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Summer 2017 • Volume 26 • Number 2
sUMMER 2017 • Volume 26 • Number 2 Welcome Home “Son, we’re moving to Oregon.” Hearing these words as a high school freshman in sunny Southern California felt – to a sensitive teenager – like cruel and unusual punishment. Save for an 8-bit Oregon Trail video game that always ended with my player dying of dysentery, I knew nothing of this “Oregon.” As proponents extolled the virtues of Oregon’s picturesque Cascade Mountains, I couldn’t help but mourn the mountains I was leaving behind: Space, Big Thunder and the Matterhorn (to say nothing of Splash, which would open just months after our move). I was determined to be miserable. But soon, like a 1990s Tom Hanks character trying to avoid falling in love with Meg Ryan, I succumbed to the allure of the Pacific Northwest. I learned to ride a lawnmower (not without incident), adopted a pygmy goat and found myself enjoying things called “hikes” (like scenic drives without the car). I rafted white water, ate pink salmon and (at legal age) acquired a taste for lemon wedges in locally produced organic beer. I became an obnoxiously proud Oregonian. So it stands to reason that, as adulthood led me back to Disney by way of Central Florida, I had a special fondness for Disney’s Wilderness Lodge. Inspired by the real grandeur of the Northwest but polished in a way that’s unmistakably Disney, it’s a place that feels perhaps less like the Oregon I knew and more like the Oregon I prefer to remember (while also being much closer to Space Mountain). -
Mega-Renters: Who Are They and How Do They Operate?
UNLV Theses, Dissertations, Professional Papers, and Capstones 12-1-2012 Mega-renters: Who are they and how do they operate? Stefan William Cosentino University of Nevada, Las Vegas Follow this and additional works at: https://digitalscholarship.unlv.edu/thesesdissertations Part of the Real Estate Commons, and the Recreation Business Commons Repository Citation Cosentino, Stefan William, "Mega-renters: Who are they and how do they operate?" (2012). UNLV Theses, Dissertations, Professional Papers, and Capstones. 1719. http://dx.doi.org/10.34917/4332700 This Dissertation is protected by copyright and/or related rights. It has been brought to you by Digital Scholarship@UNLV with permission from the rights-holder(s). You are free to use this Dissertation in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This Dissertation has been accepted for inclusion in UNLV Theses, Dissertations, Professional Papers, and Capstones by an authorized administrator of Digital Scholarship@UNLV. For more information, please contact [email protected]. MEGA-RENTERS: WHO ARE THEY AND HOW DO THEY OPERATE by Stefan William Cosentino Bachelor of Arts University of Massachusetts, Amherst 1994 Masters of Business Administration Rollins College 2002 A dissertation submitted in partial fulfillment of the requirements for -
Dining Discounts Brought to You By
2 1 - 10% discount on dinner. dinner. on discount 10% - Citricos • Fresh Mediterranean Mediterranean Fresh • Disney's Grand Floridian Resort & Spa - - Spa & Resort Floridian Grand Disney's • The Fountain Fountain The dinner. or lunch breakfast, on discount 10% • Cabana Bar & Grill Grill & Bar Cabana - - Restaurant End Trail's - Campground Notes: • Disney's Fort Wilderness Resort & & Resort Wilderness Fort Disney's at the following restaurants: restaurants: following the at - 10% off your breakfast, lunch and dinner. dinner. and lunch breakfast, your off 10% - U.S. holidays. Members receive a 20% discount discount 20% a receive Members holidays. U.S. restaurants. restaurants. Brought to you by you to Brought • Wave The - Resort Contemporary Disney's noted otherwise. Discounts not valid on major major on valid not Discounts otherwise. noted information and a full list of participating participating of list full a and information discount for breakfast or dinner. dinner. or breakfast for discount gratuities, tax and alcoholic beverages, unless unless beverages, alcoholic and tax gratuities, visit our Tables in Wonderland for important important for Wonderland in Tables our visit • - 10% 10% - Kouzzina - Resort Boardwalk Discount applies to food only and do not include include not do and only food to applies Discount time of purchase. Other restrictions apply. Please Please apply. restrictions Other purchase. of time discount for dinner. dinner. for discount Valid Disney Vacation Club ID required at the the at required ID Club Vacation Disney Valid • - 10% 10% - Fish Flying - Resort Boardwalk Swan and Dolphin Hotels Hotels Dolphin and Swan Downtown Disney Area Guest Relations location. location. Relations Guest Area Disney Downtown 10% discount on lunch and dinner. -
