Ecranisation of Plot in the Novel and Film of Breaking Dawn by Stephanie Meyer
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Constructing Conservative Youth Ideology in the Twilight Series
Wesleyan University The Honors College Happily (For)ever After: Constructing Conservative Youth Ideology in the Twilight Series by Julia Pearlman Class of 2010 A thesis submitted to the faculty of Wesleyan University in partial fulfillment of the requirements for the Degree of Bachelor of Arts with Departmental Honors in American Studies Middletown, Connecticut April, 2010 Table of Contents Acknowledgments........................................................................................................2 Introduction:................................................................................................................4 Chapter One: Biting, Sucking, Drinking Human Animal Blood; The Vampires of Twilight........................................................................................................................15 Chapter Two: What Big Teeth You Have; Twilight as Fairy Tale........................33 Chapter Three: Teen Sexuality, Gender and Vampires; Meyer’s Moral Motherhood................................................................................................................48 Chapter Four: Jacob Black: Native American, Wolf, “Other”; Race and Class in Twilight........................................................................................................................75 Conclusion:.................................................................................................................91 Works Cited................................................................................................................95 -
Twilight Saga
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by OTHES DIPLOMARBEIT Titel der Diplomarbeit Tracing Female Subjectivity and Self-affirmation in Stephenie Meyer’s Twilight Saga Verfasserin Astrid Ernst angestrebter akademischer Grad Magistra der Philosophie (Mag.phil.) Wien, 2011 Studienkennzahl lt. Studienblatt: A 343 Studienrichtung lt. Studienblatt: Anglistik und Amerikanistik (Diplom) Betreuerin Ao. Univ.- Prof. Mag. Dr. Eva Müller-Zettelmann 1 Table of Contents 1. Introduction.......................................................................................................3 2. Tracing Bella’s Subjectivity: Ideal Love as the Only Way Out..........................4 3. Edward and Jacob: Magnets with reversed polarities or two poles of Bella’s existence?.......................................................................................................12 4. The Cullen Vampires: the ideal family and its enemies..................................20 4.1. Carlisle Cullen......................................................................................20 4.2. Esme Cullen.........................................................................................23 4.3. Rosalie Cullen......................................................................................25 4.4. Alice Cullen..........................................................................................28 4.5. The Cullens’ Enemies..........................................................................30 5. Quileute Legends: -
CHAPTER I INTRODUCTION A. Background of the Study Twilight Is One of the Most Popular Movies of This Year That Ever Produced. Th
1 CHAPTER I INTRODUCTION A. Background of the Study Twilight is one of the most popular movies of this year that ever produced. The screenplay of this film is adapted from the novel with the same title written by Stephenie Meyer. Stephenie Meyer is an American author best known for her vampire romance series Twilight who was born on December 24, 1973 in Hartford. The Twilight novels have gained worldwide recognition, won multiple literary awards and sold over 85million copies worldwide, with translation into 37 different languages. Meyer is also the author of the adult science-fiction novel The Host (2008). Following the success of Twilight (2005), Meyer expended the story into a series three more books: New Moon (2006), Eclipse (2007), and Breaking Down (2008). She also writes short stories which one of them published in Prom Nights