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Simply Folk Sing-Along 2018 If I Had a Hammer If I Had a Hammer, I'd Hammer in the Morning, I'd Hammer in the Evening, All Over
Simply Folk Sing-Along 2018 If I Had a Hammer If I had a hammer, I'd hammer in the morning, I'd hammer in the evening, all over this land I'd hammer out danger, I'd hammer out a warning I'd hammer out love between my brothers and my sisters, all over this land If I had a bell, I'd ring it in the morning, I'd ring it in the evening, all over this land I'd ring out danger, I'd ring out a warning I'd ring out love between my brothers and my sisters, all over this land If I had a song, I'd sing it in the morning, I'd sing it in the evening, all over this land I'd sing out danger, I'd sing out a warning I'd sing out love between my brothers and my sisters, all over this land Well I've got a hammer, and I've got a bell, and I've got a song to sing, all over this land It's the hammer of justice, it's the bell of freedom It's the song about love between my brothers and my sisters, all over this land You Are My Sunshine The other night dear as I lay sleeping, I dreamed I held you in my arms, But when I woke dear I was mistaken, and I hung my head and I cried You are my sunshine, my only sunshine, you make me happy when skies are gray, You'll never know dear, how much I love you, please don't take my sunshine away I'll always love you and make you happy, if you will only say the same, But if you leave me and love another, you’ll regret it all someday You told me once dear, you really loved me, and no one could come between, But now you've left me to love another, you have shattered all of my dreams In all my dreams, dear, you seem to leave me; when I awake my poor heart pains So won’t you come back and make me happy, I’ll forgive, dear, I’ll take all the blame City of New Orleans Riding on the City of New Orleans, Illinois Central Monday morning rail Fifteen cars and fifteen restless riders, three conductors and twenty-five sacks of mail. -
I Sing Because I'm Free‖: Developing a Systematic Vocal Pedagogy For
―I Sing Because I‘m Free‖: Developing a Systematic Vocal Pedagogy for the Modern Gospel Singer D. M. A. Document Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Musical Arts in the Graduate School of The Ohio State University By Crystal Yvonne Sellers Graduate Program in Music The Ohio State University 2009 Dissertation Committee: Loretta Robinson, Advisor Karen Peeler C. Patrick Woliver Copyright by Crystal Yvonne Sellers 2009 Abstract ―I Sing Because I‘m Free‖: Developing a Systematic Vocal Pedagogy for the Modern Gospel Singer With roots in the early songs and Spirituals of the African American slave, and influenced by American Jazz and Blues, Gospel music holds a significant place in the music history of the United States. Whether as a choral or solo composition, Gospel music is accompanied song, and its rhythms, textures, and vocal styles have become infused into most of today‘s popular music, as well as in much of the music of the evangelical Christian church. For well over a century voice teachers and voice scientists have studied thoroughly the Classical singing voice. The past fifty years have seen an explosion of research aimed at understanding Classical singing vocal function, ways of building efficient and flexible Classical singing voices, and maintaining vocal health care; more recently these studies have been extended to Pop and Musical Theater voices. Surprisingly, to date almost no studies have been done on the voice of the Gospel singer. Despite its growth in popularity, a thorough exploration of the vocal requirements of singing Gospel, developed through years of unique tradition and by hundreds of noted Gospel artists, is virtually non-existent. -
Songs by Title
