In Solidarity 2012 FINAL with Edits-2

Total Page:16

File Type:pdf, Size:1020Kb

In Solidarity 2012 FINAL with Edits-2 WINTER 2011-2012In!!!SolidarityVOLUME 1, ISSUE 4 NEWSLETTER OF THE SYLVIA RIVERA LAW PROJECT’S PRISONER ADVISORY COMMITTEE Dear Friends, The Sylvia Rivera Law Project (SRLP) welcomes you to the Winter edition of the Prison Advisory Committee (PAC) publication, In Solidarity. As many of you know, In Solidarity is a collaborative newsletter created by PAC members, SRLP staff & volunteers. SRLP greatly values this opportunity to share your inspiring work and reflect on our joint struggle against the violence of policing and incarceration. At this historical moment, we feel hopeful as movements of resistance are being fortified and spaces for reflection are growing. We want to share with you in this edition both the hope for the future that we have heard from across the world and also hold the trauma and sadness of the violence of the prison, policing and immigration enforcement systems. It is such an honor for us as SRLP staff to work with each of you and we value your input into our work and our political goals. In solidarity, SRLP staff & volunteers INSIDE... Legal Updates Poetry & Art SRLP Happenings Inside this issue of IN SOLIDARITY ! PAC currently has around 60 1! About PAC amazing members who are 2 ! About SRLP enthusiastic about sharing their 3-4 time, passion, and expertise SRLP Collective, Structure & Staff with SRLP. Our members are 5 PAC Member trans, intersex, gender non- Self Interview conforming people and allies 6-7 In the news PRISONER ADVISORY who are currently incarcerated 8-10 Occupy Wall Street! COMMITTEE in New York. Members of PAC The Sylvia Rivera Law Project work together with members of 11 PAC Art & Poetry strongly believes that the people our collective to develop 12! Legal ! Updates most affected by the systems of strategies & goals for our work. 13-14 PAC Essay & More violence and oppression we 15! Word Search fight against are the best people IN SOLIDARITY 16 PAC Member to lead that fight. We also is a collaborative newsletter Self-Interview believe that social justice created by PAC members, who 17-18 !Transforming Justice organizations must find ways to are involuntarily locked away, 19! Resources directly involve the members of SRLP staff & volunteers . our community who have been Together our words & collective 20 PAC Art & Poetry ! separated from us by the efforts work against injustice for criminal injustice system. The low-income and/or people of Submission Guidelines Prisoner Advisory Committee color who are trans, intersex & CONTRIBUTORS (PAC) is one way to overcome gender non-conforming both Shaniece Nyasia Powell inside and out of the prison the enormous state-created Stephanie Jo Gilley industrial complex and towards barriers to communication and Thomas A. Ross-Sobcezk political participation for the gender self determination for Chase Stranggio people who are most affected by all. Additionally, this newsletter Reina Gossett Katherine Brown the prison industrial complex. has always been a critical way for SRLP staff to connect with Tabitha Emo Shaylanna Smith & inform volunteer members of N. Vellon DISCLAIMER the Prison Advisory Committee. Paul Please note that the ideas and opinions expressed in In Solidarity are solely those Ronnie Brown of the authors and artists and do not necessarily reflect the views of the Sylvia Shardea La’Ajia Nevaeh Rivera Law Project. The Sylvia Rivera Law Project makes no representations as to Bradley the accuracy of any statements made in In Solidarity. Authors and artists bear sole Gabriel Foster responsibility for their work. intertwined with racial, social legal services for our and economic justice. communities. We believe that Therefore, we seek to increase in order to create meaningful the political voice and visibility political participation and of low-income people and leadership, we must have access people of color who are to basic means of survival and transgender, intersex, or gender safety from violence. THE SYLVIA RIVERA LAW non-conforming. SRLP works PROJECT to improve access to respectful SRLP STAFF & COLLECTIVE The Sylvia Rivera Law Project and affirming social, health, and MEMBERS (SRLP) works to guarantee that all people are free to self- determine their gender identity and expression, regardless of income or race, and without facing harassment, discrimination, or violence. SRLP is a collective organization founded on the understanding that gender self- determination is inextricably SYLVIA RIVERA STORY This project is named for civil rights pioneer Sylvia Rivera. A veteran of the 1969 Stonewall uprising, Sylvia was a tireless advocate for all those who have been marginalized as the "gay rights" movement has mainstreamed. Sylvia fought hard against the exclusion of transgender people from the Sexual Orientation Non- “So, that goes to show the rest of Discrimination Act in New York, and was a loud and persistent voice the community, that technically for the rights of people of