DOCSLIB.ORG

Actor Network Theory and After Free Download

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Actor Network Theory and After Free Download ACTOR NETWORK THEORY AND AFTER FREE DOWNLOAD John Law,John Hassard | 264 pages | 04 May 1999 | John Wiley and Sons Ltd | 9780631211945 | English | Oxford, United Kingdom John Law (sociologist) Journal of Planning Education and Research. All the factors involved in a social situation are Actor Network Theory and After the same level, and thus there are no external social forces beyond what and how the network participants interact at present. Actor-network theory, sometimes abbreviated to ANT, is a social science approach for describing and explaining social, Actor Network Theory and After, scientific and technological structures, processes and events. Actor—network theory Alliance theory Cross-cultural studies Cultural materialism Culture theory Diffusionism Feminism Historical particularism Boasian anthropology Functionalism Interpretive Performance studies Political economy Practice theory Structuralism Post-structuralism Systems theory. These networks are potentially transient, existing in a constant making and re-making. Actor Network Theory and After theory Blackboxing Graphism thesis Mapping controversies Oligopticon Translation sociology. The Actor Network Theory and After is related to other versions of material-semiotics notably the work of philosophers Gilles DeleuzeMichel Foucaultand feminist scholar Donna Haraway. Oxford: Oxford UP. Also important to the notion is the role of network objects in helping to smooth out the translation process by creating equivalencies between what would otherwise be very challenging people, organizations or conditions to mesh together. Notify me. Actor—network theory has become increasingly prominent within the discipline of international relations and political science. Essential We use cookies to provide our servicesfor example, to keep track of items stored in your shopping basket, prevent fraudulent activity, improve the security of our services, keep track of your specific preferences e. This biography of a British sociologist is a Actor Network Theory and After. In part because of its popularity, it is interpreted and used in a wide range of alternative and sometimes incompatible ways. Hidden categories: Webarchive template wayback links Articles containing potentially dated statements from All articles containing potentially dated statements All articles with specifically marked weasel-worded phrases Articles with specifically marked weasel-worded phrases from December All articles with unsourced statements Articles with unsourced statements from May Articles with specifically marked weasel-worded phrases from July Articles with specifically marked weasel-worded phrases from October All articles with dead external links Articles with dead external links from February Articles with permanently dead external links. The purpose of that dialog is not to rehearse old differences. Coronavirus delivery updates. Stephen Edgell. About us. Rather, ANT prefers to seek out complex patterns of Actor Network Theory and After rooted in connections between actors. Mike Savage. Chicago: University of Chicago Press. From Wikipedia, the free encyclopedia. Moral and political positions are possible, but one must first describe the network before taking up such positions. Revision history. Who Pays? ANT has been deployed in studies of identity and subjectivity, urban transportation systems, and passion and addiction. The rationale for this is that differences between them are generated in the network of relations, and should not be presupposed. Oxford: Oxford University Press. Together these form a single network. From Wikipedia, the free encyclopedia. This controversial and path-breaking volume extends ANT beyond studies of technology, power and organisation to the body, subjectivity, politics, and cultural difference, and puts it into cutting-edge dialogue with feminism, anthropology, psychology and economics. We can notify you when this item is back in stock. Central to ANT is the concept of translation which is sometimes referred to as sociology of translationin which innovators attempt to create a forum, a central network in which all the actors agree that the network is worth building and defending. Similarities between ANT and symbolic interactionist approaches such as the newer forms of grounded theory like situational analysisexist, [7] although Latour [8] objects to such a comparison. Actor Network Theory and After Read Edit View history. Added to PP index Total views 5 1, of 2, Recent downloads 6 months 1of 2, How can I increase my downloads? Social and Political Philosophy categorize this paper. This effect is known as punctualisationand is similar to the idea of encapsulation in object-oriented programming. Configure custom resolver. Download as PDF Printable version. When an actor network breaks down, the punctualisation effect tends to cease as well. Academic freedom Digital divide Evidence-based policy Factor 10 Funding of science Science policy history of science of Politicization Actor Network Theory and After science Regulation of science Research ethics Right to science Socio-scientific issues Technology assessment Technology policy Transition management. Cookie Preferences We use cookies and similar tools, including those used by approved third parties collectively, "cookies" for the purposes described below. Bestselling Series. For example, we use cookies to conduct research Actor Network Theory and After diagnostics to improve our content, products and services, and to measure and analyse the performance of our services. ANT is often associated with the equal treatment of human and non-human actors. This biography of a living person relies too much on references to primary sources. ANT argues that objects are designed to shape human action Actor Network Theory and After mold or influence decisions. Some authors talk of "after-ANT" to refer to "successor projects" blending together different problem-focuses with those of ANT. Sign up now. .
