English National Ballet Winter Update
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Bolshoi Theater
FOR IMMEDIATE RELEASE Contact: Dick Caples Tel: 212.221.7909 E-mail: [email protected] Lar Lubovitch awarded the 20th annual prize for best choreography by the Prix Benois de la Danse at the Bolshoi Theater. He is the first head of an American dance company ever to be so honored. New York, NY, May 23, 2012 – Last night at the Bolshoi Theater in Moscow, Lar Lubovitch was awarded the 20th annual prize for best choreography by the Prix Benois de la Danse. Lubovitch is the first head of an American dance company ever presented with the award. He was honored for his creation of Crisis Variations, which premiered at the Baryshnikov Arts Center in New York City on November 9, 2011. The work, for seven dancers, is set to a commissioned score by composer Yevgeniy Sharlat, and the score was performed live at its premiere by the ensemble Le Train Bleu, under the direction of conductor Ransom Wilson. To celebrate the occasion, the Lar Lubovitch Dance Company performed the duet from Meadow for the audience of 2,500 at the Bolshoi. The dancers in the duet were Katarzyna Skarpetowska and Brian McGinnis. The laureates for best choreography over the previous 19 years include: John Neumeier, Jiri Kylian, Roland Petit, Angelin Preljocaj, Nacho Duato, Alexei Ratmansky, Boris Eifman, Wayne McGregor, Sidi Larbi Cherkaoui, and Jorma Elo. Other star performers and important international figures from the world of dance received prizes at this year’s award ceremony. In addition to the award for choreography given to Lubovitch, the winners in other categories were: For the best performance by a ballerina: Alina Cojocaru for the role of Julie in “Liliom” at the Hamburg Ballet. -
Royal Opera House Performance Review 2006/07
royal_ballet_royal_opera.qxd 18/9/07 14:15 Page 1 Royal Opera House Performance Review 2006/07 The Royal Ballet - The Royal Opera royal_ballet_royal_opera.qxd 18/9/07 14:15 Page 2 Contents 01 TH E ROYA L BA L L E T PE R F O R M A N C E S 02 TH E ROYA L OP E R A PE R F O R M A N C E S royal_ballet_royal_opera.qxd 18/9/07 14:15 Page 3 3 TH E ROYA L BA L L E T PE R F O R M A N C E S 2 0 0 6 / 2 0 0 7 01 TH E ROYA L BA L L E T PE R F O R M A N C E S royal_ballet_royal_opera.qxd 18/9/07 14:15 Page 4 4 TH E ROYA L BA L L E T PE R F O R M A N C E S 2 0 0 6 / 2 0 0 7 GI S E L L E NU M B E R O F PE R F O R M A N C E S 6 (15 matinee and evening 19, 20, 28, 29 April) AV E R A G E AT T E N D A N C E 91% CO M P O S E R Adolphe Adam, revised by Joseph Horovitz CH O R E O G R A P H E R Marius Petipa after Jean Coralli and Jules Perrot SC E N A R I O Théophile Gautier after Heinrich Meine PRO D U C T I O N Peter Wright DE S I G N S John Macfarlane OR I G I N A L LI G H T I N G Jennifer Tipton, re-created by Clare O’Donoghue STAG I N G Christopher Carr CO N D U C T O R Boris Gruzin PR I N C I PA L C A S T I N G Giselle – Leanne Benjamin (2) / Darcey Bussell (2) / Jaimie Tapper (2) Count Albrecht – Edward Watson (2) / Roberto Bolle (2) / Federico Bonelli (2) Hilarion – Bennet Gartside (2) / Thiago Soares (2) / Gary Avis (2) / Myrtha – Marianela Nuñez (1) / Lauren Cuthbertson (3) (1- replacing Zenaida Yanowsky 15/04/06) / Zenaida Yanowsky (1) / Vanessa Palmer (1) royal_ballet_royal_opera.qxd 18/9/07 14:15 Page 5 5 TH E ROYA L BA L L E T PE R F O R M A N C E S 2 0 0 6 / 2 0 0 7 LA FI L L E MA L GA R D E E NU M B E R O F PE R F O R M A N C E S 10 (21, 25, 26 April, 1, 2, 4, 5, 12, 13, 20 May 2006) AV E R A G E AT T E N D A N C E 86% CH O R E O G R A P H Y Frederick Ashton MU S I C Ferdinand Hérold, freely adapted and arranged by John Lanchbery from the 1828 version SC E N A R I O Jean Dauberval DE S I G N S Osbert Lancaster LI G H T I N G John B. -
Sylvia a Quiet Evening of Dance
