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HEADRUSH MODELS LIST ALL MODELS and REAL REFERMENT TABLE Headrush Firmware 2.1.1
HEADRUSH MODELS LIST ALL MODELS AND REAL REFERMENT TABLE Headrush Firmware 2.1.1 AMPLIFIERS MODEL NAME TYPE BASED ON 1 59 TWEED BASS Combo Fender ’59 Bassman 2 59 TWEED DELUXE Combo Fender Tweed Deluxe 59 DELUXE GAIN Fender Tweed Deluxe 3 Combo MOD (Gain Mod) 4 59 TWEED PRINCE Combo Fender ’59 Princeton Fender Deluxe Reverb 5 64 BLACK LUX NORM Combo (Normal) Fender Deluxe Reverb 6 64 BLACK LUX VIB Combo (Vibrato) 7 64 BLACK VIB Combo Fender Vibroverb 8 65 BLACK MINI Combo Fender Champ 6w 9 65 BLACK PRINCE Combo Fender Princeton www.robyrocks.it 12.10.2019 - Roby Rocks 65 BLACK PRINCE 10 Combo Fender Princeton Reverb REV Fender Super Reverb 11 65 BLACK SR Combo “Blackface” Fender Twin Reverb 12 67 BLACK DUO Combo “Blackface” 13 67 BLACK SHIMMER Stack Fender Dual Showman 14 66 AC HI BOOST Combo Vox AC30 Top Boost 66 AC HI BOOST Vox AC30 Top Boost 15 Combo MOD (Mod) 16 66 FLIP BASS Stack Ampeg Portaflex B15-N 17 BLUE LINE BASS Stack Ampeg SVT 300w 69 BLUE LINE Ampeg SVT 300w 18 Stack SCOOP (Scooped) 19 65 J45 Stack Marshall JTM45 Marshall Super Lead Plexi 20 67 PLEXIGAS VARI Stack (Variac Mod) Marshall Super Lead Plexi 21 68 PLEXI EL84 MOD Stack (EL34 tubes mod) www.robyrocks.it 12.10.2019 - Roby Rocks Marshall Super Lead Plexi 22 68 PLEXIGLAS 100W Stack 100W Marshall Super Lead Plexi 23 68 PLEXIGLAS 50W Stack 50W Marshall JCM800 24 82 LEAD 800 100W Stack (Normal) 25 82 LEAD 800 50W Stack Marshall JCM800 50w 82 LEAD 800 BASS Marshall JCM800 (Bass 26 Stack MOD Mod) 82 LEAD 800 27 Stack Marshall JCM800 (Bright) BRIGHT 82 LEAD 800 TS Marshall -
TWO LOUIES, January 2003 TWO LOUIES, January 2003 - Page 3 the Surf Cowboys Open for the Fi Nal Billy Rancher Gig
OREGON MUSIC / JANUARY 2003 photo Buko Page 2 - TWO LOUIES, January 2003 TWO LOUIES, January 2003 - Page 3 The Surf Cowboys open for the fi nal Billy Rancher gig. photo Jack Dean hile recording a new “hard coun- have never been mentioned anywhere in print as opening for Billy. The whole band was. I remem- try” song the other day with my holding the distinction for playing the last “Unreal bered when our set ended and I was walking off Wamigo, Chris Charles I came across Gods” show. I left right after our set, but heard they the Starry Night stage and Billy walked toward this picture that I had never seen hanging on his broke up right on stage that night. me, whom I did not know personally. I said “hi” wall. It is a photograph of my former band, The Many young players and fans in Portland to him and he smiled and nodded as he walked by Surf Cowboys, opening at Starry Night in 1985, today probably don’t even know who Billy looking very confi dent and great and kinda like for the last Billy Rancher & The Unreal Gods show. Rancher is. Allow me to embellish youngsters an “Unreal God.” I’m sure you recognize the telltale yellow gear set There has never been a bigger, more fl amboyant, I’m sure I speak for many when I say we miss up behind us. more glossy “Rockstar” from this town than Billy you Billy Rancher, and we also miss that era too. Opening for Billy Rancher was really a big Rancher. -
Fender Princeton Reverb Schematic Aa764
Fender Princeton Reverb Schematic Aa764 WATTS TUBE AUDIO / Your one stop source for guitar amplifier parts & service. We offer quality guitar amplifier parts including custom and reproduction circuit. ProGuitarSh op.com - The Fender Princeton Reverb Reissue is a faithful actually exist, because to date no original Fender AA764 schematic has been found. Fender Vibro ChampSchematics, parts lists, cab plans and info on Fender Vibro Champ Uncle Doug walks us through the similar Fender Princeton Reverb! This video covers all aspects of the Tremolo circuit, from design and function of (Fender. 1964 – 1967 blackface Vibro Champ AA764, 1964 – 1967 blackface Champ AA764 Unlike most other amp models Fender kept the circuit almost unchanged during Like the Princeton Reverb it does not have a bright cap or bright switch. 