Load more

Recommended publications
  • Doing Actor-Network Theory: Integrating Network Analysis with Empirical Philosophy in the Study of Research Into Genetically Modified Organisms in New Zealand
    Lincoln University Digital Thesis Copyright Statement The digital copy of this thesis is protected by the Copyright Act 1994 (New Zealand). This thesis may be consulted by you, provided you comply with the provisions of the Act and the following conditions of use: you will use the copy only for the purposes of research or private study you will recognise the author's right to be identified as the author of the thesis and due acknowledgement will be made to the author where appropriate you will obtain the author's permission before publishing any material from the thesis. Doing Actor-Network Theory: Integrating network analysis with empirical philosophy in the study of research into Genetically Modified Organisms in New Zealand __________________________________ A thesis submitted in partial fulfilment of the requirements for the Degree of Doctor of Philosophy at Lincoln University by Sarah Edwards _______________________________ Lincoln University 2014 Abstract Abstract of a thesis submitted in partial fulfilment of the requirements for the Degree of Doctor of Philosophy Doing Actor-Network Theory: Integrating network analysis with empirical philosophy in the study of research into Genetically Modified Organisms in New Zealand by Sarah Edwards This thesis provides a critical examination of the theoretical and methodological tools provided by Actor-Network Theory (ANT). It does so by applying ANT to the analysis of research into Genetically Modified Organisms (GMOs) in New Zealand: first, in the case of a particular programme of GMO research; second, by considering the organisation and control of GMO research in more general terms. While ANT as a field of scholarship has grown substantially since its development in the 1980s, the early network analyses upon which it was originally founded still offer the most substantial methodological guidelines for researchers.
    [Show full text]
  • REVIEW: Bruno Latour. Reassembling the Social: an Introduction to Actor-Network-Theory
    REVIEW: Bruno Latour. Reassembling the Social: An Introduction to Actor-Network-Theory. Author(s): Nicholas J. Rowland, Jan-Hendrik Passoth, and Alexander B. Kinney Source: Spontaneous Generations: A Journal for the History and Philosophy of Science, Vol. 5, No. 1 (2011) 95-99. Published by: The University of Toronto DOI: 10.4245/sponge.v5i1.14968 EDITORIALOFFICES Institute for the History and Philosophy of Science and Technology Room 316 Victoria College, 91 Charles Street West Toronto, Ontario, Canada M5S 1K7 [email protected] Published online at jps.library.utoronto.ca/index.php/SpontaneousGenerations ISSN 1913 0465 Founded in 2006, Spontaneous Generations is an online academic journal published by graduate students at the Institute for the History and Philosophy of Science and Technology, University of Toronto. There is no subscription or membership fee. Spontaneous Generations provides immediate open access to its content on the principle that making research freely available to the public supports a greater global exchange of knowledge. R Latour’s Greatest Hits, Reassembled Bruno Latour. Reassembling the Social: An Introduction to Actor-Network-Theory. 328pp. New York, NY: Oxford University Press, USA, 2005.∗ Nicholas J. Rowland† Jan-Hendrik Passoth‡ Alexander B. Kinney§ It seems peculiar that a non-theory, anti-method has managed to become canonical, but that is what Bruno Latour will introduce you to in his book; the post-pluralist, post-humanist aitude called Actor-Network-Theory (ANT). Drawing together heaps of controversial research, Latour resuscitates ANT aer its 1999 death (see Law and Hassard 1999). Like Graham Harman’s book about Latour, The Prince of Networks (2009), Reassembling the Social is the outcome of various lectures and seminars, and must be read as such.
