Curriculum Vitae Dr

Total Page:16

File Type:pdf, Size:1020Kb

Curriculum Vitae Dr Curriculum Vitae Dr. Dominic Dousa Associate Professor of Music The University of Texas at El Paso http://faculty.utep.edu/ddousa UTEP Department of Music, FFA 437 (915) 747-7819 El Paso, TX 79968 [email protected] EDUCATION DEGREE STUDY D.A., Music Theory & Composition (secondary area of emphasis: Music History), Ball State University, May 2003. Dissertation: “Assessing the Degree of Relatedness Between Key Areas: A Quantitative Model of Key Distance and Tonal Similarity” (includes an original composition for symphonic band and an analysis of this piece) M.M., Music Composition, Central Michigan University, 2000 M.S., Statistics, Iowa State University, 1998 A.B. summa cum laude, Music, Harvard University, 1995 NON-DEGREE STUDY Academy of Musical and Dramatic Arts, Prague, 1995-96 (Studied composition with Milan Slavický, attended weekly composition seminar.) FACULTY POSITIONS / TEACHING EXPERIENCE THE UNIVERSITY OF TEXAS AT EL PASO (Fall 2004-present) Assistant Professor Courses Taught: Music Theory III, IV (10 semesters each) Aural Skills III, IV (10 semesters each) 16th-Century Counterpoint (3 semesters) Music Theory Seminar (5 semesters) Introduction to Composition (15 semesters) Advanced Composition (10 semesters) Graduate Composition (6 semesters) Graduate Theory, Selected Topic (3 semesters) Graduate Theory, Analysis of Modern Music (1 semester) Graduate Thesis (3 semesters) Graduate Independent Study (6 semesters) ST. MARY’S UNIVERSITY / Winona, MN (Fall 2003-Spring 2004) Lecturer Courses Taught: Music Appreciation (2 semesters) Aural Skills I (1 semester) ROCHESTER (MN) COMMUNITY AND TECHNICAL COLLEGE (Fall 2003-Spring 2004) Adjunct Instructor Course Taught: Business and Economic Statistics (2 semesters) OTHER TEACHING EXPERIENCE BALL STATE UNIVERSITY / Muncie, IN (Fall 2000-Spring 2003) Doctoral Fellow and Courses Taught: Music Theory I, IV (1 semester each) Graduate Assistant Aural Skills I (2 semesters) Aural Skills II, IV (1 semester each) Graduate Theory Review (1 semester) Music Appreciation (1 semester) ANDERSON UNIVERSITY / Anderson, IN (Fall 2002) Instructor Course Taught: Choral Arranging (1 semester) (Externship from Ball State University) CENTRAL MICHIGAN UNIVERSITY / Mt. Pleasant, MI (Spring 1999) Graduate Assistant Course Taught: Aural Skills II (1 semester) IOWA STATE UNIVERSITY / Ames, IA (Spring 1997-Spring 1998) Teaching Assistant Courses Taught: Principles of Statistics (for non-majors) (2 semesters) Engineering Statistics (1 semester) AWARDS & HONORS • Winner, Holyoke Civic Symphony Composition Competition (2014) • Elected as Honorary Member of Phi Mu Alpha Sinfonia (2009) • Outstanding Graduate Student Award, Ball State University School of Music (2001-2002, 2002-2003 / awarded on a vote of the BSU School of Music Faculty) • University Graduate Fellowship, Ball State University (2000-2001, 2001-2002) • Winner, Bay Youth Orchestras of Virginia Young Composers Competition (2000) • Graduate Research Fellowship, Central Michigan University (1999-2000) • National Science Foundation, Graduate Fellowship Honorable Mention (1997) • Miller Fellowship, Iowa State University (1996-1997, 1997-1998) • Benjamin Trustman Traveling Fellowship, Harvard University (1995-1996) • Elected to Phi Beta Kappa, Harvard University Chapter (1995) - 2 - CV – Dominic Dousa ORIGINAL COMPOSITIONS PRESENTED AT CONFERENCES • ’Til We Meet Again October 22, 2013 / 1st International Trumpet Competition / Lodz, Poland Richard Stoelzel, trumpet / Macieb Labecki, violin / Marta Maciezynska, piano • Down by a River’s Side August 9, 2013 / National Flute Association National Conference / New Orleans, LA Ambrosia Flute Trio: Alexandra Aguirre / Brielle Frost / Nathaniel Berman (doubling clarinet) Commissioned by the Ambrosia Flute Trio • Ludington Woods, Movement 1 July 14, 2012 / World Saxophone Congress XVI / St. Andrews, Scotland Cross Town Trio: Jackie Lamar, saxophone / Karen Griebling, viola / John Krebs, piano • Pastorale for flute choir May 21, 2011 / Texas Flute Society 34th Annual Festival / Denton, TX Advanced Flute Choir / Melissa Colgin-Abeln, conductor • Ludington Woods, Movement 1 April 8, 2011 / North American Saxophone Alliance, Region 4 Confernece / Huntsville, TX Cross Town Trio: Jackie Lamar, saxophone / Karen Griebling, viola / John Krebs, piano • Three Miniatures for Flute and Soprano Saxophone • All Aflutter February 18-19, 2011 / North American Saxophone Alliance, Region 2 Confernece / Las Vegas, NV Madera Winds: Alexandra Aguirre, flute / Nathaniel Berman, soprano and alto saxophones Both works commissioned by the Madera Winds • Dauntless, Boldly Forth February 11, 2010 / Texas Music Educators Association Annual Conference / San Antonio, TX UTEP Wind Symphony / Curtis Tredway, conductor Commissioned by the UTEP Wind Symphony • All Aflutter January 16, 2010 / 33rd Annual International Saxophone Symposium / George Mason University / Fairfax, VA Madera Winds: Alexandra Aguirre, flute / Nathaniel Berman, alto saxophone Commissioned by the Madera Winds - 3 - CV – Dominic Dousa • The Winds of a Summer Night March 15, 2008 / College Music Society Pacific Central-Pacific Southern SuperRegional Conference / Westmont College / Santa Barbara, CA Renée Skerik, viola / Dominic Dousa, piano. • Westward Journey August 24, 2007 / International Trombone Festival / Beijing, China Continental Trombone Quartet: Doug Farwell / Mark Sheridan-Rabideau / Peter Madsen / Steve Wilson • Pastorale for flute choir August 10, 2007 / National Flute Association Annual Convention / Albuquerque, NM UTEP Flautistas / Melissa Colgin-Abeln, director Commissioned by Melissa Colgin-Abeln for the UTEP Flautistas • The Winds of a Summer Night March 9, 2007 / College Music Society Rocky Mountain Regional Conference / Red Rocks Community College / Lakeland, CO (Denver metro area) Stephanie Schweigart, viola / Dominic Dousa, piano • Westward Journey September 15, 2006 / College Music Society National Conference Composers’ Concerts / San Antonio, TX Continental Trombone Quartet: Doug Farwell / Mark Sheridan-Rabideau / Peter Madsen / Steve Wilson • Airstreams July 7, 2000 / World Saxophone Congress / Montreal, PQ, Canada John Nichol, saxophone / Aaron Lack, vibraphone Commissioned by John Nichol, faculty saxophonist at Central Michigan University CONFERENCE PRESENTATIONS (ACADEMIC) • “A Quantitative Model of Key Distance, with an Analysis and Performance of Schumann’s Märchenbilder, Op. 113, for viola and piano” September 30, 2006 / Schumann Perspectives: A View Across Disciplines, an International Conference commemorating the 150th anniversary of Robert Schumann’s death / Texas Tech University / Lubbock, TX A 45-minute lecture-recital. Lecture involved the presentation of an original theoretical analytic technique. Musical performance involved a presentation of a 16-minute composition by Schumann. Presented by Renee Skérik, viola (Texas Tech University), and Dominic Dousa, lecturer/piano. - 4 - CV – Dominic Dousa • “The Poetry of Langston Hughes, in Song” January 12, 2006 / Hawaii International Conference on Arts and Humanities / Honolulu, HI A performance of my original composition for solo voice and piano Six Songs on the Poetry of Langston Hughes, along with