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Maïté Louis & Jasmina Kulaglich
Programmes 2021 violin • • • • • • piano Maïté Louis & Jasmina Kulaglich Maïté Louis impresses by A spiritual ascent and a virtuosity never useless. jubilant, a musical Ayrton Desimpelaere, Crescendo pilgrimage leading to a rare plenitude. “ Etienne Muller, Appoggiature Biography Maïté Louis, violin An atypical personality in the world of classical This particularity of her career, this refusal to fit into music, Maïté Louis makes a lasting impression the prefabricated mould of soloists, this attach- with his overwhelming playing and extraordinary ment to finding music at the heart of everything, stage presence. make her the unique and rich artist she is today. Winner of numerous national and internation- al competitions (1st prize at the Golden Classical When Maïté Louis makes Music Awards in New York, 1st prize at the Interna- “ tional Grand Prize Virtuoso Competition in Rome, 2nd prize at the Glazounov International Compe- her violin cry, that’s all the tition, Silver Medal at the Ivo Pogorelich Interna- hall crying with her tional Competition in Manhattan, 3rd prize at the Le Dauphin Rising Star International Competition in Berlin, Prix d’Honneur de France Musique...), often praised by Some of these concerts: Berlioz Festival, Festival her peers, she divides her time between her ca- d’Auvers sur Oise, Grand Odéon in Paris, Festival reer as a soloist on the great classical stages and des Musiques Rares, Salle Cortot in Paris, Festival teaching at the Geneva Conservatory. Multirythmes, Bonlieu Scène Nationale d’Annecy, “Festival d’Evian, Festival Interceltique de Lorient, Her extreme virtuosity, combined with her ex- Festival Jeunes Talents, Palais des Congrès de traordinary expressiveness and musical sensitivity, Megève, Académie de Villecroze, Archipel Scène wonderfully serves the entire range of the great Nationale de Guadeloupe,.. -
Stanford Tape Collection ARS.0112
http://oac.cdlib.org/findaid/ark:/13030/kt8x0nf8dx No online items Guide to the Stanford Tape Collection ARS.0112 Finding aid prepared by Franz Kunst Archive of Recorded Sound Braun Music Center 541 Lasuen Mall Stanford University Stanford, California, 94305-3076 650-723-9312 [email protected] © 2011 The Board of Trustees of Stanford University. All rights reserved. Guide to the Stanford Tape ARS.0112 1 Collection ARS.0112 Descriptive Summary Title: Stanford Tape Collection Dates: 1940-2007 Date (bulk): Bulk, 1960-1980 Collection number: ARS.0112 Repository: Archive of Recorded Sound Collection size: 14 boxes: 317 open reel tapes (37 5" reels ; 200 7" reels ; 80 10.5" reels) ; 5 videocassettes ; 7 video reels ; 1 film (8mm) ; 2 compact discs ; one binder Abstract: Historic music and speech recordings on open reel tape, made on the campus of Stanford University. Language of Material: English Access Open for research; material must be requested at least two business days in advance of intended use. Contact the Archive for assistance. Publication Rights Property rights reside with repository. Publication and reproduction rights reside with the creators or their heirs. To obtain permission to publish or reproduce, please contact the Head Librarian of the Archive of Recorded Sound. Preferred Citation Stanford Tape Collection, ARS-0112. Courtesy of the Stanford Archive of Recorded Sound, Stanford University Libraries, Stanford, Calif. Sponsor This finding aid was produced with generous financial support from the National Historical Publications and Records Commission. Scope and Contents The Stanford Tape Collection consists of historic music and speech recordings made on the campus of Stanford University. -
Symphony Sounds