    [Show full text]
  • Material Culture, Theoretical Culture, and Delocalization
    PETER GALISON Material Culture, Theoretical Culture, and Delocalization Collection, laboratory, and theater – all face the unavoidable problem of moving the specific, tangible reality of a highly refined local circum- stance into a wider domain, if not of the universal, at least out of the here and now. In the study of science, simply recognizing the inevitably local origins of science has been an enormous accomplishment, perhaps the signal achievement of science studies over the past twenty years. But we then need to understand, again in specific terms, how this lo- cally-produced knowledge moves, how – without invoking an other- wise unexplained process of ‘generalization’ – scientific work is de- localized. My work over the last years (e.g. Image and Logic)1 has aimed at this goal, folding the local back on the local, so to speak, by asking how the local cultures of science link up through the piecewise coordination of bits of languages, objects, procedures. I have in mind much more austere and less grand ideas than the ‘translation,’ ‘trans- mission,’ or ‘diffusion’ of pre-existing meanings. Instead, my focus is on the way bare-bone trading may occur between different subcultures of science, or between subcultures of science and bits of the wider world in which they are fundamentally embedded. In this picture, nei- ther language nor the world of things changes all of a piece, and talk of world-changing Gestalt shifts give way to the particular building-up of scientific jargons, pidgins, and creoles. These trading languages be- come important as do shared bits of apparatus or fragments of theoreti- cal manipulation.
    [Show full text]
  • We Have Never Been Modern Pdf Free Download
    WE HAVE NEVER BEEN MODERN PDF, EPUB, EBOOK Bruno Latour | 168 pages | 04 May 2011 | HARVARD UNIVERSITY PRESS | 9780674948396 | English | Cambridge, Mass, United States We Have Never Been Modern PDF Book What difference does the scientific method make? Home About Publications Archive Index. We often encounter attempts to gauge the strength of faiths and denominations Act the Man and Build. The domains interact with one another, but they cannot, ought not, be confused. Skip to search form Skip to main content You are currently offline. View 4 excerpts, cites background. We have to keep up appearances, because being modern simply is the pretense that We are not Them. This forms the basis for Harman's Object Oriented Ontology. Church and ministry leadership resources to better equip, train and provide ideas for today's church and ministry leaders, like you. On March 24, I submitted the final copyedits for my new book …. Childish primitives that they were and are , pre-moderns muck everything up. With the rise of science, we moderns believe, the world changed irrevocably, separating us forever from our primitive, premodern ancestors. For moderns, the purification process is overt, while hybrids are denied even though modernity proliferates them. The imbroglios and networks that had no place now have the whole place to themselves. Inauguration and Vocation. Paradox 2: Nature is immanent, we construct it in a lab; society is not out construction, it is bio-fact that transcends us. Latour's book is largely a rumination on the phenomenon of modernity and how to create for ourselves a nonmodern world by ending the divide between social life and natural life.
    [Show full text]
  • Assemblages and Actor-Networks: Rethinking Socio-Material Power, Politics and Space
    Geography Compass 9/1 (2015): 27–41, 10.1111/gec3.12192 Assemblages and Actor-networks: Rethinking Socio-material Power, Politics and Space Martin Müller* Universität Zürich and University of Birmingham Abstract Assemblage thinking and actor-network theory (ANT) have been at the forefront of a paradigm shift that sees space and agency as the result of associating humans and non-humans to form precarious wholes. This shift offers ways of rethinking the relations between power, politics and space from a more processual, socio-material perspective. After sketching and comparing the concepts of the assemblage and the actor-network, this paper reviews the current scholarship in human geography which clusters around the four themes of deterritorialisation/reterritorialisation; power; materials, objects and technologies; and topological space. Looking towards the future, it suggests that assemblage thinking and ANT would benefit from exploring links with other social theories, arguing for a more sustained engagement with is- sues of language and power, and affect and the body. Assemblages and Actor-networks: New Paradigms? If language, representation and discourse were the pet concepts of the 1990s, assemblage, actor- networks and materiality might well be those of the 2000s. From geography’s preoccupation with meaning in the wake of the cultural turn in the late 1980s, the pendulum has come full circle with a return to a concern for materiality – objects, bodies and matter. Calls for ‘rematerializing geography’ have sounded throughout the sub-disciplines, in political geography (Dittmer 2013a; Meehan et al. 2013; Squire 2014a), feminist geography (Colls 2012; Slocum 2008), urban geography (Lees 2002), social and cultural geography ( Jackson 2000; Whatmore 2006), resource geographies (Bakker and Bridge 2006) or GIScience (Leszczynski 2009).