6A14HP (Similar to a Fender Princeton Reverb. Single channel, 30-35 Classic 100 watt British circuit with a duet of KT88's for that Hi Watt punch) Power: ca. 5 Watt site.triodestore.com/AA764-40-18027-240V-REV2.pdf. Blackface. Fender Princeton Reverb Schematic Aa764 Read/Download Hoffman eyelet boards, Fender style eyelets, Hand wired eyelet boards, Fender, Marshall, 46, Fender, Bronco, AA764 103, Fender, Princeton Reverb, AA1164 There is a large collection of amp schematics and layout diagrams in my. Tungsten Amp Crema Wheat Tweed Deluxe guitarist Greg V. with Fender Nocaster - I can trace the lineage of the Princeton Reverb circuit back to the 5E3. the 6g2, and the 5f1a became the aa764, this is starting to read like Genesis! Free fender layout diagrams. Fender Princeton aa964 layout diagram · Fender Princeton Reverb aa1164 layout diagram · Fender Pro 5c5 layout diagram. -
Sound Productions Backline Rentals Production Smaller Dec
BACKLINE RENTALS DRUM KITS PERCUSSION KEYBOARDS GUITARS GUITAR AMPS BASS GUITARS BASS AMPS GUITAR PEDALS & ACCS. DJ EQUIP. WIRELESS EQUIP. MIXING CONSOLES MISC EQUIP. For quotes & inquiries contact Greg Narkewicz at 972.550.0594 or [email protected] DRUM KITS DW Collectors Series Broken Glass Gretsch Renown Maple Pure Maple Kit Silver Sparkle Kicks : 20’’,22’’,24’’ Kick : 22’’ Rack Toms : 8’’.10’’,12’’,13’’,14’’ Rack Toms : 10’’,12’’ Floor Toms : 14’’,16’’,18’’ Floor Toms : 14’’,16’’ Snare : 14’’X6.5’’ Maple Snare : 14x5 Maple DW Collectors Series Curly Maple Ludwig Classic Maple Natural Finish Red Sparkle Kicks: 20’’,22’’,24’’ Kick : 22’’, 24’’ Rack Toms :8’’,10’’,12’’,13’’ Rack Toms : 10’’ , 12’’, 13’’ Floor Toms : 14’’,16’’,18’’ Floor Tom :2x 16’’ Snare: 14x5 Maple Snare : 6.5x14 Atlas-Pro Hardware Pearl Masterworks Red Sparkle Tama Starclassic Kick : 22’’ Cherry Sunburst Rack Toms : 10’’,12’’,13’’ Kick : 22’’ Floor Toms : 14’’,16’’ Rack Toms : 10’’ , 12’’ Snare : 14x6.5 Maple Signature Floor Tom : 16’’ Snare : 14x5’’ Gretsch Renown Maple Dark Brown Kick : 22’’ Yamaha Custom Recording Birch Rack Toms : 10’’,12’’ Black Hanging Floor Toms : 14’’,16’’ Kick : 22’’ Snare : 14x5 Maple Rack Toms : 10’’,12’’,13’’, 14’’ Floor Tom : 16’’ Snare : 14x7 Birch MoreDRUM KITS Yamaha Generic Kit Red Cymbal Brands Kick : 22’’ Zildjian Rack Toms : 12’’,13’’ Sabian Floor Tom : 16’’ Paiste Snare : 14x6.5 Chrome Yamaha Maple Custom Natural Finish Kick : 22’’ Rack Toms : 10’’,12’’,13’’ Hanging Floor Toms : 14’’,16’’ Snare : 14x4 Maple Yamaha Maple Custom Absolute Electric Blue Kicks : 20’’,22’’ Rack Toms : 8’’,10’’,12’’,13’’ Floor Toms : 14’’,16’’,18’’ Snare : 14x5 Maple Additional Snares Yamaha 13x6 Oak Yamaha 13x6 Brass Ludwig 14x6.5 Black Beauty Ludwig 14x5 Black Beauty Pearl 14x3 Brass Free Floater Mapex 13x5 Maple Pearl 10x5 Firecracker PERCUSSION Percussion L.P. -
Boss Gt-100 Amp Effects Processor Training Guide
BOSS GT-100 AMP EFFECTS PROCESSOR TRAINING GUIDE Contents 1. FEATURES 2. QUICK DEMO 3. GOING DEEP 4. FIVE FEATURES TO KNOW and SHOW 5. ACCESSORIES 6. GT-100 AMPS, EFFECTS BOSS GT-100 Training Guide 1. FEATURES The best sounding and easiest to use GT ever! All new incredible high-resolution COSM amp and effect models New dual LCD operating system for supreme ease of use 25 COSM amplifier models including eight all new Advanced amps 9 effects groups: Comp, OD/DS, Preamp, EQ, FX1, FX2, Delay, Chorus, Reverb 21 OD/DS effects, FX1/FX2 each contain 30 effects User customizable Amps, OD/DS Manual Mode instantly turns the GT-100 into a row of simple stompboxes Built in Phrase Looper w/ unlimited overdubs New ACCEL effects provides new real-time tone changes 400 programs: 200 user, 200 preset Built-in assignable Expression and CTL pedal Additional EXP or 2xCTL pedal inputs for more real time control USB-audio interface Built-in chromatic tuner and metronome Tough metal case BOSS GT-100 Training Guide 2. QUICK DEMO The Quick Demo is a way to get a customer interested in a product in less than 60 seconds. Before You Start 1. Connect the MONO (L) Gt. AMP output of the GT-100 to the clean channel of a good amp, such as a Roland JC-120 or other pro quality amp. NOTE: It is very important to use a pro quality guitar amp. Why run a high- end effect through a low-end amp? 2. Set the amp’s tone controls for a flat response. -
