DOCSLIB.ORG

Sophie Cunningham's Melbourne

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

FREE AUGUST 2011 Readings Monthly Meg Mundell on Adrian Hyland • Steven Carroll • Amos Oz SEE PAGE 5 SEE PAGE MELBOURNE cover image from of sophie cunningham’s Sophie Cunningham’s Melbourne p 12 Highlights of August book, CD & DVD new releases. More inside. NON-FICTION AUS FICTION FICTION AUS FICTION YOUNG ADULT DVD POP CD CLASSICAL $32.95 $27.95 $29.95 $30 $24.95 $27.95 $19.95 $39.95. $26.95 $21.95 $21.95 Ebook $14.96 >> p5 >> p7 Ebook $16.38 Ebook $14.95 Blu-ray $44.95 >> p18 >> p19 >> p4 >> p6 >> p10 >> p17 August event highlights : Liam Jurrah at Readings Carlton. Plus: MoVida’s Frank Camorra & Richard Cornish at Readings Hawthorn. More inside. All shops open 7 days, except State Library shop, which is open Monday - Saturday. Carlton 309 Lygon St 9347 6633 Hawthorn 701 Glenferrie Rd 9819 1917 Malvern 185 Glenferrie Rd 9509 1952 Port Melbourne 253 Bay St 9681 9255 St Kilda 112 Acland St 9525 3852 Readings at the State Library of Victoria 328 Swanston St 8664 7540 email us at [email protected] Browse and buy online at www.readings.com.au and at ebooks.readings.com.au The new look Victorian Premier’s Literary Awards are here. Discover the 21 shortlisted titles across five categories: Fiction, Non-Fiction, Drama, Poetry and Young Adult. Cast your vote for the People’s Choice Award before the winners are announced on 6th September. Go to wheelercentre.com and get reading. 2 Readings Monthly August 2011 From the Editor Meet the bookseller with … It’s just past the mid-year ThisPRIME MINISTE R’s Month’sREADINGS News MIFF DVD SALE Dani Solomon, Readings Carlton mark, and I’ve been thinking LITERARY AWARD ON TO 31 AUGUST about my favourite books of WINNERS MIFF is celebrating its sixtieth anniversary the year (so far). That list is The winners of this year’s PM’s Literary in July 2011 and Readings are celebrating on our website. Here, I with a DVD sale at all shops (except State thought I’d share a couple of Awards have been announced. The fiction prize went to Perth-based, New Zealand- Library) and online. A wonderful selection 2011 books that at first of titles including cult, art-house, Australian passed me by, but I’ve born writer Stephen Daisley for his debut novel, Traitor (Text, PB, $23.95), about a and foreign films are all on sale for $19.95 recently read and loved. The first is Dominic until August 31. Titles include: Coco Chanel, Smith’s Bright and Distant Shores (A&U, PB, New Zealand soldier and a Turkish doctor bound together in the chaos of Gallipoli. Control, Down by Law, Exit Through the Gift $29.99, March), a historical novel (not my Shop, Harvie Krumpet, In the Loop, Lantana, usual thing), set between the islands of the The non-fiction winner was Rod Moss for Hard Light of Day Let the Right One In, The September Issue, Ten South Pacific and the skyscrapers of Chi- (UQP, PB, $39.95). Why do you work in books? This brilliant blend of reportage and memoir Canoes, Wake in Fright, When You’re Strange cago. The pivotal characters are Argus, a and Paris, Texas. MIFF runs from 21 July to It really is as simple as I love reading Melanesian houseboy in love with Western (our New Australian Writing feature title last May) reports back on the writer’s 30 7 August 2011. Readings are a proud spon- books, so what better place to work civilisation – particularly books and Christi- sor. www.miff.com.au than a place that sells them? anity, and Owen Graves, an explorer, years spent living and working alongside the Arrente people of Alice Springs. It’s illustrat- collector and entrepreneur, who hopes to JAMES HALLIDAY OFFER What’s the best book you’ve read lately make enough money from his latest voyage, ed with 50 colour reproductions of Moss’s and why? James funded by insurance king Hale Gray, to paintings. The young adult fiction prize was Buy a copy of the Graffiti Moon Halliday Australian Wine I really enjoyed Steve Hely’s How I finally marry his girlfriend of four years, won by Cath Crowley’s (Pan, PB, $16.99), a novel that spends an intense Companion 2012 at Readings Became a Famous Novelist. It appealed Ada. The catch? First, Owen must bring to my natural cynicism of ‘bestseller’ along Hale’s dilettante son, a keen amateur and exhilarating 24 hours in the lives of in August and be in with a four teenagers on the verge: of adulthood, chance to win a dozen bottles books while at the same time allowing naturalist, and a dolt. Second, his commis- me to still secretly