The Knowing of Woman's Kind in Childing, A
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
PURDUE UNIVERSITY GRADUATE SCHOOL Thesis/Dissertation Acceptance
Graduate School ETD Form 9 (Revised 12/07) PURDUE UNIVERSITY GRADUATE SCHOOL Thesis/Dissertation Acceptance This is to certify that the thesis/dissertation prepared By Angela C. Ghionea Entitled RECURRING THOUGHT PATTERNS AND RESURFACING ALCHEMICAL SYMBOLS IN EUROPEAN, HELLENISTIC, ARABIC, AND BYZANTINE ALCHEMY FROM ANTIQUITY TO THE EARLY MODERN PERIOD Doctor of Philosophy For the degree of Is approved by the final examining committee: James R. Farr Chair Myrdene Anderson Anthony T. Grafton To the best of my knowledge and as understood by the student in the Research Integrity and Copyright Disclaimer (Graduate School Form 20), this thesis/dissertation adheres to the provisions of Purdue University’s “Policy on Integrity in Research” and the use of copyrighted material. Approved by Major Professor(s): ____________________________________James R. Farr ____________________________________ Approved by: Douglas R. Hurt 04/16/2013 Head of the Graduate Program Date RECURRING THOUGHT PATTERNS AND RESURFACING ALCHEMICAL SYMBOLS IN EUROPEAN, HELLENISTIC, ARABIC, AND BYZANTINE ALCHEMY FROM ANTIQUITY TO THE EARLY MODERN PERIOD A Dissertation Submitted to the Faculty of Purdue University by Angela Catalina Ghionea In Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy May 2013 Purdue University West Lafayette, Indiana UMI Number: 3591220 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. UMI 3591220 Published by ProQuest LLC (2013). -
Embodied Knowledge and Extra-Verbal Culture Short Table Of
Embodied Knowledge and Extra-Verbal Culture Version: 20191229 Author Information: Dr. Andreas Goppold The contact information is a graphic to keep away spammers. This file is located on the www server of the author: http://www.noologie.de/embodied.htm http://www.noologie.de/embodied.pdf Short Table of Contents 1 Local Hyperlinks.................................................................................................................9 2 Abbreviations and Terms...................................................................................................10 3 Abstract..............................................................................................................................12 4 The Hypertext and Multimedia Techniques used..............................................................13 5 Embodied vs. Objective Knowledge.................................................................................15 6 Current Approaches to Embodied Knowledge..................................................................25 7 Materials on Anthropological Theory................................................................................61 8 Language: A Subtle Ethnocentrism?................................................................................122 9 The Deep Structures of Mythology.................................................................................127 10 Notes on Various Dynamic Traditions...........................................................................149 11 Comments on Ethnological Theory -
Hermetic Philosophy and Alchemy ~ a Suggestive Inquiry Into the Hermetic Mystery
Mary Anne Atwood Hermetic Philosophy and Alchemy ~ A Suggestive Inquiry into the Hermetic Mystery with a Dissertation on the more Celebrated of the Alchemical Philosophers Part I An Exoteric View of the Progress and Theory of Alchemy Chapter I ~ A Preliminary Account of the Hermetic Philosophy, with the more Salient Points of its Public History Chapter II ~ Of the Theory of Transmutation in General, and of the First Matter Chapter III ~ The Golden Treatise of Hermes Trismegistus Concerning the Physical Secret of the Philosophers’ Stone, in Seven Sections Part II A More Esoteric Consideration of the Hermetic Art and its Mysteries Chapter I ~ Of the True Subject of the Hermetic Art and its Concealed Root. Chapter II ~ Of the Mysteries Chapter III ~ The Mysteries Continued Chapter IV ~ The Mysteries Concluded Part III Concerning the Laws and Vital Conditions of the Hermetic Experiment Chapter I ~ Of the Experimental Method and Fermentations of the Philosophic Subject According to the Paracelsian Alchemists and Some Others Chapter II ~ A Further Analysis of the Initial Principle and Its Education into Light Chapter III ~ Of the Manifestations of the Philosophic Matter Chapter IV ~ Of the Mental Requisites and Impediments Incidental to Individuals, Either as Masters or Students, in the Hermetic Art Part IV The Hermetic Practice Chapter I ~ Of the Vital Purification, Commonly Called the Gross Work Chapter II ~ Of the Philosophic or Subtle Work Chapter III ~ The Six Keys of Eudoxus Chapter IV ~ The Conclusion Appendix Part I An Exoteric View of the Progress and Theory of Alchemy Chapter I A Preliminary Account of the Hermetic Philosophy, with the more Salient Points of its Public History The Hermetic tradition opens early with the morning dawn in the eastern world. -