color and low-income queer and trans when we ask for your support, we people. This project works to continue Sylvia's work by centralizing want your support. But in the issues of systemic poverty and racism, and prioritizing the struggles long run, if it’s not there, we will of queer and trans people who face the most severe and multi- acquire what we need” faceted discrimination. — Sylvia Rivera, from her talk at Latino Gay Men of New York, June 2001 SRLP NAOMI COLLECTIVE Collective Member STRUCTURE has volunteered with SRLP since 2004, serving first as a part of the Public Education Team and now as a SRLP functions as a multi-racial, member of the Movement Building intergenerational collective of Team. She's helped build SRLP's people committed to a broad websites and has spoken at many understanding of gender self- SRLP trainings and events, and was determination. As a collective, one of the first members of the we recognize that it is essential SRLP collective when it was formed. to create structures that model Naomi spends the rest of her time our vision of a more just society. designing video games for a living and occasionally playing the drums. We believe that in the struggle for social justice too often change is perceived as a product and not a process. We seek to use a non-hierarchical structure GABRIEL to support work that aims to Collective Member redistribute power and wealth is a white Muslim transgender queer for a more just society. man who joined the collective in 2004. !He was on staff providing We also strongly believe that legal services until 2010 when he our community-based structure, became an Acting Assistant which maximizes community Professor of Lawyering at NYU. ! involvement, will support the Now he volunteers on the Collective sustainability of our work and Development Team at SRLP. !In his the accountability of SRLP to free time, he loves playing table-top its constituencies. role playing games, reading science fiction and fantasy, and dreaming of We have developed an a world with no prisons. organizational structure with five equally important teams and a Board working together on a shared vision and mission. JAMILA The Direct Services Team Collective Member provides direct legal services, joined SRLP in June of 2010, runs our legal clinics, makes helping the collective move in to the determinations about how to new office. They have since worked take and handle cases, advocates as the tech support consultant, and for policy reform within as a member of the Movement institutions that impact our Building Team, helping plan and run community, and sustains events for our community. They are relationships with allied service glad for the opportunity to use their providers. skills to help create and maintain a safe and welcoming space for our The Public Education Team community. creates and implements our trainings for other groups and organizations, creates and MIK distributes our public Collective Member education materials, develops and maintains our website, and is a queer white trans male law creates and implements SRLP's student at CUNY Law in NYC. Mik media advocacy work. formerly worked at the Ali Forney Center where he became invested in The Fundraising and youth organizing, re-thinking the way Finance Team is responsible we view mental health, and stopping for raising money for our the school-to-prison pipeline. When operations, coordinating our he's not trying to understand the law budget-planning process, in order to use it as a tool for social maintaining relationships with change he is reading, watching British our donor base, creating comedy, or outside trying to re- fundraising events, and connect with his midwest roots. administering our financial systems. HELEN The Collective Collective Member Development Team is is a newbie to SRLP and New York. responsible for recruiting staff Originally from Seattle, where she and collective members, for worked with LGBTQ youth, Helen making policies and programs recently finished social work school at regarding SRLP's diversity, and the University of Michigan. She got developing policies and involved with SRLP in the spring when procedures for SRLP staff and she helped out with the most recent collective members. edition of In Solidarity. Helen is enthusiastic about trying new things, The Movement Building like playing musical instruments while Team supports the hula hooping. community-based leadership development and organizing of SRLP’s low-income trans communities & trans OLA communities of color. Staff, Director of Grass Roots The Board is charged with Fundraising oversight of the legal, ethical, and moral responsibilities of is a Brooklyn-based Nigerian queer the organization and its transfag activist, feminist & gender financial health. SRLP is liberationist of Edo & Yoruba developing a structure where descent. He organized with the people committed to gender Audre Lorde Project's TransJustice self-determination, and trans, & Immigrant Rights Work Groups intersex, and gender variant for years.