three other settings of Hughes’s poetry by African-American composers. Presented by Gerald Blanchard, baritone (Kellogg Community College / Battle Creek, MI), and Dominic Dousa, piano. PUBLICATIONS OF ORIGINAL COMPOSITIONS • Little Suite, “In Early Spring”, for oboe or soprano saxophone and piano (duration: 8 minutes) / Dorn Publications, Inc. (www.dornpub.com) • A View from Within, for soprano saxophone and piano (10 minutes) / Dorn Publications, Inc. • Soaring, for concert band (8 minutes) / TRN Music Publisher, Inc. (www.trnmusic.com) • *New Day Dawning, for string orchestra (8 minutes) / TRN Music Publisher, Inc. * Reviewed in The Instrumentalist, December 2008, p. 62 COMMERCIAL RECORDING OF ORIGINAL COMPOSITIONS “With a Song in My Heart” / Blue Griffin Recording (Lansing, MI), BGR 117 (www.bluegriffin.com) CD includes the complete song cycles With a Song In My Heart (26 minutes) and Six Songs on the Poetry of Langston Hughes (19 minutes). Recorded by Gerald Blanchard, baritone, and Dominic Dousa, piano SELECTED PUBLIC PERFORMANCES OF ORIGINAL COMPOSITIONS SOLO FACULTY COMPOSITION RECITALS (UTEP Faculty Recital Series) • October 26, 2013 / Fox Fine Arts Recital Hall / El Paso, TX Lands of Enchantment Nayeli Dousa, piano / Dominic Dousa, piano • Feburary 12, 2012 / Fox Fine Arts Recital Hall / El Paso, TX Six Songs on the Poetry of Langston Hughes / With a Song in My Heart Gerald Blanchard, baritone / Dominic Dousa, piano • October 14, 2011 / Fox Fine Arts Recital Hall / El Paso, TX A View from Within / Two Pieces for Flute and Piano / Sonata for Violin and Piano Greg Luffey, soprano saxophone / Melissa Colgin-Abeln, flute / Mark Schuppener, violin / Dominic Dousa, piano - 5 - CV – Dominic Dousa • November 7, 2010 / Fox Fine Arts Recital Hall / El Paso, TX Musings of a Desert Evening / Little Suite, “In Early Spring” / A Summer Pastorale / Psalm 23 (Korean) / Evocations from the Plains Stephen Haddad, tuba / Don Wilkinson, soprano saxophone / Mark Schuppener, violin / Sang-In Han, tenor / La Catrina String Quartet (New Mexico State University) / Dominic Dousa, piano • February 17, 2009 / Fox Fine Arts Recital Hall / El Paso, TX Mountain Song / Two Pieces for Viola Choir / Sonata for Viola and Piano,“From a Land Wild and Free” Renée Skerik, viola / Dominic Dousa, piano / Texas Tech University
Recommended publications
  • Elvira Carrizal-Dukes
    ELVIRA CARRIZAL-DUKES, Ph.D., MFA Curriculum vitae August 11, 2021 The University of Texas at El Paso Chicana/o Studies Program Tel: 915-747-5985 [email protected] Online Portfolio EDUCATION The University of Texas at El Paso PhD, Rhetoric and Composition, 2020 Dissertation: Towards a New Cholx Consciousness: The Visual Rhetorics of Cholx Artistas as a Method for Social Justice Movements, Dissertation Chair: Kate Mangelsdorf, PhD, Second Reader Beth Brunk-Chavez, PhD, Outside Readers Guillermina Gina Núñez-Mchiri, PhD, and Dennis Bixler- Márquez, PhD. Columbia University in the City of New York Master of Fine Arts, Film, 2007 University of Minnesota—Twin Cities Bachelor of Arts, Journalism and Chicano Studies, Minor: Theatre Arts, 2000 TEACHING POSITIONS Assistant Professor of Instruction 2019-Present The University of Texas at El Paso, Chicana/o Studies Program, El Paso, TX Lecturer from 2009 – 2019 Assistant Professor (tenured) 2014-2019 El Paso Community College, Mass Communication discipline, Communications & Performing Arts Division, El Paso, TX Adjunct faculty from 2008 – 2010 Adjunct 2011-2012 Columbia College Chicago, Film and Video Department, Chicago, IL Teaching Artist 2005-2007 The Leadership Program, Film and Theatre, New York City, NY Teaching Assistant 2003, 2006 Columbia University in the City of New York, Film, New York City, NY Teaching Specialist 1 2000-2002 University of Minnesota—Twin Cities, Chicano Studies, Minneapolis, MN PUBLICATIONS Peer Reviewed Article (2019) “La salud en mis manos: Localizing Health and Wellness Literacies in Transnational Communities through Participatory Mindfulness and Art-Based Projects” co-author. Present Tense: A Journal of Rhetoric in Society, Issue 3, Volume 7.