HISTORY of ALCHEMY Textbook: Linden, Stanton J. 2003. The
Angela Catalina Ghionea Office Hours: W 3:30 – 5:20 pm, UNIV 008 [email protected] and by appointment HISTORY OF ALCHEMY HIST 302 - Fall 2011 MWF 2:30 – 3:20, UNIV 219 I. ASSIGNED READINGS You are required to purchase a textbook and an i>clicker remote for in-class participation. Both the textbook and the i>Clicker remote are available for purchase/rent at any Purdue University Bookstore. Textbook: Linden, Stanton J. 2003. The alchemy reader: from Hermes Trismegistus to Isaac Newton. New York: Cambridge University Press. One copy for the textbook has also been placed on reserve at Hicks Undergraduate Library, and available only at the library (ask Circulation Services at the front desk). Texts are assigned daily to be discussed in class: some available in the textbook, some to be found in pdf. format, posted on the Blackboard LEARN (the online course website). The texts (primary and secondary sources) must be brought in the class. Discussions of these texts count for participation (see the class schedule below). II. OBJECTIVES: The course investigates the history of alchemy and specific non-rational methods employed by many scientists to promote rational discoveries. The course is mainly focused on European alchemy, with few references to Middle Eastern and Arabic alchemy. It spans the period from Antiquity to Renaissance and Early Modern period, and also touches upon nineteenth-century “occult fever” and obsession with alchemy. The course is interdisciplinary and investigates both history of alchemy as well as the more general history -
Park Dissertation for Defense & Submission Mar17
IMMORTAL LONGINGS: TOWARDS A POETICS OF PRESERVATION ON THE EARLY MODERN STAGE Jennifer Park A dissertation submitted to the faculty at the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of English and Comparative Literature. Chapel Hill 2017 Approved by: Mary Floyd-Wilson David J. Baker Reid Barbour Megan Matchinske Jessica Wolfe © 2017 Jennifer Park ALL RIGHTS RESERVED !ii ABSTRACT Jennifer Park: Immortal Longings: Towards a Poetics of Preservation on the Early Modern Stage (Under the direction of Mary Floyd-Wilson) “Continually we bear about us,” John Webster asserts through Bosola, “A rotten and dead body.” In a late fifteenth-century copy of the popular medieval pharmacopia, the Livre des simples médecines, the entry for momie—or mummy, a corpse drug often in the form of a powder made from embalmed bodies—is illustrated by “an image of an open tomb displaying its grisly contents: a blackened skeletal corpse with its abdomen sliced open, its head thrust back and the hands coyly covering the genitals.”1 Ideas of decay terrified the early moderns, but preservation was no less troubling. Caught up in the powder of embalmed bodies and the search for the philosopher’s stone were worries over the inevitable decline of all physical matter. My dissertation, theoretically and physiologically attuned to such displays, locates some of the richest metaphorical manifestations of immortality and/or corruption on stage, in performance. Drawing on Shakespeare’s -
Lavinia Fontana's Cleopatra the Alchemist
Journal of Literature and Art Studies, August 2018, Vol. 8, No. 8, 1159-1180 doi: 10.17265/2159-5836/2018.08.004 D DAVID PUBLISHING Lavinia Fontana’s Cleopatra the Alchemist Liana de Girolami Cheney SIELE, Universidad de Coruña, Spain The purpose of this essay is to identify and analyze one of Lavinia Fontana’s mysterious paintings, traditionally entitled Cleopatra but here considered to be an inventive portrayal of an ancient scientist, Cleopatra the Alchemist (ca. third century BCE). There are four parts to this study. The first is an iconographical analysis of the painting by Lavinia Fontana’s Cleopatra the Alchemist (1605) at the Galleria Spada in Rome. The second section deals with the origin of the Egyptian Cleopatra the Alchemist as an Egyptian scientist and of her inventions, which include the alembic and the ouroboros motif. The third section consists of an emblematic comparison between the imagery in the painting and alchemical references. The last brief section considers problematic copies of the painting. Keywords: alchemy, art, symbolism, serpent, ouroboros, famous women, alembic, Lavinia Fontana, Egyptian mythology, Plato’s Timaeus, artistic forgery Introduction The representation of famous personages in the history of art is further expanded in the Italian sixteenth century. Artists and humanists continued with the classical and Renaissance traditions of immortalizing uomini famosi and donne famose (famous men and famous women).1 The Italian painter from Bologna, Lavinia Fontana (1552-1614), during the sixteenth century followed this convention of representing donne famose in 2 her depiction of Cleopatra the Alchemist of 1605-1614 at the Galleria Spada in Rome (Figure 1). -
