DOCSLIB.ORG

CAMPAIGNS of the YEAR Issue 75 | 12Th December 2012 Issue 75 | 12Th December 2011 | Page 2

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
CAMPAIGNS of the YEAR Issue 75 | 12Th December 2012 Issue 75 | 12Th December 2011 | Page 2 Sandbox CAMPAIGNS OF THE YEAR Issue 75 | 12th December 2012 Issue 75 | 12th December 2011 | Page 2 Introduction Welcome to our special Editors’ picks Rob MacAllister (campaigns editor): I think that 2012 has really seen the shift away from Eamonn Forde (reports editor): Augmented end of year Sandbox – and the very static metric of “We have X million reality, like QR codes, has been knocking the final issue for 2012. We followers/likes” to the more engagement- around for years – but it was at best a curio focused perspective of “We have 10% of asked some leading UK and and at worst a novelty. The irony of The our Facebook fanbase currently engaging Rolling Stones – a band celebrating their 50th US record labels and digital with our brand/page each week”. The Blur anniversary – being the act to finally take marketers what they thought campaign mentioned in this issue is an AR technology to a mass audience should example of how important social media were their most successful or be lost on no one. But the GRRR! campaign can be to not just for your One Direction/ managed to connect in a way that other innovative digital campaign Ed Sheeran acts but also for a re-united AR campaigns didn’t or couldn’t. Of course, rock band. They gained a huge amount of of 2012 and their responses the sheer size of the Stones is a big part of publicity and fan interaction via their Twitter make up this issue. We hope this, but the campaign itself was a delight live stream event that led to over 57k sales – mixing cutting-edge technology with a you’ll find the following attributable to Twitter. Two campaigns that sense of humour. And the best bit was that worked really well to keep fans engaged pages a useful source of it drove sales. A lot of them. The fact that throughout are the Swedish House Mafia Universal Music has its own AR-reading app inspiration, interest and campaign by Virgin Records and the Rihanna in the shape of uView suggests this will be knowledge. campaign by Island/Def Jam US. Both saw a major focus for it in 2013. The Stones app a huge amount of UGC created and felt like was followed in late-November by one from fans were involved every step of the way. Robbie Williams, so the label is pushing it via its biggest acts, not just the ones chasing On a final note we’d just like to thank all those cool points in the self-reflecting world of tech who contribute to Sandbox this year. They geeks and digital marketers. Universal has include: Stuart Dredge, Ben Cardew, Leo kicked open the door for AR and other labels Toyama, Miranda Barrie and Steve Mayall. Also, should be able to charge through it next year. to the digital teams, new startups, tools and A year ago if you’d said that AR would be the other companies who have taken the time to breakthrough marketing technology of 2012, share details of campaigns or new ventures you probably would have been laughed out with us. We’re looking forward to seeing what of the room. How times change. 2013 has to bring to the table. Issue 75 | 12th December 2011 | Page 3 Contents: Atlantic Records UK Island Def Jam Sony Commercial Plan B >> PAGE 4 Rihanna >> PAGE 12 Music Group Jeff Wayne >> PAGE 19 Blue Note Island Def Jam Music Group – The Blue Note App by Mercury Records: UMG International Groovebug (Various Artists) >> PAGE 5 The Wanted >> PAGE 13 The Rolling Stones >> PAGE 20 Brownswood Recordings Ministry of Sound Unsigned Mala >> PAGE 6 Example >> PAGE 14 Cazette >> PAGE 21 Columbia Records UK Parlophone Virgin Records UK Calvin Harris >> PAGE 7 Blur >> PAGE 15 Swedish House Mafia >> PAGE 22 Decca Classics [PIAS] Recordings Young Turks / XL Recordings Daniel Barenboim & West- 30th Anniversary >> PAGE 16 The xx >> PAGE 23 Eastern Divan Orchestra >> PAGE 8 Agency – [PIAS] Media / Domino Brand – Reebok Classics: Domino Drip >> PAGE 9 Labrinth (UK) – Orelsan (FR) – Samy Deluxe / Herr Sorge (DE) – Two Frenchkiss Records / Fingerz (IT) – Brian Cross (SP) >> PAGE 17 Co-operative Music: Bloc Party >> PAGE 10 Sony Music Canada One Direction >> PAGE 18 Island Records UK Mac Miller >> PAGE 11 Issue 75 | 12th December 2011 | Page 4 Atlantic Records UK: Plan B The launch campaign for Plan B’s #ILLMANORS and voice their opinions on During the week of release, fans were latest album, ill Manors, combined the current social and political climate in prompted to vote for their favourite track Campaign budget: traditional and digital media. The the UK, reflecting the overarching subject from the album via a tab on the Plan B [£25,000 +] matter of the new album. In total, 300 of the key objective was to