DOCSLIB.ORG

BANDAI NAMCO Group

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
BANDAI NAMCO Group BANDAI NAMCO Group The BANDAI NAMCO Group is a consortium of companies organized into three units under BANDAI NAMCO Holdings Inc., together with various affiliated business companies that provide support services. Mission Vision The Leading Dreams, Fun Innovator in Global and Inspiration Entertainment ENTERTAINMENT UNIT Digital Business Planning, development and distribution of network content; and planning, development and sales of home video games and other products Business Management Company: BANDAI NAMCO Entertainment Inc. Toys and Hobby Business Planning, development, production and sales of toys, vending machine capsule products, card products, confectionery, food products, apparel, lifestyle goods, plastic model kits, prizes, stationery and other products Business Management Company: BANDAI Co., Ltd. IP PRODUCTION UNIT Visual and Music Business BANDAI NAMCO Holdings Inc. Planning, production and management of visual and musical content and software; talent scouting and development; and planning and production of live performances and events Business Management Company: BANDAI NAMCO Arts Inc. Creation Business Planning and production of animation; management and administration of copyrights and other rights; and music composition for animation, and management and operation of master recordings Business Management Company: SUNRISE Inc. AMUSEMENT UNIT Planning, development, production and sales of amusement machines; and planning and operation of amusement facilities Business Management Company: BANDAI NAMCO Amusement Inc. Affiliated Business Companies Distribution, logistics, administration and other support services BANDAI CO., LTD. As the business management company Spun off from BANDAI and of the Toys and Hobby Business, BANPRESTO in February 2018 with formulates and implements business the goal of accelerating growth strategies and provides a diverse in the global market for toys and range of entertainment products and plastic models aimed at a more services in Japan and worldwide. mature fan base. ©BANDAI ©Toei Animation. All Rights Reserved ©Takashi Yanase Froebel-kan,TMS,NTV CORPORATE PROFILE 2021 ／ LOOK FOR US TO WOW THE WORLD! On April 1, 2021, the BANDAI NAMCO Group implemented a unit integration plan aimed at formulating strategy and laying the groundwork heading into our new Mid-term Plan in April 2022. Our previous five-unit system has become a three-unit system. The Toys and Hobby Unit, which handles toy-related products, merged with the Network Enter- tainment Unit, which handles network content and home video games, to form our new Entertainment Unit. BANDAI will serve as the business management company of the Entertainment Unit’s Toys and Hobby Business, and BANDAI NAMCO Entertainment that of its Digital Business. Together, focusing on IP, the two companies will jointly manage the entire unit. In ad- dition to allowing for closer cooperation to take mutual advantage of a wide range of knowhow, the unit integration will enable us to create entertainment that responds to new consumer values, and to strengthen our digital services. This will enhance our com- petitiveness in the global market. BANDAI has a history of creating new organizations as our business areas have ex- panded, and, as those organizations have grown on their own, we have developed into a group. These days, however, our environment is changing rapidly. In order to continue to wow the world, we must collaborate with new partners, drawing on the knowhow of the BANDAI CO., LTD. BANDAI NAMCO Group’s wide-ranging businesses and diverse talent. I believe that will empower us to realize our vision. President & CEO BANDAI is in the business of Dreams and Creation; as such, we like to think of our- selves as “The Happy Moment Creator.” It all begins when someone at BANDAI has a dream. Together with our stakeholders, we nurture that dream and turn it into a fin- ished offering. We