love them. sion includes bringing back ‘several natives of HSC, of finding out just who they are of wine from Kooyong and related by blood’ for Hale to exhibit on the and who they want to be. And the children’s Port Phillip Estate, the What have you noticed people buying Shake rooftop of his new skyscraper. Third, Ada fiction prize went to the picture book Australian Wine Compan- lately? a Leg has a strong social conscience and disap- (A&U, HB, $24.99), a collaboration ion’s Winery of the Year for 2012. There’s a between an indigenous author from North case of wine to be won at every shop (except George R.R. Martin’s A Dance with proves of the idea of transplanting people as Dragons, the fifth book in the Song of live sideshows. There’s a lot going on in this Queensland, Boori Monty Pryor, and West online). Fill out an entry form, attach your Australian illustrator Jan Ormerod. receipt and hand in at the counter at any Ice and Fire series. It despairs me that absorbing novel, which is rich with ideas some people refuse to class sci-fi and and beautifully written and characterised. Readings shop. Competition closes 31August. READINGS FOUNDATION: Please note only winners will be notified. fantasy as literature, so I’m always very Admittedly, the first 50 or so pages are a APPLICATIONS OPEN! happy when they sell well. bit overwritten, but it’s very much worth OSLO DAVIS: persevering with. The Readings Foundation supports Victori- What’s the strangest experience you’ve an individuals and organisations that wish to DRAWN FROM LIFE had in a bookshop? Another one is Me and Mr Booker (Text, further the development of Literacy, Com- Readings’ resident cartoonist Oslo Davis PB, $32.95, March), the debut novel from munity work and the Arts. A grant from has been hard at work lately ... and not I once had a customer refer to the Cory Taylor about a 16-year-old growing The Readings Foundation is a wonderful op- just working on the cartoon on this page! biography section as ‘True Fiction’, a up in a large regional town who, bored and portunity for individuals and arts organisa- He’s the editor of a free graphic newspaper, phrase which I love and have taken surrounded by aimless adults, gets involved on as my own. tions with Deductible Gift Recipient (DGR) Drawn from Life, created for the Melbourne in an affair with droll, debonair English status to be able to bring their creative or Writers’ Festival and distributed at train sta- newcomer Mr Booker, a 35-year-old film What’s the best experience you’ve had in literacy-related projects to life. Applications tions across Melbourne on Friday 26 August. a bookshop? lecturer. I’d heard feedback on this from two open Wednesday 31 August 2011 and must It’s an amazing project, featuring some of extremes – some who hated it, finding the be lodged by 5pm on Friday 28 October Australia’s – and the world’s – best graphic Every time I serve a customer who buys teen narrator too knowing and the set-up a book I like!! 2011. Final decisions about projects will artists, including Shaun Tan, Mandy Ord, and characters unrealistic, while others be made by the Board of Trustees by Bruce Petty, Nicki Greenberg, First Dog on LOVED it. Benjamin Law, who reviewed What’s your favourite book of all time Wednesday 30 November 2011. For the Moon, Judy Horacek and international and why? it for Readings in April, was one of the more information or to download an cartooning superstar Jim Woodring. It will enthusiasts, as was Krissy Kneen (author application form (available from 31 August), also be available free at MWF. For details, Not so much a book as an author. of Affection). Then I saw it discussed on please visit www.readings.com.au. see www.mwf.com.au. Don’t miss out! Terry Pratchett taught me you can say the ABC’s First Tuesday Book Club, with far more with a dragon and a magic panelists Jennifer Byrne, Marieke Hardy, sword than you can with a human Jason Steger, David Vann (brilliant author of alone. Before I got into his Discworld Legend of a Suicide and Caribou Island) and series I left sci-fi and fantasy alone, Anh Do. Though there was a bit of to-and- thinking it had nothing much for any- fro, the general consensus was positive. Da- one over the age of 16. Now most of vid Vann said, ‘it’s a coming-of-age story via my favourite books have a little bit of a very smart and funny voice who sees that magic in them somewhere! problem that all the adults are having and is trying not to go there, really’.
Recommended publications
  • Most Contagious 2011