1 00 Books on Alchemy to Find on a Bookshelf 1
1 00 Books on Alchemy to Find on a Bookshelf 1. Baopuzi by Ge Hong 1144 by Robert of Chester to, late 13th century, (Written in the 4th3rd as The Book of the originally Latin, On the Use century BC, originally Composition of Alchemy, of Fire to Conflagrate the Chinese, Book of the Master how Morienus in the 7th Enemy, or Book of Fires for Who Embraces Simplicity, century learned the secrets the Burning of Enemies, 35 Chinese alchemy, elixirs, of alchemy and introduced it recipes for incendiary demonology and into Islam, reveals the weapons, fire and immortality) secrets of the work of gunpowder) 2. Zhouyi cantong qi by Wei alchemy) 12. Cyranides (Compiled in Boyang (Written in the mid 7. Turba Philosophorum 14th century, Greek, second century, Chinese, (Latin, Assembly of the magicomedical works, The Kinship of the Three, in Philosophers, circa 900, magical properties of plants, Accordance with the Book of based on Arabic texts, a animals and gemstones, an Changes, English translation discussion between nine encyclopaedia of amulets 1932, cosmology, Taoism Greek philosophers who and the history of western and alchemy, especially adapt Greek alchemy into alchemy) internal alchemy) Islamic science) 13. Aurora Consurgens by 3. Chrysopeoeia of Cleopatra 8. Liber de compositione Thomas Aquinas (Attributed by Cleopatra the Alchemist alchimiae by Robert of to, author now unknown, (Written in 3rd century Chester (1144, Latin, The 15th century, Latin, an Egypt, the original is an Combination of Alchemy, the illustrated commentary on illustrated single sheet of first European book on the Latin translation of papyrus on goldmaking) alchemy, translated from the Silvery Waters by Senior 4. -
European Women in Chemistry
European Women in Chemistry Edited by Jan Apotheker and Livia Simon Sarkadi Thispageintentionallyleftblank European Women in Chemistry Edited by Jan Apotheker and Livia Simon Sarkadi Related Titles Garcia-Martinez, J., Serrano-Torregrosa, E. Armaroli, N., Balzani, V. (eds.) Energy for a Sustainable World The Chemical Element From the Oil Age to a Sun-Powered Future Chemistry’s Contribution to Our Global Future 2010 2011 ISBN: 978-3-527-32540-5 ISBN: 978-3-527-32880-2 Rehder, D. Ravina, E. Chemistry in Space The Evolution of Drug From Interstellar Matter to the Origin of Life Discovery 2010 From Traditional Medicines to Modern Drugs ISBN: 978-3-527-32689-1 2011 ISBN: 978-3-527-32669-3 Ghosh, A. Letters to a Young Chemist 2011 ISBN: 978-0-470-39043-6 European Women in Chemistry Edited by Jan Apotheker and Livia Simon Sarkadi The Editors All books published by Wiley-VCH are carefully pro- duced. Nevertheless, authors, editors, and publisher Dr. Jan Apotheker do not warrant the information contained in these University of Groningen books, including this book, to be free of errors. Read- Department for Chemistry Education ers are advised to keep in mind that statements, da- Nijenborgh 4 ta, illustrations, procedural details or other items 9747 AG Groningen may inadvertently be inaccurate. The Netherlands Library of Congress Card No.: Dr.habil. Livia Simon Sarkadi applied for Budapest University of Food Technology British Library Cataloguing-in-Publication Data and Economics A catalogue record for this book is available from the Department of Applied Biotechnology and British Library. Food Science Muegyetem rkp. -
Lavinia Fontana's Mythological Paintings
Lavinia Fontana’s Mythological Paintings Lavinia Fontana’s Mythological Paintings: Art, Beauty, and Wisdom By Liana De Girolami Cheney Lavinia Fontana’s Mythological Paintings: Art, Beauty, and Wisdom By Liana De Girolami Cheney This book first published 2020 Cambridge Scholars Publishing Lady Stephenson Library, Newcastle upon Tyne, NE6 2PA, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2020 by Liana De Girolami Cheney All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-5275-5700-6 ISBN (13): 978-1-5275-5700-0 For Vera Fortunati, Maria Teresa Cantaro, and Caroline P. Murphy TABLE OF CONTENTS List of Illustrations .................................................................................. viii Acknowledgments .................................................................................. xvii Preface ..................................................................................................... xix Chapter 1 .................................................................................................... 1 Allegories, Personifications, Mythologies, and Emblematic Traditions Chapter 2 .................................................................................................. 10 Lavinia Fontana: Donna dotta