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Dani Felber Big Band Explosion – Glenn Gould Plays Bach (3-DVD-Box), Sony Thank You Fos Stabe Z Fehlt
Das Schweizer Jazz & Blues Magazin Nov./Dez. 6/2012 S Schweiz CHF 11.– / Deutschland € 5.90 / Österreich € 6.10 , ROOT ‚ N BLUES ‘‘ NN ''MMOORREE MICHEL Legrand HowlIN’ WolF Andreas VARADY MATTHIAS SPILLMANN OMRI ZIegele FABIAN Anderhub DAVE FEUSI & FRIends STRAYMONK LESTER MENEZES Don LI'S OrbITAL Garden MALI MUSIC IIRO RANTALA Sarah BÜCHI ANSON Funderburgh Andrew HILL URS LEImgruber ChrIS MARK SATTLER MAX FRANKL ED PARTYKA WIesendanger ORIOXY AUS DEM Innern MEHR ALS 80 CD-BESPRECHUNGEN JNM_06_2012_01_def.indd 1 26.10.12 09:41 Andreas Homoki wird nicht ruhen, das Opernhaus Zürich neuen Künstlern und neuen Besuchern zu öffnen. Qualität. Das verbindet uns mit dem Intendanten des Opernhauses Zürich. Als eine der weltweit erfolgreichsten Bühnen zeigt das Opernhaus Zürich seit Jahren Opern und Ballette auf höchstem Niveau. Andreas Homoki sichert mit Zuhören, präzisen Analysen und harmonischem Zusammenspiel des ganzen Ensembles künstlerische Spitzenleistungen, die ein breites Publikum begeistern. Unermüdliches Streben nach dem Besten und leidenschaftliches Teamwork kennzeichnen auch unsere Arbeit für alle Kunden in der Schweiz. Deshalb unterstützt UBS das Opernhaus Zürich seit 1987 als Partner. Bis Sie von der Nachhaltigkeit unseres Engagements überzeugt sind, dürfen Sie sich auf eines verlassen: Wir werden nicht ruhen www.ubs.com/sponsoring Die Verwendung von Namen oder sonstiger Bezeichnungen Dritter in dieser Werbung erfolgt mit der entsprechenden Genehmigung. © UBS 2012. Alle Rechte vorbehalten. 10157_Ad Andreas Homoki Opernhaus Bühne - Publication Jazz'n'More_2012_10_12.indd 1 10/15/2012 4:03:21 PM JNM_06_2012_02-03.indd 2 26.10.12 09:43 EDITORIAL INHALT Andreas Homoki wird nicht ruhen, das Opernhaus Zürich neuen Künstlern und neuen Besuchern zu öffnen. -
JULIETA by Pedro Almodóvar
JULIETA by Pedro Almodóvar Julieta’s three houses in Madrid, at the three different stages in the story: House 1 is the one she shares with her daughter Antía, after Xoan’s death. 19, Fernando VI, Third Floor. From 1998 to 2006-2007. House 2 is the one to which she moves, after throwing out all the reminders of her daughter. A neutral, ugly neighborhood far from the center. Shortly after, Ava dies and Lorenzo appears in her life. 2006-2007 to 2016. House 3 is in the same building as House 1, 19, Fernando VI, Second Floor. Julieta moves there immediately after her encounter with Beatriz. At that moment she decides to stay in Madrid and not go to Portugal with Lorenzo. From 2016 to the end. 1. MADRID. JULIETA’S HOUSE 2. INT. IN THE MORNING. 2016. SPRING A red fabric fills the screen. Over it appear the opening credits. At first it gives a sensation of stillness, but with the insistence of the shot we discover that the fabric is moving, a slight, rhythmic movement. We discover that the fabric is the front of a dress and that Julieta’s heart is beating inside it. Julieta, an attractive woman of 55, independent and full of determination, a mixture of timidity and daring, fragility and courage. Blond. She is sitting next to a bookcase, surrounded by cardboard boxes, the kind used for moving house. She picks up a sculpture of naked, seated man, with the color and texture of terracotta (some 8 inches high), and wraps it carefully in bubble wrap. -