ensure it Facebook page for a chance to win tickets best tweets were then recreated by graffiti to attend his iTunes Festival show. This Audience demographics: reflected the scale and character of artists and projected 100ft high onto iconic mechanism shared the fan choice with their Gender: Male 70% / Female 30% the album while connecting with a London landmarks, including the Houses of friends by posting it to their wall. His website Age: 16-24 savvy online audience. Parliament and various Olympic locations. was completely rebuilt as a ‘responsive Location: UK The first initiative was a ‘tweet to unlock’ The campaign had more than 5,000 entries design’ artist property to ensure the best in the space of five days. All of the tweets user experience on all screen sizes/devices. campaign, which asked fans to tweet the Team members involved: hashtag #illmanorsalbum to receive a link were pulled onto the microsite and users Jack Melhuish – marketing director to pre-released tracks from the album. The whose tweets had been graffiti-ed were Results: retweeted in real-time. Olly Rice – marketing manager hashtag was included on all advertising and • 5.9m Facebook fans Nikke Osterback – digital campaign manager was prominent within TV adverts and teaser To further promote the album, Atlantic • 342k Twitter followers James Dillon – fan engagement online video pre-rolls. Records partnered with LoveLive to deliver Powster Ltd – development • 49.9m YouTube views An interactive microsite was also launched a live stream event of the album launch Pretty Good Digital – development for Plan B’s Tag London campaign. Fans party to YouTube. Fans who had taken part • 8.3m YouTube views from new album New Black – development were prompted to tweet the hashtag in the digital campaign were granted priority content Links: access to the event. The feed received over • 155k albums sold to date 100k live streams and over 500k on-demand Website - http://time4planb.co.uk/ • 250k singles sold to date streams after the event. The live stream Twitter graffiti campaign - http://illmanors. content was broadcast on the LoveLive time4planb.co.uk/ YouTube channel. Key Learnings: world context by projecting it onto the To target the core audience of 16-24-year-old Maximise and amplify key events by landmarks of the city fans were discussing. males, a heavy priority was placed on online harnessing the online conversation and and mobile advertising, rather than TV or integrating it into the physical marketing. Another key point of learning was the outdoor. This included in-game advertising This campaign, more than any other we’ve importance of maintaining a high quality and on PS3 and Xbox, aggressive pre-rolling on run, has seamlessly combined the use of consistent tone. This ranged from linking to You Tube, including four different teasers and big statement physical events with the a statement from Plan B about the themes of homepage takeovers on a range of relevant innovative use of digital touch points. ill Manors when the track first premiered to editorial sites across music, film, gaming and The campaign captured the online discussion having animations made for all the remixes lifestyle. around the album and placed it in a real uploaded to YouTube. Issue 75 | 12th December 2011 | Page 5 Blue Note : The Blue Note App by Groovebug (Various Artists) The Blue Note iOS app was the The app takes advantage of features such as The app was featured in ‘New & Noteworthy’ first curated music streaming Airplay mirroring and a slideshow feature to on UK and US Apple App Stores and also Campaign budget: subscription app on the iTunes App make best use of visual content such as artist in ‘Great Free Apps’ in each country. The Not disclosed session photos. Store and the first to be launched campaign focus was on PR and App Store features, with a small device-specific ad The app has been described as a “living digital Audience demographics: via EMI’s OpenEMI initiative. spend. box set” and each month Blue Note adds more US and UK jazz fans, broken down into two The app is free to download and combines content, highlighting albums, artists, articles, The Blue Note App is the first to be groups: playlist, discovery and social features with or featured playlists compiled by musicians, commercially released through OpenEMI. 1) Core jazz consumer, aged 35+ content such as photos, archive newspaper journalists and other jazz experts. As such Launched in partnership with The Echo Nest clippings, articles and 30-second audio clips. 2) Discovery jazz consumer, aged 18+ it works for music lovers who want to learn at the end of last year, OpenEMI improves A monthly subscription unlocks full-length more about the genre as well as for discerning and streamlines the music licensing process track streams and additional content.