    [Show full text]
  • The Ecology of Latour: His Metaphysics, Theory of Modernity, and Environmental Thought
    THE ECOLOGY OF LATOUR: HIS METAPHYSICS, THEORY OF MODERNITY, AND ENVIRONMENTAL THOUGHT [For MSCP use only. Please don’t cite or copy from without my express permission. These notes may contain typos and other errors. Caveat lector!] Lecture 1: Reading: Latour, Irreductions, Part II from Pasteurization of France, especially section 1. “Irreductions”: The Project Always summing up, reducing, limiting, appropriating, putting in hierarchies, repressing— what kind of life is that? Latour, Irreductions This week we will look at the works of Bruno Latour, who is one of the most important philosophers writing today. We aim to take a survey of the ecology of Latour’s work, a nod both to his style of writing—like any ecology, Latour’s is a hybrid entity of different fields (philosophy, sociology, and anthropology)—and his work on Gaia and nature. Latour’s work is deeply philosophical but is driven by what he self-describes as an anthropological method: to look at the West through the same gaze it uses to treat those not in the West: what are its most cherished practiced? When it calls itself modern, what does it mean? How is this different from its actual practices? How are its most cherished values linked to the ecological crises we face across the globe today? Today we begin with his Irreductions, the second part of his major book The Pasteurization of France (published in French in 1984, in English 1988), which offers in a style reminiscent of modern philosophers such as Spinoza (e.g., his Ethics) an unambiguous metaphysics of act network theory (ANT).
    [Show full text]
  • A House Divided: Land, Kinship, and Bureaucracy in Post-Earthquake Kathmandu
    A House Divided: Land, Kinship, and Bureaucracy in Post-Earthquake Kathmandu by Andrew Haxby A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Anthropology) in The University of Michigan 2019 Doctoral Committee: Professor Tom Fricke, Chair Associate Professor Lan Deng Assistant Professor Jatin Dua Associate Professor Matthew Hull Professor Stuart Kirsch Andrew Warren Haxby [email protected] ORCID: 0000-0002-5735-1173 © Andrew Warren Haxby 2019 Acknowledgements It is utterly humbling to think of all the people and institutions who have helped make this document and research project possible. This project received generous funding from multiple agencies at different stages. I want to thank the University of Michigan’s Rackham graduate school, which funded both my pre-dissertation fieldwork and a significant portion of my main fieldwork, as well as provided me with funding throughout my graduate career. I also want to thank the National Science Foundation and the Wenner Gren Foundation for their generous support of my fieldwork as well. Finally, thank you to the U.S. Department of Education’s Foreign Language and Area Studies program for their support of my language training. I also want to extend my thanks to the Nepali government for hosting me during my fieldwork, and to Tribhuvan University for sponsoring my research visa, particularly to the Economics department and Prof. Kusum Shakya. Throughout this process, both the Nepali government and Tribhuvan University have been committed in supporting my research agenda, for which I am deeply grateful. I also want to thank both the commercial bank and finance company that allowed me to observe their work.
