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Liste Des Implantations Françaises En Chine
DIRECTION DES RELATIONS ÉCONOMIQUES EXTÉRIEURES LES LISTES DES POSTES D'EXPANSION ÉCONOMIQUE LISTE DES IMPLANTATIONS FRANÇAISES EN CHINE Mars 2001 Mission Economique et Financière en Chine : PEKIN Pacific Century Place, Unit 1015, Tower A - 2A Gong Ti Bei Lu, Chao Yang Qu - Beijing, RPC 100027 Tél. : (8610) 6539 1300 - Fax : (8610) 6539 1301 - [email protected] SHANGHAI Jing Ling Da Sha, Block 1, 11th floor, 28 Jing Ling Xi Lu – Shanghai, RPC 200001 Tél. : (8621) 5306 1100 – Fax : (8621) 5306 3637 - [email protected] CANTON Guangdong International Hotel, Room 803 Main Tower, 339, Huan Shi Dong Lu – Guangzhou, RPC 510098 Tél. : (8620) 83 32 19 55 – Fax : (8620) 8332 1961 - [email protected] www.tresor-dree.org/chine 300 FF HT MEF-CHINE LISTE DES IMPLANTATIONS FRANÇAISES EN CHINE Résumé Malgré un recul des flux entrants, la Chine consolide sa position de premier pays émergent pour l’accueil des investissements directs étrangers. Provenant en grande majorité des pays asiatiques, les IDE jouent un rôle essentiel dans le commerce extérieur chinois et concernent principalement des industries à faible intensité capitalistique. Encore modestes en stock, les investissements français ont nettement progressé depuis 5 ans, la plupart des grands groupes français, et un nombre non négligeable de PME, s'étant implantés dans la deuxième moitié des années 90. 1. La Chine, destination privilégiée parmi les pays émergents: - L’afflux d’investissements étrangers a été particulièrement massif depuis 1992. Pour la sixième année consécutive la Chine est, en 19981, le deuxième pays d’accueil des investissements étrangers dans le monde après les Etats-Unis, et reçoit environ 40 % de ceux à destination des pays en développement. -
Commencement Program
Sunday, the Sixteenth of May, Two Thousand and Ten ten o’clock in the morning ~ wallace wade stadium Duke University Commencement ~ 2010 One Hundred Fifty-Eighth Commencement Notes on Academic Dress Academic dress had its origin in the Middle Ages. When the European universities were taking form in the thirteenth and fourteenth centuries, scholars were also clerics, and they adopted Mace and Chain of Office robes similar to those of their monastic orders. Caps were a necessity in drafty buildings, and Again at commencement, ceremonial use is copes or capes with hoods attached were made of two important insignia given to Duke needed for warmth. As the control of universities University in memory of Benjamin N. Duke. gradually passed from the church, academic Both the mace and chain of office are the gifts costume began to take on brighter hues and to of anonymous donors and of the Mary Duke employ varied patterns in cut and color of gown Biddle Foundation. They were designed and and type of headdress. executed by Professor Kurt J. Matzdorf of New The use of academic costume in the United Paltz, New York, and were dedicated and first States has been continuous since Colonial times, used at the inaugural ceremonies of President but a clear protocol did not emerge until an Sanford in 1970. intercollegiate commission in 1893 recommended The Mace, the symbol of authority of the a uniform code. In this country, the design of a University, is made of sterling silver throughout. gown varies with the degree held. The bachelor’s Significance of Colors It is thirty-seven inches long and weighs about gown is relatively simple with long pointed Colors indicating fields of eight pounds. -
“Turandot” by Giacomo Puccini Libretto (English-Italian) Roles Personaggi
