April 7, 2018 • Session II
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Print a Copy of Historic Taos, a Walking Tour of 22 Taos Landmarks
Welcome visitors and Taoseños! You are invited to explore the diversity of this region, through a self-guided tour. The two-hundred year old Taos Plaza, and the streets that radiate from it like spokes, form the National Historic District of Taos. It contains a number of national and state landmarks which are Historic testimonials to the rich and complex cultural history of T aos. The T aos Valley has been a major trade and travel route since human presence was first felt in the area. Archeological evidence suggests that people have been using and moving through the Taos Valley for, at least, the past 9,000 years. The ancestors of the Pueblo people, commonly known as the Anasazi, were the first permanent inhabitants of the Valley. Room blocks and pit houses in the Taos area testify to their presence since 900 AD. Around 1200 AD, they aggregat- ed into small above ground structures of 50-100 rooms. Many believe the Taos Pueblo was constructed around 1450 as a multi-story TAOS complex. However, archeologists predominantly place the date of construction of Taos Pueblo in the 14th century on or about 1350. Unfortunately , there is no known recorded date. In any case, the Pueblo Indians depended upon nature for their survival, and therefore treated nature as an organizing and spiritual element in their lives. At the time of the arrival of the Europeans, all of Taos Valley was in the domain of Taos Pueblo Indians. In 1540, Francisco de Coronado, a Spanish conquistador and explorer, was authorized to explor e the area by the king of Spain. -
Exhibition & Art Sale March 23
EXHIBITION & ART SALE MARCH 23 - MAY 6, 2018 Z.S. Liang, Grizzly Bear Man, Oil on linen canvas, 44” x 26” 2018 Night of Artists 2 BRISCOE WESTERN ART MUSEUM 2018 Night of Artists 3 BRISCOE WESTERN ART MUSEUM 2018 Night of Artists COMMITTEE Marianne Malek, 2018 Night of Artists Chair April Bonds • Missie Bowman • Margaret & D.B. Briscoe Linda Gail & Robert Dullnig • Jessica Erin Elliott, 2017 Board Chair Tyler Lyda Gates • Triana & Brandon Grossman Jose “Che” Guerra, 2018 Board Chair Nicole & Rob McClane, 2019 Night of Artists Chairs Brooke Harrell Urban BOARD OF DIRECTORS Janey Briscoe Marmion, Honorary Chairman Jose “Che” Guerra, Chair of the Board McLean Bowman • Jay Clingman • Robert A. Dullnig • Jessica Erin Elliott Brandon Grossman • Jack Guenther • Valerie Guenther • Barry Hendler Mark Johnson • Nancy Loeffler • Rob McClane • Jane Macon Kenneth J. Maverick • John T. Montford • Richard Nunley Mike Sohn • Mark E. Watson, Jr. • Bradford Wyatt ADVISORY DIRECTORS Jean Brady • J.P. Bryan • Fully Clingman • Laura Gill Janell Kleberg • Debbie Montford • Ricardo Romo • Lionel Sosa PRESENTING SPONSORS El Bigote Ranch in memory of Tex Elliott WESTERN ART PATRON Briscoe Ranch, Inc. • Valerie and Jack Guenther • Mays Family Foundation Debbie and John T. Montford | Plum Foundation Scott Petty Family Foundation • Silver Eagle Distributors | Texas Capital Bank WESTERN ART COLLECTOR Argo Group • Avalon Advisors, LLC • Mr. and Mrs. Marrs McLean Bowman • David B. Elliott Gates Mineral Company, Ltd. • Laura and Barry Hendler • Karen and Tim Hixon IBC Bank • Jefferson Bank | Sanger & Altgelt, LLC • Bonnie and John Korbell Lincoln Heights Animal Hospital • Luther King Capital Management • Ruth and Johnny Russell Muriel F. -
READ ME FIRST Here Are Some Tips on How to Best Navigate, find and Read the Articles You Want in This Issue