Neglected Literature: an Experimental Curriculum Resource Bulletin for Secondary Schools
DEPARTMENT OF HEALTH. EDUCATION, AND WELFARE . OE FORM 6000, 2/69 OFFICE OF EDUCATION fr-cd-Utt ERIC ACC. NO. tallt.... I. FCC.UMt. ED 032 315 IS DOCUMENTCOPYRIGHTED? YES 0 NOEl CH ACC. NO. P.A.PUBL. DATEno 7`EPICREPRODUCTIONRELEASE? YESIIINOEa TE 001 546 56r ILEVELOF AVAILABILITY I I I I I AUTHOR TITLE Neglected Literature: An Experimental Curriculum Resource Bulletin for Secondary Schools. SOURCECODEINSTITUTION(SOURCE) FGK22275 SP. AG. CODESPONSORING AGENCY EDRS PRICE CONTRACT NO. GRANT NO. 0.25;2.55 REPORT NO. BUR EAU NO. AVAILABILITY JOURNAL CITATION DESCRIPTIVE NOTE 49p. DESCRIPTORS *Negro Literature; *English Instruction; *Instructional Materials; *Teaching Guides; Literature Appreciation; Negro History; Negro Culture; Negroes; African American Studies; Novels; Short Stories; Poetry; Drama; Essays; Biographies; American Literature; Chronicles . IDENTIFIERS 1 ABSTRACT The materials presented in this teaching guide for Negro literature, prepared under an ESEA Title 3 grant, were collected for inclusion into the traditional English . curriculum "to enable students to regard the works of .Negro writers as a' sharing of diversified human experiences." Sample units on the novel, slave narration, short story,' poetry, drama,'essay, biography; and argumentation and debate illustrate how literature of the Negro may be used in planning lessons. One or more literary works are reviewed in each unit which also lists questions and activities for class discussion. Following each unit are short bibliographies that suggest alternatives , to the units presented. (LH) . We acknowledge with appreciation theservice of Mr. James E. Taylor, Deputy Director Educational Resources Center and. Staff in duplicating and collating thispamphlet. 59 77". ^It U.S. DEPARTMENT OF HEALTH, EDUCATION & WELFARE OFFICE OF EDUCATION THIS DOCUMENT HAS BEEN REPRODUCED EXACTLY AS RECEIVED FROM THE LC1 PERSON OR ORGANIZATION ORIGINATING IT.POINTS OF VIEW OR OPINIONS r-4 STATED DO NOT NECESSARILY REPRESENT OFFICIAL OFFICE OF EDUCATION 141 POSITION OR POLICY. -
Focus 2020 Pioneering Women Composers of the 20Th Century
Focus 2020 Trailblazers Pioneering Women Composers of the 20th Century The Juilliard School presents 36th Annual Focus Festival Focus 2020 Trailblazers: Pioneering Women Composers of the 20th Century Joel Sachs, Director Odaline de la Martinez and Joel Sachs, Co-curators TABLE OF CONTENTS 1 Introduction to Focus 2020 3 For the Benefit of Women Composers 4 The 19th-Century Precursors 6 Acknowledgments 7 Program I Friday, January 24, 7:30pm 18 Program II Monday, January 27, 7:30pm 25 Program III Tuesday, January 28 Preconcert Roundtable, 6:30pm; Concert, 7:30pm 34 Program IV Wednesday, January 29, 7:30pm 44 Program V Thursday, January 30, 7:30pm 56 Program VI Friday, January 31, 7:30pm 67 Focus 2020 Staff These performances are supported in part by the Muriel Gluck Production Fund. Please make certain that all electronic devices are turned off during the performance. The taking of photographs and use of recording equipment are not permitted in the auditorium. Introduction to Focus 2020 by Joel Sachs The seed for this year’s Focus Festival was planted in December 2018 at a Juilliard doctoral recital by the Chilean violist Sergio Muñoz Leiva. I was especially struck by the sonata of Rebecca Clarke, an Anglo-American composer of the early 20th century who has been known largely by that one piece, now a staple of the viola repertory. Thinking about the challenges she faced in establishing her credibility as a professional composer, my mind went to a group of women in that period, roughly 1885 to 1930, who struggled to be accepted as professional composers rather than as professional performers writing as a secondary activity or as amateur composers. -