Giacomo Puccini - Turandot (English–Italian) 8/16/12 10:44 AM “Turandot” by Giacomo Puccini libretto (English-Italian) Roles Personaggi Princess Turandot - soprano Turandot, principessa (soprano) The Emperor Altoum, her father - tenor Altoum, suo padre, imperatore della Cina (tenore) Timur, the deposed King of Tartary - bass Timur, re tartaro spodestato (basso) The Unknown Prince (Calàf), his son - tenor Calaf, il Principe Ignoto, suo figlio (tenore) Liù, a slave girl - soprano Liú, giovane schiava, guida di Timur (soprano) Ping, Lord Chancellor - baritone Ping, Gran Cancelliere (baritono) Pang, Majordomo - tenor Pang, Gran Provveditore (tenore) Pong, Head chef of the Imperial Kitchen - tenor Pong, Gran Cuciniere (tenore) A Mandarin - baritone Un Mandarino (baritono) The Prince of Persia - tenor Il Principe di Persia (tenore) The Executioner (Pu-Tin-Pao) - silent Il Boia (Pu-Tin-Pao) (comparsa) Imperial guards, the executioner's men, boys, priests, Guardie imperiali - Servi del boia - Ragazzi - mandarins, dignitaries, eight wise men,Turandot's Sacerdoti - Mandarini - Dignitari - Gli otto sapienti - handmaids, soldiers, standard-bearers, musicians, Ancelle di Turandot - Soldati - Portabandiera - Ombre ghosts of suitors, crowd dei morti - Folla ACT ONE ATTO PRIMO The walls of the great Violet City: Le mura della grande Città Violetta (The Imperial City. Massive ramparts form a semi- (La Città Imperiale. Gli spalti massicci chiudono circle quasi that enclose most of the scene. They are interrupted tutta la scena in semicerchio. Soltanto a destra il giro only at the right by a great loggia, covered with è carvings and reliefs of monsters, unicorns, and rotto da un grande loggiato tutto scolpito e intagliato phoenixes, its columns resting on the backs of a mostri, a liocorni, a fenici, coi pilastri sorretti dal gigantic dorso di massicce tartarughe. -
Women's Rights in China and Feminism on Chinese Social Media
Issue Brief June 14, 2021 Women’s Rights in China and Feminism on Chinese Social Media Frida Lindberg In recent years, women in China have to a greater extent than previously raised their voices about issues relating to women’s rights and gender equality. Social media has served as an important tool and venue for women to share their own experiences with sexual harassment, domestic violence, and gender discrimination in the labor market. Yet, while the feminist movement has been on the rise over the past ten years, feminists and women in China who speak up about gender-related issues nevertheless face threats, antagonism, and censorship online.1China has stated that it aims to empower women and protect their rights.2 However, activities and discourses that have the potential to disturb the existing social order or challenge the authorities are not tolerated by the government, as social stability is one of its top priorities.3,4 This paper addresses how women and feminists in China use social media to speak up, while at the same time having to cope with gender antagonism in Chinese society and monitoring efforts by the government. Oppression and Discrimination Against enshrined in the constitution, while initiatives that Women in China involved women in building the new communist China were introduced.8 Through posters and In ancient China, women were subordinate to first speeches, the party projected the image of female and foremost their fathers, secondly their husbands, socialist icons, so-called “iron women”, who were and lastly, as widows, their sons. At that time, depicted as labor heroes that also managed to religious and philosophical norms had been set up maintain a harmonious family. -
42Nd Ccop Annual Session (Part I)
COORDINATING COMMITTEE FOR GEOSCIENCE PROGRAMMES IN EAST AND SOUTHEAST ASIA (CCOP) PROCEEDINGS OF THE 42ND CCOP ANNUAL SESSION (PART I) 13-18 SEPTEMBER 2005 BEIJING, CHINA CCOP Technical Secretariat 24th Floor, Suite 244-245, Thai CC Tower 889 Sathorn Tai Road, Sathorn, Bangkok 10120, Thailand Tel: (66) 0 2672 3080 Fax: (66) 0 2672 3082 E-mail: [email protected] Homepage: http://www.ccop.or.th September 2006 CONTENTS ATTENDANCE AND ORGANIZATION 1 OPENING CEREMONY OF THE 42ND ANNUAL SESSION 2 ELECTION OF OFFICERS 2 AGENDA ITEM 1. Adoption of the Agenda 2 2. CCOP Progress Report 2 3. Member Countries’ Reports 3 4. Cooperating Countries’ and Organizations’ Reports 5 4.1. Cooperating Countries’ Reports 5 4.2. Cooperating Organizations’ Reports 8 5. Draft CCOP Workplan for 2006 9 6. Advisory Group Meeting 9 7. General Consultative Meeting 9 8. Date and Venue for the Next Annual Session 10 9. Other