from Hell, a collection stories about bad prom nights with supernatural effects. It has been released in April 2007. Twilight movie is directed by Catherine Hardwicke, an American production designer and film director and screenplay by Melissa Rosenberg. Twilight is better known as the maker romance and fantasy film, sometimes centering on vampire society’s life. Twilight is a 2008 romantic fantasy film. It is the first film in The Twilight saga film series. Twilight focuses on the development of a personal relationship between human teenager Bella Swan and vampire Edward Cullen and the subsequent efforts of Cullen and his family to keep Swan safe from a separate group of hostile vampires. Seventeen-year-old Isabella "Bella" Swan moves to Forks, a small town near Washington State’s rugged coast, to live with her father, Charlie, after her mother remarries to a minor league baseball player. -
An Analysis of Code in the Novel the Twilight Saga “Eclipse” by Stephenie Meyer
AN ANALYSIS OF CODE IN THE NOVEL THE TWILIGHT SAGA “ECLIPSE” BY STEPHENIE MEYER A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Sarjana Humaniora in English Literature Department Of the Faculty of Adab and Humanities Of UIN Alauddin Makassar By FATMAWATI RUMAYOMI Reg. No. 40300108016 ENGLISH AND LITERATURE DEPARTMENT ADAB AND HUMANITIES FACULTY ALAUDDIN STATE ISLAMIC UNIVERSITY MAKASSAR 2012 PERNYATAAN KEASLIAN SKRIPSI Dengan penuh kesadaran, penulis yang bertanda tangan di bawah ini menyatakan bahwa skripsi ini benar hasil karya penulis sendiri. Jika di kemudian hari terbukti merupakan duplikat, tiruan, plagiat atau disusun oleh orang lain secara keseluruhan atau sebahagian, maka skripsi dan gelar yang diperoleh karenanya, batal demi hukum dan siap dipertanggung jawabkan. Makassar, September 2012 Penulis, FATMAWATI RUMAYOMI NIM 40300108016 ACKNOWLEDGMENT Alhamdulillahi Rabbil „Alamin, the writer praises to the almighty ALLAH swt for His blessing and merciful so he can complete this thesis. Peace and salutation are addressed to the beloved and chosen messenger Muhammad SAW who has guided human beings from the darkness to the lightness, from stupid era to the clever era. The writer realizes that this thesis could not be completed without getting assistance, guidance, understanding and encouragement from many people. Therefore, she would like to express her deepest gratitude to the following people: 1. The writer‟s beloved parents, B. Tahaya and Matelda R. for their love, patience, and sincere prayers for her safety and success. 2. The Rector of UIN Alauddin Makkassar, Prof. DR. H. A. Qadir Gassing HT., M.S. who has given her a chance to study in the English and Literature Department so that she could finish her study. -
Breaking Dawn Stephenie Meyer
Breaking Dawn Stephenie Meyer Copyright © 2008 by Stephenie Meyer All rights reserved. Except as permitted under the U.S. Copyright Act of 1976, no part of this publication may be reproduced, distributed, or transmitted in any form or by any means, or stored in a database or retrieval system, without the prior written permission of the publisher. Little, Brown and Company Hachette Book Group USA 237 Park Avenue, New York, NY 10017 Visit our Web site at www.lb-teens.com First eBook Edition: August 2008 Little, Brown and Company is a division of Hachette Book Group USA, Inc. The Little, Brown name and logo are trademarks of Hachette Book Group USA, Inc. Epigraph for Book Three from Empire by Orson Scott Card. A Tor Book. Published by Tom Doherty Associates, LLC. Copyright © 2006 by Orson Scott Card. Reprinted with permission of the author. The characters and events portrayed in this book are fictitious. Any similarity to real persons, living or dead, is coincidental and not intended by the author. ISBN: 978-0-316-03283-4 Contents BOOK ONE: BELLA Preface 1. Engaged 2. Long Night 3. Big Day 4. Gesture 5. Isle Esme 6. Distractions 7. Unexpected BOOK TWO: JACOB Preface 8. Waiting For The Damn Fight To Start Already 9. Sure As Hell Didn’t See That One Coming 10. Why Didn’t I Just Walk Away? Oh Right, Because I’m An Idiot. 11. The Two Things At The Very Top Of My Things-I-Never-Want-To-Do List 12. Some People Just Don’t Grasp The Concept Of “Unwelcome” 13. -
The Twilight Effect, Post-Film Tourism and Diversification: the Future of Forks, WA
