Ecranisation of Plot in the Novel and Film of Breaking Dawn by Stephanie Meyer

Total Page:16

File Type:pdf, Size:1020Kb

Ecranisation of Plot in the Novel and Film of Breaking Dawn by Stephanie Meyer ECRANISATION OF PLOT IN THE NOVEL AND FILM OF BREAKING DAWN BY STEPHANIE MEYER Yuni Triswela Gunadarma University jl. Margonda Raya 100 Depok, 16424 [email protected] ABSTRACT Movie and novel are different kinds of media. In the world of media communication transformation, there is a term which called as Ecranisation. Ecranisation is a transformation from literature to movie. Ecranisation product is not always identical to its original source, which is novel. Ecranisation product also lack in the details department, such as the character and the plot which are not always exist in the movie. The aim of this research is find out what are the plot differences in the Breaking Dawn Novel and Breaking Dawn Movie Part I based on Eneste theory. This study used qualitative descriptive method in analyzing the data. After analyzing the data which used as the source, the writer found that the results of the research show Ecranisation product Breaking Movie Part I undergo 3 plot changes according to Eneste theory, there are addiction, reduction, and variation. The products then divided into 3 different phase, which are orientation, complication, and resolution, except on the conclusion phase, there is no reduction. Keywords: Breaking Dawn Novel, Breaking Dawn Movie Part I, Ecranisation Ecranisation product is not always 1. INTRODUCTION the same with what we read on novel, it 1.1 Background of the Study not details and some characters and plot Movie and novel are different media. that in novel does not appear in the Novel lover is a reader and movie lover movie. Ecranisation process demand is a viewer. Novel and movie media use uniformity on narrative and cinematic is also different. Writing media of aspect on movie. So that is why the novel is pen and paper whereas movie use amount of character is less that in camera and background. In the world of novel itself. Some director tries to a media communication transformation make a movie as detail as in novel. For familiar with ecranisation and example, R.W Fassbinder, he make a movie deecranisation terminology. Both of that have a very long duration, fifteen terminologies are a terminology to call hours and twenty one minutes that have a a transformation from literature to title Berlin Alexanderplatz. The movie movie or vice versa. Origin of those is an adaptation in mutual with details terminologies is from French, `ecran from the entire paragraph. which is mean screen. Transformation These days, there so much product from literature to movie called of ecranisation on the entertainment ecranisation on the other hand market, from a classic novel that deecranisation is a transformation from transform to movie, for example Romeo movie to literature. (Eneste, 1991:60) and Juliet by Shakespeare that have some version and Pride and Prejudice by Jane 60 Triswella, Ecranization of... Austen. Until pop literature for example research. So the Writer and reader know Twilight and it series by Stephanie about ecranisation. Meyer that all transform to movie, Twilight at 2008, New Moon at 2009, 1.2 Previous Research Eclipse at 2010 and Breaking Dawn part 1 and 2 at 2011 and 2012. 1.2.1 Rikha Rosalina (2012) On her research she found that the main Breaking Dawn movie is an character, Kruimeltje has a same ecranisation product with same title as character if we compare it between Novel on the novel that is the last part of and Movie. The difference is about Twilight series. On the movie, Breaking supporting detail that on the novel, Dawn was separated in two parts, the Most of them cannot find in the Movie. first part is launch on November 2011 In the Movie the director is only focus and the second part is on December 2012. to Main Character so that supporting Starring with a lead actor and actress, character that help the main character Kristen Stewart as Isabella Swan and cannot be seen clearly. Robert Pattinson as Edward Cullen and another supporting star in the movie. 