Francois-Caspar-Posters-Paris.Pdf

POSTERS is a French award winning poster artist based in Paris. Since 1989, his posters have been shown in over 160 international exhibitions, have been published in specialized books and they belong to public and private collections as in Beijing, Hamburg, Paris, New York… The Art of Poster The Heart of Poster

Poster art is an heritage Pieces of heart The industrial revolutions of the modern times have What are we made of? Experiments of life? The soul produced needs for new spaces, new products and of a poster is the heart of the artist who designed it. new messages. The design was born. One of its The heart feels, the mind understands. The poster most symbolic media, the poster, find its roots in artist François Caspar searches in the heart of his centuries of painting and cultures. Some graphic experiences to share universal stories, theatres designers, like François Caspar, have dedicated their of lives. art to poster. Caspar’s influences are in particular surrealism, dada, constructivism and primitives, Out of streets to your lounge and the masters Adolphe Mouron Cassandre for Further its primary purpose outdoor for a construction of image, John Hartfield for political limited time, a poster may find its place indoor involvement, Roman Cieslewicz for generosity and for a unlimited new existence, when its message Raymond Savignac for his humor. passes on values which connect with your mind and your heart. François Caspar’s French “Affiche” tradition Caspar, then, is a figure known in international circles not only for his participation in biennials and conferences around the globe, but also for his capacity to establish François Caspar is driven by a creative exuberance. A designer with a vibrant eye, he uses relations with professionals and associations the world a combination of practice, experience, functionality and communication to confront his work. over, without these being marred by individualist attitudes, For Caspar, a poster is a tool for linguistic research that has many levels of sophistication. marked instead by the principles of a designer, and an Widely known for his defence of professional culture, his work stands out for its high-quality, excellent one at that, whose aim has always been to its focus on the international scene, its pragmatism and its visual culture. advance professional culture, starting in his own country. We are speaking, then, of high-quality design, an awareness of the international scene, a healthy pragmatism and, French poster tradition is so popular that the word specific competences (as in the case of theatre posters, for finally, and this is evident in his production, an outstanding affichiste (and affiche, obviously) is used in many other instance), or because it is based on a particularly incisive image culture. linguistic regions. The reasons for this are readily approach, as in social communication. But, naturally, we identifiable. In the first place, the extraordinary juncture cannot justify this French designer’s attention to posters Thus we arrive at the roots of Caspar’s style. By style— that was Art Nouveau: a concentrate of technological based on a specific type of public alone; indeed, it remains and we repeat this for the hundredth time—we refer to (lithography), aesthetic (the jilting of Western tradition) unchanged in products designed for different targets, as in different ways not of using shapes and colours, but of and social innovation (the Ville Lumière). In addition to carnival or rock concert posters. tackling problems. The point is that to this day, even after Cassandre’s splendorous Art Deco; Savignac’s stylized twenty years of professional activity, François shies away imagery; the Eastern European School’s links with the Rather, we should look to this author’s professional from preconceived formulas. He steers clear of stylemes, world of posters, which became apparent in the work of its experience, accumulated over twenty years of work, as well trademarks, pre-established iconographies, habitual emigrants (including Tomaszewsky and Cieslewicz); and, as to his diverse range of clients and fields of intervention. techniques and other such resources. He designs as if the finally, the public character of graphic design (celebrated We should also observe the fact that these posters can poster on which he is working was the last… or the first. in a large exhibition held at the Beaubourg in 1984), whose be elements of a changing identity: the series of posters We are exaggerating, of course, because one cannot stop leading characters included groups such as Gapus and for the Théâtre de la Tête Noire, a coordinated image feeling the vibration of common registers in the posters individual artists like Michel Bouvet. based on a design idea of business-style (rather than that make up a series (the ones designed for the Théâtre visual style) cut; somewhat similar to what Paula Scher de la Tête Noire, already mentioned above, or those for the Establishing a dialogue with such a rich tradition does for the Public Theater. In the case of Caspar, another Forum of Human Rights). Not keeping these registers would does not seem to pose a problem for François Caspar. noteworthy feature is his involvement in furthering the be a waste. However, nobody can deny the fact that Caspar The efficiency of his work is not disturbed by the natural profession from his present post as President of the French has a creative exuberance. Though, authentic designer attempt to place it within the folds of this tradition. First, Designers Alliance, of which he is a founding member: a that he is, in Caspar’s case this creative exuberance it is necessary to put Caspar’s professional trajectory in multi-disciplinary professional association set up after the stems from the practice, experience and functionality context. For him, as for many other designers, a poster can experience of the Syndicat National des Graphistes had of communication. be a personal tool for linguistic research, be it because worn thin, and whose name already makes reference to Carlo Branzaglia it is a sophisticated medium, addressed to a public with other concepts of the trade. Experimenta, architecture and design magazine worldwide François Caspar’s 160+ international exhibitions and awards