SPECIALE SPETTACOLO CLASSICO SYLVIA Un viaggio dentro il valore del balletto classico, la sua potenza tecnica, la sua spettacolarità. Sylvia di Manuel Legris, coproduzione tra lo Staatsballett di Vienna e il Teatro alla Scala di Milano, dove ha inaugurato la stagione 2019-2020, ha riportato in auge con trascinante freschezza la grandeur della tradizione in movimento del balletto. Tre atti, miriadi di variazioni e Il palmarès con i ruoli, folgoranti insiemi femminili, incantevoli ensemble, in Sylvia il riconoscimenti assegnati linguaggio classico-accademico dalla giuria a spettacoli, svetta in tutta la sua ricchezza e versatilità grazie al tocco coreografico coreografi, ballerini e di Manuel Legris, in piena sintonia con danzatori visti nel 2019 la partitura sinfonica di Léo Delibes, composta per la prima edizione del sui palcoscenici italiani e balletto nel 1876 e diretta alla Scala le segnalazioni dei nostri con brillantezza da Kevin Rhodes. I personaggi raccontano a pieno migliori talenti all’estero. attraverso la danza le loro aspirazioni e sentimenti: la focosità battagliera di Sylvia e la sua trasformazione da ninfa cacciatrice a prigioniera seduttrice e SPETTACOLO CLASSICO DANZATORI EMERGENTI donna innamorata, l’appassionato SYLVIA CATERINA BIANCHI incantamento del pastore Aminta Cor. Manuel Legris Corpo di ballo del Teatro per Sylvia, il vorace desiderio del Corpo di ballo del Teatro alla Scala alla Scala perfido Orione, l’eleganza del deus SALVATORE MANZO ex machina Eros, il vigore delle ninfe SPETTACOLO CONTEMPORANEO Corpo di ballo del Teatro EX-AEQUO di San Carlo con arco e frecce, la sensualità e A QUIET EVENING OF DANCE il guizzo di nereidi, satiri, orientali. -
Spielplan-Präsentation 2018/19 120 Jahre Volksoper Wien 120 Jahre Vielfalt
Spielplan-Präsentation 2018/19 120 Jahre Volksoper Wien 120 Jahre Vielfalt 1 Spielplanpräsentation Volksoper Wien Saison 2018/19, Stand 11. April 2018 2 Spielplanpräsentation Volksoper Wien Saison 2018/19, Stand 11. April 2018 Inhalt Vorwort .................................................................................................................................................... 5 Übersicht .................................................................................................................................................. 7 Zusammenfassung der Pressekonferenz ................................................................................................ 9 120 Jahre Volksoper Wien – Ein Fest im Park .................................................................................. 13 Premieren 2018/19 ................................................................................................................................ 15 Die Csárdásfürstin ............................................................................................................................. 15 Zar und Zimmermann ........................................................................................................................ 17 Wonderful Town ................................................................................................................................ 19 Coppélia ............................................................................................................................................. 21 Porgy -
Das Leben Dem Ballett Gewidmet Life Dedicated to the Ballet Das Leben
dancer’swiener staatsballett Das Leben dem Ballett gewidmeett LLiiffee ddeeddiiccaatteedd ttoo tthhee bbaalllleett Rudolf Hametowitsch Nurejew (1938-1993) Rudolf Hametovich Nureyev 1938 Geboren in einem Waggon der Transsibirischen Eisenbahn auf der Fahrt entlang des Baikalsees, 17. März: amtliche Geburtsmeldung Born on the Trans-Siberian train, near Lake Baikal, March 17: official birthdate 1949-55 Erster Ballettunterricht bei Anna Udelzowa in Ufa Ensembletänzer des Baschkirischen Theaters für Oper und Ballett in Ufa First ballet classes with Anna Udeltsova in Ufa, corps dancer with the Ufa Opera and Ballet Theatre 1955-58 Ausbildung am Choreographischen Institut Agrippina Waganowa in Leningrad, u.a. bei Alexander Puschkin Professional training at the Vaganova Choreographic Institute in Leningrad, in Alexander Pushkin's class 1958-61 Kirow-Ballett, Leningrad / Kirov Ballet, Leningrad 1959 Erstes Auftreten im Westen bei den Weltjugendfest- spielen in Wien - Gewinn einer Goldmedaille First appearance in the West during the International Youth Festival in Vienna. Winner of a Gold Medal 1961 16. Juni: Ansuchen um politisches Asyl am Flughafen Le Bourget, nahe Paris June 16: asks for political asylum at Le Bourget airport, near Paris 1961 International Ballet of the Marquis de Cuevas 1962 Royal Ballet - Beginn der Partnerschaft mit Margot Fonteyn Royal Ballet – Beginning of partnership with Margot Fonteyn bis 1992 Trat mit allen bedeutenden klassischen Compagnien der Welt, sowie mit den Ensembles von Martha Graham, Paul Taylor und Murray Louis auf until 1992 Danced with all major classical ballet companies throughout the world as well as with the companies of Martha Graham, Paul Taylor and Murray Louis ab 1974 Eigene Tourneen mit „Nureyev and Friends" from 1974 Tours with „Nureyev and Friends" 1964 15. -