1.2.1 Muhamad Bintang Yanita The movie is well known on the entertainment world because became a box Putra (2014) office for 4 weeks. On His research he found out that comparison between novel and Movie Breaking Dawn novel tell the story Negeri 5 menara that are in the Novel about the marriage life between Isabella Negeri 5 Menara has 46 sequences while Mary Swan, the human and Edward Anthony in the movie has 15 sequences. Values in Cullen, the vampire. On the beginning of Negeri 5 Menara by A. Fuadi are (1) their marriage life, they have a Custom Values (2) Moral Values (3) beautiful Marriage life. They even go on Social Values. Moral Values dominating the Honeymoon on Esme Island, the Island the entire novel and Movie. The essence that owned by Edward’s Mother, Esme of moral values given a massage that Cullen. But the conflict started when there is nothing accidental in this Bella know that she is pregnant. Edward world, all that happen in this world are that believe that the fetus in Bella’s by God Permission and human effort womb will be dangerous for Bella, try to itself. abort the pregnancy cooperate with his father Carlisle. But Bella want to make 1.3 Position of the Research her child life. She will give anything According to the previous research, the even her life to protect her baby, with position of this study develops the Rosalie, Edward’s sister she fight research. This study is somewhat related against anybody who try to convince to ArisDarmapati’s study. Compared to Bella to abort her baby. until finally ArisDarmapati’s study, which discussed Edward and his family except Rosalie English-Indonesian translation shifts give up and protect Bella too because found in novel “Inheritance”, this study they know that Bella and Rosalie have a discussed about translation shifts of steadfast character that will not give English participial adjectives found in up more else, the werewolves try to novel “The Twilight Saga: New Moon”. abort Bella’s pregnancy too because they believe that once her baby born, it will 1.4 Problem of the Research be a danger to human considering it The problem formulations of this father that a vampire. Another conflict research is: come when Volturee family, the judge on Vampire worlds, know that an immortal What are the reduction, addition and child is a member of Cullen family. variation of plot in the novel Breaking Dawn and Breaking Dawn movie part I? From the short explanation above about Breaking Dawn novel, writer found thatplot between Novel and movie 1.5 Objective of the Study Breaking dawn by Stephanie Meyer has a From the problem formulation that the difference, because of that, Braking writer has written, thus the objective Dawn novel and movie are interesting to of the research is to find what are the Jurnal Ilmiah Sastra Volume 4. No. 1, Juni 2016 61 reduction, addition and variation of 2.3 Movie plot in the novel Breaking Dawn Novel Movie is a series of moving pictures and Breaking Dawn movie Part I. recorded with sound that tells a story, shown at the cinema/movie theater (taken 2. LITERATURE REVIEW from Oxford Learner Dictionary) 2.1 Definition of Novel 2.4 Ecranisation Novel is book- length story in prose, Ecranisation is a transformation from whose author tries to create the sense literature to movie. Origin of those that while we read, we experience actual terminologies is from French, `ecran life. Novel is relatively newcomer which is mean screen. The transfer of besides drama, lyrics, ballad and epic. novel into a white screen inevitably But English novel come to maturity in lead to the change emegence of a variety literate times, in eighteen century, and changes. Therefore it can be said, by its nature was something different: a ecranisation often occurs Reduction, story to be communicated silently, at additions and Variation (Eneste, 1991: whatever moment and at whatever pace 60). Eneste (1991: 61-66) explain that (whether quickly or slowly and changes that occurs in ecranisation such meditatively) the reader desired. as: 2.2 Plot 2.4.1 Reduction Plot is a term sometimes taken to mean One of the steps taken in the process of whatever happens in a story, but more transforming literature into movie is a exactly referring to the unique reduction or downsizing. Reduction of arrangement of events that the author the cutting element of the story is a has made.There are three stages of plot literary work in the transformation namely; process. (Eneste:1991:61). 1. Orientation 2.4.2 Addition The readers or viewers are The addition is a change in the process introduced to the main of transformation of literature into characters and possibly some movie form. As well as a reduction, in minor characters. Some this process can also occur in the realm indications are generally given of story, plot, characterization, of where the action is located setting, atmosphere. Addition were made and when it is taking place. in the process of ecranisation certainly 2. Complication has a reason. Eneste states that director has a particular reason for Complication is pushed along by doing the addition in the movie because a serious of events, some sort of the addition was important from the of complication or problem to point of movie. Eneste (1991: 64). arise. This complication will involve the main characters and 2.4.3 Variation often serves toward them from Variation is the third thing that allows reaching their goal. accured in the process of transformation Complication also include about from literary works to movie.