The Twilight Effect, post-film tourism and diversification: the future of Forks, WA Daniel William Mackenzie Wright, David Jarratt and Emma Halford Abstract Daniel William Mackenzie Purpose – The visitor economy of Forks now clearly relies upon a niche form of tourism – as fans of The Twilight Wright is based at the Saga are drawn to the setting and filming location of the films. The purpose of this study is to consider the Division of Tourism, process of diversification and subsequently present recommendations that could inform a future diversification Hospitality and Events, strategy for Forks, in preparation for a post-film tourism scenario. University of Central – Design/methodology/approach The research methods employed in this study have two interlinked but Lancashire, Preston, UK. distinct elements. Firstly, the Twilight Effect in Forks (WA, USA) is considered as an illustrative case study to David Jarratt and shed light on the issues facing a destination that has seen a tourism boom as a direct result of popular culture – Emma Halford are both The Twilight Saga Franchise. Secondly, a scenario thinking and planning approach is applied when considering based at the University of the “long-view” future of tourism in Forks. Central Lancashire, Findings – This article presents a post-film tourism future scenario for Forks; it suggests tourism diversification and a shift towards cultural heritage and wellness. Forks is well placed to afford such tourism experiences, as it Preston, UK. offers unique cultural and natural characteristics; furthermore, these could be utilised to create and maintain a distinctive destination image. In doing so a more socially and environmentally sustainable industry can be established, one which supports the local community, including the Quileute tribe. -
The Role of Product Data, Identifiers and Nielsen Book in the Supply Chain
Nielsen BookScan Jeremy Neate ISTC Confidential & Proprietary • Copyright © 2010 The Nielsen Company Introduction • ISBN coding led to Barcodes on books led to EPoS led to BookScan sales tracking • UK ISBN Counts Count of ISBN 140,000 120,000 100,000 80,000 60,000 Count of ISBN 40,000 20,000 0 1995 1996 1997 1998 1999 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 Confidential & Proprietary Copyright © 2010 The Nielsen Company 10000 15000 20000 25000 30000 35000 40000 - 5000 5000 0 1 As was it 3 5 7 9 11 13 15 17 19 21 – 23 25 Wilbur Smith Monsoon 27 29 Monsoon 9780333637715 Mar Monsoon 31 9780330376792 Jun Monsoon 9780333764824 Oct Monsoon 33 35 37 39 41 43 45 47 49 51 53 - 55 - - 00 99 57 99 59 61 63 65 67 69 71 73 75 77 79 81 Copyright 2010 © The Nielsen Company 83 85 87 89 Confidential & Proprietary 91 93 95 97 99 101 103 The beginning of change - 2003 Blue Horizon 9780333761359 Mar-03 30000 Blue Horizon 9781405021180 Mar-03 Blue Horizon 9780312278243 25000 May-03 Blue Horizon 9780333761397 Oct-03 20000 Blue Horizon 9780330376310 May-04 15000 10000 5000 0 1 4 7 10 13 16 19 22 25 28 31 34 37 40 43 46 49 52 55 58 61 64 67 70 73 76 79 82 85 88 91 94 97 100103106109112115118121 -5000 Confidential & Proprietary Copyright © 2010 The Nielsen Company Twilight 9780316160179 Oct-04 Fast Forward to Twilight Twilight 9788876250484 Jan-06 60000 Twilight 9781904233640 Jan-06 Twilight 9781904233800 Jan-06 Twilight 9780316015844 Sep-06 50000 Twilight 9781417755912 Sep-06 Twilight 9781904233657 Mar-07 Twilight 9781905654406 May-07 40000 Twilight -
Sacrificial Scripts, Blood Values and Gender in the Twilight Vampire Narrative
Sacrificial Scripts, Blood Values and Gender in the Twilight Vampire Narrative Grietje Dresen 1 Introduction I’d never given much thought to how I would die. But dying in the place of someone I love seems like a good way to go. These sentences, pronounced by protagonist Bella Swan in the overture to the first Twilight film, are a forecast of things to come. Above all, they forecast the role Bella is going to play throughout the Twilight Saga, willingly sacrificing (or at least risking) her life for the ones she loves: For her mother, her beloved vampire fiancé Edward, and her unborn, half-vampire child. The sentences in the overture echo the Preface in the first Twilight novel, where the same thoughts are expressed in the context of