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Second Ozblu Blueberry Shipment from South Africa Seized in Europe
A second shipment of OZblu blueberries from South Africa in as many weeks has been seized by Dutch customs, according to United Exports. United Exports, the Australia-headquartered company, said it had been "reliably informed that the Dutch Customs Authority has intercepted and seized another shipment of fresh blueberries from South African grower, Ross Berries." "The 40ft reefer container containing a 16,600-kilogram shipment of fruit was confiscated in terms of the European Union’s Intellectual Property, Counterfeit and Piracy Regulations." United Exports announced last week that a shipment of OZblu blueberries had been intercepted in the Netherlands after it was grown and exported without its authorization. At that time it did not provide the name of the South African company in question. It said that Ross Berries, a Rossouw Farming Group company, was attempting to export the fruit "in flagrant disregard and abuse of the proprietary rights of United Exports", which holds the Community Plant Variety Rights in the OZblu blueberry plants and their fruit in the European Union and across the World. "This is the second such transgression after a shipment was seized last week on 27th October 2020 on the same grounds," it said. "The European Union Customs Authority, has notified the authorities at all points of entry across the European Union to monitor the import of South African blueberries into the European Union to prevent the further infringement of United Exports’ intellectual property rights in relation to its OZblu blueberry plants and fruit. "Civil claims are also pending both locally and abroad. Following the seizure of the first shipment, the Dutch Customs Authority has again brought proceedings in the Netherlands against the South African fruit exporter, Freshworld (Pty) Ltd, the international shipper, and the Belgian customer to whom Ross Berries and Freshworld sold the fruit. -
British Library Conference Centre
The Fifth International Graphic Novel and Comics Conference 18 – 20 July 2014 British Library Conference Centre In partnership with Studies in Comics and the Journal of Graphic Novels and Comics Production and Institution (Friday 18 July 2014) Opening address from British Library exhibition curator Paul Gravett (Escape, Comica) Keynote talk from Pascal Lefèvre (LUCA School of Arts, Belgium): The Gatekeeping at Two Main Belgian Comics Publishers, Dupuis and Lombard, at a Time of Transition Evening event with Posy Simmonds (Tamara Drewe, Gemma Bovary) and Steve Bell (Maggie’s Farm, Lord God Almighty) Sedition and Anarchy (Saturday 19 July 2014) Keynote talk from Scott Bukatman (Stanford University, USA): The Problem of Appearance in Goya’s Los Capichos, and Mignola’s Hellboy Guest speakers Mike Carey (Lucifer, The Unwritten, The Girl With All The Gifts), David Baillie (2000AD, Judge Dredd, Portal666) and Mike Perkins (Captain America, The Stand) Comics, Culture and Education (Sunday 20 July 2014) Talk from Ariel Kahn (Roehampton University, London): Sex, Death and Surrealism: A Lacanian Reading of the Short Fiction of Koren Shadmi and Rutu Modan Roundtable discussion on the future of comics scholarship and institutional support 2 SCHEDULE 3 FRIDAY 18 JULY 2014 PRODUCTION AND INSTITUTION 09.00-09.30 Registration 09.30-10.00 Welcome (Auditorium) Kristian Jensen and Adrian Edwards, British Library 10.00-10.30 Opening Speech (Auditorium) Paul Gravett, Comica 10.30-11.30 Keynote Address (Auditorium) Pascal Lefèvre – The Gatekeeping at -
An Overview of US Blueberry Production, Trade, and Consumption, with Special Reference to Florida1 Edward A
