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Bolshoi Theater
FOR IMMEDIATE RELEASE Contact: Dick Caples Tel: 212.221.7909 E-mail: [email protected] Lar Lubovitch awarded the 20th annual prize for best choreography by the Prix Benois de la Danse at the Bolshoi Theater. He is the first head of an American dance company ever to be so honored. New York, NY, May 23, 2012 – Last night at the Bolshoi Theater in Moscow, Lar Lubovitch was awarded the 20th annual prize for best choreography by the Prix Benois de la Danse. Lubovitch is the first head of an American dance company ever presented with the award. He was honored for his creation of Crisis Variations, which premiered at the Baryshnikov Arts Center in New York City on November 9, 2011. The work, for seven dancers, is set to a commissioned score by composer Yevgeniy Sharlat, and the score was performed live at its premiere by the ensemble Le Train Bleu, under the direction of conductor Ransom Wilson. To celebrate the occasion, the Lar Lubovitch Dance Company performed the duet from Meadow for the audience of 2,500 at the Bolshoi. The dancers in the duet were Katarzyna Skarpetowska and Brian McGinnis. The laureates for best choreography over the previous 19 years include: John Neumeier, Jiri Kylian, Roland Petit, Angelin Preljocaj, Nacho Duato, Alexei Ratmansky, Boris Eifman, Wayne McGregor, Sidi Larbi Cherkaoui, and Jorma Elo. Other star performers and important international figures from the world of dance received prizes at this year’s award ceremony. In addition to the award for choreography given to Lubovitch, the winners in other categories were: For the best performance by a ballerina: Alina Cojocaru for the role of Julie in “Liliom” at the Hamburg Ballet. -
Spielplan-Präsentation 2018/19 120 Jahre Volksoper Wien 120 Jahre Vielfalt
Spielplan-Präsentation 2018/19 120 Jahre Volksoper Wien 120 Jahre Vielfalt 1 Spielplanpräsentation Volksoper Wien Saison 2018/19, Stand 11. April 2018 2 Spielplanpräsentation Volksoper Wien Saison 2018/19, Stand 11. April 2018 Inhalt Vorwort .................................................................................................................................................... 5 Übersicht .................................................................................................................................................. 7 Zusammenfassung der Pressekonferenz ................................................................................................ 9 120 Jahre Volksoper Wien – Ein Fest im Park .................................................................................. 13 Premieren 2018/19 ................................................................................................................................ 15 Die Csárdásfürstin ............................................................................................................................. 15 Zar und Zimmermann ........................................................................................................................ 17 Wonderful Town ................................................................................................................................ 19 Coppélia ............................................................................................................................................. 21 Porgy -
Das Leben Dem Ballett Gewidmet Life Dedicated to the Ballet Das Leben
dancer’swiener staatsballett Das Leben dem Ballett gewidmeett LLiiffee ddeeddiiccaatteedd ttoo tthhee bbaalllleett Rudolf Hametowitsch Nurejew (1938-1993) Rudolf Hametovich Nureyev 1938 Geboren in einem Waggon der Transsibirischen Eisenbahn auf der Fahrt entlang des Baikalsees, 17. März: amtliche Geburtsmeldung Born on the Trans-Siberian train, near Lake Baikal, March 17: official birthdate 1949-55 Erster Ballettunterricht bei Anna Udelzowa in Ufa Ensembletänzer des Baschkirischen Theaters für Oper und Ballett in Ufa First ballet classes with Anna Udeltsova in Ufa, corps dancer with the Ufa Opera and Ballet Theatre 1955-58 Ausbildung am Choreographischen Institut Agrippina Waganowa in Leningrad, u.a. bei Alexander Puschkin Professional training