FAS Cabs Factory 2020-03.Pdf 2020-03-12 01:04 3.6
N° Axe FX CABS Based on Cab Model Speaker Mark Use for Owner Pack Axe FX 1 1x6 Oval 6” Supro, 6x9 oval speaker used in some early amps (Supro). Supro 6x9 Oval Supro Guitar FAS II & XL Combine with a Plexi for some Zep 2 1x8 Tweed Fender Blues Jr Really thin and cutting for roots blues leads. Works well with the Champ amp model. Fender 8" Guitar FAS II & XL Blues Jr 3 1x10 Prince Tone At4047 (UR) Fender Black Face Princeton with Audio-Technica AT4047 mic (Cab Pack 10) Fender Princeton 10" Guitar FAS 10 II & XL 4 1x10 Prince Tone M160 (UR) Fender Black Face Princeton with Beyer M160 mic (Cab Pack 10) Fender Princeton 10" Guitar FAS 10 II & XL 5 1x12 Brown M160 (UR) 1962 Fender Brown Face Vibrolux with Beyer M160 mic the same amp model used on Dire Straits’ Fender Vibrolux 12" Guitar FAS 10 II & XL debut album (Cab Pack 10) 6 1x12 Black Sm57 (UR) Fender Black Face Deluxe Reverb with SM57 mic (Cab Pack 10) Fender 12" Guitar FAS 10 II & XL Deluxe Reverb 7 1x12 G12T R121 (UR) Marshall G12T-75 with Royer 121 mic Bandmaster head in a 1x12 combo chassis custom made by Marshall G12T-75 Celestion Guitar FAS 10 II & XL Andy Fuchs (Cab Pack 10) 8 1x12 E12L (RW) 200w Electro-Voice EVM-12L, housed in a solid mahogany, open-backed cabinet EVM-12 Electro Voice Guitar RW II & XL 9 1x12 Studio Mesa Studio 22 Mesa 12" Guitar FAS II & XL Studio 22 10 1x12 EMI Open Back (JM) Far field IR (Eminence) _Far field IR Eminence Eminence Guitar JM II & XL 11 1x12 Bludo Mix (UR) Bludotone dual port closed-back cab with an 8-ohm Blackhawk WGS Alnico speaker, similar in tone to Dumble Alnico WGS Guitar FAS 17 II & XL an EVM-12L. -
Guitar Amp Mods
Guitar Amp Mods By William Terry Newton, Copyright 1990-2016 Document created 12/23/07, last changed 5/12/16 This information is distributed under the terms of the non-commercial Creative Commons license which can be found at the following link: http://creativecommons.org/licenses/by-nc/3.0/us/ All trademarked names appearing in this document are the property of their respective companies and may not be used for commercial purpose. Portions of the schematics depicting the original amplifier circuitry, panel designs and other pre-existing characteristics should be presumed the intellectual property of the amplifier's maker unless otherwise verified. Warning! Tube amplifiers contain potentially lethal voltages! DO NOT attempt to perform work on an amplifier unless qualified to do so and experienced in high voltage safety procedures. This information is intended for experienced technicians and is presented as-is and with no guarantees. Overdrive Mod Theory First of all, the tone produced by a properly-tuned stock 50 watt Marshall into a 4/12 cabinet is tough to beat for rock lead, the tone produced by an old Tweed Bassman or Twin is probably the best thing ever for blues, and a blackface Fender almost-anything Reverb is very nice for general-purpose clean. Don't get rid of your stock amps, and when modifying an amp, at least attempt to preserve its stock abilities if it already does cool stuff. The primary reason for doing an overdrive mod is to provide something at least resembling the "cranked up" sound but at lower volume levels that doesn't run everyone out of the room screaming in pain. -
Legendary Guitars & Musical Treasures
