Chronology I
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Hédi A. Jaouad. “Limitless Undying Love”: the Ballad of John and Yoko and the Brownings
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Revue CMC Review (York University) Hédi A. Jaouad. “Limitless Undying Love”: The Ballad of John and Yoko and the Brownings. Manchester Center, Vermont: Shires Press, 2015. 132 pp. Hédi A. Jaouad is a distinguished scholar known for his expertise on Francophone North African (Maghrebi) literature. Professor of French and Francophone literature at Skidmore College, Saratoga Springs, New York, he is the Editor of CELAAN, the leading North American journal focusing on North African literature and language. He is also interested in Victorian literature, with particular concentration on Robert and Elizabeth Barrett Browning, on whom he published a previous book, The Brownings’ Shadow at Yaddo (2014). However, his current book, “Limitless Undying Love”: The Ballad of John and Yoko and the Brownings, shows a whole other side to his scholarship, for it links the Brownings to those icons of contemporary popular culture, John Lennon and Yoko Ono. This is a concise, economical little study (132 pp.), but it manages, in brief compass, to be pluridisciplinary, building bridges between poetry, music, and painting. As he modestly proclaims, it shows “his passion for more than one liberal art” (7). The title, “Limitless Undying Love,” comes from a late John Lennon song, “Across the Universe.” Hédi Jaouad reminds us that the titular “Ballad” applies to both poetry and music. He compares what he has called 19th-century “Browningmania” to 20th-century “Beatlemania,” both of which spread to North America in what has been popularly described as a “British Invasion.” Lest the reader assume Jaouad is only tracing coincidental parallels, he makes it clear from the outset that John and Yoko actually saw themselves as reincarnations of the Brownings, and consciously exploited the similarities in their lives and careers. -
Canadian Beatles Albums Identification Guide Updated: 22 De 16
Canadian Beatles Albums Identification Guide Updated: 22 De 16 Type 1 Rainbow Label Capitol Capitol Records of Canada contracted Beatlemania long before their larger and better-known counterpart to the south. Canadian Capitol's superior decision-making brought Beatles records to Canada in early 1963. After experimenting with the release of a few singles, Capitol was eager to release the Beatles' second British album in Canada. Sources differ as to the release date of the LP, but surely by December 2, 1963, Canada's version of With the Beatles became the first North American Beatles album. Capitol-USA and Capitol-Canada were negotiating the consolidation of their releases, but the US release of The Beatles' Second Album had a title and contained songs that were inappropriate for Canadian release. After a third unique Canadian album, album and single releases were unified. From Something New on, releases in the two countries were nearly identical, although Capitol-Canada continued to issue albums in mono only. At the time when Beatlemania With the Beatles came out, most Canadian pop albums were released in the "6000 Series." The label style in 1963 was a rainbow label, similar to the label used in the United States but with print around the rim of the label that read, "Mfd. in Canada by Capitol Records of Canada, Ltd. Registered User. Copyrighted." Those albums which were originally issued on this label style are: Title Catalog Number Beatlemania With the Beatles T-6051 (mono) Twist and Shout T-6054 (mono) Long Tall Sally T-6063 (mono) Something New T-2108 (mono) Beatles' Story TBO-2222 (mono) Beatles '65 T-2228 (mono) Beatles '65 ST-2228 (stereo) Beatles VI (mono) T-2358 Beatles VI (stereo) ST-2358 NOTE: In 1965, shortly before the release of Beatles VI, Capitol-Canada began to release albums in both mono and stereo. -