Matters 10 10. General Remarks from the Delegations 11 11. Thematic Session 13 12. Adoption of Report 13 CLOSING CEREMONY 14 ANNEXES : ANNEX I : LIST OF PARTICIPANTS 17 ANNEX II : SPEECHES 29 ANNEX III : AGENDA 39 ANNEX IV : CCOP PROGRESS REPORT 41 Proceedings of the 42nd CCOP Annual Session i CCOP Technical Secretariat Beijing, China, 13-18 September 2005 ANNEX V : MEMBER COUNTRIES’ REPORTS 63 Country Report of CAMBODIA 65 Country Report of CHINA 75 Country Report of INDONESIA 93 Country Report of JAPAN 113 Country Report of THE REPUBLIC OF KOREA 147 Country Report of MALAYSIA 163 Country Report of PAPUA NEW GUINEA 179 Country Report of THE PHILIPPINES -
MODELING HEROINES from GIACAMO PUCCINI's OPERAS by Shinobu Yoshida a Dissertation Submitted in Partial Fulfillment of the Requ
MODELING HEROINES FROM GIACAMO PUCCINI’S OPERAS by Shinobu Yoshida A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Music: Musicology) in The University of Michigan 2011 Doctoral Committee: Associate Professor Naomi A. André, Co-Chair Associate Professor Jason Duane Geary, Co-Chair Associate Professor Mark Allan Clague Assistant Professor Victor Román Mendoza © Shinobu Yoshida All rights reserved 2011 TABLE OF CONTENTS LIST OF FIGURES ...........................................................................................................iii LIST OF APPENDECES................................................................................................... iv I. CHAPTER ONE........................................................................................................... 1 INTRODUCTION: PUCCINI, MUSICOLOGY, AND FEMINIST THEORY II. CHAPTER TWO....................................................................................................... 34 MIMÌ AS THE SENTIMENTAL HEROINE III. CHAPTER THREE ................................................................................................. 70 TURANDOT AS FEMME FATALE IV. CHAPTER FOUR ................................................................................................. 112 MINNIE AS NEW WOMAN V. CHAPTER FIVE..................................................................................................... 157 CONCLUSION APPENDICES………………………………………………………………………….162 BIBLIOGRAPHY.......................................................................................................... -
Tan Dun's Buddha Passion
Tan Dun’s Buddha Passion BR AVO Saturday 6 October 2018 Buddha Passion is the world’s first Passion set to the teachings of Buddha. An ‘opera in six acts’, Buddha Passion tells parables of love, forgiveness, sacrifice and salvation with a large orchestra, chorus, a quartet of opera singers, a pipa soloist and dancer, and a Khoomei overtone singer who also plays the Morin Khuur (horsehead fiddle). Before the concert the Melbourne Symphony Orchestra proudly announced the appointment of Maestro Tan Dun as MSO Artistic Ambassador, acknowledging the Orchestra’s deep connection with Maestro Tan and celebrating his extraordinary contribution to classical music. Special guests in attendance included Mr Cheng Jingye, Ambassador for the People’s Republic of China in Australia, Mr Zhao Jian, Consul General for the People’s Republic of China in Melbourne, Jenny Bloomfield, State Director of the Department of Foreign Affairs and Trade, and the Hon Robin Scott, Victorian Minister for Multicultural Affairs. Shenyang, Leonardo Gramegna, Tan Dun, Lei Xu, Huiling Zhu, Melbourne Symphony Orchestra Photo: Daniel Aulsebrook AUSTRALIAN PREMIERE Melbourne Symphony Orchestra Tan Dun conductor MSO INTERNATIONAL Lei Xu soprano Huiling Zhu mezzo-soprano CO-COMMISSION Leonardo Gramegna tenor with Dresdner Musikfestspiele, New York Philharmonic, and the Los Angeles Philharmonic Shenyang bass-baritone Tan Weiwei vocalist COLLABORATION WITH MELBOURNE Batubagen vocalist INTERNATIONAL FESTIVAL OF ARTS Yining Chen pipa soloist and dancer Melbourne Symphony Orchestra Chorus Warren Trevelyan-Jones chorus master 1,829 TOTAL ATTENDANCE “ The high quality of the musicians is why I return and why it is always a pleasure to work 6 INDIGENOUS CHINESE ARTISTS with the Melbourne Symphony Orchestra. -
