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(Joe) Papers Coll 00505 1 Gift of Joe Rosenblatt, 2006 Extent
MS ROSENBLATT (Joe) Papers Coll 00505 Gift of Joe Rosenblatt, 2006 Extent: 14 Boxes (2 metres) Dates: 1990-2005 (bulk 2001-05) This collection consists of manuscript drafts and other material related to various writing projects by poet and visual artist Joe Rosenblatt, including Parrot Fever (published by Exile Editions, 2002) as well two as-yet unpublished works: Dog Poems, a collaboration with Vancouver-based poet Catherine Owen and photographer Karen Moe, and Hogg Variations/The Lunatic Muse, a collaboration with Barry Callaghan. The collection also contains a large volume of correspondence, primarily e-mail. Box 1 Parrot Fever 35 Folders Consists of manuscript drafts, correspondence and reproductions of Michel Christensen’s collages for Rosenblatt’s Parrot Fever, published by Exile Editions, 2002. Folders 1-27 Manuscript drafts Folder 1 “Earliest,” 2000 WP Folders 2 Early drafts, 2001 WP Folders 3-4 Early drafts, “Third Draft,” 2001 WP and WP with holograph revisions Folder 5 Early drafts, 2001 WP with holograph revision Folders 6-7 Early drafts, 2001 WP with holograph revisions Folder 8 Fourth draft, 2001 WP Folder 9 Draft (sent via e-mail to French translator Andree Christensen), 2002 1 MS ROSENBLATT (Joe) Papers Coll 00505 Folder 10 Draft, 2002 WP Folder 11 Draft, 2002 WP with holograph revisions (+ 2 e-mails) Folders 12-15 Drafts, 2002 WP Folder 16 Draft, 2002 WP with holograph revisions (+ 1 e-mail) Folder 17 Draft, 2002 WP (+ editorial correspondence) Folder 18 Draft, 2002 WP Folders 19-20 Drafts, 2002 WP with holograph revisions -
APRIL 2015 - NISSAN-IYAR 5775 Volume 7, Issue 8, April 2015 EDWARD DAVIS, Rabbi YOSEF WEINSTOCK, Associate Rabbi STEPHEN KURTZ, President
“ YOUNG ISRAEL OF HOLLYWOOD-FT. LAUDERDALE APRIL 2015 - NISSAN-IYAR 5775 Volume 7, Issue 8, April 2015 EDWARD DAVIS, Rabbi YOSEF WEINSTOCK, Associate Rabbi STEPHEN KURTZ, President (picture of Synagogue) , President President , BARATZ MICHAEL Rabbi ociate Ass WEINSTOCK, YOSEF Rabbi DAVIS, EDWARD 2 1 20 June , 10 Issue , 4 Volume 2 1 20 JUNE - 2 7 57 TAMMUZ - IVAN S Requested Service Change 5566 - (up-side down address and bulk mail inditia) 962 (954) Fax: 7877 - 966 (954) Phone: Permit No. 1329 No. Permit www.yih.org FACILITY FL. SO. 33312 FL Lauderdale, Ft. PAID POSTAGE U.S. Road Stirling 3291 Organization FT. LAUDERDALE FT. - HOLLYWOOD of ISRAEL YOUNG Nonprofit “ Page 2 Young Israel Hollywood-Ft. Lauderdale April 2015 SIMCHAS FROM OUR FAMILIES -MAZEL TOV TO: BIRTHS Suchie & Raisy Gittler on the birth of their granddaughter Sophia Rose to Daniel & Dorith Gittler Lenny & Ellen Hoenig on the birth of their grandson Mordechai to Yossi & Zisa Farkas Seth & Rebecca Kinzbrunner on the birth of their daughter Eliana Sara. Mazel Tov to grandparents Norman & Meryl Palgon and great-uncle & aunt Neil & Karen Lyman Michael & Nili Davis on the birth of their son Yehuda & Morit Soffer on the birth of their son Tzvi & Rachael Schachter on the birth of their grandson to Eli & Rachelle Schachter. Mazel Tov to great-grandparents Sam & Malca Schachter ENGAGEMENTS & MARRIAGES Larry &Tobi Reiss on the engagement of their daughter Nina to Mordechai Braun David & Linda Feigenbaum on the marriage of their daughter Kayla to Ariel Levy Jay & Chani Dennis on the marriage of their daughter Talia to Jake Freiman. -
Dalrev Vol51 Iss4 Pp553 558.Pdf (3.200Mb)