aspire to be a company that excites people, one that makes them say, “BANDAI will come up with something interesting—they always do.” Kazuhiro Takenaka Note 1: Originally sold by Popy, a Group company established to create character-based toys CORPOR ATE DATA Note 2: Currently produced by BANDAI SPIRITS 1950’s HISTORY 1950 First original Jul 1950 Company established product, the Mar 1951 Toy exports in Asakusa, Tokyo Rhythm Ball begin 1960’s 1955 Industry-first quality control system established. First toy to feature a product Nov 1969 Plastic model kit warranty, the 1956 Toyopet Crown toy car. production 1970’s 1971 KAMEN RIDER Transformation Belt1 Apr 1977 Capsule products 1974 CHOGOKIN MAZINGER Z metal robot toy1,2 market entry 1975 SUPER SENTAI TV series 1980’s Corporate Philosophy 1977 Whack-A-Mole arcade game 1980 Megahit GUNDAM Plastic Model kit 2 Dreams and Creation 1978 First handheld electronic game, LSI Baseball series The Happy Moment Creator Mar 1981 Candy toy 1983 KINKESHI capsule Aug 1983 Apparel Business development: toys, capsule product series market entry market entry toys, playing cards, confectionery, food products, apparel, lifestyle products, cosmetics and sundries 1986 Mechanical cat’s paw toy Mar 1987 Lifestyle goods Jul 1988 Trading card NEKONYANBOU market entry market entry 1990’s 1997 HYPER YO-YO BANDAI by the numbers 1993 PRETTY GUARDIAN SAILOR MOON 1997 Digital Monster handheld digital 1996 TAMAGOTCHI handheld digital pet becomes pet Products produced annually: worldwide craze 14,500 (approx.) 2000’s 1999 PRIMOPUEL interactive 2002 BIKKURA? TAMAGO bath bombs IP commercialized annually: talking doll 2004 PRECURE series 580 (approx.) 2005 DATACARDDASS card vending machine Tamagotchi devices sold: Sep 2005 Merger with NAMCO LIMITED to 2007 Omochanomachi BANDAI MUSEUM opens 82,000,000 2007 (MUGEN) PUCHIPUCHI keychain toy form BANDAI NAMCO Group ∞ (approx.) (Nov 1996 – Mar 2020) CARDDASS playing cards sold: 2010’s Apr 2008 Development 2010 MOJIBAKERU KANJI ANIMAL 11,620,000,000 of brands for a Transformers candy toy (approx.) (Jul 1988 – Mar 2020) 2010 DRAGON BALL HEROES trading mature fan base card arcade game BIKKURA? TAMAGO bath bombs sold: 2012 AIKATSU! DATACARDDASS series 121,000,000 Feb 2018 BANDAI SPIRITS CO., LTD. is 2013 Strengthened development of spun off from BANDAI and (approx.) (Mar 2002 – Mar 2020) products for women 2014 YO-KAI WATCH series BANPRESTO Overseas operations: 2020’s ©ISHIMORI PRODUCTION INC. and TOEI COMPANY, LTD. All Rights Reserved. ©BANDAI ©Takashi countries and regions worldwide Yanase Froebel-kan,TMS,NTV ©Akiyoshi Hongo, Toei Animation ©Toei Animation. All Rights Reserved 2018 DANGOMUSHI capsule 16 ／ Jul 2020 BANDAI celebrates its 70th ©2021 TOEI COMPANY, LTD. All Rights Reserved. ©Fujiko-Pro,Shogakukan,TV-Asahi,Shin-ei,and ADK product ©Dynamic Planning · TOEI ANIMATION ©SOTSU · SUNRISE ©Yudetamago, Toei Animation ©Naoko anniversary Takeuchi/PNP,Toei Animation ©BIRD STUDIO/SHUEISHA, TOEI ANIMATION ©BANDAI ©L5/YWP · TX Strengthening global product Europe lineup BANDAI’s DRAGON BALL SUPER CARD GAME is and the well on its way to becoming an international phe- nomenon on a par with TAMAGOTCHI, now espe- Americas cially popular in the US, France and Latin America. We’re currently preparing for expansion into other overseas markets. In North America, we’re expand- ing placements of capsule vending machines as a prelude to future global development. And we are further accelerating global IP development, in- cluding new original Japanese IP such as World of Zombies, leveraging BANDAI’s resources and exper- tise in toy planning and development. Toys and Hobby Business Main Overseas Group Companies BANDAI (SHENZHEN) CO., LTD. (including non-consolidated subsidiaries) BANDAI NAMCO Toys & Hobby (SHANGHAI) CO., LTD. GLOBAL BANDAI UK LTD. BANDAI S.A.S. Innovation BANDAI NAMCO KOREA CO., LTD. BANDAI ESPAÑA S.A. BANDAI AMERICA INC. BANDAI CO., LTD. BANDAI began exporting its prod- Scale of the global toy market BANDAI