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Ana Mercedes Hoyos Bogotá - Colombia (1942 - 2015)

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Ana Mercedes Hoyos Bogotá - Colombia (1942 - 2015) – 1 – Ana Mercedes Hoyos Bogotá - Colombia (1942 - 2015) – 2 – Galería Duque Arango www.galeriaduquearango.com [email protected] +57 (4) 352 4065 +57 (310) 424 2412 Cra 37 #10A -34 Medellín, Colombia German Duque P. Director General | Director Autor | Author Sergio Arango Subdirector Mauricio Duque Asistente de Dirección | Manager Maria Eugenia Vanegas Coordinadora de proyectos | Project Manager HOYOS Al ritmo de Palenque Portada | Front Cover Ana Mercedes Hoyos Palangana con frutas Óleo sobre lienzo 150 x 200 cm 2008 Eduardo Serrano Texto | Text Valentina Espinosa Muskus ISBN: 978-xxxxxx Diseño y Diagramación | Design ©Luis Germán Duque Patiño. Todos los derechos reservados, 2015. Gustavo Ernesto Trespalacios Impresión por Zetta Comunicadores S.A. DES (Dynamic English Services) Fecha de impresión: agosto de 2015 Traducción | Translation Bogotá - Colombia. la universidad, primero un semestre de dibujo fight to enter the University, first a semester Una mujer de 71 años arquitectónico en la Javeriana Femenina. Ma- of Architectural drawing in the Feminine nuel Hoyos no quiso una universidad mixta. Javeriana. Manuel Hoyos did not want a A 71 year old woman Con dificultad logré que me pasaran a la Fa- coed university. With difficulty I managed cultad de Arte de la Universidad de los Andes to be transferred to the Arts Faculty in Los y allí conocí a la crítica de arte Marta Traba Andes University where I met the art critic Soy Ana Mercedes Hoyos, escribo desde I am Ana Mercedes Hoyos. I write from quien influyó definitivamente en mi decisión Marta Traba who definitely influenced mi estudio frente a mi último trabajo, unas my studio facing my last work, some paintings de ser artista. Mi vida cambia, voy a tomar mi my decision to become an Artist. My life pinturas sobre el Salto del Tequendama, una about “el Salto del Tequendama”, a waterfall propio camino y esto conlleva muchos pro- changes, I am going to take my own path cascada en las cercanías de Bogotá y emble- in the proximities of Bogotá and emblematic blemas familiares y personales. Ana Mercedes and this brings with it many family and ma de la mitología indígena. Recuerdo mi of the indigenous mythology. It reminds me Hoyos empieza a pensar diferente. personal problems. Ana Mercedes Hoyos infancia porque a este sitio fui muchas veces of my own childhood because I went to this Aún frecuentando y haciendo la misma begins to think differently. con mis padres, Manuel José Hoyos Toro y place many times with my parents, Manuel vida, comienzo a descubrir el mundo intelec- Even frequenting and living the same Ester Mejía Gutiérrez. José Hoyos Toro and Ester Mejía Gutiérrez. tual, los profesores artistas y los compañeros life, I start to discover the intellectual Mi trabajo es cada vez más disciplinado. My work is more disciplined every time. de generación como el Momo del Villar que world, the artist teachers and the generation Hace 4 años que no viajo, instalada perma- I have been permanently installed in Bogota estudia arte en la Universidad Nacional yo lo partners like Momo del Villar who studies nentemente en Bogotá, me he compenetrado without traveling anywhere for 4 years, sigo en la escuela de arte de esta Universidad, art in the Universidad Nacional, I follow en el entorno mas íntimo que comparto con blending in the most intimate environment se convierte en gran amigo y cómplice, luego him in the school of arts of this university, mi esposo Jacques Mosseri con quien convivo shared by my husband Jacques Mosseri with se nos une Manolo Vellojín y nos convertimos he turns to be a great friend and accomplice. hace 46 años, con Ana nuestra hija y las nietas whom I live 46 years ago, with Ana our según Enrique Grau en “Los Tirapiedras”. Later on Manolo Vellojín joins us and we Ana y Helena. Mi infancia y mi adolescencia daughter and our granddaughters Ana and Conozco a Jacques Mosseri y a los dos become according to Enrique Grau in “Los fueron maravillosas en compañía de mi her- Helena. My childhood and teenage years were meses tomé la decisión de irnos a Nueva Tirapiedras”. mana María Elvira que nació en Septiem- wonderful in the company of my sister María York a casarnos. Es el hecho más importan- I meet Jacques Mosseri and after two bre de 1946. Nuestra primera educación fue Elvira who was born in September 1946. Our te de mi vida. Dejo mi casa paterna y co- months I made my decision to travel to privilegiada, con clases particulares, viajes a first education was privileged with private mienzo con Jacques una nueva vida. Tenía New York to get married. This is the most Europa, México y los Estados Unidos y ce- classes, trips