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Kristina Reed Joins the Madison Square Garden Company As Senior Vice President, Creative Development and Strategy
Kristina Reed Joins the Madison Square Garden Company as Senior Vice President, Creative Development and Strategy July 22, 2019 NEW YORK, July 22, 2019 (GLOBE NEWSWIRE) -- The Madison Square Garden Company (NYSE:MSG) today announced that Academy Award- winning producer and creator, Kristina Reed, has joined MSG as Senior Vice President, Creative Development and Strategy. In this newly-created position, Ms. Reed will drive the development of creative content for the Company’s state-of-the-art MSG Sphere venues, which will utilize cutting-edge, immersive technology and compelling, multi-sensory storytelling to revolutionize the entertainment experience. Kristina Reed Joins The Madison Square Garden Company As Senior Vice President, Creative Development And Strategy Ms. Reed will be responsible for developing and implementing a slate of content for MSG Sphere venues, from conception to execution. She will work closely with internal and external teams to identify, evaluate and oversee creative development prospects; greenlight content to production; and establish and develop a sustainable digital pipeline for content delivery. Ms. Reed will be charged with developing these projects for both MSG Sphere, as well as other commercial clients. MSG anticipates that the first MSG Sphere, which is currently under construction in Las Vegas, will be completed during calendar year 2021, followed by the second MSG Sphere in London, which is expected approximately a year later, pending necessary approvals. Ms. Reed will report to Jennifer Vogt, President, Creative Content and Production, who recently joined MSG to oversee MSG’s overall content strategy and development for MSG Sphere and other production assets. Ms. Vogt joined MSG from Walt Disney Imagineering after successfully spearheading show design and production for Star Wars, “Galaxy’s Edge,” Disney’s largest single-themed land expansion in its history. -
To Infinity and Back Again: Hand-Drawn Aesthetic and Affection for the Past in Pixar's Pioneering Animation
To Infinity and Back Again: Hand-drawn Aesthetic and Affection for the Past in Pixar's Pioneering Animation Haswell, H. (2015). To Infinity and Back Again: Hand-drawn Aesthetic and Affection for the Past in Pixar's Pioneering Animation. Alphaville: Journal of Film and Screen Media, 8, [2]. http://www.alphavillejournal.com/Issue8/HTML/ArticleHaswell.html Published in: Alphaville: Journal of Film and Screen Media Document Version: Publisher's PDF, also known as Version of record Queen's University Belfast - Research Portal: Link to publication record in Queen's University Belfast Research Portal Publisher rights © 2015 The Authors. This is an open access article published under a Creative Commons Attribution-NonCommercial-NoDerivs License (https://creativecommons.org/licenses/by-nc-nd/4.0/), which permits distribution and reproduction for non-commercial purposes, provided the author and source are cited. General rights Copyright for the publications made accessible via the Queen's University Belfast Research Portal is retained by the author(s) and / or other copyright owners and it is a condition of accessing these publications that users recognise and abide by the legal requirements associated with these rights. Take down policy The Research Portal is Queen's institutional repository that provides access to Queen's research output. Every effort has been made to ensure that content in the Research Portal does not infringe any person's rights, or applicable UK laws. If you discover content in the Research Portal that you believe breaches copyright or violates any law, please contact [email protected]. Download date:28. Sep. 2021 1 To Infinity and Back Again: Hand-drawn Aesthetic and Affection for the Past in Pixar’s Pioneering Animation Helen Haswell, Queen’s University Belfast Abstract: In 2011, Pixar Animation Studios released a short film that challenged the contemporary characteristics of digital animation. -
©2014 Disney ©2014 Disney Enterprises, Inc
