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A. Carter. 1953, P.74. a Name First Assigned by E.H. Carter to His Seedling of Strawberry

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A. A. Carter. 1953, p.74. A name first assigned by E.H. Carter to his seedling of Strawberry Blonde. A-6. Wheeler, Fruitland Nursery Catalogue, 1948-1949. Tentative designation for Prima Donna Variegated. A.A. de Castro Pereira. (C.japonica), Real Companhia Horticolo-Agricola, Portuense, 1895, Catalogue No.29, p.42. A formal double white, striped and spotted carmine from Portugal. A. Audesson. Knapp Hill Nursery, Woking, Catalogue, 1966-1967, p.9. Orthographic error for Adolphe Audusson. A. Bessie. Fendig, 1953, American Camellia Catalogue. Synonym for Queen Bessie. A Feuilles Panaché. André, Edouard F., 1864, Plantes de terre de bruyéres, descriptions..., p.249. A new introduction from Japan by J.G. Veitch who listed it as ‘Japonica Variegata’. Synonym for Benten-tsubaki. A Fleur Simple. (C.japonica), André Leroy, Angers Nursery Catalogue, 1823, p.12. No description but believed synonymous with Rubra. A.I. Downing. Stefano Pagliai, Firenze Catalogue, 1867, p.67. Orthographic error for A.J. Downing. A.J. Downing. (C.japonica), Mead, 1861, The Horticulturalist and Journal of Rural Art. 16:464 . the flower is large and full, the colour is a rich glowing rose, exquisitely shaded off to a silvery rose at the edge of the petals. The foliage and habit is good. See illustration opposite p.439. A C.japonica raised in USA by N. Becar, Brooklyn. Abbreviation: ‘Downing’. A.J. Downing (Buist). Buist, 1868, probably the same camellia as A.J. Downing. A.J. Pink. (C.japonica), Wilmot, 1945, Camellia Variety Classification Report, p.7. No description. Hertrich,1955, vol.2, p.12, Camellias in the Huntington Gardens: Flower: complete double, formal type; Camellia Rose 622/self to/1 towards haft; to 8 cm broad by 4 cm high. Calyx: to 4 cm across, flattened against corolla, spherical segments, split margins, medium light to dark green, wide translucent margins. Petals: about 45 segments, near-spatulate, to 3.5 cm by 3 cm wide, progressively smaller towards the centre, deep single cleft, if any, fairly firm texture. Centre of flower: about 25 additional segments forming a centre rosette of proportionally smaller petals, stamens visible only when fully opened, crimped white filaments, light golden stamens, fusion with a few petaloids sometimes noted. Buds: globular. Leaves: broad elliptical, downward-curving tips, 10 cm long by 5 cm wide; dark semi-glossy, very slightly lighter on the underside, heavy leathery texture; serration, crenulate from base almost to the coarsely serrate tips. Apices: medium to long-pointed to tapering. Petioles: stout, 13 to 17 mm long; venation, pronounced on both surfaces. Habit: upright in tendency. Originated from an old plant growing in the Capitol grounds, Sacramento, California, USA prior to 1945 (Olrich, 1945. ‘Camellias in Capitol Park’). A.L. Rowse. (C.reticulata C.japonica), Treseder and Hymans, 1975, Growing Camellias, p.141: A hybrid between C.reticulata f. simplex and C.japonica Jupiter (Pauls) as ‘Juno’, producing a most unusual stamenless flower of a deep pink shade. Raised by Gillian Carlyon, Cornwall, England. A. Markley Lee. (C.japonica), Fruitland Nursery Catalogue, 1943-1944, p.20: Imbricated pink similar to ‘Pink Perfection’ (Otome). Raised in USA. 1 A.O. Ellison. (C.japonica), Hazlewood Catalogue, 1945, p.4: A large single light red with a bunch of stamens. Very free flowering and early. An old local seedling of unknown origin raised in Australia. A.P. Fatheree. SCCS, Camellia Nomenclature, 1981, p.170. Orthographic error for A.P. Fatherree. A.P. Fatherree. (C.reticulata hybrid), American Camellia Yearbook, 1980, p.159, Reg. No.1651: A very large, deep red veined deeper red, semi-double, C.reticulata hybrid ‘Cornelian’ (‘Damanao’), openpollinated seedling, mid-season to late, originated