    [Show full text]
  • Artecodevreport TCT 2010.Pdf
    Table of Contents Introduction ................................................................................................................................ 1 Selecting Case Study Communities & Study Approach .............................................................. 4 Texas Case Studies ...................................................................................................................... 7 City of Amarillo, Texas & Panhandle Region .......................................................................... 7 Key Findings & Lessons Learned from Amarillo & Texas Panhandle .................................. 7 Globe-News Center and Downtown Redevelopment ........................................................ 8 Window on a Wider World (WOWW) .............................................................................. 11 TEXAS the Musical Drama at the Pioneer Amphitheatre ................................................. 13 Summary .......................................................................................................................... 14 City of Clifton, Texas ............................................................................................................. 15 Key Findings & Lessons Learned from Clifton .................................................................. 15 Artists’ Colony .................................................................................................................. 16 Bosque Arts Center ..........................................................................................................
    [Show full text]
  • The Goofy, the Bad & the Weird
    • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • JYourA monthly guideN to community . entertainment, recreation & culture “Universe City” by Hal Marcus ©2012 Best CDs of 2013 Liner Notes columnist Brian Chozick J A N U A R Y lists the top albums of the past year. 2 0 1 4 — See Page 37 ww w . e p s ce n e. co m The goofy, the bad & the weird El Paso Scene’s 7th annual Pickaxe Celebration Gecko Awards highlight Twelve artists, including Candy Mayer, above, were chosen for art project the lowlights of 2013 to honor UTEP’s Centennial. — See Page 32 — See Page 25 Page 2 El Paso Scene January 2014 suitable for all ages. Tuesday, Dec. 31 , on the top of UTEP’s Sun Meet at the large parking lot at the trailhead Bowl Drive parking garage, with live music, to Mt. Cristo Rey off McNutt Road (NM 273). games, giveaways and music by both university JANUARY January 2014 Take the Racetrack exit off Paisano and cross bands. Admission is free and the public is invit - the Rio Grande. ed. INDEX ROUNDUP Hyundai Sun Bowl — The 80th annual Days of Remembrance Bridal, Quince football classic begins at noon, Tuesday, Dec. & Sweet 16 Fair — The 24th annual event Roundup 3-9 31 , with UCLA (9-3) from the PAC 12 and is 11 a.m. to 6 p.m. Sunday, Jan. 19 , at the El Behind the Scene 4 Virginia Tech (8-4) from the ACC. Tickets; $17, Paso Convention Center, presented by Elegant $22, $32, $42, $52 and $62; Captain’s Club Penguin Productions. The event gathers more Scene Spotlight 8 tickets are $650.