Load more

Recommended publications
  • Excesss Karaoke Master by Artist
    XS Master by ARTIST Artist Song Title Artist Song Title (hed) Planet Earth Bartender TOOTIMETOOTIMETOOTIM ? & The Mysterians 96 Tears E 10 Years Beautiful UGH! Wasteland 1999 Man United Squad Lift It High (All About 10,000 Maniacs Candy Everybody Wants Belief) More Than This 2 Chainz Bigger Than You (feat. Drake & Quavo) [clean] Trouble Me I'm Different 100 Proof Aged In Soul Somebody's Been Sleeping I'm Different (explicit) 10cc Donna 2 Chainz & Chris Brown Countdown Dreadlock Holiday 2 Chainz & Kendrick Fuckin' Problems I'm Mandy Fly Me Lamar I'm Not In Love 2 Chainz & Pharrell Feds Watching (explicit) Rubber Bullets 2 Chainz feat Drake No Lie (explicit) Things We Do For Love, 2 Chainz feat Kanye West Birthday Song (explicit) The 2 Evisa Oh La La La Wall Street Shuffle 2 Live Crew Do Wah Diddy Diddy 112 Dance With Me Me So Horny It's Over Now We Want Some Pussy Peaches & Cream 2 Pac California Love U Already Know Changes 112 feat Mase Puff Daddy Only You & Notorious B.I.G. Dear Mama 12 Gauge Dunkie Butt I Get Around 12 Stones We Are One Thugz Mansion 1910 Fruitgum Co. Simon Says Until The End Of Time 1975, The Chocolate 2 Pistols & Ray J You Know Me City, The 2 Pistols & T-Pain & Tay She Got It Dizm Girls (clean) 2 Unlimited No Limits If You're Too Shy (Let Me Know) 20 Fingers Short Dick Man If You're Too Shy (Let Me 21 Savage & Offset &Metro Ghostface Killers Know) Boomin & Travis Scott It's Not Living (If It's Not 21st Century Girls 21st Century Girls With You 2am Club Too Fucked Up To Call It's Not Living (If It's Not 2AM Club Not
    [Show full text]
  • Songs by Artist
    Reil Entertainment Songs by Artist Karaoke by Artist Title Title &, Caitlin Will 12 Gauge Address In The Stars Dunkie Butt 10 Cc 12 Stones Donna We Are One Dreadlock Holiday 19 Somethin' Im Mandy Fly Me Mark Wills I'm Not In Love 1910 Fruitgum Co Rubber Bullets 1, 2, 3 Redlight Things We Do For Love Simon Says Wall Street Shuffle 1910 Fruitgum Co. 10 Years 1,2,3 Redlight Through The Iris Simon Says Wasteland 1975 10, 000 Maniacs Chocolate These Are The Days City 10,000 Maniacs Love Me Because Of The Night Sex... Because The Night Sex.... More Than This Sound These Are The Days The Sound Trouble Me UGH! 10,000 Maniacs Wvocal 1975, The Because The Night Chocolate 100 Proof Aged In Soul Sex Somebody's Been Sleeping The City 10Cc 1Barenaked Ladies Dreadlock Holiday Be My Yoko Ono I'm Not In Love Brian Wilson (2000 Version) We Do For Love Call And Answer 11) Enid OS Get In Line (Duet Version) 112 Get In Line (Solo Version) Come See Me It's All Been Done Cupid Jane Dance With Me Never Is Enough It's Over Now Old Apartment, The Only You One Week Peaches & Cream Shoe Box Peaches And Cream Straw Hat U Already Know What A Good Boy Song List Generator® Printed 11/21/2017 Page 1 of 486 Licensed to Greg Reil Reil Entertainment Songs by Artist Karaoke by Artist Title Title 1Barenaked Ladies 20 Fingers When I Fall Short Dick Man 1Beatles, The 2AM Club Come Together Not Your Boyfriend Day Tripper 2Pac Good Day Sunshine California Love (Original Version) Help! 3 Degrees I Saw Her Standing There When Will I See You Again Love Me Do Woman In Love Nowhere Man 3 Dog Night P.S.