Recommended publications
  • Constructing Conservative Youth Ideology in the Twilight Series
    Wesleyan University The Honors College Happily (For)ever After: Constructing Conservative Youth Ideology in the Twilight Series by Julia Pearlman Class of 2010 A thesis submitted to the faculty of Wesleyan University in partial fulfillment of the requirements for the Degree of Bachelor of Arts with Departmental Honors in American Studies Middletown, Connecticut April, 2010 Table of Contents Acknowledgments........................................................................................................2 Introduction:................................................................................................................4 Chapter One: Biting, Sucking, Drinking Human Animal Blood; The Vampires of Twilight........................................................................................................................15 Chapter Two: What Big Teeth You Have; Twilight as Fairy Tale........................33 Chapter Three: Teen Sexuality, Gender and Vampires; Meyer’s Moral Motherhood................................................................................................................48 Chapter Four: Jacob Black: Native American, Wolf, “Other”; Race and Class in Twilight........................................................................................................................75 Conclusion:.................................................................................................................91 Works Cited................................................................................................................95
    [Show full text]
  • Twilight Saga
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by OTHES DIPLOMARBEIT Titel der Diplomarbeit Tracing Female Subjectivity and Self-affirmation in Stephenie Meyer’s Twilight Saga Verfasserin Astrid Ernst angestrebter akademischer Grad Magistra der Philosophie (Mag.phil.) Wien, 2011 Studienkennzahl lt. Studienblatt: A 343 Studienrichtung lt. Studienblatt: Anglistik und Amerikanistik (Diplom) Betreuerin Ao. Univ.- Prof. Mag. Dr. Eva Müller-Zettelmann 1 Table of Contents 1. Introduction.......................................................................................................3 2. Tracing Bella’s Subjectivity: Ideal Love as the Only Way Out..........................4 3. Edward and Jacob: Magnets with reversed polarities or two poles of Bella’s existence?.......................................................................................................12 4. The Cullen Vampires: the ideal family and its enemies..................................20 4.1. Carlisle Cullen......................................................................................20 4.2. Esme Cullen.........................................................................................23 4.3. Rosalie Cullen......................................................................................25 4.4. Alice Cullen..........................................................................................28 4.5. The Cullens’ Enemies..........................................................................30 5. Quileute Legends:
    [Show full text]
  • CHAPTER I INTRODUCTION A. Background of the Study Twilight Is One of the Most Popular Movies of This Year That Ever Produced. Th
    1 CHAPTER I INTRODUCTION A. Background of the Study Twilight is one of the most popular movies of this year that ever produced. The screenplay of this film is adapted from the novel with the same title written by Stephenie Meyer. Stephenie Meyer is an American author best known for her vampire romance series Twilight who was born on December 24, 1973 in Hartford. The Twilight novels have gained worldwide recognition, won multiple literary awards and sold over 85million copies worldwide, with translation into 37 different languages. Meyer is also the author of the adult science-fiction novel The Host (2008). Following the success of Twilight (2005), Meyer expended the story into a series three more books: New Moon (2006), Eclipse (2007), and Breaking Down (2008). She also writes short stories which one of them published in Prom Nights from Hell, a collection stories about bad prom nights with supernatural effects. It has been released in April 2007. Twilight movie is directed by Catherine Hardwicke, an American production designer and film director and screenplay by Melissa Rosenberg. Twilight is better known as the maker romance and fantasy film, sometimes centering on vampire society’s life. Twilight is a 2008 romantic fantasy film. It is the first film in The Twilight saga film series. Twilight focuses on the development of a personal relationship between human teenager Bella Swan and vampire Edward Cullen and the subsequent efforts of Cullen and his family to keep Swan safe from a separate group of hostile vampires. Seventeen-year-old Isabella "Bella" Swan moves to Forks, a small town near Washington State’s rugged coast, to live with her father, Charlie, after her mother remarries to a minor league baseball player.