BALLETIN DANCE Directora Y Propietaria: Agustina REDACCIÓN Llumá
LA REVISTA ARGENTINA DE DANZA ISSN 1850-6275 . Año 26 . Nº 287 . Junio 2019 Revista mensual de distribución gratuita en Capital Federal y Gran Buenos Aires CARLA RIMOLA LAURA FIGUEIRAS Desempolvar la Historia SIMBA y ALEX Bailan en Av. Corrientes EN CRISIS PREMIOS Revistas Culturales Konex · Benois · Ruanova FOUETTE Una empresa de artistas para artistas ~ CALZADO INDUMENJT ARIA ACCESORIOS r'tú qti.Jt-tM 9-tJ~~ ~ > Nota de Tapa 4 Carla Rímola y Laura Figueiras: Hay Equipo > Actualidad 8 Simba y Alex en > Staff Buenos Aires 13 Marplatenses en la Capital editora general 13 Compañía Juvenil San Agustina Llumá Martin editores asociados 13 Intercambio Juvenil 14 País en Crisis Diego Llumá 18 Ciencia Ficción Martín Goyburu Remixada Carla Rímola y Laura Figueiras escriben en este 18 Tejidos Ensoñados Foto: Natalia Benosilio número 20 Cuidados Beatriz Cotello Kinesiológicos en el Gustavo Friedenberg San Martín Román Ghilotti 22 Ofi cialización Declarada de Interés Municipal Alicia Muñoz por el Honorable Concejo Deli- Gabriel Vaudagna Arango > Flamenco berante de la Ciudad de Buenos Daniel Sousa 25 Epicentro Local Aires. Ordenanza Nº 49.027/95. Auspiciada por la Secretaría de colabora > Provincias > Argentinos en... Cultura del Gobierno de la Ciudad de Buenos Aires. Resolución Nº Patricia Brañeiro 24 Buenos Aires. Bodas 35 Francia. Les Nuits du 12/96. Auspiciada y declarada De Oro en Necochea Chateau en nuestra sede de Interés Cultural por la Secre- 35 Santa Fe. Inauguración 38 España. Intimidades taría de Cultura y Comunicación Juan Martín Caset Públicas de la Nación. Resolución Nº 291/97 y 514/01. Auspiciada por corresponsales > Comentarios la Dirección General de Asun- Mercedes Borges (Cuba) 26 Hágalo Usted Mismo > Internacionales tos Culturales del Ministerio de Rosa C. -
Dance Europe - July 2018 3 Tring Park Dance Europe 210X297mm NEW APRIL2018.Qxp Layout 1 11/04/2018 12:47 Page 1
REID! People 18 Reid Anderson EMMA KAULDHAR in conversation with for 22 Years as Director of the Stuttgart Ballet Stuttgart Ballet's long-serving director as he prepares to step down 44 Lin Hwai-min GERARD DAVIS meets with Cloud Gate's director during the company's London season world11 premieres2 48 Egon Madsen at 75 ALISON KENT catches a tribute to the 90 formidable Dane company premieres Birmingham Royal Ballet - Brandon Lawrence, Lachlan Monaghan, Haoliang Feng and Aitor Galende in George Williamson's Embrace. © Emma Kauldhar 82 Thomas Forster MARK BAIRD tracks down one of the Class of tours from100 New York to Tokio 2005 grads at American Ballet Theatre On the Cover The Sleeping Beauty Obituary: Errol Pickford 10 94 AMANDA JENNINGS reviews English Former Royal Ballet and West Australian 38 National Ballet's revival of MacMillan's prizes, honors and awards Ballet principal remembered production Features 2.500viewers in Stuttgart 000 Premieres 36 Class of 2005 DEBORAH WEISS takes a look at a golden 24 Life is a Dream GERARD DAVIS savours Kim Brandstrup's year of RBS graduates baffling yet ingenious creation for Rambert average94% attendance 58 Benois de la Danse 26 Savoir Faire CATHERINE PAWLICK reports from MITCHELL-LEE VAN ROOIJ goes on an Moscow on this year's awards and gala unforgettable journey with NDT Years Ballet12 in the Park 74 Emerging Dancer 30 Polarity and Proximity DEBORAH WEISS applauds upcoming DEBORAH WEISS and AMANDA 1 talent at English National Ballet JENNINGS appraise BRB's London season New Building for the John Cranko School at Sadler's Wells Schläpfer's Swan Lake And much, much more. -
W Iener Opernball 2020