Quick Guide to the Eurovision Song Contest 2018
The 100% Unofficial Quick Guide to the Eurovision Song Contest 2018 O Guia Rápido 100% Não-Oficial do Eurovision Song Contest 2018 for Commentators Broadcasters Media & Fans Compiled by Lisa-Jayne Lewis & Samantha Ross Compilado por Lisa-Jayne Lewis e Samantha Ross with Eleanor Chalkley & Rachel Humphrey 2018 Host City: Lisbon Since the Neolithic period, people have been making their homes where the Tagus meets the Atlantic. The sheltered harbour conditions have made Lisbon a major port for two millennia, and as a result of the maritime exploits of the Age of Discoveries Lisbon became the centre of an imperial Portugal. Modern Lisbon is a diverse, exciting, creative city where the ancient and modern mix, and adventure hides around every corner. 2018 Venue: The Altice Arena Sitting like a beautiful UFO on the banks of the River Tagus, the Altice Arena has hosted events as diverse as technology forum Web Summit, the 2002 World Fencing Championships and Kylie Minogue’s Portuguese debut concert. With a maximum capacity of 20000 people and an innovative wooden internal structure intended to invoke the form of Portuguese carrack, the arena was constructed specially for Expo ‘98 and very well served by the Lisbon public transport system. 2018 Hosts: Sílvia Alberto, Filomena Cautela, Catarina Furtado, Daniela Ruah Sílvia Alberto is a graduate of both Lisbon Film and Theatre School and RTP’s Clube Disney. She has hosted Portugal’s edition of Dancing With The Stars and since 2008 has been the face of Festival da Cançao. Filomena Cautela is the funniest person on Portuguese TV. -
Gleeks Rejoice! Alex Newell to Perform with Boston Gay Men's
Gleeks Rejoice! Alex Newell to Perform with Boston Gay Men’s Chorus Courtesy of Boston Gay Men’s Chorus Just in time for Pride, Boston Gay Men’s Chorus will perform “Can’t Stop the Beat,” the biggest production in its 32-year history, on June 12, 13, and 15 at New England Conservatory’s Jordan Hall. The concerts feature Alex Newell who stars as the show-stopping transgender teen Wade “Unique” Adams on FOX’s hit series Glee. Newell will also share the stage with the Chorus June 7 in his hometown of Lynn for a special Outreach Concert at Lynn Auditorium, part of the Chorus’s mission of community engagement. Proceeds from the concert will be donated to 13 LGBT-related and North Shore nonprofits (AIDS Action Committee, Children's Law Center of MA, Boys and Girls Club of Lynn, Cerebral Palsy of Eastern MA, Family & Children's Services, Girls, Inc., YMCA of Metro North, Gregg Neighborhood House, Straight Ahead Ministries, Mass. Coalition for the Homeless, RAW Artworks, Catholic Charities North, and Camp Fire of the North Shore). In this Q&A, Boston Gay Men’s Chorus Music Director Reuben M. Reynolds III takes us through the show! Q: Collaborating with Alex Newell sounds pretty exciting. What can audiences expect? A: Alex has such an amazing story. He’s from Lynn and he competed on a TV show called The Glee Project. As one of the winners he was cast in an episode of Glee. Well, everyone loved him so much he’s now a regular cast member. -