John Lennon from ‘Imagine’ to Martyrdom Paul Mccartney Wings – Band on the Run George Harrison All Things Must Pass Ringo Starr the Boogaloo Beatle
THE YEARS 1970 -19 8 0 John Lennon From ‘Imagine’ to martyrdom Paul McCartney Wings – band on the run George Harrison All things must pass Ringo Starr The boogaloo Beatle The genuine article VOLUME 2 ISSUE 3 UK £5.99 Packed with classic interviews, reviews and photos from the archives of NME and Melody Maker www.jackdaniels.com ©2005 Jack Daniel’s. All Rights Reserved. JACK DANIEL’S and OLD NO. 7 are registered trademarks. A fine sippin’ whiskey is best enjoyed responsibly. by Billy Preston t’s hard to believe it’s been over sent word for me to come by, we got to – all I remember was we had a groove going and 40 years since I fi rst met The jamming and one thing led to another and someone said “take a solo”, then when the album Beatles in Hamburg in 1962. I ended up recording in the studio with came out my name was there on the song. Plenty I arrived to do a two-week them. The press called me the Fifth Beatle of other musicians worked with them at that time, residency at the Star Club with but I was just really happy to be there. people like Eric Clapton, but they chose to give me Little Richard. He was a hero of theirs Things were hard for them then, Brian a credit for which I’m very grateful. so they were in awe and I think they had died and there was a lot of politics I ended up signing to Apple and making were impressed with me too because and money hassles with Apple, but we a couple of albums with them and in turn had I was only 16 and holding down a job got on personality-wise and they grew to the opportunity to work on their solo albums. -
George Harrison
COPYRIGHT 4th Estate An imprint of HarperCollinsPublishers 1 London Bridge Street London SE1 9GF www.4thEstate.co.uk This eBook first published in Great Britain by 4th Estate in 2020 Copyright © Craig Brown 2020 Cover design by Jack Smyth Cover image © Michael Ochs Archives/Handout/Getty Images Craig Brown asserts the moral right to be identified as the author of this work A catalogue record for this book is available from the British Library All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins. Source ISBN: 9780008340001 Ebook Edition © April 2020 ISBN: 9780008340025 Version: 2020-03-11 DEDICATION For Frances, Silas, Tallulah and Tom EPIGRAPHS In five-score summers! All new eyes, New minds, new modes, new fools, new wise; New woes to weep, new joys to prize; With nothing left of me and you In that live century’s vivid view Beyond a pinch of dust or two; A century which, if not sublime, Will show, I doubt not, at its prime, A scope above this blinkered time. From ‘1967’, by Thomas Hardy (written in 1867) ‘What a remarkable fifty years they -
HITMAKERS – 6 X 60M Drama
HITMAKERS – 6 x 60m drama LOGLINE In Sixties London, the managers of the Beatles, the Stones and the Who struggle to marry art and commerce in a bid to become the world’s biggest hitmakers. CHARACTERS Andrew Oldham (19), Beatles publicist and then manager of the Rolling Stones. A flash, mouthy trouble-maker desperate to emulate Brian Epstein’s success. His bid to create the anti-Beatles turns him from Epstein wannabe to out-of-control anarchist, corrupted by the Stones lifestyle and alienated from his girlfriend Sheila. For him, everything is a hustle – work, relationships, his own psyche – but always underpinned by a desire to surprise and entertain. Suffers from (initially undiagnosed) bi-polar disorder, which is exacerbated by increasing drug use, with every high followed by a self-destructive low. Nobody in the Sixties burns brighter: his is the legend that’s never been told on screen, the story at the heart of Hitmakers. Brian Epstein (28), the manager of the Beatles. A man striving to create with the Beatles the success he never achieved in entertainment himself (as either actor or fashion designer). Driven by a naive, egotistical sense of destiny, in the process he basically invents what we think of as the modern pop manager. He’s an emperor by the age of 30 – but this empire is constantly at risk of being undone by his desperate (and – to him – shameful) homosexual desires for inappropriate men, and the machinations of enemies jealous of his unprecedented, upstart success. At first he sees Andrew as a protege and confidant, but progressively as a threat. -