BELGIUM • Central Academy of Fine Arts, • World Tour of the Cultural Poster, 2002, 2004, 2006, Jury exhibition SLOVENIA • European Triennial of Political Beijing Boulogne, 2001, 2002. 2008, 2010, 2012, 2014, • Poster Festival Ljubljana Posters of Mons, 1992. 2001, 2002.中央美术学院美术馆 • Les Affichades deToulouse , 1996, 2016, 2018. Masterpieces 2009. 1997, 1998 • Design France-Mexico at the BOLIVIA CROATIA • Cultural Posters of Francois Caspar, French institute of Latin America UNITED KINGDOM • International Biennial of Poster, • Zgraf international exhibition Mediathèque, Orléans, 1995. in Mexico DF, 1999. • 100 Best French Posters in La Paz, BICeBé 2009, 2011, 2013 of graphic design and visual • Graphic Advocacy, International Glasgow, 1992. [76 designers for Fukuda], 2015. communication, Zagreb, 2008. GERMANY Posters for the Digital Age, Galería • Zukunftbilder für Design, Artis, Universidad Autónoma UNITED STATES OF AMERICA BRAZIL CZECH REPUBLIC Potsdam, 1997. Metropolitana, Mexico DF, 2013. • Graphic Advocacy, International • Le Spectacle est dans la rue/The • Biennial of Graphic Arts, Brno, • International Theater Poster Posters for the Digital Age. 2013: Show Is On The Street, the French 1990, 1994, 1996, 2000, 2002. Triennial of Osnabrück, 1997. POLAND Boston, New York, Youngstown, poster at Tomie Ohtake Institut, • International Poster Biennial in Wayne. 2014: Sarasota Springs, São Paulo, 2009. FINLAND INDIA Warsaw, 1996, 1998, 2000, 2004, Boca Raton, Towson. 2015: Notre • International Poster Biennial, • 100 Best French Posters in 2006, 2008, 2010, 2012, 2014, Dame, Ada. 2016: Hattiesburg. BULGARIA Lahti, 1995, 2001, 2005, New-Delhi, 1992. 2016, 2018. • Where Is My Vote ? School of • International Theater Poster 2007, 2009, 2011, 2013, 2017 • International Biennial of Theatre Visual Arts, New York, 2010. Triennial of Sofia, 1995, 1998, Honorabe Mention. IRAN Posters of Rzeszow, 1993, 1997, • International Poster Biennial, 2001, 2004, 2010 Silver medal. • Personnal exhibition, Design Week 1999, 2001, 2003, 2005. Chicago, 2008, Jury exhibition FRANCE of Teheran, 2013. • 100 Best French Posters in 2010. CHINA • “NewYork-Sarajevo-Marseille : Warsaw, 1992. • International Invitational Poster • World’s best poster designers l’engagement dans l’affiche”, ITALY exhibition, Fort Colins, 1995, exhibition at the Shenzhen Rencontres du design graphique, • Italian Poster Biennial, RUSSIA 1997, 1999, 2003, 2005, 2009 International Poster Festival Villa Méditerranée, Marseille, Finale Ligure, 2013. • 100 Best French Posters in Saint- Honorable Mention, 2011. 2015. 2014. • Posters For Green Iran, Petersbourg, 1992. • 100 Best French Posters in • International深圳国际海报节 Poster Triennial, • Musée des arts décoratifs, Aussi SocialDesignZine, 2010. • Golden Bee, Moscow, 2006, 2008, New York, 1993. Hong Kong rouge que possible, Paris, 2008. 2010, 2012. • François Caspar at Café du Nord, 2007,香港國際海報三 2010, 2014, 2017. • Graphic design for public matters, JAPAN • Universal Language, Novosibirsk Springfield, 2001. • International年展 Poster Exhibition, Espace 1789, Saint-Ouen, 2007. • International Poster Triennial of Museum of Arts, 2007. Ningbo, 2001 Excellence award, • 100 Best French posters Toyama, 1994, 1997, 2001, 2003, TAIWAN 2004, 2006. 1992-1997, Mois du graphisme 2006, 2009,2015. SLOVAKIA • Taiwan International Graphic • China International Poster d’Échirolles 1998. • The French Modern Poster, • International Poster Triennial Design Award, Taipei, 2007, Biennial, Hangzhou • Festival international de l’affiche Ogaki, 1997. in Trnava, 1994, 1997, 2000, 2009, 2017 Distinction Award. 第七届中 2001, de Chaumont, 1993, 1995, 2007, • Ogaki Matsuri Festival, 2017. 2003, 2006, 2009 Andy • Design x Taipei International 2007,国国际海报双年展 2009 Bronze award, 2011, 2009 Graphisme en France, Warhol Prize – Grand Prix, Poster Invitational Exhibition, 2013, 2015. 2012 Les Silos. MEXICO Jury exhibition 2012. 2015. • Four Aspects International • Salon de l’éphémère, Fontenay- • International Biennial of the Poster Show, Shenzhen, 2001. sous-Bois, 1999. Poster in Mexico, 1992, 1994, Original Posters Dress Up Your Interior