    [Show full text]
  • Actor-Network Theory (ANT)’
    Müller, Martin. 2015. ‘Actor-Network Theory (ANT)’. Oxford Bibliographies. Oxford: Oxford University Press. Doi: 10.1093/OBO/9780199874002-0118. Actor-Network Theory (ANT) Martin Müller • LAST MODIFIED: 26 OCTOBER 2015 • DOI: 10.1093/OBO/9780199874002-0118 Introduction Introduction Actor-network theory, commonly abbreviated as ANT, has become a key inspiration for geographers to incorporate materiality into geographical theorizing and practice and conceive of agency as a distributed arrangement. Its popularity in geography is a result of providing both new conceptual resources for the discipline’s preoccupation with all things material: nature, buildings, technologies, objects, and the like. It can be seen as a counterbalance to the cultural turn in the late 1980s (as described in the Oxford Bibliographies aricle, Cultural Geography by Lily Kong), which focused geographers’ attention on meaning and representation. Emerging in the early 1980s from Science and Technology Studies (STS) in Geography, it was sociologists Bruno Latour, Michel Callon, and John Law who pioneered ANT. For ANT, all entities, whether they are germs or people, stand on equal ontological footing in the beginning. With this assumption, it breaks with the established academic division of labor whereby social scientists look at people and natural scientists look at nature. In its focus on associations, ANT claims that it is the relations established between these entities that make the difference whether powerful actors emerge in particular situations. Hence, Latour (see Latour, Bruno. Reassembling the Social: An Introduction to Actor-Network Theory. Oxford: Oxford University Press, 2005.) also called ANT a “sociology of associations” (p. 9). ANT puts an emphasis on tracing these associations to understand how hybrid networks of humans and nonhumans come together to make things happen or validate particular knowledge claims.
    [Show full text]
  • Actor-Network Theory and Organizational Forming: an Amodern Path Dependence Perspective.’ Studying Path Dependencies of Businesses, Institutions and Technologies
    Donnelly, P. (2008) ‘Actor-Network Theory and Organizational Forming: An Amodern Path Dependence Perspective.’ Studying Path Dependencies of Businesses, Institutions and Technologies. Freie Universität Berlin, Germany (February). RETHINKING THE ORGANIZATIONAL: FROM ‘FORM’ TO ‘FORMING’ PAUL F. DONNELLY College of Business Dublin Institute of Technology Aungier Street (3-062) Dublin 2 Ireland Email: [email protected] This paper represents work in progress. All constructive feedback is welcome. 1 ABSTRACT The organizational theory literature has identified the emergence and evolution of organizational forms as a critical issue to be addressed, yet new ways of looking at organizational form have yet to be addressed and there are concerns about the largely ahistorical and aprocessual character of much organizational theorizing. While path dependence, as conventionally conceived, presents an avenue for overcoming the lack of historical contingency in mainstream organizational theories, it does not maintain an opening for form ing . Here is where actor-network theory comes in to not only argue that organizational form ing is ongoing, but also show how it is made unrecognizable by our modes of theorizing. Of particular interest to this framing is the re-articulation of path dependence as a constructivist endeavor, incorporating the concept into actor-network theory through its reconsideration as ‘irreversibilility’. 2 RETHINKING THE ORGANIZATIONAL: FROM ‘FORM’ TO ‘FORMING’ Taking the view that “[w]here new organizational forms come from is one of the central questions of organizational theory” (Rao, 1998: 912) and has been since Weber’s (1946, 1947) formulation of the ideal-type bureaucracy, I seek to address some of the concerns with extant ways of theorizing the organizational.
    [Show full text]
  • The Potential of Actor-Network Theory for Analyzing Children's Videomaking
    Charting new directions: The Potential of Actor-Network Theory for Analyzing Children’s Videomaking DIANE DAGENAIS Simon Fraser University ANDREEA FODOR Simon Fraser University ELIZABETH SCHULZE Pacific Cinémathèque KELLEEN TOOHEY Simon Fraser University Abstract This paper represents preliminary efforts to understand what Actor-Network Theory (ANT) might contribute to our interest in analyzing what we hope are enhanced educational practices for second language (L2) learners. This theory encourages us to examine more closely the things, the tools, the non-human actants that are active in particular educational practices, and how those tools and not others, “exclude, invite and regulate particular forms of participation” (Fenwick and Edwards, 2010, p. 7). We identify aspects of ANT that are relevant to our work on videomaking, describe our videomaking research and provide two illustrations of how we began to see what ANT might offer in analysis of our video data and to consider its potential for guiding our ongoing fieldwork. We argue here that ANT highlights the importance of paying attention to the production of networks between both human and non-human actors during the videomaking process to understand how these interactions shape the school experiences of language learners. “Material things are performative: They act, together with other types of things and forces, to exclude, invite and regulate particular forms of participation” (Fenwick and Edwards, 2010, p. 7). In the introduction to his 1996 book, Aramis, or, the love of technology, Bruno Latour tells the story of the main character in Samuel Butler’s Erewhon who is imprisoned for owning a watch. In Butler’s utopian world, ‘modern’ technology is forbidden for fear that, unless reverted to simple tools, people would lose their souls.