NAMCO Collectibles LLC ucts overseas in March 1951, just eight BANDAI SPIRITS CO., LTD. months after the company’s establish- BANDAI NAMCO TAIWAN CO., LTD. ment. Since then, BANDAI has always Over JPY 9.6 trillion taken on new challenges while keeping Source: Euromonitor International BANDAI NAMCO ASIA CO., LTD. an eye on the global market. Under the Toys and Hobby Unit’s new Mid-term Japan BANPRESTO(HK)LIMITED % BANDAI CORPORACION MEXICO, S.A. de C.V. Vision of “Break Out of the Box. Wow 6 the World!” we’re further accelerating BANDAI NAMCO PHILIPPINES INC. global development. This entails not only launching Japanese IP worldwide— North ARTPRESTO VIET NAM CO., LTD it is also about acquiring, creating and Asia and and Latin nurturing local IP and creating original Oceania America BANDAI NAMCO (THAILAND) CO., LTD. products tailored to local needs. In ad- dition, it involves implementing e-com- 22% 39% BANDAI NAMCO SINGAPORE PTE. LTD. merce and other marketing strategies Europe suited to local business practices. Chal- and the lenging ourselves to think outside the Middle East box, BANDAI aims to become global leaders in the character and entertain- 32% ment businesses. Note: Due to rounding, figures do not add up to 100%. New local company to expand presence in China Asia In addition to also marketing proven Japa- nese IP like ULTRAMAN, KAMEN RIDER and region DORAEMON, we’re focusing on local production for local consumption and expanding local IP creation throughout Asia. In addition, we’re strengthening marketing efforts and customiz- ing them in accordance with local needs. In 2019, BANDAI NAMCO Toys & Hobby (SHANGHAI) CO., LTD. was established to facilitate toys sales in China. This will help us expand our presence in PAC-MAN™&©BANDAI NAMCO Entertainment Inc. ©BANDAI ©BIRD STUDIO/SHUEISHA, TOEI ANIMATION the key Chinese market, and to build new busi- ©2002 MASASHI KISHIMOTO / 2007 SHIPPUDEN All Rights Reserved. ©K. Horikoshi / Shueisha, My Hero Academia Project ©Masami Kurumada/Shueisha, Toei Animation ©2020 BANDAI ©SUNRISE,Layup ness models. ©TSUBURAYA PRODUCTIONS ©ISHIMORI PRODUCTION INC. and TOEI COMPANY, LTD. All Rights Reserved. ©Fujiko-Pro,Shogakukan,TV-Asahi,Shin-ei,and ADK.
Load more

Recommended publications
  • 2020-08-05 Last Update: 2021-08-06 Shared Research Inc
    Coverage initiated on: 2020-08-05 ResearCh Coverage Report By Shared ResearCh InC. Last update: 2021-08-06 3656 KLaB Shared ResearCh InC. has produCed this report By request from the Company disCussed in the report. The aim is to provide an “owner’s manual” to investors. We at Shared ResearCh InC. make every effort to provide an aCCurate, oBjeCtive, and neutral analysis. In order to highlight any Biases, we Clearly attriBute our data and findings. We will always present opinions from Company management as suCh. Our views are ours where stated. We do not try to ConvinCe or influenCe, only inform. We appreCiate your suggestions and feedBaCk. Write to us at [email protected] or find us on BloomBerg. INDEX ExeCutive summary . .3. Key finanCial data . .5. ReCent updates . .6. Trends and outlook . 8. Business . .1.8. Business overview . .1.8. Earnings model . .2.9. Strengths and weaknesses . 3. .4. Group Companies . .3.5. Market and value Chain . .3.5. HistoriCal performanCe . .4.3. InCome statement . .5.4. BalanCe sheet . .5.5. Cash flow statement . .5.7. Other information . 5. .8. News and topiCs . 6. .2. Company profile . .6.4. KLaB/ 3656 ResearCh Coverage Report By Shared ResearCh InC. | pdf.summary.Company_weBsite 2 ExeCutive summary Business overview Business desCription: KLaB InC. plans, develops, and operates moBile games*1. The majority of the Company’s revenue and profits Comes from the Game Business, whiCh aCCounted for 98.9% of total revenue and 97.7% of gross profit in FY12/20. With FY12/20 revenue of JPY34.0Bn, KLaB is a medium-sized speCialist Company Compared with industry leader Mixi, whiCh logged a segment revenue of JPY100.6Bn in its Digital Entertainment Business in FY03/21.
