DOCSLIB.ORG

Exhibitions 2017 911

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Exhibitions 2017 911 Exhibitions 2017 911 17 November 2016 — 18 February 2017 9 _ NUMBER OF THE MACHINE Performance rehearsal with Melanie Lane and Amber McCartney. Morbis Artis: Diseases of the Arts Artistic director: Antony Hamilton. Photograph: Dian McLeod. 10 _ FAST FASHION Tim Mitchell, _ Interactive bioart exhibition: artists explore the metaphor of disease and the relat- Mutilated hosiery sorted by colour, 2005. 11 EXPERIMENTA MAKE SENSE: INTERNATIONAL TRIENNIAL OF MEDIA ART Michele Barker and Anna Munster, Pull (concept sketch), a 2017 ionship between art and science. Curators Sean Redmond and Darrin Verhagen Experimenta Commission, in partnership with ANAT. ©the artists. 12 _ MMMM... COLLECTIVE Artists (((20Hz))), Alison Bennett, Drew Berry, Cameron Bishop, Chris Henschke, Bull’s Head, action by mmmm… Madrid, 2013. 13 + 14 _ WATER Djambawa Marawili, Liyawaday Harry Nankin, Andrea Rassell, Joshua and Sean Redmond, Simon Reis, Jodi Sita, Wirrapanda, Jangarh Singh Shyam, and Lado Bai, detail from a collaborative painting by Australia and Lienors Torre, Anne Scott Wilson. Indian aboriginal artists, New Delhi, 1999, acrylic on canvas. Collection: Crafts Museum New Delhi. Photograph by Laxman Dass Arya. / Aaj Bhi Kahare Hain Talab (Ponds are still relevant), by Anupam Mishra, 2011. 14 _ WHITE NIGHT MELBOURNE Ectoplasm, audio reactive light projection mock-up 18 — 19 February by MindBuffer and Andy Thomas, RMIT Storey Hall, 2017. White Night Melbourne RMIT Gallery celebrates hybrid worlds with projections and interactive bio-artwork 5 May — 1 July from sunset to sunrise. What Big Teeth You Have Storey Hall annex. Light projection Ocean Imaginaries by Jazmina Cininas. A bold new incarnation of the ongoing Girlie Werewolf Project. This exhibition focuses on some of the contradictions and conflicted feelings Ectoplasm RMIT Gallery Façade. Synthetic organic audio reactive light display by raised by how the ocean is imagined in an age of environmental risk. Responding MindBuffer and Andy Thomas. Morbis Artis: Diseases of the Arts RMIT Gallery. Viral to a recent turn to the ocean in the environmental humanities, this international Screens RMIT Info Corner windows (La Trobe Street), Contagion by (((20hz))) and exhibition considers how reflections on the ocean are aesthetically reconfigured 1 Bacteria of the eyes by Joshua and Sean Redmond. when viewed from a contemporary urban perspective. Part of CLIMATE’s ART+ 2 10 March — 13 April CLIMATE=CHANGE 2017 – a festival of exhibitions and events harnessing the Photography 130 Behind the Lens: creative power of the Arts to inform, engage and inspire action on climate change. 130 years of photography at RMIT Curator Linda Williams Artists including Anne Bevan, Emma Critchley and 1 Photography 130 features 100+ images charting the immense contribution 0f John Roach, Alejandro Durán, Simon Finn, Lynne Roberts-Goodwin, Chris Jordan, RMIT University’s photography programs to the culture and society of Melbourne. Sam Leach, Janet Laurence, Mariele Neudecker, Joel Rea, Dominic Redfern, Debbie When RMIT began as the Working Men’s College in 1887, photography was a found- Symons, Jason deCaires Taylor, TeamLab, Guido van der Werve, Chris Wainwright, ation discipline, making it one of the oldest photography courses in the world. Lynette Wallworth. Sourced from RMIT University Archives, National Gallery of Victoria, Monash Gallery 19 May — 10 June of Art, State Library of Victoria, private collections, photographers and artists, Number Of The Machine the exhibition features work created by RMIT staff and alumni between 1887 and Performed over several hours each day, audiences are invited to watch two human 2017, in the service of art, politics, news, entertainment, commerce, science and bodies become components of a kinetic sculpture, disassembling and laboriously discovery. Curator Shane Hulbert Artists including Pauline Anastasiou, Chris 10 transporting a timber dwelling from one synthetic island to another. Central to the Barry, John Billan, Earl Carter, Peta Clancy, Lynton Crabb, Stuart Crossett, Heather work are two 6DOF (six degrees of freedom) motion simulators that exhibit a sentient Dinas, Greg Elms, Samantha Everton, Daniela Federici, Susan Fereday, Sue Ford, quality rivalling the status of the human body in the space. Artistic Director Jerry Galea, Mark Galer, Silvi Glattauer, John Gollings, Janina Green, Frank Guy, Antony