Bruno Latour
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Doing Actor-Network Theory: Integrating Network Analysis with Empirical Philosophy in the Study of Research Into Genetically Modified Organisms in New Zealand
Lincoln University Digital Thesis Copyright Statement The digital copy of this thesis is protected by the Copyright Act 1994 (New Zealand). This thesis may be consulted by you, provided you comply with the provisions of the Act and the following conditions of use: you will use the copy only for the purposes of research or private study you will recognise the author's right to be identified as the author of the thesis and due acknowledgement will be made to the author where appropriate you will obtain the author's permission before publishing any material from the thesis. Doing Actor-Network Theory: Integrating network analysis with empirical philosophy in the study of research into Genetically Modified Organisms in New Zealand __________________________________ A thesis submitted in partial fulfilment of the requirements for the Degree of Doctor of Philosophy at Lincoln University by Sarah Edwards _______________________________ Lincoln University 2014 Abstract Abstract of a thesis submitted in partial fulfilment of the requirements for the Degree of Doctor of Philosophy Doing Actor-Network Theory: Integrating network analysis with empirical philosophy in the study of research into Genetically Modified Organisms in New Zealand by Sarah Edwards This thesis provides a critical examination of the theoretical and methodological tools provided by Actor-Network Theory (ANT). It does so by applying ANT to the analysis of research into Genetically Modified Organisms (GMOs) in New Zealand: first, in the case of a particular programme of GMO research; second, by considering the organisation and control of GMO research in more general terms. While ANT as a field of scholarship has grown substantially since its development in the 1980s, the early network analyses upon which it was originally founded still offer the most substantial methodological guidelines for researchers. -
REVIEW: Bruno Latour. Reassembling the Social: an Introduction to Actor-Network-Theory
REVIEW: Bruno Latour. Reassembling the Social: An Introduction to Actor-Network-Theory. Author(s): Nicholas J. Rowland, Jan-Hendrik Passoth, and Alexander B. Kinney Source: Spontaneous Generations: A Journal for the History and Philosophy of Science, Vol. 5, No. 1 (2011) 95-99. Published by: The University of Toronto DOI: 10.4245/sponge.v5i1.14968 EDITORIALOFFICES Institute for the History and Philosophy of Science and Technology Room 316 Victoria College, 91 Charles Street West Toronto, Ontario, Canada M5S 1K7 [email protected] Published online at jps.library.utoronto.ca/index.php/SpontaneousGenerations ISSN 1913 0465 Founded in 2006, Spontaneous Generations is an online academic journal published by graduate students at the Institute for the History and Philosophy of Science and Technology, University of Toronto. There is no subscription or membership fee. Spontaneous Generations provides immediate open access to its content on the principle that making research freely available to the public supports a greater global exchange of knowledge. R Latour’s Greatest Hits, Reassembled Bruno Latour. Reassembling the Social: An Introduction to Actor-Network-Theory. 328pp. New York, NY: Oxford University Press, USA, 2005.∗ Nicholas J. Rowland† Jan-Hendrik Passoth‡ Alexander B. Kinney§ It seems peculiar that a non-theory, anti-method has managed to become canonical, but that is what Bruno Latour will introduce you to in his book; the post-pluralist, post-humanist aitude called Actor-Network-Theory (ANT). Drawing together heaps of controversial research, Latour resuscitates ANT aer its 1999 death (see Law and Hassard 1999). Like Graham Harman’s book about Latour, The Prince of Networks (2009), Reassembling the Social is the outcome of various lectures and seminars, and must be read as such. -
REASSEMBLING the SOCIAL the Clarendon Lectures in Management Studies Are Jointly Organised by Oxford University Press and the Saı¨D Business School
