DOCSLIB.ORG

Index of Abstract Authors

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

Index of Abstract Authors Aalto, Laura ............................... 1084 Agoston, Agoston ......... 568, 569, 760 Albores-Saavedra, Jorge ........... 1655, Almonte, Jordan E ....................... 882 Aasen, Trond ................................ 269 Agrawal, Raag ............................ 1831 1760 Alobeid, Bachir ..... 1349, 1378, 1444, Abbas, Hana ............................... 1223 Agrawal, Rishi ........................... 1961 Albreiki, Danah .......................... 1713 1515 Abbas, Ossama ..................... 467, 468 Agraz, Irene ................................ 1641 Alcaraz-Mateos, Eduardo ............ 571 Alos, Llucia ................................ 1308 Abdalahad, Nagham ..................... 257 Aguilar, Eunice .......................... 1883 Aldape, Ken ............ 142, 1288, 1858, Alos, Silvia ................................. 1224 Abdelfatah, Eihab ........................ 776 Aguilera-Barrantes, Irene .......... 1086, 2005, 2054 Alosh, Baraa .......... 1085, 1244, 1245, Abdel-Fatah, Tarek ........................111 1166, 1222 Aldecoa, Iban ............................... 633 1812, 1861 Abdel-Wahab, Omar .................. 1368 Aguiluz, Angela ........................... 728 Alderman, Megan ........................ 806 Alpers, Charles ........................... 1620 Abdelzaher, Eman ........................ 112 Ahearn, Thomas U ....................... 804 Aldoss, Ibrahim .......................... 1675 Alperstein, Susan A ...................... 387 Abdulfatah, Eman ........... 1085, 1244, Ahidouch, Ahmed ...................... 1816 Aldulescu, Monica ....................... 570 Alpert, Lindsay .... 512, 572, 573, 809 1245, 1251, 1861 Ahmadi Moghaddam, Parnian ... 1792 Alegre, Victor ............................. 1456 Alquist, Caroline R .................... 2030 Abdul-Karim, Fadi W ......... 353, 414, Ahmed, Khalid A ......................... 805 Alejo, Maria ............................... 1308 Al-Rohil, Rami N ....................... 1990 417, 444 Ahmed, Omar ................................. 35 Alektiar, Kaled ........................... 1225 Alsadi, Alaa .................................. 120 Abdullai, Olayemi Azeez ........... 1133 Ahmed, Shahida ............................. 26 Alemany, Laia ............................ 1308 Alshak, Najeeb ........................... 1656 Abdul-Nabi, Anmaar .................. 1340 Ahmed, Yasin ............................... 501 Alexander, Brian M ........... 164, 1706, Alshalalfa, Mohammed .............. 1859 Abdusattar, Jihan ............................ 35 Ahn, Hyein ......................... 192, 1654 1730, 1733, 1742 Alston, Evan ................................. 317 Abe, Sohsei ................................ 1913 Ahn, Joseph ................................ 1700 Alexander, Mariam Priya ........... 1613 Altekruse, Sean .......................... 2084 Abedalthagafi, Malak ...... 1706, 1730, Ahrens, William A ........................ 110 Alexander, Melissa ....................... 117 Altemani, Albina ... 1310, 1311, 1312, 1733, 1742 Ahuja, Nita ................................... 776 Alexiev, Borislav A ........... 955, 1938, 1872 Abel, Haley J ............ 106, 1717, 2040 Ai, Di................................ 1488, 1529 1953, 1954 Alter, Blanche P ......................... 1384 Abendroth, Catherine S ................ 834 Ai, Lingbao ................................ 1299 Alexis, John B .............................. 711 Althouse, Andrew D ................... 1971 Abi-Saab, Tarek ............................... 1 Ai, Weiyun Z .............................. 1527 Al-Faraidy, Nadya ...................... 2050 Alva, Ajjai ............................ 838, 968 Abonia, J Pablo ............................ 763 Aida, Junko ................................ 1274 Alfonso, Diana ............................... 20 Alvarado, Michael ........................ 125 Aboshady, Ibrahim ....................... 293 Ainechi, Sanaz ................. 1006, 1867 Alford, Sharon H ........................ 1251 Alvarado-Cabrero, Isabel .... 261, 810, Abraham, Jerrold L .................... 1972 Aisagbonhi, Omonigho .............. 1987 Algaba, Ferran ............................ 1058 811, 1086, 1166, 1222 Abraham, John ............................... 73 Ajioka, Yoichi .............................. 673 Alghamdi, Sarah ........................ 1753 Alvarez, Francisco ..................... 1928 Abraham, Ronald ............... 142, 2054 Ajise, Oluyomi ................. 1038, 1039 Alhabeeb, Ayman ............... 497, 2050 Alves, Antonio T .... 2, 295, 812, 1139 Abraham, Susan ........................... 567 Akaishi, Junko.............................. 533 Al-Haddad, Mohammad ............ 1680 Alves, Venancio AF.................... 1665 Abraham, Susan C ............... 