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The Religious Reforms of Akhenaten and the Cult of the Aten
The Pharaoh’s Sun-Disc : The Religious Reforms of Akhenaten and the Cult of the Aten The 18th Dynasty Pharaoh Akhenaten, known to many as the “Heretic King,” made significant changes to the religious institutions of Ancient Egypt during his reign in the 14th century BCE. The traditional view long maintained that these reforms, focused on the promotion of a single solar god known as the Aten, constituted an early form of monotheism foreshadowing the rise of Western Biblical tradition. However, this simplification ignores the earlier henotheistic tendency of Egyptian polytheism and the role of Atenism in strengthening the Pharaoh’s authority in the face of the powerful Amun-Ra priesthood, as well as distinctions between the monotheism of Moses and Akhenaten’s cult. Instead, the religion of Akhenaten, which developed from earlier ideas surrounding the solar deity motif, can be seen as an instance of monotheistic practice in form but not in function, characterized by a lack of conviction outside the new capital of Akhetaten as well as an ultimate goal of establishing not one god but one ruling power in Egypt: the Pharaoh. This will become clear through an analysis of the background to Akhenaten’s reign, the nature of his reforms and possible motivations, and the reality of Atenism vis-à-vis later Biblical monotheism. The “revolution” of Akhenaten, born Amunhotep IV,1 evidently had significant implications both during and after his reign. The radical nature of his reforms is clearly visible in the later elimination of his name and those of his immediate successors from the official list of rulers.2 However, it is possible to see the roots of these changes, and perhaps of the Pharaoh’s motivations, in earlier developments in the importance and form 1 Greek Amunhopis IV. -
Crossroads 360 Virtual Tour Script Edited
Crossroads of Civilization Virtual Tour Script Note: Highlighted text signifies content that is only accessible on the 360 Tour. Welcome to Crossroads of Civilization. We divided this exhibit not by time or culture, but rather by traits that are shared by all civilizations. Watch this video to learn more about the making of Crossroads and its themes. Entrance Crossroads of Civilization: Ancient Worlds of the Near East and Mediterranean Crossroads of Civilization looks at the world's earliest major societies. Beginning more than 5,000 years ago in Egypt and the Near East, the exhibit traces their developments, offshoots, and spread over nearly four millennia. Interactive timelines and a large-scale digital map highlight the ebb and flow of ancient cultures, from Egypt and the earliest Mesopotamian kingdoms of the Akkadians, Babylonians, and Assyrians, to the vast Persian, Hellenistic, and finally Roman empires, the latter eventually encompassing the entire Mediterranean region. Against this backdrop of momentous historical change, items from the Museum's collections are showcased within broad themes. Popular elements from classic exhibits of former years, such as our Greek hoplite warrior and Egyptian temple model, stand alongside newly created life-size figures, including a recreation of King Tut in his chariot. The latest research on our two Egyptian mummies features forensic reconstructions of the individuals in life. This truly was a "crossroads" of cultural interaction, where Asian, African, and European peoples came together in a massive blending of ideas and technologies. Special thanks to the following for their expertise: ● Dr. Jonathan Elias - Historical and maps research, CT interpretation ● Dr. -
The Routledge Dictionary of Egyptian Gods and Goddesses