Hamilton Programming, System Design and Sound (((20hz))) Timber Ludovico Hart, Alan Hill and Kelly Hussey-Smith, Shane Hulbert, Richard Kendall, structure Justin Green Performers Melanie Lane and Amber McCartney Daily Bronek Kozka, Ian Lobb, Murray McKeich, Garry Moore, Steven Morton, Rebecca performances see Gallery schedule for updates Sponsors Created with the Najdowski, Harry Nankin, Phuong Ngo, John Noone, Bernie O’Regan, Jill Orr, support of Darrin Verhagen, AkE Lab, City of Melbourne and Arts Victoria. Linnea Rundgren, Nikos Pantazopolous, Polixeni Papapetrou, Hugh Peachey, Phred Petersen, Louis Petruccelli, Clare Rae, Kate Robertson, Linnea Rundgren, 21 July — 9 September 2 Lisa Saad, Sam Shmith, Matthew Sleeth, Glenn Sloggett, Gale Spring, John Story, Fast Fashion Darren Sylvester, Alex Syndikas, Henry Talbot, Heidi Victoria, Jens Waldenmaier, Fast Fashion casts a critical glimpse behind the scenes of glamorous fashion, Lyndal Walker, Les Walkling, Michael Wennrich, Ellie Young, Joel Zika. undressing the social, economic and environmental impacts of cheap production and unveiling a dark side of the industry, fuelled by mass consumerism. In response, 2 — 3 May the Slow Fashion Lab presented by RMIT’s School of Fashion and Textiles explores Oceans: acoustic environments new fashion practices and experiences to bring about positive change. Curator and electro-acoustic compositions Dr. Claudia Banz, Museum of Arts and Crafts in Hamburg (MKG). Sponsors DBU SIAL Sound Studios, in collaboration with the RMIT Sonic Arts Collection, presents Deutsche Bundesstiftung Umwelt; Goethe-Institut. two nights of classic electro-acoustic works and new Australian and international pieces inspired and composed from the sounds of oceans. A vast range of auditory 21 July — 9 September experiences exploring sonic environments above and below ocean surfaces, mmmm… including calls of sea creatures and sounds of water in motion. Artistic Director This Spanish collective has been producing art in the public space since 1998. Lawrence Harvey, director SIAL Sound Studios Presented by The Portal: a portable Based in Madrid, where they have developed works such as BUS, Brick Car, Money auditory landscape, RMIT University’s speaker orchestra. Venue RMIT Storey Hall. in Booth and Bull’s Head, they also work internationally. Interact, communicate and interfere – these intentions have been at the forefront of their engaging MAIN IMAGE _ OCEAN IMAGINARIES Jill Orr, Antipodean Epic – Night Creature, 2016 (detail), projects. This retrospective exhibition presents a survey of the collective’s playful Photograph: Christina Simons for Jill Orr. _ MORBIS ARTIS: DISEASES OF THE ARTS Andrew Berry, 1 and thought-provoking projects from 2000–2016, exploring the common ground Prophase cell 10,000x, detail from digital animation Hollow. Walter and Eliza Institute. 2 _ ELISION ENSEMBLE Electric lap steel guitar, ELISION in concert. Photograph: Vicki Jones. 3 _ WHITE NIGHT of their seemingly disparate ventures. Curators mmmm… Artists Emilio Alarcón, MELBOURNE Jazmina Cininas, What Big Teeth You Have, light projection, RMIT Storey Hall annex. Installation Alberto Alarcón, Ciro Márquez and Eva Salmerón. 11 3 image by Oliver Clifton, 2017. 4 + 5_ PHOTOGRAPHY 130: BEHIND THE LENS Daniela Federici, Iris Apfel, 2014 (detail), archival pigment print. Courtesy Daniela Federici Photography. / Linnea Rundgren, Wednesday 9 August 6 — 7 pm Radiolaria, 2010, SEM high vacuum @ 1700 x 30.0 Kv, archival pigment print. Courtesy of Linear Lichen ELISION Ensemble _ Imaging. 6 OCEANS: ACOUSTIC ENVIRONMENTS SIAL Portal (RMIT), merged with Seascape by ELISION, Australia’s pre-eminent international contemporary music ensemble, Finnegan Comte-Harvey. 7 + 8 _ OCEANS IMAGINARIES Chris Wainwright, Red Ice 3, Disko Bay, West Greenland, 2009. C type photograph. / Jason deCaires Taylor, Inertia (detail), 2011. perform the Australian premiere of composer Matthew Sergeant’s Lichen, commissioned for the RMIT Sonic Arts Collection. Sergeant is Senior Lecturer in Composition at the University of Bath Spa. In his music he is currently exploring ideas surrounding identity, hybridity, space and place. Artists Richard Barrett, Daryl Buckley, Graeme Jennings, Marshall McGuire, Peter Neville, Paula Rae, Peter Veale, Tristram Williams. 2 October — 11 November Experimenta Make Sense: International Triennial of Media Art In a time of accelerating social and technological changes, when it feels impossible to maintain pace with the present let alone the future, leading Australian and international artists invite us to explore our understanding of the present through work that employs, critiques and experiments with media and technology. Featuring commissioned and recent artworks. Curators Jonathan Parsons and Lubi Thomas. 1 December — 17 February 2018 Water 12 Creatively exploring contemporary issues surrounding water, this new exhibition draws on extensive research by experts from India and Australia, presenting a poetic dimension on ancient wisdom regarding water management in both continents, as seen through the work of visual artists and creative writers who have