by Frank V. Pursel, Oakland, California, USA. The seven-year old seedling first bloomed in 1979. Average size flower, 15.5 cm wide by 7.5 cm deep with yellow anthers. Heavy textured petals, abundance of blooms, good lasting quality. Plant growth is upright, open, rapid in rate, with dark green, heavy textured, leathery, serrated edged leaves, 10.5 cm long by 7 cm wide. Orthographic error: ‘A.P. Fatheree’. A. Pètelot. (C.oleifera x C.hiemalis). J.C. Rosmann, March 1993, “Histoire d’une passion”, Jardins de France, p.33, colour plate: Originated by J.C. Rosmann, Boucau, France. A seedling of C.oleifera Jaune x C.hiemalis Shishigashira. Deep pink, semi-double of 10-11 emarginate petals and centre stamens with a few petaloids. A.S. Grandif. Vanderbilt, 1940, Camellia Research, p.2. Abbrev. for Alba Superba Grandiflora. A.W. Jessep. (C.japonica), Merrillees, Shere Camellia List, 1950, St Kilda, Victoria, Australia. No description. Merrillees, Shere Catalogue, 1951, p.4: (Botanic Gardens, Melbourne). Incomplete long tiered (hose-in-hose), perfect white, very large, of good substance. Jessep, 1955 ANZCRS, Camellia Annual, p.6, Reg. No.8: Published Camellia Trail, 1950, p.30. Parent: Gauntlettii, (‘Sodekakushi’). The seed was obtained from under a plant of ‘Gauntlettii’ in the garden of Dr Clendinnen, Kallista, Victoria, Australia, and planted in Melbourne Botanic Gardens. First flowered 1948. Won blue ribbon for best seedling at the Camellia Show of the RHS (Vic.) in Melbourne in 1952. Habit of growth, vigorous, slightly pendulous. Leaf large, broad, obovate,11 cm by 6 cm, bright green, and resembling the leaf of the female parent. Flower bud pointed, with long, dark green bracts. Semi-double, inclined to be hose-in-hose. Diameter 12.5 cm. Pure ivory white. Petals 15 to 20, large with firm texture. Blooms mid-season to late. A.W. Mohr. (C.japonica), NCCS, Camellia Bulletin, vol.17, No.2, Feb.1964, back page, black and white photo. Semi-double, light red veined deeper, large flower. Originated in USA. Aakazuki. Watanabe, 1970 Kyôto Engei Kurabu, Tsubaki Tokushû, No.10, p.111. Orthographic error for Akazuki. Aaron & Gold. Thoby, 1988, Tsubaki - A propos de Camellia, p.45. Orthographic error for Maroon & Gold. Aaron’s Ruby. (C.japonica), American Camellia Yearbook, 1956, p.58, Reg. No.251: A 9-year- old chance seedling originated by Ruby Aaron (Mrs B.A.), Lake Charles, Louisiana, USA. The slender, slightly pendulous plant is said to be very hardy and vigorous in manner of growth. New growth is red in colour. Mature leaves are dark green, large and twisted. The semi-double flowers, similar to ‘R.L. Wheeler’, are from 12.5 to 15 cm in diameter and are a brilliant metallic red. The large, thick petals are inter-mixed with little flags and large trumpet-like cups around a mass of golden stamens. The flower has a spicy fragrance and remains on the plant for two weeks or more. Flowering season, mid-season to late. Colour photo in Sharp’s Camellias Illustrated, 1957, p.165 and the American Camellia Yearbook, 1958 facing p.18. Sport: ‘Aaron’s Ruby Variegated’. 2 Aaron’s Ruby Variegated. (C.japonica), Griffin Jr. ea., Sept. 1959, Camellian, p.8, as ‘Aaron’s Ruby Var.’: A virus variegated form of Aaron’s Ruby. Metallic red and white. Originated in USA. Aartshetogin Augusta. de Jonghe, Beknopte Handleiding tot het Kweeken von Camellias, p.107. Orthographic variant for Arciduchessa Augusta. Aazhiquan. Gao, Jiyin, 1998, The World’s Best Camellia Cultivars, p.168. Chinese synonym for Ai-no-izumi Abad de Parafita. Escuela di Agricultura, Pontevedra, 1882. Orthographic variant for Abbate de Parafita. Abani. Auguste van Geert, 1863-1864, Catalogue, No.54, p.32. Orthographic error for Albani. Abate Allegri. (C.japonica), van Houtte Catalogue, 1858, 72:4: Wine red, perfectly imbricated. Originated in Italy. Abate Banzoni. William Bull, Catalogue, 1867-1868. Orthographic error for Abate Branzini. Abate Bianca. Hazlewood & Jessep, 1972, Checklist - Camellia Cultivars from Nursery Catalogues, p.1. Orthographic error for Abate Bianci. Abate Bianchi. (C.japonica), Ambroise Verschaffelt, 1850, Catalogue Général, p.44. No description. van Houtte, 1851, Catalogue, 44:1. No description. Luzzatti, 1851, Collezione di Camelie, p.3: Imbricated brilliant red with streaks of white in the centre of each petal. de Jonghe, 1851, Traité de la culture du Camellia, p.94: Flower imbricated, rose, the petals marked at the centre with a streak of white. Synonym: ‘Abbate Bianchi’(Lechi). Originated in Italy by Lechi. According to Burdin Maggiore & Co Catalogue’ 1849 and the Fratelli Rovelli Catalogue, 1852, this and Emilio Bandiera are synonymous despite being ascribed to different originators. Abate Bianci. (C.japonica), Verschaffelt, Nouvelle Iconographie, 1858, Book V, pl.I: This variety, which is of Italian origin, has been cultivated for several years already...The blossoms, by the regularly imbricated arrangement of their rounded, undulate petals, faintly emarginate at the summit, are classed amongst the perfections and, in spite of the small size, are distinguished by the contrast of the bright pink of the heart and the circumference, with the delicate pink of the intermediate petals. Originated in Italy by B. Lechi. Orthographic error: ‘Abate Bianca’. Abate Brangoni. Galeotti, M., 1852, Journal d’Horticulture Pratique de la Belgique, Vol.10, p.12. Orthographic error for Abate Branzini. Abate Branzini. (C.japonica), Verschaffelt, 1850, Nouvelle Iconographie, Book VII, pl.II and facing page. Orthographic errors: ‘Abate Banzoni’, ‘Abate Branzoni’, ‘Abate Bronzini’, ‘Abbate Branzini’, ‘Abatte Branzoni’, ‘Abate Brangoni’, ‘Abate Branzioni’. It has also been confused with Emilio Bandiera and Emilia Camponi. This camellia was obtained from seed by Mr Prudente Besson, horticulturalist in Turin, and is one of the most distinct varieties...To the perfect imbrication of its petals, smoothly rounded and exquisitely margined is added a deep, rich carmine colouring which shows off clearly a purple border. Besides, a very ample foliage completes and sets off the beautiful floral colouring by its dark glossy green. Originated in Italy. Abate Branzioni. Joseph Baumann, 1856, Prix Courant, p.2. Orthographic error for Abate Branzini.
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    Big-picture, evolutionary view of trees and shrubs (and a few of my favorite herbaceous perennials), ver. 2007-11-04 Descriptions of the trees and shrubs taken (stolen!!!) from online sources, from my own observations in and around Greenwood Lake, NY, and from these books: • Dirr’s Hardy Trees and Shrubs, Michael A. Dirr, Timber Press, © 1997 • Trees of North America (Golden field guide), C. Frank Brockman, St. Martin’s Press, © 2001 • Smithsonian Handbooks, Trees, Allen J. Coombes, Dorling Kindersley, © 2002 • Native Trees for North American Landscapes, Guy Sternberg with Jim Wilson, Timber Press, © 2004 • Complete Trees, Shrubs, and Hedges, Jacqueline Hériteau, © 2006 They are generally listed from most ancient to most recently evolved. (I’m not sure if this is true for the rosids and asterids, starting on page 30. I just listed them in the same order as Angiosperm Phylogeny Group II.) This document started out as my personal landscaping plan and morphed into something almost unwieldy and phantasmagorical. Key to symbols and colored text: Checkboxes indicate species and/or cultivars that I want. Checkmarks indicate those that I have (or that one of my neighbors has). Text in blue indicates shrub or hedge. (Unfinished task – there is no text in blue other than this text right here.) Text in red indicates that the species or cultivar is undesirable: • Out of range climatically (either wrong zone, or won’t do well because of differences in moisture or seasons, even though it is in the “right” zone). • Will grow too tall or wide and simply won’t fit well on my property.