REASSEMBLING THE SOCIAL The Clarendon Lectures in Management Studies are jointly organised by Oxford University Press and the Saı¨d Business School. Every year a leading international academic is invited to give a series of lectures on a topic related to management education and research, broadly defined. The lectures form the basis of a book subsequently published by Oxford University Press. CLARENDON LECTURES IN MANAGEMENT STUDIES: The Modern Firm Organizational Design for Performance and Growth John Roberts Managing Intellectual Capital Organizational, Strategic, and Policy Dimensions David Teece The Political Determinants of Corporate Governance Political Context, Corporate Impact Mark Roe The Internet Galaxy Reflections on the Internet, Business, and Society Manuel Castells Brokerage And Closure An Introduction to Social Capital Ron Burt Reassembling the Social An Introduction to Actor-Network-Theory Bruno Latour Science, Innovation, and Economic Growth (forthcoming) Walter W. Powell The Logic of Position, The Measure of Leadership Position and Information in the Market (forthcoming) Joel Podolny Global Companies in the 20th Century (forthcoming) Leslie Hannah Reassembling the Social An Introduction to Actor-Network-Theory Bruno Latour 1 3 Great Clarendon Street, Oxford ox2 6dp Oxford University Press is a department of the University of Oxford. It furthers the University’s objective of excellence in research, scholarship, and education by publishing worldwide in Oxford New York Auckland Cape Town Dar es Salaam Hong Kong Karachi Kuala -
We Have Never Been Modern Pdf Free Download
WE HAVE NEVER BEEN MODERN PDF, EPUB, EBOOK Bruno Latour | 168 pages | 04 May 2011 | HARVARD UNIVERSITY PRESS | 9780674948396 | English | Cambridge, Mass, United States We Have Never Been Modern PDF Book What difference does the scientific method make? Home About Publications Archive Index. We often encounter attempts to gauge the strength of faiths and denominations Act the Man and Build. The domains interact with one another, but they cannot, ought not, be confused. Skip to search form Skip to main content You are currently offline. View 4 excerpts, cites background. We have to keep up appearances, because being modern simply is the pretense that We are not Them. This forms the basis for Harman's Object Oriented Ontology. Church and ministry leadership resources to better equip, train and provide ideas for today's church and ministry leaders, like you. On March 24, I submitted the final copyedits for my new book …. Childish primitives that they were and are , pre-moderns muck everything up. With the rise of science, we moderns believe, the world changed irrevocably, separating us forever from our primitive, premodern ancestors. For moderns, the purification process is overt, while hybrids are denied even though modernity proliferates them. The imbroglios and networks that had no place now have the whole place to themselves. Inauguration and Vocation. Paradox 2: Nature is immanent, we construct it in a lab; society is not out construction, it is bio-fact that transcends us. Latour's book is largely a rumination on the phenomenon of modernity and how to create for ourselves a nonmodern world by ending the divide between social life and natural life. -
Assemblages and Actor-Networks: Rethinking Socio-Material Power, Politics and Space
Geography Compass 9/1 (2015): 27–41, 10.1111/gec3.12192 Assemblages and Actor-networks: Rethinking Socio-material Power, Politics and Space Martin Müller* Universität Zürich and University of Birmingham Abstract Assemblage thinking and actor-network theory (ANT) have been at the forefront of a paradigm shift that sees space and agency as the result of associating humans and non-humans to form precarious wholes. This shift offers ways of rethinking the relations between power, politics and space from a more processual, socio-material perspective. After sketching and comparing the concepts of the assemblage and the actor-network, this paper reviews the current scholarship in human geography which clusters around the four themes of deterritorialisation/reterritorialisation; power; materials, objects and technologies; and topological space. Looking towards the future, it suggests that assemblage thinking and ANT would benefit from exploring links with other social theories, arguing for a more sustained engagement with is- sues of language and power, and affect and the body. Assemblages and Actor-networks: New Paradigms? If language, representation and discourse were the pet concepts of the 1990s, assemblage, actor- networks and materiality might well be those of the 2000s. From geography’s preoccupation with meaning in the wake of the cultural turn in the late 1980s, the pendulum has come full circle with a return to a concern for materiality – objects, bodies and matter. Calls for ‘rematerializing geography’ have sounded throughout the sub-disciplines, in political geography (Dittmer 2013a; Meehan et al. 2013; Squire 2014a), feminist geography (Colls 2012; Slocum 2008), urban geography (Lees 2002), social and cultural geography ( Jackson 2000; Whatmore 2006), resource geographies (Bakker and Bridge 2006) or GIScience (Leszczynski 2009). -
