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C E L E B R a T E
T h e L a w r e n t i a n VOL. XCV IIN O. 24 LAWRENCE UNIVERSITY. APPLETON. WISCONSIN 54911 FRIDAY MAY 4. 1979 CELEBRATE... ’7 9 ! Stephanie Howard, Oreg air balloonists who will race on If you’re hungry, stop at the stage. Some “oldies but goodies” workship, an exhibition by the Griffin and a whole crew of Saturday and Sunday, May 12 Cafe Mudd and grab something to will mix with more progressive Lawrence fencing team, a group Lawrentians have been busy for and 13. The balloons will take off eat—but that’s not a l l . Besides jazz: LUJE, Mike Minnick and game activity, and a kitemaking the last four months working on from the Banta Bowl and are the international foods, you will group, the Doug Segal band, the and flying workshop. CELEBRATE! ’79. Howard says, expected to attract millions to the be able to relax to the Robin Reed Campus Life Jazz band and the Artists and craftsmen from all “Celebrate means more to me Lawrence Campus. The rally has Puppet C om pany , The Im- Appleton West Jazz Band. over the state will line the than life itself,” and Griffin been generously sponsored by provisational Theatre, the sounds The Campus Green will play campus. Watercolors, pottery, claims it means even more than 7-Up, Thilmany Paper Com of the Daybreak Singers, and the host to four dazzling displays of jewelry, leatherworks, and that to him. pany, Copps, and Air Wisconsin. mystifying feats of LU’s own frisbee showmanship by a woodcrafts are a few of the Because planning began so When your eyes have tired Bruce Hetzler. -
Big Sur for Other Uses, See Big Sur (Disambiguation)
www.caseylucius.com [email protected] https://en.wikipedia.org/wiki/Main_Page Big Sur For other uses, see Big Sur (disambiguation). Big Sur is a lightly populated region of the Central Coast of California where the Santa Lucia Mountains rise abruptly from the Pacific Ocean. Although it has no specific boundaries, many definitions of the area include the 90 miles (140 km) of coastline from the Carmel River in Monterey County south to the San Carpoforo Creek in San Luis Obispo County,[1][2] and extend about 20 miles (30 km) inland to the eastern foothills of the Santa Lucias. Other sources limit the eastern border to the coastal flanks of these mountains, only 3 to 12 miles (5 to 19 km) inland. Another practical definition of the region is the segment of California State Route 1 from Carmel south to San Simeon. The northern end of Big Sur is about 120 miles (190 km) south of San Francisco, and the southern end is approximately 245 miles (394 km) northwest of Los Angeles. The name "Big Sur" is derived from the original Spanish-language "el sur grande", meaning "the big south", or from "el país grande del sur", "the big country of the south". This name refers to its location south of the city of Monterey.[3] The terrain offers stunning views, making Big Sur a popular tourist destination. Big Sur's Cone Peak is the highest coastal mountain in the contiguous 48 states, ascending nearly a mile (5,155 feet/1571 m) above sea level, only 3 miles (5 km) from the ocean.[4] The name Big Sur can also specifically refer to any of the small settlements in the region, including Posts, Lucia and Gorda; mail sent to most areas within the region must be addressed "Big Sur".[5] It also holds thousands of marathons each year. -
The Canadian Clarinet Works Written for James Campbell
THE CANADIAN CLARINET WORKS WRITTEN FOR JAMES CAMPBELL by Laura Chalmers Submitted to the faculty of the Jacobs School of Music in partial fulfillment of the requirements for the degree, Doctor of Music Indiana University December 2020 Accepted by the faculty of the Indiana University Jacobs School of Music, in partial fulfillment of the requirements for the degree, Doctor of Music Doctoral Committee __________________________________________ Eli Eban, Research Director and Chair __________________________________________ James Campbell __________________________________________ Kathleen McLean __________________________________________ Peter Miksza September 