Creative Construction Company Creative Construction Company Mp3, Flac, Wma

Creative Construction Company Creative Construction Company mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Creative Construction Company Country: US Released: 1975 Style: Free Jazz MP3 version RAR size: 1841 mb FLAC version RAR size: 1199 mb WMA version RAR size: 1175 mb Rating: 4.9 Votes: 415 Other Formats: AAC TTA VOX AHX DXD XM VQF Tracklist A Muhal (Part I) 19:24 B1 Muhal (Part II) 14:40 B2 Live Spiral 2:40 Companies, etc. Phonographic Copyright (p) – Muse Records Copyright (c) – Muse Records Recorded At – Washington Square Church, New York, NY Credits Alto Saxophone, Soprano Saxophone, Clarinet, Flute, Wind Chimes [Orchestral Chimes], Contrabass Clarinet – Anthony Braxton Art Direction – Hal Wilson Bass – Richard Davis Cello, Piano, Clarinet – Muhal Richard Abrams Drums, Percussion – Steve McCall Engineer – Orville O'Brian* Liner Notes – Robert Palmer Painting [Cover Painting] – P. Givens Piano – Muhal Richard Abrams Producer – George Conley Recording Supervisor – Ornette Coleman Trumpet, Flugelhorn, French Horn, Horns [Seal Horn], Percussion – Leo Smith* Violin, Viola, Recorder, Xylophone [Toy], Harmonica, Horns [Bicycle], Music By – Leroy Jenkins Notes Recorded on May 19, 1970 at Washington Square Methodist Church (Peace Church NYC). © ℗1975, Muse Records, a Division of Blanchris, Inc. Other versions Category Artist Title (Format) Label Category Country Year Creative Creative Construction Muse MR 5071 Construction MR 5071 US 1975 Company (LP, Album) Records Company Creative CCC (CD, Album, Ltd, SRCS 9409 Construction Sony Records SRCS 9409 Japan 1998 RE, RM, Pap) Company Creative Creative Construction Muse K18P-9170 Construction Company (LP, Album, Records, K18P-9170 Japan 1983 Company RE) Seven Seas Creative Vedette VPA 8360 Construction Muhal (LP, Album, RE) VPA 8360 Italy 1977 Records Company Related Music albums to Creative Construction Company by Creative Construction Company John Cage - Ives Ensemble - Ten / Ryoanji / Fourteen Joseph Jarman - As If It Were The Seasons Muhal Richard Abrams - Things To Come From Those Now Gone Muhal Richard Abrams - Blues Forever Muhal Richard Abrams Octet - View From Within Anthony Braxton - Sextet (Philadelphia) 2005 - Part I Anthony Braxton - Creative Orchestra Music 1976 Muhal Richard Abrams - Afrisong.

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Curriculum Vitae Dr
Curriculum Vitae Dr. Dominic Dousa Associate Professor of Music The University of Texas at El Paso http://faculty.utep.edu/ddousa UTEP Department of Music, FFA 437 (915) 747-7819 El Paso, TX 79968 [email protected] EDUCATION DEGREE STUDY D.A., Music Theory & Composition (secondary area of emphasis: Music History), Ball State University, May 2003. Dissertation: “Assessing the Degree of Relatedness Between Key Areas: A Quantitative Model of Key Distance and Tonal Similarity” (includes an original composition for symphonic band and an analysis of this piece) M.M., Music Composition, Central Michigan University, 2000 M.S., Statistics, Iowa State University, 1998 A.B. summa cum laude, Music, Harvard University, 1995 NON-DEGREE STUDY Academy of Musical and Dramatic Arts, Prague, 1995-96 (Studied composition with Milan Slavický, attended weekly composition seminar.) FACULTY POSITIONS / TEACHING EXPERIENCE THE UNIVERSITY OF TEXAS AT EL PASO (Fall 2004-present) Assistant Professor Courses Taught: Music Theory III, IV (10 semesters each) Aural Skills III, IV (10 semesters each) 16th-Century Counterpoint (3 semesters) Music Theory Seminar (5 semesters) Introduction to Composition (15 semesters) Advanced Composition (10 semesters) Graduate Composition (6 semesters) Graduate Theory, Selected Topic (3 semesters) Graduate Theory, Analysis of Modern Music (1 semester) Graduate Thesis (3 semesters) Graduate Independent Study (6 semesters) ST. MARY’S UNIVERSITY / Winona, MN (Fall 2003-Spring 2004) Lecturer Courses Taught: Music Appreciation (2 semesters)
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The Freedom Principle: Experiments in Art and Music, 1965 to Now September 14, 2016-March 19, 2017 Institute of Contemporary Art/University of Pennsylvania
The Freedom Principle: Experiments in Art and Music, 1965 to Now September 14, 2016-March 19, 2017 Institute of Contemporary Art/University of Pennsylvania Exhibition Checklist The AACM, AfriCOBRA & Chicago in the 1960s and 1970s Muhal Richard Abrams (b. 1930 in Chicago; lives in New York) Levels and Degrees of Light, 1968 Acrylic on canvas 16 1/8 x 16 ½ in. (41 x 47 cm) Courtesy of the artist Muhal Richard Abrams (b. 1930 in Chicago; lives in New York) Blues Forever, 1982 Acrylic on cardboard 23 5/8 x 29 ½ in. (60 x 76 cm) Courtesy of the artist Muhal Richard Abrams (b. 1930 in Chicago; lives in New York) View From Within, 1985 Collage and acrylic on canvas 17 ¾ x 25 ½ in. (45 x 65 cm) Courtesy of the artist Muhal Richard Abrams (b. 1930 in Chicago; lives in New York) Roots of Blue, 1986 Acrylic on canvas 21 5/8 x 15 ¾ in. (55 x 40 cm) Courtesy of the artist Muhal Richard Abrams (b. 1930 in Chicago; lives in New York) Blu Blu Blu, 1991 Acrylic on cardboard 17 ¾ x 21 5/8 in. (45 x 58 cm) Courtesy of the artist Page 1 of 26 The Freedom Principle: Experiments in Art and Music, 1965 to Now Muhal Richard Abrams (b. 1930 in Chicago; lives in New York) Kei’s Dance, 2010 Acrylic on cardboard 16 ½ x 18 7/8 in. (42 x 48 cm) Courtesy of the artist AfriCOBRA, Ten in Search of a Nation, Studio Museum in Harlem, 1970 Poster 22 x 17 in.