Load more

Recommended publications
  • An Interpretive Case Study of the Design of the Emerging Cultural Landscape
    Design Research Society DRS Digital Library DRS Biennial Conference Series DRS2004 - Futureground Nov 17th, 12:00 AM Deconstruction Sites: An Interpretive Case Study of the Design of the Emerging Cultural Landscape. Vince Dziekan Monash University Follow this and additional works at: https://dl.designresearchsociety.org/drs-conference-papers Citation Dziekan, V. (2004) Deconstruction Sites: An Interpretive Case Study of the Design of the Emerging Cultural Landscape., in Redmond, J., Durling, D. and de Bono, A (eds.), Futureground - DRS International Conference 2004, 17-21 November, Melbourne, Australia. https://dl.designresearchsociety.org/drs- conference-papers/drs2004/researchpapers/22 This Research Paper is brought to you for free and open access by the Conference Proceedings at DRS Digital Library. It has been accepted for inclusion in DRS Biennial Conference Series by an authorized administrator of DRS Digital Library. For more information, please contact [email protected]. Deconstruction Sites: An Interpretive Case Study of the Design of the Emerging Cultural Landscape. Vince Dziekan Position Statement Monash University In response to the call to “address the emerging context, which acknowledges that in recent years, media and information-technology shifts have changed the cultural landscape of design and designing”, this paper will contribute to the discourse of design’s fluid interrelationship with cultural activity and production by focussing on the resulting formation of art, new technology and the design of its institutions. If art since the advent of Modernism can be characterized by any single quality it would have to be its diversity… however, across the breadth of such aesthetic and stylistic difference remains its common, primary destination: the Museum.
    [Show full text]
  • Curatorial Assistant
    Position Description – Curatorial Assistant Position Details Position Title: Curatorial Assistant Position Number: NEW Portfolio: Research & Innovation Portfolio School/Group: Research Office (Design Hub) Campus Location: Based at the City campus, but may be required to work at other campuses of the University. Classification: HEW 5 (Salary Schedule: http://www.rmit.edu.au/browse;ID=ewhtlt73t01) Employment Type: Continuing Time Fraction: 1.0 FTE (Tuesday–Saturday during exhibitions, Monday–Friday during non-exhibition periods) RMIT University RMIT is a global university of technology, design and enterprise in which teaching, research and engagement are central to achieving positive impact and creating life-changing experiences for our students. One of Australia’s original educational institutions founded in 1887, RMIT University now has 83,000 students including 12,000 at postgraduate level. The University enjoys an international reputation for excellence in professional and vocational education, applied and innovative research, and engagement with the needs of industry and the community. With three campuses in Melbourne (City, Brunswick and Bundoora), two in Vietnam (Hanoi and Ho Chi Minh City) and a centre in Barcelona, Spain, RMIT is a truly global university. RMIT also offers programs through partners in Singapore, Hong Kong, mainland China, Indonesia and Sri Lanka, and enjoys research and industry partnerships on every continent. RMIT prides itself on the strong industry links it has forged over its 130-year history. Collaboration with industry is integral to the University’s leadership in applied research and education, and to the development of highly skilled, globally focused graduates. We are a 5-Star university under the QS Stars international evaluation system, and are 16th in the world among universities less than 50 years old (2016–17 QS Top 50 Under 50 index).