Review Essays
CAPITALISM NATURE SOCIALISM VOLUME 16 NUMBER 1(MARCH 2005) REVIEW ESSAYS Politics of Nature: A Review of Three Recent Works by Bruno Latour Bruno Latour: Politics of Nature: How to Bring the Sciences into Democracy. Cambridge, MA: Harvard University Press, 2004a. Bruno Latour: “Why Has Critique Run Out of Steam? From Matters of Fact to Matters of Concern,” Critical Inquiry, 30, 2, 2004b. Bruno Latour: War of the Worlds: What About Peace? Chicago: Prickly Paradigm, 2002. Bruno Latour is widely known for his contributions to science studies,1 debates about postmodernism,2 and, through the spread of his “actor-network theory,”3 methods in the social sciences. While one can draw connections between these works, it is hard to pigeonhole Latour. His originality, style of argumentation, and aversion to being defined vis-a` -vis other thinkers make Latour enigmatic. More recently, Latour has called into question elements of his earlier project, arguing in his 2002 treatise, War of the Worlds: What About Peace?, that critique has “overshot its target” 4 and asking “why has critique run out of steam?” in a 2004 essay of the same name.5 That puts Latour, who urged us to follow scientists to understand social life, under the microscope himself. Latour’s Politics of Nature: How to Bring the Sciences Into Democracy,6 (hereafter “Politics”) comes to the English-reading audience in the midst of the debate over Latour’s doubts about critique. This coincidence is auspicious, since it allows us to 1See especially Bruno Latour and S. Woolgar, Laboratory Life: The Social Construction of Scientific Facts (Los Angeles: Sage, 1979); Latour, Science in Action: How to Follow Scientists and Engineers Through Society (Cambridge, MA: Harvard University, 1987); and Latour, Pandora’s Hope: Essays on the Reality of Science Studies (Cambridge, MA: Harvard University Press, 1999a). -
Do Politics Have Artefacts?
A Service of Leibniz-Informationszentrum econstor Wirtschaft Leibniz Information Centre Make Your Publications Visible. zbw for Economics Joerges, Bernward Article — Accepted Manuscript (Postprint) Do Politics have Artefacts Social Studies of Science Suggested Citation: Joerges, Bernward (1999) : Do Politics have Artefacts, Social Studies of Science, ISSN 1460-3659, Sage, Thousand Oaks, Vol. 29, Iss. 3, pp. 411-431, http://dx.doi.org/10.1177/030631299029003004 , http://sss.sagepub.com/content/29/3/411 This Version is available at: http://hdl.handle.net/10419/71061 Standard-Nutzungsbedingungen: Terms of use: Die Dokumente auf EconStor dürfen zu eigenen wissenschaftlichen Documents in EconStor may be saved and copied for your Zwecken und zum Privatgebrauch gespeichert und kopiert werden. personal and scholarly purposes. Sie dürfen die Dokumente nicht für öffentliche oder kommerzielle You are not to copy documents for public or commercial Zwecke vervielfältigen, öffentlich ausstellen, öffentlich zugänglich purposes, to exhibit the documents publicly, to make them machen, vertreiben oder anderweitig nutzen. publicly available on the internet, or to distribute or otherwise use the documents in public. Sofern die Verfasser die Dokumente unter Open-Content-Lizenzen (insbesondere CC-Lizenzen) zur Verfügung gestellt haben sollten, If the documents have been made available under an Open gelten abweichend von diesen Nutzungsbedingungen die in der dort Content Licence (especially Creative Commons Licences), you genannten Lizenz gewährten Nutzungsrechte. may exercise further usage rights as specified in the indicated licence. www.econstor.eu S|S|S COMMENT ABSTRACT In social studies of technology, as in many other scientific disciplines, highly persuasive similes are at work: pious stories, seemingly reaped from research, suggesting certain general theoretical insights. -
Actor-Network Theory (ANT)’