    [Show full text]
  • An Analysis of Code in the Novel the Twilight Saga “Eclipse” by Stephenie Meyer
    AN ANALYSIS OF CODE IN THE NOVEL THE TWILIGHT SAGA “ECLIPSE” BY STEPHENIE MEYER A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Sarjana Humaniora in English Literature Department Of the Faculty of Adab and Humanities Of UIN Alauddin Makassar By FATMAWATI RUMAYOMI Reg. No. 40300108016 ENGLISH AND LITERATURE DEPARTMENT ADAB AND HUMANITIES FACULTY ALAUDDIN STATE ISLAMIC UNIVERSITY MAKASSAR 2012 PERNYATAAN KEASLIAN SKRIPSI Dengan penuh kesadaran, penulis yang bertanda tangan di bawah ini menyatakan bahwa skripsi ini benar hasil karya penulis sendiri. Jika di kemudian hari terbukti merupakan duplikat, tiruan, plagiat atau disusun oleh orang lain secara keseluruhan atau sebahagian, maka skripsi dan gelar yang diperoleh karenanya, batal demi hukum dan siap dipertanggung jawabkan. Makassar, September 2012 Penulis, FATMAWATI RUMAYOMI NIM 40300108016 ACKNOWLEDGMENT Alhamdulillahi Rabbil „Alamin, the writer praises to the almighty ALLAH swt for His blessing and merciful so he can complete this thesis. Peace and salutation are addressed to the beloved and chosen messenger Muhammad SAW who has guided human beings from the darkness to the lightness, from stupid era to the clever era. The writer realizes that this thesis could not be completed without getting assistance, guidance, understanding and encouragement from many people. Therefore, she would like to express her deepest gratitude to the following people: 1. The writer‟s beloved parents, B. Tahaya and Matelda R. for their love, patience, and sincere prayers for her safety and success. 2. The Rector of UIN Alauddin Makkassar, Prof. DR. H. A. Qadir Gassing HT., M.S. who has given her a chance to study in the English and Literature Department so that she could finish her study.
    [Show full text]
  • Breaking Dawn Stephenie Meyer
    Breaking Dawn Stephenie Meyer Copyright © 2008 by Stephenie Meyer All rights reserved. Except as permitted under the U.S. Copyright Act of 1976, no part of this publication may be reproduced, distributed, or transmitted in any form or by any means, or stored in a database or retrieval system, without the prior written permission of the publisher. Little, Brown and Company Hachette Book Group USA 237 Park Avenue, New York, NY 10017 Visit our Web site at www.lb-teens.com First eBook Edition: August 2008 Little, Brown and Company is a division of Hachette Book Group USA, Inc. The Little, Brown name and logo are trademarks of Hachette Book Group USA, Inc. Epigraph for Book Three from Empire by Orson Scott Card. A Tor Book. Published by Tom Doherty Associates, LLC. Copyright © 2006 by Orson Scott Card. Reprinted with permission of the author. The characters and events portrayed in this book are fictitious. Any similarity to real persons, living or dead, is coincidental and not intended by the author. ISBN: 978-0-316-03283-4 Contents BOOK ONE: BELLA Preface 1. Engaged 2. Long Night 3. Big Day 4. Gesture 5. Isle Esme 6. Distractions 7. Unexpected BOOK TWO: JACOB Preface 8. Waiting For The Damn Fight To Start Already 9. Sure As Hell Didn’t See That One Coming 10. Why Didn’t I Just Walk Away? Oh Right, Because I’m An Idiot. 11. The Two Things At The Very Top Of My Things-I-Never-Want-To-Do List 12. Some People Just Don’t Grasp The Concept Of “Unwelcome” 13.
