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Algiers Economic Opportunity Analysis
Algeria Entrepreneurship & Employment Project Algiers Economic Opportunity Analysis Version: April 13, 2020 By Eleanor Sohnen Methodology designed by Dr. Catherine Honeyman Research conducted by Mehdi Bentoumi Contents Contents . 2 Algeria Entrepreneurship Executive Summary . 3 & Employment Industry sector priorities and rationale . 4 Project Launched: Mapping Supply Chains and Identifying Needs and Opportunities . 5 October 2019 Funder: U.S. Agribusiness/Food Processing . 5 Department of State Middle East Partnership Initiative Supply Chain Map of the Sector . 7 (MEPI) Analysis of needs to support SME business growth in the sector . 8 Analysis of opportunities in the sector . 8 Local partners: Pharmaceuticals . 8 ◆ Algerian Center for Social Supply Chain Map of the Sector . 10 Entrepreneurship (ACSE) Analysis of needs to support SME business growth in the sector . 11 ◆ MBI (Setif) Analysis of opportunities in the sector . 11 Information and Communications Technology (ICT) . 11 Process Map Example: Mobile Application Development . .12 Analysis of needs to support SME business growth in the sector . .12 Analysis of opportunities in the sector . 12 Conclusions . 13 Analysis of needs to support SME business growth across the three sectors . 13 Analysis of opportunities across the three sectors . 13 Demand-driven training and recruitment . 13 New business creation to supply B2B products and services across the three sectors . .15 Policy Issues . 17 Next Steps . 17 SME priority partners . 17 Annex A: Economic Opportunity Analysis Methodology . 18 Annex B: Sector Analysis–Algiers . 28 2 World Learning Algeria Algiers Economic Opportunity Analysis - Version April 13, 2020 Executive Summary The wilaya of Algiers, with a population of 3.2 million as of the end of 2017, is the country’s admin- istrative, political, and economic capital. -
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2021 FORUM REPORT COVID-19 in Africa one year on: Impact and Prospects MO IBRAHIM FOUNDATION 2021 FORUM REPORT COVID-19 in Africa one year on: Impact and Prospects MO IBRAHIM FOUNDATION Foreword by Mo Ibrahim Notwithstanding these measures, on current projections Founder and Chair of the Mo Ibrahim Africa might not be adequately covered before 2023. Foundation (MIF) Vaccinating Africa is an urgent matter of global security and all the generous commitments made by Africa’s partners must now be delivered. Looking ahead - and inevitably there will be future pandemics - Africa needs to significantly enhance its Over a year ago, the emergence and the spread of COVID-19 homegrown vaccine manufacturing capacity. shook the world and changed life as we knew it. Planes were Africa’s progress towards its development agendas was off grounded, borders were closed, cities were shut down and course even before COVID-19 hit and recent events have people were told to stay at home. Other regions were hit created new setbacks for human development. With very earlier and harder, but Africa has not been spared from the limited access to remote learning, Africa’s youth missed out pandemic and its impact. on seven months of schooling. Women and girls especially The 2021 Ibrahim Forum Report provides a comprehensive are facing increased vulnerabilities, including rising gender- analysis of this impact from the perspectives of health, based violence. society, politics, and economics. Informed by the latest data, The strong economic and social impacts of the pandemic it sets out the challenges exposed by the pandemic and the are likely to create new triggers for instability and insecurity. -
Rec 2007 Movie Download in Hindi
