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A Comparison of Nick Hornby's High Fidelity and Juliet, Naked
Hugvísindasvið Modern Love: A Comparison of Nick Hornby’s High Fidelity and Juliet, Naked. Ritgerð til B.A.-prófs Arnar Ásmundsson Maí 2011 Háskóli Íslands Hugvísindasvið Enska Modern Love: A Comparison of Nick Hornby’s High Fidelity and Juliet, Naked. Ritgerð til B.A.-prófs Arnar Ásmundsson Kt.: 230476-4389 Leiðbeinandi: Ingibjörg Ágústsdóttir Maí 2011 Abstract In 1995 Nick Hornby published his first novel, High Fidelity, a story about obsession, love and the complications of modern life. Hornby published Juliet, Naked in 2009, where he tackles similar topics to those in High Fidelity. A key difference between these novels is the presence of the Internet in Juliet, Naked, which is not featured in High Fidelity. A comparison of Juliet, Naked and High Fidelity offers an interesting insight into Hornby‟s vision of life before and after the spread of the Internet, and how it has affected the characters‟ obsessions, communication and their lives in general. This essay is, however, not limited to the changes the Internet has brought, as other topics are discussed in the essay‟s several chapters. The first chapter is a general introduction and is followed by a chapter containing background information on both Hornby and the novels, as well as illustrating how these novels were received by critics. The third chapter tackles a dominant theme in both books, obsession, especially male obsession with popular culture. The ensuing chapter deals with love and its complications, and how it is presented in both novels. The fifth chapter focuses on the Internet and the benefits and limitations it brings to modern life. -
High Fidelity
Háskóli Íslands Hugvísindadeild Enskuskor True Fidelity? The Adaptation of High Fidelity Ritgerð til B.A.-prófs Eiríkur Stefán Ásgeirsson Kt.: 160777-3709 Leiðbeinandi: Úlfhildur Dagsdóttir Janúar 2009 Eiríkur Stefán Ásgeirsson 2 Summary High Fidelity is a novel written by Nick Hornby and was published in 1995. Five years later, a film with the same title was released world-wide. The film is an adaptation of the novel. I have decided to inspect what changes were made to the original story when it was adapted for the film. There were many changes made that are obvious to those who have both read the story and seen the film, such as the relocation of the setting from London to Chicago. But I found changes such as this one to be merely superficial changes. The changes I wanted to inspect were the ones made to the characters, theme and atmosphere. I found the theory of novel-to-film adaptation is relatively young in many respects. The adaptation process itself is perhaps as old as the cinema itself but the theoretical discussion of the process is by no means as extensive as it perhaps should be, considering how many novels and other literary works have been adapted for films. Critics have many times criticized film adaptations for not being as good as the original work. I found that his criticism can be unfair, as many adapted films are not trying to reproduce the original work but to reinvent it for a new format. This is the approach I wanted to make when inspecting the film adaptation of High Fidelity . -
Funny Girl Nick Hornby
Funny Girl Nick Hornby Discussion Questions 1. What do you make of the inclusion of real historical evidence (photographs, cartoons, and images of the 1960s) alongside fictional text? Does it blur the line between fact and fiction? 2. At the launch party for Bill Gardiner’s book, Diary of a Soho Boy, Tony Holmes does not feel jealous toward his colleague’s success but does feel jealous upon seeing a “beautiful young coloured girl” (see page 368) and wonders, Why didn’t he know any young, coloured women? What does this tell us about both Bill and Tony and about the milieu of Britain at the time? 3. Much of Funny Girl’s energy lies in the bantering dialogue between characters. How do these exchanges allow the characters to define themselves in ways the narrator cannot? For example, Sophie’s agent, Brian Debenham, is repeatedly telling young women, “I’m a happily married man” (see page 48, for example). What other character traits can we glean from such dialogue? 4. A recurring question the characters face while producing Barbara (and Jim) is whether comedy can be intelli- gent. How is this addressed throughout Funny Girl? How would you respond to the question? 5. Funny Girl is told through the voice of an omniscient narrator. Why do you think Nick Hornby chose to narrate the book this way? How might it read differently if it had been told in the first person—say, if it had been told by Sophie? 6. As a “quick-witted, unpretentious, high-spirited, funny, curvy, clever, beautiful blonde” (page 257), Sophie might strike some readers as almost too good to be true. -
The Crisis of Masculinity in Nick Hornby's About a Boy (1998)