    [Show full text]
  • The Twilight Effect, Post-Film Tourism and Diversification: the Future of Forks, WA
    The Twilight Effect, post-film tourism and diversification: the future of Forks, WA Daniel William Mackenzie Wright, David Jarratt and Emma Halford Abstract Daniel William Mackenzie Purpose – The visitor economy of Forks now clearly relies upon a niche form of tourism – as fans of The Twilight Wright is based at the Saga are drawn to the setting and filming location of the films. The purpose of this study is to consider the Division of Tourism, process of diversification and subsequently present recommendations that could inform a future diversification Hospitality and Events, strategy for Forks, in preparation for a post-film tourism scenario. University of Central – Design/methodology/approach The research methods employed in this study have two interlinked but Lancashire, Preston, UK. distinct elements. Firstly, the Twilight Effect in Forks (WA, USA) is considered as an illustrative case study to David Jarratt and shed light on the issues facing a destination that has seen a tourism boom as a direct result of popular culture – Emma Halford are both The Twilight Saga Franchise. Secondly, a scenario thinking and planning approach is applied when considering based at the University of the “long-view” future of tourism in Forks. Central Lancashire, Findings – This article presents a post-film tourism future scenario for Forks; it suggests tourism diversification and a shift towards cultural heritage and wellness. Forks is well placed to afford such tourism experiences, as it Preston, UK. offers unique cultural and natural characteristics; furthermore, these could be utilised to create and maintain a distinctive destination image. In doing so a more socially and environmentally sustainable industry can be established, one which supports the local community, including the Quileute tribe.
    [Show full text]
  • The Role of Product Data, Identifiers and Nielsen Book in the Supply Chain
    Nielsen BookScan Jeremy Neate ISTC Confidential & Proprietary • Copyright © 2010 The Nielsen Company Introduction • ISBN coding led to Barcodes on books led to EPoS led to BookScan sales tracking • UK ISBN Counts Count of ISBN 140,000 120,000 100,000 80,000 60,000 Count of ISBN 40,000 20,000 0 1995 1996 1997 1998 1999 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 Confidential & Proprietary Copyright © 2010 The Nielsen Company 10000 15000 20000 25000 30000 35000 40000 - 5000 5000 0 1 As was it 3 5 7 9 11 13 15 17 19 21 – 23 25 Wilbur Smith Monsoon 27 29 Monsoon 9780333637715 Mar Monsoon 31 9780330376792 Jun Monsoon 9780333764824 Oct Monsoon 33 35 37 39 41 43 45 47 49 51 53 - 55 - - 00 99 57 99 59 61 63 65 67 69 71 73 75 77 79 81 Copyright 2010 © The Nielsen Company 83 85 87 89 Confidential & Proprietary 91 93 95 97 99 101 103 The beginning of change - 2003 Blue Horizon 9780333761359 Mar-03 30000 Blue Horizon 9781405021180 Mar-03 Blue Horizon 9780312278243 25000 May-03 Blue Horizon 9780333761397 Oct-03 20000 Blue Horizon 9780330376310 May-04 15000 10000 5000 0 1 4 7 10 13 16 19 22 25 28 31 34 37 40 43 46 49 52 55 58 61 64 67 70 73 76 79 82 85 88 91 94 97 100103106109112115118121 -5000 Confidential & Proprietary Copyright © 2010 The Nielsen Company Twilight 9780316160179 Oct-04 Fast Forward to Twilight Twilight 9788876250484 Jan-06 60000 Twilight 9781904233640 Jan-06 Twilight 9781904233800 Jan-06 Twilight 9780316015844 Sep-06 50000 Twilight 9781417755912 Sep-06 Twilight 9781904233657 Mar-07 Twilight 9781905654406 May-07 40000 Twilight
    [Show full text]
  • Sacrificial Scripts, Blood Values and Gender in the Twilight Vampire Narrative
    Sacrificial Scripts, Blood Values and Gender in the Twilight Vampire Narrative Grietje Dresen 1 Introduction I’d never given much thought to how I would die. But dying in the place of someone I love seems like a good way to go. These sentences, pronounced by protagonist Bella Swan in the overture to the first Twilight film, are a forecast of things to come. Above all, they forecast the role Bella is going to play throughout the Twilight Saga, willingly sacrificing (or at least risking) her life for the ones she loves: For her mother, her beloved vampire fiancé Edward, and her unborn, half-vampire child. The sentences in the overture echo the Preface in the first Twilight novel, where the same thoughts are expressed in the context of a mysterious scene in which the ‘I’-figure (appear- ing to be Bella) is being threatened by a ‘hunter’. In the prologue to the film, this impression of being hunted is symbolized by the accompanying imagery, show- ing a defenceless deer chased through a dark wood. In this chapter, I intend to analyse the sacrificial scripts that underlie the storyline in the Twilight Saga, an immensely popular vampire narrative devoured by millions of mainly female adolescents all over the world. From the moment I saw the first Twilight screenplay together with my daughter, I was struck by Bella’s unhesitating willingness to sacrifice her life, announced (in Bella’s voice) in the prologue. Of course my view is affected by the fact that I am a scholar of religion, and a gender scholar too.