    [Show full text]
  • Banadive™ AX Interactive Virtual Character Performance System Integrating Game AI and Xr
    BANDAI NAMCO Research Inc. NEWS RELEASE № 02－01 June 26, 2020 PRESS RELEASE: BanaDIVE™ AX Interactive Virtual Character Performance System Integrating game AI and xR. The first in the world. ~ First public DJ play performed at “ASOBINOTES” ONLINE FES, a free no spectator online event. ~ BANDAI NAMCO Research Inc. 2-37-25 Eidai, Koto-ku, Tokyo, Japan President NAKATANI Hajime In pursuit of our vision of “Creating New Values in Entertainment”, BANDAI NAMCO Research Inc. (hereinafter referred to as “BNR”) has successfully developed the “BanaDIVE™ AX”, an interactive virtual performance system created by integrating game AI (Artificial Intelligence)*1 and xR technology*2. In this system, using pre-analyzed music, the game AI that incorporates DJ performance (seamlessly joining music, controlling the tempo of music, arousing the audience etc.) is linked with the motions of 3D characters and ambience generated in a live music entertainment venue. We also incorporated interactive entertainment elements such as song selection by real-time voting, music linked visual production and AR audio visual direction. As a result, DJ and audiences can, whether at the venue or in remote locations, experience immersive live performances together, In addition to producing live events organized by Bandai Namco Group and conducting experimental collaborations with characters and music creators, BNR will continue to conduct research and development of future entertainment, including collaboration with deep learning-based AI and mechanism to arouse audiences around the world. 1 / 2 BANDAI NAMCO Research Inc. NEWS RELEASE *1 Game AI is a technology based on logicalized behavior of characters and used in many games, such as the monster behavior AI in the video game Pac-Man and COM player behavior control of fighting game "Tekken".
    [Show full text]
  • [Translation] October 9, 2019 to Whom It May Concern: Company Name: SOTSU CO., LTD. Representative: Hideyuki Nanba, Representati
    [Translation] October 9, 2019 To whom it may concern: Company Name: SOTSU CO., LTD. Representative: Hideyuki Nanba, Representative Director and President (Code No.:3711, JASDAQ) Inquiries: Yoshinori Nemoto, Director and General Manager of Administration Department Telephone: 03-6386-0311 Announcement concerning Implementation of the Tender Offer of Our Shares by BANDAI NAMCO Holdings Inc. and Recommendation for Tender Offer SOTSU CO., LTD. (the “Company”) hereby announces that at a board of directors meeting held as of the date hereof, it has resolved to express an opinion supporting the tender offer (the “Tender Offer”) by BANDAI NAMCO Holdings Inc. (the “Tender Offeror”) for the Company’s common stock (the “Company’s Common Stock”) and to recommend all the shareholders of the Company to tender their shares in the Tender Offer. The decision of the board of directors has been made on the premises that the Tender Offeror intends to make the Company a wholly-owned subsidiary of the Tender Offeror through the Tender Offer and subsequent transactions and that the Company’s Common Stock will be delisted. 1. Overview of the Tender Offeror (i) Name BANDAI NAMCO Holdings Inc. (ii) Address 37-8 Shiba 5 Cho-me, Minato-ku, Tokyo (iii) Name and title of Mitsuaki Taguchi, Representative Director and President representative Planning and execution of the BANDAI NAMCO Group’s medium- to long-term management plan; supporting its affiliated (iv) Businesses companies regarding their execution of business strategies and management of business activities (v) Amount of capital JPY 10,000,000,000 1 (vi) Date of incorporation September 29, 2005 The Master Trust Bank of Japan, Ltd.