    [Show full text]
  • By Design Annual Report 2011
    ANNUAL REPORT 2011 REPORT ANNUAL BY DESIGN BY URBAN RMIT UNIVERSITY » ANNUAL REPORT 2011 OBJECTS OF RMIT UNIVERSITY GLOSSARY Extract from the RMIT Act 2010 AASB Australian Accounting Standards Board The objects of the University include: AIA Advertising Institute of Australasia (a) to provide and maintain a teaching and learning environment ALTC Australian Learning and Teaching Council of excellent quality offering higher education at an international APEC Asia-Pacific Economic Cooperation standard; AQTF Australian Quality Training Framework (b) to provide vocational education and training, further education ARC Australian Research Council and other forms of education determined by the University to ATAR Australian Tertiary Admission Rank support and complement the provision of higher education by the University; CELTA Certificate in English Language Teaching to Adults CEQ Course Experience Questionnaire (c) to undertake scholarship, pure and applied research, invention, innovation, education and consultancy of international standing CRC Cooperative Research Centre and to apply those matters to the advancement of knowledge CRICOS Commonwealth Register of Institutions and Courses for and to the benefit of the well-being of the Victorian, Australian Overseas Students and international communities; DDA Disability Discrimination Act (d) to equip graduates of the University to excel in their chosen DEEWR Commonwealth Department of Education, Employment careers and to contribute to the life of the community; and Workplace Relations (e) to serve
    [Show full text]
  • Storey Hall, RMIT University 14–15 March, 2018 PROGRAMME
    PROGRAMME Storey Hall, RMIT University 14–15 March, 2018 Upcoming Events Graduway exclusively hosts the Graduway Leaders Summit as a gathering of leaders and executives in the alumni relations world. Delegates attend to listen to the industry’s thought leaders, share best practice, develop professionally and network extensively. GLS Fort Worth GLS Toronto GLS Boston GLS Oxford Texas Christian Rotman School of Harvard Medical St. Catherine’s University Management School College 23-24 Apr. 2018 29-30 May 2018 15–16 Oct. 2018 13-14 Nov. 2018 To register and for more details go to: www.graduway.com For transparency, Graduway is not affiliated with any of the universities mentioned above, nor is the Graduway Leaders Summit a university programme or activity. Daniel Cohen CEO, Graduway Dear Delegates I would like to extend you a warm On Thursday, I will begin the day welcome to our first Graduway Leaders by introducing Graduway’s new Summit (GLS) at RMIT Melbourne. ‘Mentoring Intelligence’ product. Our GLS conference series attracts This will be followed by the alumni industry leaders from around the globe relations best practice case studies. to discuss best practices, review After a networking lunch, we will host a the latest trends and help address fireside chat style session with Martin the contemporary challenges facing Bean, CBE, Vice-Chancellor and the alumni engagement profession. President of RMIT. We conclude the I would particularly like to thank Summit with a topical Alumni Debate. our great line up of guest speakers Before you head off home, we invite for taking the time to share their you to a farewell drinks reception.