Symphony Sounds November 2011 45 ththth Season, Number 1 Editor: Kenneth Gash Our Maestro’s Third Concert I Season Sunday, November 6 at 7:00 p.m. f you are like me, you have been eagerly Rolling Hills Covenant Church I awaiting the start of the 2011-2012 2222 Palos Verdes Drive North season of the Peninsula Symphony Rolling Hills Estates Orchestra and the wonderful music that our Maestro , Gary Berkson, will bring forth from PROGRAM your orchestra. During the year we will hear some old favorites as well as some beautiful Rule Britannia music which has never before been played by our orchestra. There will be soloists at all four concerts and there will be a Pops Concert in J. Strauss, Sr. Homage to Queen Victoria Waltz July with a superb guest conductor. Walton Viola Concerto Brett Deubner, Soloist Vaughan Williams Symphony No. 5 in D major CONCERT DETAILS Symphony Association members admitted at 6:00. Center-section priority seating is reserved for members at the Patron level and above. Concert Preview by Maestro Berkson at 6:15. General public admitted at approximately 6:50. POST-CONCERT MEET THE ARTISTS STEPHANIE NG PERFORMING AT THE FINAL 2010-11 CONCERT After the concert, Symphony Association members at the Patron level (and above ) are invited to meet the soloist, Brett Deubner and Maestro Gary Berkson at Music Preview a reception in the home of one of our members. Directions to the reception will be sent with the Ask our average audience member about membership cards to all who have contributed at the his or her favorite composers and we will Patron level or above. -
To Read Or Download the Competition Program Guide
THE KLEIN COMPETITION 2021 JUNE 5 & 6 The 36th Annual Irving M. Klein International String Competition TABLE OF CONTENTS Board of Directors Dexter Lowry, President Katherine Cass, Vice President Lian Ophir, Treasurer Ruth Short, Secretary Susan Bates Richard Festinger Peter Gelfand 2 4 5 Kevin Jim Mitchell Sardou Klein Welcome The Visionary The Prizes Tessa Lark Stephanie Leung Marcy Straw, ex officio Lee-Lan Yip Board Emerita 6 7 8 Judith Preves Anderson The Judges/Judging The Mentor Commissioned Works 9 10 11 Competition Format Past Winners About California Music Center Marcy Straw, Executive Director Mitchell Sardou Klein, Artistic Director for the Klein Competition 12 18 22 californiamusiccenter.org [email protected] Artist Programs Artist Biographies Donor Appreciation 415.252.1122 On the cover: 21 25 violinist Gabrielle Després, First Prize winner 2020 In Memory Upcoming Performances On this page: cellist Jiaxun Yao, Second Prize winner 2020 WELCOME WELCOME Welcome to the 36th Annual This year’s distinguished jury includes: Charles Castleman (active violin Irving M. Klein International performer/pedagogue and professor at the University of Miami), Glenn String Competition! This is Dicterow (former New York Philharmonic concertmaster and faculty the second, and we hope the member at the USC Thornton School of Music), Karen Dreyfus (violist, last virtual Klein Competition Associate Professor at the USC Thornton School of Music and the weekend. We have every Manhattan School of Music), our composer, Sakari Dixon Vanderveer, expectation that next June Daniel Stewart (Music Director of the Santa Cruz Symphony and Wattis we will be back live, with Music Director of the San Francisco Symphony Youth Orchestra), Ian our devoted audience in Swensen (Chair of the Violin Faculty at the San Francisco Conservatory attendance, at the San of Music), and Barbara Day Turner (Music Director of the San José Francisco Conservatory. -
Symphony Sounds April, 2016 49Th Season, Number 4 Editor: Terri Zinkiewicz
Symphony Sounds th April, 2016 49 Season, Number 4 Editor: Terri Zinkiewicz Peninsula Symphony Concert The Brahms Cycles Continue on Sunday, April 17 Sunday, April 17, 2016, at 7:00 PM Maestro Berkson has invited several guests to Redondo Union High School Auditorium 222 North Pacific Coast Highway perform in the next Peninsula Symphony Redondo Beach, CA 90277 concert, including opera star Suzanna Guzmán, principal flutist, Beth Pflueger, and the Canzona Women’s Ensemble of San Luis Obispo. In BRAHMS CYCLE III addition, members of the Los Angeles Harbor Beth Pflueger, flute College/Peninsula Symphony Association Youth Suzanna Guzmán, mezzo-soprano Orchestra will participate in one of the numbers. Canzona Women’s Ensemble The symphony will also continue its season-long Members of the LAHC/PSA Youth Orchestra presentation of all four Brahms symphonies. Ives The Unanswered Question We were pleased to welcome over 100 first-time th Vaughan Magnificat audience members at the February 14 Williams Peninsula Symphony concert. You can help us Fernström Concertino for Flute with Small make this a trend by inviting your friends to join Orchestra and Women’s you at the Peninsula Symphony concert on April Chorus, Opus 52 17. You may obtain guest passes at the door so Brahms Symphony No. 3 in F major, they can attend the pre-concert lecture. Opus 90 This edition of Symphony Sounds includes Concert Details short previews of the pieces and composers that will be performed at the April 17 concert, profiles Doors open at 6:00 PM. Center-section of our soloists, photos from our February 14th seating is reserved for members at the Patron concert and other articles. -