    [Show full text]
  • The Twilight of Vampires: Byronic Heroes and the Evolution of Vampire Fiction in the Vampire Diaries and Twilight
    The Twilight of Vampires: Byronic Heroes and the Evolution of Vampire Fiction in The Vampire Diaries and Twilight El crepúsculo de los vampiros: héroes byronianos y la evolución de la narrativa de vampiros en The Vampire Diaries y Crepúsculo M. Carmen Gómez Galisteo UNED [email protected] Recibido 29 diciembre 2015 Aceptado 1 noviembre 2016 Resumen La narrativa adolescente de vampiros contemporánea ha contribuido a revitalizar el género al atraer a una nueva generación de lectores. En el proceso, la figura del vampiro ha sido sometida a una serie de cambios con el objeto de hacerla más atractiva para una audiencia adolescente predominantemente femenina. Coincidiendo con el décimo aniversario de la publicación de Crepúsculo de Stephenie Meyer, este artículo analiza cómo la saga Crepúsculo y las Crónicas Vampíricas de L. J. Smith modernizan al héroe byroniano que inspiró en gran medida a los vampiros. Este artículo también explora los posibles efectos de esta nueva caracterización del vampiro en las mentes de los lectores y la alarma que ha causado. Palabras clave: Vampiros, literatura de vampiros, héroe byroniano, impacto literario, adolescentes. Abstract Contemporary teenage vampire fiction has helped revitalize the genre by attracting a new generation of readers. In so doing, some changes have been introduced so as to make the figure of the vampire more appealing to a largely female teenage readership. Coinciding with the tenth anniversary of the publication of Twilight by Stephenie Meyer, this article analyzes how the Twilight series and the earlier The Vampire Diaries by L. J. Smith update 158 Verbeia 2017 ISSN 2444-1333 Año III, Número 2, 158-173 Mª Carmen Gómez Galisteo The Twilight of Vampires … and modernize the Byronic hero on which vampires are largely modeled.
    [Show full text]
  • Twilight States: Sleepwalking, Liminal Consciousness, and Sensational Selfhood in Victorian Literature and Culture
    TWILIGHT STATES: SLEEPWALKING, LIMINAL CONSCIOUSNESS, AND SENSATIONAL SELFHOOD IN VICTORIAN LITERATURE AND CULTURE by Rebecca Wigginton B. A. in English, University of Kentucky, 2005 Submitted to the Graduate Faculty of the Kenneth P. Dietrich School of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2014 UNIVERSITY OF PITTSBURGH DIETRICH SCHOOL OF ARTS AND SCIENCES This dissertation was presented by Rebecca Wigginton It was defended on September 29, 2014 and approved by Philip E. Smith, PhD, Associate Professor, English Jonathan Arac, PhD, Andrew W. Mellon Professor, English Marah Gubar, PhD, Associate Professor, English John Twyning, PhD, Associate Professor, English Christopher Drew Armstrong, PhD, History of Art & Architecture Dissertation Advisor: Philip E. Smith, PhD, Associate Professor, English ii Copyright © by Rebecca Wigginton 2014 iii TWILIGHT STATES: SLEEPWALKING, LIMINAL CONSCIOUSNESS, AND SENSATIONAL SELFHOOD IN VICTORIAN LITERATURE AND CULTURE Rebecca Wigginton, PhD University of Pittsburgh, 2014 Twilight States: Sleepwalking, Liminal Consciousness, and Sensational Selfhood in Victorian Literature and Culture argues that sleepwalking was everywhere in nineteenth-century culture, both as a topic for scientific, legal, and public debate, but also as a potent symbol in the Victorian imagination that informed literature and art. Furthermore, the nineteenth-century interest in the somnambulist was provoked by what the figure represented and revealed to the Victorians: namely, themselves. The sleepwalker represented the hidden potential within the self for either greatness or deviance, or, more mundanely, simply a fuller existence than consciousness has an awareness of. Sleepwalking writ large the multi-layered self at a time when the self—by psychiatry and society at large—was being accepted as increasingly multivalent.