FROGS OPEN GRID YEAR SATURDAY SUNRISE at Frogland! Does It Warm Your Heart? the Fair, Old Place Is Offering Sincere and Happy NORMAL TEAM Welcome to Everybody
Start the Year Get the Spirit, Right, Frogs Freshmen THE \. y TEXAS CHRISTIAN UNIVERSITY Vol. 24. I OUT WORTH, TKXAS, SKI'TEMMKK 23, 1925. No. 1 FROGS OPEN GRID YEAR SATURDAY SUNRISE at Frogland! Does it warm your heart? The fair, old place is offering sincere and happy NORMAL TEAM welcome to everybody. And every- PRESIDENTS RECEPTION EVENT OF WEEK body is more than glad to see the FACES BELL'S friendly face of the Alma Mater once more. To the new student that face ANNUAL FETE BEGINS THIRD YEAR NEW LINE COACH FAST CHARGES in merely handsome; the aspect of P ? the same face carries a deeper mean* WILL ATTRACT Madison Hell. I Fort Worth LCO Kdwin Kubale, formerly of Cen- Easl Texas Teachers' School wig for the old student. loot.M.i and baiketball product at tre college, Joined the athletic Furnishes First (.ante of Centre college, has started in on Ktaff of T. <\ I . this fall to Mir Purple's Football Season. FROM Canada to the Gulf, from LOCAL PEOPLE Itis third year as head roach ol IIU "resident Edward McShane \\ altt coed Jamei, n bo is BOH P ■ t it I ei Thunder,or voices booming Charleston to Frisco, students I he Horned Frogs. Saturday he r ;is University. Possessed of an have come (and are yet coming) like Invitations Extended to All will lead T. ('. I', into the first T11K session of l!tii. >-2(> has come upon us with a rush of sbnndance of line material, m a ■ a I .am' I'm pie clad warriors • Mm filings to a magnet. -
An Interdisciplinary Journal of Undergraduate Research
Knighted An Interdisciplinary Journal of Undergraduate Research 2021 Issue 4 Table of Contents Table of Contents………………………………………………………………………………….1 Introduction Welcome, Editorial Board, Mission, Submission Guidelines…………………………….2 Shakespeare’s Socioeconomics of Sack: Elizabethan vs. Jacobean as depicted by Falstaff in Henry IV, Part I, Christopher Sly in The Taming of the Shrew, and Stephano in The Tempest…………………………………………………………………………….Sierra Stark Stevens…4 The Devil Inside……...……………………………………………………...Sarah Istambouli...18 Blade Runner: The Film that Keeps on Giving…………………………..………Reid Vinson...34 Hiroshima and Nagasaki: A Necessary Evil….……………………..…………….Peter Chon…42 When Sharing Isn’t Caring: The Spread of Misinformation Post-Retweet/Share Button ……………………………………………………………...…………………Johnathan Allen…52 Invisible Terror: How Continuity Editing Techniques Create Suspense in The Silence of the Lambs…………………………………………………………………………..……..Garrentt Duffey…68 The Morality of Science in “Rappaccini’s Daughter” and Nineteenth- CenturyAmerica…………………………………………………………………Eunice Chon…76 Frederick Douglass: The Past, Present, and Future…………………………...Brenley Gunter…86 Identity and Color Motifs in Moonlight………………………………..................Anjunita Davis…97 Queerness as a Rebel’s Cause……………….………………………….Sierra Stark Stevens…108 The Deadly Cost of Justification: How the Irish Catholic Interpretation of the British Response to “Bloody Sunday” Elicited Outrage and Violence, January–April 1972……Garrentt Duffey…124 Steve Biko and the Black Consciousness Movement: How Young Students -
ARTIST INDEX(Continued)
