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Buddy Holly Center Plaza
Buddy Holly Center Plaza Heath Barfield Olivia Sievers Ross Surinder Aulakh LARC 2402 Design Process Dr. Yi Luo “I’m not trying to stump anybody... It’s the beauty of the language that I’m interested in.” Studio Context Design - Heath Barfield Site Context Design - Olivia Sievers Ross Group Work Design - Surinder Aulakh Programming- Goals & Objectives Landscape Performance Benefits Case Studies Heath Barfield Inventory Olivia Sievers Ross Programming Surinder Aulakh Goals & Objectives - Heath Barfield Works Cited Goals & Objectives - Olivia Sievers Ross Goals & Objectives - Surinder Aulakh Site Analysis Heath Barfield Olivia Sievers Ross Surinder Aulakh Concept Plan Heath Barfield Olivia Sievers Ross Surinder Aulakh Heath Barfield Olivia Sievers Ross Surinder Aulakh Table of Contents Comprehension of physical, cultural and ecological issues at diverse scales allow for a designer to enrich the built environment with communal and social spaces. Enhancement and design decisions for the Buddy Holly Center are established with proprietary evidence. Site Inventory is a process which the designer uses to assess the context and Site Analysis is the interpretation of the forces influencing a site. Conceptual design is an iterative process which entails the designer to test, make and repeat until a refined design emerges. The methodologies implemented during the design development range from sketches, models, doodles, etc., thus, leading into finished documents. Studio Context Heath Barfield Olivia Sievers Ross Surinder Aulakh “The Buddy Holly Center, a historical site, has dual missions; preserving, collecting and promoting the legacy of Buddy Holly and the music of Lubbock and West Texas, as well as providing exhibits on Contemporary Visual Arts and Music, for the purpose of educating and entertaining the public. -
West Texas Fiddlers and the Buddy Holly Center "Hardy Pioneers" And
Carr: West Texas Fiddlers and the Buddy Holly Center West Texas Fiddlers and the B “Hardy Pioneers” and Amarillo’s Panhandle Fiddle Contests By Joe Carr In the period from 1928 to 1931, at least six fiddle contests were held in Amarillo, Texas, most under the auspices of the Tri-State Fair Association. Contemporary newspaper re- ports offer interesting insights into the workings of the contests and the activities of the contestants, giving us a fascinating glimpse into the lives and fortunes of numerous early Panhandle fiddlers, including noted musicians Eck Robertson, J. T. Wills - father of Western Swing legend Bob Wills, Jess Morris, and others.1 Census statistics indicate just over 15,000 Amarillo residents in 1920, and the town had grown to a city of 43,000 by 1930.2 Amarillo’s older citizens who noticed the changing landscape may have had fond memories of the old days, and the Old Fiddler contests gave them an opportunity to enjoy what was perceived as a fast dying art. The first All Panhandle Old Fiddlers Contest in Amarillo was Loyd obviously felt an appeal based on memories of the “old sponsored by the Tri-State Fair Association and directed by Dr. days” was the best approach to draw a crowd. His language pre- O. H. Loyd. It was held March 20, 1928, a Tuesday night, at the sents the frontier days as the long distant past while, in truth, city auditorium in conjunction with the Cattlemen’s Conven- only twenty years had past since the “days of the cowboy.” He 44 tion. -
Start Time: 7:32 Teton Gravity Research Partnership the Quest