PEOPLE’ DEMOCRATIC REPUBLIC OF ALGERIA MINISTRY OF HIGHER EDUCATION AND SCIENTIFIC RESEARCH FACULTY OF FOREIGN LANGUAGES DEPARTMENT OF ENGLISH MASTER IN LITERATURE AND CIVILISATION The CrisisThe of MasculinityCrisis in ofNick’s Masculinity Hornby About a Boy (1998) in and Nick Slam (2007) Hornby’s About a Boy (1998) and Slam ( 2007) SUBMITED BY BELABDI Faiza Members of the Board: Chair: Mr. SEBBAH Djamel Supervisor: Mrs. BENMAATI Fatima Examiner: Mrs. ABDELHADI Nadia Academic year: 2017-2018 Dedication I dedicate this thesis to all my family Father: Djilali Mother: Halima Sisters: Khaldia, Chaimae, Hamida, Sounia, Brothers: Habib, Nasser, And without forgetting the little angels: Lina, Nouh All the members of my family, and my friends. I Acknowledgements I would like to thank all the teachers who helped me to complete this modest thesis. I would like to thank my supervisor, Mrs. Benmaati Fatima Zohra for her guidance throughout this work and I appreciate all her effort for the completion of this work. I’m further grateful to Mrs. Ghernout Soumia who inspired me with the main ideas of this dissertation. II Abstract This dissertation concerns itself with those issues that are related to men and masculinity, in fact the only loser after the battle of gender equality is Men. The study at hand seeks the reality of masculinity crisis through analysing the major works of the British writer Nick Hornby About a Boy (1998) and Slam (2007) by applying the psychoanalysis theory of the British psychotherapist Rogger Horrocks. Seemingly, male crisis affects men and their relationships in a negative way, and in their attempts to avoid this kind of trouble, men fell in another crisis; an existential crisis. -
Wild & Scenic Film Festival Offical Selections 2003-2015 Categorized
Wild & Scenic Film Festival Offical Selections 2003-2015 Categorized by Alphabetical Order 1 1% of the Story 2011 Wild & Scenic Film Festival 1% exists to build and support an alliance of businesses financially committed to creating a healthy planet. Here's [a very tiny bit] of the story... Genre: Environmental. 15 Minutes. Filmmaker: Ben Knight and Travis Rummel. 11th Hour, The 2008 Wild & Scenic Film Festival NOT AVAILABLE Narrated by Leonardo DiCaprio, The 11th Hour describes the last moment when change is possible. The film explores how humanity has arrived at this moment; how we live, how we impact the earth's ecosystems, and what we can do to change our course. The film features dialogues with experts from all over the world, including former Soviet Prime Minister Mikhail Gorbachev, renowned scientist Stephen Hawking, former head of the CIA R. James Woolsey, and sustainable design experts William McDonough and Bruce Mau in addition to over 50 leading scientists, thinkers and leaders who present the facts and discuss the most important issues that face our planet. Genre: Climate, Resources. 92 Minutes. 13 German Deer Calling Championship 2013 Wild & Scenic Film Festival The short film "13th German Deer Calling Championship" (time 4.26 min) shows the annual championship of the German deer caller community, taking place at the hunting fair "Hunt and Dog" in Dortmund. During the competition eight gentlemen and firstly one lady battle against each other in three categories: "the young deer", "two deer in a calling battle" and "old deer with two hinds". Genre: Global Perspectives. 4 Minutes. Filmmaker: Andreas Teichmann. -
Nick Hornby's Melancholy Comedy
31 x ANDREW TATE Nick Hornby's Melancholy Comedy [M]elancholy animals that we are, human beings are also the most cheerful. We smile and find ourselves ridiculous. Our wretchedness is our greatness. (Critchley 2002, 111) Four strangers, each depressed enough to seek a swift, violent end to their lives, fortu- itously meet on New Year's eve on the roof of a north London tower block callously nicknamed Toppers' House, a dwelling notorious for its high-rise suicides. This colli- sion of disparate (and desperate) individuals, united only by their shared desire to die, might be either the starting point of a very sick joke or the culmination of poignant melodrama. Yet Nick Hornby's A Long Way Down (2005a) does not quite belong to the capacious family of genres labeled "tragic" nor is it a taboo-transgressing satire about the contingencies of precarious mental health. Hornby's fourth novel is a story of loss, anomie, isolation, loneliness, disappointment, failure, and disastrous ethical choices – all signifiers of tragedy, to be sure – but it is also, despite the bleak subject matter, full of laughter, diffident wit, chronic non-self-awareness, farce, incongruous friendships, ill-advised holidays with virtual strangers, awkward family reunions, creative swearing and other tropes of comic fiction. Martin, a shamed former breakfast television presenter, and the only member of this unlikely quartet of thwarted suicidal narrators to be recognized by his new ac- quaintances, reflects on the odd (at least temporarily) salvific outcome of that even- ing: "I'm not sitting here now because I suddenly saw sense. -