    [Show full text]
  • Masked Rider: the First
    Presented by Japan Information & Culture Center, Embassy of Japan and The DC Anime Club Masked Rider: The First © 2005 ISHIMORI PRO•TOEI COMPANY, LTD All Rights Reserved. DVD package and design by Tokyo Shock 2007 Thursday April 24 6:30 PM The evil terrorist organization SHOCKER is kidnapping unwilling citizens and turning them into cyborg inhumanoids used to carry out SHOCKER’s nefarious schemes. The only man who can stand in their way is one of SHOCKER’s own inhumanoid agents who cannot forget his humanity- KAMEN RIDER! Kamen Rider: The First is a 2005 film based on the popular comic book and TV series Kamen Rider of the 1970’s. The show and comic still enjoy a large fanbase and legendary status in Japan. With his trademark bug-eyed helmet and black motorcycle, Kamen Rider, rides around Japan acrobatically battling with a colorful cast of villains from the SHOCKER organization. Kamen Rider helped to establish the famous genre of Japanese television and movies known as Tokusatsu. Tokusatsu shows are known for their use of special effects, gigantic monsters, imaginative costumes, and high-flying, fast-paced martial arts fight scenes. Other icons of tokusatsu lore include Ultraman, Godzilla and The Mighty Morphing Power Rangers. Don’t miss this chance to see one of the legends of the genre on the big screen! In Japanese with English Subtitles 90 minutes This event is free and open to the public. Reservations are required. RSVP to [email protected] Seating is limited and granted on a first come, first served basis Japan Information and Culture Center, Embassy of Japan・3 Lafayette Center・1155 21Pst P St NW・ Washington DC 20036・202-238-6949・www.us.emb-japan.go.jp/jicc .
    [Show full text]
  • Archiving Movements: Short Essays on Materials of Anime and Visual Media V.1
    Contents Exhibiting Anime: Archive, Public Display, and the Re-narration of Media History Gan Sheuo Hui ………… 2 Utilizing the Intermediate Materials of Anime: Royal Space Force: The Wings of Honnêamise Ishida Minori ………… 17 The Film through the Archive and the Archive through the Film: History, Technology and Progress in Royal Space Force: The Wings of Honnêamise Dario Lolli ………… 25 Interview with Yamaga Hiroyuki, Director of Royal Space Force: The Wings of Honnêamise What Do Archived Materials Tell Us about Anime? Kim Joon Yang ………… 31 Exhibiting Manga: Impulses to Gain from the Archiving/Unearthing Anime Project Jaqueline Berndt ………… 36 Analyzing “Regional Communities” with “Visual Media” and “Materials” Harada Ken’ichi ………… 41 About the Archive Center for Anime Studies in Niigata University ………… 45 Exhibiting Anime: Archive, Public Display, and the Re-narration of Media History Gan Sheuo Hui presumably, the majority are in various storage Background of the Project places after their production cycles. It is not The exhibition “A World is Born: The uncommon that they are forgotten, displaced or Emerg­­ing Arts and Designs in 1980s Japanese eventually discarded due to the expenses incurred Animation” (19-31 March 2018) hosted at DECK, for storage. In many ways, these materials an independent art space in Singapore, is encompass an often forgotten yet significant part of an ongoing research collaboration research resource essential for understanding between the researchers from Puttnam School key aspects of Japanese animation production of Film and Animation in Singapore and the cultures and practices. Archive Center for Anime Studies in Niigata “A World is Born” was an exhibition focusing University (ACASiN).