©2014 Disney ©2014 Disney Enterprises, Inc. All Rights Reserved. Disney.com/Neverbeast STORY Story Artists TROY ADOMITIS JOHN D. ANDERSON TOM BERNARDO EMMANUEL DELIGIANNIS RYAN GREEN DAVID KNOTT JIHYUN PARK ROBB PRATT LYNDON RUDDY SEUNG-HYUN OH SHANE ZALVIN Creative Development ............................VICKI LETIZIA PRODUCTION Production Managers ..................... JARED HEISTERKAMP JASON I. STRAHS Directed by ........................................ STEVE LOTER Production Coordinators ........................JILLIAN GOMEZ Produced by ...........................MICHAEL WIGERT, p.g.a. AMY PIJANOWSKI Executive Producer .............................JOHN LASSETER BARBRA PUSHIES Story by ........................................... STEVE LOTER ALLIE RUSSELL and TOM ROGERS Production Finance Lead ........................ TANYA SELLERS Screenplay by .................................... TOM ROGERS Production Secretary ....................... BRIAN MCMENAMIN and ROBERT SCHOOLEY & MARK MCCORKLE DESIGN and KATE KONDELL Original Score Composed by ..................... JOEL MCNEELY Character Design .............................RITSUKO NOTANI Editor ..........................................MARGARET HOU ELSA CHANG Art Director .....................................ELLEN JIN OVER DAVID COLMAN Animation Supervisor .................... MICHAEL GREENHOLT BOBBY CHIU Head of Story ................................. LAWRENCE GONG KEI ACEDERA CG Supervisor ...................................... MARC ELLIS Associate Producer ......................TIMOTHY -
JALETOVA VENERA Stereoskopska 3D Animirana Skulptura
UNIVERZITET UMETNOSTI U BEOGRADU Interdisciplinarne studije Digitalna umetnost Doktorski umetnički projekat: JALETOVA VENERA Stereoskopska 3D animirana skulptura autor: mr Igor Kekeljević mentor: mr Rastko Ćirić, redovni profesor Beograd, januar 2016. SAŽETAK Kratkometražni animirani film Jaletova Venera je inspirisan skulpturama Ljubodraga Jankovića Jaleta, našeg poznatog slikara starije generacije (rođ. 1932) i profesora Fakulteta primenjenih umetnosti Univerziteta umetnosti u Beogradu. Od pedesetih godina prošlog veka bavi se crtežom, slikarstvom, grafikom i skulpturom. Jaletove skulpture prikazuju figure žena. Figure imaju čudesan šarm, dostojanstvenost i lepotu, u formi koja nije realistična, već redukovana na skup skladno komponovanih oblina i prostornih masa. Način stilizacije i jednostavnost formi ostvaruju utisak neočekivane monumentalnosti za dela manjih dimenzija. Na njima je vidljivo bogatstvo raznih stilskih uticaja, koji kao da obuhvataju celokupno iskustvo čovečanstva u predstavljanju ženskog tela u skulpturi, od paleolita, preko arhajske skulpture, renesanse, Pikasa, Mura, narodne umetnosti, a sve složeno u jedan autentičan autorski rukopis. U projektu Jaletova Venera, skulpture navedenog autora su prenesene u medij 3D animacije, sa ciljem da se potpunije razume ova oblikovna metoda animacije, ali i da se istraži odnos skulpture i 3D grafike, i uporede njihove sličnosti, razlike i uticaji. Teorijskoistraživački rad u ovom projektu se zasniva, pre svega, na proučavanju literature i analizi primera. Osnovni teorijski -
Varga Zoltán
Kurzus kódjai: BBN-FLM-241:25 BMA-FLMD-111:15 BMA-FLMD-211:29 Kurzus címe: Az animációs film tendenciái Tanár neve: Varga Zoltán Kurzus időpontja, helye: Péntek,15:30-17:00, 34-es terem Kurzus típusa: Előadás Kurzus leírása: A kurzus célja a bevezetés az animációs filmmel kapcsolatos fogalmak és jelenségek vizsgálatába. Az animációs film meghatározási lehetőségeinek térképezését és történetének felvázolását követően olyan jellegzetességek vizsgálatára helyeződik a hangsúly, mint az animációs film sajátos vizualitása és hanghasználatának különleges konvenciói; az animációs film és az elbeszélésmódok összekapcsolódása; valamint animáció és műfajiság kérdésköre. A félév az alábbi módon tagolódik; a témák több órát fed(het)nek le: 1. Az animációs film meghatározásának lehetőségei és problémái 2. Az animációs film történetének vázlata 3. Az animációs film és a vizualitás 4. Az animációs film és a hang 5. Az animációs film és az elbeszélés 6. Az animációs film és a műfajiság: burleszk, horror és musical az animációban Kurzus teljesítésének követelményei: Írásbeli vizsga: az óra anyaga + a kötelező filmek ismerete Kötelező filmek: Tex Avery: Dumb-Hounded; Red Hot Riding Hood; King Size Canary; Bad Luck Blackie Paul Berry: The Sandman Walerian Borowczyk – Jan Lenica: Dom/Ház/House Walerian Borowczyk: Renaissance; Les Yeux des Anges/Game of Angels/Angyaljáték Konstantin Bronzit: Switchcraft Tim Burton: Vincent Émile Cohl: Fantasmagorie Walt Disney: Steamboat Willie; The Old Mill Disney – John Kahrs: Paperman Piotr Dumala: Sciany/Walls Oskar Fischinger: -
