Bernard Blistène Bibliothèque Kandinsky Organizzazione Conservatore e capo-servizio Direttori aggiunti Barbara Debora Viola Direttore del Dipartimento Didier Schulmann Marc-Antoine Chaumien per lo sviluppo culturale Stéphanie Hussonnois-Bouhayati Servizi tecnici Kathryn Weir Responsabile delle collezioni Gennaro Napoli, responsabile Ariane Coulondre Delegato alle relazioni -
El Paso Museum of Art COLLECTIONS CARE
El Paso Museum of Art COLLECTIONS CARE & MANAGEMENT POLICY Effective 9/08, recommended by the City of El Paso Museum of Art and approved by the El Paso City Council. Previously approved versions of policies contained herein shall be obsolete. 1 Table of Contents I. INTRODUCTION 3 II. HISTORY 3 III. AUTHORITY 4 IV. SCOPE OF COLLECTIONS 4 V. ACQUISITIONS 7 VI. ACCESSIONS 8 VII. DEACCESSIONS 9 VIII. OUTGOING LOANS 11 IX. INCOMING LOANS 13 X. COLLECTIONS CARE 14 XI. RISK MANAGEMENT 17 XII. ACCESS AND USE OF THE COLLECTIONS 20 XIII. INTELLECTUAL PROPERTY 22 XIV. PHOTOGRAPHY 23 XV. APPRAISAL 25 XVI. INVENTORY 25 XVII. POLICY REVIEW 26 RESOURCES 27 APPENDIX A – REGISRATION FORMS 28 2 I. Introduction The purpose of this policy is to provide guidelines for the acquisition, exhibition, preservation and management of El Paso Museum of Art (“Museum”) collections. The El Paso Museum of Art is committed to the stewardship of the Museum collection entrusted to its care. The collections policy will identify the duties and responsibilities of the Museum staff and the governing authority in accordance with the mission of the Museum which states: The purpose of the El Paso Museum of Art is to collect, interpret, preserve, and exhibit works of art that maintain and support the strengths of the Museum’s permanent collections of American art, European art and Mexican art. II. History By the 1950s the City of El Paso was building a small art collection containing a number of works by artists of the southwest, particularly the Santa Fe and Taos Schools: Fremont Ellis, Charles Russell and Julius Rolshoven, when a generous gift of important work changed its history forever.