    [Show full text]
  • Filmography of Case Study Films (In Chronological Order of Release)
    FILMOGRAPHY OF CASE STUDY FILMS (IN CHRONOLOGICAL ORDER OF RELEASE) Kairo / Pulse 118 mins, col. Released: 2001 (Japan) Director: Kiyoshi Kurosawa Screenplay: Kiyoshi Kurosawa Cinematography: Junichiro Hayashi Editing: Junichi Kikuchi Sound: Makio Ika Original Music: Takefumi Haketa Producers: Ken Inoue, Seiji Okuda, Shun Shimizu, Atsuyuki Shimoda, Yasuyoshi Tokuma, and Hiroshi Yamamoto Main Cast: Haruhiko Kato, Kumiko Aso, Koyuki, Kurume Arisaka, Kenji Mizuhashi, and Masatoshi Matsuyo Production Companies: Daiei Eiga, Hakuhodo, Imagica, and Nippon Television Network Corporation (NTV) Doruzu / Dolls 114 mins, col. Released: 2002 (Japan) Director: Takeshi Kitano Screenplay: Takeshi Kitano Cinematography: Katsumi Yanagijima © The Author(s) 2016 217 A. Dorman, Paradoxical Japaneseness, DOI 10.1057/978-1-137-55160-3 218 FILMOGRAPHY OF CASE STUDY FILMS… Editing: Takeshi Kitano Sound: Senji Horiuchi Original Music: Joe Hisaishi Producers: Masayuki Mori and Takio Yoshida Main Cast: Hidetoshi Nishijima, Miho Kanno, Tatsuya Mihashi, Chieko Matsubara, Tsutomu Takeshige, and Kyoko Fukuda Production Companies: Bandai Visual Company, Offi ce Kitano, Tokyo FM Broadcasting Company, and TV Tokyo Sukiyaki uesutan jango / Sukiyaki Western Django 121 mins, col. Released: 2007 (Japan) Director: Takashi Miike Screenplay: Takashi Miike and Masa Nakamura Cinematography: Toyomichi Kurita Editing: Yasushi Shimamura Sound: Jun Nakamura Original Music: Koji Endo Producers: Nobuyuki Tohya, Masao Owaki, and Toshiaki Nakazawa Main Cast: Hideaki Ito, Yusuke Iseya, Koichi Sato, Kaori Momoi, Teruyuki Kagawa, Yoshino Kimura, Masanobu Ando, Shun Oguri, and Quentin Tarantino Production Companies: A-Team, Dentsu, Geneon Entertainment, Nagoya Broadcasting Network (NBN), Sedic International, Shogakukan, Sony Pictures Entertainment (Japan), Sukiyaki Western Django Film Partners, Toei Company, Tokyu Recreation, and TV Asahi Okuribito / Departures 130 mins, col.
    [Show full text]
  • RIAJ Yearbook 2018 1 Overview of Production of Recordings and Digital Music Sales in 2017
    Statistics RIAJ YEARBOOK Trends 2018 The Recording Industry in Japan 2018 Contents Overview of Production of Recordings and Digital Music Sales in 2017 .................. 1 Statistics by Format (Unit Basis — Value Basis) .............................................................. 4 1. Total Recorded Music — Production on Unit Basis ............................................... 4 2. Total Audio Recordings — Production on Unit Basis ............................................ 4 3. Total CDs — Production on Unit Basis .................................................................... 4 4. Total Recorded Music — Production on Value Basis ............................................. 5 5. Total Audio Recordings — Production on Value Basis .......................................... 5 6. Total CDs — Production on Value Basis ................................................................. 5 7. CD Singles — Production on Unit Basis .................................................................. 6 8. 5" CD Albums — Production on Unit Basis ............................................................ 6 9. Music Videos — Production on Unit Basis ............................................................. 6 10. CD Singles — Production on Value Basis................................................................ 7 11. 5" CD Albums — Production on Value Basis.......................................................... 7 12. Music Videos — Production on Value Basis ........................................................... 7 13. Digital
    [Show full text]
  • Keywords Studios 2019 Annual Report
    Keywords Studios plc Studios Keywords Annual Report Annual Report and Accounts 2019 and Accounts 2019 Building our platform for growth Keywords Studios plc Overview Strategic report Annual Report and Accounts 2019 Pages 1–6 Pages 8–44 Highlights 1 Q&A with Andrew Day 8 At a glance 2 Chief Executive’s review 10 Investment summary 4 Market outlook 16 Chairman’s statement 6 Business model 18 Our strategy 22 Service line review 24 Our people, our culture 28 KPIs 34 Financial and operating review 36 Responsible Business report 40 Board engagement with our stakeholders 43 Principal risks and uncertainties 45 2019 Highlights Our vision is to be the world’s leading technical and creative services platform for the video games industry and beyond. At Keywords Studios (Keywords), we are using our passion for games, technology and media to create a global services platform. In 2019, we delivered strong growth as we invested in a strengthened and more diversified services platform. Alternative performance measures* The Group reports certain Alternative performance measures (APMs) to present the financial performance of the business which are not GAAP measures as defined by International Financial Reporting Standards (IFRS). Management believes these measures provide valuable additional information for the users of the financial information to understand the underlying trading performance of the business. In particular, adjusted profit measures are used to provide the users of the accounts a clear understanding of the underlying profitability of the business over time. For full definitions and explanations of these measures and a reconciliation to the most directly referenceable IFRS line item, please see pages 135 to 143.