    Most Contagious 2011

    MOST CONTAGIOUS 2011 Cover image: Take This LoLLipop / Jason Zada most contagious / p.02 / mosT ConTAGIOUS 2011 / subsCripTion oFFer / 20% disCounT FuTure-prooFing your brain VALid unTiL 9Th JANUARY 2012 offering a saving of £200 gBP chapters / Contagious exists to find and filter the most innovative 01 / exercises in branding, technology, and popular culture, and movemenTs deliver this collective wisdom to our beloved subscribers. 02 / Once a year, we round up the highlights, identify what’s important proJeCTs and why, and push it out to the world, for free. 03 / serviCe Welcome to Most Contagious 2011, the only retrospective you’ll ever need. 04 / soCiaL It’s been an extraordinary year; economies in turmoil, empires 05 / torn down, dizzying technological progress, the evolution of idenTiTy brands into venture capitalists, the evolution of a generation of young people into entrepreneurs… 06 / TeChnoLogy It’s also been a bumper year for the Contagious crew. Our 07 / Insider consultancy division is now bringing insight and inspiration daTa to clients from Kraft to Nike, and Google to BBC Worldwide. We 08 / were thrilled with the success of our first Now / Next / Why event augmenTed in London in December, and are bringing the show to New York 09 / on February 22nd. Grab your ticket here. money We’ve added more people to our offices in London and New 10 / York, launched an office in India, and in 2012 have our sights haCk Culture firmly set on Brazil. Latin America, we’re on our way. Get ready! 11 / musiC 2.0 We would also like to take this opportunity to thank our friends, supporters and especially our valued subscribers, all over the 12 / world.
  • New Books | January–June 2014 Highlights

    New Books | January–June 2014 Highlights

    ONEWORLD NEW BOOKS | JANUARY–jUNE 2014 HIGHLIGHTS FICTION | 8 FICTION | 11 FICTION | 18 HISTORY | 28 POLITICS | 32 SCIENCE | 40 PSYCHOLOGY | 46 LITERATURE | 54 GIFT | 56 CONTENTS CONTENTS FICTION New 2 New in Paperback 18 NON-FICTION History 22 Philosophy 31 Politics & Current Affairs 32 Business 38 Science 40 Psychology 46 Literature 54 Gift 56 Religion 58 BEGINNER’S GUIDES New 59 Complete List 62 DISTRIBUTORS & REPRESENTATIVES 64 Beads of water sparkled on their brown backs. Even from behind her sunglasses, Janet’s eyes winced at the brightness of their silvery-brown skin. Then her eyes were drawn to the wobbling water that lassoed the sun into strange rings and coils. And there, beneath it all, was the crack. For a moment, she thought that there was no crack. Surely if there were a crack, the water level would have dipped. Surely, she would have noticed if the water level had dipped. Or Solomon would have said something about the water level dropping. Nothing had been said or noticed. Until now. She stood there. Her three little silver darlings shivered in the heat and murmured to one side. She slid her sunglasses onto the top of her head. She stood over the pool, leaning out as far as she dared. Still the water looped and coiled the glinting light. It would take time for the waves to settle. But she had time. Of that commodity she had an abundance. Always that sense of time on her hands. As though time were some sticky substance that clung to her fingers and had to be carefully scoured off.
  • Annual Report and Accounts 2004/2005