Rec 2007 Movie Download In Hindi Rec 2007 Movie Download In Hindi 1 / 3 2 / 3 [Rec] ² (2009). Year: 2009. Genre: Horror Director: Jaume Balagueró. Starring: Jonathan D. Mellor, Manuela Velasco, ÃÂ"scar Zafra.. Watch [HD 1080p] [720p] [REC] (2007) Free Megashare Full Ultimate Movies Online Streaming.. Labels. Hindi Dubbed (234) ... Rec [2007][BRRip][Spanish][1280-688]350MB. 06:28 Spanish No comments. [Movie Title ]….[ Rec [Release .... You can download free Rec full movie in hindi's latest videos in High Definition FULL HD quality. Also Anyone can download Rec full movie in hindi's newest .... Watch HD movies online free at VIKV.net ... Download ... “REC” turns on a young TV reporter and her cameraman who cover the night shift at .... Manuela Velasco y Jaume Balagueró presentan la película Rec 4 ... REC 4 Apocalypse Trailer #2 (2014 .... Rec Hindi Doubd Full Movie Videos. 01:27:58 · Half Dead hollywood movies in hindi dubbed full action HD hindi dubbed movies 2017. 2 Years Ago .... Rec. (423)7.41h 18min2007X-RayR. From Executive Producers who brought you Quarantine, comes the movie that inspired the terror. A beautiful TV reporter .... Download This Movie Now | Fastest Server 480p 720p Download Link Google ... South Indian | Hindi Dubbed 480p & 720p 1080p 2k 2160p 4K Ultra HD. ... [REC] (2007) Full Movie 480p & 720p BluRay Online Download.. 1. watch [Rec] 2007 movie streaming watch [Rec] 2007 movie streaming LINK IN LAST PAGE TO WATCH OR DOWNLOAD MOVIE; 2. watch .... Rec 2007 Movie Download In 113. May 17, 2018. Rec 2007 Movie Download In 113 - DOWNLOAD (Mirror #1). -
Women and Haunted Houses in the Films of Jaume Balagueró: the Nightmares Of
Bulletin of Hispanic Studies, published by Liverpool University Press Published in Volume 96, Issue 6, pp. 641-653 : https://doi.org/10.3828/bhs.2019.38 Women and Haunted Houses in the Films of Jaume Balagueró: The Nightmares of Presence Ann Davies University of Stirling Abstract Jaume Balagueró has developed a successful resumé of horror films that show a decided preference for the classic Gothic motif of the haunted house and the Gothic heroine who investigates its interior. This paper touches first on the Derridean concept of ‘dreams of presence’ (as theorized by cultural geographer Mitch Rose), in order to propose the ‘nightmares of presence’ in which the relationship, the call to care or commitment, between the subject and the space in which the subject dwells or moves is Gothicised but nonetheless remains to tie the subject to the space concerned. It then focuses on Balagueró’s Los sin nombre, Fragile and [REC] to consider three very different Gothic heroines: the mother of a dead daughter, a nurse in a children’s hospital, and a television reporter. The antagonistic call to care of the ‘nightmare of presence’ will be used to interrogate spatial aspects of the Gothic heroine. Keywords: Jaume Balagueró; haunted house; Spanish Gothic; Spanish horror; Spanish film Jaume Balagueró ha desarrollado un grupo de películas exitosas que demuestra una preferencia hacia el escenario clásico de lo gótico, la casa encantada tanto como la heroína gótica que la investiga. Este ensayo estudia en primer lugar el concepto derrideano de ‘los sueños de presencia’ (según la teoría de geógrafo cultural Mitch Rose), para proponer las ‘pesadillas de presencia’ en que el vínculo, la llamada a compromiso, entre el sujeto y el espacio en que se mueve o que habita, llega a ser gotizado; pero que fija al sujeto en el espacio relevante. -
Imaginario Catastrofista En REC Bajo El Yugo Del Discurso Televisivo Catastrophe Imaginary Under the Yoke of Television Dis- Course in REC
° Comunicación y Medios N 36 (2017) ISSN 0716-3991 / e-ISSN 0719-1529 www. comunicacionymedios.uchile.cl 71 Imaginario catastrofista en REC bajo el yugo del discurso televisivo Catastrophe imaginary under the yoke of television dis- course in REC Andoni Iturbe-Tolosa Universidad del País Vasco, Bilbao, España. [email protected] Resumen Abstract El presente artículo se centra en el análisis de The present article focuses on the analysis of the la primera entrega de la saga de cine fantásti- first part in the REC saga, one of the most im- co y de terror más importante del cine español. portant fantasy-horror film franchises in Spanish Creemos que REC es un ejemplo paradigmáti- cinema. We believe that REC is paradigmatic for co que entronca tanto con el imaginario catas- the manner in which it links the catastrophe ima- trófico como con el discurso mediático, por lo ginary with media discourse, and thusly, we op- que se opta por la vía de la intertextualidad y el ted to analyze this emblematic movie by exami- análisis del discurso para analizar dicha película ning its discourse structures and intertextuality, emblemática: estructuras de discurso que nos allowing us to underpin a close interrelation be- permiten apuntalar hacia una estrecha interrela- tween cinema and television. The investigation ción entre el cine y la televisión en el audiovisual concludes that REC, in effect, is indebted not contemporáneo. La investigación concluye que, only to traditional film narrative structures, but efectivamente, REC no es deudora solo de la that it also draws on the conventions of contem- narrativa fílmica sino de los resortes del repor- porary TV reporting in its dealing with a fictional taje contemporáneo al tratarse de un reporta- news report. -