Analysis of the Paperman
The Idea of an Essay Volume 5 Two-tongued, Bach’s Flute, and Homeschool Article 3 September 2018 Analysis of the Paperman Anna Lyons Cedarville University Follow this and additional works at: https://digitalcommons.cedarville.edu/idea_of_an_essay Part of the English Language and Literature Commons Recommended Citation Lyons, Anna (2018) "Analysis of the Paperman," The Idea of an Essay: Vol. 5 , Article 3. Available at: https://digitalcommons.cedarville.edu/idea_of_an_essay/vol5/iss1/3 This Essay is brought to you for free and open access by the Department of English, Literature, and Modern Languages at DigitalCommons@Cedarville. It has been accepted for inclusion in The Idea of an Essay by an authorized administrator of DigitalCommons@Cedarville. For more information, please contact [email protected]. Lyons: Analysis of the Paperman Anna Lyons—Best Analysis Anna Lyons is a freshman nursing major from Claxton, Georgia. Outside of nursing, Anna plays the French horn in the Cedarville orchestra and is hoping to add a women’s ministry minor to her time here at CU. Analysis of the Paperman John Kahrs, known for his animation work in Tangled, Ratatouille, Incredibles, and Monsters Inc., purposefully directed the Disney short, Paperman, in a “stylized photorealism” to tell the story of a potential romance in which strangers have an abrupt initial encounter (Radish 2,7). Kahrs has hopped between Pixar and Disney animation productions (Radish 2). The techniques from each are shown through his stylistic choices to illustrate the story in an unfamiliar combination of varying techniques. The Paperman received an Annie Award for best short film and an Oscar in 2013 (Oatley 2,7). -
Frid Ay Schedule Saturd Ay Schedule
DISNEY|ABC TV PAVILION WALT DISNEY WALT DISNEY SATURDAY HALL STAGE STAGE ARCHIVES CENTER AUTOGRAPH HALL STAGE STAGE CENTER AUTOGRAPH ARCHIVES 10:00 a.m. – 10:50 a.m. Photo Opportunity: Girl Meets World (Disney Channel) TIME D23 23 28 STAGE STAGE CENTRAL TIME D23 23 28 STAGE STAGE CENTRAL 11:00 a.m. – 11:50 a.m. Photo Opportunity: Descendants (Disney Channel) DISNEY ABC TV PAVILION | FRIDAY 12:00 p.m. – 12:50 p.m. Photo Opportunity: Stitchers (ABC Family) 9:00 a.m. 10:00 a.m. – 10:50 a.m. Photo Opportunity: Lab Rats: Bionic Island (Disney XD) 9:00 a.m. 1:00 p.m. – 1:50 p.m. Photo Opportunity: Baby Daddy (ABC Family) 11:00 a.m. – 11:50 a.m. Photo Opportunity: Young & Hungry (ABC Family) 2:00 p.m. – 2:50 p.m. Photo Opportunity: Liv and Maddie (Disney Channel) RADIO DISNEY RADIO DISNEY 12:00 p.m. – 12:50 p.m. Photo Opportunity: Dancing with the Stars (ABC) 9:30 a.m. WELCOMES YOU 3:00 p.m. – 3:50 p.m. Photo Opportunity: Gamer’s Guide to Pretty Much Everything (Disney XD) 9:30 a.m. WELCOMES YOU TO D23 EXPO TO D23 EXPO 1:00 p.m. – 1:50 p.m. Photo Opportunity: The Fosters (ABC Family) 4:00 p.m. – 4:50 p.m. Photo Opportunity: black-ish (ABC) 2:00 p.m. – 2:50 p.m. Photo Opportunity: I Didn’t Do It (Disney Channel) 6:00 p.m. – 6:50 p.m. Photo Opportunity: Pretty Little Liars (ABC Family) 10:00 a.m. -
Walt Disney Animation Studios Celebrates Its Upcoming
WALT DISNEY ANIMATION STUDIOS CELEBRATES ITS UPCOMING PROJECTS AND ITS LEGACY THROUGH SHOWSTOPPING PRESENTATIONS, ENGAGING PANELS AND IMMERSIVE EXPERIENCES AT D23 EXPO 2015 Walt Disney Animation Studios Returns to D23 EXPO with Three Days of Bigger and Better-Than-Ever Fan Experiences, Including Big Announcements, Film Sneak Peeks and a Frozen Sing-Along! BURBANK, Calif. – June 15, 2015 – Walt Disney Animation Studios today announced its most exciting presence at D23 EXPO yet. The event, presented by D23: The Official Disney Fan Club, will take place August 14–16 at the Anaheim Convention Center. CALENDAR OF KEY PRESENTATIONS/ PANELS/ EVENTS: Every Story Is a Journey: The Upcoming Films of Walt Disney