292, 682 Akalin, Taner ................................ 500 Al-Hashimi, Fatima ...................... 807 Al-Wahab, Zaid ...... 1085, 1244, 1245 Abrahams, John .......................... 1709 Akgul, Mahmut .......................... 1988 Ali, Asaara .................................. 1989 Alzahrani, Ali ............................. 1370 Abramson, Vandana ..................... 163 Akhter, Ariz ................................ 1370 Ali, Rola H .......... 36, 758, 759, 1231, Amacher, Anne Marie ................ 1346 Abreu, Maria .............................. 2014 Akiba, Jun .................................... 673 1920, 1921 Aman, Murasaki ......................... 1087 Abrial, Catherine .......................... 281 Akin, Cem .................................. 1390 Ali, Sahirzeeshan ..... 118, 1276, 1588 Amancio, Thiago ........................ 1658 Abrisqueta, Pau .......................... 1399 Akinde, Olakanmi R .................. 1835 Ali, Shadan ................................... 586 Amant, Frederic ......................... 1120 Abu-Rustum, Nadeem ...... 1126, 1225 Akiyama, Yoshiyuki ..................... 960 Ali, Siraj M ..... 37, 80, 473, 623, 744, Amary, Maria F .............................. 99 Abu-Zeinah, Ghaith ................... 1343 Akkas, Gizem .......... 735, 1662, 1684, 773, 808, 989, 1129, 1333, 1523, Ambaye, Abiy B ............... 1991, 2000 Acosta-Gonzalez, Gabriel ............ 117 1754, 1755, 1768, 1775, 1786, 1715, 1851, 1868, 1904, 1915, Ambrose, Tadeu ........................... 180 Acree, Rachel ............................. 1876 1789, 1807 1975, 2100 Ambrosone, Christine .................. 188 Acs, Geza ......................113, 114, 115 Akkaya, Hampar .......................... 823 Ali, Syed Z ... 326, 361, 378, 404, 405 Amin, Ali...................................... 836 Adackapara, Cheryl ...................... 720 Akkina, Sanjeev ......................... 1644 Al-Ibraheemi, Alyaa ............. 38, 1439 Amin, Anmol M ........................... 137 Adam, Benjamin ................ 294, 1607 Akram, Muzaffar ......... 179, 216, 247, Ali-Fehmi, Rouba ........... 1085, 1086, Amin, Bijal ................................... 463 Adams, Rocky .............................. 565 284 1244, 1245, 1251, 1812, 1861 Amin, Hesham M ....................... 1446 Adeniran, Adebowale ......... 803, 1079 Akyurek, Nalan .......................... 1359 Alizadeh, Layla .......................... 1241 Amin, Mahul ..... 860, 861, 862, 1021, Adham, M .................................. 1759 Al Diffalha, Sameer ..................... 570 Alkadi, Mohamad ............ 1642, 1643 1035, 1076 Adhikari, Laura .................... 314, 337 Al Saadi, Maimuna .................... 1275 Alkan, Serhan .......... 728, 1359, 1446, Amin, Mahul B .......................... 1590 Adjapong, Opoku ......................... 116 Aladily, Tariq.............................. 1342 1463, 1464, 1825 Amin, Md Shahrier .............. 296, 312 Adsay, Volkan ... 673, 735, 740, 1662, Alaggio, Rita ........................ 39, 1880 Alkapalan, Deema ............ 1756, 1811 Amin, Mitual .............. 860, 861, 1435 1684, 1754, 1755, 1757, 1758, Al-Ahmadie, Hikmat ...... 39, 538, 982 Al-Kawaaz, Mustafa .................. 1343 Amin, Nadia ..................... 1989, 2036 1759, 1760, 1761, 1768, 1775, Al-Ahmadie, Hikmat A ....... 838, 839, Alkhasawneh, Ahmad ................ 1344 Amos, Christopher I ........... 574, 1726 1786, 1789, 1795, 1805, 1807 891, 916, 1011, 1012, 1013, Allaf, Mohamad E ........................ 893 An, Soyeon ................................. 1774 Adusumilli, Prasad S .................. 1924 1022, 1881 Allen, Ashleigh ................ 1349, 1515 Ananda, Guruprasad ........... 482, 710, Afaneh, Khalid F ........................ 1401 Alam, Amen ............................... 1989 Allen, Charles ............................ 1890 1574, 2069, 2070 Affolter, Kajsa .............................. 566 Alapat, Daisy .............................. 1507 Allen, John ........................... 522, 801 Anandan, Vasuki ........................ 1801 Afonso, Mariana .......................... 214 Alassiri, Ali H ................................ 36 Allen, Michael ............................ 1345 Ananthanarayanan, Afonso, Noemia ........................... 214 Alatassi, Houda .................. 622, 1382 Allen, P ....................................... 1759 Vijayalakshmi ..... 1036, 1908, 2009 Afzali, Bahman .................. 294, 1607 Alba, Martha Veronica ................. 800 Allen, Peter ................................ 1758 Andea, Aleodor ............................ 448 Agaimy, Abbas ...... 32, 77, 908, 1048, Albadine, Roula ........................... 315 Allende, Daniela ....... 625, 790, 1779, Andea, Aleodor A ................. 449,
Recommended publications
  • Commencement Program