    Annual Report and Accounts 2004/2005

    THE BFI PRESENTSANNUAL REPORT AND ACCOUNTS 2004/2005 WWW.BFI.ORG.UK The bfi annual report 2004-2005 2 The British Film Institute at a glance 4 Director’s foreword 9 The bfi’s cultural commitment 13 Governors’ report 13 – 20 Reaching out (13) What you saw (13) Big screen, little screen (14) bfi online (14) Working with our partners (15) Where you saw it (16) Big, bigger, biggest (16) Accessibility (18) Festivals (19) Looking forward: Aims for 2005–2006 Reaching out 22 – 25 Looking after the past to enrich the future (24) Consciousness raising (25) Looking forward: Aims for 2005–2006 Film and TV heritage 26 – 27 Archive Spectacular The Mitchell & Kenyon Collection 28 – 31 Lifelong learning (30) Best practice (30) bfi National Library (30) Sight & Sound (31) bfi Publishing (31) Looking forward: Aims for 2005–2006 Lifelong learning 32 – 35 About the bfi (33) Summary of legal objectives (33) Partnerships and collaborations 36 – 42 How the bfi is governed (37) Governors (37/38) Methods of appointment (39) Organisational structure (40) Statement of Governors’ responsibilities (41) bfi Executive (42) Risk management statement 43 – 54 Financial review (44) Statement of financial activities (45) Consolidated and charity balance sheets (46) Consolidated cash flow statement (47) Reference details (52) Independent auditors’ report 55 – 74 Appendices The bfi annual report 2004-2005 The bfi annual report 2004-2005 The British Film Institute at a glance What we do How we did: The British Film .4 million Up 46% People saw a film distributed Visits to
  • 5. Through Non-Military Eyes: Developing the Postwar Bilateral

    5. Through Non-Military Eyes: Developing the Postwar Bilateral

    5 THROUGH NON-MILITARY EYES: DEVELOPING THE POSTWAR BILATERAL RELATIONSHIP Somewhere in the vast ruin of post-nuclear Hiroshima, two middle- aged Japanese men walk towards a stationary camera (see Figure 5.1). They look purposeful and strangely cheerful. As two Australian diggers slouch back into the colossal bombsite and towards the vanishing point beneath a cluster of stripped trees, the conspicuously civilian, Western- attired Japanese duo stride out of it, moving away from the militarism that led to such wholesale destruction and into a future that would be independently determined by men such as them. The photograph is carefully conceived, staged to capture a significant point of departure in postwar Japanese history—a people leaving war and military occupation behind and embarking on the task of rebuilding and remaking the nation. Significantly, this richly allegorical image was not taken by one of the professional photographers affiliated to the military and official civilian agencies. Rather, it is the work of an amateur, Hungarian-born Stephen Kelen, who served with British Commonwealth Occupation Force (BCOF) Intelligence before joining the military newspaper British Commonwealth Occupation News (BCON). Kelen was an enthusiastic and accomplished photographer. Several of the images that illustrate his memoir, I Remember Hiroshima, have become iconic pictures of the stricken city in the early stages of its reconstruction. His photographs of orphans and of an outdoor schoolroom that had sprung up in the rubble are among the best known pictures of atomic Hiroshima, featuring in 153 PACIFIC EXPOSURES Figure 5.1. Stephen Kelen, Hiroshima, c. 1946–48, published in I Remember Hiroshima (Sydney: Hale & Iremonger, 1983), 18.
  • A Study Guide by Marguerite O Lhara