and Pixar Animation Studios Friday, August 14, 3:00 pm - Hall D23 After meeting the Emotions inside the mind of an 11-year-old, taking a trip to San Fransokyo where a boy genius and his robot save the world, and falling in love with a queen with icy powers who wants to “let it go,” come see where Walt Disney and Pixar Animation Studios plan to take you next. In what has become a D23 EXPO must-see, host John Lasseter, chief creative officer of Walt Disney and Pixar Animation Studios, presents “Every Story is a Journey.” Filmmakers will unveil never-before-seen footage from Pixar’s upcoming The Good Dinosaur and Finding Dory and Disney Animation’s Zootopia and Moana. The event will include surprise announcements, musical performances, and appearances by the films’ star voice talent. Cell phones, cameras and all recording devices will be checked for this presentation. -
CCBC Choices 2020
CCBC Choices 2020 Join the Friends of the CCBC! The Friends underwrite the cost of this annual CCBC Choices publication and support the Cooperative Children’s Book Center in numerous other ways. Please consider joining if you aren’t a member! (See Appendix V for more about the Friends.) Individual Memberships $15 Student/Retiree $25 Personal $35 Household $50 Supporting $100+ Patron $500+ Distinguished Patron Institutional Memberships $75 Honor (2–5 individuals) $150 Award (6–10 individuals) $500 Distinguished (11–15 individuals) $1,000+ Corporate Make check payable to: Friends of the CCBC, Inc. Mail to: Friends of the CCBC, P.O. Box 5189, Madison, WI 53705 (You can also join online at ccbcfriends.org) Name ________________________________________________________ Position ______________________________________________________ Address ______________________________________________________ _____________________________________________________________ City ______________________ State ________ Zip Code______________ Telephone (w) _______________________ (h) ______________________ Email _______________________________________________________ (Most communication about Friends news and events is done via listserv at various times throughout the year.) Please do NOT add me to the Friends listserv. CCBC Choices 2020 Kathleen T. Horning Merri V. Lindgren Megan Schliesman Madeline Tyner Cooperative Children’s Book Center School of Education University of Wisconsin–Madison Copyright ©2020, Friends of the CCBC, Inc. ISBN: 978–0–931641–30–5 -
1 Skydance Media Names Animation Visionary John
SKYDANCE MEDIA NAMES ANIMATION VISIONARY JOHN LASSETER HEAD OF SKYDANCE ANIMATION Santa Monica, CA – January 9, 2019 – John Lasseter has been named Head of Skydance Animation, it was announced today by David Ellison, Chief Executive Officer, Skydance Media. Lasseter, who will report directly to Ellison, will be based in Los Angeles and start later this month. “John is a singular creative and executive talent whose impact on the animation industry cannot be overstated,” said Ellison. “He was responsible for leading animation into the digital age, while telling incomparable stories that continue to inspire and entertain audiences around the globe.” Ellison continued: “And yet we did not enter into this decision lightly. John has acknowledged and apologized for his mistakes and, during the past year away from the workplace, has endeavored to address and reform them.” “We look forward to John bringing all of his creative talents, his experience managing large franchises, his renewed understanding of the responsibilities of leadership and his exuberance to Skydance as we continue to expand our animation efforts for the global marketplace.” Lasseter said: “I’m grateful to David and the Skydance team and know that I have been entrusted with an enormous responsibility. It is a distinct privilege that I will relish.” “I have spent the last year away from the industry in deep reflection, learning how my actions unintentionally made colleagues uncomfortable, which I deeply regret and apologize for. It has been humbling, but I believe it will make me a better leader.” Lasseter continued: “I want nothing more than the opportunity to return to my creative and entrepreneurial roots, to build and invent again. -
Do You Want to Build a Snowman?