    [Show full text]
  • Black-Boxing Organisms, Exploiting the Unpredictable: Control Paradigms in Human–Machine Translations
    Published as Blackboxing Organisms, Exploiting the Unpredictable. Control Paradigms in Human-Machine Translation. In: Martin Carrier / Alfred Nordmann (Hg.): Science in the Context of Application. Boston Studies in the Philosophy of Science: Springer, 2011, Vol. 274, Part 6, S. 409-429. Pre-print version. Black-Boxing Organisms, Exploiting the Unpredictable: Control Paradigms in Human–Machine Translations Jutta Weber ... a kind of simultaneous safety with risk, a transcendence over the ‘world’ in question at the same time that one is somehow inscribed within it, engaged with an autonomous and therefore not fully predictable other. This produces a simultaneous sense of control over the virtual from ‘outside’ while being ‘inside,’ controlled by larger and more powerful forces. The result is a controlled simulation of the experience of not being in control; hence, the best of both worlds (Lucy Suchman, 2006, 6). Introduction Cybernetics as well as new, behavior-based robotics implicitly or explicitly claims to reach beyond the old linear and mechanical logic of modern science and to develop a new and more complex technoscientific rationality. 1 This shift is celebrated as paradigmatic by technoscientists as well as social scientists and humanities scholars. For some scholars, new technosciences2 such as robotics and “cybernetics directly thematises the unpredictable liveliness of the world and processes of open-ended becoming” (Pickering, 2002, 430). With this supposed shift in (techno)scientific rationality new approaches and methodologies of 1 This paper draws on my German paper Vom ‘Teufel der Unordnung’ zum Engel des Rauschens. Kontroll- und Rationalitätsformen in Mensch-Maschine-Systemen. In: Blätter für Technikgeschichte Heft 66/67, 2004/05 2 For the concept of technoscience see Weber (2003, 2010) and Nordmann (2004, 2006).
    [Show full text]
  • Facebook out of Control? a Technically-Mediated Autonomous Technology1 Amanda Chevtchouk Jurno*
    Revista Brasileira de Inovação ISSN 2178-2822 DOI: https://doi.org/10.20396/rbi.v18i2.8653696 ARTIGO Facebook out of control? A technically-mediated autonomous technology1 Amanda Chevtchouk Jurno* * Universidade Federal de Minas Gerais (UFMG), Belo Horizonte (MG), Brasil. E-mail: [email protected] Received: 16 October 2018 Revised version: 29 March 2019 Accepted: 22 August 2019. Abstract On the controversy triggered by the influence of the so-called “fake news” that circulated on Facebook in the 2016 United States presidential elections, we notice the emergence of an idea of “control of technology”, both in the platform’s official publications and steps announced after the event, and in the specialized media demands. In order to refute the idea of total control of technology and defend the recognition of the action of nonhuman elements, thus contributing to a better understanding of the platform’s actions, we use the concepts of “autonomous technology”, by Langdon Winner (1977), and “technical mediation”, by Bruno Latour (1994). Methodologically, we were inspired by the Cartography of Controversies (VENTURINI, 2010) and worked with content collected through the platform’s official pages and media vehicles that covered the event from July 2016 to July 2018. Keywords | Facebook; Autonomous Technology; Technical Mediation; Algorithms; Platform. 1 Translation by Raisa Mendes, B.A., Social Communications from the Federal University of Minas Gerais (UFMG – Brazil) and Post-Graduate, Public Relations & Corporate Communications from Centennial College (Canada). AT Rev. Bras. Inov., Campinas (SP), 18 (2), p. 363-386, julho/dezembro 2019 Rev. Bras. Inov., Campinas (SP), 18 (2), p. 363-386, julho/dezembro 2019 363 Amanda Chevtchouk Jurno 1.
    [Show full text]