to Europe, Mexico and United que alcanzar para vivir lo que entre los dos significant fact in my life. I leave my father’s lebraciones permanentes. Estudiamos en el States and permanent celebrations. We podíamos producir. El cariño era nuestra home and begin with Jacques a new life. Colegio Marymount de Bogotá. studied in the Marymount school of Bogotá. gran riqueza a pesar de las diferencias de What we were able to make had to be enough Pero esto no era lo que Ana Mercedes But this was not what Ana Mercedes crianza religiosa (la maravillosa familia de to make a living for both of us. Affection quería. Sentía que el mundo era más grande. wanted. She felt that the world was bigger Jacques es judía, la mía católica) Jacques me was our wealth despite the religious raising Manuel Hoyos se había encargado de mos- than that. Manuel Hoyos had been in charge aporta nuevas ideas políticas y artísticas; no differences ( Jacques’ wonderful family is trarme libros y Museos, de su mano visité of showing me books and Museums, from his teníamos que estar de acuerdo en todo. Jewish, mine Catholic) Jacques provides me frecuentemente el Museo del Prado para ver hand I frequently visited “El Prado” Museum Después del matrimonio civil pasamos un with new political and artistic ideas; we did las Meninas de Velázquez. En la casa había to see Las Meninas of Velázquez. At home, mes en Nueva York, instalados en una suite del not need to agree in everything. obras de Rómulo Rozo, Jesús María Zamo- there were art pieces of Rómulo Rozo, Jesús Albert Hotel de Washington Square, el centro After the civil marriage, we spent a ra, Gonzalo Ariza y Luciano Jaramillo, quien María Zamora, Gonzalo Ariza and Luciano del hipismo. Pagábamos cincuenta dólares a month in New York, installed in a suite of sería mi primer profesor de pintura. En 1960 Jaramillo, who would become my first la semana, con frecuencia teníamos que subir the Albert Hotel in Washington Square, me gradué en el colegio y hasta aquí mi vida painting teacher. In 1960 I graduated from a pie los once pisos del destartalado edificio heart of hippiesm. We paid fifty dollars a transcurrió entre algodones. Estaba predes- school and until then my life went by “among con un ascensor en ruinas. Era el año 1967, se week, frequently had to climb the eleven tinada para ser una gran señora. Pero había cottons”. I was predestined to become a great presentaban exposiciones grandiosas sobre los floors of the ram shackled building with otros caminos. Tuve que pelear para entrar a Lady, but there were other roads. I had to nuevos movimientos artísticos. El Arte Pop a ruined elevator. It was 1967, there were – 6 – – 7 – estaba en su esplendor. De regreso a Bogotá, marvelous exhibitions of the new artistic lón Nacional de Artistas con el cuadro Atmos- In 1978 I was granted the first place of the nos instalamos en el pequeño apartamento movements. Pop art was at its highest. fera. No dudo que este fue un gran logro pero XXVIII “Salón Nacional de Artistas” with de Jacques en el barrio La Macarena y desde Back in Bogota, we arrived to Jacques small también un motivo de problemas y desafortu- the art piece “Atmosfera”. No doubt this allí empezamos a construir juntos, veíamos el apartment in La Macarena neighborhood nadamente el primer golpe que me dio el difícil was a great achievement but also a motive Barrio vecino El Bosque Izquierdo queríamos and from there, we started to build together; camino del arte en Colombia donde la compe- for problems and unfortunately, the first vivir allá finalmente lo logramos y entre los we saw the next neighborhood El Bosque tencia es brutal. setback that the difficult road of art gave me dos con la ayuda de mi papá y de Julio Bonilla Izquierdo. We wanted to live there. Finally, we La obra Atmósfera trasciende a nivel inter- in Colombia where competition is brutal. Plata construimos nuestra casa actual y hace managed to do so. With both of our efforts, nacional y Ángel Kalenberg me invita a par- The piece Atmósfera transcends to an 45 años estamos ahí. Yo dejo la Universidad my father’s and Julio Bonilla Plata’s help, we ticipar en la Bienal de París, luego, junto con international level. Ángel Kalenberg invites sin grado, sigo en la universidad de la vida built our current house and have been there Roberto Pontual organizan la exposición Geo- me to participate in the Bienal of París and hasta que en el año 2000 la Universidad 45 years ago. I dropped college without a title, metría Sensível con obras de varios artistas de then, together with Roberto Pontual, they de Antioquia me otorga el grado Honoris continue in the University of Life until the Latinoamérica y en homenaje a Joaquín Torres organize the exposition Geometría Sensível Causa de Maestra en Artes Plásticas.
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