Sounder-Bookfile.Pdf
Scholastic BookFiles ™ A READING GUIDE TO Sounder by William H. Armstrong Jeannette Sanderson Copyright © 2003 by Scholastic Inc. All rights reserved. Published by Scholastic Inc. SCHOLASTIC, SCHOLASTIC REFERENCE, SCHOLASTIC BOOKFILES, and associated logos are trademarks and/or registered trademarks of Scholastic Inc. No part of this publication may be reproduced, or stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without written permission of the publisher. For information regarding permission, write to Scholastic Inc., Attention: Permissions Department, 557 Broadway, New York, NY 10012. Library of Congress Cataloging-in-Publication Data Sanderson, Jeannette. Scholastic BookFiles: A Reading Guide to Sounder by William H. Armstrong/by Jeannette Sanderson. p. cm. Summary: Discusses the writing, characters, plot, and themes of the Newbery Award–winning book. Includes discussion questions and activities. Includes bibliographical references (p. ). 1. Armstrong, William Howard, 1914– . Sounder— Juvenile literature. 2. African-American families in literature— Juvenile literature. 3. Dogs in literature—Juvenile literature. 4. Boys in literature—Juvenile literature. 5. Poor in literature— Juvenile literature. [1. Armstrong, William Howard, 1914– . Sounder. 2. American literature—History and criticism.] I. Title. PS3551.R483 S6837 2003 813′.54—dc21 2002191213 0-439-29797-4 10987654321 0304050607 Composition by Brad Walrod/High Text Graphics, Inc. Cover and interior design by Red Herring Design Printed in the U.S.A. 23 First printing, July 2003 Contents About William H. Armstrong 5 How Sounder Came About 10 Chapter Charter: Questions to Guide Your Reading 12 Plot: What’s Happening? 16 Setting/Time and Place: Where in the World Are We? 23 Themes/Layers of Meaning: Is That What It Really Means? 28 Characters: Who Are These People, Anyway? 37 Opinion: What Have Other People Thought About Sounder?45 Glossary 49 William H. -
About a Boy and Check Your Answers
From Book to Film 1 B Read the information in this section About a Boy and check your answers. The book A Look at the photo. What do you think is the relationship between the man and Marcus is twelve. the boy? (3) Will is thirty-six. Marcus has a a21 uncle 34and nephew b father and son difficult life at c big brother and little brother home and he’s d good friends got problems at school. Will is single, has got money and enjoys life in London. What happens when they meet? A novel about London, love and family life. C Read the plot. Plot21 34 Will Freeman has got money and he lives a very comfortable life in London. He doesn’t work and he spends his free time watching television, reading about pop music and going out with girls. Will wants to meet new girlfriends so he has an idea. He attends a single-parents group near his house and says he has a two-year-old son to convince the women in the group to accept him. He meets Suzie there and he also meets Marcus, the 12-year-old son of Suzie’s friend, Fiona. Marcus has an unhappy family life and Will, he thinks, is the solution to his problems. He starts to follow Will around London and hangs out at Will’s apartment after school. Will at first doesn’t want Marcus there, but when he gets to know him, he likes him and they become friends. They go for walks and watch TV together. -
Literary Road Map of Islington
Literary Road Map of Islington North Islington Aaronovitch, Ben (1964-) Whispers Under Ground (2012). The third Rivers of London novel is set in Tufnell Park. [CT] Baird, Nicola Coconut Wireless (2010) and other titles. The journalist and author of the Islington Faces blog lives in north Islington. [F, NF] Blackman, Andrew (1965-) On the Holloway Road (2009). Inspired by Jack Kerouac’s On the Road, the novel is set over one windy night on Holloway Road. [F] Brellend, Kay The Street (2011) and other titles. Books set in Campbell Road known locally as Campbell Bunk (now Whadcoat Street). [F] Busby, Sian (1960-2012) A Commonplace Killing (2012). The novel was set around Holloway Road, Seven Sisters Road and Caledonian Road. [F] Clee, Nicholas Don't sweat the Aubergine (2005). The writer and journalist lives in Plimsoll Road with his wife Nicolette Jones. [F, NF] Craig, Joe (1981-) Jimmy Coates series (2013). Children’s author lives in Tufnell Park. [CYA] Davies, Caitlin (1964-) Bad Girls: A History of Rebels and Renegades (2018). Davies lives in Holloway and has written about Holloway Prison. [NF, AB] Dickens, Charles (1812-1870) Bleak House (1853), Our Mutual Friend (1864/5) and other titles. In Bleak House Inspector Bucket first picked up the trail of Honoria, Lady Dedlock “at the Archway Toll over at Highgate”. Reginald Wilfer’s “home was in the Holloway region north of London, and then divided from it by fields and trees.” in Our Mutual Friend. [F] Dunant, Sarah (1950-) Fatlands (1993). Author lived in Highwood Road. [CT, F] Fiegel, Eddi John Barry - A Sixties Theme (2012). -