June 2020 Africa: the Final Frontier For
AFRICA: THE FINAL FRONTIER FOR PHARMACEUTICALS COMPLIMENTARY UPDATES AND INTELLIGENCE BRIEFINGS JUNE 2020 1 TABLE OF CONTENTS Africa INSIGHTS P. 03 UNDERSTANDING AFRICA’S PLACE IN THE GLOBAL PHARMA INDUSTRY Improvements & Innovations in African pharma ........................................................................ 4 Africa’s urban middle trigger post-millennium pharma growth ................................................. 4 Regional hubs increase access, but drive growth in counterfeit goods ................................... 4 Asian, European companies and local start-ups are the key players ....................................... 5 Opportunities to consider .............................................................................................................. 6 Establishing regional manufacturing hubs in key locations ........................................................ 6 Closing gaps in existing supply chains ........................................................................................... 7 Consolidating the industry .............................................................................................................. 7 Concluding remarks and key considerations ............................................................................. 8 Playing the long game .................................................................................................................... 8 Africa’s top 10 stories P. 09 Digital healthcare and health insurance on the rise in East Africa .......................................... -
Sion Discourse in REC Imaginario Catastrofista En REC Bajo El Yugo Del Discur- So Televisivo
° Comunicación y Medios N 36 (2017) ISSN 0716-3991 / e-ISSN 0719-1529 www. comunicacionymedios.uchile.cl 71 Catastrophe imaginary under the yoke of televi- sion discourse in REC Imaginario catastrofista en REC bajo el yugo del discur- so televisivo Andoni Iturbe-Tolosa University of the Basque Country, Bilbao, Spain. [email protected] Abstract Resumen The present article focuses on the analysis of the El presente artículo se centra en el análisis de first part in the REC saga, one of the most im- la primera entrega de la saga de cine fantásti- portant fantasy-horror film franchises in Spanish co y de terror más importante del cine español. cinema. We believe that REC is paradigmatic for Creemos que REC es un ejemplo paradigmáti- the manner in which it links the catastrophe ima- co que entronca tanto con el imaginario catas- ginary with media discourse, and thusly, we op- trófico como con el discurso mediático, por lo ted to analyze this emblematic movie by exami- que se opta por la vía de la intertextualidad y el ning its discourse structures and intertextuality, análisis del discurso para analizar dicha película allowing us to underpin a close interrelation be- emblemática: estructuras de discurso que nos tween cinema and television. The investigation permiten apuntalar hacia una estrecha interrela- concludes that REC, in effect, is indebted not ción entre el cine y la televisión en el audiovisual only to traditional film narrative structures, but contemporáneo. La investigación concluye que, that it also draws on the conventions of contem- efectivamente, REC no es deudora solo de la porary TV reporting in its dealing with a fictional narrativa fílmica sino de los resortes del repor- news report. -
North Africa Biodiversity Programme Phase III: Internal Review