Karaoke Song Book Songs by Title Title Artist Title Artist #1 Nelly 18 And Life Skid Row #1 Crush Garbage 18 'til I Die Adams, Bryan #Dream Lennon, John 18 Yellow Roses Darin, Bobby (doo Wop) That Thing Parody 19 2000 Gorillaz (I Hate) Everything About You Three Days Grace 19 2000 Gorrilaz (I Would Do) Anything For Love Meatloaf 19 Somethin' Mark Wills (If You're Not In It For Love) I'm Outta Here Twain, Shania 19 Somethin' Wills, Mark (I'm Not Your) Steppin' Stone Monkees, The 19 SOMETHING WILLS,MARK (Now & Then) There's A Fool Such As I Presley, Elvis 192000 Gorillaz (Our Love) Don't Throw It All Away Andy Gibb 1969 Stegall, Keith (Sitting On The) Dock Of The Bay Redding, Otis 1979 Smashing Pumpkins (Theme From) The Monkees Monkees, The 1982 Randy Travis (you Drive Me) Crazy Britney Spears 1982 Travis, Randy (Your Love Has Lifted Me) Higher And Higher Coolidge, Rita 1985 BOWLING FOR SOUP 03 Bonnie & Clyde Jay Z & Beyonce 1985 Bowling For Soup 03 Bonnie & Clyde Jay Z & Beyonce Knowles 1985 BOWLING FOR SOUP '03 Bonnie & Clyde Jay Z & Beyonce Knowles 1985 Bowling For Soup 03 Bonnie And Clyde Jay Z & Beyonce 1999 Prince 1 2 3 Estefan, Gloria 1999 Prince & Revolution 1 Thing Amerie 1999 Wilkinsons, The 1, 2, 3, 4, Sumpin' New Coolio 19Th Nervous Breakdown Rolling Stones, The 1,2 STEP CIARA & M. ELLIOTT 2 Become 1 Jewel 10 Days Late Third Eye Blind 2 Become 1 Spice Girls 10 Min Sorry We've Stopped Taking Requests 2 Become 1 Spice Girls, The 10 Min The Karaoke Show Is Over 2 Become One SPICE GIRLS 10 Min Welcome To Karaoke Show 2 Faced Louise 10 Out Of 10 Louchie Lou 2 Find U Jewel 10 Rounds With Jose Cuervo Byrd, Tracy 2 For The Show Trooper 10 Seconds Down Sugar Ray 2 Legit 2 Quit Hammer, M.C. -
GRAM PARSONS LYRICS Compiled by Robin Dunn & Chrissie Van Varik
GRAM PARSONS LYRICS Compiled by Robin Dunn & Chrissie van Varik. As performed in principal recordings (or demos) by or with Gram Parsons or, in the case of Gram Parsons compositions, performed by others. Gram often varied, adapted or altered the lyrics to non-Parsons compositions; those listed here are as sung by him. Gram’s birth name was Ingram Cecil Connor III. However, ‘Gram Parsons’ is used throughout this document. Following his father’s suicide, Gram’s mother Avis subsequently married Robert Parsons, whose surname Gram adopted. Born Ingram Cecil Connor III, 5th November 1946 - 19th September 1973 and credited as being the founder of modern ‘country-rock’, Gram Parsons was hugely influenced by The Everly Brothers and included a number of their songs in his live and recorded repertoire – most famously ‘Love Hurts’, a truly wonderful rendition with a young Emmylou Harris. He also recorded ‘Brand New Heartache’ and ‘Sleepless Nights’ – also the title of a posthumous album – and very early, in 1967, ‘When Will I Be Loved’. Many would attest that ‘country-rock’ kicked off with The Everly Brothers, and in the late sixties the album Roots was a key and acknowledged influence, but that is not to deny Parsons huge role in developing it. Gram Parsons is best known for his work within the country genre but he also mixed blues, folk, and rock to create what he called “Cosmic American Music”. While he was alive, Gram Parsons was a cult figure that never sold many records but influenced countless fellow musicians, from the Rolling Stones to The Byrds. -
2020 TEMPLE FOOTBALL GAME NOTES Rich Burg | Asst
2020 TEMPLE FOOTBALL GAME NOTES Rich Burg | Asst. AD Football Communications Zachary Sterrett | Graduate Assistant [email protected] | 215-204-0876 (o) | 215-356-3952 (c) [email protected] | 302-379-3007 (c) Things to Look For This Week... Game 2: Temple (1-1, 1-1) vs. Memphis (2-1, 1-1) - Quarterback Anthony Russo needs one passing Memphis, Tenn. | Liberty Bowl Memorial Stadium | October 24, 2020 touchdown, 18 completions, and 68 passing yards to move into third place all-time in Temple history in those categories. THIS WEEK After their first win of the season, the Owls are back on the road this weekend as they travel to Tennessee to take on - Wide receiver Jadan Blue needs three receptions the Memphis Tigers on October 24. Kickoff is set for 12:00pm and will air on ESPN+ and 97.5 The Fanatic. and 48 yards to move into 11th and 21st all-time, re- spectively, in Temple history. LAST WEEK The Owls won their first game of the season last Saturday, defeating USF by a score of 39-37. Trailing by 11 points - Running back Re’Mahn Davis leads the AAC in rush- late in the third quarter, Temple scored three touchdowns in just over 11 minutes to retake the lead, 39-31, and then ing attempts per game (24). The sophomore rushed for stopped USF on its two-point try in the final minute to secure a win in its home opener at Lincoln Financial Field. 180 yards and one touchdown through two games. Temple quarterback Anthony Russo had another stellar offensive game, completing 30-of-42 passes for 270 yards and four touchdowns. -