Baroque, Classic, Modern… Be spirited, be unique In private or public spaces, at home or at office, Silkcreen printing technic provides such powerful compose your own emotion from the lounge to the colors, remaining beautiful after decades and lobby. No matter your style, you will find a poster linen backing is a top concervation method. for you. Why? Because what makes it valuable is François Caspar’s posters are typically printed up to rather the meaning and the values the poster 60 original copies. Most of them are destroyed after communicates than its style. Style may change, they have been posted on streets. A small amount meaning never gets old. See further how interiors is dedicated to exhibitions in museums and up to look like with original posters. 12 copies are sold in limited editions to private collections over the world. Each sold limited poster is certified, delivered with a certificate of authenticity, numbered and signed in pencil by the artist, which to let you enjoying an exclusive piece of collection and doing a profitable investment.

The Ravishement of Lol V. Stein

Theatre | 2008 | Silkscreen | Full color ❊❊❊❊ | Conservation : ★★★

Serigraph copies belong to the following collections • Art Museum, Lahti, Finland • Chicago International Poster Biennial Association, USA • Colorado State University, Fort Colins, USA • Galéria Jána Koniarka, Trnava, Slovakia • Hong Kong Heritage Museum, Hong Kong • Museum of Modern Art, Toyama, Japan • Museo Franz Mayer, México DF, Mexico • Museum of Arts Décoratifs, Paris, France • National Exhibition Centre of Modern Art Sofia, Bulgaria • Poster Museum at Wilanow (Warsaw), Poland • Individuals in France and in Germany

E-poster Serigraph Museum Style

Enjoy and share. Limited edition of Linen backed copy 2400 x 3400 px. 12 copies, certified, from the limited Under a Creative numbered and signed edition of 12 copies, Commons license : in pencil by the artist. certified, numbered Attribution. You must Approximate size and signed in pencil by attribute the work © François Caspar. 48” x 70” the artist. Approx. 46” x Noncommercial. You may not 122 x 178 cm 66” or 140 x 200 cm use this work for commercial purposes. No Derivative Works. A FEW A FEW You may not alter, transform, LEFT LEFT or build upon this work. Free unlimited ¤ 1,900 ¤ 2,700

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Louise/The Bears

Theatre | 2007 | Silkscreen | 2 ink ❊❊ | Conservation : ★★★

Serigraph copies belong to the following collections • Art Museum, Lahti, Finland • Chicago International Poster Biennial Association, USA • Colorado State University, Fort Colins, USA • Galéria Jána Koniarka, Trnava, Slovakia • Hong Kong Heritage Museum, Hong Kong • Museum of Modern Art, Toyama, Japan • Museo Franz Mayer, México DF, Mexico • Museum of Arts Décoratifs, Paris, France • Poster Museum at Wilanow (Warsaw), Poland • Individuals in China, France, Germany, USA