    [Show full text]
  • The Freedom Principle: Experiments in Art and Music, 1965 to Now September 14, 2016-March 19, 2017 Institute of Contemporary Art/University of Pennsylvania
    The Freedom Principle: Experiments in Art and Music, 1965 to Now September 14, 2016-March 19, 2017 Institute of Contemporary Art/University of Pennsylvania Exhibition Checklist The AACM, AfriCOBRA & Chicago in the 1960s and 1970s Muhal Richard Abrams (b. 1930 in Chicago; lives in New York) Levels and Degrees of Light, 1968 Acrylic on canvas 16 1/8 x 16 ½ in. (41 x 47 cm) Courtesy of the artist Muhal Richard Abrams (b. 1930 in Chicago; lives in New York) Blues Forever, 1982 Acrylic on cardboard 23 5/8 x 29 ½ in. (60 x 76 cm) Courtesy of the artist Muhal Richard Abrams (b. 1930 in Chicago; lives in New York) View From Within, 1985 Collage and acrylic on canvas 17 ¾ x 25 ½ in. (45 x 65 cm) Courtesy of the artist Muhal Richard Abrams (b. 1930 in Chicago; lives in New York) Roots of Blue, 1986 Acrylic on canvas 21 5/8 x 15 ¾ in. (55 x 40 cm) Courtesy of the artist Muhal Richard Abrams (b. 1930 in Chicago; lives in New York) Blu Blu Blu, 1991 Acrylic on cardboard 17 ¾ x 21 5/8 in. (45 x 58 cm) Courtesy of the artist Page 1 of 26 The Freedom Principle: Experiments in Art and Music, 1965 to Now Muhal Richard Abrams (b. 1930 in Chicago; lives in New York) Kei’s Dance, 2010 Acrylic on cardboard 16 ½ x 18 7/8 in. (42 x 48 cm) Courtesy of the artist AfriCOBRA, Ten in Search of a Nation, Studio Museum in Harlem, 1970 Poster 22 x 17 in.
    [Show full text]
  • NCAA Bowl Eligibility Policies
    TABLE OF CONTENTS 2019-20 Bowl Schedule ..................................................................................................................2-3 The Bowl Experience .......................................................................................................................4-5 The Football Bowl Association What is the FBA? ...............................................................................................................................6-7 Bowl Games: Where Everybody Wins .........................................................................8-9 The Regular Season Wins ...........................................................................................10-11 Communities Win .........................................................................................................12-13 The Fans Win ...................................................................................................................14-15 Institutions Win ..............................................................................................................16-17 Most Importantly: Student-Athletes Win .............................................................18-19 FBA Executive Director Wright Waters .......................................................................................20 FBA Executive Committee ..............................................................................................................21 NCAA Bowl Eligibility Policies .......................................................................................................22
    [Show full text]
  • ANNE M. GIANGIULIO 2601 North Kansas Street El Paso, TX 79902 Cell: 915 222 1134 Fax: 915 747 6749 [email protected] Annegiangiulio.Com
    ANNE M. GIANGIULIO 2601 North Kansas Street El Paso, TX 79902 cell: 915 222 1134 fax: 915 747 6749 [email protected] annegiangiulio.com education • Tyler School of Art, Temple University MFA, summa cum laude, Graphic and Interactive Design, 2004 • Temple University, Summer Arts and Culture Seminar, Rome, Italy Summer 2003 • Villanova University BA, cum laude, English, 1995 professional experience • 2004–present The University of Texas at El Paso 500 W. University Avenue, El Paso, TX 79968 Position: Associate Professor of Art, Graphic Design Instruct beginning and advanced graphic design and interactive (web) design courses and oversee Masters of Art candidates. The beginning courses deal with the exploration of effective visual communication with emphasis on problem solving and conceptual development, along with a foray into three-dimensional packaging and experimen tation with materials. Topics include typography and letter form, symbol design, setting of body copy and head line types, combining text with images, and layout of the page. The advanced courses deal with design expres sion and conceptual approaches to solving graphic communication problems with an emphasis on an awareness of graphic design history. Topics include the use of typography in conjunction with photography, drawn images and the integration of form and content, function and context, and how concepts are formulated to communicate to spe cific audiences. Courses integrate a project designing for the community such as with SunMetro for UTEP’s Centennial. Administrative duties include student advising. I also serve on the committee to select a speaker/judge for the Annual Juried UTEP Student Art Exhibition in Graphic Design.