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Uptown Conversation : the New Jazz Studies / Edited by Robert G
uptown conversation uptown conver columbia university press new york the new jazz studies sation edited by robert g. o’meally, brent hayes edwards, and farah jasmine griffin Columbia University Press Publishers Since 1893 New York Chichester, West Sussex Copyright © 2004 Robert G. O’Meally, Brent Hayes Edwards, and Farah Jasmine Griffin All rights reserved Library of Congress Cataloging-in-Publication Data Uptown conversation : the new jazz studies / edited by Robert G. O’Meally, Brent Hayes Edwards, and Farah Jasmine Griffin. p. cm. Includes index. ISBN 0-231-12350-7 — ISBN 0-231-12351-5 1. Jazz—History and criticism. I. O’Meally, Robert G., 1948– II. Edwards, Brent Hayes. III. Griffin, Farah Jasmine. ML3507.U68 2004 781.65′09—dc22 2003067480 Columbia University Press books are printed on permanent and durable acid-free paper. Printed in the United States of America c 10 9 8 7 6 5 4 3 2 1 p 10 9 8 7 6 5 4 3 2 1 contents Acknowledgments ix Introductory Notes 1 Robert G. O’Meally, Brent Hayes Edwards, and Farah Jasmine Griffin part 1 Songs of the Unsung: The Darby Hicks History of Jazz 9 George Lipsitz “All the Things You Could Be by Now”: Charles Mingus Presents Charles Mingus and the Limits of Avant-Garde Jazz 27 Salim Washington Experimental Music in Black and White: The AACM in New York, 1970–1985 50 George Lewis When Malindy Sings: A Meditation on Black Women’s Vocality 102 Farah Jasmine Griffin Hipsters, Bluebloods, Rebels, and Hooligans: The Cultural Politics of the Newport Jazz Festival, 1954–1960 126 John Gennari Mainstreaming Monk: The Ellington Album 150 Mark Tucker The Man 166 John Szwed part 2 The Real Ambassadors 189 Penny M.
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I at the Vanguard of Vinyl: a Cultural History of the Long-‐‑Playing
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1 Record Progressions: Technology and Its Role In
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THE FREEDOM PRINCIPLE Experiments in Art and Music, 1965 to Now Edited by Naomi Beckwith and Dieter Roelstraete On the South Side of Chicago in the 1960s, African beautiful reproductions of work by artists such as American artists and musicians grappled with new Muhal Richard Abrams, Barbara Jones-Hogu, Cau- language and forms inspired by the black national- leen Smith, Rashid Johnson, Nick Cave, and many ist turn in the Civil Rights movement. e Freedom more. A roundtable conversation features Beckwith, Principle, which accompanies an exhibition on the Roelstraete, curator Hamza Walker, current AACM topic at the Museum of Contemporary Art Chicago, member and cellist Tomeka Reid, and artist Romi traces their history and shows how it continues to Crawford, with additional comments from poet and inform contemporary artists around the world. scholar Fred Moten. A chronology and curated play- list of AACM-related recordings are also included. e book coincides with the ftieth anniversary e resulting book oers a rich sense of a global of the founding of the Association for the Advance- movement, with crucial roots in Chicago, driven by ment of Creative Musicians (AACM), a still-our- a commitment to experimentation, improvisation, ishing organization of Chicago musicians who collective action, and the pursuit of freedom. challenge jazz’s boundaries. Combining archival materials such as brochures, photographs, sheet mu- Naomi Beckwith is the Marilyn and Larry Fields Cura- sic, and record covers with contemporary art work tor at the Museum of Contemporary Art Chicago. She that respond to the 1960s Black Arts Movement, e has curated or cocurated many exhibitions in the United Freedom Principle explores this tradition of cultural States and has contributed to numerous periodicals and expression from, as one AACM group used to put it, the “ancient to the future.” Essays by curators Naomi books.
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The Freedom Principle: Experiments in Art and Music, 1965 to Now
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