LEGENDARY GUITARS & MUSICAL TREASURES DECEMBER 2, 2017 Legendary Guitars & Musical Treasures - Dec 2 1: Les Paul electric guitar signed to Bruce Springsteen USD 5,000 - 7,000 An Epiphone electric guitar signed to Bruce Springsteen, from Les Paul. Serial #9400536. Les respected Bruce and thought he was a "cool dude." The consigner of this item, who worked for Les Paul, had given Bruce an acoustic guitar Les had signed in the 1990s. When Les heard he was on tour a few years later, he signed this guitar to Bruce. Lester William Polsfuss was an inventor and musician. A talented musician as well as inventor, Les Paul is credited with various recording innovations and his skilled guitar playing, however he is probably best known for helping to design the Gibson Les Paul.The consigner of this item worked directly with Les Paul. 2: 1963 Jan & Dean Master Tapes USD 3,000 - 5,000 Two master tracks from the album "Jan & Dean Take Linda Surfin'". Recorded on February 20th, 1963. Track list: "Rhythm of the Rain" and "Mr. Bass Man." Arranged and produced by Jan Berry and supervised by Lou Adler, "Jan & Dean Take Linda Surfin'" is the duo's first Liberty album, and included the usual backup of high quality musicians, giving Jan & Dean ample opportunity for vocal acrobatics and comic antics in "Mr. Bass Man," while their rendition of "Rhythm of the Rain" has a low-key charm that wasn't usually associated with the duo.Jan & Dean were an American rock duo made up of Jan Berry and Dean Torrence. -
Jamatoriumtm Gear
The jamatorium 2014 STUDIO GEAR RENTER’S GUIDE Version 5.3 Updated 7/29/2014 Welcome!!! It happens all the time – you’re reading the liner notes on an album and it reads, “…we used a ’63 Tele’ on that song to get a different feel…” As a collector and a musician, I am continuously amazed at how profoundly one seemingly simple piece of gear can change, inspire or add to the creative thought process of a musician… My personal goal has always been to find “that perfect guitar…” My continuous search has left me with a collection of what I consider to be true “player” guitars – the ones you want with you on your special studio day. Some happen to be great makes and models that we all know… some are not so familiar. Some are truly surprising! I make available my personal collection of musical instruments to regional professional recording studios. I have much to offer your studio in providing added value to your clients – perhaps the one piece of gear that will alter or inspire a project! Let’s enhance your clients studio experience with the option to use alternate gear! Inside... Terms Guitars Amps Miscellany Rock’n Rich 1984 “Amnesty” SIMPLE Terms… We rent to studios for studio work only!!! Our gear is not permitted to be used for performances, “gigs” or any thing not studio related! You may set-up the guitars to your liking (actions, strings…)Please reset the instrument to original actions prior to our retrieving the instrument (except for strings). Please off-set customized tunings to reduce stress on the neck and return to standard when done. -
Yek's Guide to the Fractal Audio Amplifier Models
Yek’s Guide to the Fractal Audio Amplifier Models Original content by Yek AdditionalContent: Alexander content by van Simviz Engelen (yek) Firmware:Additional Q3.03 content by Simviz Revision: April 2017 Firmware: Quantum 7.02 Fractal Audio Amplifier Models Table of Contents Table of Contents ..................................................................................................................................... 1 Introduction by simviz ............................................................................................................................. 7 Introduction by yek .................................................................................................................................. 8 Disclaimers ............................................................................................................................................... 9 Guide Revisions ......................................................................................................................................10 The Amps ...............................................................................................................................................11 5F1 Tweed (Fender Narrow Panel Tweed Champ, 5F1) ....................................................................12 5F8 Tweed (Keith Urban's Fender Narrow Panel high-powered Tweed Twin, 5F8) .........................14 6G4 Super ('60 brown Fender Super, 6G4)........................................................................................17 6G12 Concert -