at the Vaganova Choreographic Institute in Leningrad, in Alexander Pushkin's class 1958-61 Kirow-Ballett, Leningrad / Kirov Ballet, Leningrad 1959 Erstes Auftreten im Westen bei den Weltjugendfest- spielen in Wien - Gewinn einer Goldmedaille First appearance in the West during the International Youth Festival in Vienna. Winner of a Gold Medal 1961 16. Juni: Ansuchen um politisches Asyl am Flughafen Le Bourget, nahe Paris June 16: asks for political asylum at Le Bourget airport, near Paris 1961 International Ballet of the Marquis de Cuevas 1962 Royal Ballet - Beginn der Partnerschaft mit Margot Fonteyn Royal Ballet – Beginning of partnership with Margot Fonteyn bis 1992 Trat mit allen bedeutenden klassischen Compagnien der Welt, sowie mit den Ensembles von Martha Graham, Paul Taylor und Murray Louis auf until 1992 Danced with all major classical ballet companies throughout the world as well as with the companies of Martha Graham, Paul Taylor and Murray Louis ab 1974 Eigene Tourneen mit „Nureyev and Friends" from 1974 Tours with „Nureyev and Friends" 1964 15. -
Forever • UK 5,00 £ Switzerland 8,00 CHF USA $ Canada 7,00 $; (Euro Zone)
edition ENGLISH n° 284 • the international DANCE magazine TOM 650 CFP) Pina Forever • UK 5,00 £ Switzerland 8,00 CHF USA $ Canada 7,00 $; (Euro zone) € 4,90 9 10 3 4 Editor-in-chief Alfio Agostini Contributors/writers the international dance magazine Erik Aschengreen Leonetta Bentivoglio ENGLISH Edition Donatella Bertozzi Valeria Crippa Clement Crisp Gerald Dowler Marinella Guatterini Elisa Guzzo Vaccarino Marc Haegeman Anna Kisselgoff Dieudonné Korolakina Kevin Ng Jean Pierre Pastori Martine Planells Olga Rozanova On the cover, Pina Bausch’s final Roger Salas work (2009) “Como el musguito en Sonia Schoonejans la piedra, ay, sí, sí, sí...” René Sirvin dancer Anna Wehsarg, Tanztheater Lilo Weber Wuppertal, Santiago de Chile, 2009. Photo © Ninni Romeo Editorial assistant Cristiano Merlo Translations Simonetta Allder Cristiano Merlo 6 News – from the dance world Editorial services, design, web Luca Ruzza 22 On the cover : Advertising Pina Forever [email protected] ph. (+33) 09.82.29.82.84 Bluebeard in the #Metoo era (+39) 011.19.58.20.38 Subscriptions 30 On stage, critics : [email protected] The Royal Ballet, London n° 284 - II. 2020 Les Ballets de Monte-Carlo Hamburg Ballet: “Duse” Hamburg Ballet, John Neumeier Het Nationale Ballet, Amsterdam English National Ballet Paul Taylor Dance Company São Paulo Dance Company La Scala Ballet, Milan Staatsballett Berlin Stanislavsky Ballet, Moscow Cannes Jeune Ballet Het Nationale Ballet: “Frida” BALLET 2000 New Adventures/Matthew Bourne B.P. 1283 – 06005 Nice cedex 01 – F tél. (+33) 09.82.29.82.84 Teac Damse/Keegan Dolan Éditions Ballet 2000 Sarl – France 47 Prix de Lausanne ISSN 2493-3880 (English Edition) Commission Paritaire P.A.P. -
Support Materials
720 352 2903 LEMON SPONGE CAKE CONTEMPORARY BALLET [email protected] 1. ABOUT THE ARTIST 720 352 2903 LEMON SPONGE CAKE CONTEMPORARY BALLET [email protected] ROBERT SHER-MACHHERNDL 720 771 0162 [email protected] www.lemonspongecake.org PROFILE Robert Sher-Machherndl, a native of Vienna, Austria, has enjoyed a distinguished career in the performing arts ranging from Principal Dancer, Choreographer, Master Teacher to Artistic Director. He is currently Artistic Director and Choreographer of Lemon Sponge Cake Contemporary Ballet, from 2000 to present. SELECT CHOREOGRAPHIES • 2020 Seriously Solo - Boulder JCC • 2019 Dexter - Trinity Laban Conservatoire of Music & Dance, London, UK • 2019 Juliet - Boulder JCC • 2018 Gone - Junction Place, Boulder • 2017 Grasping Aspects of Shekhinah - University of Colorado Boulder • 2017 Vertical Migration Experiment - Boulder JCC • 2016 White Fields - Public Art Commission, City of Boulder • 2016 White Mirror Second Look - Ellie Caulkins Opera House, Denver • 2015 White Mirror - Bowdoin College, Maine • 2015 Rush - National College Dance Festival, Kennedy Center for Performing Arts • 2015 Rush - Yerba Buena Center for the Arts, San Francisco • 2015 White Mirror - Public Art Commission, City of Denver • 2014 Solo - Ballet Next, Joyce Theater, New York City • 2014 Hanna - Vienna State Ballet /Jugendkompanie, Vienna State Opera, Austria • 2014. Leopoldstatdt 22 - Mizel Museum, Denver • 2013 Man Made Men - Dairy Art Center, Boulder • 2012 Scarlet - Dairy Art Center, Boulder • 2011 BluePrint - Newman -
