Ethan Frome Ethan Frome
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The Reflection of Naturalism in Ethan's Life As Seen In
THE REFLECTION OF NATURALISM IN ETHAN’S LIFE AS SEEN IN EDITH WHARTON’S ETHAN FROME AN UNDERGRADUATE THESIS Presented as Partial Fulfilment of the Requirements for the Degree of Sarjana Sastra in English Letters By INTEN PUSPITO Student Number: 014214139 ENGLISH LETTERS STUDY PROGRAMME DEPARTMENT OF ENGLISH LETTERS SANATA DHARMA UNIVERSITY YOGYAKARTA 2009 ii iii iv v ACKNOWLEDGEMENTS My greatest gratitude first and foremost goes to Jesus Christ. I thank Him for the blessing. I thank my mom and dad for their tender love. I dedicated this thesis for them. I thank my dearly annoying brothers and lovely sisters for always walking me through the ‘rain’ and for their unconditional love. Next, my huge gratitude goes to my Advisor and Co-Advisor, Modesta Luluk Artika W., S.S. and Drs. Hirmawan Wijanarka,M.Hum. whose guidance and support have made this thesis possible to be finished. I can never thank them enough for the wisdom, knowledge and especially patience that they have shown me. To my friends I called best friends; mbak Ary, Donna and Key, Dian and Yose, Arul and Villa. I thank them for their patience for listening my grumbling. My unforgettable ‘cipika cipiki’: Anis, Irin, Puput, Vitun, Novel. I thank them for coloring my days, and showing me what friendship means. I love you all. Last but not least, my gratitude goes to Samurai R. I thank him for his unexplained support and whatever! Thank you. That means a lot. vi TABLE OF CONTENTS TITLE PAGE ................................................................................................. i APPROVAL PAGE ....................................................................................... ii ACCEPTANCE PAGE .................................................................................. iii STATEMENT OF WORK’S ORIGINALTIY ........................................... -
Edith Wharton. Ethan Frome
ETHAN FROME 2 which he put without a glance into his sagging pocket. At intervals, Edith WARTON . however, the post-master would hand him an envelope addressed to Mrs. Zenobia–or Mrs. Zeena–Frome, and usually bearing conspi- Ethan Frome (1911) cuously in the upper left-hand corner the address of some manufactur- er of patent medicine and the name of his specific. These documents my neighbour would also pocket without a glance, as if too much used I had the story, bit by bit, from various people, and, as generally to them to wonder at their number and variety, and would then turn happens in such cases, each time it was a different story. away with a silent nod to the post-master. If you know Starkfield, Massachusetts, you know the post-office. If Every one in Starkfield knew him and gave him a greeting tem- you know the post-office you must have seen Ethan Frome drive up to pered to his own grave mien; but his taciturnity was respected and it it, drop the reins on his hollow-backed bay and drag himself across the was only on rare occasions that one of the older men of the place de- brick pavement to the white colonnade: and you must have asked who tained him for a word. When this happened he would listen quietly, he was. his blue eyes on the speaker’s face, and answer in so low a tone that his It was there that, several years ago, I saw him for the first time; and words never reached me; then he would climb stiffly into his buggy, the sight pulled me up sharp. -
Architecture and Society in Edith Wharton's the Age of Innocence
"The Intolerable Ugliness of New York": Architecture and Society in Edith Wharton's The Age of Innocence Cynthia G. Falk Edith Wharton's novel The Age of Innocence was written in and about an era characterized in the United States by immense political, economic, and cul tural change, which led many Americans to reevaluate how they defined their country and themselves. As an expatriate, Wharton worked on the manuscript in France in the years just after World War I amidst ongoing debates about the Treaty of Versailles, wartime reparations, and the creation of the League of Nations. The work was received by the American public first in the summer of 1920, when it appeared in serial form in the magazine Pictorial Review, and again later that fall, when it was published as a novel. The story was set almost fifty years earlier in the New York and Newport, Rhode Island, of Wharton's youth. Through her descriptions of that earlier period's built environment and social conventions, Wharton drew conclusions about American society that car ried added weight in her own day. Wharton's assessment of architecture, inte rior design, and codes of conduct in late-nineteenth-century America distanced her from many of her American contemporaries by demonstrating her disillu sionment with her increasingly influential homeland. From the conclusion of the Civil War to the conclusion of World War I, Americans saw their country transformed. At the beginning of the period, the United States was still recovering from the destruction and division that resulted from sectional crisis. Violent conflicts with American Indians regularly threat- 0026-3079/2001/4202-019$2.50/0 American Studies, 42:2 (Summer 2001): 19-43 19 20 Cynthia G. -