S idney J. Stephen ~ - - : ! • . ? " - • f ■ i - l '' ■ ■ - ADAM IN EXILE: A. M. KLEIN’S PORTRAIT OF THE POET AS LANDSCAPE Tom Marshall ends his introduction to A. M. Klein (Toronto: The Ryerson Press, 1970) by expressing the opinion that t Klein has bequeathed to his successors the task of creating their country. The emphasis on space and landscape in “Grain Elevator” and “Portrait of the Poet as Landscape” is echoed in the work of Margaret Atwood and Margaret Avison. Klein’s “nth Adam”, the unacknowledged legislator of a new Canada of the spirit, may be found in the poems of Gwendolyn MacEwen and joe Rosenblatt, and even in Cohen’s Beautiful Losers (p. 25). Marshall’s point is well taken, even if one does not completely agree with his closing remark that Klein is “the man who has come closer than any other Canadian Poet to greatness” (p 25). The phrase “nth Adam” is taken from “Portrait of the Poet as Landscape”, and this poem, coming as it does after nearly twenty years of writing and publishing poetry1 appears to present a view on what a poet’s role might be in the society in which he finds himself. For this reason alone, if for no other, the poem might be accorded a close reading, an exploration of the idea of the “poet-as-Adam” which seems to have been a personal reflection of the poet. •v Much of Klein’s work is soundly based in Jewish tradition, and his knowledge of (and esteem for) that tradition is always evident, though as M. -
Purdy-Al-2071A.Pdf
AL PURDY PAPERS PRELIMINARY INVENTORY Table of Contents Biographical Sketch .................................. page 1 Provenance •••••••••••••••••••••••••••••••• 0 ••••••••• page 1 Restrictions ..................................... 0 ••• page 1 General Description of Papers ••••••••••••••••••••••• page 2 Detailed Listing of Papers ............................ page 3 Appendix •••••••••••••••••••••••••••••••••••••••••••• page 52 • AL f'lJRDY PAPEllS PRELnlI~ARY INVENroRY BIOGRAPHICAL SKETCH Al Purdy was born in 1918 in Hoo ler, Ontario . His formal education eeied after only two years of high scnool. He spent the next years of his life wandering from job to job, spending the war years with the R.C.A.F. He spent some time on the West Coast and in 1956 be returned east.. He has received Canada Council Grants wbich enabled him to t ravel into the interior of British Columbia (1960) and to Baffin Island (1965) and a tour of Greece (1967). He has published 10 books of poetry and edited three books, and has contributed to various magazines. His published books are; The En ch~"ted Echo (1944) Pr. ssed 00 Sand (1955) Emu Remember (1957) Tne Grafte So Longe to Lerne (1959) r Poems for all the AnnetteG (1962) The Blur in Between (1963 earihoo Horses (1965) Covernor Ceneral'5 weda1 North of Summer (1967) ·Wild Grape Wine (1968) The New Romans (1968) Fifteeo Wind. (1969) l've Tasted My Blood. Selected poems of Mil ton Acorn (1969) He has also reviel-.'ed many new books and h&s written some scripts for the C.B.C. PROVENANCE These paperG were purchased from Al Purdy witb fun~from The Chancellor Richardson Memorial Fu.."'\d in 1969. RESTRICTIONS None. -
Th€ Living Mosaic
$1.2$ pw C0Py Autumn, ig6g TH€ LIVING MOSAIC Articles BY PHYLLIS GROSSKURTH, JOHN OWER, MAX DORSINVILLE, SUSAN JACKELj MARGARET MORRISS Special Feature COMPILED BY JOHN REEVES, WITH POEMS BY YAR SLAVUTYCH, HENRIKAS NAGYS, WALTER BAUER, Y. Y. SEGAL, ZOFJA BOHDANOWICZ, ROBERT ZEND, ARVED VDRLAID, INGRIDE VIKSNA, LUIGI ROMEO, PADRAIG BROIN Reviews BY RALPH G USTAFSON , WARREN TALLMAN, JACK WARWICK, GEORGE BOWERING, DOUGLAS BARBOUR, VI C T O R HOAR, K E AT H F R ASE R , CLARA THOMAS, G AR Y GEDDES, ANN SADDLEMYER, G E O R G E WO O D C O C K , YAR SLAVUTYCH, W. F. HALL A QUARTERLY OF CRITICISM AND R6VI6W AN ABSENCE OF UTOPIAS LIITERATURES are defined as much by their lacks as by their abundances, and it is obviously significant that in the whole of Canadian writing there has appeared only one Utopian novel of any real interest; it is significant in terms of our society as much as of our literature. The book in question is A Strange Manuscript Found in a Copper Cylinder. It was written in the 1870's and published in 1888, eight years after the death of its author, James de Mille, a professor of English at Dalhousie, who combined teach- ing with the compulsive production of popular novels ; by the time of his death at the age of 46 he had already thirty volumes to his credit, but only A Strange Manuscript has any lasting interest. It has been revived as one of the reprints in the New Canadian Library (McClelland & Stewart, $2.75), with an introduction by R. -