Recommended publications
  • “I See Myself As a Warrior”: Cultivating Youth Activist Narratives Through Projects of Social Justice
    “I See Myself as a Warrior”: Cultivating Youth Activist Narratives through Projects of Social Justice Dissertation Presented in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in the Graduate School of The Ohio State University By Tamara T. Butler, B.S., M.A. Graduate Program in Education The Ohio State University 2014 Dissertation Committee Professor Valerie F. Kinloch, Advisor Professor Beverly J. Moss Professor Timothy J. San Pedro 1 Copyright by Tamara T. Butler 2014 i!! Abstract Informed by a critical multicultural framework, this research explores how youth raise awareness, critique inequitable structures, and engage in an array of social justice work. Two research major questions that guide this project are as follows: How do students create youth activist narratives using social justice experiences? What do students’ reflections about the narrative writing process reveal about why they engage in social justice work? In order to answer these questions, I used critical narrative inquiry as I entered a ninth-grade World Humanities classroom at Justice High School for a ten- month qualitative study. In the Humanities classroom, I focused on how students developed social justice projects on a variety of contemporary injustices (e.g., human sex trafficking, domestic violence, discrimination against LGBTQI youth, gentrification) and explored how youth came to understand, speak, and write about social inequities and injustices as well as how they position themselves as advocates, allies, and/or activists. Through thematic analysis of their Capstone Project, I analyzed how four girls used stories to engage in socially just activist practices. The narratives that emerged from this work can offer insight into how K-20 classrooms can foster partnerships that generate transformative, “activist” curricular engagements.
    [Show full text]
  • Due Spot a Referendum E Il Si Paghera Il No
    as CPL CONCORDIA CM. CONCORDIA L'ALLEATO mLALLEAT O PIU' SICURO PER IL GOVERNO PIU' SICURO DEL GAS PER IL GOVERNO ConocWhWO) Vli A. Gnmfc M • TW.OMS / «i .ei. r r DEL GAS CwKorcHalMO) Wt A. GnMI. 39 • W. 0KB / SI .61.11 Ripresi 20 punti sul marco La pubblicita sulle reti Fininvest costera molti miliardi Finanziaria pronta a giugno? Algaloppo Due spot a referendum liraeCct E il Si paghera il No Ora i mercati hannofiducia Protesta per la par condicio bis m ROMA II regolamento che di- ninvest qualcosa come died mi- scipJina gli spot reletendarl i stato lianfi. La tariifa fbsala sqpeia quel- m ROMA. Giomata in rasa per Ilia, tltolidiSiato reso nolo dall'ufficio del Garante. la per gli spot commerciali». Al SI e Borsa. Tassi in calo. La monela nazionale La reazioneda parte dei due schie- risponde il No accusando la •squa- continua la sua corsa rispetto al dollaro e al Unregalo marco; alle 8.30 del mauino un dollaro valeva ramenti * stata ktentkra: le regote dra» aweisaria di awer dimenticato 1.669 Ike e un marco 1.150, nel primo pomerig- nuove non piaccfcmo a nessuno. E che il noaro e <uno Stato di dirrtto al Cavaliere glo le qucrtazioni davano 1.631,90 e 1.129 (34 questo ntmostante il Garante abbia in cui i metodi sovtetici non do- punH guadagnati sul dollaro e 25 sul marco), usato il bilancino nel tenlalivo dl webbero neanche essere menzki- alle 1130 L645 e 1.133 (20 punti guadagnati non scontenlare te lone in campo. nati».
    [Show full text]
  • Catalogue of Photographs of Performers at the Embassy Theatre
    Catalogue of Photographs of Performers and Shows in the Archives of the Embassy Theatre Foundation The archives of the Embassy Theatre Foundation hold more than 3000 artifacts, including more than 600 photographs of vaudevillians inscribed to Bud Berger (long-time stage man- ager at the Embassy Theatre, known as the Emboyd until 1952); more than 300 posters, playbills, programs, stools, and even guitars signed by the stars and casts of shows that have played at the Embassy Theatre over the past forty years, rang- ing from classic and current Broadway shows to acrobatic groups, choral ensembles, dance shows, ballet, stand-up comedians, rock bands, country singers, travel films, silent films, theatre organists, and so on; and hundreds of publicity photographs of performers, shows, and events at the theatre, primarily from the period following the establishment of the Embassy Theatre Foundation and its rescue of the theatre from the wrecking ball in 1975; and a nearly complete run of the journal of the American Theatre Organ Society. The archive is now almost fully catalogued and preserved in archival housing. Earlier excerpts from the catalogue (available on the Archives page of the Embassy Theatre’s web site) cover the photographs inscribed to Bud Berger and the posters, playbills, programs, stools, and so on from later shows at the Embassy. This is the third excerpt, covering the public- ity photographs of the last forty-five years and a few photographs of earlier events, Bud Berger, and other members of the stage crew. The publicity photographs are primarily of individ- ual performers, but a few shows are presented as well, including Ain’t Misbehavin’, Annie, Barnum, Bubbling Brown Sugar, Cabaret, California Suite, Cats, A Christ- mas Carol, Dancin’, Evita, Gypsy, I'm Getting My Act Together And Taking It On The Road, Joseph and the Amazing Technicolor Dreamcoat, Peter Pan, Same Time Next Year, Side by Side by Sondheim, and Ziegfeld: A Night at the Follies.