    [Show full text]
  • “PRESENCE” of JAPAN in KOREA's POPULAR MUSIC CULTURE by Eun-Young Ju
    TRANSNATIONAL CULTURAL TRAFFIC IN NORTHEAST ASIA: THE “PRESENCE” OF JAPAN IN KOREA’S POPULAR MUSIC CULTURE by Eun-Young Jung M.A. in Ethnomusicology, Arizona State University, 2001 Submitted to the Graduate Faculty of School of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2007 UNIVERSITY OF PITTSBURGH SCHOOL OF ARTS AND SCIENCES This dissertation was presented by Eun-Young Jung It was defended on April 30, 2007 and approved by Richard Smethurst, Professor, Department of History Mathew Rosenblum, Professor, Department of Music Andrew Weintraub, Associate Professor, Department of Music Dissertation Advisor: Bell Yung, Professor, Department of Music ii Copyright © by Eun-Young Jung 2007 iii TRANSNATIONAL CULTURAL TRAFFIC IN NORTHEAST ASIA: THE “PRESENCE” OF JAPAN IN KOREA’S POPULAR MUSIC CULTURE Eun-Young Jung, PhD University of Pittsburgh, 2007 Korea’s nationalistic antagonism towards Japan and “things Japanese” has mostly been a response to the colonial annexation by Japan (1910-1945). Despite their close economic relationship since 1965, their conflicting historic and political relationships and deep-seated prejudice against each other have continued. The Korean government’s official ban on the direct import of Japanese cultural products existed until 1997, but various kinds of Japanese cultural products, including popular music, found their way into Korea through various legal and illegal routes and influenced contemporary Korean popular culture. Since 1998, under Korea’s Open- Door Policy, legally available Japanese popular cultural products became widely consumed, especially among young Koreans fascinated by Japan’s quintessentially postmodern popular culture, despite lingering resentments towards Japan.
    [Show full text]
  • Bandai June New Product
    Bandai June New Product ZZ II "Gundam Build Fighters", Bandai HGBF 1/144 Launching alongside the release of a new Gundam Build Fighters Try episode, the popular Z II is now available! Capable of transforming into its Wave Rider form, the model kit also comes with powerful large-scale weaponry. Set includes a large beam rifle, transformation replacement parts, and interchangeable hand. Runner x12. Foil Sticker x1. Instruction manual x1. Approximately 5.5" Tall Package Size: Approximately 12.2"x7.8"x3.1" MSRP: $27.99 Gyancelot "Gundam Build Fighters", Bandai HGBF 1/144 From the Gyan family, comes a new model kit featuring Gyancelot! With expert detailing on the shield and weapons, the color scheme and textures accurately reproduces the look from the anime! The large lance appears in the shape of the crest of the Principality of Zeon, and its blades can be opened or closed through the use of replacement parts. Set includes large lance, beam saber, shield, and interchangeable hands. Runner x11. Foil sticker x1. Instruction manual x1. Approx. 5" Tall Package Size: Approx. 11.7"x7.4"x3.0" MSRP: $19.99 Gya Eastern Weapons "Gundam Build Fighters", Bandai HGBC 1/144 This is a kit focusing on parts for hand-held weapons from the Build Custom series! The parts can be used to customize existing models from various 1/144 series. The large rifle from the HG 1/144 ZZ II can be combined with a newly molded clay bazooka and optional parts for the lance from the Gyancelot can be customized as well.