A Ballet of Two Cities
A BALLET OF TWO CITIES 1st Flash brings Elo’s decisive and cunning choreography to Jean Sibelius’s music. The work has been in Aspen Santa Fe Ballet’s repertoire since 2007. BY ORI J. LENKINSKI | MARCH 1, 2019 17:37 CAYETANO SOTO’S ‘Human Rojo.’ (photo credit: ROSALIE O’CONNOR) Nearly every day, Jorma Elo walks into rooms filled with dancers. As a world-renowned choreographer, he does this and has done it in dozens of cities for as many companies for many years. And yet, the magic of this simple fact, of being in the room with dancers continues to move Elo. “Being together with these wonderful, physical, animal instruments called dancers that dedicate their lives to a short career and want to dance and be on stage... I’m blown away by that every day. Even if the day is cranky, I go home and I feel blessed that I’m sharing time with these wonderful creatures. That’s what my work mostly is and if I make a compelling ballet that we can share with the audience, that’s an extra bonus,” says Elo over Skype. Elo, 58, was born and raised in Finland. His father was a urologist, and his mother a dentist. Elo’s journey to become one of the magical creatures he so cherishes happened completely by chance. “My sisters were into modern dance, Graham and Cunningham,” explains Elo. He laughs at the memory of it. “It was in the ‘70s and it was a trendy physical activity to do. There was no Pilates or yoga or spinning classes, so Cunningham and Graham was the thing to do. -
National Ballet of China Feng Ying, Artistic Director the Peony Pavilion Ballet in Two Acts and Six Scenes Adapted from Tang Xianzu’S Play of the Same Name
07-08 Peony_Gp 3.qxt 6/29/15 2:42 PM Page 1 Lincoln Center Festival lead support is provided by American Express July 8 – 10 David H. Koch Theater National Ballet of China Feng Ying, Artistic Director The Peony Pavilion Ballet in two acts and six scenes Adapted from Tang Xianzu’s play of the same name Producer Zhao Ruheng Adaptation and Director Li Liuyi Composer, Arranger, and Orchestrator Guo Wenjing Choreographer Fei Bo Set Designer Michael Simon Costume Designer Emi Wada Lighting Designers Michael Simon, Han Jiang National Ballet of China Symphony Orchestra Conductors Zhang Yi, Liu Ju Approximate performance time: 2 hours, including one intermission Major support for Lincoln Center Festival 2015 is provided by The Andrew W. Mellon Foundation. This performance is made possible in part by the Josie Robertson Fund for Lincoln Center. Lincoln Center Festival 2015 is made possible in part with public funds from the New York City Department of Cultural Affairs, New York State Council on the Arts, and the National Endowment for the Arts. Endowment support for the Lincoln Center Festival 2015 presentation of the National Ballet of China is provided by Blavatnik Family Foundation Fund for Dance. The Lincoln Center Festival 2015 presentation of the National Ballet of China is made possible in part by generous support from Yang Lan and The Joelson Foundation. National Ballet of China’s participation in Lincoln Center Festival is made possible by the support of the Ministry of Culture of China and the China National Arts Fund. 07-08 Peony_Gp 3.qxt 6/29/15 2:42 PM Page 2 LINCOLN CENTER FESTIVAL 2015 THE PEONY PAVILION July 8, 2015, at 8:00 p.m. -
Art Works Grants
National Endowment for the Arts — December 2014 Grant Announcement Art Works grants Discipline/Field Listings Project details are as of November 24, 2014. For the most up to date project information, please use the NEA's online grant search system. Art Works grants supports the creation of art that meets the highest standards of excellence, public engagement with diverse and excellent art, lifelong learning in the arts, and the strengthening of communities through the arts. Click the discipline/field below to jump to that area of the document. Artist Communities Arts Education Dance Folk & Traditional Arts Literature Local Arts Agencies Media Arts