Collected Stories 1911-1937 Ebook, Epub
COLLECTED STORIES 1911-1937 PDF, EPUB, EBOOK Edith Wharton | 848 pages | 16 Oct 2014 | The Library of America | 9781883011949 | English | New York, United States Collected Stories 1911-1937 PDF Book In "The Mission of Jane" about a remarkable adopted child and "The Pelican" about an itinerant lecturer , she discovers her gift for social and cultural satire. Sandra M. Marion Elizabeth Rodgers. Collected Stories, by Edith Wharton ,. Anson Warley is an ageing New York bachelor who once had high cultural aspirations, but he has left them behind to give himself up to the life of a socialite and dandy. Sort order. Michael Davitt Bell. A Historical Guide to Edith Wharton. With this two-volume set, The Library of America presents the finest of Wharton's achievement in short fiction: 67 stories drawn from the entire span of her writing life, including the novella-length works The Touchstone , Sanctuary , and Bunner Sisters , eight shorter pieces never collected by Wharton, and many stories long out-of-print. Anthony Trollope. The Edith Wharton Society Old but comprehensive collection of free eTexts of the major novels, stories, and travel writing, linking archives at University of Virginia and Washington State University. The Library of America series includes more than volumes to date, authoritative editions that average 1, pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries. Elizabeth Spencer. Inspired by Your Browsing History. Books by Edith Wharton. Hill, Hamlin L. This work was followed several other novels set in New York. -
The Power of Words: the Use of Language in Ethan Frome
i The Power of Words: The Use of Language in Ethan Frome Heather Faye Spear Submitted to the faculty of the University Graduate School in partial fulfillment of the requirements for the degree Masters of Arts in the Department of English, Liberty University December 2009 ii To my husband, Scott—thank you for your endless support and encouragement throughout the completion of this thesis, and thank you for not allowing me to take the alternative route. I would also like to dedicate this thesis to my daughter, Ava, who completed the entirety of the thesis process with me. iii Table of Contents Dedication…………………………………………………………………………………ii Table of Contents………………………………………………………………………....iii Chapter 1: Introduction……………………………………………………………………1 Chapter 2: Zeena and Ethan ……………………………………………………………..24 Chapter 3: Ethan and Mattie …………………………………………………………….41 Chapter 4: Zeena and Mattie ……………………………………………………………..59 Conclusion……………………………………………………………………………….79 Endnotes…...……………………………………………………………………………..85 Bibliography.…………………………………………………………………………….87 Spear 1 The Power of Words: The Use of Language in Ethan Frome Chapter 1: Introduction Language is significant as a basis for and the advancement of civilization, influencing all facets of life: trade, religion, education, and predominantly, communication. Written and spoken words are mediums of communication rooted deeply in human nature and are intricately connected to the Divine nature of God, the institutor and originator of language. Due to man’s sinfulness, there is a complex relationship between one’s language and one’s intended meaning. Perfect communication cannot exist, but this reality and man’s finiteness do not purge language and words of their meaning; rather, it makes the relationship between the author, the text, the reader, and the world more complex. -
Ethan Frome (Questions)
Ethan Frome (Questions) 1. Discuss the three characters. Do you find Zeena's shrewishness believable? Does Ethan control his life, or do life's events control him? Is Mattie a sympathetic character or not? 2. What does the name Starkfield suggest about the setting? How does Herman Gow corroborate this later (p. 5). 3. What role do the townsfolk play in Ethan Frome? 4. Mattie wears red when we readers first see/meet her. What does the red signify? 5. Discuss Mattie's and Ethan's decision in the sleigh—an act of desperation, clearly. Is it justified, immoral, unethical, irresponsible? Or the only honorable way out of an untenable situation? 6. hat is the significance of Ruth Varnum and Ned Hale's relationship. 7. Which character, Mattie or Ethan, holds the power in their relationship? 8. How does Ethan's confrontation with Zeena in Chapter 7 act as a turning point for his character? 9. In what ways is fear the driving force that keeps Ethan from eloping with Mattie in Chapter 9? 10. Ruth Varnum gets the last word in the story. Why? Do you agree with her statement that Ethan, Mattie, and Zeena would be better off dead? 11. How is Zeena’s reaction to Mattie’s departure a contrast to Ethan’s? What are the implications of her behavior? 12. Discuss the ending—in what way is it ironic? How do you feel about Ethan's final situation? 13. What might the story look like from Zeena's point of view? From Mattie's? Do you think the narrator does a good job of showing us Ethan's point of view? 14. -