Müller, Martin. 2015. ‘Actor-Network Theory (ANT)’. Oxford Bibliographies. Oxford: Oxford University Press. Doi: 10.1093/OBO/9780199874002-0118. Actor-Network Theory (ANT) Martin Müller • LAST MODIFIED: 26 OCTOBER 2015 • DOI: 10.1093/OBO/9780199874002-0118 Introduction Introduction Actor-network theory, commonly abbreviated as ANT, has become a key inspiration for geographers to incorporate materiality into geographical theorizing and practice and conceive of agency as a distributed arrangement. Its popularity in geography is a result of providing both new conceptual resources for the discipline’s preoccupation with all things material: nature, buildings, technologies, objects, and the like. It can be seen as a counterbalance to the cultural turn in the late 1980s (as described in the Oxford Bibliographies aricle, Cultural Geography by Lily Kong), which focused geographers’ attention on meaning and representation. Emerging in the early 1980s from Science and Technology Studies (STS) in Geography, it was sociologists Bruno Latour, Michel Callon, and John Law who pioneered ANT. For ANT, all entities, whether they are germs or people, stand on equal ontological footing in the beginning. With this assumption, it breaks with the established academic division of labor whereby social scientists look at people and natural scientists look at nature. In its focus on associations, ANT claims that it is the relations established between these entities that make the difference whether powerful actors emerge in particular situations. Hence, Latour (see Latour, Bruno. Reassembling the Social: An Introduction to Actor-Network Theory. Oxford: Oxford University Press, 2005.) also called ANT a “sociology of associations” (p. 9). ANT puts an emphasis on tracing these associations to understand how hybrid networks of humans and nonhumans come together to make things happen or validate particular knowledge claims. -
Review Essays
CAPITALISM NATURE SOCIALISM VOLUME 16 NUMBER 1(MARCH 2005) REVIEW ESSAYS Politics of Nature: A Review of Three Recent Works by Bruno Latour Bruno Latour: Politics of Nature: How to Bring the Sciences into Democracy. Cambridge, MA: Harvard University Press, 2004a. Bruno Latour: “Why Has Critique Run Out of Steam? From Matters of Fact to Matters of Concern,” Critical Inquiry, 30, 2, 2004b. Bruno Latour: War of the Worlds: What About Peace? Chicago: Prickly Paradigm, 2002. Bruno Latour is widely known for his contributions to science studies,1 debates about postmodernism,2 and, through the spread of his “actor-network theory,”3 methods in the social sciences. While one can draw connections between these works, it is hard to pigeonhole Latour. His originality, style of argumentation, and aversion to being defined vis-a` -vis other thinkers make Latour enigmatic. More recently, Latour has called into question elements of his earlier project, arguing in his 2002 treatise, War of the Worlds: What About Peace?, that critique has “overshot its target” 4 and asking “why has critique run out of steam?” in a 2004 essay of the same name.5 That puts Latour, who urged us to follow scientists to understand social life, under the microscope himself. Latour’s Politics of Nature: How to Bring the Sciences Into Democracy,6 (hereafter “Politics”) comes to the English-reading audience in the midst of the debate over Latour’s doubts about critique. This coincidence is auspicious, since it allows us to 1See especially Bruno Latour and S. Woolgar, Laboratory Life: The Social Construction of Scientific Facts (Los Angeles: Sage, 1979); Latour, Science in Action: How to Follow Scientists and Engineers Through Society (Cambridge, MA: Harvard University, 1987); and Latour, Pandora’s Hope: Essays on the Reality of Science Studies (Cambridge, MA: Harvard University Press, 1999a). -
From Control Society to Parliament of Things: Designing Object Relations with an Internet of Things
UC Irvine Plenaries: After Media — Embodiment and Context Title From Control Society to Parliament of Things: Designing Object Relations with an Internet of Things Permalink https://escholarship.org/uc/item/3zj2t89z Author Tuters, Marc Publication Date 2009-12-12 Peer reviewed eScholarship.org Powered by the California Digital Library University of California From Control Society to Parliament of Things Designing Object Relations with an Internet of Things Marc Tuters [email protected] ABSTRACT William Gibson used it as a central trope in his novel \Spook This article discusses ways of framing Locative Media through Country", referring to a cyborg head-mounted technology critical theories of new media, particularly Giles Deleuze's used by artists to create parallel augmented