E-poster Serigraph Museum Style

Enjoy and share. Limited edition of Linen backed copy 2400 x 3400 px. 12 copies, certified, from the limited Under a Creative numbered and signed edition of 12 copies, Commons license : in pencil by the artist. certified, numbered Attribution. You must Approximate size and signed in pencil by attribute the work © François Caspar. 48” x 70” the artist. Approx. 46” x Noncommercial. You may not 122 x 178 cm 66” or 140 x 200 cm use this work for commercial purposes. No Derivative Works. You may not alter, transform, or build upon this work. Free unlimited ¤ 2,900 ¤ 3,700

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The Girl Tortured On A Shelf

Theatre | 2005 | Silkscreen | 2 ink ❊❊ | Conservation : ★★★

Serigraph copies belong to the following collections • French institute of Latin America in Mexico City, Mexico • Les Silos, maison du livre et de l’affiche, Chaumont, France • Museum of Modern Art, Toyama, Japan • Museum für Kunst und Gewerbe, Hamburg, Germany • Museo Franz Mayer, México DF, Mexico • Museum of arts décoratifs, Paris, France • Individuals in France and in Germany

E-poster Serigraph Museum Style

Enjoy and share. Limited edition of Linen backed copy 2400 x 3400 px. 12 copies, certified, from the limited Under a Creative numbered and signed edition of 12 copies, Commons license : in pencil by the artist. certified, numbered Attribution. You must Approximate size and signed in pencil by attribute the work © François Caspar. 48” x 70” the artist. Approx. 46” x Noncommercial. You may not 122 x 178 cm 66” or 140 x 200 cm use this work for commercial purposes. No Derivative Works. You may not alter, transform, or build upon this work. Free unlimited ¤ 3,000 ¤ 3,500

DOWNLOAD SOLD OUT SOLD OUT Why to linen-back a poster?

Linen backing is a method to mount and This technique is used by museums and libraries preserve posters. This conservation technique, all over the globe, to protect and to stabilize the originally from 19th century in France, improves poster. Linen backing allows you to handle, display, the appearance of a poster and increases its value. frame, store and roll for shipping the poster.

Linen backed posters can be displayed directly Our linen backing is made by best professionals, on walls or mounted on wooden stretcher frames, using only the finest canvases and water based without compromising their value, years after technique, reversible with water then. This years. They can also be framed behind a glass, avoids to destroy the value of a poster once but as solvents contained in silkscreen’s inks need applied, like acrylic paints, essentially made with to breath, glass is not recommend for long term plastic, would do. Like for Centre Pompidou, Dior, conservation. Galerie Maeght, the Louvres and Guggenheim museums, it provides you the best quality of poster conservation.

The Night EvenNotAfraid

Theatre | 2010 | Silkscreen | 2 ink ❊❊ | Conservation : ★★★

Serigraph copies belong to the following collections • World’s best poster designers exhibition at the Shenzhen International Poster Festival • International Poster Triennial, Hong Kong • Golden Bee, Moscow, Russia • International Poster Biennial in Warsaw, Poland • Colorado International Invitational Poster Exhibition, USA • Lahti international poster biennal, Finland • China International Poster Biennial, Hangzhou • Individuals in China, France, Germany, UK, USA

E-poster Serigraph Museum Style

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Rock Pop Bratislava

Theatre | 1994 | Silkscreen | Full color ❊❊❊❊ | Conservation : ★★★

Serigraph copies belong to the following collections • French institute of Latin America in Mexico City, Mexico • Les Silos, maison du livre et de l’affiche, Chaumont, France • Museum für Kunst und Gewerbe, Hamburg, Germany • Museo Franz Mayer, México DF, Mexico • Museum of arts décoratifs, Paris, France

E-poster Serigraph Museum Style

Enjoy and share. Limited edition of Linen backed copy 2400 x 3400 px. 12 copies, certified, from the limited Available under numbered and signed edition of 12 copies, a Creative Commons in pencil by the artist. certified, numbered license : Approximate size and signed in pencil by Attribution. You must attribute the work 48” x 70” the artist. Approx. 46” x © François Caspar. 122 x 178 cm 66” or 140 x 200 cm Noncommercial. You may not use this work for commercial purposes. No Derivative Works. You may not alter, transform, or build upon this work. Free unlimited ¤ 2,900 ¤ 3,700