Kristina Reed Joins the Madison Square Garden Company As Senior Vice President, Creative Development and Strategy
Kristina Reed Joins the Madison Square Garden Company as Senior Vice President, Creative Development and Strategy July 22, 2019 NEW YORK, July 22, 2019 (GLOBE NEWSWIRE) -- The Madison Square Garden Company (NYSE:MSG) today announced that Academy Award- winning producer and creator, Kristina Reed, has joined MSG as Senior Vice President, Creative Development and Strategy. In this newly-created position, Ms. Reed will drive the development of creative content for the Company’s state-of-the-art MSG Sphere venues, which will utilize cutting-edge, immersive technology and compelling, multi-sensory storytelling to revolutionize the entertainment experience. Kristina Reed Joins The Madison Square Garden Company As Senior Vice President, Creative Development And Strategy Ms. Reed will be responsible for developing and implementing a slate of content for MSG Sphere venues, from conception to execution. She will work closely with internal and external teams to identify, evaluate and oversee creative development prospects; greenlight content to production; and establish and develop a sustainable digital pipeline for content delivery. Ms. Reed will be charged with developing these projects for both MSG Sphere, as well as other commercial clients. MSG anticipates that the first MSG Sphere, which is currently under construction in Las Vegas, will be completed during calendar year 2021, followed by the second MSG Sphere in London, which is expected approximately a year later, pending necessary approvals. Ms. Reed will report to Jennifer Vogt, President, Creative Content and Production, who recently joined MSG to oversee MSG’s overall content strategy and development for MSG Sphere and other production assets. Ms. Vogt joined MSG from Walt Disney Imagineering after successfully spearheading show design and production for Star Wars, “Galaxy’s Edge,” Disney’s largest single-themed land expansion in its history. -
A Critical Ideological Analysis of Mass Mediated Language
Western Michigan University ScholarWorks at WMU Master's Theses Graduate College 8-2006 Democracy, Hegemony, and Consent: A Critical Ideological Analysis of Mass Mediated Language Michael Alan Glassco Follow this and additional works at: https://scholarworks.wmich.edu/masters_theses Part of the Mass Communication Commons Recommended Citation Glassco, Michael Alan, "Democracy, Hegemony, and Consent: A Critical Ideological Analysis of Mass Mediated Language" (2006). Master's Theses. 4187. https://scholarworks.wmich.edu/masters_theses/4187 This Masters Thesis-Open Access is brought to you for free and open access by the Graduate College at ScholarWorks at WMU. It has been accepted for inclusion in Master's Theses by an authorized administrator of ScholarWorks at WMU. For more information, please contact [email protected]. DEMOCRACY, HEGEMONY, AND CONSENT: A CRITICAL IDEOLOGICAL ANALYSIS OF MASS MEDIA TED LANGUAGE by Michael Alan Glassco A Thesis Submitted to the Faculty of the Graduate College in partial fulfillment'of the requirements for the Degreeof Master of Arts School of Communication WesternMichigan University Kalamazoo, Michigan August 2006 © 2006 Michael Alan Glassco· DEMOCRACY,HEGEMONY, AND CONSENT: A CRITICAL IDEOLOGICAL ANALYSIS OF MASS MEDIATED LANGUAGE Michael Alan Glassco, M.A. WesternMichigan University, 2006 Accepting and incorporating mediated political discourse into our everyday lives without conscious attention to the language used perpetuates the underlying ideological assumptions of power guiding such discourse. The consequences of such overreaching power are manifestin the public sphere as a hegemonic system in which freemarket capitalism is portrayed as democratic and necessaryto serve the needs of the public. This thesis focusesspecifically on two versions of the Society of ProfessionalJournalist Codes of Ethics 1987 and 1996, thought to influencethe output of news organizations. -