FE952 An Overview of US Blueberry Production, Trade, and Consumption, with Special Reference to Florida1 Edward A. Evans and Fredy H. Ballen2 Introduction the total production of blueberries was traded in the world market. Blueberry is cultivated commercially in about 27 countries worldwide, most of which are located in temperate zones. Between 2002 and 2011, world blueberry production grew at an annual rate of 5.45 percent, from 230,769 tonnes in 2002 to 356,533 tonnes in 2011. Blueberry production in 2011 was 13.66 percent higher than in the previous year, and 54.50 percent above the 2002 calendar year. The top five blueberry producers are the United States, Canada, Poland, Mexico, and Germany, respectively (FAOSTAT 2013a). The United States is by far the largest blueberry producer, with a production share of 56.07 percent between 2009 and 2011, followed by Canada (30.29%), Poland (2.92%), Germany (2.5%), and Mexico (0.94%). Between 2001 and 2010, global exports of blueberry more than doubled, from 53,232 tonnes in 2001 to over 113,000 tonnes in 2010 (FAOSTAT 2013b). During this same period, export value grew from $119.29 million in 2001 to $370.97 million in 2010. The top five exporters are the United States, Canada, Poland, the Netherlands, and Spain, respectively. The United States accounted for 50.94 Global blueberry imports grew from 49,224 tonnes in percent of the world exports from 2008 to 2010, followed by 2002 to over 113,000 tonnes in 2010. The United States is Canada (25.89%), Poland (6.78%), the Netherlands (5.44%), the largest importer, absorbing 63.30 percent of the global and Spain (1.74%). -
Kosovo Blueberries Filling Markets in Netherlands
Kosovo Blueberries filling markets in Netherlands August 2018 — Making the move from an administrative job in Nether- How a farm became a thriving lands to growing blueberries in western Kosovo has had its ups and business employing women and downs for Besnik Lila. youth In Kosovo, blueberries are currently grown on a modest 50 hectares in total, over six different production zones involving 20 growers. Three years after its establishment, Lila’s farm, which is called Boost Berries, is a model for local agribusinesses, and blueberry cultivation is expected to spread into other areas of the country where growing con- ditions are right. The farm has become the largest blueberry operation in the country. Kosovo enjoys a very favorable climatic condition for high-quality pro- duction, with the country’s blueberry harvest coming to market at least 30 days before the main competition in Eastern Europe. I was so happy when they told me I could come and work,” said Minire Kelmendi, who was recent- In November 2015, a USAID grant helped Boost Berries to install a ly employed by the Boost Berries farm. modern drip-irrigation and fertigation system for blueberries, obtain the international food safety certificate for primary production, and facilitat- ed internships for newly graduated agronomists on the farm. The biggest challenge, according to 41-year-old Lila, who is co-owner of the farm, is steadying the farm’s operations with seasonal workers. While seasonal jobs are an extra source of income, for some, it is their sole source of income. At this local blueberry farm on the outskirts of “It’s important for me to see my work- Peja, about 100 seasonal workers found work this blueberry season as ers happy. -
Wine by the Bottle Wine by the Bottle CHAMPAGNE FRANCE MV Duval Leroy 68 Brut | Reserve | À Vertus
Wine By The Bottle Wine by the Bottle CHAMPAGNE FRANCE MV Duval Leroy 68 Brut | Reserve | À Vertus MV Aubry 81 Brut | Premier Cru MV Pierre Gimonnet & Fils 88 Brut | Premier Cru MV H. Billiot Fils “Réserve” 90 Brut | Grand Cru MV Louis Roederer 95 Brut | Premier Cru 2005 H. Goutorbe “Special Club” 120 Brut | Grand Cru MV Duval Leroy “Rosé Prestige” 123 Brut | Premier Cru MV Jacques Selosse “Initial” 270 Brut | Grand Cru | Blanc de Blancs 2005 Moët et Chandon “Cuvée Dom Pérignon” 310 Brut Wineries with the leaf symbol are certifed and committed to producing wines with the following initiatives in mind: Organic | Biodynamic | Sustainability | Salmon Safe SPARKLING MV Roscato “Rosso Dolce” (187 ml) 11 Sweet Red | Trento, Italy MV Ruffino(187 ml) 11 Sparkling Rosé | Florence, Italy MV Saracco (375ml) 20 Moscato D’Asti | Castiglione Tinella, Piedmont, Italy MV Arte Latino 20 Cava Brut | Vilanova i la Geltrú, Catalonia, Spain MV Prince De Lise “Blanc de Blancs” 27 Brut | Crémant de Bourgogne, France MV Bisol “Jeio” 34 Prosecco | Veneto, Italy MV Rivarose 33 Brut Rosé | Provence, France MV Camille Braun “Crémant d’Alsace” 53 Brut | Certified Organic | Alsace, France 2013 Ruggeri “Giustino B.” 60 Prosecco | Prosecco Superiore, Veneto, Italy MV J Vineyards “Cuvée – 20” 61 Cuvée Brut | Healdsburg, California 2014 Schramsberg 65 Brut | Blanc de Blancs | Napa Valley, California ROSÉ & BLUSH MV Beringer 28 White Zinfandel | California – MV 2016 Triennes 42 Rosé | Red Varietal Blend | Provence, France 2017 Bonny Doon “Vin Gris De Cigare” 44 Rosé | -
Blueberry Pruning Video
Title: Blueberry Pruning Video Progress Report Grant Code: 2016-E-04 Research Proposal Name, Mailing and E-mail Address of Principle Investigator Erick D. Smith Assistant Professor Department of Horticulture The University of Georgia – Tifton Campus Ph. 229-386-3119 Email: [email protected] Objective: 1) To create an educational/extension video for pruning blueberry (dormant and summer pruning) Justification: Blueberry growers, both commercial and homeowner, frequently ask extension agents for the appropriate methods for blueberry care. Presently, many county agents look to their extension program to find bulletins, fact sheets, or other media on topics of interest. Agents in the southeastern U.S. also have another excellent resource for small fruit production information at The Southern Region Small Fruit Consortium (www.smallfruits.org) with IPM guides for blueberry, bramble, bunch grapes, and strawberries. However, I still receive a number of calls from agents, growers, and homeowners on pruning, soil, and tissue analysis. Recently, in Alma, GA, University of Georgia’s Area Blueberry Specialist, Renee Holland, held a field day where I demonstrated cane renewal (dormant pruning) and hedging (summer pruning) to an audience of 70. Because the field day was conducted 9/24/15, the plants were flush with foliage; making the demonstration of dormant pruning difficult for the audience to see specific cuts. After the demonstration, I was approached by some of the attendees and asked if any YouTube or extension videos existed for pruning. There are a number of commercial and homeowner videos; however, I referenced two videos specifically: 1.) Oregon State University’s “A growers guide to pruning highbush blueberries” featuring David Brazelton (https://media.oregonstate.edu/media/t/0_05v1qew6) and 2.) The University of Maine Cooperative Extension’s Experts on Demand “Pruning Blueberry Bushes” with David Handley (https://www.youtube.com/watch?v=fm6ZfpGy5oQ). -
Atelier Fol'fer, Collection « Impertinences » Jean-Michel Charlier
Atelier Fol’fer, collection « Impertinences » _________________________________________________________________________________________ Jean-Michel Charlier Le plus grand scénariste de BD de tous les temps Francis Bergeron __________________________________________________________________________________________ Présent , n° 8720 du samedi 22 octobre Le plus grand scénariste de BD : Jean-Michel Charlier Pendant le mois d’août, Francis Bergeron nous a tenus en haleine avec un feuilleton consacré à celui qu’il tient pour « le plus grand scénariste BD de tous les temps » : Jean- Michel Charlier. Du feuilleton au livre, il n’y a qu’un pas. Il vient d’être franchi. Avec, bien évidemment, des trucs « en plus » par rapport au feuilleton : annexes, éléments bibliographiques, bibliographie, chronologie, sources, etc. Vous avez aimé le feuilleton ? Vous adorerez le livre ! On doit à Charlier, ce grand Belge – et, sans les Belges, la BD ne serait pas ce qu’elle est : on leur doit (presque) tout –, des dizaines et des dizaines de belles histoires. A commencer par celles dites de l’Oncle Paul. Buck Danny ? C’est lui. Blueberry ? Encore lui. Tanguy et Laverdure ? Toujours lui. Et Barbe-Rouge, Marc Dacier, La Patrouille des Castors , Marc Le Gall, Jean Valhardi, etc. Jean-Michel Charlier (1924-1989) fut un homme rare. Aventurier, pilote de ligne (sur la légendaire Sabena qui m’emmena naguère au Congo belge), écrivain, journaliste, homme de télé, créateur, avec le génial Goscinny, du journal Pilote . « Jean-Michel Charlier, écrit Francis Bergeron, c’est l’inventeur non pas d’un héros, mais d’une foule de héros qui ont bercé notre enfance, l’enfance de nos propres enfants, voire de nos petits-enfants, et qui continuent à vivre, pour le plus grand bonheur de leurs lecteurs. -