NORTH AFRICA BIODIVERSITY PROGRAMME, PHASE III INTERNAL REVIEW Meg Gawler Final Report June 2003 Cover photo: Salvia officinalis (sage), used for colds, sore throat, asthma, etc. © Meg Gawler / ARTEMIS Services Report prepared by: Tel: +33 4 5040 7870 Fax: +33 4 5040 7379 Email: [email protected] Web site: http://www.artemis-services.com Founding Director: Meg Gawler North Africa Biodiversity Programme, Phase III – Internal Review Final Report – June 2003 EXECUTIVE SUMMARY With the support of SDC, IUCN has been engaged since 1996 in a programme aimed at promoting: A) the conservation of biodiversity in North Africa, B) a network of institutions from the region in support of this objective, and C) the role of women in biodiversity conservation. The programme is carried out by IUCN State and NGO Members in Algeria, Egypt, Libya, Morocco, and Tunisia. Phase III of the IUCN North Africa Biodiversity Programme covers the period of 1 November 2001 to 31 October 2004, with a budget over the three years of CHF 1’910’000. Of this, the project budget for each of the five implementing countries is on the order of CHF 60’000 per annum. In many countries, the projects also benefit from co-funding secured locally (in cash or in kind). The overall objectives of Phase III are to: 1. Promote the conservation of endangered and economically useful plants in North Africa, with special reference to medicinal and economically useful plants. 2. Promote indigenous knowledge and the equitable participation of people in the management and conservation of endangered and economically useful plants in North Africa. -
An Investigation of Priming, Self-Consciousness, and Allegiance in the Diegetic Camera Horror Film
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Oxford Brookes University: RADAR An investigation of priming, self-consciousness, and allegiance in the diegetic camera horror film by Peter Turner A thesis submitted in partial fulfilment of the requirements of the award of Doctor of Philosophy by Oxford Brookes University Submitted June 2017 Statement of originality Some of the discussion of The Blair Witch Project throughout this thesis has formed the basis for a book, Devil’s Advocates: The Blair Witch Project (Auteur, 2014). Some of the discussion of priming in chapter four was also used in a conference paper, Behind the Camera: Priming the Spectator of Found Footage Horror, delivered at The Society for Cognitive Studies of the Moving Image in 2015. Sections on personal imagining also formed the basis of a conference paper, Personal Imagining and the Point-of-View Shot in Diegetic Camera Horror Films, delivered at The Society for Cognitive Studies of the Moving Image in 2017. Finally, significant amounts of Chapter 3 and Chapter 5 will be featured in two chapters of an upcoming edited collection on found footage horror films with the working title [Rec] Terror: Essays on Found Footage Horror Films. i Abstract The main research question underpinning this study asks why and how the diegetic camera technique has become so popular to both contemporary horror filmmakers and audiences. In order to answer this question, this thesis adopts a mainly cognitive theoretical framework in order to address the mental schemata and processes that are elicited and triggered by these films. -
November 2014.Pdf (10.72Mb)
THE FACTORYTIMESNovember 2014 The SpookySpooky Stor Spooky Spooky Spooky Ebola Stories Stories Issue PUBLICATION DIRECTOR ELLIOT O’REILLY LEAD DESIGNER MICHAEL ROSENBERG CHIEF EDITOR KRZYSZTOF GAWEL CONTRIBUTOR ASHTON SIMONS DESIGNER ZACH HANDZEL DESIGNER MATTHEW HANDZEL DESIGNER PAUL JUILIANI CONTRIBUTOR MIKE SIMPSON WRITER ANTHONY BAPTISTE ADVISORS E-mail us! [email protected] KEVIN VOLO JAMES CHau WRITER PRINTING JAmeS CHAU ELIAS PAPATHEODOROU ROBERT JONES & SUNYIT PRINT SHOP 2 • factory times factory times • 3 Bullying See, I learned something in those years. I have no control over others. I By: Abram Bismarck was a ship tossed at sea, and nothing I did could make the storm or waters calm. Yet, I found the one element of control that got me through. Myself. I learned the value of self-control, and the awe inspiring power that it holds. I found that if I forgot the sea and skies, only to guide the ship, I could make it through any Bullying has gained mainstream hate, and is in the cross hairs of parents storm. Since then, there has been little that bothers me. By directing all of my everywhere. There has been television advertisements, posters, seminars, and even control inward, I found that any rage of the stormy seas was only a challenge to government involvement. A collective voice has risen to destroy bullying once and for overcome. all. And it only serves to showcase the misguided nature we have about this touchy subject. Let us be frank; bullying is something that touched the lives of almost every student in US schools, and no doubt beyond. -