Songs by Artist
YouStarKaraoke.com Songs by Artist 602-752-0274 Title Title Title 1 Giant Leap 1975 3 Doors Down My Culture City Let Me Be Myself (Wvocal) 10 Years 1985 Let Me Go Beautiful Bowling For Soup Live For Today Through The Iris 1999 Man United Squad Loser Through The Iris (Wvocal) Lift It High (All About Belief) Road I'm On Wasteland 2 Live Crew The Road I'm On 10,000 MANIACS Do Wah Diddy Diddy When I M Gone Candy Everybody Wants Doo Wah Diddy When I'm Gone Like The Weather Me So Horny When You're Young More Than This We Want Some PUSSY When You're Young (Wvocal) These Are The Days 2 Pac 3 Doors Down & Bob Seger Trouble Me California Love Landing In London 100 Proof Aged In Soul Changes 3 Doors Down Wvocal Somebody's Been Sleeping Dear Mama Every Time You Go (Wvocal) 100 Years How Do You Want It When You're Young (Wvocal) Five For Fighting Thugz Mansion 3 Doors Down 10000 Maniacs Until The End Of Time Road I'm On Because The Night 2 Pac & Eminem Road I'm On, The 101 Dalmations One Day At A Time 3 LW Cruella De Vil 2 Pac & Eric Will No More (Baby I'ma Do Right) 10CC Do For Love 3 Of A Kind Donna 2 Unlimited Baby Cakes Dreadlock Holiday No Limits 3 Of Hearts I'm Mandy 20 Fingers Arizona Rain I'm Not In Love Short Dick Man Christmas Shoes Rubber Bullets 21St Century Girls Love Is Enough Things We Do For Love, The 21St Century Girls 3 Oh! 3 Wall Street Shuffle 2Pac Don't Trust Me We Do For Love California Love (Original 3 Sl 10CCC Version) Take It Easy I'm Not In Love 3 Colours Red 3 Three Doors Down 112 Beautiful Day Here Without You Come See Me -
Tower 2007 Spring Edition 1
76 Tower 2007 Spring Edition 1 Starburst Tower If A magazine for the literary and visual arts in a shining twinkling night, you find a new luminescence glowing brighter stronger, surer, better you might have found me The night is never empty when I Close your eyes and I I am old, far older than you might think, am here. Blackness cannot will still be here. Heed older than even you could possibly stay when I am present. long enough and you’ll find imagine. Distant, immortal, I am the light, the pinprick in the sky, unblinking, unmoving, eternal; outlasting brightening brightly marking the way to the you and yours the dark moon, the planets, the sky, the galaxy by eons night for I am indeed a part of the universe still And I am the universe, but from Light. earth, to you, I am small; Point. That’s all I am, a small, insignificant, minute bit of light. A brief dis- trusting myself to none but missed turbance in an ocean of humanity, to you, to your speck deep midnight blues and willingness and ability royal purples. I am not to open your eyes, epellent; you welcome to gaze skyward me, glowing white and heavenward pure. I remind you on occasion of everything to see you should me be Volume LII Issue 2 Spring Edition Amelia Winchell Pinkerton Academy 5 Pinkerton Street Derry, NH 03038 2 Tower 2007 Spring Edition 75 Table of Contents Consumer Carnival Iris—Colored Pencil Courtney Weatherby Front Cover Relativity—Computer Graphic Lauren Shuffleton Title Page Spotlight On: flying pigs Patience Brian B 3 gutsy explorers wrangling for praise Sonnet—To Nature Amelia Winchell 4 wobbling excitedly Blossoming—Colored Pencil Courtney Weatherby 4 swimming in their greatest dreams The Silver Rose Kara Holbert 5 modeling their merit Boy With Asthma Anna Leocha 6 for the bubbling rabbles chanting oohs and ahs. -
Competitive Dynamics in the Online Video Streaming Industry