    Commencement Program

    Sunday, the Sixteenth of May, Two Thousand and Ten ten o’clock in the morning ~ wallace wade stadium Duke University Commencement ~ 2010 One Hundred Fifty-Eighth Commencement Notes on Academic Dress Academic dress had its origin in the Middle Ages. When the European universities were taking form in the thirteenth and fourteenth centuries, scholars were also clerics, and they adopted Mace and Chain of Office robes similar to those of their monastic orders. Caps were a necessity in drafty buildings, and Again at commencement, ceremonial use is copes or capes with hoods attached were made of two important insignia given to Duke needed for warmth. As the control of universities University in memory of Benjamin N. Duke. gradually passed from the church, academic Both the mace and chain of office are the gifts costume began to take on brighter hues and to of anonymous donors and of the Mary Duke employ varied patterns in cut and color of gown Biddle Foundation. They were designed and and type of headdress. executed by Professor Kurt J. Matzdorf of New The use of academic costume in the United Paltz, New York, and were dedicated and first States has been continuous since Colonial times, used at the inaugural ceremonies of President but a clear protocol did not emerge until an Sanford in 1970. intercollegiate commission in 1893 recommended The Mace, the symbol of authority of the a uniform code. In this country, the design of a University, is made of sterling silver throughout. gown varies with the degree held. The bachelor’s Significance of Colors It is thirty-seven inches long and weighs about gown is relatively simple with long pointed Colors indicating fields of eight pounds.
  • Women's Rights in China and Feminism on Chinese Social Media

    Women's Rights in China and Feminism on Chinese Social Media

    Issue Brief June 14, 2021 Women’s Rights in China and Feminism on Chinese Social Media Frida Lindberg In recent years, women in China have to a greater extent than previously raised their voices about issues relating to women’s rights and gender equality. Social media has served as an important tool and venue for women to share their own experiences with sexual harassment, domestic violence, and gender discrimination in the labor market. Yet, while the feminist movement has been on the rise over the past ten years, feminists and women in China who speak up about gender-related issues nevertheless face threats, antagonism, and censorship online.1China has stated that it aims to empower women and protect their rights.2 However, activities and discourses that have the potential to disturb the existing social order or challenge the authorities are not tolerated by the government, as social stability is one of its top priorities.3,4 This paper addresses how women and feminists in China use social media to speak up, while at the same time having to cope with gender antagonism in Chinese society and monitoring efforts by the government. Oppression and Discrimination Against enshrined in the constitution, while initiatives that Women in China involved women in building the new communist China were introduced.8 Through posters and In ancient China, women were subordinate to first speeches, the party projected the image of female and foremost their fathers, secondly their husbands, socialist icons, so-called “iron women”, who were and lastly, as widows, their sons. At that time, depicted as labor heroes that also managed to religious and philosophical norms had been set up maintain a harmonious family.
  • P020110307527551165137.Pdf