    [Show full text]
  • COUNCIL DISTRICT No.13 APPROVAL for ACCELERATED
    COUNCIL DISTRICT No.13 APPROVAL FOR ACCELERATED PROCESSING DIRECT TO CITY COUNCIL The attached Council File may be processed directly to Council pursuant to the procedure approved June 26, 1990, (CF 83-1075-81) without being referred to the Public Works Committee because the action on the file checked below is deemed to be routine and/or administrative in nature: _} A Future Street Acceptance. __ } B. Quitclaim of Easement(s). __ j C. Dedication of Easement(s). _ ~ D. Release of Restriction(s). ~ E. Request for Star in Hollywood Walk of Fame. _} F. Brass Plaque(s) in San Pedro Sport Walk. _} G. Resolution to Vacate or Ordinance submitted in response to Council action. _} H. Approval of plans/specifications submitted by Los Angeles County Flood Control District. APPROVAL/DISAPPROVAL FOR ACCELERATED PROCESSING: APPROVED DISAPPROVED* Council Office of the District Public Works Committee Chairperson *DISAPPROVED FILES WILL BE REFERRED TO THE PUBLIC WORKS COMMITTEE Please return to Council Index Section, Room 395 City Hall City Clerk Processing: Date notice and report copy mailed to interested parties advising of Council date for this item. Date ---- scheduled in Council. AFTER COUNCIL ACTION: __j Send copy of adopted report to the Real Estate Section, Development Services Division, Bureau of Engineering (Mail Stop No. 515) for further processing. __j Other: Send copies of adopted report an9 ORIGINAL RESQLUTION to Land Development Group. Attention: Jeff Moore (Mail Stop 901 t and to Survey Division, Attention Jim Lantry (Mail Stop 904) far further processing PLEASE DO NOT DETACH THIS APPROVAL SHEET FROM THE COUNCIL FILE ACCELERATED REVIEW PROCESS- E Office of the City Engineer Los Angeles California To the Honorable Council Ofthe City of Los Angeles APR 14 1011 Honorable Members: C.
    [Show full text]
  • Christian Mcbride
    Christian McBride Jazz House Kids Artistic Chair, Board Member Artistic Director, James Moody Democracy of Jazz Festival Bassist extraordinaire, composer, arranger, educator, curator and administrator, Christian McBride, has been one of the most important and most omnipresent figures in the jazz world for the last 20 years. Beginning in 1989, this Philadelphia-born bassist moved to New York City to further his classical studies at the Juilliard School, only to be snatched up by alto saxophonist, Bobby Watson. As a sideman in the jazz world, he's worked with the best of the very best - Freddie Hubbard, Sonny Rollins, J.J. Johnson, Ray Brown, Milt Jackson, McCoy Tyner, Roy Haynes, Chick Corea, Herbie Hancock and Pat Metheny. In the R&B world, he played with and arranged for Isaac Hayes, Chaka Khan, Natalie Cole, Lalah Hathaway and James Brown. In the pop/rock world, he's extensively collaborated with Sting, Carly Simon, Don Henley and Bruce Hornsby. In the hip- hop/neo-soul world, he's collaborated with The Roots, D'Angelo and Queen Latifah. Other specialty projects have had him work closely with opera legend Kathleen Battle, bass virtuoso Edgar Meyer, the Shanghai Quartet and the Sonus Quartet. McBride has become a respected spokesperson for the music. In 1997, he spoke on former President Bill Clinton's town hall meeting "Racism in the Performing Arts". In 2000, he was named Artistic Director of the Jazz Aspen Snowmass Summer Sessions. In 2005, he was officially named the co-director of the National Jazz Museum in Harlem. Also in 2005, he was named the second Creative Chair for Jazz of the Los Angeles Philharmonic Association.