Cover von Hubert Schmalix Cover von Hubert Schmalix „Königin der Nacht“ „Königin der Nacht“ #wieneropernball #wieneropernball Wiener Opernball 2020 Wiener xxxxx OPERNBALL 2020 2 www.wiener-staatsoper.at #wieneropernball 20. Februar 2020 20 February 2020 Ehrenschutz Patronage Der 64. Wiener Opernball am 20. Februar 2020 steht PROGRAMM unter dem Ehrenschutz des Bundespräsidenten der PROGRAMME Republik Österreich Dr. Alexander Van der Bellen. Das Ehrenpräsidium: Die österreichische Bundesregierung The 64th Vienna Opera Ball on February 20, 2020 is held under the patronage of the President of the Republic of Austria Dr. Alexander Van der Bellen. Honorary Presidency: Austrian Federal Government 3 Vorwort SEHR GEEHRTE DAMEN UND HERREN, LIEBES OPERNBALLPUBLIKUM! Für viele Menschen scheint sich der Wiener Opernball jedes Jahr aufs Neue Pavol Breslik, Yusif Eyvasov und diesmal Piotr Beczała, ebenso aufstrebende weitgehend unverändert zu reproduzieren. Tatsächlich hat sich aber in den Talente wie Aida Garifullina, Olga Bezsmertna, Anita Hartig, Valentina Naforniţă, vergangenen zehn Jahren sehr viel getan. Margarita Gritskova oder Adam Plachetka. Zunächst wurden zahlreiche räumliche Neugestaltungen konzipiert und Auch der Auftritt des Balletts entwickelte sich zum besonders beliebten geschaffen: unter anderem die Crystalbar, die Restaurants auf der Seiten- und Moment für das Ballpublikum: Die Ballettakademie, das Corps de ballet und Hinterbühne, die Wolfsschlucht in der Orchestergarderobe, die Weinbar auf die Solistinnen und Solisten präsentieren sich jedes Jahr in einer originellen der Loggia, die Bars am Balkon oder der attraktiv umgestaltete Einsingraum. Choreographie von hoher Qualität. Das Betreten des Hauses über den Roten Teppich wurde reorganisiert, die Am heutigen Abend wird das Opernhaus wieder in neuem Glanz erstrahlen, Präsenz von Fotografen und Fernsehteams beim Eingang der Oper und auf der die Blumen werden die Feststiege, den Ballsaal und die Prunkräume schmücken. -
Introduction
Introduction The World Ballet Festival Returns for Summer 2018 From the 14th World Ballet FestivalPhoto: Kiyonori Hasegawa For more than 40 years now, the most talented and renowned dancers have come to Tokyo from around the world to perform in the World Ballet Festival, which will once again be held this summer. When it was first introduced in 1976 under the leadership of Tadatsugu Sasaki, it was very rare for the star ballerinas of different companies or countries to share a stage. Its first edition caused an international sensation by bringing together three legends, Margot Fonteyn from the UK, Maya Plisetskaya from the Soviet Union and Alicia Alonso from Cuba. Since then stars such as Jorge Donn, Patrick Dupond, Sylvie Guillem, Alessandra Ferri, Manuel Legris and Vladimir Malakhov have become regular participants, bringing the audiences to a storm of excitement every time and inspiring them to watch and compare all the dancers perform. The circle of energy created between audiences and artists in this festival produces an atmosphere that motivates dancers to perform to the best of their abilities, and has resulted in many legendary performances. Featuring the world's leading dancers, all from different artistic backgrounds and representing a wide variety of repertoire and styles, the festival also offers an opportunity to observe an overview of today's ballet scene. While there are now many similar festivals, the quality of both artists and audiences at the World Ballet Festival continues to be amongst the highest in the world. Ballet is an art form that unites finely tuned bodies and minds with sophisticated powers of expression, to create a deep and lasting impression on the audience members. -
One Step at a Time