    P020110307527551165137.Pdf

    CONTENT 1.MESSAGE FROM DIRECTOR …………………………………………………………………………………………………………………………………………………… 03 2.ORGANIZATION STRUCTURE …………………………………………………………………………………………………………………………………………………… 05 3.HIGHLIGHTS OF ACHIEVEMENTS …………………………………………………………………………………………………………………………………………… 06 Coexistence of Conserve and Research----“The Germplasm Bank of Wild Species ” services biodiversity protection and socio-economic development ………………………………………………………………………………………………………………………………………………… 06 The Structure, Activity and New Drug Pre-Clinical Research of Monoterpene Indole Alkaloids ………………………………………… 09 Anti-Cancer Constituents in the Herb Medicine-Shengma (Cimicifuga L) ……………………………………………………………………………… 10 Floristic Study on the Seed Plants of Yaoshan Mountain in Northeast Yunnan …………………………………………………………………… 11 Higher Fungi Resources and Chemical Composition in Alpine and Sub-alpine Regions in Southwest China ……………………… 12 Research Progress on Natural Tobacco Mosaic Virus (TMV) Inhibitors…………………………………………………………………………………… 13 Predicting Global Change through Reconstruction Research of Paleoclimate………………………………………………………………………… 14 Chemical Composition of a traditional Chinese medicine-Swertia mileensis……………………………………………………………………………… 15 Mountain Ecosystem Research has Made New Progress ………………………………………………………………………………………………………… 16 Plant Cyclic Peptide has Made Important Progress ………………………………………………………………………………………………………………… 17 Progresses in Computational Chemistry Research ………………………………………………………………………………………………………………… 18 New Progress in the Total Synthesis of Natural Products ………………………………………………………………………………………………………
  • Textile School Catalog, 1925-1926

    Textile School Catalog, 1925-1926

    :.:, : \ .> is.'.-: : W* THE PENNSYLVANIA MUSEUM AND SCHOOL OF INDUSTRIAL ART FORTY- NINTH SEASON wmmm «SIEH£»>% CIRCULAR OF THE PHILADELPHIA TEXTILE SCHOOL BROAD AND PINE STREETS PHILADELPHIA 1925-1926 FORTY-SECOND SEASON SACO-LOWELL SHOPS LARGEST MANUFACTURERS OF TEXTILE MACHINERY IN AMERICA Worsted (French & Bradford Systems) Cotton—Spun Silk Also Complete Waste Reclaiming MACHINERY EXECUTIVE OFFICES 1 Federal St., BOSTON, MASS. SHOPS AT Biddeford, Me. Newton Upper Falls, Mass. Lowell, Mass. Pawtucket, R. I. Southern Office, Charlotte, N. C. Branch Southern Office, Greenville, S. C. CANADIAN AGENTS Whitehead, Emmans, Ltd., 285 Beaver Hall Hill, Montreal JACQUARD CARD MACHINES Complete equipment for cutting, lacing and re- peating'. Special features for quick duplicating. A variable speed electric motor drive. For any size, any index of card. vvrite for detailed information. JOHN ROYLE & SONS, Paterson, N.J. Cost Cutters for the Textile Industry AMERICAN J PRESSED STEEL * ^ BEAM HEADS "American" Pressed Steel Warper and Slasher Beam Heads—strong, light and durable. "American" Pressed Steel Shaft Hangers, strong, rigid, true. "American" Steel Split Pulleys. Special literature explaining each product awaits your request THE AMERICAN PULLEY CO. Manufacturers of STEEL SPLIT PULLLEYS, PRESSED STEEL SHAFT HANGERS, and PRESSED STEEL SHAPES 4200 Wissahickon Ave., Philadelphia PRESSED STICL HANGERS I PULLEYS (bmplete Equipment tton Machinen Built by Specialists Cotton Opening, Convey- ing, and Picker Room Machinery, Revolving Top Flat Cards, Drawing, Stubbing, Inter, and Rov- ing Frames. W00NS0CKET MACHINE & PRESS CO., Inc. WOONSOCKET, R. I. Ring Spinning Frames, Ring Twisters for Cot- ton, Wool, Worsted, Silk, Linen, Jute and Novelty Yarns. PALES & JENKS MACHINE CO., Pawtucket, R. I.
  • Tan Dun's Buddha Passion