Directors in Attendance: Kurt Giesselman, Ken Stone, Tyler Newman, Gary Pierson, Scott Clarkson Staff: John Norton, Laurel Runcie, Daniel Kreykes, Andrew Sandstrom, Jeff Moffett On phone: Wynn Williams Guest: Chris Ledoulis Start time: 7:32 President’s Update Kurt Giesselman -We have a quorum. -Move to approve keeping same slate of officers. -Approval of January Minutes. -New Board member introduction to Wynn Williams and Tyler Newman. Teton Gravity Research Partnership Summary: 350k for 2017 and 450k for 2018. This will put us at the same partnership level as Jackson Hole and Switzerland. Discussion: We will have major web presence, film inclusion 2018, summer bike test, and 20,000 new guest entries per year from the film tour. Our brand will be aligned with a trusted industry partner in TGR. Follow up: Bring forward updated budget so the process can move forward. The Quest Summary: How can we keep people coming back with the CBGtrails app? The Quest will track the trails that you have ridden during the summer. Hit mile marker benchmarks, win prizes. 80k to move forward. th th Discussion: We are trying to give people a reason to keep coming back a 4 or 5 time. This also differentiates us from other destinations. Follow up: Bring revised budget so that we can move forward. Look into 3 or more-year agreement in the contracting process. Air update Summary: Dallas, Houston, Denver, all down. Chicago and LA have improved, but payouts will still be huge. What do we need to do in the future to minimize our payouts? Discussion: In short, there is no good answer. -
Music One Sheet FINAL.Indd
THE music scene Talent is bursting at the seams in every corner of Lubbock, from the West Texas Walk of Fame to the Buddy Holly Center and beyond. On any given Guitar night, you can follow the sounds of live bands, two-steppin’ country, Top 40 and many more right into the heartbeat of Lubbock’s nightlife, the Depot Entertainment District. MUSIC EVENTS Buddy Holly Center Summer Showcase Lubbock Moonlight Musicals Each summer the Buddy Holly Center heats up with a The summer nights heat up in Lubbock with the sound courtyard full of music, food, drinks, dancing and fun. of hit musicals. Guests have the chance to enjoy a picnic Concerts are held every Thursday evening during the meal and a show under the stars at the Wells Fargo summer months, and patrons can enjoy original and unique Amphitheatre in beautiful Mackenzie Park. Group ticket Texas-made music. rates and motorcoach parking are available. Cactus Theater Lubbock Symphony Orchestra Constructed in 1937, this historical venue features live Offering performances throughout the year, including musical productions, theatrical plays and musicals. Well- during the holiday season, the Lubbock Symphony known classics and regionally written productions will Orchestra boasts nationally-known guest conductors and entertain audiences of all ages year-round. soloists. Group ticket rates and motorcoach parking are available. Celebrity Attractions Broadway Series Celebrity Attractions brings world-famous performances National Cowboy Symposium and Celebration to the “Hub City.” Attendees will enjoy shows including Every September in Lubbock, one of the largest “Camelot” and “Broadway Holiday.” Group ticket rates and gatherings of cowboys in the world takes place. -
Alternative Currents in Dallas's Religious Traditions
Swimming in Other Streams Alternative Currents in Dallas's Religious Traditions BY J. GoRDON MELTON ~e are two ways oflooking at religion in the state oITexas. In the first instance, we begin with the singular dominance ofTexas by just three religious groups-the Southern Baptists, T the United Methodists, and the Roman Catholics.Their membership accounts for about half argue, of the state's population, with a few additional groups-the Churches of Christ, the National ICan r Baptists (three groups), the African Methodists (three groups), the Presbyterians, two Lutheran partict groups, the Episcopalians, and several Pentecostal groups-filling out the next tier of religious is hon Texans. One could tell the story of Texas religion by limiting the account to these dozen group ~ anoth( groups and do very little, if any, injustice to it. some Additionally, this approach reflects the reality of religion at the national level, where over and sy half of the American population has chosen to be members of a mere twenty-five Christian larger denominations, each of which has at least one million members. Upon examination they gory a the L; are seen to represent the current spectrum of Christian belief and practice. Their position is set of strengthened by considering the forty additional denominations that have at least 100,000 them members and which also present the san1e spectrum of Christian theology, social stances, and the CJ public behavior. The worldview represented by the 25 big denominations is identical to the Christ worldview held by the additional 900+ Christian denominations in America, which together who f include between 70 and 80 percent of the American population. -