The Routledge Dictionary of Egyptian Gods and Goddesses The Routledge Dictionary of Egyptian Gods and Goddesses provides one of the most comprehensive listings and descriptions of Egyptian deities. Now in its second edition, it contains: ● A new introduction ● Updated entries and four new entries on deities ● Names of the deities as hieroglyphs ● A survey of gods and goddesses as they appear in Classical literature ● An expanded chronology and updated bibliography ● Illustrations of the gods and emblems of each district ● A map of ancient Egypt and a Time Chart. Presenting a vivid picture of the complexity and richness of imagery of Egyptian mythology, students studying Ancient Egypt, travellers, visitors to museums and all those interested in mythology will find this an invaluable resource. George Hart was staff lecturer and educator on the Ancient Egyptian collections in the Education Department of the British Museum. He is now a freelance lecturer and writer. You may also be interested in the following Routledge Student Reference titles: Archaeology: The Key Concepts Edited by Colin Renfrew and Paul Bahn Ancient History: Key Themes and Approaches Neville Morley Fifty Key Classical Authors Alison Sharrock and Rhiannon Ash Who’s Who in Classical Mythology Michael Grant and John Hazel Who’s Who in Non-Classical Mythology Egerton Sykes, revised by Allen Kendall Who’s Who in the Greek World John Hazel Who’s Who in the Roman World John Hazel The Routledge Dictionary of Egyptian Gods and Goddesses George Hart Second edition First published 2005 by Routledge 2 Park Square, Milton Park, Abingdon, Oxon OX14 4RN Simultaneously published in the USA and Canada by Routledge 270 Madison Ave, New York, NY 10016 Routledge is an imprint of the Taylor & Francis Group This edition published in the Taylor & Francis e-Library, 2005. -
Gathered Ancient Images of Set, by Joan Ann Lansberry the God Set (Aka Seth) Has Been Much of a Puzzle to Egyptologists
Gathered Ancient Images of Set, by Joan Ann Lansberry The god Set (aka Seth) has been much of a puzzle to Egyptologists. If we go with the attitude of later Egyptians, we find Set blamed for every misfortune that can befall humanity. However, if we go with the attitude of earlier times, in particular the Ramesside period, when Egypt was at its peak in prosperity, we find a completely different picture. For we find a god who was very much adored. Most of the surviving imagery is from that period, although even in Ptolemaic and Roman times we occasionally find a piece that was a part of worship and magical rites. It's my goal to find all his imagery and bring it together, thereby shedding new light on the Dark god. Let’s begin with the earliest images. Chicago’s Oriental Institute recorded a rock carving at Gebel Tjauti along the Theban Desert Road: John Coleman Darnell and Deborah Darnell believe it to be ‘the earliest certain depiction of this beast from the vicinity of Seth's cult center at Ombos.” (http://oi.uchicago.edu/research/pubs/ar/96-97/desert_road.html) H. Te Velde gives another example in his Seth, God of Confusion, (page 12). The 'Scorpion King' mace head, (Ashmolean Museum, Oxford; # AN1896-1908.E3632), features distinct Set animals on the top of tall standards. This piece was created about 3100 BCE, in the period immediately preceding the unification of Upper and Lower Egypt. 1 King Scorpion’s tomb at Abydos had a couple of ivory labels featuring Set animals. -
Reconstruction of Ancient Conceptual Landscapes in the Nile Valley
Reconstruction of ancient conceptual landscapes in the Nile Valley Giulio Magli Faculty of Civil Architecture, Politecnico di Milano. Piazza Leonardo da Vinci 32, 20133 Milan, Italy. E-Mail: [email protected] Abstract: Conceptual landscapes in Egypt show a remarkable continuity – for as long as 2000 years – in the use of symbols and in the interplay between natural and man-built features. Directionality, both in the sense of succession of elements and of orientation of single buildings and tombs, plays a key role in governing the landscape in accordance with the idea of “cosmic” order, which was the basis of the temporal power of the pharaoh. Comparing satellite image with local surveys and using simple web-based instruments for tracing visibility lines helps in understanding connections and messages which were meant to be clear and obvious in ancient times but may be lost, or forgotten, today. In particular, the prominent role of astronomical and topographical