    Tan Dun's Buddha Passion

    Tan Dun’s Buddha Passion BR AVO Saturday 6 October 2018 Buddha Passion is the world’s first Passion set to the teachings of Buddha. An ‘opera in six acts’, Buddha Passion tells parables of love, forgiveness, sacrifice and salvation with a large orchestra, chorus, a quartet of opera singers, a pipa soloist and dancer, and a Khoomei overtone singer who also plays the Morin Khuur (horsehead fiddle). Before the concert the Melbourne Symphony Orchestra proudly announced the appointment of Maestro Tan Dun as MSO Artistic Ambassador, acknowledging the Orchestra’s deep connection with Maestro Tan and celebrating his extraordinary contribution to classical music. Special guests in attendance included Mr Cheng Jingye, Ambassador for the People’s Republic of China in Australia, Mr Zhao Jian, Consul General for the People’s Republic of China in Melbourne, Jenny Bloomfield, State Director of the Department of Foreign Affairs and Trade, and the Hon Robin Scott, Victorian Minister for Multicultural Affairs. Shenyang, Leonardo Gramegna, Tan Dun, Lei Xu, Huiling Zhu, Melbourne Symphony Orchestra Photo: Daniel Aulsebrook AUSTRALIAN PREMIERE Melbourne Symphony Orchestra Tan Dun conductor MSO INTERNATIONAL Lei Xu soprano Huiling Zhu mezzo-soprano CO-COMMISSION Leonardo Gramegna tenor with Dresdner Musikfestspiele, New York Philharmonic, and the Los Angeles Philharmonic Shenyang bass-baritone Tan Weiwei vocalist COLLABORATION WITH MELBOURNE Batubagen vocalist INTERNATIONAL FESTIVAL OF ARTS Yining Chen pipa soloist and dancer Melbourne Symphony Orchestra Chorus Warren Trevelyan-Jones chorus master 1,829 TOTAL ATTENDANCE “ The high quality of the musicians is why I return and why it is always a pleasure to work 6 INDIGENOUS CHINESE ARTISTS with the Melbourne Symphony Orchestra.
  • Chinese Music Reality Shows: a Case Study

    Chinese Music Reality Shows: a Case Study

    Chinese Music Reality Shows: A Case Study A Thesis Submitted to the Faculty of Drexel University by Zhengyuan Bi In partial fulfillment of the requirements for the degree of Master of Science in Television Management January 2017 ii © Copyright 2017 Zhengyuan Bi All Right Reserved. iii DEDICATION I dedicate this thesis to my family and my friends, with a special feeling of gratitude to my loving parents, my friends Queena Ai, Eileen Zhou and Lili Mao, and my former boss Kenny Lam. I will always appreciate their love and support! iv ACKNOWLEDGMENTS I would like to take this opportunity to thank my thesis advisor Philip Salas and Television Management Program Director Al Tedesco for their great support and guidance during my studies at Drexel University. I would also like to thank Katherine Houseman for her kind support and assistance. I truly appreciate their generous contribution to me and all the students. I would also like to thank all the faculty of Westphal College of Media Arts & Design, all the classmates that have studied with me for these two years. We are forever friends and the best wishes to each of you! v Table of Contents DEDICATION ………………………………………………………………………………..iii ACKNOWLEDGEMENTS…………………………………………………………………...iv ABSTRACT……………………………………………………………………………………vii Chapter 1: Introduction………………………………………………………………………..1 1.1 Introduction………………………………………………………………………………...3 1.2 Statement of the Problem…………………………………………….................................3 1.3 Background…………………………………………………………………………………4 1.4 Purpose of the study…………………………………………………………………….....5
  • Music-Based TV Talent Shows in China: Celebrity and Meritocracy in the Post-Reform Society

    Music-Based TV Talent Shows in China: Celebrity and Meritocracy in the Post-Reform Society