Selected Poems by Merle Amodeo
Canadian Studies. Language and Literature MARVIN ORBACH, MERLE AMODEO: CANADIAN POETS, UNIVERSAL POETS M.Sc. Miguel Ángel Olivé Iglesias. Associate Professor. University of Holguín, Cuba Abstract This paper aims at revealing universality in Marvin Orbach, an outstanding Canadian book collector and poet, and Merle Amodeo, an exquisite Canadian poet and writer. Orbach´s poems were taken from Redwing, book published by CCLA Hidden Brook Press, Canada in 2018; and Amodeo´s poems from her book After Love, Library of Congress, USA, 2014. Thus, the paper unveils for the general reader the transcendental scope of these two figures of Canadian culture. In view of the fact that they are able to recreate and memorialize their feelings and contexts where they live, and show their capacities to discern beyond the grid of nature, society and human experience, directly and masterfully exposing them, it can be safely stated that both Orbach and Amodeo reach that point where what is singular in them acquires universality, and in return what is universal crystallizes in their singularity. Key Words: universality, Orbach, Redwing, Amodeo, After Love Introduction My connection with universal poetry began during my college years. I enjoyed great English and American classics so much that I even memorized many of their poems. It proved very useful later in my professional career, as I would read excerpts from poems to my students in class. Canada, and Canadian poets, had less presence on the curricular map at the time. Fortunately, I had the chance to become acquainted with Canadian poetry through the Canada Cuba Literary Alliance (CCLA), founded by Richard and Kimberley Grove back in 2004. -
Heritage Fair Projects - Guide to Sources
Public Archives and Records Office of PEI P.O. Box 1000, Charlottetown Prince Edward Island C1A 7M4 (902) 368-4290 fax (902) 368-6327 www.gov.pe.ca/cca (Click Public Archives & Records Office) HERITAGE FAIR PROJECTS - GUIDE TO SOURCES GUIDELINES The Heritage Fair is meant to develop and increase awareness and interest in Canadian history. Your project must have a Canadian theme such as history, geography or heritage whether it is local, national or international. Your teacher will also have certain guidelines which you will need to follow. This booklet has been created to facilitate research for Heritage Fair projects. This guide contains research tips, sources of information, and sample topics. RESEARCH TIPS Getting started Identify a topic. This should be something of interest to you. Be as specific as possible, but be prepared to broaden your topic, especially if it is not truly regional. See Sample Topics. Give yourself plenty of time. Research takes time and sometimes you have to start over if there is not enough information available on your topic. Schedule your time to work on the project especially if working with a partner. Make an outline. Your outline is your strategy. Develop a series of questions relating to the information you need to find. Use these questions to organize and plan your research. It is a good idea to list keywords related to your topic (this will help in catalogue and online searches). Make a list of possible sources of information. Use a variety of sources but try to limit Internet and anecdotal sources. Browse general sources such as encyclopedias and handbooks to gather some background information on your topic. -
Frank Davey: Publications