[REC]² Dirigido Por/Directed by PACO PLAZA, JAUME BALAGUERÓ
REC 2 [REC]² Dirigido por/Directed by PACO PLAZA, JAUME BALAGUERÓ Productoras/Production Companies: CASTELAO PRODUCTIONS, S.A. Miguel Hernández, 81-87. Polígono Pedrosa. 08908 L'Hospitalet de Llobregat (Barcelona). Tel. 93 336 85 55. Fax 93 336 85 68. www.filmax.com E-mail: [email protected] Con la participación de/with the participation of: TVE, CANAL+ ESPAÑA Dirección/Directors: PACO PLAZA, JAUME BALAGUERÓ. Producción/Producer: JULIO FERNÁNDEZ. Producción ejecutiva/Executive Producers: JULIO FERNÁNDEZ, CARLOS FERNÁNDEZ. Coproducción ejecutiva/Co-Executive Producers: ALBERTO MARINI. Dirección de producción/Line Producer: TERESA GEFAELL, ORIOL MAYMÓ. Jefe de producción/Production Manager: MARTA SÁNCHEZ. Guión/Screenplay: JAUME BALAGUERÓ, PACO PLAZA, MANUEL DÍEZ. Fotografía/Photography: PABLO ROSSO. Música/Score: CARLOS ANN. Dirección artística/Production Design: GEMMA FAURÍA. Vestuario/Costume Design: GLORIA VIGUER. Montaje/Editor: DAVID GALLART. Montaje de sonido/Sound Editor: ORIOL TARRAGÓ. Sonido directo/Sound Mixer: XAVI MAS. Mezclas/Re-recording Mixer: MARC ORTS. Ayudante de dirección/Assistant Director: DANIELA FORN. Casting: CRISTINA CAMPOS. Efectos especiales de maquillaje/Special Make-up Effects: DAVID AMBIT, SANTI GIJÓN, JUAN OLMO, PAULA REQUENA. Peluquería/Hairdressing: IMMA PÉREZ. Web: www.rec2lapelicula.com Efectos digitales/Visual Effects: ÀLEX VILLAGRASA (Supervisión). Intérpretes/Cast: JONATHAN MELLOR, ÓSCAR SÁNCHEZ ZAFRA, ARIEL CASAS, ALEJANDRO CASASECA, PABLO ROSSO, MANUELA VELASCO (Ángela Vidal). Vídeo digital a 35 mm. Panorámico 1:1,85. Duración/Running time - Metraje/Metres: 88 minutos. 2.400 metros. Tipo de cámara/Camera model: Panasonic AJ-HPX3000, AG- HVX200, Sony XC-555 y Sony Handycam MiniDV DCR-HC38 40X. Laboratorios/Laboratories: IMAGE FILM. Lugares de rodaje/Locations: Barcelona. Fechas de rodaje/Shooting dates: 10/11/2008 - 19/12/2008. -
Binding Corporate Rules (Bcrs
SANOFI Group in-house rules on the transfer of personal data (Binding Corporate Rules (BCRs)) INTRODUCTION The Sanofi Group (the “Group”) expresses its commitment to the right to privacy and protection of Personal Data in its Code of Ethics (hereinafter the Code attached as appendix 2) and specifies in its Privacy and Personal Data Protection Policy (hereinafter the Policy attached as appendix 3) the principles to be complied with within the Group in application of the said Code. The Binding Corporate Rules with its Appendices (hereinafter BCRs) of the Sanofi Group finalize the Group’s provisions on the Personal Data Protection. These BCRs are intended to ensure a suitable level of protection in compliance with European Directive 95/46 dated 24 October 1995 when the Personal Data specified in the present document are transferred within the Group for the purposes of the Group’s business. The Policy and the BCRs are in principle complementary documents. In case of contradiction between these documents, the BCR will take precedence when applicable. Words or expressions undefined in the present document and beginning with a capital letter have the meaning given in the Policy. In case of doubt, the content of the BCRs should be interpreted according to the provisions of European Directive 95/46 dated 24 October 1995. I- SCOPE The purpose of the BCRs is to ensure an adequate level of Personal Data protection in the Group Subsidiaries in countries which are not members of the European Economic Area (EEA) in order to allow the Transfer of categories of Personal Data described in Appendix 4 from the Group’s Subsidiaries located in one Member State of the European Economic Area (EEA) to the Group’s Subsidiaries in a Non-Member Country.