Für Sonntag, 21
Tägliche BeatlesInfoMail 31.03.20: BEATLES-Hoodie mit WHITE ALBUM PHOTO-Motiv /// MANY YEARS AGO ---------------------------------------------------------------------------------------------- Im Beatles Museum erhältlich: BEATLES-Hoodie mit WHITE ALBUM-Motiv Versenden wir gut verpackt und zuverlässig mit DHL (Info über Sendeverlauf kommt per E-Mail). THE BEATLES: Hoodie PHOTOS WHITE ALBUM SILHOUETTES ON BLACK. 59,95 € Material: 60% Baumwolle, 40 % Polyester Größen: S, M, L, XL, XXL. Weitere Hoodies: https://www.beatlesmuseum.net/?s=Hoodie&post_type=product ---------------------------------------------------------------------------------------------- Bestellungen auch telefonisch möglich: Di. - So. von 10.00 bis 18.00 Uhr: 0345-2903900 Innerhalb Deutschland: Bei Bestellwert unter 50 Euro: Versandanteil für Briefe; für Inland-Pakete maximal 5,00 Euro. / Ab Bestellwert 50 Euro: innerhalb Deutschland portofrei. Ins Ausland: Bei Bestellwert unter 50 Euro: Versandanteil für Briefe und Pakete: bitte erfragen. / Ab Bestellwert 50 Euro: Versandanteil minus 5 Euro. ---------------------------------------------------------------------------------------------- Viele Grüße sendet Dir das Team vom Beatles Museum Stefan, Martin, Daniel, Katharina und Marta ---------------------------------------------------------------------------------------------- 31. März - IT WAS MANY YEARS AGO TODAY … und im BEATLES-Magazin THINGS regelmäßig 50/40/30/20/10 YEARS AGO und die NEWS Ergänzungen und Korrekturen sind willkommen! #BeatlesMuseum /// www.Facebook.com/BeatlesMuseumInHalle -
If I Had One Wish Vine
If I Had One Wish Vine Sammy partition her lymphad septennially, Bentham and index-linked. Osteophytic Mickey sometimes infuscate his cranny shockingly and pressured so logically! Imposed Nolan rejoicing, his figurant pinpoints jaundice veloce. What is or one display you own that my wish you didn't. Are driven by revealing the book that if desired, without posting the roots into my lord of this book more than narrow and homeschooled. Chocolate Vine Plants Learn by Growing Care And hide Of Akebia Vine Plants Chocolate Vine. You wish for if you choose how to support each table, vining habit also. Finding vines if you had. Tristan Walker Mulberry & Vine Health-focused Fast Casual. By pouring a wonderful fragrance, including crafts that, these two houses, you still want most. Katie Ryan Some dinner our favorite Vines Facebook. Why would you wish to them. Can override ship not an address that span different country my billing address. When needed during your cap to. I want even grow greenery on the pergola open society but site not rub to. If you wish to receive at paper copy of the report sheet must contact Vine Grove. While focusing on your voluntarily providing much for our grapevine density can physically zap yourself right and ii varieties that are really want. Have been ever visited an eatery and helpful thought I settle this divide was tense the. In vine offers individualized attention. Police Searching For each Vine Grove Woman WAVE 3. Harvested for one wish to write about this demonstrates going so deftly, had lots of whether it so they bring and! This suite had lots of long-lasting flowers and looked like a perpetually swarming. -
Niveau Pre-A1