Frank Davey: Publications Books: Poetry: D-Day and After. Vancouver: Tishbooks, 1962. 32 pp. City of the Gulls and Sea. Victoria, 1964. 34 pp. Bridge Force. Toronto: Contact Press, 1965. 77 pp. The Scarred Hull. Calgary: Imago, 1966. 40 pp. Four Myths for Sam Perry. Vancouver: Talonbooks, 1970. 28 pp. Weeds. Toronto: Coach House Press, 1970. 30 pp. Griffon. Toronto: Massassauga Editions, 1972. 16 pp. King of Swords. Vancouver: Talonbooks, 1972. 38 pp. L’an trentiesme: Selected Poems 1961-70. Vancouver: Vancouver Community Press, 1972. 82 pp. Arcana. Toronto: Coach House Press, 1973. 77 pp. The Clallam. Vancouver: Talonbooks, 1973. 42 pp. War Poems. Toronto: Coach House Press, 1979. 45 pp. The Arches: Selected Poems, edited and introduced by bpNichol. Vancouver: Talonbooks, 1981. 105 pp. Capitalistic Affection!. Toronto: Coach House Press, 1982. 84 pp. Edward & Patricia. Toronto: Coach House Press, 1984. 40 pp. The Louis Riel Organ & Piano Company. Winnipeg: Turnstone Press, 1985. 77 pp. The Abbotsford Guide to India. Victoria, B.C.: Press Porcépic, 1986. 104 pp. Postcard Translations. Toronto: Underwhich Editions, 1988. 32 pp. Postenska Kartichka Tolkuvanja, tr. Julija Veljanoska. Skopje: Ogledalo, 1989. 32 pp. Popular Narratives. Vancouver: Talonbooks, 1991. 88 pp. The Abbotsford Guide to India, Gujarati translation by Nita Ramaiya. Bombay: Press of S.N.D.T. Women's University, 1995. 96 pp. Cultural Mischief: A Practical Guide to Multiculturalism. Vancouver: Talonbooks, 1996. 70 pp. Dog. Calgary: House Press, 2002. 12 pp. Risky Propositions. Ottawa: above/ground press, 2005. 30 pp. Back to the War. Vancouver: Talonbooks, 2005. 126 pp. Johnny Hazard! Armstrong, BC: by the skin of me teeth press, 2009. -
Dalrev Vol67 Iss4 Pp425 435.Pdf (5.693Mb)
Larry McDonald The Politics of Influence: Birney, Scott, Livesay and the Influence of Politics The immediate focus of this essay is the manner in which most criti cism of Dorothy Livesay, Frank Scott and Ear le Birney has worked to obscure the influence of politics on their writing. More specifically (because the actual extent of political influence must be set aside for the moment), my aim is to demonstrate that dominant critical approaches have foreclosed any possibility of political influence on the writing by disguising, diminishing or eliminating the role that politics played in their lives. The narrow question of how these writers have been packaged for general consumption is best appreciated, however, if viewed as representative of the way that criticism has neglected a key aspect of Canadian literary history. I refer to a suppressed tradition of affiliations, remarkable in both range and intensity, between Cana dian writers and socialist ideology. The affiliations between our writers and socialist thought have taken many different forms: some have declared their socialist sympa thies in essays and journalism (Archibald Lampman, Margaret Lau rence, Kenneth Leslie); some worked long and hard for left-wing organizations or political parties (Earle Birney for the Trotskyists, Dorothy Lives ay for the Communists, Frank Scott for the CCF I NDP, David Fennario for the Socialist Labour Party); some stood for politi cal office (F. P. Grove, A. M. Klein, Phyllis Webb, Robin Mathews); some were involved with literary journals that promoted a socialist aesthetic (John Sutherland, Irving Layton, Louis Dudek, Patrick Anderson, Milton Acorn, Al Purdy, Miriam Waddington, Margaret Atwood). -
C19 Singularities.Pdf
Singularities 1111111111\\ I \\\\II\ 1\1111\ 1\\1 1111111111 11111111111111111111111 3 9345 00923319 2 CLC SIMON FRASER UNIVERSITY LIBRARY SPECIAL COLLECTIONS PR 9073 846 1990 Singularities . Edited by Geoff Hancoclz Singularities: Fragments, Parafictions, Prose Poems - New Directions in Fiction and Physics Black Moss Press <e> Geoff Hancock 1990 Published by Black Moss Press, 1939 Al ace, Windsor, Ontario, Canada NSW lMS. Black Moss Press books are distributed by Firefly Books, 250 Sparks Avenue, Willowdale, Ontario M2H 2S4 Flnancial assistance toward publication was gratefully received from the Canada Council and the Ontario Arts Council. Cover design: Turkish folk artist Printed and bound in Canada. Canadian Cataloguing in Publication Data Main entry under ti tie: Singularities ISBN 0-88753-203-9 1. Canadian prose literature !English) - 20th century. I. Hancock, Geoff, 1946- PS8329.S46 1990 C818'.540808 C90-090052-0 PR9194.9.S46 1990 I have the universe all to myself. The universe has me all to itself. - Peter Matthiessen, The Snow Leopard