    A Study Guide by Marguerite O Lhara

    A STUDY GUIDE BY MArguerite o ’hARA http://www.metromagazine.com.au http://www.theeducationshop.com.au Introduction > Mary and Max is an animated feature film from the creators of the Academy Award-winning short animation Harvie Krumpet (Adam Elliot, 2003). This is Adam Elliot’s first full-length feature film. LikeHarvie , it is an animated film with claymation characters. However, unlike many animated feature films, it is minimal in its use of colour and the action does not revolve around kooky creatures with human voices and super skills. Mary and Max is about the lives of two people who become pen pals, from opposite sides of the world. Like Harvie Krumpet, Mary and Max is innocent but not naive, as it takes us on a journey that explores friendship and autism as well as taxidermy, psychiatry, alcoholism, where babies come from, obesity, kleptomania, sexual difference, trust, copulating dogs, religious difference, agoraphobia and much more. Synopsis at the Berlin Film festival in the seter, 1995) and WALL·E (Andrew Generation14+ section aimed at Stanton, 2008), will be something HIS IS A TALE of pen- teenagers where it was awarded that many students will find fasci- friendship between two the Jury Special Mention. How- nating. Tvery different people – Mary ever, this is not a film written Dinkle, a chubby, lonely eight-year- specifically for a young audience. It would be enjoyed by middle and old girl living in the suburbs of It is both fascinating and engaging senior secondary students as well Melbourne, and Max Horovitz, a in the way it tells the story of the as tertiary students studying film.
  • Differently Drawn Boundaries of the Permissible in German And

    Differently Drawn Boundaries of the Permissible in German And

    67 Differently Drawn Boundaries of the Permissible in German and Australian Literary Journalism by Beate Josephi, Edith Cowan University, Australia Christine Müller, University of Applied Science, Germany Australian author Anna Funder’s Stasiland serves as a useful study for exploring the differences between German and Australian notions of literary journalism when it comes to claims of verifiability and authenticity. ustralian author Anna Funder’s book Stasiland, which deals with life in Athe former East Germany, is based on a series of interviews. It has been described as “a fresh and highly original close-up of what happens to people in the corrosive atmosphere of a totalitarian state.”1 Stasiland, which came out in 2002, tells the story of ordinary citizens who got caught up in the web of East Germany’s state security [Staatssicherheit or “Stasi”]. Yet, it is more than a history about the Stasi. It is a personal exploration of the reality of psychological terror that, as far as Anna Funder was concerned, had not yet been sufficiently told.2 Stasiland was shortlisted for numerous prizes in Australia and also “received rave notices”3 in Britain, where it won the BBC Four Samuel Johnson Prize in 2004, a substantial award which carries a prize money of £30,000. The prize is an award for nonfiction only, and Stasiland was commended for stretching the boundaries of nonfiction writing.4 The Sunday Times, to quote from the book’s back cover, called it “a masterpiece of investigative analysis, written almost like a novel, with a perfect mix of compassion and distance.”5 It was, then, book-length journalism with a literary ambition.
  • Gillian Welch's Long-Awaited New Album