DOWNLOAD SOLD OUT SOLD OUT Prints can bring greater gains than paintings

Prices of posters are set according the rarity, This is an exceptional rise for artworks the date of creation, the number of available in print category and reflects increasingly fierce copies and the market. The average annual rate of demand, plus the opening up of the art market to return for prints is +6% up to +16% for price under embrace a far broader slice of the public at large. ¤ 10,000 explains Artprice, world leader in art And with prices at these levels, art enthusiasts can market information. acquire very attractive works by well-known artists without breaking the bank. Learn more

Blood Wedding

Theatre | 2006 | Silkscreen | 3 ink ❊❊❊ | Conservation : ★★★

Serigraph copies belong to the following collections • Art Museum, Lahti, Finland • Chicago International Poster Biennial Association, USA • Galéria Jána Koniarka, Trnava, Slovakia • Hong Kong Heritage Museum, Hong Kong • Les Silos, maison du livre et de l’affiche, Chaumont, France • Musée des Arts Décoratifs, Paris, France • Museo Franz Mayer, México DF, Mexico • Museum of Modern Art, Toyama, Japan • Poster Museum at Wilanow (Warsaw), Poland • Russian State Library, Moscow, Russia • Culture Center of Rzeszow, Poland • Individuals in China, France, Germany, USA

E-poster Serigraph Museum Style

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Spring Avakening

Theatre | 1994 | Silkscreen | 5 ink ❊❊❊❊❊ | Conservation : ★★★

Serigraph copies belong to the following collections • Colorado State University, Fort Colins, USA • Galéria Jána Koniarka, Trnava, Slovakia • Les Silos, maison du livre et de l’affiche, Chaumont, France • Merrill C. Berman Collection, New York, USA • Moravian Gallery, Brno, Czech Republic • Musée des Arts Décoratifs, Paris, France • Museum für Kunst und Gewerbe, Hamburg, Germany • National Exhibition Centre of Modern Art Sofia, Bulgaria • Culture Center of Rzeszow, Poland • Individuals in China, France, Germany, USA

E-poster Serigraph Museum Style

Enjoy and share. Limited edition of Linen backed copy 2400 x 3400 px. 12 copies, certified, from the limited Under a Creative numbered and signed edition of 12 copies, Commons license : in pencil by the artist. certified, numbered Attribution. You must Approximate size and signed in pencil by attribute the work © François Caspar. 48” x 70” the artist. Approx. 46” x Noncommercial. You may not 122 x 178 cm 66” or 140 x 200 cm use this work for commercial purposes. No Derivative Works. You may not alter, transform, or build upon this work. Free unlimited ¤ 3,000 ¤ 3,700

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Hiroshima My Love

Theatre | 1997 | Silkscreen | Full color ❊❊❊❊ | Conservation : ★★★

Serigraph copies belong to the following collections • Galéria Jána Koniarka, Trnava, Slovakia • Les Silos, maison du livre et de l’affiche, Chaumont, France • Merrill C. Berman Collection, New York, USA • Moravian Gallery, Brno, Czech Republic • Musée des Arts Décoratifs, Paris, France • Museo Franz Mayer, México DF, Mexico • Museum of Art, Ningbo, China • Museum of Modern Art, Toyama, Japan • Poster Museum at Wilanow (Warsaw), Poland • Individuals in France, Japan, USA

E-poster Serigraph Museum Style

Enjoy and share. Limited edition of Linen backed copy 2400 x 3400 px. 12 copies, certified, from the limited Under a Creative numbered and signed edition of 12 copies, Commons license : in pencil by the artist. certified, numbered Attribution. You must attribute the work Approximate size and signed in pencil by © François Caspar. 48” x 70” the artist. Approx. 46” x Noncommercial. You may not use this work for commercial 122 x 178 cm 66” or 140 x 200 cm purposes. No Derivative Works. You may not alter, transform, one left one left or build upon this work. Free unlimited ¤ 4,900 ¤ 6,100

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Letters from Elisabet Vogler To Her son

Theatre | 2000 | Silkscreen | Full color ❊❊❊❊ | Conservation : ★★★

Serigraph copies belong to the following collections • Art Museum, Lahti, Finland • Colorado State University, Fort Colins, USA • Les Silos, maison du livre et de l’affiche, Chaumont, France • Museum of Modern Art, Toyama, Japan • Culture Center of Rzeszow, Poland • Individuals in China, France, Germany, USA