TNT Greenlights New Series DALLAS
TNT Greenlights New Series DALLAS TNT has given the greenlight to DALLAS, an all-new series based upon one of the most popular television dramas of all time, about the bitter rivalries and family power struggles within a Texas oil and cattle-ranching dynasty. Famous for its ratings-grabbing cliffhangers, the original series was known for its wealth, seduction, scandal and intrigues. Set in the big state of Texas, TNT’s new DALLAS — from Warner Horizon Television — also lives life large and in the fast lane and brings a new generation of stars together with cast members from the original drama series. The new DALLAS stars Josh Henderson (90210), Jesse Metcalfe (John Tucker Must Die), Jordana Brewster (Fast & Furious), Julie Gonzalo (Veronica Mars) and Brenda Strong (Desperate Housewives), and they will be joined by iconic stars Patrick Duffy, Linda Gray and Larry Hagman as J.R. Ewing. TNT has ordered 10 episodes of DALLAS, which is slated to premiere in summer 2012. TNT will give viewers their first look at DALLAS on Monday with a special sneak peek during the season premieres of the network’s blockbuster hits THE CLOSER, which starts at 9 p.m. (ET/PT), and RIZZOLI & ISLES, which airs at 10 p.m. (ET/PT). TNT is unveiling today a website dedicated to the new DALLAS series, where fans can view an online photo gallery that features a first look into the show’s new and returning cast. Fans can visit the new site, http://www.dallastnt.com, to watch sneak peeks and behind-the-scenes videos. -
Who Shot J.R.?
INVESTMENT INSIGHTS 1062 Highland Colony Parkway • Suite 100 • Ridgeland, Mississippi 39157 January 17, 2020 Arty Finkelberg, CFA, CFP® • Managing Director, Investments • 601.856.1212 Letter #100 29,298 3,324 1.55% 1.81% DJIA S&P 500 3-MONTH T-BILL 10-YR TREASURY BOND Our Centenary Celebration O n August 20, 1993, I penned the initial issue of Investment Overall, I hope Investment Insights has informed you of our Insights. The first sentence read “Let’s just call this newsletter mission, which is to guide you to and through retirement an experiment, an additional line of communication that with a minimum of worry, and with expertise and kindness. will hopefully address some of your interests and concerns This is certainly an occasion to celebrate our relationship in a concise manner.” Frankly, I wasn’t sure there would be with you, our client family, whether the relationship began an appetite for Investment Insights number two. yesterday or years before issue number one was written. Finkelberg Investments exists because of you and for you. We are grateful to you for trusting us with your money and your dreams, and for giving our lives purpose in helping you. Of course, this centenary issue is an opportunity to publicly thank the best support team in the business - Deborah Williams, Alice Fairley, Sally Avalon, and Davis Bourne - for their hard work, integrity, thoughtfulness and ultimately, their daily dedication to you. From the bottom of my heart, thank you. Hopefully, you have enjoyed reading Investment Insights half as much as we have enjoyed writing it, and have gained insights that have helped guide you on your financial journey. -
Ridin' Old Paint: Documenting the Canadian River Breaks Fiddle