    Gillian Welch's Long-Awaited New Album

    FREE JULY 2011 Readings Monthly • • • Peter Salmon Ann Patchett Alan Hollinghurst Robert Hughes (SEE P18) THE HARROW AND HARVEST IMAGE FROM GILLIAN WELCH'S NEW ALBUM Gillian Welch’s long-awaited new album p 17 Highlights of July book, CD & DVD new releases. More inside. NON-FICTION AUS FICTION FICTION FICTION YA DVD POP CD CLASSICAL $50 $39.95 $29.99 $24.95 $30 $24.95 $33 $27.95 $19.95 $24.95 $25.95 $21.95 $24.95 >> p19 >> p5 >> p6 >> p7 >> p8 >> p14 >> p16 (for July) >> p17 July event highlights : Matthew Evans on Winter on the Farm. James Boyce at Readings Carlton, Favel Parrett, Rosalie Ham. See more events inside. All shops open 7 days, except State Library shop, which is open Monday - Saturday. Carlton 309 Lygon St 9347 6633 Hawthorn 701 Glenferrie Rd 9819 1917 Malvern 185 Glenferrie Rd 9509 1952 Port Melbourne 253 Bay St 9681 9255 St Kilda 112 Acland St 9525 3852 Readings at the State Library of Victoria 328 Swanston St 8664 7540 email us at [email protected] Browse and buy online at www.readings.com.au and at ebooks.readings.com.au travel card travel card Instant WIN a $10,000 4000 1234 5678 9010 4000 5678 9010 4000 1234 4000 GOOD THRU 00/00 GOOD THRU 00/00 ANZ Travel Card It’s money made to travel Purchase any Lonely Planet product with a promotional sticker from 9am 04/06/11 until ANZ Travel Card ANZ Travel Cards 5pm 31/07/11 and visit lonelyplanet.com/anztravelcard to be in the running to win..
  • Bwf.Org.Au Brisbane Writers Festival 2019 This Way

    Bwf.Org.Au Brisbane Writers Festival 2019 This Way

    Thursday, 5 September–Sunday, 8 September 5 September–Sunday, Thursday, BOOK NOW bwf.org.au Brisbane Writers Festival 2019 this way Join the Conversation humanity #bwf19 Contents 1 2 3 4 Thank you to A message from A message Ticket our partners the Minister for from the information the Arts Artistic Director 6 7 8 9 Special Angel's Tirra Lirra Meet the Events Palace by the River Author 10 26 27 28 Program Love YA Free Events BWF in for Families Your Suburb 30 32 34 35 Events for Writers Timetable Getting to BWF Team the Festival and Board Brisbane Writers Festival Thanks its Supporters Government Partners Proudly supported by Major Partner Home of Brisbane Writers Festival Cultural Partner Supporting Partners Media Partners Marketing Partners Hospitality Partners Program Partners Consulate of Canada, Kindred: 12 Queer #LoveOzYA Stories, Queensland Writers Centre, Griffith Review, A Spectrum Connected and Inala Wangarra Providing Partners Grassroots IT and PKF Hacketts BWF acknowledges the generous support of our donors, with special thanks to the Taylor Family. We are a not-for-profit organisation and rely on the generosity of donors and partners to support our aim of bringing stories to life in Queensland communities. Brisbane Writers Festival is supported by the Queensland Government through Arts Queensland. Brisbane Writers Festival is assisted by the Australian Government through the Australia Council, its arts funding and advisory body. 1 Brisbane Writers Festival 2019 Welcome to Brisbane Writers Festival Welcome to Brisbane Writers The genuine sharing and receiving Festival 2019, one of Australia’s of our unique stories give us the leading literary events, celebrating tools to unpack information and the power of words through make sense of our ever-changing exceptional experiences that inspire, world.
  • Kaiser Chiefs Never Miss a Beat Mp3, Flac, Wma