    [Show full text]
  • No Justice No Peace Confronting the Crises of Capitalism & Democracy
    #206: May 2015 do we need More cops? p4 TenanT-landlord showdown, p5 ‘InvasIve’ arT, p16 The IndypendenT a free paper for free people sporTs for all, p6 noTes froM The balTIMore afTer The rIoTs, p8 parenTIng dIleMMas, p20 lIfeunderground In a polyrhyThMIc, InsurgenTly evolvIng cuba, p12 ROB LAQUINTA No Justice No Peace Confronting the Crises of Capitalism & Democracy May 29TH–31ST le forum le 2015 for more information, see back page 2 #205: april 2015 a FrEE papEr FOr FrEE pEOplE THEpalEsTiNE caN’T brEa THEi, pNDY14 | vi ETNam rEmEpmbErEDENDENT, p15 | W HEN puNk Was THaT GOOD, p17 The IndypendenT reader’s sTaNDarDizED TEsTiNG’s HiDDEN aGENDa, p10 bEacH TOWN vs. biG ENErGY, p12 a vErY sTraNGE miND, p16 THE INDYPENDENT, INC. voIce 388 Atlantic Avenue, 2nd Floor Brooklyn, NY 11217 212-904-1282 www.indypendent.org Twitter: @TheIndypendent facebook.com/TheIndypendent Rob LaQuinta BOARD OF DIRECTORS: Ellen Davidson, Anna Gold, a TalE OF TWO Alina Mogilyanskaya, Ann Schneider, brbrONxEsxEs John Tarleton THE mamaYOr WaWaNTs TO rErEmakE NYc’sNYc’s pOOrEsTrEsT bOrOubOrOuGH. A COMMUNIST FRONT GROUP? importantly, do asbuT,bu we’reT, WHO WillWtoldill b ENEFin theiT?iT? p6pfuture.6 Anyone who opposes Since Veterans for Peace is a communist front organization, it’s such madness and stands with humanity deserves and gets my EXECUTIVE EDITOR: not surprising to fi nd a died-in-the-wool Marxist spouting commu- thanks. John Tarleton nist rhetoric about the Vietnam War (April Indypendent, “Don’t — Mike Ferner Thank Me For My Service”). At least he told the truth about one MANAGING EDITOR: thing — he does not speak for the 3 million Vietnam vets, 80 per- cent of whom say they would go again, even knowing the outcome.
    [Show full text]
  • BBV2 Frontmatter
    Ernest Hardy’s gift as a cultural critic is his ability to listen. Whether it be in an interview with a filmmaker, the songs on a pop album, or literary prose and poetry floating off the page, Mr. Hardy hears, feels, and then filters through his own heart and mind the stuff of possibility. His words are not the answer but the beginnings of deep questions. His analysis bubbles above mediocrity like spring water quenching the thirst of those of us who are parched for a way to understand what it means to create and what it means to consume from the slipstream that is our contemporary culture. —Cauleen Smith, director of Drylongso, and professor of film at Massachusetts College of Art Ernest Hardy’s talent and reputation as one of the preeminent critics working today are beyond reproach, but with Blood Beats: Vol. 2, he establishes himself as a singular force in contemporary cultural criticism. —Mark Anthony Neal, author Soul Babies: Black Popular Culture and the Post-Soul Aesthetic For anyone interested in the historical significance of black cultural production, from commercial to indie, Ernest Hardy’s Blood Beats:Vol. 2 is a must-read.Witty as hell, an erudite critic: the brotha knows his shit. Whether it’s cinema or music, his prose makes you want to grab your iPod and experience the visceral connections between art, love, sexuality, politics and the sacrosanct role of blackness in the entertainment industry. OK, this academic lesbian fell in love with the gay boy journalist. —Phyllis J. Jackson, Ph.D., filmmaker, Comrade Sister:Voices of Women in the Black Panther Party bloodbeats: vol.2 bloodbeats: vol.2 the bootleg joints ernest hardy WASHINGTON, DC www.redbonepress.com Blood Beats: Vol.