    [Show full text]
  • Uptown Conversation : the New Jazz Studies / Edited by Robert G
    uptown conversation uptown conver columbia university press new york the new jazz studies sation edited by robert g. o’meally, brent hayes edwards, and farah jasmine griffin Columbia University Press Publishers Since 1893 New York Chichester, West Sussex Copyright © 2004 Robert G. O’Meally, Brent Hayes Edwards, and Farah Jasmine Griffin All rights reserved Library of Congress Cataloging-in-Publication Data Uptown conversation : the new jazz studies / edited by Robert G. O’Meally, Brent Hayes Edwards, and Farah Jasmine Griffin. p. cm. Includes index. ISBN 0-231-12350-7 — ISBN 0-231-12351-5 1. Jazz—History and criticism. I. O’Meally, Robert G., 1948– II. Edwards, Brent Hayes. III. Griffin, Farah Jasmine. ML3507.U68 2004 781.65′09—dc22 2003067480 Columbia University Press books are printed on permanent and durable acid-free paper. Printed in the United States of America c 10 9 8 7 6 5 4 3 2 1 p 10 9 8 7 6 5 4 3 2 1 contents Acknowledgments ix Introductory Notes 1 Robert G. O’Meally, Brent Hayes Edwards, and Farah Jasmine Griffin part 1 Songs of the Unsung: The Darby Hicks History of Jazz 9 George Lipsitz “All the Things You Could Be by Now”: Charles Mingus Presents Charles Mingus and the Limits of Avant-Garde Jazz 27 Salim Washington Experimental Music in Black and White: The AACM in New York, 1970–1985 50 George Lewis When Malindy Sings: A Meditation on Black Women’s Vocality 102 Farah Jasmine Griffin Hipsters, Bluebloods, Rebels, and Hooligans: The Cultural Politics of the Newport Jazz Festival, 1954–1960 126 John Gennari Mainstreaming Monk: The Ellington Album 150 Mark Tucker The Man 166 John Szwed part 2 The Real Ambassadors 189 Penny M.
    [Show full text]
  • El Paso Museum of Art COLLECTIONS CARE
    El Paso Museum of Art COLLECTIONS CARE & MANAGEMENT POLICY Effective 9/08, recommended by the City of El Paso Museum of Art and approved by the El Paso City Council. Previously approved versions of policies contained herein shall be obsolete. 1 Table of Contents I. INTRODUCTION 3 II. HISTORY 3 III. AUTHORITY 4 IV. SCOPE OF COLLECTIONS 4 V. ACQUISITIONS 7 VI. ACCESSIONS 8 VII. DEACCESSIONS 9 VIII. OUTGOING LOANS 11 IX. INCOMING LOANS 13 X. COLLECTIONS CARE 14 XI. RISK MANAGEMENT 17 XII. ACCESS AND USE OF THE COLLECTIONS 20 XIII. INTELLECTUAL PROPERTY 22 XIV. PHOTOGRAPHY 23 XV. APPRAISAL 25 XVI. INVENTORY 25 XVII. POLICY REVIEW 26 RESOURCES 27 APPENDIX A – REGISRATION FORMS 28 2 I. Introduction The purpose of this policy is to provide guidelines for the acquisition, exhibition, preservation and management of El Paso Museum of Art (“Museum”) collections. The El Paso Museum of Art is committed to the stewardship of the Museum collection entrusted to its care. The collections policy will identify the duties and responsibilities of the Museum staff and the governing authority in accordance with the mission of the Museum which states: The purpose of the El Paso Museum of Art is to collect, interpret, preserve, and exhibit works of art that maintain and support the strengths of the Museum’s permanent collections of American art, European art and Mexican art. II. History By the 1950s the City of El Paso was building a small art collection containing a number of works by artists of the southwest, particularly the Santa Fe and Taos Schools: Fremont Ellis, Charles Russell and Julius Rolshoven, when a generous gift of important work changed its history forever.