realities crawl- \control society hypothesis" and Bruno Latour's \parliament ing with Mongolian Death Worms [20]. Today, the domi- of things". It considers artistic practices that combine data nant vision for the future of Locative Media is articulated visualization and location-awareness in order to represent by long-term forecasting research center Institute For The public space. If Locative Media largely reworked the Situ- Future (IFTF), in terms of embedded and location-aware ationist practice of psychogeography, in which the city was interactive information systems. These systems are said to the primary site of contestation, the article looks at prac- fundamentally transform our experience of the city as the tices which contest ideas about Nature, in order to create digital virtual becomes increasingly overlaid onto the ana- \structures of participation" to address a \crisis in political log actual [30]. Since its inception, however, Locative Media agency" (Jeremijenko). -
The Ordering of Things: Organization in Bruno Latour
The ordering of things: Organization in Bruno Latour Jan Harris Introduction: From science in action to actor networks Bruno Latour has become an obligatory point of reference for many working in the social sciences. This situation can be attributed to a unique combination of theoretical and methodological novelty – an engagement with the ‘real’ has inspired Latour’s theory, and in turn this theory has transformed what we under- stand as the ‘real’. Latour has not been afraid to get his hands dirty, to enter into the ignoble world of things and the human networks that surround them and in so doing call this very distinction into question. Arising directly from the kind of challenges encountered in the study of human organizations, we do not (as with so many theorists) have to engage in a procrustean struggle with Latour’s thought in order to render it applicable to concerns of this field. The evolution of this project might be seen in terms of a passage from ethno- graphic studies of the working practices of scientists and technicians to an increasingly wide ranging meta-theorization that has addressed itself to issues as varied as ontology, ecology, technology, epistemology and ethics. This chapter will seek to demonstrate the irreducible centrality of the problematic of orga- nization and organizations in Latour’s project. In addition this reading will explore the attendant problematic of the status of objects in organizations, which although not entirely outside the purview of organization studies have only recently begun to receive the attention they warrant. In identifying and illu- minating the ontological blind spot that is the constitutive role of objects, Latour’s thought holds out the possibility of revolutionizing our understanding of organizations and their components. -
Actors and Networks in the Megacity
Prachi More Actors and Networks in the Megacity Urban Studies Prachi More (PhD) taught at the English Studies Department at the University of Tubingen, Germany. Her research interests include New Materialisms, Smart Cities and Weird Fiction. Prachi More Actors and Networks in the Megacity A Literary Analysis of Urban Narratives An electronic version of this book is freely available, thanks to the support of libraries working with Knowledge Unlatched. KU is a collaborative initiative de- signed to make high quality books Open Access for the public good. The Open Access ISBN for this book is 978-3-8394-3834-3. More information about the initiative and links to the Open Access version can be found at www.knowledgeunlatched.org. Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Na- tionalbibliografie; detailed bibliographic data are available in the Internet at http://dnb.d-nb.de This work is licensed under the Creative Commons Attribution-NonCommercial- NoDerivatives 4.0 (BY-NC-ND) which means that the text may be used for non-com- mercial purposes, provided credit is given to the author. For details go to http://creativecommons.org/licenses/by-nc-nd/4.0/ To create an adaptation, translation, or derivative of the original work and for commer- cial use, further permission is required and can be obtained by contacting rights@ transcript-verlag.de Creative Commons license terms for re-use do not apply to any content (such as graphs, figures, photos, excerpts, etc.) not original to the Open Access publication and further permission may be required from the rights holder.