alignments in the planning of successive monuments comes out at sites like Abydos, Giza, Dahshur and at Western Thebes. The way in which the same symbols and elements were elaborated by the “heretic” pharaoh Akhenaten in planning the landscape of his capital at Amarna is also highlighted. Keywords: Ancient Egypt, Ancient Landscapes, Web-based Archaeo-topography 1. Introduction Archaeoastronomy, the science exploring the relationship of ancient architecture with the sky, is a relatively new discipline. It started from the pioneering efforts of Gerald Hawkins and Alexander Thom in the sixties of the last century. These authors were the first to put in evidence in a systematic way the possible relevance of astronomical alignments in the interpretation of ancient sites. -
IMAGES of POWER: NEW KINGDOM EGYPT (Akhenaton and the Amarna Style) AKHENATON
IMAGES OF POWER: NEW KINGDOM EGYPT (Akhenaton and the Amarna Style) AKHENATON Online Links: Akhenaton - Wikipedia, the free encyclopedia Aten - Wikipedia. the free encyclopedia Akhenaton and the Armana Period BBC History Akhenaton BBC In Our Time with Melvyn Bragg House Altar with Akhenaton, Nefertiti and their Three Daughters – Smarthistory Society for the Promotion of the Egyptian Museum Berlin Facts on Akhenaton - Ancient Egypt Online Akhenaton, from the temple of Amen-Re (Karnak), c. 1353-1335 BCE, sandstone Known before the fifth year of his reign as Amenhotep IV, Akhenaton was a pharaoh of the Eighteenth dynasty of Egypt who ruled for 17 years and died perhaps in 1336 BC or 1334 BC. He is especially noted for abandoning traditional Egyptian polytheism and introducing worship centered on the Aten, which is sometimes described as monotheistic. An early inscription likens him to the sun as compared to stars, and later official language avoids calling the Aten a god, giving the solar deity a status above mere gods. He was all but lost from history until the discovery, in the 19th century, of Amarna, the site of Akhetaten, the city he built for the Aten. The artistic style associated with his reign, which departed radically from convention in its use of curvilinear and elongated form, is known as the Amarna style. Statue of Akhenaton in the Amarna style In some cases, representations are more naturalistic, especially in depictions of animals and plants, of commoners, and in a sense of action and movement—for both nonroyal and royal people. However, depictions of members of the court, especially members of the royal family, are extremely stylized, with elongated heads, protruding stomachs, heavy hips, thin arms and legs, and exaggerated facial features. -
Egyptian Ramses
IMAGES OF POWER: NEW KINGDOM EGYPT: FOCUS (Temple of Ramses II at Abu Simbel) TITLE or DESIGNATION: Temple of Ramses II CULTURE or ART HISTORICAL PERIOD: New Kingdom Egyptian DATE: c. 1290- 1224 B.C.E. LOCATION: Abu Simbel, Egypt ONLINE ASSIGNMENT: https://www.khanacadem y.org/test-prep/ap-art- history/ancient- mediterranean- AP/ancient-egypt- AP/v/ancient-thebes- unescotbs TITLE or DESIGNATION: Temple of Amun-Re CULTURE or ART HISTORICAL PERIOD: New Kingdom Egyptian DATE: c. 1550-1250 B.C.E. LOCATION: Karnak, Egypt IMAGES OF POWER: NEW KINGDOM EGYPT: SELECTED TEXT (Temple of Ramses II at Abu Simbel) TEMPLE OF RAMSES II at ABU SIMBEL and the TEMPLE OF AMUN-RE at KARNAK Online Links: Abu Simbel temples - Wikipedia, the free encyclopedia Ramesses II - Wikipedia, the free encyclopedia You Tube - Moving Temple of Ramses II You Tube - Abu Simbel Smarthistory - Ramessess II You Tube Abu - Simbel Temple Moved Temple of Amun - Video by AsiaTravel Introduction to the Temple of Karnak - UCLA pdf Opet Festival at Karnak and Ramesseum - YouTube (Reimagined Drawings in Video) Temple of Ramses II (Abu Simbel), c. 1290-1224 BCE In the course of his long and prosperous reign, Ramesses II initiated building projects on a scale rivaling the Old Kingdom pyramids at Giza. The most awe-inspiring of his many architectural monuments is found at Abu Simbel in Nubia, Egypt’s southernmost region. There Ramesses ordered the construction of two temples, a large one to himself and a smaller one to his chief wife, Nefertari. Like Hatshepsut’s funerary temple at Deir el-Bahri, the monumental grandeur of the king’s temple communicates to the viewer a sense of unlimited majesty. -