    [Show full text]
  • West Texas Trip Itineraries
    ITINERARIES 2016 FEATURING: ABILENE AMARILLO BIG BEND DENTON EL PASO FORT DAVIS FORT WORTH GRANBURY LUBBOCK MIDLAND ODESSA SAN ANGELO FOR THE TEXAS GROUP TOUR EXPERIENCE OF A LIFETIME WestTexasTrip.com • 1 WEST TEXAS TRIP ITINERARIES EXPERTLY CURATED TRAVEL ITINERARIES for groups of all sizes, across the wide-open spaces and authentic places of the Texas you’ve always dreamed of exploring COME EXPERIENCE THE SKIES AND SUNSETS, dramatic vistas, and fascinating heritage of West Texas. From vast plains and canyonlands to historic forts to the mountains and the Rio Grande, from small-town charm to city lights, from the old Butterfield Overland and Chisholm Trails to Route 66, there’s plenty for visitors to see and enjoy while touring by motor coach or other transport. And we’ve made the planning simple for you. OUR LOOP ITINERARIES link destinations and attractions by a variety of themes. Or if you prefer point-to-point travel, it’s easy to pick the segment that suits your needs, by city of arrival or departure, by land or by air. TOUR GROUPS are encouraged to combine these different loops, depending on interests and length of travel. And if you prefer, our participating local partners will be glad to design a custom itinerary for you. Select your theme and explore the color-coded loops for specifics. NEED A LOCAL GUIDE? We can help there, too. Experienced step-on guides, docents, and certified tourism professionals are available in most locations. Give us a shout. AND START PLANNING YOUR TRIP OF A LIFETIME. WWW.WESTTEXASTRIP.COM 2 • WestTexasTrip.com BEST OF WEST TEXAS ANNUAL EVENTS Use this handy calendar of our major events to plan your trip — and check your favorites along each color-coded loop.
    [Show full text]
  • Dena Kay Jones Professor of Piano Department of Music College of Liberal Arts
    Dena Kay Jones Professor of Piano Department of Music College of Liberal Arts 436 Fox Fine Arts Music Bldg. El Paso, Texas 79968 Work phone: (915) 747-6625 Email: [email protected] EDUCATION August 1997-August 2001 Doctor of Musical Arts (D.M.A.), University of Arizona, Tucson, Arizona Major: Piano Performance with a specialty in Spanish Piano Repertoire Minor: General Education Principal Teacher: Dr. Nohema Fernández Dissertation Title: The Piano Works of Joaquín Rodrigo: An Evaluation of Social Influences and Compositional Style Major Fields: Piano Performance, General Education of Music, Chamber Music Performance, Piano Literature, Piano Pedagogy, Collaborative Performance of Duo Instrument Repertoire and Art Song August 1993-May 1995 Master of Music, University of Illinois, Urbana-Champaign, Illinois Major: Piano Performance Principal Teacher: Professor Andrew DeGrado August 1989-May 1993 Bachelor of Music, University of Illinois, Urbana-Champaign, Illinois Major: Piano Performance Principal Teacher: Dr. William Heiles APPOINTMENTS Professor of Music, University of Texas at El Paso, El Paso, Texas (UTEP) September 1, 2018 - present Associate Professor of Music, University of Texas at El Paso, El Paso, Texas (UTEP) September 1, 2008 - present Assistant Professor of Music, University of Texas at El Paso, El Paso, Texas (UTEP) September 1, 2002 - August 31, 2008 PUBLICATIONS In Progress Sound Recording, Collaborative Pianist, Sultry & Eccentric, American Works for Horn, Tuba and Piano by James Grant, with Celeste Shearer, horn and Jim Shearer, tuba. Summit Records. Recorded May 26-28, 2018. Anticipated release: March 2019 Finding positive affirmation with the 2016 recording, "Haunted America Suite," Celeste and Jim Shearer, along with Dena Kay Jones, have formally formed The Great American Trio and recorded their second CD in August 2018, with an anticipated release through Summit Records in March 2019.