    Music-Based TV Talent Shows in China: Celebrity and Meritocracy in the Post-Reform Society by Wei Huang B. A., Huaqiao University, 2013 Extended Essays Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Arts in the School of Communication (Dual Degree in Global Communication) Faculty of Communication, Art & Technology © Wei Huang 2015 SIMON FRASER UNIVERSITY Summer 2015 Approval Name: Wei Huang Degree: Master of Arts (Communication) Title: Music-Based TV Talent Shows in China: Celebrity and Meritocracy in the Post-Reform Society Examining Committee: Program Director: Yuezhi Zhao Professor Frederik Lesage Senior Supervisor Assistant Professor School of Communication Simon Fraser University Baohua Wang Supervisor Professor School of Communication Communication University of China Date Defended/Approved: August 31, 2015 ii Abstract Meritocracy refers to the idea that whatever our social position at birth, society should offer the means for those with the right “talent” to “rise to top.” In context of celebrity culture, it could refer to the idea that society should allow all of us to have an equal chance to become celebrities. This article argues that as a result of globalization and consumerism in the post-reform market economy, the genre of music-based TV talent shows has become one of the most popular TV genres in China and has at the same time become a vehicle of a neoliberal meritocratic ideology. The rise of the ideology of meritocracy accompanied the pace of market reform in post-1980s China and is influenced by the loss of social safety nets during China’s transition from a socialist to a market economy.
  • Making Drama out of a Holiday

    Making Drama out of a Holiday

    CHINA DAILY Wednesday, August 21, 2019 | 19 YOUTH Making drama out of a holiday Children perform in the birthplace of Greek theater and unleash their creativity, Tan Weiwei (right) performs with singer Zhang Jie at a concert Chen Meiling held in Chongqing on July 27. PROVIDED TO CHINA DAILY reports. he stage was set and histo­ ry provided a stunning Music students need backdrop as Chinese chil­ dren mastered the intrica­ Tcies of Greek theater at a recent to have a clear goal summer camp, the first venture of its kind between the two countries. By CHEN NAN The seven­day program, held this [email protected] month in the southern Peloponnese region, involved half a dozen “actors” Pop singer­songwriter Tan Wei­ I didn’t know then if I aged between 8 and 15 from Shen­ wei was invited to share her views would make it or not, zhen and Chengdu. They attended Maria Mikedaki, a teacher at the on musical education at an inter­ Greek theater classes and performed summer camp, who’s assistant pro­ national music summit in Beijing but I think this is in workshops, learned about Greek fessor at the University of the Pelo­ recently, as she is regarded as a where I wanted to be music, history and mythology in lec­ ponnese, says she was impressed by good example of a music­major tures and visited historic sites as well the Chinese students’ level of knowl­ graduate. — I just loved ... as local theaters. edge about Greek mythology, English The pop star, a vocal perform­ everything I could Two highlights marked their jour­ language and their ability to distin­ ance major who graduated from ney to the cradle of Western civiliza­ guish between tragedy, comedy and the Sichuan Conservatory of experience with the tion.
  • John Bruce Yeh

    John Bruce Yeh

    Vol. 48 • No. 1 December 2020 JOHN BRUCE YEH ICA Plays On! Anna Hashimoto Clarinet Works by Black Composers Krzysztof Penderecki’s Clarinet Works TO DESIGN OUR NEW CLARINET MOUTHPIECE WE HAD TO GO TO MILAN “I am so happy to play the Chedeville Umbra because it is so sweet, dark, so full of colors like when you listen to Pavarotti. You have absolutely all kind of harmonics, you don’t have to force or push, and the vibration of the reed, the mouthpiece, the material, it’s connected with my heart.” Milan Rericha – International Soloist, Co-founder RZ Clarinets The New Chedeville Umbra Clarinet Mouthpiece Our new Umbra Bb Clarinet Mouthpiece creates a beautiful dark sound full of rich colors. Darker in sound color than our Elite model, it also has less resistance, a combination that is seldom found in a clarinet mouthpiece. Because it doesn’t add resistance, you will have no limits in dynamics, colors or articulation. Each mouthpiece is handcrafted at our factory in Savannah Georgia Life Without Limits through a combination of new world technology and old world craftsmanship, and to the highest standards of excellence. Chedeville.com President’sThe EDITOR Rachel Yoder [email protected] ASSOCIATE EDITOR Dear ICA Members, Jessica Harrie [email protected] hope this finds you well and staying safe as we continue EDITORIAL BOARD to navigate these truly extraordinary times. I also hope Diane Barger, Heike Fricke, Denise Gainey, that you are finding or creating opportunities to make Jessica Harrie, Rachel Yoder music, whether it be on your own, socially distanced MUSIC REVIEWS EDITOR Iwith others or through a computer screen.
  • The Paradoxical Co-Existence of Submissiveness and Subversiveness in the Theology of Yu-Ming

    The Paradoxical Co-Existence of Submissiveness and Subversiveness in the Theology of Yu-Ming