Les Donc Pour Ac Essinées Es C Ultes
LES RENDEZ- VOUS REVUES Les Donces cessinées pour acultes tauf.4ferasecir MARA • PLR'RE GlIESEPPE BERGMAN' Le INCESTE C'est aux Etats-Unis que tout a l'enfance, comme le montra le suc- du chiffre de vente (voir les histoi- commencé. Vers les années 1960. cès d'albums tels que « Barbarella ufrioci?‘ res porno-scato-sado d'héroines tel- Les premiers seins, les premières de Jean-Claude Forest (1962) édité les que Jacula, Luciféra, Isabelle, Lu- fesses venaient d'apparaître à l'écran. par Eric Losfeld,. crèce, etc.). eatdeante,' Voici quelques revues de bandes La bande dessinée s'est aussitôt Pitis, en 1960, c'est « Hara-Kiri ». N•29 MENSUEL 9f_ $1, mise à l'unisson. En tête, la célèbre Les choses se précipitent. « Charlie- 111:11Cm, dessinées pour adultes . — à la gloire revue • Mad » et son dessinateur Hebdo » en 1969 avec une équipe passée ou à l'actualité brûlante — vedette Harvey Kurtzman qui s'en de talent (Cayenne, Reiser, Wolins- qui font aujourd'hui autorité. prennent aux valeurs traditionnelles ki, Fournier, Willem) et • Charlie- PILOTE américaines avec une violence inac- Mensuel », à la même date, avec des moi coutumée. créateurs importants, comme Sempé, e lizoOVF Avec « Pilote-, c'est -la révolution. PAS En France, question B.D., on se mor- Masse et Pichard. Il n'y a plus de Goscinny, son maître à penser, s'ins- fondait aussi. L'école belge, c'est-à- beaux cow-boys, il n'y a plus d'hé- pirant de Mad, parvint à créer un dire Tintin et Spirou, après avoir roïne intouchable. -
COMICS and ILLUSTRATIONS PARIS – 14 MARCH 2015 Highlights Exhibited on Preview in NEW YORK from February 27Th to March 4Th
& Press Release ǀ PARIS ǀ 11 February 2015 FOR IMMEDIATE RELEASE COMICS and ILLUSTRATIONS PARIS – 14 MARCH 2015 Highlights exhibited on preview in NEW YORK from February 27th to March 4th Spirou et FantasioSpirou et Cauvin par Fournier Franquin GREG Janry Morvan * Munuera Nic Roba Tome Vehlmann Yann Yoann © Dupuis 2015 Philippe Francq Uderzo André Franquin Detail of an original illustration for Dior, 2001 Colour cover of Pilote n°489, 20 March 1969 Detail of an original board, Spirou et Fantasio, Estimate: €12,000-15,000 Estimate: €100,000-120,000 Spirou et les Hommes-Bulles, 1960 * © Francq © 2015 Goscinny - Uderzo Estimate: €70,000-80,000 Paris - Following the success of the Comics and Illustration inaugural auction in Paris in April 2014, which realised over €4M, Christie’s will hold a second auction dedicated to sequential art on the upcoming 14 March. This sale, once again carried out in partnership with the Daniel Maghen Gallery, will represent a wide selection of comic artists and heroes, of which the highlights will be exhibited during a preview held at Christie’s New York from February 27th until March 4th 2015. Daniel Maghen, auction expert: «The greatest names in comic history will be celebrated, such as the legendary characters of Hergé, Tintin and Captain Haddock, in an exceptional original cover of the Journal de Tintin, estimated between €350,000 and €400,000, as well as Edgar P. Jacobs’ Blake and Mortimer, and Albert Uderzo’s Astérix and Obélix. The «new classics» will also be represented along with Moebius, whose colour cover of the Incal and a page of Arzach will be offered. -
Le Duel Tintin