Museums Music Opera Presenting & Multidisciplinary Works Theater & Musical Theater Visual Arts Some details of the projects listed are subject to change, contingent upon prior Arts Endowment approval. Page 1 of 168 Artist Communities Number of Grants: 35 Total Dollar Amount: $645,000 18th Street Arts Complex (aka 18th Street Arts Center) $10,000 Santa Monica, CA To support artist residencies and related activities. Artists residing at the main gallery will be given 24-hour access to the space and a stipend. Structured as both a residency and an exhibition, the works created will be on view to the public alongside narratives about the artists' creative process. Alliance of Artists Communities $40,000 Providence, RI To support research, convenings, and trainings about the field of artist communities. Priority research areas will include social change residencies, international exchanges, and the intersections of art and science. Cohort groups (teams addressing similar concerns co-chaired by at least two residency directors) will focus on best practices and develop content for trainings and workshops. -
BALLETIN DANCE Directora Y Propietaria: Agustina REDACCIÓN Llumá
LA REVISTA ARGENTINA DE DANZA ISSN 1850-6275 . Año 26 . Nº 287 . Junio 2019 Revista mensual de distribución gratuita en Capital Federal y Gran Buenos Aires CARLA RIMOLA LAURA FIGUEIRAS Desempolvar la Historia SIMBA y ALEX Bailan en Av. Corrientes EN CRISIS PREMIOS Revistas Culturales Konex · Benois · Ruanova FOUETTE Una empresa de artistas para artistas ~ CALZADO INDUMENJT ARIA ACCESORIOS r'tú qti.Jt-tM 9-tJ~~ ~ > Nota de Tapa 4 Carla Rímola y Laura Figueiras: Hay Equipo > Actualidad 8 Simba y Alex en > Staff Buenos Aires 13 Marplatenses en la Capital editora general 13 Compañía Juvenil San Agustina Llumá Martin editores asociados 13 Intercambio Juvenil 14 País en Crisis Diego Llumá 18 Ciencia Ficción Martín Goyburu Remixada Carla Rímola y Laura Figueiras escriben en este 18 Tejidos Ensoñados Foto: Natalia Benosilio número 20 Cuidados Beatriz Cotello Kinesiológicos en el Gustavo Friedenberg San Martín Román Ghilotti 22 Ofi cialización Declarada de Interés Municipal Alicia Muñoz por el Honorable Concejo Deli- Gabriel Vaudagna Arango > Flamenco berante de la Ciudad de Buenos Daniel Sousa 25 Epicentro Local Aires. Ordenanza Nº 49.027/95. Auspiciada por la Secretaría de colabora > Provincias > Argentinos en... Cultura del Gobierno de la Ciudad de Buenos Aires. Resolución Nº Patricia Brañeiro 24 Buenos Aires. Bodas 35 Francia. Les Nuits du 12/96. Auspiciada y declarada De Oro en Necochea Chateau en nuestra sede de Interés Cultural por la Secre- 35 Santa Fe. Inauguración 38 España. Intimidades taría de Cultura y Comunicación Juan Martín Caset Públicas de la Nación. Resolución Nº 291/97 y 514/01. Auspiciada por corresponsales > Comentarios la Dirección General de Asun- Mercedes Borges (Cuba) 26 Hágalo Usted Mismo > Internacionales tos Culturales del Ministerio de Rosa C. -
Press Information → 2020/21 Season
Press Information → 2020/21 Season THE VIENNA ① STATE BALLET 2020/21 »Along with my team and my dancers, I intend to work towards developing the Vienna State Ballet into a major hotspot of the art of dance in Austria and Europe forming an ensemble that reflects and inspires the traditions, changes and innovations of the lively metropolis, city of art and music, Vienna.« Martin Schläpfer Martin Schläpfer takes over the direction of the Vienna State Ballet with the 2020 / 21 season. The renowned Swiss choreographer and ballet director has recently led the multi-award-winning Ballett am Rhein Düsseldorf Duisburg to international acclaim. His works fascinate with their intensity, their virtuosity, their deeply moving images and a concise language of movement, which is understood as making music with the body, but always reflects the atmosphere and questions of today’s world. Several performances offer the opportunity to encounter Martin Schläpfer’s art – including two world premieres: Two new pieces for Vienna are being created to Gustav Mahler’s 4th Symphony and Dmitri Shostakovich’s 15th Symphony, which also mark the beginning of the intensive creative dialogue that Martin Schläpfer will be establishing with the artists of his ensemble in the coming years. As director, Martin Schläpfer is a bridge-builder who will naturally continue to cultivate the great ballet traditions, but will also enrich the programme with important contemporary artists and a great variety of choreographic signatures. The masters of American neo-classical ballet George Balanchine and Jerome Robbins will continue to be among the fixed stars of the Vienna repertoire, as will the Dutchman Hans van Manen. -