    [Show full text]
  • Fiscal Year 2015 Results Briefing(4.1MB)
    HAPPINET CORPORATION Stock Listing :Tokyo Stock Exchange Code Number :7552 Fiscal Year 2015 Results Briefing May 20, 2016 Table目次 of Contents FY2015 Results Summary 2 FY2015 Financial Results 9 FY2016 Group- Group-WideWide Main Policy 19 FY2016 Measures for the Distribution Business 21 FY2016 Measures for the Contents Business 26 FY2016 Fu ll-YPjtiYear Projection 31 Information related to Share Price 34 FY2015 Results Summary TtTetsuo IhikIshikawa President and Representative Director 2 FY2015目次 Results Summary (¥ million) FY2014 FY2015 YOY Net sales 217,232 187,274 --13.813.8% Operating income 5,056 3,450 --31.831.8% Ordinary income 5,124 3,497 -31.8% Profit attributable to owners of parent 4,049 2,359 -41.7% 3 FY2015目次 Results Summary Toy Business Net sales Segment income (millions of yen) ■ FY2015 Results Summary 93,270 Compared to the previous fiscal year, net sales hovered at a low level due to a lack of major hit products during the 76,874 yearyear--endend sales season, which is the greatest sales 76,821 opportunity. 4,279 Segment income also lagged, due mainly to posting of an valuation loss from overstocked products. 2, 710 2,848 FY2013 FY2014 FY2015 Segment income 2712.71 billion yen 4274.27 billion yen 2842.84 billion yen Clearance amounts 1.0 billion yen 1.6 billion yen 1.8 billion yen Inventory amounts 2.4 billion yen 2.3 billion yen 2.2 billion yen Inventory turnover rate 31.0 38.7 33.6 FY2013 FY2014 FY2015 4 FY2015目次 Results Summary Visual and Music Business Net sales Segment income (millions of yen) ■ FY2015 Results Summary In an environment where the package market remains sluggish as a whole due to effects of the distribution of software via the Internet, net sales of the Group in this 42,955 43,372 business segment also remained weak.
    [Show full text]
  • DARK SOULS™: REMASTERED BANDAI NAMCO Entertainment
    TITLE: DARK SOULS™: REMASTERED PUBLISHER: BANDAI NAMCO Entertainment America Inc. DEVELOPER: FromSoftware RELEASE DATE: May 25, 2018 PLATFORM: Nintendo Switch GENRE: Action RPG PLAYERS: 1 Player (SP), 1-6 players (MP) GAME DESCRIPTION: Then, there was fire. Re-experience the critically acclaimed, genre-defining game that started it all. Beautifully remastered, return to Lordran in stunning detail. DARK SOULS: REMASTERED includes the main game plus the Artorias of the Abyss DLC. This marks the franchise’s debut on a Nintendo platform, and for the first time ever can be played on-the-go with Nintendo Switch. KEY FEATURES: Deep and Dark Universe Delve into an epic dark fantasy universe stricken by decline and the Curse. Explore its intricate world design - full of hidden passages, dungeons and secrets - and uncover its deeply rooted lore. Each End is a New Beginning Each playthrough surprises you with new challenges and unexpected facets of the game. Don’t bet on completing the game only once. Gameplay Richness and Possibilities Hundreds of unique combinations of weaponry, armor, magic and crafting options to create your own playstyle and gaming experience. Sense of Learning, Mastering and Accomplishment From your first steps to mastery, build your character while refining your playing skills. Learn to strategize freely and experience the rewarding taste of overcoming daunting foes. The Way of the Multiplayer (up to 6 players with dedicated servers) Whatever your motivations are to play online – collaboration or confrontation, support or betrayal – you’ll find your true home among the nine covenants. Which allegiance will you choose? Dark Souls™: Remastered & ©BANDAI NAMCO Entertainment Inc.
    [Show full text]