A mon père, qui m’emmena voir Hergé quand j’avais onze ans et à mes grands frères, qui m’ont permis de toucher à leur collection de “Tintin” et de “Spirou” Le duel “Tintin” - “Spirou” H.D. par Hughes Dayez © Copyright 1997-2001 : Tournesol Conseils SPRL - Editions Luc Pire Quai aux Pierres de Taille, 37 - 1000 Bruxelles Mise en page : ELP Couverture : Debie Graphic Design Dessin de couverture : Alec Severin Photos intérieur : D. Fouss, J. Kievits et Eleuthera ISBN : 2-930088-49-4 Dépot légal : D-1997-6840-9 TABLE DES MATIÈRES Introduction...........................................................................................5 Première partie :Le journal“Tintin” ou l’“Hergéennement correct”..................................................................9 Chapitre 1 : Le point de vue de l’éditeur - Raymond Leblanc .............13 Chapitre 2 : L’homme orchestre de la BD - Michel Greg........................32 Chapitre 3 : L’apologie du classicisme - Jacques Martin........................62 Chapitre 4 : Du mélodrame à l’épopée - François Craenhals .............95 Chapitre 5 : Le stakhanoviste de la planche - Tibet..............................113 Chapitre 6 : L’Histoire en tandem - Liliane et Fred Funcken.................139 Chapitre 7 : Du marketing à la BD (et inversement) - Jean Van Hamme.............................................................160 Deuxième partie : Le journal “Spirou” ou la fantaisie sous surveillance.....185 Chapitre 8 : Le point de vue de l’éditeur - Charles Dupuis...................189 Chapitre 9 : Confidences -
COUVERTURE BURET 27/03/08 15:12 Page 1
COUVERTURE BURET 27/03/08 15:12 Page 1 Lot n° 24 Lot n° 32 Lot n° 63 BANDES DESSINÉES 100 % ALBUMS VENTE DROUOT LUNDI 14 AVRIL 2008 Lot n° 134 Lot n° 200 Lot n° 253 EXPERT : ROLAND BURET Lot n° 317 Lot n° 377 Lot n° 378 Imprimerie Guillotte - LAVAL - E-mail : [email protected] COUVERTURE BURET 27/03/08 15:12 Page 3 PROCHAINE VENTE SAMEDI 24 MAI 2008 CONDITIONS DE VENTE La vente volontaire est faite expressément au comptant et conduite en EUROS. Les acquéreurs paieront en sus de l’adjudication les frais suivants : pour les albums et livres 18 % H.T. (18,99 TTC) L’ordre du catalogue sera suivi. Les dimensions et le nombre des pièces sont donnés à titre indicatif. Une exposition préalable permettant aux acquéreurs de se rendre compte de l’état des objets mis en vente, il ne sera admis aucune réclamation une fois l’adjudication prononcée. Il est conseillé aux acheteurs de procéder à un enlèvement de Lot n° 56 leurs lots dans les meilleurs délais afin d’éviter les frais de manutention et de gardien- nage qui sont à leur charge. Le magasinage n’engage pas la responsabilité de la socié- té de ventes à quelque titre que ce soit. L’adjudicataire sera le plus offrant et dernier enchérisseur, il aura pour obligation de remettre son nom et adresse. ORDRES D’ACHAT Le commissaire-priseur et l’Expert peuvent exécuter vos ordres d’achat sans frais sup- plémentaire. Vous pouvez utiliser à cet effet le formulaire ORDRES D’ACHAT joint à ce catalogue. -
Actuel and the Acclimation of US Comix in France in the 1970S Jean-Paul Gabilliet
Actuel and the acclimation of US comix in France in the 1970s Jean-Paul Gabilliet To cite this version: Jean-Paul Gabilliet. Actuel and the acclimation of US comix in France in the 1970s. 2019. hal- 02275648 HAL Id: hal-02275648 https://hal.archives-ouvertes.fr/hal-02275648 Preprint submitted on 10 Sep 2019 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. “Comics and Travel” conference, 5th July 2019, Oxford “Actuel and the acclimation of US comix in France in the 1970s”1 Jean-Paul Gabilliet, Université Bordeaux Montaigne (France) 01 In the historiography of French bande dessinée, the period following the May 1968 student and labour protest movement is generally addressed from the angle of the “adult” comic magazines that appeared in those years. The most famous of them were the post-spring 1968 Pilote, Charlie Mensuel (debut issue in February 1969), L’Écho des savanes (May 1972), Métal Hurlant (January 1975), and Fluide glacial (May 1975). 02 There appeared simultaneously a handful of more or less short-lived titles— including Zinc (1971-1974), Le Canard sauvage (1973-1974), Mormoil (1974-1975)— whose quick or not-so-quick demises stemmed from insufficiently attractive contents and/or faulty distribution.