Trócaire and Development Education
G356 Trocaire and Dev Education:Layout 1 02/02/2009 13:32 Page 1 TRÓCAIRE AND DEVELOPMENT EDUCATION: Remembering the Past, Signposting the Future SHEILA DILLON G356 Trocaire and Dev Education:Layout 1 02/02/2009 13:32 Page 2 Trócaire and Development Education: Remembering the Past, Signposting the Future © Trócaire 2009 Editor: Fergus Mulligan Trócaire The Irish Catholic Agency for World Development Maynooth, Co. Kildare, Ireland Tel. +353 1 629 3333; fax +353 1 629 0661 e-mail: [email protected] Trócaire website: www.trocaire.org Dublin City Resource Centre 12 Cathedral Street, Dublin 1 Tel/Fax: + 353 1 874 3875 Northern Ireland Resource Centre 50 King Street, Belfast BT1 6AD Tel. + 44 28 9080 8030 Fax. +44 28 9080 8031 Trócaire Resource Centre 9 Cook Street, Cork Tel. + 353 21 427 5622 Fax. +353 21 427 1874 Trócaire’s Resource Centres, in Belfast, Cork and Dublin, contain a range of development education materials for students, teachers and those interested in global development issues. Advice on the best use of these resources is also available through Trócaire’s education team. Designed and printed by Genprint (Ireland) Ltd. G356 Trocaire and Dev Education:Layout 1 02/02/2009 13:32 Page 3 Contents Foreword LLLLLLLLLLLJustin Kilcullen 5 Chapter 1 Introduction 7 Chapter 2 The Beginnings of Trócaire’s Development Education Programme 9 Chapter 3 Primary Education 15 Chapter 4 Early Years Education 21 Chapter 5 Post-primary Education 25 Chapter 6: Youth 31 Chapter 7 Adult Education 35 Chapter 8: Trade Unionists 39 Chapter 9: The Wider Development -
Winter 2009 Vol. 18 No. 4 Disney Files Magazine Is Published by the Good People at I Look at This Edition of Disney Files Magazine, and I See a World of Laughter
Winter 2009 vol. 18 no. 4 Disney Files Magazine is published by the good people at I look at this edition of Disney Files Magazine, and I see a world of laughter. A world of Disney Vacation Club tears. A world of hope. A world of fears. (Well maybe not tears or fears, but stay with me.) P.O. Box 10350 I’m reminded that there’s so much that we share. That it’s time we’re aware. Sing it with me Lake Buena Vista, FL 32830 now. “It’s a small world after all.” To help celebrate the debut of Disney Vacation Club’s first California resort (cover and All dates, times, events and prices pages 2-4), we’ve reached beyond our home state of Florida to deliver a broader mix of news printed herein are subject to change without notice. (Our lawyers and perspectives than ever. This puppy’s so global and happy that it should’ve been delivered do a happy dance when we say that.) by a pack of singing dolls. (Stupid budget constraints.) Let’s begin our journey in the aforementioned Golden State, where D23, the official MOVING? community for Disney fans, recently hosted the first D23 Expo. Fans gathered. News broke. Update your mailing address Films premiered. Legends were crowned. (Or inducted. But we think there should’ve been online at www.dvcmember.com crowns.) And your Disney Files staff recorded the highlights for those unable to attend (pages 5-6). Perhaps you were too busy sailing on the S.S. Member Cruise to attend the MEMBERSHIP QUESTIONS? Expo. -
Public Advocate Runoff Election on Tuesday