STREAMING WARS: COMPETITIVE DYNAMICS IN THE ONLINE VIDEO STREAMING INDUSTRY Jyväskylä University School of Business and Economics Master’s thesis 2020 Authors: Korhonen Aleksi & Rajala Janne International Business & Entrepreneurship Supervisor: Lamberg Juha-Antti ABSTRACT Authors Korhonen, Aleksi & Rajala, Janne Title of thesis Streaming Wars: Competitive Dynamics in the Online Video Streaming Industry Discipline Type of work International Business & Entrepreneurship Master’s thesis Time (month/year) Number of pages 06/2020 118+3 Abstract Digitalization and advances in technologies have changed the world in the past few dec- ades. This has affected consumer behaviour and developed new, more dynamic, indus- tries as well. As a result, competition is fiercer than ever, and competitive advantages are only temporary. This thesis builds on the literature of strategic management and compet- itive dynamics by exploring the competitive interaction of companies in the Subscription Video-on-Demand industry. We seek answers to how competitive advantages are pur- sued within the industry and how the strategic decisions of the companies differ from more traditional industries. To answer this, the press releases of several publicly listed U.S. based SVoD companies were collected and analysed through qualitative content analysis. After that, the connec- tions between the competitive actions were linked through event structure analysis to un- derstand how rivalry affects the companies within the industry. The results show that in contrast to traditional industries, competition in the growing SVoD industry revolves around content, which is enforced through resource building, co- creation, and to some extent, market expansion. The nature of competition is a defensive race to outperform others in the long run as big established companies are also entering the market. -
RCA Consolidated Series, Continued
RCA Discography Part 18 - By David Edwards, Mike Callahan, and Patrice Eyries. © 2018 by Mike Callahan RCA Consolidated Series, Continued 2500 RCA Red Seal ARL 1 2501 – The Romantic Flute Volume 2 – Jean-Pierre Rampal [1977] (Doppler) Concerto In D Minor For 2 Flutes And Orchestra (With Andraìs Adorjaìn, Flute)/(Romberg) Concerto For Flute And Orchestra, Op. 17 2502 CPL 1 2503 – Chet Atkins Volume 1, A Legendary Performer – Chet Atkins [1977] Ain’tcha Tired of Makin’ Me Blue/I’ve Been Working on the Guitar/Barber Shop Rag/Chinatown, My Chinatown/Oh! By Jingo! Oh! By Gee!/Tiger Rag//Jitterbug Waltz/A Little Bit of Blues/How’s the World Treating You/Medley: In the Pines, Wildwood Flower, On Top of Old Smokey/Michelle/Chet’s Tune APL 1 2504 – A Legendary Performer – Jimmie Rodgers [1977] Sleep Baby Sleep/Blue Yodel #1 ("T" For Texas)/In The Jailhouse Now #2/Ben Dewberry's Final Run/You And My Old Guitar/Whippin' That Old T.B./T.B. Blues/Mule Skinner Blues (Blue Yodel #8)/Old Love Letters (Bring Memories Of You)/Home Call 2505-2509 (no information) APL 1 2510 – No Place to Fall – Steve Young [1978] No Place To Fall/Montgomery In The Rain/Dreamer/Always Loving You/Drift Away/Seven Bridges Road/I Closed My Heart's Door/Don't Think Twice, It's All Right/I Can't Sleep/I've Got The Same Old Blues 2511-2514 (no information) Grunt DXL 1 2515 – Earth – Jefferson Starship [1978] Love Too Good/Count On Me/Take Your Time/Crazy Feelin'/Crazy Feeling/Skateboard/Fire/Show Yourself/Runaway/All Nite Long/All Night Long APL 1 2516 – East Bound and Down – Jerry -
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Glendon's Bilingual Newspaper • Volume 35 no. 15 Le lundi 11 mars 1996 • Journal bilingue de Glendon " Sij'étais Premier Ministre..." Julie Gauvin Le 25 février dernier, Trevor P.B.Moat, se voyait décerner la d'étude nationale, Trevor, réitère que de les poursuivre ou de les Bourse d'Étude Magna pour le Canada, d'une valéur totale de 10 le besoin immédiat de réformer la améliorer. Ilrapelleégalementque 000$, pour s'être nUs dans les chaussures de notre premier ministre méthode de taxation et la seule motivation des partis Results of the GCSU elections, canadien le temps d'une analyse. l'infrastructure canadiennes politiques demeure la réélection held before Reading Week. Trevor figurait parmi les conclusions de leurs réflexions sont, actuelles. Il observe que les de leur parti. Bref, il constate un dix finalistes régionaux retenus depuis, en vente chez les meilleurs objectifs à long terme sont manque flagrant de continuité et President par un échantillon de juges libraires. collectivement absents. Cela de cohésion au sein de l'Etat. Dawn Palin -224 indépendants