    [Show full text]
  • Black Women in the U.S., & Key States 2018
    :00 PM EDT Released March 28, 2018 ACKNOWLEDGEMENTS We would like to thank the Moriah Fund, Ford Foundation and AARP for their generous support of this work. We also thank the contributors to this volume for your willingness to share your expertise and wisdom on behalf of the needs of Black women and girls. Melanie L. Campbell President & CEO, NCBCP and Convener, Black Women’s Roundtable BWR Intergenerational Public Policy Network Avis A. Jones-DeWeever, Ph.D. Editor-In-Chief, 2018 BWR Report Senior Public Policy Advisor Black Women’s Roundtable www.ncbcp.org www.unitycampaign.org TABLE OF CONTENTS EXECUTIVE SUMMARY _____________________________________________________________ 4 BLACK WOMEN'S ROUNDTABLE 2018 ORGANIZING & POWER BUILDING GIRLS EMPOWERMENT STRATEGIES__________________________________________________10 THE POWER OF BLACK WOMEN’S LEADERSHIP When Black Women Lead Politically_____________________________________________________15 Black Millennial Women: A New Approach to Black Women’s Leadership______________________ 18 Shut Out of Power: Black Women, Leadership, and the Corporate Space_______________________ 20 Black Women Lead Social Change, But Left Behind in Social Change Funding________________22 POLITICAL AND VOTING POWER Black Women and Politics: Time for a Power Shift _________________________________________26 The Intersection of Race, Gender and American Politics Today________________________________ 28 Another Historic Election Without Protections of the Voting Rights Act_________________________31 Black Alabamans
    [Show full text]
  • Ernest Hardy
    bloodbeats: vol.1 bloodbeats: vol.1 demos, remixes & extended versions ernest hardy WASHINGTON, DC www.redbonepress.com Blood Beats: Vol. 1 Demos, Remixes & Extended Versions Copyright © 2006 by Ernest Hardy Published by: RedBone Press P.O. Box 15571 Washington, DC 20003 All rights reserved. No part of this book may be reproduced or transmitted in any form or by any means without permission in writing from the publisher, except in the case of reviews. Portions of this book originally appeared in the LA Weekly. 10 09 08 07 06 10 9 8 7 6 5 4 3 2 1 First edition Cover photo copyright © 2006 by Alex Demyanenko Cover design by E.M. Corbin Logo design by Mignon Goode Printed in the United States of America ISBN-13: 978-0-9656659-8-8 ISBN-10: 0-9656659-8-4 www.redbonepress.com This book is dedicated to the memories of Dianna J. Hardy Ernest C. Hardy Sr. Irie Lessie Perkins Rosa Hardy Robert Hardy Sr. Leslie Perkins Richard Perkins thank yous and acknowledgments THANK YOU: Ben Adair, Donnell Alexander, Lorraine Ali, Shawn Amos, Ron Athey, Erin Aubry, Elizabeth Mendez Berry, Nathan Brackett, Dale Brasel, Greg Burk, Steven W. Burt, Sonya Chi, Alex Demyanenko, Joe Donnelly, Jack Curtis Dubowsky, Hazel Dawn Dumpert, Ben Ehrenreich, Scott Foundas, Shari Frilot, David Hansor, Hilary Hart, Monica Hernandez, Dylan Hicks, Jim Hubbard, Diane Hurd, Jerome Joseph, Ellen Krout- Hasegawa, Joe Lee, Kristi Lomax, Joe Loya, Paul Malcolm, Jordan Moore, Lisa Moore, Rhonda Murphy, Mimi McCormick, Jim Nicola, Eve Oishi, John Payne, Ben Quinones, Ron Stringer, Kate Sullivan, Ella Taylor, Delores Taylor Walls, Chuck Wilson, Connie Young,Kimberly Yutani.
    [Show full text]
  • By USA Lapin ~
    By USA lAPIN rugged student athlete stood just behind the locked door of the small, poorly lit college dorm A room, staring at posters of scantily-clad women and fast cars, as he waited for his purchase to be cut and weighed on the book-covered desk in from of him. It was late on ajanuary night- Friday, the day . ~ for students to pany and let loose after a long week , of pressure and cramming. ~.~ "' The tall blonde athlete watched as a fellow ~_ ~ , student positioned a steady arm above a \ \ ~finelY calibrated scale and poured * I expensive white powder onto a small ~ \, piece of paper. Forty-five dollars I exchanged hands, and the athlete left as discreetly as he had entered . ." please turn 10 page 7 , \ / , ru 5/ J1 ~ ~ s:: / ~ / ~ I ~ yt.'" . J"I .... , ' ~ \ ' 1(1 ~, ' ~ . Iff f"4 •• 1 f fttf t t .. J Davis lecture UCSD High School Journalism President's CommiSSion and is also Conference will meet this Saturday from Director of the US Holocaust Memorial Have you been sleeping in class again? Are you always late? Does your 11:30 am-I pm in HSS 2305. Guest Council in Washington, DC. He will professor talk a mile a minute or with an undecipherable accent? Well , don't lecturers Jeannette DeWyze from the speak at 4:30 pm March 5 in panic, the AS Lecture Notes service is here to help. Reader, Pamela Moreland from the LA Conference Room IlIA of the "Our main purpose is to help students with their academic studies," assured focused on racism Times and Christopher Canole from the administrative complex.