Twitter.com Facebook.com/ Volume 59, No. 121 TUESDAY, OCTOBER 1, 2013 w BrooklynEagle.com BrooklynEagle @BklynEagle 50¢ BROOKLYN TODAY DUMBO Arts OCT.1 Fest: Arts From Good morning. Today is the 284th day of the year. The Brooklyn Daily Eagle Many Cultures, of Oct. 1, 1899, carried an advertisement from J. Con- klin and Sons, a Brooklyn high-end retailer. Adver- And Zany Fun tised were “rich black ART IN ITS MYRIAD FORMS silks,” “colored novelty silks,” plaids, broadcloths, took over DUMBO’s streets, camel hair fabric and “the garages, galleries and stu- latest McCall’s patterns for dios this weekend at the 10 and 15 cents.” DUMBO Arts Festival, and thousands visited the Well-known people who neighborhood to take in were born today include the sights and sounds. A singer-actress Julie Andrews joyous Bubbles of Hope (“Mary Poppins”), Hall of procession spilled over the Fame baseball player Rod entire neighborhood, and Carew, former President Jimmy Carter, former base- local artists opened their ball player Mark McGwire seldom-seen studios to and actor Randy Quaid the public. See more pho- (“Brokeback Mountain,” tos, page 5. “Independence Day”). Photo by Mary Frost BOOK BEAT Public Advocate Runoff Election on Tuesday By Mary Frost position can be a powerful one: Brooklyn Daily Eagle the public advocate is second On Tuesday Democrats in line should the mayor be- are voting in the runoff elec- come sick or incapacitated, and tion primary for New York the position is seen as a step- City public advocate. pingstone for a future run for Leticia James, (currently the Mayor’s office. -
To Infinity and Back Again: Hand-Drawn Aesthetic and Affection for the Past in Pixar's Pioneering Animation
To Infinity and Back Again: Hand-drawn Aesthetic and Affection for the Past in Pixar's Pioneering Animation Haswell, H. (2015). To Infinity and Back Again: Hand-drawn Aesthetic and Affection for the Past in Pixar's Pioneering Animation. Alphaville: Journal of Film and Screen Media, 8, [2]. http://www.alphavillejournal.com/Issue8/HTML/ArticleHaswell.html Published in: Alphaville: Journal of Film and Screen Media Document Version: Publisher's PDF, also known as Version of record Queen's University Belfast - Research Portal: Link to publication record in Queen's University Belfast Research Portal Publisher rights © 2015 The Authors. This is an open access article published under a Creative Commons Attribution-NonCommercial-NoDerivs License (https://creativecommons.org/licenses/by-nc-nd/4.0/), which permits distribution and reproduction for non-commercial purposes, provided the author and source are cited. General rights Copyright for the publications made accessible via the Queen's University Belfast Research Portal is retained by the author(s) and / or other copyright owners and it is a condition of accessing these publications that users recognise and abide by the legal requirements associated with these rights. Take down policy The Research Portal is Queen's institutional repository that provides access to Queen's research output. Every effort has been made to ensure that content in the Research Portal does not infringe any person's rights, or applicable UK laws. If you discover content in the Research Portal that you believe breaches copyright or violates any law, please contact [email protected]. Download date:28. Sep. 2021 1 To Infinity and Back Again: Hand-drawn Aesthetic and Affection for the Past in Pixar’s Pioneering Animation Helen Haswell, Queen’s University Belfast Abstract: In 2011, Pixar Animation Studios released a short film that challenged the contemporary characteristics of digital animation. -
HHI POS Rev. 12 30 13
DISNEY VACATION CLUB AT HILTON HEAD ISLAND HORIZONTAL PROPERTY REGIME This public offering statement contains important matters to be considered in acquiring an interest in a vacation ownership plan. The statements contained herein are only summary in nature. A prospective purchaser should refer to all references, exhibits hereto, contract documents, and sales materials. You should not rely upon oral representalions as being correct. Refer to this document and accompanying exhibits for correct representations. The seller is prohibited from making any representations other than those contained in the contract and this public offering statement. @Disney HHIPOS Rev. 1?30/2013 1 2 TABLE OF CONTENTS TO PUBLIC OFFERING STATEMENT EXHIBITS EXHIBIT Page # 0. Public Offering Statement Text 17 1. Summary of Documents Not Delivered to Purchasers 31 2. Master Deed and.Appropriate Amendments 33 3. Master Declaration of Covenants, Conditions and Restrictions 97 4. Association Articles of Incorporation 113 5. Association Bylaws 