    [Show full text]
  • The Effects of Digital Music Distribution" (2012)
    Southern Illinois University Carbondale OpenSIUC Research Papers Graduate School Spring 4-5-2012 The ffecE ts of Digital Music Distribution Rama A. Dechsakda [email protected] Follow this and additional works at: http://opensiuc.lib.siu.edu/gs_rp The er search paper was a study of how digital music distribution has affected the music industry by researching different views and aspects. I believe this topic was vital to research because it give us insight on were the music industry is headed in the future. Two main research questions proposed were; “How is digital music distribution affecting the music industry?” and “In what way does the piracy industry affect the digital music industry?” The methodology used for this research was performing case studies, researching prospective and retrospective data, and analyzing sales figures and graphs. Case studies were performed on one independent artist and two major artists whom changed the digital music industry in different ways. Another pair of case studies were performed on an independent label and a major label on how changes of the digital music industry effected their business model and how piracy effected those new business models as well. I analyzed sales figures and graphs of digital music sales and physical sales to show the differences in the formats. I researched prospective data on how consumers adjusted to the digital music advancements and how piracy industry has affected them. Last I concluded all the data found during this research to show that digital music distribution is growing and could possibly be the dominant format for obtaining music, and the battle with piracy will be an ongoing process that will be hard to end anytime soon.
    [Show full text]
  • The Publishing Plan
    NONFICTIONTHE BOOK PUBLISHING PLAN THE PROFESSIONAL GUIDE TO PROFITABLE SELF-PUBLISHING STEPHANIE CHANDLER KARL W. PALACHUK Copyright © 2018 by Stephanie Chandler and Karl W. Palachuk. All rights reserved. No part of this publication may be reproduced, stored in a retrieval sys- tem, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, scanning, or otherwise, without the prior written permission of the author. Limit of Liability/Disclaimer of Warranty: While the publisher and author have used their best efforts in preparing this book, they make no representa- tions or warranties with respect to the accuracy or completeness of the con- tents of this book and specifically disclaim any implied warranties of mer- chantability or fitness for a particular purpose. No warranty may be created or extended by sales representatives or written sales materials. The advice and strategies contained herein may not be suitable for your situation. You should consult with a professional when appropriate. Neither the publisher nor the author shall be liable for any loss of profit or any other commer- cial damages, including but not limited to special, incidental, consequential, personal, or other damages. The Nonfiction Book Publishing Plan The Professional Guide to Profitable Self-Publishing By Stephanie Chandler and Karl W. Palachuk 1. LAN027000 2. LAN002000 3. REF026000 Print ISBN: 978-1-949642-00-1 Ebook ISBN: 978-1-949642-01-8 Printed in the United States of America Authority Publishing 11230 Gold Express Dr. #310-413 Gold River, CA 95670 800-877-1097 AuthorityPublishing.com CONTENTS Chapter 1: The Business of Self-Publishing Nonfiction Books .
    [Show full text]
  • Mac Miller Anderson Paak Dang Free Mp3 Download
    Mac Miller Anderson Paak Dang Free Mp3 Download 1 / 5 Mac Miller Anderson Paak Dang Free Mp3 Download 2 / 5 Mixtape became his breakthrough when it was released in August of 2010, earning plenty of attention from hip-hop blogs and landing Miller a recording contract with Rostrum Records.. Mac Miller Anderson Paak Dang Free Mp3 Download Mp3Mac Miller Anderson Paak Dang Free Mp3 Downloads Pittsburgh, PA Hip-Hop/Rap 269,367 DownloadsMixtapes(10) Albums(0) Videos(3) Born Malcolm McCormick, Miller first used the alias 'Easy Mac,' a name referenced on his debut mixtape, 2007's But My Mackin' Ain't Easy.. Name: Mac Miller - Dang! Anderson Paak) mp3; Size: 8 51 MB; Created: 2016-07-28 18:49:11; Last Download: 2020-07-27 11:26:53. 1. mac miller anderson paak dang 2. mac miller anderson paak dang live 3. mac miller ft anderson paak dang mp4 download Born Malcolm McCormick, Miller first used the alias 'Easy Mac,' a name referenced on his debut mixtape, 2007's But My Mackin' Ain't Easy. mac miller anderson paak dang mac miller anderson paak dang, mac miller anderson paak dang lyrics, mac miller anderson paak dang live, mac miller ft anderson paak dang mp3 download, mac miller ft anderson paak dang mp4 download, mac miller ft anderson paak dang free mp3 download, mac miller - dang (feat. EzTouchPOS download free for windows 8.1 64bit free version Pre-order THE DIVINE FEMININE now: Prod By Pomo Artwork by Grace Miceli From the AUDIENCE Network concert special “Mac Miller: The Divine Feminine.