29, 2020 ii Acknowledgements I would like to express my gratitude to the following people, without whom this document would not have been completed: To Prof. Campbell, Allan Gilliland, Phil Nimmons, Timothy Corlis, and Jodi Baker Contin, who gave their time and shared their recollections with me. To my wonderful friends, Emory Rosenow, Laura Kellogg, Mark Wallace, and Lilly Haley- Corbin, who not only read through this entire document to correct mistakes, but who also encouraged me and bolstered me as I wrote this paper. To my family, Mom, Marcus, and Leisha, who have always supported me and continue to do so through my Doctorate. Finally, to my husband, Jacob Darrow. This is as much his success as it is mine. iii Table of Contents Acknowledgements .................................................................................................................................... -
The Slaight Family Foundation Donates $15 Million To
THE SLAIGHT FAMILY FOUNDATION DONATES $15 MILLION TO UNITED WAY GREATER TORONTO • Largest individual gift in United Way Greater Toronto history • Allan Slaight Seniors Fund will help seniors connect to their communities June 26, 2019 -- A $15-million donation from The Slaight Family Foundation to United Way Greater Toronto is breaking new ground in support for seniors as the largest individual gift in United Way’s history. The Allan Slaight Seniors Fund will connect vulnerable seniors with community support to help them remain in their own homes and continue to be vital, active participants in our neighbourhoods. A first of its kind, the fund bridges the gap between the healthcare system and families by connecting seniors to United Way’s network of community agencies. This $15-million gift over six years will focus on seniors who have difficulty accessing health and social services because of poverty or other barriers. At a time that can often be isolating, community agencies provide a critical circle of support to help seniors stay healthy longer, and close to home. United Way’s network of social, recreation and peer programs is aimed at reducing the isolation many seniors experience. Outreach programs help seniors navigate the health and community services they need to stay healthy and engaged. The Allan Slaight Seniors Fund will expand this network of supports and make it easier to access supports by coordinating programs available in the community, and integrating services. “The Slaight family are game-changers,” said Daniele Zanotti, President & CEO, United Way Greater Toronto. “In 2009, the family broke ground with a foundational gift to United Way’s Youth Challenge Fund. -
14 July 2017 Page 1 of 13
Radio 3 Listings for 8 – 14 July 2017 Page 1 of 13 SATURDAY 08 JULY 2017 5:35 AM recording of Vaughan Williams©s plea for peace, tolerance and Mozart, Wolfgang Amadeus (1756-1791) understanding written in 1936, his Dona Nobis Pacem. The piece SAT 01:00 Through the Night (b08wn5ld) Violin Sonata in B flat major, K.454 is on a huge scale, scored for soloists, chorus and large orchestra, RTS Symphony Orchestra - Serbia Johannes Leertouwer (violin), Derk Pik (piano) in six continuous parts, and the phrase Dona nobis pacem "Give Catriona Young presents a performance of Smetana©s cycle of us peace" recurs throughout; a theme with perennial relevance. symphonic poems, Má vlast, from Serbia. 5:58 AM Zelenski, Wladyslaw (1837-1921) arr. Jan Maklakiewicz Composer: Vaughan Williams 1:01 AM 2 Choral Songs: Zaczarowana królewna (The Bewitched Piece: Dona Nobis Pacem Smetana, Bedrich (1824-1884) Princess) ; Przy rozstaniu (At Leave-taking) Reviewer: Alexandra Coghlan Má vlast - cycle of symphonic poems Polish Radio Choir, unnamed pianist, Marek Kluza (director) RTS Symphony Orchestra, Ronald Zollmann (conductor) 10.15am ± New Releases: Baroque Instrumental 6:05 AM The Fiery Genius 2:22 AM Noskowski, Zygmunt (1846-1909) CAILO: Sonata per violino e basso continuo; Sonata a tre violini Berezovsky, Maxim (1745-1777) The Pearls of Moniuszko - 15 Songs for orchestra e organo; Sonata a due violini e cembalo Ne otverzhy mene vo vremia starosti (©Do not forsake me in my Polish Radio Symphony Orchestra, Lukasz Borowicz (conductor) FIORENZA: Concerto di violini -