    [Show full text]
  • International Agent Training and Resource Manual Contents
    INTERNATIONAL AGENT TRAINING AND RESOURCE MANUAL CONTENTS Welcome . 3 International student resources . 20 Australia and Melbourne . .4 Support services . 20 Australia . 4 Sport and recreation . 20 Melbourne . 4 RMIT agent application procedures and guidelines . 21 Snapshot . 4 Agent dos and don’ts . 21 Australia fact sheet . 4 Application for TAFE, undergraduate, postgraduate Living in Melbourne . 5 research and packaged programs . 22 Communications . 5 Application for research programs . 29 Entertainment, events and recreation . 5 Application for ELICOS (RMIT English Worldwide) programs only . 32 Finance . 5 Application for study abroad . 36 Food . 5 Application for guardianship at RMIT . .. 42 Transport . .5 Accepting an RMIT offer . 44 Living costs . 5 Deferral of an offer/acceptance . 48 Typical living costs for a single student . 6 Change of preference . 52 RMIT University . 7 Requesting assistance with arrival . .. 56 RMIT International and Development portfolio . 7 Agent agent variations . 59 International Services . 7 Refund guidelines . 62 RMIT campuses . 8 RMIT University refunds . 62 City campus . .8 Definition of returning and commencing students . 62 Brunswick campus . 8 Refund application process . 62 Bundoora campus . 8 Payment of refund . 62 Academic programs . 9 Recognition of Prior Learning (RPL) in TAFE . 62 TAFE versus higher education . 9 Refunds for returning international students . 62 RMIT University pathways to careers . .9 Census date . 62 Colleges and schools . 10 Refund calculation for returning international students . 63 College of Business . 11 Administrative charges associated with withdrawing College of Design and Social Context . 12 from a program . 64 College of Science, Engineering and Health . 14 Permanent residency . 64 RMIT International College . .. 16 Refunds for commencing international students .
    [Show full text]
  • Curriculum Vitae
    CURRICULUM VITAE Lloyd Godman Page 1 Solo exhibitions Page 3 Group exhibitions Page 9 Performative works - Collaborative Work Page 10 Published writings and photographs by the artist Page 12 Magazine features, articles, reviews, news paper, etc. Page 15 Academic Page 17 Artworks in collections Page 18 Lectures, papers, artist talks etc. Page 20 Workshops Page 21 Art projects Page 22 Awards - Grants Page 23 Artist in residencies - Commissions & Proposals Page 23 Interviews Page 24 Air Plant Research project Hyperlinked to web page images of exhibition Hyperlinked to web page images from this project Hyperlinked to text or document Hyperlinked to video Hyperlinked to music or sound Lloyd Godman Web Site Solo Exhibitions Solo Exhibitions 2012 1992 • Entropy String, random infinite projection - Bayside Arts and Cultural Centre, Brighton, Vic. Aust • Drawing from Nature, combination photographs / drawings, Forester Gallery, Oamaru, N.Z. 2011 • Codes of Survival, B&W combination photograms/photographs, installation & sound by Peter Adams, Solutions Gallery, • Entropy, Photographs and projection - Australian Centre for Photography, Sydney, Australia Dunedin, N.Z 2009 •Drawing from Nature, combination photographs / drawings, Gerymouth Public Art Gallery, N.Z. • Carbon Obscura IV, as part of ReGenerating Community Arts, Community and Governance National Conference, 1991 Federation Square, Central Melbourne, Victoria, Australia • Drawing From Nature, combination photographs / drawings, Assay Gallery, Dunedin, N.Z. 2008 • Drawing from Nature, combination photographs / drawings, Aigantighe, Timaru, N.Z. • Carbon Obscura IV, La Trobe Regional Gallery, Victoria, Australia 1990 • Helios Selene - ANU Photospace gallery as part of VIVID photo festival - gallery exhibition and Carbon Obscura IV • Symbols, B&W photographs, Manawatu Art Gallery, Palmerston North, N.Z.
    [Show full text]
  • 2007 Emerging Writers Festival Program Contents
    2007 emerging writers festival program Contents Staff ...................................................................................................1 Sponsors & Acknowledgements ........................................................2 A few words from the festival director ............................................. 4 Events ...............................................................................................5 Visual Culture Program ................................................................. 11 Saturday Program .........................................................................12 Easy View Guide .............................................................................16 Sunday Program ............................................................................21 Bios ................................................................................................ 25 Map .................................................................................................31 Registration Details .......................................................................32 staff director Steve Grimwade producer Rohini Sharma manager Esther Anatolitis festival director’s assistant Elisa Williams press fair co-ordinator Ella Holcombe publicist Oh Traveller Publicity design Jeremy Wortsman for Chase & Galley program advisory committee Ross Mueller, Ryan Paine, Angela Costi, Tom Cho, Craig Garrett, Emmett Stinson, Anna Poletti, Rebecca Giggs, Sandra Thibodeaux, Sarah Holland-Batt, Tom Keily, Bo Svonoros and Marni Cordell.