    Kaiser Chiefs Never Miss a Beat Mp3, Flac, Wma

    Kaiser Chiefs Never Miss A Beat mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Never Miss A Beat Country: Australia Released: 2008 Style: Indie Rock MP3 version RAR size: 1141 mb FLAC version RAR size: 1602 mb WMA version RAR size: 1925 mb Rating: 4.5 Votes: 395 Other Formats: DMF ADX VOX MOD AAC RA MPC Tracklist Hide Credits Never Miss A Beat Backing Vocals – Anne-Marie Chirema, Lily Allen, Lou Hayter, Sarah Jones Engineer 1 3:10 [Assistant] – Tom Morris Engineer [Mix Engineer] – John O'MahonyMastered By – John Davis Mixed By – Andy WallaceMixed By [Assistant] – Jan Petrov Sooner Or Later 2 3:49 Mastered By – Simon FrancisMixed By – Eliot James Never Miss A Beat (Yuksek Remix) 3 Remix – Yuksek Never Miss A Beat (RAC Remix) 4 Remix – André Allen Anjos Companies, etc. Licensed From – B-Unique Records Credits Engineer – Eliot James, Mark Ronson Engineer [Assistant] – Raj Das, Samuel Navel, Tim Goalen Producer – Eliot James, Mark Ronson Written-By – White*, Baines*, Hodgson*, Wilson*, Rix* Barcode and Other Identifiers Barcode: 9341004002494 Other versions Category Artist Title (Format) Label Category Country Year Kaiser Never Miss A Beat (CD, B-Unique BUN145CD BUN145CD Europe 2008 Chiefs Single) Records, Polydor Kaiser Never Miss A Beat B-Unique none none UK 2008 Chiefs (CDr, Single, Promo) Records Kaiser Never Miss A Beat (7", B-Unique BUN1457 BUN1457 UK 2008 Chiefs Single) Records Kaiser Never Miss A Beat B-Unique none none UK 2008 Chiefs (CDr, Single, Promo) Records Kaiser Never Miss A Beat (CD, B-Unique UK & BUN145CDP BUN145CDP 2008 Chiefs Single, Promo) Records Europe Related Music albums to Never Miss A Beat by Kaiser Chiefs Miss Mee Feat.
  • 1997 Sundance Film Festival Awards Jurors

    1997 Sundance Film Festival Awards Jurors

    1997 SUNDANCE FILM FESTIVAL The 1997 Sundance Film Festival continued to attract crowds, international attention and an appreciative group of alumni fi lmmakers. Many of the Premiere fi lmmakers were returning directors (Errol Morris, Tom DiCillo, Victor Nunez, Gregg Araki, Kevin Smith), whose earlier, sometimes unknown, work had received a warm reception at Sundance. The Piper-Heidsieck tribute to independent vision went to actor/director Tim Robbins, and a major retrospective of the works of German New-Wave giant Rainer Werner Fassbinder was staged, with many of his original actors fl own in for forums. It was a fi tting tribute to both Fassbinder and the Festival and the ways that American independent cinema was indeed becoming international. AWARDS GRAND JURY PRIZE JURY PRIZE IN LATIN AMERICAN CINEMA Documentary—GIRLS LIKE US, directed by Jane C. Wagner and LANDSCAPES OF MEMORY (O SERTÃO DAS MEMÓRIAS), directed by José Araújo Tina DiFeliciantonio SPECIAL JURY AWARD IN LATIN AMERICAN CINEMA Dramatic—SUNDAY, directed by Jonathan Nossiter DEEP CRIMSON, directed by Arturo Ripstein AUDIENCE AWARD JURY PRIZE IN SHORT FILMMAKING Documentary—Paul Monette: THE BRINK OF SUMMER’S END, directed by MAN ABOUT TOWN, directed by Kris Isacsson Monte Bramer Dramatic—HURRICANE, directed by Morgan J. Freeman; and LOVE JONES, HONORABLE MENTIONS IN SHORT FILMMAKING directed by Theodore Witcher (shared) BIRDHOUSE, directed by Richard C. Zimmerman; and SYPHON-GUN, directed by KC Amos FILMMAKERS TROPHY Documentary—LICENSED TO KILL, directed by Arthur Dong Dramatic—IN THE COMPANY OF MEN, directed by Neil LaBute DIRECTING AWARD Documentary—ARTHUR DONG, director of Licensed To Kill Dramatic—MORGAN J.
  • Art Gallery of South Australia Major Achievements 2003