    [Show full text]
  • Creative Construction Company Creative Construction Company Mp3, Flac, Wma
    Creative Construction Company Creative Construction Company mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Creative Construction Company Country: US Released: 1975 Style: Free Jazz MP3 version RAR size: 1841 mb FLAC version RAR size: 1199 mb WMA version RAR size: 1175 mb Rating: 4.9 Votes: 415 Other Formats: AAC TTA VOX AHX DXD XM VQF Tracklist A Muhal (Part I) 19:24 B1 Muhal (Part II) 14:40 B2 Live Spiral 2:40 Companies, etc. Phonographic Copyright (p) – Muse Records Copyright (c) – Muse Records Recorded At – Washington Square Church, New York, NY Credits Alto Saxophone, Soprano Saxophone, Clarinet, Flute, Wind Chimes [Orchestral Chimes], Contrabass Clarinet – Anthony Braxton Art Direction – Hal Wilson Bass – Richard Davis Cello, Piano, Clarinet – Muhal Richard Abrams Drums, Percussion – Steve McCall Engineer – Orville O'Brian* Liner Notes – Robert Palmer Painting [Cover Painting] – P. Givens Piano – Muhal Richard Abrams Producer – George Conley Recording Supervisor – Ornette Coleman Trumpet, Flugelhorn, French Horn, Horns [Seal Horn], Percussion – Leo Smith* Violin, Viola, Recorder, Xylophone [Toy], Harmonica, Horns [Bicycle], Music By – Leroy Jenkins Notes Recorded on May 19, 1970 at Washington Square Methodist Church (Peace Church NYC). © ℗1975, Muse Records, a Division of Blanchris, Inc. Other versions Category Artist Title (Format) Label Category Country Year Creative Creative Construction Muse MR 5071 Construction MR 5071 US 1975 Company (LP, Album) Records Company Creative CCC (CD, Album, Ltd, SRCS 9409 Construction
    [Show full text]
  • Summer 2017 Members’ Magazine
    EPMArch El Paso Museum of Archaeology Summer 2017 Members’ Magazine 20 MESSAGE FROM Dear Members and Friends! I am happy to report that the staff of the El Paso Museum The Development Offce is also busy, keeping up of Archaeology (EPMArch) has pushed the institution to with an increase in membership renewals and new MUSEUM DIRECTOR new heights over the past 10 months! We applied for memberships, grants, and overseeing the restructuring and received a $500 grant from the Council of Texas of the Museum’s gift shop which has seen a substantial Archaeologists to fund our Texas Archaeology Month increase in sales over the past 6 months. We are reaching activities held in October 2016. In November we new strides in outreach and are dedicated to making the organized and hosted the frst ever Tigua Heritage Day at Museum accessible to all members of the community. the Museum which was a meaningful collaboration with Ysleta Del Sur Pueblo. We opened Cynthia Ann and In all 18,700 people came to visit the Museum between Quanah Parker: A Woman OF Two Worlds and a Man IN September 1st, 2016 and May 31st, 2017, an increase Two Worlds, an exhibition organized by The Texas Trail from 17,200 for the same time period the year of Fame and Texas Lakes Trail in December. Human- before. These are truly changing times for the Museum. ities Texas awarded us a $1,000 grant to fund a lecture by Margaret Hacker, Director of Archival Operations at This summer we will be offering fve Summer Day the National Archives in Fort Worth, Texas, in support of Camps starting the last week of June and ending this exhibition.
    [Show full text]