    [Show full text]
  • The Melbourne Dreaming, Which Later Inspired and Ancient History
    Melbourne Dreaming A GUIDE TO IMPORTANT PLACES OF THE PAST AND PRESENT Meyer Eidelson i CONTENTS Dedication xx About the author xx About this book xx Foreword xx Acknowledgments xx Introduction xx Precincts xx Organisations xx Images xx Further reading xx Index xx Barak by Florence Ada Fuller, 1885. Reproduced with permission of the State Library of Victoria. Precinct contents City centre and surrounds 1. Birrarung (Yarra) art and heritage walk xx Of interest: Yarra Yarra Falls xx 2. Indigenous art collection xx Dedicated to William Barak, Ngurungaeta (clan leader) of the 3. Koorie Heritage Trust xx Wurundjeri, who died at Coranderrk, Healesville in 1903. As 4. Freedom Fighters execution site xx a boy, he was present at the signing of John Batman’s treaty 5. Old Melbourne Cemetery site xx (the Melbourne Treaty). An outstanding leader in the struggle 6. Bunjilaka Cultural Centre xx for Aboriginal rights and justice, he guided his people with 7. Billibellary’s Walk xx courage and wisdom through extraordinary times. 8. Fitzroy Gardens scarred tree xx 9. Melbourne Cricket Ground xx 10. Kings Doman Resting Place xx 11. Aboriginal reserve site xx and Aboriginal heritage walk ii iii East Morington Peninsula 12. Stonnington Indigenous History Trail xx 33. Baluk Arts xx 13. Ngargee (corroboree) tree xx 34. Collins Settlement xx Of interest: Wurundjeri Council xx 35. Bunjil’s Cave xx 14. Merri Creek Aboriginal School Native Police xx 36. Coolart xx and the Protectorate Station Of interest: Bunyips at Tooradin xx 15. Bolin Bolin Billabong xx 16. Scarred Tree xx 17. Dandenong Police Paddocks Reserve xx Inner north 18.
    [Show full text]
  • Sunday 8 August 2010 10 Am – 4 Pm City | Brunswick | Bundoora Welcome to Open Day
    OPEN DAY Sunday 8 August 2010 10 am – 4 pm CITY | BRUNSWICK | BUNDOORA WELCOME TO OPEN DAY A MESSAGE FROM THE CONTENTS VICE-CHANCELLOR Get the most out of Open Day 1 Why RMIT? 2 General information 3 It is my pleasure to welcome you to Open Day 2010. Course information 4 » Architecture, building and planning 4 An RMIT education is for you to follow » Art and design 5 your passions and develop your talents. » Business 8 RMIT is a place where you will find new » Community services useful knowledge, people who share and social sciences 10 your passions and a world of different » Computing and experiences. You will be guided to shape information technology 11 your path to success. » Education and training 13 I always enjoy taking part in Open Day » Engineering 14 and I wish you all the best in your » Environment 19 personal journey. Have a great day! » Health and medical science 21 Professor Margaret Gardner AO » Media and communication 25 Vice-Chancellor and President » Science 26 » Apprenticeships and traineeships 28 Student information—opening up opportunities for everyone 29 Student life 30 Important dates 31 Frequently asked questions 32 Index 34 My Open Day Planner 36 Campus maps 37 Join the RMIT community via facebook, FREE WIFI flickr, twitter, foursquare and many more. UPDATES Connect to For more info visit RMIT’s free Display and presentation times www.rmit.edu.au/interact or on mobile wireless and locations are subject to change. at www.rmit.edu.au/mobile/interact network For the most up to date details, and get open day to go! today— go to www.rmit.edu.au/openday .
    [Show full text]
  • Building Our Future YOUR DONATIONS to RMIT
    Building our future YOUR DONATIONS TO RMIT i Vice-Chancellor’s message Thank you, for giving the gift of education I believe education is the most transformative gift that you can give. And this is something that each one of you—our valuable donors—have contributed to RMIT and our students. About RMIT University This publication is our way of saying thank you to each and every one of RMIT is a global university of technology and design and Australia’s largest tertiary institution. you who has given to the University, and to showcase your donations at The University enjoys an international reputation for excellence in practical education and work. Our donor community stretches beyond Australian borders as far outcome-oriented research. as Singapore, mainland China, Hong Kong and the USA, reflecting RMIT’s RMIT was founded on philanthropy, and has developed into the university it is today thanks global reach. to the generosity of all our supporters. There are so many stories of how giving to education at RMIT creates RMIT is a leader in technology, design, global business, communication, global communities, health solutions and urban sustainable futures. RMIT has three campuses in Melbourne, Australia, powerful change, and this publication highlights just a handful. As a donor and two in Vietnam. We offer programs through partners in Singapore, Hong Kong, mainland China, to RMIT myself, I constantly see the impact of giving to RMIT across the Malaysia, India and Europe. University and in the community. Whether your donation supports scholarships for disadvantaged or high-achieving students, helps RMIT enhance our global reach, or assists research and innovation, all of your gifts support our vision to enrich and transform the future.