a mysterious scene in which the ‘I’-figure (appear- ing to be Bella) is being threatened by a ‘hunter’. In the prologue to the film, this impression of being hunted is symbolized by the accompanying imagery, show- ing a defenceless deer chased through a dark wood. In this chapter, I intend to analyse the sacrificial scripts that underlie the storyline in the Twilight Saga, an immensely popular vampire narrative devoured by millions of mainly female adolescents all over the world. From the moment I saw the first Twilight screenplay together with my daughter, I was struck by Bella’s unhesitating willingness to sacrifice her life, announced (in Bella’s voice) in the prologue. Of course my view is affected by the fact that I am a scholar of religion, and a gender scholar too. -
The Twilight of Vampires: Byronic Heroes and the Evolution of Vampire Fiction in the Vampire Diaries and Twilight
The Twilight of Vampires: Byronic Heroes and the Evolution of Vampire Fiction in The Vampire Diaries and Twilight El crepúsculo de los vampiros: héroes byronianos y la evolución de la narrativa de vampiros en The Vampire Diaries y Crepúsculo M. Carmen Gómez Galisteo UNED [email protected] Recibido 29 diciembre 2015 Aceptado 1 noviembre 2016 Resumen La narrativa adolescente de vampiros contemporánea ha contribuido a revitalizar el género al atraer a una nueva generación de lectores. En el proceso, la figura del vampiro ha sido sometida a una serie de cambios con el objeto de hacerla más atractiva para una audiencia adolescente predominantemente femenina. Coincidiendo con el décimo aniversario de la publicación de Crepúsculo de Stephenie Meyer, este artículo analiza cómo la saga Crepúsculo y las Crónicas Vampíricas de L. J. Smith modernizan al héroe byroniano que inspiró en gran medida a los vampiros. Este artículo también explora los posibles efectos de esta nueva caracterización del vampiro en las mentes de los lectores y la alarma que ha causado. Palabras clave: Vampiros, literatura de vampiros, héroe byroniano, impacto literario, adolescentes. Abstract Contemporary teenage vampire fiction has helped revitalize the genre by attracting a new generation of readers. In so doing, some changes have been introduced so as to make the figure of the vampire more appealing to a largely female teenage readership. Coinciding with the tenth anniversary of the publication of Twilight by Stephenie Meyer, this article analyzes how the Twilight series and the earlier The Vampire Diaries by L. J. Smith update 158 Verbeia 2017 ISSN 2444-1333 Año III, Número 2, 158-173 Mª Carmen Gómez Galisteo The Twilight of Vampires … and modernize the Byronic hero on which vampires are largely modeled. -
Twilight States: Sleepwalking, Liminal Consciousness, and Sensational Selfhood in Victorian Literature and Culture
TWILIGHT STATES: SLEEPWALKING, LIMINAL CONSCIOUSNESS, AND SENSATIONAL SELFHOOD IN VICTORIAN LITERATURE AND CULTURE by Rebecca Wigginton B. A. in English, University of Kentucky, 2005 Submitted to the Graduate Faculty of the Kenneth P. Dietrich School of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2014 UNIVERSITY OF PITTSBURGH DIETRICH SCHOOL OF ARTS AND SCIENCES This dissertation was presented by Rebecca Wigginton It was defended on September 29, 2014 and approved by Philip E. Smith, PhD, Associate Professor, English Jonathan Arac, PhD, Andrew W. Mellon Professor, English Marah Gubar, PhD, Associate Professor, English John Twyning, PhD, Associate Professor, English Christopher Drew Armstrong, PhD, History of Art & Architecture Dissertation Advisor: Philip E. Smith, PhD, Associate Professor, English ii Copyright © by Rebecca Wigginton 2014 iii TWILIGHT STATES: SLEEPWALKING, LIMINAL CONSCIOUSNESS, AND SENSATIONAL SELFHOOD IN VICTORIAN LITERATURE AND CULTURE Rebecca Wigginton, PhD University of Pittsburgh, 2014 Twilight States: Sleepwalking, Liminal Consciousness, and Sensational Selfhood in Victorian Literature and Culture argues that sleepwalking was everywhere in nineteenth-century culture, both as a topic for scientific, legal, and public debate, but also as a potent symbol in the Victorian imagination that informed literature and art. Furthermore, the nineteenth-century interest in the somnambulist was provoked by what the figure represented and revealed to the Victorians: namely, themselves. The sleepwalker represented the hidden potential within the self for either greatness or deviance, or, more mundanely, simply a fuller existence than consciousness has an awareness of. Sleepwalking writ large the multi-layered self at a time when the self—by psychiatry and society at large—was being accepted as increasingly multivalent. -