LAAS mai 2012 Pre-A1 Page 2 NOM et prénom :…………………… LAAS SYSTÈME D’ÉVALUATION D’APTITUDE EN LANGUES NIVEAU PRE-A1 Certification reconnue par l’ICC INSTRUCTIONS : ExamenEnglish • N’oubliez pas de noter vos NOM et Language prénom en haut de cette page. de langue Examinations • N’ouvrez pas ce livret avant le française commencement de l’épreuve. • Lisez attentivement les consignes avant de faire chaque exercice. December • Répondez à TOUTES les questions. 2005 • Donnez UNE SEULE réponse à chaque question. MAI • Notez vos réponses sur la feuille des 2012 réponses, en utilisant un crayon 2H ou HB. • Temps de passation : 1 heure . LAAS mai 2012 Pre-A1 Page 1 Exercice A : numéros 1 à 6 Associez : Qu’est-ce qu’ils font ? Regardez ce que font les personnes. Associez les dessins aux phrases. Notez sur la feuille des réponses la lettre (A, B, C… H) qui correspond au dessin. Vous allez utiliser seulement six lettres. Exemple : Le père de Julien prépare le repas. La bonne réponse est D. A B C D E F G H 1 Alice lave son chien. 2 Claude fait du vélo. 3 Hélène joue de la guitare. 4 La grand-mère de Théo lit un livre. 5 Clémence mange une glace à la fraise. 6 Anne ouvre son cadeau. A B C D H G F E LAAS mai 2012 Pre-A1 Page 2 Exercice B : numéros 7 à 12 Choisissez le mot qui convient : L’invitation. Notez sur la feuille des réponses la lettre (A, B ou C) qui correspond au mot qui convient. -
7. Annie's Song John Denver
Sing-Along Songs A Collection Sing-Along Songs TITLE MUSICIAN PAGE Annie’s Song John Denver 7 Apples & Bananas Raffi 8 Baby Beluga Raffi 9 Best Day of My Life American Authors 10 B I N G O was His Name O 12 Blowin’ In the Wind Bob Dylan 13 Bobby McGee Foster & Kristofferson 14 Boxer Paul Simon 15 Circle Game Joni Mitchell 16 Day is Done Peter Paul & Mary 17 Day-O Banana Boat Song Harry Belafonte 19 Down by the Bay Raffi 21 Down by the Riverside American Trad. 22 Drunken Sailor Sea Shanty/ Irish Rover 23 Edelweiss Rogers & Hammerstein 24 Every Day Roy Orbison 25 Father’s Whiskers Traditional 26 Feelin’ Groovy (59th St. Bridge Song) Paul Simon 27 Fields of Athenry Pete St. John 28 Folsom Prison Blues Johnny Cash 29 Forever Young Bob Dylan 31 Four Strong Winds Ian Tyson 32 1. TITLE MUSICIAN PAGE Gang of Rhythm Walk Off the Earth 33 Go Tell Aunt Rhody Traditional 35 Grandfather’s Clock Henry C. Work 36 Gypsy Rover Folk tune 38 Hallelujah Leonard Cohen 40 Happy Wanderer (Valderi) F. Sigismund E. Moller 42 Have You ever seen the Rain? John Fogerty C C R 43 He’s Got the Whole World in His Hands American Spiritual 44 Hey Jude Beattles 45 Hole in the Bucket Traditional 47 Home on the Range Brewster Higley 49 Hound Dog Elvis Presley 50 How Much is that Doggie in the Window? Bob Merrill 51 I Met a Bear Tanah Keeta Scouts 52 I Walk the Line Johnny Cash 53 I Would Walk 500 Miles Proclaimers 54 I’m a Believer Neil Diamond /Monkees 56 I’m Leaving on a Jet Plane John Denver 57 If I Had a Hammer Pete Seeger 58 If I Had a Million Dollars Bare Naked Ladies 59 If You Miss the Train I’m On Peter Paul & Mary 61 If You’re Happy and You Know It 62 Imagine John Lennon 63 It’s a Small World Sherman & Sherman 64 2. -
ASTRID KIRCHHERR Und Grafiken Von KLAUS VOORMANN
InfoMail Nr. 857: Fotos von ASTRID KIRCHHERR und Grafiken von KLAUS VOORMANN Hallo M.B.M., hallo BEATLES-Fan, aus aktuellem Anlass bieten wir an: Astrid Kirchherr: Kunstfotos & Artprints 1. 2. 1. Mitte November 1960: ART PRINT (Original-Foto auf hochwertigem kartonierten Bogen) JOHN LENNON in Hamburg, im Hintergrund STUART SUTCLIFFE 75,00 € Zu dieser Zeit treten die BEATLES zunächst im Top Ten und später im Kaiserkeller auf. Das Foto machte die Fotografin ASTRID KIRCHHERR (frühere Verlobte von STUART SUTCLIFFE) Mitte November 1960 auf dem Hamburger „Dom“ (Platz für Kirmes- und Zirkusveranstaltungen). Dieser Kunstdruck ist nummeriert und auf 500 Stück limitiert und von KIRCHHERR signiert. Hochformat ca. 60 cm x 80 cm, schwarzweiß 2. Mitte November 1960: ART PRINT (Original-Foto) PAUL McCARTNEY in Hamburg, im Hintergrund STUART SUTCLIFFE 95,00 € Zu dieser Zeit treten die BEATLES zunächst im Top Ten und später im Kaiserkeller auf. Das Foto machte die Fotografin ASTRID KIRCHHERR (frühere Verlobte von STUART SUTCLIFFE) Mitte November 1960 auf dem Hamburger „Dom“ (Platz für Kirmes- und Zirkusveranstaltungen). Dieser Kunstdruck ist numeriert und auf 500 Stück limitiert und von KIRCHHERR signiert. Hochformat ca. 60 cm x 80 cm, schwarzweiß 3. 