    [Show full text]
  • Carmel-Wallace Full-CV-August-2019
    Carmel Wallace http://carmelwallace.com [email protected] Instagram: @carmelwallace CURRICULUM VITAE EDUCATION 1975/6 Bachelor of Arts, Diploma of Education, La Trobe University, Melbourne Australia 1994 Bachelor of Arts (Fine Art) Honours (First Class) Deakin University, Australia 1999 Doctor of Philosophy, Deakin University, Australia SOLO EXHIBITIONS 2018 Trophy Series, Gallery Windows, Bayside Gallery, Brighton VIC Australia Refuge, Brighton Town Hall, Brighton VIC Australia 2016 Printed in Portland, Portland Bay Press, Portland VIC Australia Front Window Project http://www.frontwindow.com.au 69 Victoria Parade, Collingwood VIC Flânerie Sofitel Melbourne On Collins, Melbourne VIC 2013 Lake Suite The Art Vault, Mildura VIC 2010 Colony Gallery 101 Melbourne VIC Selected Works Portland Arts Centre, Portland VIC 2009 Cocoon Riddoch Art Gallery, SA 2008 A Seat for Vida sculpture sponsored by HBRC Portland VIC 2007 Red Sea Gallery 101 Melbourne VIC 2006 dai marciapiedi italiani Gallery 25 Mildura VIC, dai marciapiedi italiani Gallery 101 Melbourne VIC 2005 World enough, and Time . Gallery 101 Melbourne VIC 2004 Lagoon Wishart Gallery, Port Fairy; Portland Bay Press VIC 2002 Mapping through Marking American Consulate Melbourne VIC Groundwork: New York, Florence, Tokyo Gallery101 Melbourne 2001 Ground Work University of Tasmania TAS 2000 New York Diary University of the Sunshine Coast, QLD Beached (Installation) Mac’s Hotel, Portland VIC 1999 Mapping the Waters Gallery 101 Melbourne VIC Convincing Ground Warrnambool Art Gallery VIC
    [Show full text]
  • RMIT Gallery Exhibition Program 2014 87
    RMIT Gallery Exhibition Program 2014 87 1 19 November 2013 — 23 February 2014 89 Music, Melbourne & Me: 40 Years of Mushroom and Melbourne’s Popular Music Culture This exhibition explores the relationships between a place, the music, those who make it and those who experience it, through the themes of memory, nostalgia and celebrity in popular music culture in Australia. Celebrating the last four decades of popular music represented through music, songs, posters, photographs, costumes, memorabilia and iconic rock venues, this journey into our communal musical past encapsulates the story behind the growth of the city’s music industry 10 11 23 May — 12 July and the success of Melbourne recording artists both nationally and internationally, Revelations: Sculpture from the RMIT University highlighting the trajectory of Mushroom Records, Australia’s biggest independent Art Collection record label. Curators Dr Kipps Horn and Suzanne Davies Public Program A selection of key works from the RMIT University Art Collection, including new Thursday 21 November: Mushroom, Music and Melbourne, Michael Gudinski and acquisitions on public view for the first time.Artists Bruce Armstrong, Peter Asel, Lee Simon. Tuesday 26 November: Where Were You? Music, Memory and Nostalgia, Robert Baines, Percival Ball, Geoffrey Bartlett, Peter Blizzard, Robert Bridgewater, Dr Kipps Horn and Ed Nimmervoll. Tuesday 3 December: Fame, Celebrity and Music, Maria Fernanda Cardoso, Jock Clutterbuck, Augustine Dall’Ava, Bill Fontana, Rosalie Dr Kipps Horn and Ella Hooper. Thursday 12 December: Sticky Carpets: Celebrating Gascoigne, Don Gore, Victor Greenhalgh, Anton Hart, Sam Jinks, Vincas Jomantas, Melbourne’s Music venues on International Roadies Day, Dr Kipps Horn and Graham Inge King, Juz Kitson, Alexander Knox, Hilarie Mais, Baluka Maymuru, Galuma ‘Scrooge’ Madigan.
    [Show full text]