Joni Mitchell," 1966-74
"All Pink and Clean and Full of Wonder?" Gendering "Joni Mitchell," 1966-74 Stuart Henderson Just before our love got lost you said: "I am as constant as a northern star." And I said: "Constantly in the darkness - Where 5 that at? Ifyou want me I'll be in the bar. " - "A Case of You," 1971 Joni Mitchell has always been difficult to categorize. A folksinger, a poet, a wife, a Canadian, a mother, a party girl, a rock star, a hermit, a jazz singer, a hippie, a painter: any or all of these descriptions could apply at any given time. Moreover, her musicianship, at once reminiscent of jazz, folk, blues, rock 'n' roll, even torch songs, has never lent itself to easy categorization. Through each successive stage of her career, her songwriting has grown ever more sincere and ever less predictable; she has, at every turn, re-figured her public persona, belied expectations, confounded those fans and critics who thought they knew who she was. And it has always been precisely here, between observers' expec- tations and her performance, that we find contested terrain. At stake in the late 1960s and early 1970s was the central concern for both the artist and her audience that "Joni Mitchell" was a stable identity which could be categorized, recognized, and understood. What came across as insta- bility to her fans and observers was born of Mitchell's view that the honest reflection of growth and transformation is the basic necessity of artistic expres- sion. As she explained in 1979: You have two options. -
Broadcasting Decision CRTC 2006-566
Broadcasting Decision CRTC 2006-566 Ottawa, 29 September 2006 Standard Radio Inc., on behalf of a limited partnership to be established (SR Limited Partnership) Quebec, Ontario, Manitoba, Alberta and British Columbia Application 2006-0595-9 Public Hearing in the National Capital Region 1 August 2006 Intra-corporate reorganization – Acquistion of assets The Commission approves, subject to the filing requirements set out below, the application by Standard Radio Inc. (Standard), on behalf of a limited partnership to be established (SR Limited Partnership), to implement an intra-corporate reorganization involving the broadcasting undertakings of Standard. Further, the Commission will issue new broadcasting licences to Standard GP Inc. (described below), the general partner, as well as to Standard Radio Holdings Inc. (described below) and Standard, the limited partners, to carry on business as SR Limited Partnership, upon surrender of the licences issued to Standard. The application 1. The Commission received an application by Standard Radio Inc. (Standard), on behalf of a limited partnership to be established (SR Limited Partnership), to implement an intra-corporate reorganization involving the broadcasting undertakings of Standard. The applicant further requested that new broadcasting licences be issued to the partners of SR Limited Partnership to continue the operation of the broadcasting undertakings currently operated by Standard under the same terms and conditions as those in effect under the current licences. 2. Standard is a wholly-owned subsidiary of Standard Broadcasting Corporation Limited (Standard Broadcasting), which in turn is a wholly-owned subsidiary of Slaight Communications Inc. (Slaight Communications), a private corporation. Mr. Allan Slaight, a Canadian citizen, owns 100% of the issued and outstanding shares of Slaight Communications. -
TITLE Secondary Music (8-12): a Guide/Resource Book for Teachers