Chinese Music Reality Shows: a Case Study
Chinese Music Reality Shows: A Case Study A Thesis Submitted to the Faculty of Drexel University by Zhengyuan Bi In partial fulfillment of the requirements for the degree of Master of Science in Television Management January 2017 ii © Copyright 2017 Zhengyuan Bi All Right Reserved. iii DEDICATION I dedicate this thesis to my family and my friends, with a special feeling of gratitude to my loving parents, my friends Queena Ai, Eileen Zhou and Lili Mao, and my former boss Kenny Lam. I will always appreciate their love and support! iv ACKNOWLEDGMENTS I would like to take this opportunity to thank my thesis advisor Philip Salas and Television Management Program Director Al Tedesco for their great support and guidance during my studies at Drexel University. I would also like to thank Katherine Houseman for her kind support and assistance. I truly appreciate their generous contribution to me and all the students. I would also like to thank all the faculty of Westphal College of Media Arts & Design, all the classmates that have studied with me for these two years. We are forever friends and the best wishes to each of you! v Table of Contents DEDICATION ………………………………………………………………………………..iii ACKNOWLEDGEMENTS…………………………………………………………………...iv ABSTRACT……………………………………………………………………………………vii Chapter 1: Introduction………………………………………………………………………..1 1.1 Introduction………………………………………………………………………………...3 1.2 Statement of the Problem…………………………………………….................................3 1.3 Background…………………………………………………………………………………4 1.4 Purpose of the study…………………………………………………………………….....5 -
Beijing Essence Tour 【Tour Code:OBD4(Wed./Fri./Sun.) 、OBD5(Tues./Thur./Sun.)】
Beijing Essence Tour 【Tour Code:OBD4(Wed./Fri./Sun.) 、OBD5(Tues./Thur./Sun.)】 【OBD】Beijing Essence Tour Price List US $ per person Itinerary 1: Beijing 3N4D Tour Itinerary 2: Beijing 4N5D Tour Tour Fare Itinerary 1 3N4D Itinerary 2 4N5D O Level A Level B Level A Level B B OBD4A OBD4B OBD5A OBD5B D Valid Date WED/FRI WED/FRI/SUN TUE/THU TUE/THU/SUN 2011.3.1-2011.8.31 208 178 238 198 Beijing 2011.9.1-2011. 11.30 218 188 258 208 2011.12.1-2012. 2.29 188 168 218 188 Single Room Supp. 160 130 200 150 Tips 32 32 40 40 1) Price excludes tips. The tips are for tour guide, driver and bell boys in hotel. Children should pay as much as adults. 2) Specified items(self-financed): Remarks Beijing/Kung Fu Show (US $28/P); [Half price (no seat) for child below 1.0m; full price for child over 1.0m. Only one child without seat is allowed for two adults.] 3) Total Fare: tour fare + specified self-financed fee(US $28/P) The price is based on adults; the price for children can be found on Page 87 Detailed Start Dates (The Local Date in China) Date Every Tues. Every Wed. Every Thur. Every Fri. Every Sun. Month OBD5A/5B OBD4A/4B OBD5A/5B OBD4A/4B OBD4B/OBD5B 2011. 3. 01, 08, 15, 22, 29 02, 09, 16, 23, 30 03, 10, 17, 24, 31 04, 11, 18, 25 06, 13, 20, 27 2011. 4. 05, 12, 19, 26 06, 13, 20, 27 07, 14, 21, 28 01, 08, 15, 22, 29 03, 10, 17, 24 Tour Highlights Tour Code:OBD4A/B Wall】 of China. -
Charles Zhang
In a little over 35 years China’s economy has been transformed Week in China from an inefficient backwater to the second largest in the world. If you want to understand how that happened, you need to understand the people who helped reshape the Chinese business landscape. china’s tycoons China’s Tycoons is a book about highly successful Chinese profiles of entrepreneurs. In 150 easy-to- digest profiles, we tell their stories: where they came from, how they started, the big break that earned them their first millions, and why they came to dominate their industries and make billions. These are tales of entrepreneurship, risk-taking and hard work that differ greatly from anything you’ll top business have read before. 