E-poster Serigraph Museum Style

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Bouli Miro

Theatre | 2003 | Silkscreen | 3 ink ❊❊❊ | Conservation : ★★★

Serigraph copies belong to the following collections • Chicago International Poster Biennial Association, USA • Colorado State University, Fort Colins, USA • Les Silos, maison du livre et de l’affiche, Chaumont, France • Moravian Gallery, Brno, Czech Republic • Musée des Arts Décoratifs, Paris, France • Museo Franz Mayer, México DF, Mexico • Museum of Modern Art, Toyama, Japan • Culture Center of Rzeszow, Poland • Individuals in France, USA

E-poster Serigraph Museum Style

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A Machine…

Theatre | 2004 | Silkscreen | 3 ink ❊❊❊ | Conservation : ★★★

Serigraph copies belong to the following collections • Colorado State University, Fort Colins, USA • Galéria Jána Koniarka, Trnava, Slovakia • Les Silos, maison du livre et de l’affiche, Chaumont, France • Musée des Arts Décoratifs, Paris, France • Museo Franz Mayer, México DF, Mexico • Museum für Kunst und Gewerbe, Hamburg, Germany • National Exhibition Centre of Modern Art Sofia, Bulgaria • Poster Museum at Wilanow (Warsaw), Poland • Culture Center of Rzeszow, Poland • Individuals in China, France, Germany, USA

E-poster Serigraph Museum Style

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Bal-Trap

Theatre | 1994 | Silkscreen | 3 ink ❊❊❊ | Conservation : ★★★

Serigraph copies belong to the following collections • Art Museum, Lahti, Finland • Chicago International Poster Biennial Association, USA • Colorado State University, Fort Colins, USA • Galéria Jána Koniarka, Trnava, Slovakia • Kulturgeschichtliches Museum, Osnabrück, Germany • Les Silos, maison du livre et de l’affiche, Chaumont, France • Merrill C. Berman Collection, New York, USA • Moravian Gallery, Brno, Czech Republic • Musée des Arts Décoratifs, Paris, France • Poster Museum at Wilanow (Warsaw), Poland • Individuals in China, France, Germany, USA

E-poster Serigraph Museum Style

Enjoy and share. Limited edition of Linen backed copy 2400 x 3400 px. 12 copies, certified, from the limited Under a Creative numbered and signed edition of 12 copies, Commons license : in pencil by the artist. certified, numbered Attribution. You must attribute the work Approximate size and signed in pencil by © François Caspar. 48” x 70” the artist. Approx. 46” x Noncommercial. You may not use this work for commercial 122 x 178 cm 66” or 140 x 200 cm purposes. No Derivative Works. You may not alter, transform, only one left only one left or build upon this work. Free unlimited ¤ 2,900 ¤ 3,700

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Carnival of Jargeau

Theatre | 1992 | Silkscreen | Full color ❊❊❊❊ | Conservation : ★★★

Serigraph copies belong to the following collections • Les Silos, maison du livre et de l’affiche, Chaumont, France • Merrill C. Berman Collection, New York, USA • Moravian Gallery, Brno, Czech Republic • Musée des Arts Décoratifs, Paris, France • Museo Franz Mayer, México DF, Mexico • Museum für Kunst und Gewerbe, Hamburg, Germany • Individuals in France, Germany

E-poster Serigraph Museum Style

Environment Poster | 2015

“Taking care of the infinitely small means taking care of the infinitely great.” FC

Serigraph copy belong to the following collections • Art Museum, Lahti, Finland • Taiwan International Graphic Design Award, Taipei

DOWNLOAD E-poster Enjoy and share. 2000 x 2800 px. Available under a Creative Commons license : Attribution. You must attribute the work © François Caspar. Noncommercial. You may not use this work for commercial purposes. No Derivative Works. You may not alter, transform, or build upon this work. Free unlimited Homage to Raymond Savignac

Tribute poster | 2006

DOWNLOAD E-poster Enjoy and share. 1000 x 1500 px. Available under a Creative Commons license : Attribution. You must attribute the work © François Caspar. Noncommercial. You may not use this work for commercial purposes. No Derivative Works. You may not alter, transform, or build upon this work. Free unlimited A Love Letter