Pablo Ferrandez-Castro, Cello
Pablo Ferrández-Castro, Cello Awarded the coveted ICMA 2016 “Young Artist of the Year”, and prizewinner at the XV International Tchaikovsky Competition, Pablo Ferrández is praised by his authenticity and hailed by the critics as “one of the top cellists” (Rémy Louis, Diapason Magazine). He has appeared as a soloist with the Mariinsky Orchestra, Vienna Symphony Orchestra, St. Petersburg Philharmonic, Stuttgart Philharmonic, Kremerata Baltica, Helsinki Philharmonic, Tapiola Sinfonietta, Spanish National Orchestra, RTVE Orchestra, Maggio Musicale Fiorentino, and collaborated with such artists as Zubin Mehta, Valery Gergiev, Yuri Temirkanov, Adam Fischer, Heinrich Schiff, Dennis Russell Davies, John Storgårds, Gidon Kremer, Ivry Gitlis and Anne-Sophie Mutter. Highlights of the 2016/17 season include his debut with BBC Philharmonic under Juanjo Mena, his debut at the Berliner Philharmonie with the Deutsches Symphonie-Orchester Berlin, his collaboration with Christoph Eschenbach playing Schumann’s cello concerto with the HR- Sinfonieorchester and with the Spanish National Symphony, the return to Maggio Musicale Fiorentino under Zubin Mehta, recitals at the Mariinsky Theater and Schloss-Elmau, a European tour with Kremerata Baltica, appearances at the Verbier Festival, Jerusalem International Chamber Music Festival, Intonations Festival and Trans-Siberian Arts Festival, his debuts with Orchestra Sinfonica Nazionale RAI, Barcelona Symphony Orchestra, Munich Symphony, Estonian National Symphony, Taipei Symphony Orchestra, Queensland Symphony Orchestra, and the performance of Brahms' double concerto with Anne-Sophie Mutter and the London Philharmonic Orchestra. Mr. Ferrández plays the Stradivarius “Lord Aylesford” (1696) thanks to the Nippon Music Foundation. . -
Phd April 2019 Pp
The University of Adelaide Elder Conservatorium of Music Faculty of Arts Revisiting George Enescu’s 1921 Bucharest Recital Series: a performance-based investigation with recordings and exegesis. by Elizabeth Layton submitted in fulfilment of the requirements for the degree of Doctor of Philosophy (PhD) Adelaide, April 2019 Table of Contents Abstract 5 Declaration 6 Acknowledgements 7 List of Musical Examples 8 List of Tables 11 Introduction 12 PART A: Sound recordings 22 A.1 CD 1 Tracks 1-4 Pierre de Bréville, Sonata no. 1 in C # minor 39:17 Tracks 5-8 Gabriel Fauré, Sonata no. 1 in A major, Op. 13 26:14 A.2 CD 2 Tracks 1-4 André Gédalge, Sonata no. 1 in G major, Op. 12 23:39 Tracks 5-7 Claude Debussy, Sonata in G minor (performance 1) 13:44 Tracks 8-10 Claude Debussy, Sonata in G minor (performance 2) 13:36 A.3 CD 3 Tracks 1-3 Ferruccio Busoni, Sonata no. 2 in E minor, Op. 36a 34:25 Tracks 4-7 Zygmunt Stojowski, Sonata no. 2 in E minor, Op. 37 29:30 A.4 CD 4 Tracks 1-4 Louis Vierne, Sonata in G minor, Op. 23 32:44 Tracks 5-7 Stan Golestan, Sonata in E flat major 26:56 Tracks 8-10 George Enescu, Sonata in F minor, Op. 6 22:34 PART B: Exegesis Chapter 1 George Enescu: Musician, and his path to the 1921 Bucharest Recital Series 27 1.1 Understanding the context and motivation behind the series 35 2 Chapter 2 The 1921 Bucharest Recital Series 38 2.1 Recital 1: Haydn, d’Indy, Bertelin 38 2.2 Recital 2: Mozart, Busoni, Vierne 39 2.3 Recital 3: Sjögren, Schubert, Lauweryns 41 2.4 Recital 4: Weingartner, Stojowski, Beethoven 42 2.5 Recital 5: Bargiel, Haydn, Golestan 42 2.6 Recital 6: Le Boucher, Mozart, Saint-Saëns 43 2.7 Recital 7: Gédalge, Dvorák, Debussy, Schumann 44 2.8 Recital 8: Huré, Bach, Lekeu 45 2.9 Recital 9: Beethoven, Fauré, Franck 46 2.10 Recital 10: Gallon, de Bréville, Beethoven 48 2.11 Recital 11: Magnard, Le Flem, Brahms 49 2.12 Recital 12: Franck, Enescu, Beethoven 49 Chapter 3 Performance notes on nine sonatas selected from the 1921 Bucharest Recital Series 3.1 Pierre de Bréville, Sonata no. -