Base Camp 2017/18
E V E R E S T R E A D I N G C H A L L E N G E 15 New Books to Choose From! Base Camp 2017/18 A collection of books recommended for Lower School pupils These books should prove challenging and enjoyable, and be the next step in developing as a creative and critical reader. This collection has been compiled by the Memorial Library in collaboration with the English department How does the challenge work? You need to read 10 books from this booklet throughout the school year. Every time you finish a book from the list, come and talk to Library staff about the book and we’ll give you a stamp. Once you have conquered the Everest Reading Challenge and collected ten stamps, you will join your fellow students on an end of year trip to Pizza Hut & Cineworld. It’s like a Costa card, but with Pizza and Movies! Worried about losing your Everest booklet? Don’t! We keep track of your progress through the challenge; so don’t fret if you can’t find it. Things Fall Apart/Chinua Achebe This heart-wrenching novel follows the struggle of Okonkwo, a leader of his village and local wrestling champion, as his world is invaded by British colonialism and his life falls apart. The novel is based in the fictional village of Umuofia, and has real echoes of the legacy of the Britain’s colonial occupation of Africa and how it changed not only the world, but the individuals and cultures caught in its wake. -
Production Notes Cast and Crew Biographies
PRODUCTION NOTES CAST AND CREW BIOGRAPHIES JEREMY IRVINE (PIP) Jeremy Irvine studied at the London Academy of Music and Dramatic Art and has appeared in stage productions including the Royal Shakespeare Company’s ‘Dunsinane.’ Irvine made his feature film debut starring in the highly acclaimed film “War Horse,” directed by Steven Spielberg. Irvine has recently been seen in the independent feature “Now is Good” opposite Dakota Fanning, who plays a teenage girl with a terminal illness who resolves to live her life on fast forward. The film, based on Jenny Downham’s novel Before I Die, is directed by Ol Parker. He recently wrapped production on “The Railway Man” opposite Colin Firth and Nicole Kidman which is based on a memoir by Eric Lomax that chronicles his experience working on Japan’s Death Railway during World War II. Irvine will play the young Lomax in the film. OLLY ALEXANDER (HERBERT POCKET) Olly Alexander started his cinematic career working with critically acclaimed directors such as Gaspar Noe on Enter The Void and Academy Award winner Jane Campion on Bright Star. He has since gone on to star in Tormented opposite Alex Pettyfer, Dust and Extract reproduced courtesy of Lionsgate ©2012 Film Education www.filmeducation.org/greatexpectations Gulliver’s Travels with Jack Black. Most recently, Alexander has completed The Dish and The Spoon and Cheerful Weather for the Wedding opposite Elizabeth McGovern, Felicity Jones and Mackenzie Crook. TV credits include ‘Summerhill,’ ‘Lewis’, ‘The Fades’ and ‘Not At The Table.’ Alexander is a member of the National Youth Theatre with whom he performed in ‘Identify 1000’ and his professional theatre debut was in the critically acclaimed American play, ‘The Aliens’ at the Bush Theatre alongside Mackenzie Crook and Ralph Little. -
Andrea Ochsner Lad Trouble Masculinity and Identity in the British Male Confessional Novel of the 1990S
From: Andrea Ochsner Lad Trouble Masculinity and Identity in the British Male Confessional Novel of the 1990s September 2009, 388 p., 35,80 €, ISBN 978-3-8376-1161-8 In the 1990s, the male confessional novel, most prominently represented by Nick Hornby (»High Fidelity«), but also by other writers, articulated the struc- ture of feeling of the male generation in their late twenties/early-to-mid-thir- ties. The book presents the advent of the male confessional novel in a fresh and yet critical light, challenging the feminist claim that the genre should be under- stood as a relapse into sexism. By applying an eclectic theoretical framework, ranging from Williams to Giddens to Butler and Derrida, the study illustrates why the male confessional novel is too complex a phenomenon to be solely interpreted in terms of retrosexism. It shows how the multitude of postmo- dern gender scripts adds to the problematic nature of clearly defined gender relationships. Andrea Ochsner (PhD) teaches English Literature and Cultural Studies at the University of Basel, Switzerland. For further information: www.transcript-verlag.de/ts1161/ts1161.php © 2009 transcript Verlag, Bielefeld 2009-08-14 14-23-46 --- Projekt: transcript.anzeigen / Dokument: FAX ID 02cc218153318758|(S. 1 ) VOR1161.p 218153318766 TABLE OF CONTENTS Acknowledgements 7 Preface 9 Introduction: The Structure of Feeling in the 1990s 19 Millennial turn and crisis management 19 Who is not afraid of feminism? – New Laddism as a relapse into pre-feminist behaviour? 27 The male confessional novel as