ChartARTIST Codes: CJ (Contemporary Jazz) INDEXINT (Internet) RBC (R&B/Hip-Hop Catalog) –SINGLES– DC (Dance Club Songs) LR (Latin Rhythm) RP (Rap Airplay) –ALBUMS– CL (Traditional Classical) JZ (Traditional Jazz) RBL (R&B Albums) A40 (Adult Top 40) DES (Dance/Electronic Songs) MO (Alternative) RS (Rap Songs) B200 (The Billboard 200) CX (Classical Crossover) LA (Latin Albums) RE (Reggae) AC (Adult Contemporary) H100 (Hot 100) ODS (On-Demand Songs) STS (Streaming Songs) BG (Bluegrass) EA (Dance/Electronic) LPA (Latin Pop Albums) RLP (Rap Albums) ARB (Adult R&B) HA (Hot 100 Airplay) RB (R&B Songs) TSS (Tropical Songs) BL (Blues) GA (Gospel) LRS (Latin Rhythm Albums) RMA (Regional Mexican Albums) CA (Christian AC) HD (Hot Digital Songs) RBH (R&B Hip-Hop) XAS (Holiday Airplay) MAY CA (Country) HOL (Holiday) NA (New Age) TSA (Tropical Albums) CS (Country) HSS (Hot 100 Singles Sales) RKA (Rock Airplay) XMS (Holiday Songs) CC (Christian) HS (Heatseekers) PCA (Catalog) WM (World) CST (Christian Songs) LPS (Latin Pop Songs) RMS (Regional Mexican Songs) 16 CCA (Country Catalog) IND (Independent) RBA (R&B/Hip-Hop) DA (Dance/Mix Show Airplay) LT (Hot Latin Songs) RO (Hot Rock Songs) 2020 $NOT HS 23 BILLY STRINGS BG 1 CONRO DA 24 FLEETWOOD MAC B200 60, 182; INT 14; SIERRA HULL BG 6 ADAM LAMBERT RO 46 THE 1975 MO 17; RKA 25; RO 16, 38 BLACKBEAR A40 37; H100 43; HA 26; RO 48 BRADLEY COOPER B200 167; STX 6 PCA 5 SAM HUNT B200 28; CA 5, 35; CS 9, 10; H100 MIRANDA LAMBERT CA 31; CS 12, 15; H100 220 KID DA 10; DES 48 BLACKPINK WM 10 BOB CORRITORE BL 14 FLIPP -
Hearing Voices
January 4 - 10, 2020 www.southernheatingandac.biz/ Hearing $10.00 OFF voices any service call one per customer. Jane Levy stars in “Zoey’s Extraordinary Playlist” 910-738-70002105-A EAST ELIZABETHTOWN RD CARDINAL HEART AND VASCULAR PLLC Suriya Jayawardena MD. FACC. FSCAI Board Certified Physician Heart Disease, Leg Pain due to poor circulation, Varicose Veins, Obesity, Erectile Dysfunction and Allergy clinic. All insurances accepted. Same week appointments. Friendly Staff. Testing done in the same office. Plan for Healthy Life Style 4380 Fayetteville Rd. • Lumberton, NC 28358 Tele: 919-718-0414 • Fax: 919-718-0280 • Hours of Operation: 8am-5pm Monday-Friday Page 2 — Saturday, January 4, 2020 — The Robesonian A penny for your songs: ‘Zoey’s Extraordinary Playlist’ premieres on NBC By Sachi Kameishi like “Glee” and “Crazy Ex-Girl- narrates the first trailer for the One second, Zoey’s having a ters who transition from dialogue chance to hear others’ innermost TV Media friend” and a stream of live-ac- show, “... what she got, was so regular conversation with her to song as though it were noth- thoughts through music, a lan- tion Disney remakes have much more.” best friend, Max, played by Skylar ing? Taking it at face value, peo- guage as universal as they come f you’d told me a few years ago brought the genre back into the In an event not unlike your Astin (“Pitch Perfect,” 2012). ple singing and dancing out of — a gift curious in that it sends Ithat musicals would be this cul- limelight, and its rebirth spans standard superhero origin story, Next thing she knows, he’s sing- nowhere is very off-putting and her on a journey that doesn’t nec- turally relevant in 2020, I would film, television, theater and pod- an MRI scan gone wrong leaves ing and dancing to the Jonas absurd, right? Well, “Zoey’s Ex- essarily highlight her own voice have been skeptical. -
JUN 2016 HITLIST Content Warning COMPILED from MEDIA CHARTS and FEEDBACK the Industry's #1 Source for Music & Music Video