Monthly Letter NGP N
To Non-Governmental Organizations, Official partners of UNESCO Ref. : ERI/MSP/INO/2016/143 30 November 2016 Dear Partners, First of all, I wish to express great satisfaction for the successful organization of the Sixth International Forum of NGOs in official partnership with UNESCO held in Querétaro (Mexico) on 3 and 4 November last. I noted an excellent participation of our NGO official partners who strongly mobilized their local and regional branches. It was the first Forum to be held in Latin America and the largest Forum so far in terms of audience – it brought together around 800 participants. I am particularly pleased that, for the very first time, hundreds of young people from local high schools and universities joined this Forum and took part in the debate. The two-day discussions were held on the theme “From promoting to building Peace with NGOs”, a topic which lies at the heart of UNESCO’s mandate and of Sustainable Development Goal 16, which includes promoting peaceful and inclusive societies. The Forum emphasized the need for action, and the fact that peace cannot be a mere matter of policy making, but a process where the civil society is a full-fledged actor. I also wish to recall that we are fast approaching an important highlight in the cooperation between NGOs and UNESCO - the 2016 International Conference of Non-Governmental Organizations, which will be held at UNESCO Headquarters from 12 to 14 December on the theme “The challenge of the digital revolution for NGOs”. Your participation is essential, and I really hope that many of you will be present at this important event. -
Sirba-Tantz-Ang-Eng-2017-Site.Pdf
S I R B A O C T E T Tantz ! Sirba Octet www.sirbaoctet.com © © Bernard Martine “Tantz! has its roots in the Eastern IT IS A PORTRAIT OF LIFE ITSELF! Europe of my grandparents before they emigrated nearly 100 years “It is a portrait of life itself – a lifetime T A N ago. I wanted to rediscover this of love that no longer exists to which intrinsic element of my cultural song is the only possible testimony we orientation by revisiting this music as the classical musician I am can have in the end. It encapsulates a TZ today.” whole era which used to exist and isn’t there any more but which will live on in Inspired by the migration both of the souls of those who value it and we people and of their music, the must all value it because it comes ! show forms a kind of bridge directly from the heart. between Romania, Moldova, Russia and Hungary and their That is what it is. rich, interwoven treasuries of traditional folk music. Each We must thank these wonderful carefully selected piece retains the musicians who have come together to identity and authenticity which we share and sustain this symbol of love, must protect and pass on, like Ariadne’s thread, thereby continuing the musical heritage reanimating a forgotten time that is that is an ode to life – moving, joyful and tinged with humour. ever present. Richard Schmoucler, artistic Thank you!” director (translated from original French) Ivry Gitlis, Paris, September 30th 2014 (translated from the original French) AN ENERGETIC AND HEARTFELT MUSICAL JOURNEY Tantz! means dance in Yiddish and this title eludes to the emotion, elegance and vigour of the show itself. -
AM Jascha Heiftez Film Interviewees FINAL
Press Contact: Natasha Padilla, WNET, 212.560.8824, [email protected] Press Materials: http://pbs.org/pressroom or http://thirteen.org/pressroom Websites: http://pbs.org/americanmasters , http://facebook.com/americanmasters , @PBSAmerMasters , http://pbsamericanmasters.tumblr.com , http://youtube.com/AmericanMastersPBS , http://instagram.com/pbsamericanmasters , #AmericanMasters American Masters Jascha Heifetz: God’s Fiddler Premieres nationwide Thursday, April 16 at 8 p.m. and Friday, April 17 at 9 p.m. on PBS (check local listings) Film Interviewees (in order of appearance) Ivry Gitlis , Israeli violinist, UNESCO Goodwill Ambassador Itzhak Perlman , child prodigy violinist Arthur Vered , Heifetz biographer John Anthony Maltese , Heifetz biographer, Albert Berry Saye Professor and head of the department of political science, University of Georgia Ayke Agus , child prodigy violinist and