    [Show full text]
  • In the Matter of an Inquest Touching Upon the Death of Mr Joseph Parker
    BEFORE THE CORONER FOR NORTHERN IRELAND MR JOSEPH McCRISKEN THE INQUEST TOUCHING UPON THE DEATH OF MR JOSEPH PARKER ___________________________________________________________________________ Introduction [1] Before I begin to deliver my findings with respect to the death of Mr Joseph Parker I firstly want to give appropriate thanks to Court Service and Coroners Service staff, in particular my investigator Ms Logan, and to all those who have been concerned in the preparations for this inquest. [2] This has been a long and difficult exercise and I wish to pay tribute to my Counsel Mr Daly BL and my Solicitor Ms Lloyd–Stevens, Mr Coll QC, Mr Fletcher BL and Solicitor Ms Meegan, who represented the Ministry of Defence, and Ms Doherty QC, Mr Fahy BL and Mr Ó Muirigh, Solicitor, who represented Mr Parker’s family. Each legal team have gone about their task in a professional and dedicated way and have tested the evidence in this difficult inquest in a sympathetic and sensitive yet robust manner. They are a credit to their profession and proof, if it were needed, of the high standard of legal representation available in Northern Ireland. [3] I wish to recognise the resolve and determination of the Parker family, especially Mr Parker’s sister Teresa and daughters Joanne and Charlene. They have waited almost 46 years for a new inquest into the circumstances of Mr Parker’s death and I hope that these findings provide some measure of closure. 1 Relevant law [4] Rule 15 of the Coroners (Practice and Procedure) Rules (Northern Ireland) 1963 (the 1963 Rules) governs the matters to which inquests shall be directed.
    [Show full text]
  • Ebook Market of The
    Valitse kohde. - VALITSE KOHDE. VALITSE KOHDE. EBOOK MARKET OF THE USA Litnet case Author/s: Andrii Tytenko eSAVONIA UNIVERSITY OF APPLIED SCIENCES THESIS Abstract Field of Study Social Sciences, Business and Administration Degree Programme Degree Programme in International Business Author(s) Andrii Tytenko Title of Thesis eBook market of the USA: Litnet case Date 14.12.2019 Pages/Appendices 49 Supervisor(s) Virpi Oksanen, Ari Pitkänen Client Organisation /Partners Litnet Abstract The eBook market in the USA is the largest English-speaking eBook market. The purpose of the thesis was to do profound research on the eBook market in the USA for the case company Litnet. The importance of this research derives from the case company’s interest in the market. The research conducted for Litnet was made by utiliZing several marketing research frameworks such as PEST analysis, Porter’s Five Forces model, and SWOT analysis. Both qualitative and quantitative research methods were applied in the study. The research discovered that the overall attractiveness of the US market is high for Litnet. The research showed that the industry infrastructure is favourable. The market is characterized by a high level of rivalry and low en- trance barriers. There are different models of eBooks distribution, such as traditional per copy sales, subscription services, and pay per chapter services. The market may experience pressure from audiobooks and print books sales. Litnet may use the differentiation strategy to escape the direct competition in the market. The research gives an overview of the eBook market in the USA and analyses prerequisites for Litnet's possible market strate- gies.