TAD Products 2013.Pdf
2 3 3 News Disclaimer 8 Tubes – TAD Matched Power Tubes Marshall Amplification, VOX Amplification, ALPHA, TAD MERCHANDISE 14 Tubes – TAD Premium Selected Preamp Tubes Accutronics, Ampeg, Belton, Bogner, Brunetti, Ce- Die neue TAD T-Shirt Kollektion! Aus 100% Show what you play with our brand new Tube 18 Tubes – TAD Premium Selected Rectifier Tubes lestion, Crate, CTS, Diezel Amplification, Dunlop, Baumwolle mit hochwertigem Digitaldruck. Amp Doctor T-shirt collection. All garments are 20 Tubes – EH, JJ Echoplex, Engl, Fane, Fender Musical Instruments 100% cotton and digital printed. 22 Tubes – Gold Lion, SED Svetlana, Shuguang Corp, Fulltone, Jensen Speakers, Gibson, Hiwatt, 23 Tubes – Sovtek, TAD/OEM, Tung-Sol, NOS Hughes & Kettner, Koch Guitar Electronics, Laney, check page 73 for more information 24 Earmax headphone amplifier Leslie, Mesa Boogie, Music Man, Orange, Peavey, Polytone, Sprague, Soldano, Trace Elliot, Electro 25 Tubes – PSVANE Reference T-Series – Special Hi-Fi Harmonix, GE, Genalex, Gold Lion, JJ, Mullard, 26 TAD Silencer Attenuator, Speaker Emulator Psvane, RCA, Sovtek, Sylvania, Svetlana, SWITCH- 27 TAD RangeKing, ToneBone, BiasMaster CRAFT, Telefunken, Tungsol, are registered trade PSVANE MARK II REFERENCE SERIES 28 Amp-Kit „Build your own amp….“ names of the respective owner of the trademark. Von Psvane kommt die neue Mark II Serie Psvane launched the Mark II Series featuring 32 Amp-Kit / TWEED They are not affiliated with nor there is any legal mit Aluminium ummanteltem Teflonsockel, Teflon base with oxidized aluminum collar, en- connection to Tube Amp Doctor Musikhandels eingravierter Seriennummer und einer neu- graved serial number and an innovative new 34 Amp-Kit / BLACKFACE GmbH. -
TECH SPECS :: January 2020 :: FREELANCE ENGINEERS ARE WELCOME !
TECH SPECS :: January 2020 :: FREELANCE ENGINEERS ARE WELCOME ! MIX DESK: · MCI JH 556c - Analog ‘70 in-line desk with jensen 115k input transformers + Uptown 990 Moving Fader Automation. · Features: 56ch - 32 buss – 12 AUX sends with EQ (10 mono + 1 stereo) - 8 Echo returns (4 with EQ). · 4x Steps EQ: Low Shelf, High Shelf/Peak, 2x semi-parametric Mids, switchable to either the monitor or channel path. · Variable Frequency Hi-Pass filter from 30Hz to 300Hz. · Quad, Stereo and Mono sum mixing capabilities. CUSTOM FEATURES – UPTOWN 990 Moving Fader Automation. This greatly improves the sound quality for a more detailed sound, extended frequency response and low noise, removing the distortion that VCA-based systems introduce. · 6x mono AUX sends (A/F) added in place of the aux small faders 1&2. EQ and Led Meters on sends A/F. · Custom Control Room monitoring system. · Complete the three-way Cue Bus system. · Custom remote microphone panel in place of bantam patch to ensure best electrical connection possible. · The desk sounds fat and punchy. · The metal can Op-amps (MCI 2003) are specially designed for dynamic and transparency of the console. The +/- 32V supplied to them by oversized PSU ensures the highest possible Headroom and clean sound. · List of many great recordings on JH 500 series desk includes “Back in Black” (AC/DC), “Hotel California” (The Eagles) “Imagine” (John Lennon), “I shot the sheriff” (Eric Clapton), Crosby Stills Nash, almost all Bee Gees albums, early Elton John, “Cowboys from hell” (Pantera), Rod Stewart, Guano Apes, Rammstein and many others. ANALOG RECORDERS: · Ampex MM1200 2 inch 24tracks with PURC Bias cards (gapless punch in / out), Varispeed, Remote.