Ancient Egypt's
AMARNA ANCIENT EGYPT’S PLACE IN THE SUN ANCIENT EGYPT’S AMARNA PLACE IN THE SUN A LETTER FROM THE MUSEUM Dear Students, Of all the subjects that appeal to people of every age, blockbuster Tutankhamun and the Golden Age of and I know my own 11-year-old son would agree the Pharaohs, presented by Mellon Financial with me, Ancient Egypt and its mysteries must rank Corporation, beginning February 3, 2007 at The among the most intriguing. And here in West Franklin Institute. It will certainly be “The Year of Philadelphia, at the University of Pennsylvania Egypt” in Philadelphia, and I encourage you to visit Museum of Archaeology and Anthropology, is one of both these wonderful exhibits. the finest collections of ancient Egyptian materials in the United States. Visit our exhibit to find out all about this mysterious city where young Tutankhamun grew up, a city built Come here almost any day and you can see an Eskimo in praise of the mighty god, the Aten, and where the whaling boat, view a Japanese Buddhist shrine, walk Pharaoh Akhenaten lived with his beautiful wife around the third largest sphinx known in the world, Nefertiti. Join us in our search for clues as to why the and look up at two of the great cedar totem poles of ancient city of Amarna existed only a few short years the American Northwest. Celebrate World Culture before it was abandoned again to the desert. Days here at the Museum, come to family workshops or enjoy our award- winning summer camp sessions. We look forward to welcoming you all to this great Penn Museum is alive with activities and opportunities museum. -
INVISIBLE RELIGION in ANCIENT EGYPT a Study Into the Individual Religiosity of Non-Royal and Non-Elite Ancient Egyptians
INVISIBLE RELIGION IN ANCIENT EGYPT A study into the individual religiosity of non-royal and non-elite ancient Egyptians by LAURA MAY DEWSBURY A thesis submitted to the University of Birmingham for the degree of DOCTOR OF PHILOSOPHY Department of Classics, Ancient History and Archaeology University of Birmingham January 2016 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. ABSTRACT The research presented in this thesis applies Thomas Luckmann’s theory of invisible religion to three aspects of ancient Egyptian culture (festivals, household and personal items, and communication with the dead and with gods). The intention is firstly to address the four key issues that have arisen as a result of previous research into personal religion in ancient Egypt, secondly to determine whether ordinary ancient Egyptians possessed individual religiosity, and thirdly to establish whether the three aspects of ancient Egyptian culture considered can be viewed as examples of invisible religion. With regards to the four key issues, this research concludes: there was a link between individual religiosity and state religion; the intimacy of ordinary ancient Egyptians’ emotions relating to individual religiosity varied; individual religiosity was not a phenomenon of the lower classes; individual religiosity was not an innovation of the New Kingdom. -
Annual Meeting of the American Research Center in Egypt
THE 72ND ANNUAL MEETING OF THE AMERICAN RESEARCH CENTER IN EGYPT APRIL 22-25 2021 VIRTUAL ANNUAL MEETING | 2021 ANNUAL MEETING OF THE AMERICAN RESEARCH CENTER IN EGYPT APRIL 22-25, 2021 VIRTUAL U.S. Office 909 North Washington Street 320 Alexandria, Virginia, 22314 703.721.3479 United States Cairo Center 2 Midan Simón Bolívar Garden City, Cairo, 11461 20.2.2794.8239 Egypt [email protected] ARCE EGYPT STAFF CAIRO Dr. Louise Bertini, Executive Director Dr. Yasmin El Shazly, Deputy Director for Research and Programs Dr. Nicholas Warner, Director of Cultural Heritage Projects Mary Sadek, Deputy Director for Government Affiliations Rania Radwan, Human Resources & Office Manager Djodi Deutsch, Academic Programs Manager Zakaria Yacoub, IT Manager Dania Younis, Communications