Typographic-erotic poster | 2005

“Up side down, in love with a typographer, I went in love with typography… What does the A mean? Amour, »A wie Anfang«, Art, Affiche? Eroticism comes from details… I wish you to write your own love letter with this image.” FC

Society poster | 2012

DOWNLOAD E-poster Enjoy and share. 3000 x 4200 px. Available under a Creative Commons license : Attribution. You must attribute the work © François Caspar. Noncommercial. You may not use this work for commercial purposes. No Derivative Works. You may not alter, transform, or build upon this work. Free unlimited Putin Jails

Society poster | 2012

“Free Pussy Riot and all other political prisoners that have been put in jail in Russia.” FC

Society poster | 2011

“This image is a contribution to Fundación Baby in Rosario, Argentina, which assumes commitments to social problems. An exhibition took place at the Rosario design center CdD, commissioned by Pablo Kunst.” FC

Society poster | 2001

Society poster | 2002

“I designed this poster in September 2002 for the first commemoration of this dramatic event. I saw so many images in 2001, turning around for months and I was so chocked that I couldn’t add any one more. A year later, I needed to express myself about 9.11 and I sent this e-poster to all my friends on D-day. I wanted a silent image, a moment of reverence. I simplified the view of the buildings in order to focus on the event itself and use our memory. This image was published in magazines and newspaper then. Ten years later, it is still a date…” FC

Society poster | 2007

There was another September 11th: the Pinochet coup in Chili, 1973, also a Tuesday. How to speak about an event I could not live like the terror attack in New York? I was five years old, we have only a few images of Chili from this time. How to preserve memory of History for future generations? Will they forget 9.11.2001 in like we forgot 9.11.1973? This is the official portrait of the president Salvador Allende, with the “11” shapes of my poster for NY.

Society poster | 2003

“I worked on this image end of December 2002, published it in January for my greetings, when medias were preparing the world’s opinion to a new war in Irak for January 2003. When everybody send new year greetings… Unfortunately, this image can be reused again and again, wherever the war is…” FC

Society poster | 2005

Environment poster | 2007

Society poster | 2000

Environment poster | 2001

Environment poster | 2011

“I came up with this image a few days after the eathquake and its consequences, sent it to my friends in Japan. It was then published and sold during the Pecha Kucha international day “Inspire Japan” (400 cities participated), April 16 in Marseille (France). All money collected with other artists was donated to the association Architecture for Humanity in order to build a new school in Sendai. This e-poster is also taking part of Art Tails, a charity art books App for Japan, a group of professional artists and creators related in different ways to the Japanese Tohoku area cities and communities who have joined together in an effort to help Tohoku in simple, yet creative ways.” FC

Tribute poster | 2010

François Caspar’s posters have been published in specialized magazines or books such as Art and design (China), Etapes (France), Experimenta (Spain), Idea (Japan), Pixel Creation (France), Signes (France)… Here is a selection of three he is featured in.

New Masters of Poster Design One by One Design School Confidential By John Foster | English By Jianping He | English By Steven Heller and Lita Talarico | English

eautiful for a Moment “The nicest compliment I’ve had he book features the work of 500 graphic designers very great design school in the world is defined, B is when a simple passerby said that seeing my poster T and illustrators worldwide, providing an extensive E in part, by the work of its students at any given time. in his street has made his everyday life more beautiful for overview of international contemporary design. Countries The various project challenges given to a class determine a moment” says designer François Caspar. The impressive like German, Switzerland, the USA, France and the the success of a school’s pedagogy, but also the ingenuity list of galleries and museums that show his work and Netherlands dominates the list and China (mainland, Hong of its faculty and students. This book features fifty the awards he has won probably feel pretty good as well. Kong, Taiwan) and Japan dominating the Asian sector. The real-world class assignments from top design programs Caspar’s bold sense of design, use of large central imagery, book has a great, diverse selection ranging from Legendary at universities around the world. Featured a course and and inherent playfulness generate a classic appeal with designers to the younger generation. This idealistic project workshop of François Caspar at Maryse Eloy School of Art, a French twist. is dedicated to graphic designers around the world. Paris and at University of Art and Design Helsinki. © Christian Chamourat, Paris © 2019 François Caspar, Paris

43, avenue Alphand 94160 Saint-Mandé France [email protected]