Wharton - Wikipedia
4/27/2020 Edith Wharton - Wikipedia Edith Wharton Edith Wharton (/ hw rtən/; born Edith Newbold Jones; January 24, 1862 – August 11, 1937) was an American Edith Wharton novelist, short story writer, playwright, and designer. Wharton drew upon her insider's knowledge of the upper class New York "aristocracy" to realistically portray the lives and morals of the Gilded Age. In 1921, she was the first woman to win the Pulitzer Prize for Literature. She was inducted into the National Women's Hall of Fame in 1996.[1] Contents Biography Early life Early writing Socialite and debutante 1880s Travels and life abroad Edith Wharton, c. 1895 Later years Death Born Edith Newbold Writing Jones Career January 24, 1862 Themes in writings New York City Influences Died August 11, 1937 Works (aged 75) Novels Saint-Brice-sous- Novellas and novelette Forêt, France Poetry Short story collections Resting Cimetière des place Non-fiction Gonards As editor Occupation Novelist, short story Adaptations writer, designer. Film Notable Pulitzer Prize for Television awards Literature Theater 1921 The Age of In popular culture Innocence References Spouse Edward Robbins Citations Bibliography Wharton (1885– 1913) Further reading https://en.wikipedia.org/wiki/Edith_Wharton 1/16 4/27/2020 Edith Wharton - Wikipedia External links Online editions Signature Biography Early life Edith Wharton was born Edith Newbold Jones on January 24, 1862 to George Frederic Jones and Lucretia Stevens Rhinelander at their brownstone at 14 West Twenty-third Street in New York City.[2][3] To her -
Suffering and the Limits of Language in Edith Wharton Elizabeth S
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2005 Voicing the 'Body in Pain': Suffering and the Limits of Language in Edith Wharton Elizabeth S. Nuckolls Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF ARTS AND SCIENCES VOICING THE ‘BODY IN PAIN’: SUFFERING AND THE LIMITS OF LANGUAGE IN EDITH WHARTON By ELIZABETH S. NUCKOLLS A Thesis submitted to the Department of English in partial fulfillment of the requirements for the degree of Master of Arts Degree Awarded: Summer Semester, 2005 The members of the Committee approve the thesis of Elizabeth S. Nuckolls defended on June 22nd 2005. ________________________ Leigh H. Edwards Professor Directing Thesis ________________________ Darryl Dickson-Carr Committee Member ________________________ Andrew Epstein Committee Member Approved: _____________________________ Hunt Hawkins, Chair, Department of English The Office of Graduate Studies has verified and approved the above named committee members. ii TABLE OF CONTENTS Abstract ……………………………………………………………………………………….. iv INTRODUCTION………………………………………………………………………………. 1 1. ETHAN FROME: THE BEGINNING OF PAIN AND LANGUAGE……………………….. 5 2. WORLD WAR I: THE LOSS OF MEANING………………………………………………..18 3. THE MARNE AND A SON AT THE FRONT: CHANGING VIEWS OF THE WAR………..33 CONCLUSION…………………………………………………………………………………..44 REFERENCES…………………………………………………………………………………..46 BIOGRAPHICAL SKETCH…………………………………………………………………….49 iii ABSTRACT Edith Wharton’s writing exhibits an understanding of and fascination with the connections between pain and language. Her novel, Ethan Frome, is her first extended analysis of the cycle of silence and suffering into which her characters fall. She explores how these interests complicate the conflicting pressures of individual necessities and community responsibilities. -
Property and Identity in the Custom of the Country and Ultimately Meaning, on Personal Identity As Volatile Economic Conditions Erode Familiar Social Structures
Sassoubre 687 PROPERTY AND IDENTITY IN f THE CUSTOM OF THE COUNTRY Ticien Marie Sassoubre Critical responses to The Custom of the Country have been deeply influenced by events in Edith Wharton's life during the period over which the novel was written (1907–13). Connections between the novel and Wharton's financial success (resulting from her shrewd- ness in negotiation with publishers as well as her literary talent and productivity), her affair with Morton Fullerton, and the difficult deci- sion to divorce her husband of nearly thirty years are readily appar- ent. As a result, The Custom of the Country is consistently read as a novel about divorce, or a critique of the patriarchal oppression of women.1 In these readings, Undine Spragg, the novel's main figure, is conceived as a frustrated entrepreneur forced by her gender to pursue her business in the domestic sphere.2 The critical preoccupa- tion with the novel as a fictionalization of Wharton's personal experi- ences explains why those who have so frequently praised its fine prose and unflinching social observation have either exaggerated Undine's "success" or felt, with Percy Lubbock, that the novel lacks "a controlling and unifying center" (53). In this article, I argue that The Custom of the Country should be read as a novel about changing property relations and the ways in which those property relations are constitutive of personal identity. Reading the novel through this lens discloses its carefully constructed narrative structure and the- matic coherence—a coherence distorted by readings concerned pri- marily with its treatment of gender inequality or divorce. -