Program 2 1St Flash Jorma Elo
Program 2 1st Flash Jorma Elo WHICH/ONE Adi Salant Solo Echo Crystal Pite Feb 28 Mar 1 2 Queen Elizabeth Theatre @BALLETBC AN ARTSLANDIA #BALLETBCPROGRAM2 #TALKBALLET PUBLICATION WECHAT JOIN THE BALLET BC E-LIST: BALLETBC.COM Program 1st Flash orma lo WHICH/ONE Adi alant Solo Echo Crystal ite Learning Guide The goal of this Learning Guide is to help students engage fully with the dance performance featured in Ballet BC’s 2018 production of Program at the Queen Elizabeth Theatre. TABLE OF CONTENTS 3… Welcome from Artistic Director 4… About Ballet BC 5… nterie it Emi nr i … About Ballet BC’s Program … About the Artists 1… Before the Performance Lesson I - Dance … Before the Performance Lesson II - Storytelling … After the Performance Lesson III … Continue Your Exploration Ballet BC would like to thank Diamond Foundation for their geners support of Ballet BC’s Student and Community Dress Rehearsal rgrm. Ballet BC acknowledges the financial assistance of the Province of British Columbia for Ballet BC’s Outreach and Education Program. A message from Ballet BC WELCOME TO PROGRAM 2! First, a sincere thank you for joining and supporting us as we journey through this celebratory 2018–19 season . After weeks of exciting touring in new locations, we return to our home town to present a captivating evening of dance featuring three remarkable and inspired works. Tonight’s program features the return of Jorma Elo’s gripping 1st Flash, followed by a world premiere by the fresh choreographic voice of Adi Salant, and we close the evening with Solo Echo, a company signature and audience favourite by renowned Canadian choreographer, Crystal Pite. -
W Iener Opernball 2020
Cover von Hubert Schmalix Cover von Hubert Schmalix „Königin der Nacht“ „Königin der Nacht“ #wieneropernball #wieneropernball Wiener Opernball 2020 Wiener xxxxx OPERNBALL 2020 2 www.wiener-staatsoper.at #wieneropernball 20. Februar 2020 20 February 2020 Ehrenschutz Patronage Der 64. Wiener Opernball am 20. Februar 2020 steht PROGRAMM unter dem Ehrenschutz des Bundespräsidenten der PROGRAMME Republik Österreich Dr. Alexander Van der Bellen. Das Ehrenpräsidium: Die österreichische Bundesregierung The 64th Vienna Opera Ball on February 20, 2020 is held under the patronage of the President of the Republic of Austria Dr. Alexander Van der Bellen. Honorary Presidency: Austrian Federal Government 3 Vorwort SEHR GEEHRTE DAMEN UND HERREN, LIEBES OPERNBALLPUBLIKUM! Für viele Menschen scheint sich der Wiener Opernball jedes Jahr aufs Neue Pavol Breslik, Yusif Eyvasov und diesmal Piotr Beczała, ebenso aufstrebende weitgehend unverändert zu reproduzieren. Tatsächlich hat sich aber in den Talente wie Aida Garifullina, Olga Bezsmertna, Anita Hartig, Valentina Naforniţă, vergangenen zehn Jahren sehr viel getan. Margarita Gritskova oder Adam Plachetka. Zunächst wurden zahlreiche räumliche Neugestaltungen konzipiert und Auch der Auftritt des Balletts entwickelte sich zum besonders beliebten geschaffen: unter anderem die Crystalbar, die Restaurants auf der Seiten- und Moment für das Ballpublikum: Die Ballettakademie, das Corps de ballet und Hinterbühne, die Wolfsschlucht in der Orchestergarderobe, die Weinbar auf die Solistinnen und Solisten präsentieren sich jedes Jahr in einer originellen der Loggia, die Bars am Balkon oder der attraktiv umgestaltete Einsingraum. Choreographie von hoher Qualität. Das Betreten des Hauses über den Roten Teppich wurde reorganisiert, die Am heutigen Abend wird das Opernhaus wieder in neuem Glanz erstrahlen, Präsenz von Fotografen und Fernsehteams beim Eingang der Oper und auf der die Blumen werden die Feststiege, den Ballsaal und die Prunkräume schmücken.