Wilkinson: Ridin' Old Paint W uddy Holly Center Pioneers”“Hardy Fiddlers and the Buddy Holly Center • Texas est Ridin’ Old Paint: Documenting the Canadian River Breaks Fiddle Tradition By Andy Wilkinson I did the best part of my growing up and got the best part of my education around the cowboys in the Canadian River Breaks of Texas. We lived on a relatively small outfit, but we were surrounded by the big outfits-the Bivins Coldwater Cattle Com- pany, the Killgores, the upper Matadors down the road. When we went to Channing to get supplies cowboys still tethered their horses and walked the short main street, and the air was filled with the sound of spurs jingling in unison with the clop of bootheels on the old boardwalk where the cowboys strolled in full regalia. When I was very young I thought of these cowboys as gods and wanted to walk and talk like them, be like them, know and live by their ways. The Breaks were full of music. My four sisters sang like angels in the shape-note harmonies of the old gospel music. I would discover that there were many fine musi- cians, poets and even laymen scholars steeped in the classics among the cowboys. We were Primitive Baptists and I was in my teens before I could devise my itinerary in 49 such a way that I could go to the cowboy dances. I had already learned from them some of the old songs, but when I heard their string band ensembles playing the old fiddle music, I knew I would always be a better listener than performer. -
Kvinderne Og Dallas
Elektronisk version af artikel i Analyser af TV, ISBN 87-7332-102-8, Forlaget Medusa 1985 Anne Hjort Kvinderne og Dallas Den amerikanske W-serie Dallas forblev fra premieren i julen 1980, indtil det sidste 71. afsnit blev sendt to år senere, lidt af en sensation i dansk W. Med et overordentlig stort seertal på 2.9 millioner i starten og 2.4 millioner til slut er Dallas blevet set i alle samfundsgrupper - men alligevel ikke lige meget. Dal- las har været mest populær hos kvinderne. Det er kvinderne - og de kvindelige erfaringer - i Dailas og foran Dallas, der står centralt i den folgende artikel. Sporgsrnålet om Dallas' fascination og værdi for specielt dens kvindelige seere soges nemlig ikke alene besvaret ud fra en indholdsanalyse af serien, men også udfra interviews med kvinder om deres faktiske oplevel- se af serien og af en konkret episode, 'Julie vender tilba- ge', sendt i danskfjernsyn den 21. august 1981. Dallas er interessant, ikke mindst i lyset af den aktu- elle mediepolitiske situation i Europa, hvor W-satellit- ter og kabel-TV vil betyde en voldsom forogelse af TV- udbuddet og W-forbruget. Det er en situation, hvis kul- turpolitiske konsekvenser er usikre, men som med ga- ranti medforer én ting - vi får mere 'Dallas'. Dallas-serien Den fnrste episode af Dallas blev vist i USA i april 1978. Seriens ojeblikkelige succes betod, at CBS generobrede pladsen som 'the top prime-time network' fra ABC, som derefter straks gik i gang med at producere 'modserien' Dynasty (Dollars). Dallas' plof er folgende: Jock Ewing (som spilles af westernfilmveteranen Jim Davis) og Digger Barnes indgår engang i 30'erne et partnerskab. -
Law & Disorder in Dallas Revisited
22nd Annual LEGACIES LDallas History Conference Theme: Law & Disorder in Dallas Revisited Saturday, January 30, 2021 TO BE PRESENTED VIRTUALLY In order of presentation, beginning at 9 AM (exact times to be announced): Historic Courthouses and Jails in Dallas By Marcel Quimby A Fun Look at Crime By Rose-Mary Rumbley Murder It Was: The Deaths of Two Women Institutional Sponsors of the 22nd Annual That Shocked Dallas in the 1910s Legacies Dallas History Conference By Rene Schmidt African American Museum Horror in Hollywood Heights Dallas County Historical Commission By Teresa Musgrove Dallas Genealogical Society Dallas Heritage Village Ejected from Old Red: Black Jury Service Dallas Historical Society in the Time of Jim Crow Dallas History & Archives Division, Dallas Public Library By Ralph Cousins Dallas Municipal Archives Dallas Woman’s Forum The Man with Nine Lives: Herbert “The Cat” Noble DeGolyer Library (SMU) By Peter Kurilecz Historic Aldredge House Irving Archives and Museum Old Red Museum of Dallas County History & Culture Park Cities Historic and Preservation Society Preservation Dallas The Sixth Floor Museum at Dealey Plaza Texas State Historical Association University of Texas at Arlington Library William P. Clements Center for Southwest Studies (SMU) The Sponsors of the 22nd Annual Legacies Dallas History Conference recognize and thank the Summerlee Foundation and the Joe M. and Doris R. Dealey Family Foundation for their financial support of the conference, and the Belo Foundation, A. H. Belo Corporation, and the Decherd Video tours of various parts of the Old Red Courthouse Foundation for their twenty-two years of support for will be shown between presentations. -