    CORE Metadata, citation and similar papers at core.ac.uk Provided by University of Birmingham Research Archive, E-theses Repository THE PARADOXICAL CO-EXISTENCE OF SUBMISSIVENESS AND SUBVERSIVENESS IN THE THEOLOGY OF YU-MING JIA by CHI-YEUNG LAM A thesis submitted to The University of Birmingham for the degree of MASTER OF PHILOSOPHY Department of Theology School of Philosophy, Theology and Religion The University of Birmingham 30th July 2010 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. ABSTRACT This thesis aims to study Yu-ming Jia’s theology from a postcolonial perspective. Yu-ming Jia (1880-1964) is a conservative Protestant theologian who was actively engaged himself in Chinese protestant churches and theological education during the first half of the 20th century. It was seen that he constructed his theology mainly in a hierarchical context, i.e., the subjugating relationship between missionaries and Chinese Christians appearing in missionary enterprise. This study will focus on three areas of Jia’s theology: christology, ecclesiology and soteriology, which will be analysed with Homi Bhabha’s three conceptions: ambivalence, mimicry and hybridity.
  • Digital Media and Radical Politics in Postsocialist China

    Digital Media and Radical Politics in Postsocialist China

    UNIVERSITY OF CALIFORNIA SANTA CRUZ DIGITAL EPHEMERALITY: DIGITAL MEDIA AND RADICAL POLITICS IN POSTSOCIALIST CHINA A dissertation submitted in partial satisfaction of the requirements for the degree of DOCTOR OF PHILOSOPHY in FEMINIST STUDIES by Yizhou Guo June 2020 The Dissertation of Yizhou Guo is approved: __________________________ Professor Neda Atanasoski, co-chair __________________________ Professor Lisa Rofel, co-chair __________________________ Professor Xiao Liu __________________________ Professor Madhavi Murty __________________________ Quentin Williams Acting Vice Provost and Dean of Graduate Studies Copyright © by Yizhou Guo 2020 Table of Contents List Of Figures And Tables IV Abstract V Acknowledgements V Introduction: Digital Ephemerality: Digital Media And Radical Politics In Postsocialist China 1 Chapter One: Queer Future In The Ephemeral: Sexualizing Digital Entertainment And The Promise Of Queer Insouciance 60 Chapter Two: Utopian In The Ephemeral: ‘Wenyi’ As Postsocialist Digital Affect 152 Chapter Three: Livestreaming Reality: Nonhuman Beauty And The Digital Fetishization Of Ephemerality 225 Epilogue: Thinking Of Digital Lives And Hopes In The Era Of The Pandemic And Quarantine 280 Bibliography 291 iii List of Figures and Tables Figure 1-1 Two Frames From The Television Zongyi Happy Camp (2015) 91 Figure 1-2 Color Wheel Of Happy Camp’s Opening Routine 91 Figure 1-3 Four Frames From The Internet Zongyi Let’s Talk (2015) 92 Figure 1- 4 Color Wheel Of The Four Screenshots From Figure 1.3 94 Figure 1-5 Let’s Talk Season
  • The Paradoxical Co-Existence of Submissiveness and Subversiveness in the Theology of Yu-Ming

    The Paradoxical Co-Existence of Submissiveness and Subversiveness in the Theology of Yu-Ming

    THE PARADOXICAL CO-EXISTENCE OF SUBMISSIVENESS AND SUBVERSIVENESS IN THE THEOLOGY OF YU-MING JIA by CHI-YEUNG LAM A thesis submitted to The University of Birmingham for the degree of MASTER OF PHILOSOPHY Department of Theology School of Philosophy, Theology and Religion The University of Birmingham 30th July 2010 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. ABSTRACT This thesis aims to study Yu-ming Jia’s theology from a postcolonial perspective. Yu-ming Jia (1880-1964) is a conservative Protestant theologian who was actively engaged himself in Chinese protestant churches and theological education during the first half of the 20th century. It was seen that he constructed his theology mainly in a hierarchical context, i.e., the subjugating relationship between missionaries and Chinese Christians appearing in missionary enterprise. This study will focus on three areas of Jia’s theology: christology, ecclesiology and soteriology, which will be analysed with Homi Bhabha’s three conceptions: ambivalence, mimicry and hybridity. These key concepts in postcolonial theory and discourse are regarded as the characteristic features and contributions of the theory.