One step at a time Tonight, Australian Ross Stretton launches his first production as the Royal Ballet's new director. He tells Ismene Brown about his plans - and his determination to be judged on results By Ismene Brown 12:00AM BST 23 Oct 2001 TONIGHT a new era begins at the Royal Ballet. The curtain will rise on a feast of romantic comedy and spectacularly tricky classical dancing set in sunny Spain, Don Quixote - the first production of Ross Stretton, the new director of Britain's flagship ballet company. In good company: Ross Stretton, left, in rehearsals with the Royal Ballet. Dancers enjoy Stretton's constant presence in the studio; they say he appears to favour a bigger, more fluid style New beginnings are hard for everyone, and Stretton, only weeks into his job, has already felt the crackle from the hot seat under him. He has drawn anger over the departures of Royal Ballet favourites Sarah Wildor and Irek Mukhamedov. It has been noticed that his first season looks even more cautious than those under his predecessor, Anthony Dowell, with longer runs of classics; that living European choreographers have more room than dead English ones - that there is only one new creation. In comparison with the roaringly energetic Royal Opera, the Royal Ballet looks as pale and timid as ever it did. This is, of course, exceedingly unfair. Stretton had to arrange his first season from the other side of the world, using dancers he did not know, an opera house whose intricate politicking was a closed book to him, and pitched at a public whose temper he could not gauge. -
Geschäftsbericht 2016 | 2017
2016 | 2017 GESCHÄFTSBERICHT GESCHÄFTSBERICHT 2016 | 2017 www.wiener-staatsoper.at Oper bewegt. Wir bewegen Oper. Als Generalsponsor. Energie ist unser Geschäft. Kultur unser Anliegen. Beides ist uns wichtig. Deshalb unterstützen wir die Wiener Staatsoper als Generalsponsor. www.omv.com/cultural-sponsoring Die Energie für ein besseres Leben. OMV_Kulturinserat_Oper_VF_148x210_DE_RZ.indd 1 14.11.17 10:54 GESCHÄFTSBERICHT 2016 | 2017 www.wiener-staatsoper.at INHALT VORWORT ..........................................................................................................................4 OPER Premieren ..........................................................................................................................8 Repertoire ........................................................................................................................20 BALLETT Premieren ........................................................................................................................22 Repertoire ........................................................................................................................36 KINDEROPER Premiere ..........................................................................................................................38 Repertoire ........................................................................................................................40 GASTSPIELE .....................................................................................................................42 KONZERT..........................................................................................................................44 -
Geschäftsbericht 2013 | 2014
GESCHÄFTSBERICHT 2013 | 2014 www.wiener-staatsoper.at INHALT VORWORT ..........................................................................................................................4 OPER Premieren, Wiederaufnahmen, Musikalische Neueinstudierung ..................................8 Repertoire ........................................................................................................................26 BALLETT Premieren, Wiederaufnahmen .......................................................................................30 Repertoire ........................................................................................................................41 KINDEROPER ..................................................................................................................42 KONZERTE ......................................................................................................................46 GASTSPIELE ....................................................................................................................52 WIENER OPERNBALL ......................................................................................................54 MATINEEN .......................................................................................................................56 SONSTIGE VERANSTALTUNGEN ...................................................................................65 SONDERPUBLIKATIONEN .............................................................................................69 BALLETTAKADEMIE