DOCUMENT RESUME ED 221 408 SO 013 861 TITLE Secondary Music (8-12): A Guide/Resource Book for Teachers. INSTITUTION British Columbia Dept. of Education, Victoria. Curriculum Development Branch. PUB DATE 80 NOTE 248p. EDRS PRICE MF01/PC10 Plus Postage. DESCRIPTORS Bands (Music); Choral Music; Course Content; *Curriculum Development; Curriculum Guides; Educational Objectives; Evaluation Methods; Jazz; Music Activities; Musical.Composition; *Music Education; Orchestras; Resource Materials; Secondary Education; Singing IDENTIFIERS Stringed Instruments ABSTRACT Goals and objectives, lesson ideas, evaluation techniques, and other resources to help secondary musicteachers in British Columbia organize and develop musicprograms are provided in this resource book. An introductory section briefly discussesthe secondary music program, presenting a scope andsequence and outlining goals and leatnieg outcomes. Following this, thebook is divided into four major sections,one for each of the major areas of music: band; choral music; strings; and music composition.Learning outcomes and related content are outlined for eacharea. Sample outlines and units, suggested seating plans, glossaries, and bibliographies of reierence materialsare also provided for each music area. The appendices containan outline of fine arts goals for secondary school programs, evaluation suggestions and plans,a sample student practice report form, tips for planning field trips,a listing of professional music associations and journals,suggestions for class projects, and listings of -
Janina Fialkowska Piano
Série Dorothy Morton pour artistes invités Dorothy Morton Invited Guests Series Janina Fialkowska piano eenn collaborationcollaboration avecavec • inin collaborationcollaboration withwith 3344e SSérieérie CBC/McGillCBC/McGill • 3344tthh CCBC/McGillBC/McGill SeriesSeries ccbcmusic.ca/mcgillbcmusic.ca/mcgill Le lundi 25 février 2013 Monday, February 25, 2013 à 19 h 30, salle Pollack 7:30 pm, Pollack Hall COONCERTNCERT Six pièces lyriques / Six Lyric Pieces EDVARD GRIEG Arietta, Op. 12, No. 1 (1843-1907) Sommerfugl (Butterfl y), Op. 43, No. 1 Notturno, Op. 54, No. 4 Bekken (Brooklet), Op. 62, No. 4 Trolltog (March of the Dwarfs), Op. 54, No. 3 Efterklang (Remembrances), Op. 71, No. 7 4 Impromptus, D 935, Op. Posth. 142 FRANZ SCHUBERT en fa mineur / in F minor (1797-1828) en la bémol majeur / in A-fl at major en si bémol majeur / in B-fl at major en fa mineur / in F minor ~ entracte ~ Polonaise en mi bémol mineur / in E-fl at minor, Op. 26, No. 2 FRÉDÉRIC CHOPIN Scherzo no 4 en mi majeur / No. 4 in E major, Op. 54 (1810-1849) Valse en la bémol majeur / Waltz in A-fl at major, Op. 64, No. 3 Mazurka en do majeur / in C major, Op. 56, No. 2 Mazurka en do mineur / in C minor, Op. 56, No. 3 Scherzo no 1 en si mineur / No. 1 in B minor, Op. 20 CCee concertconcert estest enregistréenregistré parpar CBCCBC MusicMusic enen vidéovidéo pourpour diffusiondiffusion enen ligneligne (à(à cbcmusic.ca/mcgill)cbcmusic.ca/mcgill) etet enen audioaudio ppourour ddiffusioniffusion dansdans lele cadrecadre dede l'émissionl'émission IInn CConcertoncert aaniméenimée parpar PPaoloaolo PietropaoloPietropaolo lesles dimanchesdimanches à 1111 h 0000 ssurur lleses ondesondes dede CBCCBC RadioRadio 2 (93,5(93,5 FMFM à Montréal).Montréal). -
Keeping the Tradition by Marilyn Lester © 2 0 1 J a C K V
AUGUST 2018—ISSUE 196 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM P EE ING TK THE R N ADITIO DARCY ROBERTA JAMES RICKY JOE GAMBARINI ARGUE FORD SHEPLEY Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East AUGUST 2018—ISSUE 196 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 NEw York@Night 4 Laurence Donohue-Greene: Interview : ROBERTA GAMBARINI 6 by ori dagan [email protected] Andrey Henkin: [email protected] Artist Feature : darcy james argue 7 by george grella General Inquiries: [email protected] ON The COver : preservation hall jazz band 8 by marilyn lester Advertising: [email protected] Encore : ricky ford by russ musto Calendar: 10 [email protected] VOXNews: Lest We Forget : joe shepley 10 by anders griffen [email protected] LAbel Spotlight : weekertoft by stuart broomer US Subscription rates: 12 issues, $40 11 Canada Subscription rates: 12 issues, $45 International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or vOXNEwS 11 by suzanne lorge money order to the address above or email [email protected] obituaries by andrey henkin Staff Writers 12 David R. Adler, Clifford Allen, Duck Baker, Stuart Broomer, FESTIvAL REPORT Robert Bush, Thomas Conrad, 13 Ken Dryden, Donald Elfman, Phil Freeman, Kurt Gottschalk, Tom Greenland, Anders Griffen, CD REviewS 14 Tyran Grillo, Alex Henderson, Robert Iannapollo, Matthew Kassel, Mark Keresman, Marilyn Lester, Miscellany 31 Suzanne Lorge, Marc Medwin, Jim Motavalli, Russ Musto, John Pietaro, Joel Roberts, Event Calendar 32 John Sharpe, Elliott Simon, Andrew Vélez, Scott Yanow Contributing Writers Mathieu Bélanger, Marco Cangiano, Ori Dagan, George Grella, George Kanzler, Annie Murnighan Contributing Photographers “Tradition!” bellowed Chaim Topol as Tevye the milkman in Fiddler on the Roof. -