Manager Miriam Ibrahim, Communications Associate Andreas Kostopoulos, Project Archives Specialist Mariam Foum, AEF Grant & Membership Administrator Sally El Sabbahy, Site Management and Planning Manager Noha Atef Halim, Finance Manager Yasser Tharwat, Financial & Reporting Manager Doaa Adel, Accountant Salah Metwally, Associate for Governmental Affairs Amira Gamal, Cataloging Librarian Usama Mahgoub, Supervising Librarian Reda Anwar, Administrative Assistance to Office Manager Doha Fathy, Digitization and Data Specialist Helmy Samir, Associate for Governmental Affairs Salah Rawash, Security & Reception Coordinator Abd Rabo Ali Hassan, Assistant to OM for Maintenance Affairs & Director’s Driver Ahmed Hassan, Senior Traffic Department Officer & Driver Ramadan Khalil Abdou, ARCE -
Ten Egyptian Plagues for Ten Egyptian Gods and Goddesses the God of Israel Is Greater Than All Other Egyptian Gods and Goddesses
- Ten Egyptian Plagues For Ten Egyptian Gods and Goddesses The God of Israel is greater than all other Egyptian Gods and Goddesses. Moses was a great prophet, called by God with a very important job to do. As an instrument in the Lord's hand he performed many signs, or "wonders", attempting to convince Pharaoh to allow the Israelites freedom from their bondage of slavery to the Egyptians. These "wonders" are more commonly referred to as "plagues" sent from the God of Israel, as a proof that the "one true God" was far greater than all of the multiple Gods of the Egyptians. These Egyptian Plagues were harsh and varied to correspond to the ancient egyptian gods and goddesses that were prevelant during Moses time in Egypt. The number ten is a significant number in biblical numerology. It represents a fullness of quantity. Ten Egyptian Plagues Means Completely Plagued. Just as the "Ten Commandments" become symbolic of the fullness of the moral law of God, the ten ancient plagues of Egypt represent the fullness of God's expression of justice and judgments, upon those who refuse to repent. Ten times God, through Moses, allows Pharaoh to change his mind, repent, and turn to the one true God, each time increasing the severity of the consequence of the plagues suffered for disobedience to His request. Ten times Pharaoh, because of pride, refuses to be taught by the Lord, and receives "judgments" through the plagues, pronounced upon his head from Moses, the deliverer. The Ten Egyptian Plagues testify of Jesus the Anointed One and His power to save. -
2018 Fall Vol 24 No 2
Volume 24, Number 2 December 2018 The President’s Papyrus Published twice per year since 1993 Greetings Amarnaphiles, Copyright 2018, The Amarna Research Foundation Best wishes and happy New Year to all our members! I do not know what will happen on the political front around the world, but Table of Contents I am certain that 2019 will not be any less exciting than 2018 was Article -- Author Page when it comes to new discoveries in Egypt. The search for the mummies of Speaking of which, just look at the array of articles in this latest Akhenaten and Nefertiti - Sun. We are most honored to be able to publish a very fascinating Aidan Dodson 2 article by noted author and Egyptologist, Dr. Aidan Dodson. And of course, we are most fortunate, once again, to have another The solar observation and wonderful article by Professor Barry Kemp and Researcher Paul offering platform at the front of Docherty about the Great Aten temple. the Great Aten Temple – Barry Kemp & Paul Docherty 7 Furthermore, we are also delighted to have an article by our very own Vice President, David Pepper, about the daughters of The daughters of Akhenaten and Nefertiti - Akhenaten and Nefertiti. David Pepper 17 Think about it! Your membership in this organization entitles you to receive cutting edge, up to date, information about the Amarna Officers and Directors period. This is made possible by your membership dues and donations. What we do as an organization is only possible by your President – Floyd Chapman Vice President – David Pepper continued interest, support and loyalty to the Foundation’s Secretary – Anita McHugh mission.