    [Show full text]
  • Ipad Educational Apps This List of Apps Was Compiled by the Following Individuals on Behalf of Innovative Educator Consulting: Naomi Harm Jenna Linskens Tim Nielsen
    iPad Educational Apps This list of apps was compiled by the following individuals on behalf of Innovative Educator Consulting: Naomi Harm Jenna Linskens Tim Nielsen INNOVATIVE 295 South Marina Drive Brownsville, MN 55919 Home: (507) 750-0506 Cell: (608) 386-2018 EDUCATOR Email: [email protected] Website: http://naomiharm.org CONSULTING Inspired Technology Leadership to Transform Teaching & Learning CONTENTS Art ............................................................................................................... 3 Creativity and Digital Production ................................................................. 5 eBook Applications .................................................................................... 13 Foreign Language ....................................................................................... 22 Music ........................................................................................................ 25 PE / Health ................................................................................................ 27 Special Needs ............................................................................................ 29 STEM - General .......................................................................................... 47 STEM - Science ........................................................................................... 48 STEM - Technology ..................................................................................... 51 STEM - Engineering ...................................................................................
    [Show full text]
  • Swedish House Mafias “Don't You Worry Child” Passerer 1 Millioner Solgte Kopier
    21-11-2012 12:56 CET Swedish House Mafias “Don’t You Worry Child” passerer 1 millioner solgte kopier Den svenske stjernegruppen Swedish House Mafia kan i dag annonsere at singelen ”Don’t You Worry Child” har passert 1 millioner solgte kopier verden over på 9 uker. I Norge har singelen i skrivende stund solgt til 3x platina og over 4 millioner streams på Spotify. Denne helgen besøker avskjedsturnéen ”One Last Tour” Stockholm, hvor Swedish House Mafia spiller sine tre siste konserter på svensk jord for mer enn 105 000 fans. Billettene ble utsolgt på få timer. Fredag kveld gjester gruppen TV-programmet ”Skavlan” på NRK1. Swedish House Mafia spiller på Telenor Arena utenfor Oslo lørdag 22 desember, dette blir gruppens siste konsert noensinne i Europa. Se innebygd innhold her Live-video "Don't You Worry Child: Se video på YouTube her EMI er ett av verdens største og eldste plateselskaper. Blant våre internasjonale artister finner du The Beatles, Pink Floyd, David Bowie, Katy Perry, Robyn, Coldplay, David Guetta, Swedish House Mafia, Roxette, Kim Larsen, Tinie Tempah, Adam Tensta, Alice In Chains, LCD Soundsystem, Deadmau5, The Kooks, 30 Seconds To Mars, Jane’s Addiction, Kate Bush, Peter Gabriel, Rise To Remain, Iron Maiden m.fl. Blant våre norske artister finner du, Åge Aleksandersen, Susanne Sundfør, Marit Larsen, Henning Kvitnes, Hellbillies, Frida Amundsen, Lars Haavard Haugen, Madrugada, Dumdum Boys, Morten Abel, Halvdan Sivertsen m.fl Kontaktpersoner Matea Grøvik Pressekontakt Prosjektleder [email protected] + 47 478 65 722 Mona Olsen Pressekontakt Senior Project Manager Domestic [email protected] +47 95 82 54 20 Yordana Jakobsen Pressekontakt International Project Manager [email protected] +47 47 30 64 73.
    [Show full text]
  • Early-Chapters-–-SIMPLY-BRILLIANT.Pdf
    01 02 03 PROLOGUE: THE NEW 04 STORY OF SUCCESS 05 06 “The Possible Is Immense” 07 08 09 10 11 12 13 ho doesn’t want to be part of a great success story? 14 To run, start, or play a leadership role in a company 15 that wins big and changes the course of its industry. 16 ToW launch a brand that dazzles customers and dominates its mar- 17 ket. To be the kind of executive or entrepreneur who creates jobs, 18 generates wealth, and builds an organization bursting with energy 19 and creativity. 20 These days, in the popular imagination, the quest for success 21 has become synonymous with the spread of disruptive technolo- 22 gies and viral apps, with the rise of radical business models and 23 new​­fangled work arrangements. This is the stuff that fuels the 24 dreams of countless engineers and venture capitalists in Silicon 25 Valley, and inspires hard-​­charging innovators such as Facebook’s 26 Mark Zuckerberg and Uber’s Travis Kalanick. The “new economy,” 27 the story goes, belongs to a new generation of companies and lead- S28 ers who have little in common with what came before. N29 1 9781591847755_Simply_i-xvi_1-256_B1.indd 1 7/27/16 10:56 PM SIMPLY BRILLIANT 01 But why should the story of success be the exclusive domain of 02 a few technology-​­driven start-​­ups or a handful of young billion- 03 aires? The story of this book, its message for leaders who aim to do 04 something important and build something great, is both simple 05 and subversive: In a time of wrenching disruptions and exhilarat- 06 ing advances, of unrelenting turmoil and unlimited promise, the 07 future is open to everybody.