Is the Twilight Saga a Modern-Time Fairy Tale? a Study of Stephenie Meyer’S Source Material from Folklore and Canonical Narratives
Shiri Rosenberg Is the Twilight Saga a Modern-Time Fairy Tale? A Study of Stephenie Meyer’s Source Material from Folklore and Canonical Narratives Abstract: The article presents an analysis of Stephenie Meyer’s Twilight novels as modern literary fairy-tales. To this end, the discussion will refer to structuralist critics, and identify “narrative functions” from folktales (stock images and episodes, stock character functions, characteristic sequences of episodes), used by Meyer in her vampire novels. As it turns out, Meyer modified folklore material to sustain a long and variously themed narrative: by embedding numerous subplots, by rearranging functions between characters, and creating composite and collective characters that combine contradictory functions. The author transformed several folktales into a series of four novels about coming of age in the twenty-first-century United States. A detailed analysis of Meyer’s modifications of the folktale partially corroborates the feminist critique of Meyer’s representation of the protagonists as reinforced versions of cultural stereotypes and gender roles. However, some transformations, especially Meyer’s assignment of the hero-function to the female protagonist Bella, seem to suggest just the opposite, thus leading to the conclusion that the Twilight novels reflect the confusion caused by contradictory role-models and aspirations, the confusion that seems to be inherent in a coming-of-age novel. Keywords: Stephanie Meyer, Twilight, fairy tale, folklore, structuralism “I decided it didn’t matter. It doesn’t matter to me what you are.” —Bella Swan in Stephenie Meyer’s Twilight In his seminal 1977 monograph on the literary fairy tale (Kunstmarchen), Jens Tismar set down the principles for a definition of the genre: firstly, it can be differentiated from the oral folk tale (Volksmarchen) because it is written by an author, rather than developed as folk tradition. -
Helen of Troy Limited to Launch Special Collection of 'Twilight' Limited Edition Hair Appliances Licensed from Summit Entertainment
NEWS RELEASE Helen of Troy Limited to Launch Special Collection of 'Twilight' Limited Edition Hair Appliances Licensed from Summit Entertainment 10/4/2011 Helen of Troy Secures Global Rights to Market PRO Beauty Tools® Twilight Limited Edition Collection Coinciding With Big Screen and DVD Releases EL PASO, Texas, Oct. 4, 2011 /PRNewswire via COMTEX/ -- Helen of Troy Limited (NASDAQ, NM: HELE) designer, developer and worldwide marketer of brand-name household and personal care products, today announced that it has acquired a global license to 'The Twilight Saga' from Summit Entertainment in order to market a special collection of styling appliances under their PRO Beauty Tools® brand. The exclusive 'Twilight' Limited Edition Collection by PRO Beauty Tools is set for retail launch on October 1, 2011, just prior to 'The Twilight Saga: Breaking Dawn - Part 1' hitting theaters on November 18th. Gerald J. Rubin, Chairman, Chief Executive Officer and President, stated, "Helen of Troy is delighted to be working with Summit Entertainment because both companies are dedicated to the same target audience, young women who demand cutting edge trends with a great flair of style. There is a lot of synergy between our Pro Beauty Tools brand and The Twilight Saga phenomenon. Together we have the opportunity to bring value-added products to a fan base that is thirsting for more brand extensions." Summit Entertainment, the film studio behind 'The Twilight Saga' film franchise, which has already released 'Twilight,' 'The Twilight Saga: New Moon,' and 'The Twilight Saga: Eclipse,' has given PRO Beauty Tools a license to develop, produce, and distribute Twilight Saga branded hair appliances and beauty tools worldwide.