  • UC Riverside Electronic Theses and Dissertations

    UC Riverside Electronic Theses and Dissertations

    UC Riverside UC Riverside Electronic Theses and Dissertations Title Performing Recovery: Music and Disaster Relief in Post-3.11 Japan Permalink https://escholarship.org/uc/item/9jm4z24b Author Kaneko, Nana Publication Date 2017 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA RIVERSIDE Performing Recovery: Music and Disaster Relief in Post-3.11 Japan A Dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Music by Nana Kaneko June 2017 Dissertation Committee: Dr. Deborah Wong, Chairperson Dr. Margherita Long Dr. René T.A. Lysloff Dr. Jonathan Ritter Dr. Christina Schwenkel Copyright by Nana Kaneko 2017 The Dissertation of Nana Kaneko is approved: Committee Chairperson University of California, Riverside Acknowledgements It took an enormous crew of supporters to make my research possible. What follows is just a brief recognition of those who have generously contributed to this journey. Infinite gratitude goes to my advisor, Deborah Wong, who believed in me throughout my six years as a graduate student at UCR. Thank you for constantly challenging me to take my work to the next level, and for enthusiastically guiding me and getting me to the completion of this project. I hope this dissertation is at least a small reflection of the ways in which you have shaped me as a scholar, thinker, and researcher. To my committee members: Mimi Long, René Lysloff, Jonathan Ritter, and Christina Schwenkel, I had the privilege of taking seminars with each of you that inspired me deeply and prepared me to embark on my fieldwork and research.
  • Production Offshoring and the Skill Composition of Italian Manufacturing Firms: a Counterfactual Analysis

    Production Offshoring and the Skill Composition of Italian Manufacturing Firms: a Counterfactual Analysis

    A Service of Leibniz-Informationszentrum econstor Wirtschaft Leibniz Information Centre Make Your Publications Visible. zbw for Economics Antonietti, Roberto; Antonioli, Davide Working Paper Production Offshoring and the Skill Composition of Italian Manufacturing Firms: A Counterfactual Analysis Nota di Lavoro, No. 97.2007 Provided in Cooperation with: Fondazione Eni Enrico Mattei (FEEM) Suggested Citation: Antonietti, Roberto; Antonioli, Davide (2007) : Production Offshoring and the Skill Composition of Italian Manufacturing Firms: A Counterfactual Analysis, Nota di Lavoro, No. 97.2007, Fondazione Eni Enrico Mattei (FEEM), Milano This Version is available at: http://hdl.handle.net/10419/74177 Standard-Nutzungsbedingungen: Terms of use: Die Dokumente auf EconStor dürfen zu eigenen wissenschaftlichen Documents in EconStor may be saved and copied for your Zwecken und zum Privatgebrauch gespeichert und kopiert werden. personal and scholarly purposes. Sie dürfen die Dokumente nicht für öffentliche oder kommerzielle You are not to copy documents for public or commercial Zwecke vervielfältigen, öffentlich ausstellen, öffentlich zugänglich purposes, to exhibit the documents publicly, to make them machen, vertreiben oder anderweitig nutzen. publicly available on the internet, or to distribute or otherwise use the documents in public. Sofern die Verfasser die Dokumente unter Open-Content-Lizenzen (insbesondere CC-Lizenzen) zur Verfügung gestellt haben sollten, If the documents have been made available under an Open gelten abweichend von diesen