Content Warning JUN 2016 HITLIST Content Warning COMPILED FROM MEDIA CHARTS AND FEEDBACK The Industry's #1 Source For WWW.PROMOONLY.COM Music & Music Video RADIO / TOP 40 DANCE / CLUB 1 Can't Stop The Feeli... Justin Timberlake MSR0616 1 Under These Lights Xenia Ghali MSC0516 2 Don't Let Me Down The Chainsmokers MSR0416 2 Faded Alan Walker MSC0616 3 Work From Home Fifth Harmony MSR0416 3 Don't Let Me Down The Chainsmokers f./Daya MSC0416 4 One Dance Drake MSR0516 4 Freak R3hab & Quintino MSC0616 5 Dangerous Woman Ariana Grande MSR0516 5 Kill The Lights Alex Newell, Jess Glynne & DJ... MSC0616 6 I Took A Pill In Ibi... Mike Posner MSR0216 6 La La Land DVBBS & Shaun Frank f./Delane... MSC0616 7 This Is What You Cam... Calvin Harris MSR0616 7 Light It Up Major Lazer f./Nyla MSC0516 8 7 Years Lukas Graham MSR0216 8 Hey Fais f./Afrojack MSC0616 9 Pillowtalk Zayn MSR0316 9 Can't Go Home Steve Aoki & Felix Jaehn f./A... RC0616 10 Close Nick Jonas MSR0516 10 Coming Over Dillon Francis & Kygo f./Jame... MSC0316 11 Let It Go James Bay MSR0216 11 Feel This Way Philip George f./Dragonette MSC0516 12 Ride Twenty One Pilots MSR0516 12 The Pop Kids Pet Shop Boys MSC0516 13 Cheap Thrills Sia MSR0416 13 No Good Joe Maz & Scotty Boy f./Krist... MSC0516 14 Never Forget You Zara & Mnek Larsson MSR0216 14 Sound Of Your Heart Shawn Hook MSC0316 15 Just Like Fire Pink MSR0616 15 I Don't Wanna Love Y... Prince Fox f./Melody Noel MSC0516 16 Wild Things Alessia Cara MSR0316 16 Something About You Da Buzz MSC0516 17 Kill Em With Kindnes.. -
Simply Folk Sing-Along 2018 If I Had a Hammer If I Had a Hammer, I'd Hammer in the Morning, I'd Hammer in the Evening, All Over
Simply Folk Sing-Along 2018 If I Had a Hammer If I had a hammer, I'd hammer in the morning, I'd hammer in the evening, all over this land I'd hammer out danger, I'd hammer out a warning I'd hammer out love between my brothers and my sisters, all over this land If I had a bell, I'd ring it in the morning, I'd ring it in the evening, all over this land I'd ring out danger, I'd ring out a warning I'd ring out love between my brothers and my sisters, all over this land If I had a song, I'd sing it in the morning, I'd sing it in the evening, all over this land I'd sing out danger, I'd sing out a warning I'd sing out love between my brothers and my sisters, all over this land Well I've got a hammer, and I've got a bell, and I've got a song to sing, all over this land It's the hammer of justice, it's the bell of freedom It's the song about love between my brothers and my sisters, all over this land You Are My Sunshine The other night dear as I lay sleeping, I dreamed I held you in my arms, But when I woke dear I was mistaken, and I hung my head and I cried You are my sunshine, my only sunshine, you make me happy when skies are gray, You'll never know dear, how much I love you, please don't take my sunshine away I'll always love you and make you happy, if you will only say the same, But if you leave me and love another, you’ll regret it all someday You told me once dear, you really loved me, and no one could come between, But now you've left me to love another, you have shattered all of my dreams In all my dreams, dear, you seem to leave me; when I awake my poor heart pains So won’t you come back and make me happy, I’ll forgive, dear, I’ll take all the blame City of New Orleans Riding on the City of New Orleans, Illinois Central Monday morning rail Fifteen cars and fifteen restless riders, three conductors and twenty-five sacks of mail.