    [Show full text]
  • Is the Twilight Saga a Modern-Time Fairy Tale? a Study of Stephenie Meyer’S Source Material from Folklore and Canonical Narratives
    Shiri Rosenberg Is the Twilight Saga a Modern-Time Fairy Tale? A Study of Stephenie Meyer’s Source Material from Folklore and Canonical Narratives Abstract: The article presents an analysis of Stephenie Meyer’s Twilight novels as modern literary fairy-tales. To this end, the discussion will refer to structuralist critics, and identify “narrative functions” from folktales (stock images and episodes, stock character functions, characteristic sequences of episodes), used by Meyer in her vampire novels. As it turns out, Meyer modified folklore material to sustain a long and variously themed narrative: by embedding numerous subplots, by rearranging functions between characters, and creating composite and collective characters that combine contradictory functions. The author transformed several folktales into a series of four novels about coming of age in the twenty-first-century United States. A detailed analysis of Meyer’s modifications of the folktale partially corroborates the feminist critique of Meyer’s representation of the protagonists as reinforced versions of cultural stereotypes and gender roles. However, some transformations, especially Meyer’s assignment of the hero-function to the female protagonist Bella, seem to suggest just the opposite, thus leading to the conclusion that the Twilight novels reflect the confusion caused by contradictory role-models and aspirations, the confusion that seems to be inherent in a coming-of-age novel. Keywords: Stephanie Meyer, Twilight, fairy tale, folklore, structuralism “I decided it didn’t matter. It doesn’t matter to me what you are.” —Bella Swan in Stephenie Meyer’s Twilight In his seminal 1977 monograph on the literary fairy tale (Kunstmarchen), Jens Tismar set down the principles for a definition of the genre: firstly, it can be differentiated from the oral folk tale (Volksmarchen) because it is written by an author, rather than developed as folk tradition.
    [Show full text]
  • Helen of Troy Limited to Launch Special Collection of 'Twilight' Limited Edition Hair Appliances Licensed from Summit Entertainment
    NEWS RELEASE Helen of Troy Limited to Launch Special Collection of 'Twilight' Limited Edition Hair Appliances Licensed from Summit Entertainment 10/4/2011 Helen of Troy Secures Global Rights to Market PRO Beauty Tools® Twilight Limited Edition Collection Coinciding With Big Screen and DVD Releases EL PASO, Texas, Oct. 4, 2011 /PRNewswire via COMTEX/ -- Helen of Troy Limited (NASDAQ, NM: HELE) designer, developer and worldwide marketer of brand-name household and personal care products, today announced that it has acquired a global license to 'The Twilight Saga' from Summit Entertainment in order to market a special collection of styling appliances under their PRO Beauty Tools® brand. The exclusive 'Twilight' Limited Edition Collection by PRO Beauty Tools is set for retail launch on October 1, 2011, just prior to 'The Twilight Saga: Breaking Dawn - Part 1' hitting theaters on November 18th. Gerald J. Rubin, Chairman, Chief Executive Officer and President, stated, "Helen of Troy is delighted to be working with Summit Entertainment because both companies are dedicated to the same target audience, young women who demand cutting edge trends with a great flair of style. There is a lot of synergy between our Pro Beauty Tools brand and The Twilight Saga phenomenon. Together we have the opportunity to bring value-added products to a fan base that is thirsting for more brand extensions." Summit Entertainment, the film studio behind 'The Twilight Saga' film franchise, which has already released 'Twilight,' 'The Twilight Saga: New Moon,' and 'The Twilight Saga: Eclipse,' has given PRO Beauty Tools a license to develop, produce, and distribute Twilight Saga branded hair appliances and beauty tools worldwide.
    [Show full text]