Contents ckno' led ement · w urry Th Atomic tructur of Silence 11 av Godfrey from I Ching Kanada 12 v ndolyn MacEwen An Evening with Grey Owl 16 Erin Moure The Origin of Horses 19 J Ro enblatt from Bride of the Stream 19 Michael Dean An Aural History of Lawns 21 ean o huigin from The Nightmare Alphabet 27 nne zumigalski The Question 29 Karl Jirgen Strappado 30 Lola LeMire Tostevin A Weekend at the Semiotics of Eroticism Colloquium Held at Victoria College 33 maro Kambourelli It Was Not A Dark and Stormy Night 34 George McWhirter Nobody's Notebook 36 Michael Bullock Johannes Weltseele Enters the Garden 45 Claire Harris After the Chinese 50 Patrick Lane Ned Coker's Dream 54 Gay Allison The Slow Gathering Of 60 Eugene McNamara Falling in Place 64 hp Nichol The Toes 69 Rod Willmot from The Ribs of Dragonfl_y 71 Paul Dutton Uncle Rebus Clean Song 73 Fred W ab Elite 78 Daphne Marlatt&. -
Your Fall Submission Calls from Rattle
News from the Feminist Caucus, by Anne Burke This month submission calls from Rattle Tribute to Feminist Poets by Oct. 15 & Caitlin Press on "Boobs: Women Explore What It Means to Have Breasts", due Oct. 12; news from Penn Kemp on Gwendolyn MacEwen and Milton Acorn honouring. The Wordspell is a new spoken word group that came together in spring 2012 with the goal of creating a poetry series in Toronto that focuses on women’s voices; Girls Art League; The Feminist Art Conference on Facebook; introducing Anita Dolman and a review of Foreign Skin , by Kate Rogers. The NDP government will “build feminism in Alberta,” according to the province’s Status of Women minister. The Canadian Women Studies: Women and Water is forthcoming May 2015/Fall Winter 2015; Women Writing 4: Remembering is the current issue with many familiar names. Calls for Submissions Your Fall Submission Calls from Rattle https://rattle.submittable.com/submit/28744 Feminist Poets | Deadline: October 15th The Spring 2016 issue will feature a tribute to Feminist Poets. The poems may be written in any style, subject, or length, but must be written by those who identify as Feminist Poets and use poetry to advocate for women's rights. Please explain how this applies to you in your contributor note. The poems themselves don't have to be about feminism or women's rights - we want to explore the range of work that contemporary Feminist Poets are producing. To send up to four poems, click here . Please submit up to four poems (or pages of short poems) at the same time, but these must be sent as a single submission in ONE document. -
Dalrev Vol58 Iss1 Pp149 169.Pdf (6.954Mb)
Douglas Barbour Review Article Poetry Chronicle V: It's interesting how we've been told over and over again that somehow in the seventies all the promises of the sixties have been broken. We are asked to believe that the glories of art and religiosity and politics have all faded. Thus the marvelous sense of exploration and opening new doors in poetry must be a thing of the past and whatever is being written today, however well done, cannot possibly match the poetry of the sixties in terms of breaking new ground. But, surely, I reply, the new ground is always there to be broken and art comes from individual artists not decades? At any rate, the spiritual depression many peo ple seem to speak from in the seventies is not mine, and to my eye (even if most of the young writers lack the sense of language a whole generation in the sixties had) some extraordinarily exciting writing is taking place (admittedly, much of it from writers who began in the sixties-my point is that they have not died with the decade). Out of around forty books this time through, about five truly put me off, most are good, if not finally overwhelming, and a few are among the best books I've come across this decade. A search through previous 'chronicles' would reveal at least one, sometimes two or three, super books per year: that's a lot of really good poetry, no matter how you look at it. The world may indeed be falling apart but Canadian poetry is not.