    Art Gallery of South Australia Major Achievements 2003

    ANNUAL REPORT of the ART GALLERY OF SOUTH AUSTRALIA for the year 1 July 2003 – 30 June 2004 The Hon. Mike Rann MP, Minister for the Arts Sir, I have the honour to present the sixty-second Annual Report of the Art Gallery Board of South Australia for the Gallery’s 123rd year, ended 30 June 2004. Michael Abbott QC, Chairman Art Gallery Board 2003–2004 Chairman Michael Abbott QC Members Mr Max Carter AO (until 18 January 2004) Mrs Susan Cocks (until 18 January 2004) Mr David McKee (until 20 July 2003) Mrs Candy Bennett (until 18 January 2004) Mr Richard Cohen (until 18 January 2004) Ms Virginia Hickey Mrs Sue Tweddell Mr Adam Wynn Mr. Philip Speakman (commenced 20 August 2003) Mr Andrew Gwinnett (commenced 19 January 2004) Mr Peter Ward (commenced 19 January 2004) Ms Louise LeCornu (commenced 19 January 2004) 2 TABLE OF CONTENTS Principal Objectives 5 Major Achievements 2003-2004 6 Issues and Trends 9 Major Objectives 2004–2005 11 Resources and Administration 13 Collections 22 3 APPENDICES Appendix A Charter and Goals of the Art Gallery of South Australia 27 Appendix B1 Art Gallery Board 29 Appendix B2 Members of the Art Gallery of South Australia 29 Foundation Council and Friends of the Art Gallery of South Australia Committee Appendix B3 Art Gallery Organisational Chart 30 Appendix B4 Art Gallery Staff and Volunteers 31 Appendix C Staff Public Commitments 33 Appendix D Conservation 36 Appendix E Donors, Funds, Sponsorships 37 Appendix F Acquisitions 38 Appendix G Inward Loans 50 Appendix H Outward Loans 53 Appendix I Exhibitions and Public Programs 56 Appendix J Schools Support Services 61 Appendix K Gallery Guide Tour Services 61 Appendix L Gallery Publications 62 Appendix M Annual Attendances 63 Information Statement 64 Appendix N Financial Statements 65 4 PRINCIPAL OBJECTIVES The Art Gallery of South Australia’s objectives and functions are effectively prescribed by the Art Gallery Act, 1939 and can be described as follows: • To collect heritage and contemporary works of art of aesthetic excellence and art historical or regional significance.
  • Stasiland Anna Funder ISBN 978-1-877008-91-7 RRP AUS $24.95, NZ $28.00 Fiction B Paperback

    Stasiland Anna Funder ISBN 978-1-877008-91-7 RRP AUS $24.95, NZ $28.00 Fiction B Paperback

    t e x t p u b l i s h i ng melbourne australia Reading Group Notes Stasiland Anna Funder ISBN 978-1-877008-91-7 RRP AUS $24.95, NZ $28.00 Fiction B Paperback Praise for Stasiland into East Germany from August 1961 to November ‘Moving and exhilirating, Stasiland is the kind of book 1989. She explores how many people are still walled that makes us love non-fiction.’ Helen Garner emotionally. ‘The author is a not-so-naïve Australian Alice wandering Miriam, a dissenter at sixteen, attempted escape. After around an East German Wonderland that is littered with capture she was imprisoned and treated in ways that the debris from the Stasi.’ Alison Lewis, Age stripped her humanity. Years later, the Stasi took her husband, Charlie, in for questioning. They informed ‘[Funder’s] portraits are by turns funny, heartbreaking Miriam that he had committed suicide; she is still waiting and stirring. She tells the story of the collapse of a way for proof that they killed him. of life with wit, style and sympathy.’ Jose Borghino, marie claire Funder’s journey into Miriam’s story and others like it raises questions about what it means to be human. Why do some people obey orders without question? About Anna Funder Where do some people find the courage to follow their Anna Funder was born in Melbourne in 1966. She has conscience? How does a person hold onto their sense of worked as an international lawyer and documentary self when the state is creating fictions about them? What film-maker.