The University Magazine Fall 2014 Do you want to build a snowman? Graduates play leading roles in creating hit animated films like ‘Frozen’ San Francisco opens its Golden Gate to alumni Brick City Homecoming highlights FROM THE PRESIDENT A top 100 global university by 2025 Joshua Locke landed a job as a microelec- tronics-processing engineer at Texas Instru- ments. Hadjara Moussa, of Niger, is the recipient of the Fulbright Scholarship and a social entrepreneurship award from the U.S. Department of State. David Principe is already a principal investigator for two NASA-funded grant projects in astro- RIT: The University Magazine physics. Chenae Laldee is Miss Black Deaf Executive Editors America and is pursuing a career empower- Deborah M. Stendardi, ing the black deaf community worldwide. Government and Community Relations I am in awe every year during commence- Bob Finnerty ’07, University News Services ment ceremonies as our graduates venture Editor Mindy Mozer, University News Services into the world with confidence and poise. Contributing Editors RIT conferred degrees on nearly 4,000 Lisa Cauda, Development and Alumni Relations graduates in the Class of 2014, including Kelly Redder, Alumni Relations the impressive group noted above. Craig Smith, Development Cindy Sobieraj, Development and Alumni Relations I noticed two important milestones Alumni Relations Staff during ceremonies this year. RIT passed Art Director Cornell and is now the second largest Jeff Arbegast ’93, University Publications producer of STEM (science, technology, en- Designers: University Publications gineering, math) degrees among all private Services Production Lamark/RIT Photo by Elizabeth Alexander Gartley ’07 universities in the nation. -
Findingdory5757c7816df94.Pdf
©2016 Disney/Pixar ©2016 Disney/Pixar. All Rights Reserved. Disney.com/FindingDory CAST Dory . .ELLEN DEGENERES DISNEY Marlin . .ALBERT BROOKS presents Hank . ED O’NEILL Destiny . .KAITLIN OLSON A Nemo . .HAYDEN ROLENCE PIXAR ANIMATION STUDIOS Bailey . TY BURRELL Film Jenny . DIANE KEATON Charlie . .EUGENE LEVY Young Dory . SLOANE MURRAY Fluke . .IDRIS ELBA Rudder . DOMINIC WEST Mr. Ray . BOB PETERSON Wife Fish . KATE MCKINNON Husband Fish (Stan) . .BILL HADER Sigourney Weaver . SIGOURNEY WEAVER Passenger Carl . ALEXANDER GOULD Gerald . .TORBIN XAN BULLOCK Crush . ANDREW STANTON Chickenfi sh . KATHERINE RINGGOLD Tween Dory . LUCIA GEDDES Squirt . BENNETT DAMMANN Husband Crab (Bill) . JOHN RATZENBERGER Directed by . .ANDREW STANTON Sunfi sh “Charlie Back and Forth” . ANGUS MACLANE Co-Directed by . .ANGUS MACLANE Gill . .WILLEM DAFOE Produced by . LINDSEY COLLINS, p.g.a. Bloat . .BRAD GARRETT Executive Producer . .JOHN LASSETER Peach . ALLISON JANNEY Associate Producer . BOB ROATH Gurgle . .AUSTIN PENDLETON Original Story by . .ANDREW STANTON Bubbles . STEPHEN ROOT Screenplay by . .ANDREW STANTON Deb (& Flo) . .VICKI LEWIS VICTORIA STROUSE Jacques . .JEROME RANFT Music by . .THOMAS NEWMAN Story Supervisor . MAX BRACE Additional Screenplay Material by . BOB PETERSON Film Editor . AXEL GEDDES Additional Story Material by . ANGUS MACLANE Production Designer . STEVE PILCHER Supervising Technical Director. .JOHN HALSTEAD Post Production Supervisor . .PAUL CICHOCKI Production Manager . BECKY NEIMAN-COBB Production Finance Leads . .WILLIAM REUSCH Supervising Animators . .DAVID DEVAN MARC SONDHEIMER MICHAEL STOCKER Director of Photography - Camera . .JEREMY LASKY STORY Director of Photography - Lighting . IAN MEGIBBEN Character Art Director . .JASON DEAMER Story Manager . HANA YOON Sets Art Director . DON SHANK Character Supervisor . JEREMIE TALBOT Story Lead . ALEXANDER WOO Sets Supervisor . COLIN HAYES THOMPSON Eff ects Supervisor .