Ethan Frome Wharton, Edith
Ethan Frome Wharton, Edith Published: 1911 Type(s): Novels Source: Wikisource 1 About Wharton: Edith Wharton (January 24, 1862 – August 11, 1937) was an American novelist, short story writer, and designer. Also available on Feedbooks for Wharton: • The Age of Innocence (1920) • The House of Mirth (1905) • Summer (1917) • The Custom of the Country (1913) • Sanctuary (1903) • Here and Beyond (1926) • Twilight Sleep (1927) • The Bunner Sisters (1916) • Madame de Treymes (1907) • The Valley of Decision (1902) Copyright: This work is available for countries where copyright is Life+70. Note: This book is brought to you by Feedbooks. http://www.feedbooks.com Strictly for personal use, do not use this file for commercial purposes. 2 Introduction I had the story, bit by bit, from various people, and, as generally hap- pens in such cases, each time it was a different story. If you know Starkfield, Massachusetts, you know the post-office. If you know the post-office you must have seen Ethan Frome drive up to it, drop the reins on his hollow-backed bay and drag himself across the brick pavement to the white colonnade: and you must have asked who he was. It was there that, several years ago, I saw him for the first time; and the sight pulled me up sharp. Even then he was the most striking figure in Starkfield, though he was but the ruin of a man. It was not so much his great height that marked him, for the “natives “ were easily singled out by their lank longitude from the stockier foreign breed: it was the care- less powerful look he had, in spite of a lameness checking each step like the jerk of a chain. -
|||GET||| Ethan Frome & Summer 1St Edition
ETHAN FROME & SUMMER 1ST EDITION DOWNLOAD FREE Edith Wharton | 9780375757280 | | | | | Ethan Frome by Wharton, First Edition Audio Cassette in English - Abridged edition. It is a summer which doesn't end, even though the story is spread over several months. United Kingdom. Dedicated to delighting our customers. May 04, Karen rated it really liked it. Yet she is every bit as trapped as he was, which makes her as compelling a character. Both come in the form of love and both relationships evaporate quickly with social restraints. When Ethan speaks, the voice stops. The dust jacket is in fine condition with only the slightest bit of cover or edge wear. She is renamed as Charity, and she takes his surname, but everyone in the town of North Dormer knows more about her antecedents than she does and they won't forget it. Ethan Ethan Frome & Summer 1st editionWordsworth Editions Ltd. Want to Read saving…. And the book, for its early twentieth-century audience, was shocking. The Age of Innocence, a novel about New York in the s, earned Wharton the Pulitzer Prize for fiction in -- the first time the award had been bestowed upon a woman. In comes Mattie, a wayward child of just 20 who captivates his heart. This is a new book, direct from the publisher. About this Item: Signet. More Details Bookstore's stamped address appears on the inside of the rear cover. More information about this seller Contact this seller 3. Item added to your basket View basket. Wharton proves here that she knows more than just her terribly upper-class set. -
Debility and Disability in Edith Wharton's Novels
City University of New York (CUNY) CUNY Academic Works Publications and Research Queens College 2020 Debility and Disability in Edith Wharton's Novels Karen Weingarten CUNY Queens College How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/qc_pubs/406 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] DEBILITY AND DISABILITY IN EDITH WHARTON’S NOVELS KAREN WEINGARTEN At the end of Edith Wharton’s The House of Mirth, Lily Bart, the novel’s protagonist, falls into a downward spiral: without a marriage proposal in sight and her money nearly gone, Lily can no longer support the extravagant lifestyle she constructed with the help of New York’s high society—and particularly its adoring men. Des- perate to pay her bills, she agrees to work at a millinery, a position two of her friends find for her because she had always been good at trimming her own hats. Lily, however, fails miserably at this work. On the one hand, Lily’s failure to succeed in her position could be the result of a lack of training and a disdain for the mundane tasks assigned her. Yet, the narrative also provides hints that Lily’s body is starting to fail her. For months, as she tells her friend Gerty, she has been plagued with sleepless nights and then drowsy days that make concentrating difficult (Wharton 1984, 254). And when she looks at yet another hat she has been unable to sew, she notes that the forewoman’s criticisms of her are warranted: “the sewing on of the spangles was inexcusably bad.