1 Bob Dylan's American Journey, 1956-1966 September 29, 2006, Through January 6, 2007 Exhibition Labels Exhibit Introductory P
Bob Dylan’s American Journey, 1956-1966 September 29, 2006, through January 6, 2007 Exhibition Labels Exhibit Introductory Panel I Think I’ll Call It America Born into changing times, Bob Dylan shaped history in song. “Life’s a voyage that’s homeward bound.” So wrote Herman Melville, author of the great tall tale Moby Dick and one of the American mythmakers whose legacy Bob Dylan furthers. Like other great artists this democracy has produced, Dylan has come to represent the very historical moment that formed him. Though he calls himself a humble song and dance man, Dylan has done more to define American creative expression than anyone else in the past half-century, forming a new poetics from his emblematic journey. A small town boy with a wandering soul, Dylan was born into a post-war landscape of possibility and dread, a culture ripe for a new mythology. Learning his craft, he traveled a road that connected the civil rights movement to the 1960s counterculture and the revival of American folk music to the creation of the iconic rock star. His songs reflected these developments and, resonating, also affected change. Bob Dylan, 1962 Photo courtesy of John Cohen Section 1: Hibbing Red Iron Town Bobby Zimmerman was a typical 1950’s kid, growing up on Elvis and television. Northern Minnesota seems an unlikely place to produce an icon of popular music—it’s leagues away from music birthplaces like Memphis and New Orleans, and seems as cold and characterless as the South seems mysterious. Yet growing up in the small town of Hibbing, Bob Dylan discovered his musical heritage through radio stations transmitting blues and country from all over, and formed his own bands to practice the newfound religion of rock ‘n’ roll. -
Termination Award- Massey- Beaumont
In the Matter of the Arbitration Between ) ) ) DEPARTMENT OF JUSTICE ) FEDERAL BUREAU OF PRISONS ) FCC BEAUMONT, TEXAS (Agency) ) ) AND ) FMCS CASE NO. 12-56222 ) Issue: Chris Massey - ) Termination AMERICAN FEDERATION OF ) GOVERNMENT EMPLOYEES ) LOCAL 1010 (Union) ) ) BEFORE: Barbara J. Wood, Arbitrator FOR THE AGENCY: Elisa Mason, Esq., Assistant General Counsel U. S. Department of Justice Federal Bureau of Prisons 320 First St., NW, Room 252 – LMR Washington, DC 20534 FOR THE UNION: Patrick M. Flynn, Esq. Blakeney Flynn & Momey 1225 North Loop West Suite 1000 Houston, Texas 77008 ALSO PRESENT FOR THE HEARING: Bridgette Chretien, Lead H. R. Specialist, Beaumont, TX James Bettis, SBIS, Dallas, TX Alice Schindehette, H. R. Specialist, Dallas/Gran Prairie, TX Mark S. Martin, Complex Warden, Yazoo City, MS Miranda Begelton, Union Vice President, Beaumont, TX Clifton J. Buchanan, Union South Central Regional VP Jason VanDeHoef, Union President Christopher B. Massey, Grievant 1 The hearing in the arbitration between Federal Bureau of Prisons, herein after referred to as Agency, and Council of Prison Locals, American Federation of Government Employees Local 1010, herein after referred to as Union, was held on May 30, 2013 at the FCC, Central Administration Building, 5430 Knauth Road, Beaumont, Texas. The Agency was represented by Elisa Mason, Attorney. The Union was represented by Patrick M. Flynn, Attorney. The Arbitrator was Barbara J. Wood. The Union and Agency stipulated that the grievance was properly before the Arbitrator. Testimony of witnesses was taken under oath. Representatives of the Agency and Union were provided full opportunity to present evidence, examine and cross-examine all witnesses.