    [Show full text]
  • Poetic Knowledge and the Organic Intellectuals in Russell Simmons Presents Def Poetry
    Claremont Colleges Scholarship @ Claremont CGU Theses & Dissertations CGU Student Scholarship Fall 2019 A Matter of Life and Def: Poetic Knowledge and the Organic Intellectuals in Russell Simmons Presents Def Poetry Anthony Blacksher Follow this and additional works at: https://scholarship.claremont.edu/cgu_etd Part of the African American Studies Commons, Africana Studies Commons, American Literature Commons, American Popular Culture Commons, Critical and Cultural Studies Commons, Ethnic Studies Commons, Gender, Race, Sexuality, and Ethnicity in Communication Commons, Inequality and Stratification Commons, Poetry Commons, Race and Ethnicity Commons, Social History Commons, Sociology of Culture Commons, Television Commons, and the United States History Commons Recommended Citation Blacksher, Anthony. (2019). A Matter of Life and Def: Poetic Knowledge and the Organic Intellectuals in Russell Simmons Presents Def Poetry. CGU Theses & Dissertations, 148. https://scholarship.claremont.edu/cgu_etd/148. doi: 10.5642/cguetd/148 This Open Access Dissertation is brought to you for free and open access by the CGU Student Scholarship at Scholarship @ Claremont. It has been accepted for inclusion in CGU Theses & Dissertations by an authorized administrator of Scholarship @ Claremont. For more information, please contact [email protected]. A Matter of Life and Def: Poetic Knowledge and the Organic Intellectuals in Russell Simmons Presents Def Poetry By Anthony Blacksher Claremont Graduate University 2019 i Copyright Anthony Blacksher, 2019 All rights reserved ii Approval of the Dissertation Committee This dissertation has been duly read, reviewed, and critiqued by the Committee listed below, which hereby approves the manuscript of Anthony Blacksher as fulfilling the scope and quality requirements for meriting the degree of doctorate of philosophy in Cultural Studies with a certificate in Africana Studies.
    [Show full text]
  • The Songs of Black (Women) Folk: Music, Politics, and Everyday Living Rasheedah Quiett Ej Nkins Louisiana State University and Agricultural and Mechanical College
    Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2008 The songs of black (women) folk: music, politics, and everyday living Rasheedah Quiett eJ nkins Louisiana State University and Agricultural and Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the English Language and Literature Commons Recommended Citation Jenkins, Rasheedah Quiett, "The ons gs of black (women) folk: music, politics, and everyday living" (2008). LSU Doctoral Dissertations. 4048. https://digitalcommons.lsu.edu/gradschool_dissertations/4048 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. THE SONGS OF BLACK (WOMEN) FOLK: MUSIC, POLITICS, AND EVERYDAY LIVING A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of English by Rasheedah Jenkins B.A., Louisiana State University, 1999 August 2008 TABLE OF CONTENTS ABSTRACT……………………………………………………………………………...iii CHAPTER 1 INTRODUCTION……………………………………………………………..1 CHAPTER 2 NINA SIMONE, THE HIGH PRIESTESS OF SOUL-(ED FOLK)…………29 CHAPTER 3 TRACY CHAPMAN, TALKIN’ BOUT A REVOLUTION(ARY)…….……68 CHAPTER 4 MS. EDUCATED LAURYN HILL’S LESSONS IN LOVE…………...….100 CHAPTER 5 CONCLUSION: NEO-SOUL & NOUVEAU FOLK, THE TRADITION…136 WORKS CONSULTED…………………………………………………………..……141 SELECTED DISCOGRAPHY…………………………………………………………149 VITA……………………………………………………………………………………151 - ii - ABSTRACT The field of folklore in general, but specifically Africana folklore studies can be enriched by greater analyses of Black female contributions.
    [Show full text]