150 leaders fourth Edition Week in China “THIS IS STILL THE ASIAN CENTURY AND CHINA IS STILL THE KEY PLAYER.” Peter Wong – Deputy Chairman and Chief Executive, Asia-Pacific, HSBC Does your bank really understand China Growth? With over 150 years of on-the-ground experience, HSBC has the depth of knowledge and expertise to help your business realise the opportunity. Tap into China’s potential at www.hsbc.com/rmb Issued by HSBC Holdings plc. Cyan 611469_6006571 HSBC 280.00 x 170.00 mm Magenta Yellow HSBC RMB Press Ads 280.00 x 170.00 mm Black xpath_unresolved Tom Fryer 16/06/2016 18:41 [email protected] ${Market} ${Revision Number} 0 Title Page.qxp_Layout 1 13/9/16 6:36 pm Page 1 china’s tycoons profiles of 150top business leaders fourth Edition Week in China 0 Welcome Note.FIN.qxp_Layout 1 13/9/16 3:10 pm Page 2 Week in China China’s Tycoons Foreword By Stuart Gulliver, Group Chief Executive, HSBC Holdings alking around the streets of Chengdu on a balmy evening in the mid-1980s, it quickly became apparent that the people of this city had an energy and drive Wthat jarred with the West’s perception of work and life in China. -
Nombre Del Hotel Dirección Del Hotel Estrellas España
HOTEL TARIFA TARIFA TARIFA PAIS PROVINCIA DESTINO NOMBRE DEL HOTEL DIRECCIÓN DEL HOTEL ESTRELLAS GRUPO 1 GRUPO 2 GRUPO 3 ESPAÑA A Coruña Cee Larry Calle de la Magdalena, 8 3 102,56 65,97 48,92 ESPAÑA A Coruña Dodro Pazo De Lestrove O Piñón, s/n 4 102,56 65,97 NO ESPAÑA A Coruña Ferrol America Sanchez Calviño,70. 3 102,56 65,97 48,92 ESPAÑA A Coruña Ferrol El Suizo Dolores, 67, 3 102,56 65,97 48,92 ESPAÑA A Coruña Ferrol Parador De Ferrol Almirante Fernandez Martin, s/n 3 102,56 65,97 NO ESPAÑA A Coruña Ferrol Val De Serantes Serantellos Núcleo, 280 3 102,56 65,97 NO ESPAÑA A Coruña Ferrol Valencia Avenida Catabois, 390 3 102,56 65,97 48,92 ESPAÑA A Coruña Ferrol Carrís Almirante Maria, 2 4 102,56 65,97 48,92 ESPAÑA A Coruña Ferrol Gran Hotel Ferrol Carretera de Castilla,75 4 102,56 65,97 48,92 ESPAÑA A Coruña La Coruña Avenida Ronda Outeiro 3 102,56 65,97 48,92 ESPAÑA A Coruña La Coruña Celuisma Rias Altas Avda. de las Américas, 57 3 102,56 NO NO ESPAÑA A Coruña La Coruña Plaza Rúa Santiago Rey Fernández Latorre, 45 3 102,56 65,97 NO ESPAÑA A Coruña La Coruña Riazor Av Pedro Barrié de la Maza, 29 3 102,56 NO NO ESPAÑA A Coruña La Coruña AC A Coruña Enrique Mariñas , 34 (Matogrande) 4 102,56 65,97 48,92 ESPAÑA A Coruña La Coruña Almirante Paseo de Ronda, 54 4 102,56 65,97 48,92 ESPAÑA A Coruña La Coruña Attica 21 Rúa Enrique Mariñas, 34 4 102,56 NO NO ESPAÑA A Coruña La Coruña Blue Coruña Juana de Vega, 7 4 102,56 NO NO ESPAÑA A Coruña La Coruña Carris Marineda C.C. -
Repertoire and Performance History Virginia Opera Repertoire 1974-2020
Repertoire and Performance History Virginia Opera Repertoire 1974-2020 1974–1975 Initial Projects LA BOHÈME – January 1975 N LA TRAVIATA – June 1975 N 1975–1976 Inaugural Subscription Season TOSCA – October/November 1975 N LUCIA DI LAMMERMOOR – January 1976 N THE BARBER OF SEVILLE – March/April 1976 N 1976–1977 RIGOLETTO – October/November 1976 N IL TROVATORE – January 1977 N THE IMPRESARIO/I PAGLIACCI – March/April 1977 N 1977–1978 MADAMA BUTTERFLY – October/November 1977 N COSÌ FAN TUTTE – January/February 1978 N MARY, QUEEN OF SCOTS – American Premiere– April 1978 N 1978–1979 CARMEN – October/November 1978 N THE DAUGHTER OF THE REGIMENT – January 1979 N DON GIOVANNI – March/April 1979 N 1979–1980 LA BOHÈME – October/November 1979 N A CHRISTMAS CAROL – World Premiere – December 1979 N DON PASQUALE – January/February 1980 N THE TALES OF HOFFMAN – March 1980 N 1980–1981 PORGY AND BESS – October/November 1980 N, R HANSEL AND GRETEL – December 1980 N WERTHER – January/February 1981 N I CAPULETI E I MONTECCHI – March/April 1981 N 1981–1982 FAUST – October/November 1981 N CINDERELLA – December 1981 N LA TRAVIATA – January 1982 N THE MAGIC FLUTE – March 1982 N 1982–1983 DIE FLEDERMAUS – October/November 1982 N, R AMAHAL AND THE NIGHT VISITORS – December 1982 N MACBETH – January 1983 N THE ELIXIR OF LOVE – March 1983 N 1983–1984–Inaugural Subscription Season Richmond NORMA – October 1983 R GIANNI SCHICCHI/SUOR ANGELICA – December 1983 R RIGOLETTO – January 1984 N, R THE GIRL OF THE GOLDEN WEST – February/March 1984 N 1984–1985 THE MARRIAGE