dans le cadre du Le caractère particulier de ce s'explique par les changements Il propose par conséquent Marc Kroesen -40 concours national où les bouquin de 235 pages repose sans souvent drastiques de un modèle électoral graduel, où Other -9 participants devaient répondre à doute sur l'optimismedescandidats, gouvernementqui, àlasuite d'une les Canadiens, réunis selon leur Acclaimed: laquestion suivante: Si vous étiez qui ont su identifier les problèmes vietoire électorale, s'affaire plus région en quatre groupes Bd Gillis (Vice-President); premier ministre du Canada, que certes, mais ont surtout formulé des souvent à restructurer et réformer électoraux, auraientà élire surune PierreNaud(Academie Affairs); feriez-vous pour améliorer le solutions. -
Docuunt Moo* Sd 163 126 Jo 616 $32
DOCUUNT MOO* SD 163 126 JO 616 $32 AUTHOR Hilliard, Asa G., 111 TITLE Anatosy and Dynamics cf Oppressicn. PUB DATE 20 Jun 78 NOTE.. 26p.; Address delivered at the Natictal Ccnference on Human Relaticns in Education (1st, Binneapolis, Minnesota, June 20, 1576) EDOS PRICE NP-10.83 HC -$2.06 Plus Postage. DESCRIPTORS *Black History; *Colonialism; *Educaticna2 Discrimination; Educaticnal Quality; *Human Relations; Quality of Life; *Racial Discrimination; *Racism ABSTRACT . Education has traditionally been a tccl cf colonialists, who used it to destroy pecpleso catutal histories and to create new cultural myths (such as race) designs() to divide, demean, and debilitate the colonized gtcup. Han, concepts passed on through the educaticnal system and through ]anguage have contrituted to a fora of cultural mental illness in which the ckjectile realities of history and biolcgy are distorted by the colcnists biases. fluorin relations educators must select strategies tamed Co the tbecry cf oppression to direct their work towards causes, not synitees. In order to provide qua]ity education, they shculd not feel bound to ethnically prejudicial testing, but sbcu]d concinttate Ct2 (1) teaching the truth (not the myth) ;(2) sttessing historical continuity; (3) fostering self - determination and self-kncmledge; and (4) instilling the spirit of liberation, which is the kncmledge and, capacity to choose and create. (Authct/NI) **********************10000000******************010004******************* 41 Reproductions supplied by !DOS art the best thit cat to made * * from the original document. -.. looloievies******************oolovolooliwoops4sevialossesevilooloiessemoliessiommo, JAN 4 79 An Address Delivered at the First National Conference on Human Relations in Education s ovAittotost of ostLtos June 20, 1178, Minneapolis, MN. -
Individual Notes
INDIVIDUAL NOTES 2019 SEASON First name is pronounced dell-rick 2019: 2019: • Through nine games this season, he has rushed 91 times for 396 • Through nine games this season, he has recorded 39 total tackles yards and three touchdowns; he has also recorded nine receptions (21 solo), six pass breakups, three third down stops, two tackles for a total of 41 yards for zero, and one tackle for loss • Had his first career start against UCLA where he rushed 17 • Against Washington State, he recorded three tackles (two solo) times for a total of 77 yards; at 6-foot-2, he was the tallest player and one pass breakup to start a game at tailback for CU since Lawrence Vickers (6-2, 230), a natural fullback, who started against Oklahoma State in 2018: Boulder on Oct. 9, 2004; the last true tailback that tall was Chris • Recorded 44 tackles (36 solo) including one for a loss, as well Brown (6-3, 220) who started 10 games in 2002 as a team-high eight pass breakups in 10 games; missed games • He is the 15th freshman at Colorado to gain 300 or more against Washington and Utah due to injury • Against Arizona State Abrams had one of the plays of the game, rushing yards in a season (14th on the list) and is the 10th true deflecting away a pass in the end zone on a fourth down in the freshman to do so; his 396 yards are the ninth-most by a freshman fourth quarter; he also had four tackles in school history (8th most by a true freshman) • Followed up his debut with another impressive performance against Nebraska, recording nine tackles (six solo), including