pianist, Heifetz’ student, accompanist and longtime companion Saulius Sondeckis , Lithuanian violinist Galina Kopytova , Author, Jascha Heifetz: Early Years in Russia Sergei Stadler , Russian violinist Nathaniel Rosen , American cellist, former faculty member at the USC Thornton School of Music and the Manhattan School of Music Ida Haendel , Polish child prodigy violinist Seymour Lipkin , concert pianist, piano and chamber music faculty member of The Curtis Institute of Music and The Juilliard School, Artistic Director of The Kneisel Hall Chamber Music Festival and School in Blue Hill, Maine Marvin Gross , Heifetz’s lawyer for the 40+ years Heifetz lived -
Musicians from Ravinia's Steans Music Institute
Merkin Concert Hall Tuesday, April 2, 2012 at 2 pm Kaufman Center presents Musicians From Ravinia’s Steans Music Institute Tuesday Matinees Miriam Fried, violin; Tessa Lark, violin; Ayane Kozasa, viola; Deborah Pae, cello; Nathan VIckery, cello and Adam Golka, piano BEETHOVEN Piano Trio in B-flat Major, Op. 11 (1770–1827) Allegro con brio Adagio Tema: Pria ch’io l’impegno. Allegretto – Var. I-IX MIRIAM FRIED, DEBORAH PAE (Steans 2010, 2011) ADAM GOLKA (Steans 2007, 2009) BERNARD RANDS String Quartet No. 2 (b. 1934) I II MIRIAM FRIED and TESSA LARK, (Steans 2007, 2008) AYANE KOZASA (Steans 2010, 2011) and NATHAN VICKERY (Steans 2010, 2011) Intermission SCHUBERT String Quintet in C Major, D. 956 (1797–1828) Allegro ma non troppo Adagio Scherzo: Presto – Trio: Andante sostenuto Allegretto TESSA LARK, MIRIAM FRIED, AYANE KOZASA, DEBORAH PAE and NATHAN VICKERY About the Artists Program director at the Steans Music Institute’s program for piano and strings since 1994, Miriam Fried also teaches at New England Conservatory. She served as first violinist of the recently disbanded Mendelssohn String Quartet and for many years was distinguished professor of music at Indiana University. Winner of Israel’s 10th Anniversary Violin Competition, Genoa’s Paganini International Competition, and Belgium’s Queen Elisabeth International Music Competition, she has appeared as soloist with world’s greatest orchestras and is equally active as recitalist and chamber musician both in the United States and abroad. Kentucky native Tessa Lark performed Mozart’s Violin Concerto in G Major at age 16 with the Cincinnati Symphony Orchestra and has since performed with the Santa Cruz Symphony, Peninsula Symphony, Gettysburg Chamber Orchestra, the Chinese Opera and Ballet Symphony Orchestra and New England Conservatory’s Symphony Orchestra (after winning the school’s Violin Concerto Competition in 2010). -
Violin, Viola, Cello
6144_Program 6/5/08 4:43 PM Page 1 The Board of the California Music Center would like to express our special thanks to Elizabeth Chamberlain a great friend of the Klein Competition. Her deep appreciation of music and young artists is an inspiration to all of us. 1 6144_Program 6/5/08 4:43 PM Page 2 The California Music Center and San Francisco State University present The Twenty-Third Annual Irving M. Klein International String Competition June 11-15, 2008 with distinguished judges: Peter Gelfand Alan Grishman Marc Gottlieb Jennifer Kloetzel Patricia Taylor Lee Melvin Margolis Donna Mudge Alice Schoenfeld Franks Stemper First Prize: $10,000 The Irving M. Klein Memorial Award Second Prize: $5,000 The William M. Bloomfield Memorial Award Third Prize: $2,500 The Alice Anne Roberts Memorial Award Fourth Prizes: $1,500 The Thomas and Lavilla Barry Award The Jules and Lena Flock Memorial Award Additional underwriting provided by cgrafx, Inc., marketing & design Allen R. and Susan E. Weiss Memorial Prize: $200 For best performance of the commissioned work Each semifinalist not awarded a named prize will receive $1,000. 2 6144_Program 6/5/08 4:43 PM Page 3 In Memoriam Warren G. Weis 1922-1995 Warren G. Weis was a long-time supporter of the California Music Center and the Irving M. Klein International String Competition. He took great delight in music and his close association with musicians and teachers, and supported the aspirations of young musicians withs generosity and enthusiasm. Bill Bloomfield 1918-1998 A member of the Board of the Competition, Bill Bloomfield was an amateur musician and a lifelong supporter sand enthusiast of music and the arts.