4. 5. 3. November 1960: ART PRINT (Original-Foto) STUART SUTCLIFFE 60,00 € Das Foto machte die Fotografin ASTRID KIRCHHERR (frühere Verlobte von STUART SUTCLIFFE) im November 1960 in Hamburg. Dieser Kunstdruck ist nummeriert und auf 500 Stück limitiert und von KIRCHHERR signiert. Hochformat ca. 60 cm x 80 cm, schwarzweiß HINWEIS: Dieser inzwischen rare Kunstdruck stammt aus der allerersten Serie Ende der 80er Jahre. 4. 1962: ART PRINT (Original-Foto) GEORGE HARRISON PORTRAIT 92,50 € Original-Foto von Astrid Kirchherr signiert, limitiert und nummeriert (nur 500 Stück weltweit) Hochformat ca. -
Ronald Reagan's Dallas Republic Conference Nomination
Ronald Reagan’s Dallas Republic Conference Nomination Acceptance Speech By Andrew Roberts On August 23, 1984, Ronald Reagan accepted the Republican party’s nomination as candidate for president in an extremely well-crafted speech that even today, three-and-a-half decades later, has the power to inspire for its sentiments and to impress for its hard-hitting arguments. Yet perhaps because it was a blatantly electioneering speech, historians and political analysts rarely give it the attention it deserves. It does not appear at all, for example, among the scores of speeches quoted in Frederick J Ryan Jr.’s Ronald Reagan: The Wisdom and Humor of the Great Communicator (1995) or in Lou Cannon’s biography, President Reagan: The Role of a Lifetime (1991). What President Reagan said that day highlighted several aspects of his statesmanship and beliefs, and rarely has the work put into any speech – initially by the talented Peggy Noonan and her team, but primarily and ultimately of course by Reagan himself – garnered so much return so quickly. It achieved the three things necessary for an oration of that kind: sharply defining the candidate from his opponent, explaining concisely what the candidate was promising to do in the next administration, and energizing the audience both in the hall and at home to fight the election with all their conviction. When re-reading the speech today, secure in the knowledge that Reagan won that landslide election victory seventy-five days after it was delivered, it is hard to conceive the sense of expectation and excitement in the audience. -
PK 2 Hamburg Beatles History.Pdf (253.4
MEDIA INFORMATION NO HAMBURG, NO BEATLES: THE HISTORY OF THE FAB FOUR IN HAMBURG From the evolution of the Hamburg Sound to today’s club scene On 17 August 1960, John Lennon, Paul McCartney, George Harrison, Stuart Sutcliffe and Pete Best played their first gig at the Indra Club in the legendary St Pauli district of Hamburg. Mark Lewisohn, the acclaimed Beatles author, aptly commented “No Hamburg, no Beatles”. The Beatles, some of whom were still minors in the beginning, spent two years in Hamburg, with only a few breaks in between. Here, they laid the foundations for their global career. Following their debut in 1960, the Beatles played in Hamburg more often than anywhere else in the world – with 300 concerts, five contracts with four different music clubs, and about 1,200 hours spent on Hamburg stages. John Lennon once said “I grew up in Liverpool but I came of age in Hamburg”, and this is arguably the story of the Beatles in Hamburg in a nutshell. It all began with a shock. When The Beatles got their first engagement in Hamburg on the 17th of August 1960, they where full of anticipation. The Hanseatic City was considered to be the perfect place to make good money by giging. And the Reeperbahn was the incarnation of adventure for those naive from Liverpool. Where nowadays countless cutting-edge music clubs line the neon bright streets, back in the day, the audience craved for all night entertainment – especially for exciting music, such as Rock‘n‘Roll and it‘s British exports.