Les Pages Sur Les Festivals D'été
festivalsSummer d’été Une pléiade de festivals de musique classique se disputent chaque été les faveurs des mélomanes. Le plaisir des yeux y rejoint celui des oreilles, les sites étant souvent splendides et totalement dépaysants. La Scena en brosse, ce mois-ci, un portrait pastoral. A growing number of festivals appeal to classical music lovers. They aim to please their patrons’ ears, but also they strive to delight their eyes, being located in bucolic pastures. This month, La Scena attempts to capture their unique appeal. 3 2pm. StAC. Ensemble vocal Joseph-François- über die Folie d’Espagne, Wq. 118/9, H.263 JULY Perrault; Oakville Children’s Choir; Academic (1778); Mozart: Fantaisie in C minor, K.V. 475 12 20h. EcLER. $10-22. Chausson: Quatuor; Brahms: Choir of Adam Mickiewicz University; Bach (1785); 9 Variationen über ein Menuett von Quatuor #3 en sol mineur. Quatuor Kandinsky Children’s Chorus of Scarborough; Prince of Duport, K.V. 573 (1789); Haydn: Variations in F 13 20h. ÉNDVis. $10-22. Piazzolla: “Four for Tango”; Wales Collegiate Chamber Choir; Choral Altivoz minor, Hob. xvii/6 (1793); Beethoven: 6 Castonguay-Prévost-Michaud: “Redemptio” 3 8pm. A&CC. Cantare-Cantilena Ensemble; Young Variations, op.34 (1802). Cynthia Millman-Floyd, (poème Serge-Patrice Thibodeau); Dvorak: Voices of Melbourne; Daughter of the Baltic fortepiano “Cypresses” #6 10 5 12; Chostakovich: 2 Pieces 3 8pm. GowC. St. John’s Choir; Scunthorpe Co- 3 8pm. DAC Sir James Dunn Theatre. $20-25. Guy: for String Quartet; Reinberger: Nonet op.139. Operative Junior Choir; Amabile Boys Choir Nasca Lines. Upstream Orchestra; Barry Guy, bass Quatuor Arthur-LeBlanc; Eric Lagacé, contre- 4 8pm. -
The Carmel Valley Historian
THE CARMEL VALLEY HISTORIAN A PUBLICATION OF THE CARMEL VALLEY HISTORICAL SOCIETY Volume 29, Issue 3 SEPTEMBER 2015 Old Days at the Valley’s “Carousel” Building By Elizabeth Barratt, CVHS Historian Long a favored local watering spot, the vintage tile-roofed Carousel building looks like a holdover from the last days of the Old West. A rustic walkway leads up to a pair of old-fashioned frosted glass doors that appear to have been there since 1895. They were actually purchased from a wrecking company that was demolishing an old house in San Jose. Brought to Carmel Valley in 1959, they were installed by Willard Fay, the best known and longest tenured (30+ years) of the Carousel building’s many past owners. Despite its nostalgic, other-era façade, the building dates to 1928. Its life as a restaurant began in 1932 when the widowed Clara Miller arrived in California with her nine- year-old daughter, Ruth, and opened the premises as the Carmel Valley Tavern. According to Ruth (now Ruth Peace, longtime Carmel Valley Historical Society member), she and her mother lived in part of the building. The rest was a restaurant serving lunch, tea and dinner. The front fireplace room was the main serving area, where a man named Jim served as the sole waiter. The back portion of the building was used for storage. Her mother ran the restaurant for about four or five years, according to Ruth. Clara met and married local realtor Herb Brownell and he later became one of the building’s lessors. Re- named The Carousel under subse- The Carousel Building, Now Will’s Fargo Restaurant —Photo by Dick Barratt quent owners, the restaurant’s festive theme included scalloped, tent-like canopies enclosing dining room banquettes and ribbon-decorated carou- sel poles encircling the bar.