    [Show full text]
  • The Radicals and the Renaissance Nationalistic, Class Conscious, and International-Minded Than Were 5· Can-Born Blacks."84
    =":S'" ttlt:;J UI;;I;;U lllgllly lj~fieficia1 to Harlem-and to America at Essays focusing on the contributions of Caribbean Americans to Harlem the United States would not have called attention to Huiswoud's and "gifts" to the Third International. Domingo and his colleagues however, the significance of the 1922 Moscow congress in placing the ofall peoples ofAfrican descent on the international agenda. Wayne F. per has noted that "the official stance of the Comintern regarding 1922 was influenced by West Indians, who were simultaneously much The Radicals and the Renaissance nationalistic, class conscious, and international-minded than were 5· can-born blacks."84 When the first version ofDomingo's article was issued in March 1925, ofthe four veteran radicals were positioned to wage their campaign racism and colonialism on many fronts as functionaries of organizati( allied with the Workers Party, such as the ANLe. Hermie was also now tiorred to join the group. She had graduated from high school in 1924 through Huiswoud had become friendly with his close comrades and As Hermie Dumont approached her twentieth birthday in 1925 she was be­ to radical politics along with the gifts ofwriters and artists in Harlem. ginning to appreciate that she was in the midst of a vibrant, eclectic, creative Huiswoud went to Chicago to help launch the ANLC he asked her to community. Bold print on the cover ofthe March 1925 Survey Graphic mag­ for him. And she did. azine declared "Harlem-Mecca of the New Negro" and included interest­ ing short stories and other writings by people she had met or recognized from meetings, newspaper articles, or just walking down the street.
    [Show full text]
  • Tim Minchin with West Australian Symphony Orchestra Apart / Together
    WORLD PREMIERE TIM MINCHIN WITH WEST AUSTRALIAN SYMPHONY ORCHESTRA APART / TOGETHER Image: Damian Bennett Perth Festival acknowledges the Noongar people who continue to practise their values, language, beliefs and knowledge on their kwobidak boodjar. They remain the spiritual and cultural birdiyangara of this place and we honour and respect their caretakers and custodians and the vital role Noongar people play for our community and our Festival to flourish. Stay COVID-19 safe 1.5m Physical distancing Wash your hands Stay home if you are sick Register your attendance For latest health advice visit healthywa.wa.gov.au/coronavirus TIM MINCHIN WITH WEST AUSTRALIAN SYMPHONY ORCHESTRA APART / TOGETHER KAARTA KOOMBA / PERTH CBD KINGS PARK & BOTANICAL GARDEN M T W T F S S FEBRUARY 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 Sat & Sun Gates open 5.30pm Tim Minchin 7pm Duration 80mins With thanks to Mellen Events and Kings Park & Botanic Garden CONTENTS CONTENTS CONTENTS WELCOME WELCOME 6 Welcome 8 Credits 10 Repertoire CREDITS BACKGROUND 12 Apart Together - The Album REPERTOIRE BIOGRAPHIES 20 Tim Minchin 22 Jessica Gethin BACKGROUND 24 West Australian Symphony Orchestra ACKNOWLEDGEMENTS 26 Perth Festival Partners BIOGRAPHIES 27 Perth Festival Donors * Just tap the interactive tabs on the left to skip to a specific section ACKNOWLEDGEMENTS CONTENTS WELCOME Image: Jess Wyld CREDITS Perth Festival 2021 is a love song to this place – its people, artists and stories. And so, it is fitting that one of our city’s favourite sons (and a dear friend of many REPERTOIRE of us in the Festival family and beyond) is back in town to perform a special version of his very personal album Apart / Together.
    [Show full text]