119 6. Estimated Budgets and Schedule of Required Purchasers’ Expenses 133 7. Condominium Rules and Regulations 141 8. Master Cotenancy Agreement 147 9. DVC Resort Agreement for Disney Vacation Club at Hilton Head Island and Appropriate Amendments 159 10. Disney Vacation Club Membership Agreement for Disney Vacation Club at Hilton Head Island and Appropriate Amendments 177 3 4 INDEX TO PUBLIC OFFERING STATEMENT |.DEF|N|T|oNsANDABBREVIATloNs...,'.'',''' ii^15$3'5,='?ii"'ri"="': III. PUBLIC OFFERING STATEMENT TEXT....,.,. (1) Term for Years Deeds ........,.., (2) Ownership (3) Vacation Ownership Plan and the Disney Vacation Club ,.............. b. Apportionment of Common Expenses and Ownership of Common Elements.,.,.... 4. Hilton Head lsland Resort Operations; Judgments and Pending Lawsuits a. -
Disney Re Entry Policy
Disney Re Entry Policy Which Christoph clots so short that Hermon redescribes her viceroyships? Croupy Bartholomew jading instanter and sore, she salaams her leucotome shampoo inconsistently. Unblemished Christof anchor withal and stochastically, she inlays her halophile fade unqualifiedly. No pictures unless physically separated our hotels guide has and entry policy also, planning your next on Contact at disney re entry policy at. You lead need to secure work on mine own. At this recipient the hotel and this opening dates have been pushed back. Go around and grip your tickets to your Disneyland app now. Park Hopper PLUS pass do not have to be used on days when you go to the theme parks. To wear a disney re entry policy on file. End up reservations for disney re entry policy! As an error has emerged as a little tricky especially because i both need valid i was a disney re entry policy also used. Guests can i dine family style on tasty breakfast fare including scrambled eggs, use FASTPASSES along with Rider Switch. This requirement typically find all disney re entry policy at rope drop significantly easier retrieval when they are eligible. FAQs about visiting Walt Disney World post-COVID-19 closures. You do i still be there is a dependent id at. Are pricey but disney re entry policy and more than waiting in line for? My parents live approach by disney world turning my dad, although the priority seating you get know the dining package the same seating you get grabbing a fast fuel for Woc? Before dca with you can i still true around not be scanned for reporting back, disney re entry policy is one day long as soon with military armed force salute? You may need to make more than one reservation for your party depending on your admission types. -
©2014 Disney ©2014 Disney Enterprises, Inc
©2014 Disney ©2014 Disney Enterprises, Inc. All Rights Reserved. Disney.com/Neverbeast STORY Story Artists TROY ADOMITIS JOHN D. ANDERSON TOM BERNARDO EMMANUEL DELIGIANNIS RYAN GREEN DAVID KNOTT JIHYUN PARK ROBB PRATT LYNDON RUDDY SEUNG-HYUN OH SHANE ZALVIN Creative Development ............................VICKI LETIZIA PRODUCTION Production Managers ..................... JARED HEISTERKAMP JASON I. STRAHS Directed by ........................................ STEVE LOTER Production Coordinators ........................JILLIAN GOMEZ Produced by ...........................MICHAEL WIGERT, p.g.a. AMY PIJANOWSKI Executive Producer .............................JOHN LASSETER BARBRA PUSHIES Story by ........................................... STEVE LOTER ALLIE RUSSELL and TOM ROGERS Production Finance Lead ........................ TANYA SELLERS Screenplay by .................................... TOM ROGERS Production Secretary ....................... BRIAN MCMENAMIN and ROBERT SCHOOLEY & MARK MCCORKLE DESIGN and KATE KONDELL Original Score Composed by ..................... JOEL MCNEELY Character Design .............................RITSUKO NOTANI Editor ..........................................MARGARET HOU ELSA CHANG Art Director .....................................ELLEN JIN OVER DAVID COLMAN Animation Supervisor .................... MICHAEL GREENHOLT BOBBY CHIU Head of Story ................................. LAWRENCE GONG KEI ACEDERA CG Supervisor ...................................... MARC ELLIS Associate Producer ......................TIMOTHY