READ ME FIRST Here are some tips on how to best navigate, find and read the articles you want in this issue. Down the side of your screen you will see thumbnails of all the pages in this issue. Click on any of the pages and you’ll see a full-size enlargement of the double page spread. Contents Page The Table of Contents has the links to the opening pages of all the articles in this issue. Click on any of the articles listed on the Contents Page and it will take you directly to the opening spread of that article. Click on the ‘down’ arrow on the bottom right of your screen to see all the following spreads. You can return to the Contents Page by clicking on the link at the bottom of the left hand page of each spread. Direct links to the websites you want All the websites mentioned in the magazine are linked. Roll over and click any website address and it will take you directly to the gallery’s website. Keep and fi le the issues on your desktop All the issue downloads are labeled with the issue number and current date. Once you have downloaded the issue you’ll be able to keep it and refer back to all the articles. Print out any article or Advertisement Print out any part of the magazine but only in low resolution. Subscriber Security We value your business and understand you have paid money to receive the virtual magazine as part of your subscription. Consequently only you can access the content of any issue. -
Why So Many Artists Have Been Drawn to New Mexico
C r e at i v i t y W h y S o M a n y Ar t i s t s H a v e Be e n D r a w n t o Ne w Mexico For generations, artists from Georgia O'Keeffe to Ken Price havefollowed New Mexico’s magnetic pull, finding inspiration in the highdesert’s expansive vistas, quietude, and respite from social and market pressures. Alexxa Gotthardt May 17, 2019 5:57 pm Georgia O’Keeffe had an unexpected train detour to thank for her first encounter with New Mexico. Little did she know, it was the land that would free her—both artistically and emotionally. Several months after photographergallerist Alfred Stieglitz presented O’Keeffe’s first New York solo show, in April 1917, the 29yearold painter embarked on a trip across the American West with her youngest sister, Claudia. While they’d planned to head straight from Texas to Colorado, their train detoured to Santa Fe. New Mexico’s vast, mercurial skies and incandescent light mesmerized the artist. “I’m out here in New Mexico—going somewhere—I’m not positive where—but it’s great,” she gushed in a letter to Stieglitz, dated August 15th. “Not like anything I ever saw before.” Portrait of Georgia O’Keeffe in Abiquiu, New Portrait of Bruce Nauman in New Mexico by Mexico, 1974. Photo by Joe Munroe/Hulton Francois Le Diascorn/GammaRapho via Getty Archive/Getty Images. Images. “There is so much more space between the ground and sky out here it is tremendous,” she continued. -
American West
ART OF THE AMERICAN WEST Front, top to bottom: FREDERIC SACKRIDER REMINGTON TOM LOVELL A Mexican Buccaroo - In Texas, circa 1890 The Raven Followers,1975 , (detail) Oil on canvas. 21-1/2 x 17-1/2 in. Oil on board. 19 x 32 in. Sold for: $233,025, May 2010 Sold for: 131,450, November 2011 HA.com/5044*67122 HA.com/5085*70050 JOSEPH HENRY SHARP This page: Bawling Deer, circa 1924 -1946 WILLIAM ROBINSON LEIGH Oil on canvas, 16 x 13 in. Renegade at Bay, 1941 (detail) Sold for: $143,400, May 2007 Oil on canvas. 24 x 29 in. HA.com/652*24010 Sold for: $388,375, November 2011 HA.com/5085*70041 WILLIAM HENRY HOLMES Mount of the Holy Cross, 1873 Watercolor and gouache on buff paper Paper: 18-1/4 x 11-1/4 in. Sold for: $22,705, May 2011 HA.com/5062*64229 WHY CONSIGN YOUR WESTERN ART COLLECTION TO HERITAGE? You’ve spent years, even decades, putting your collection together and maybe the time has come to sell. Perhaps you've inherited some Art of the American West as part of an estate. Whatever your situation, whatever your reason, you have one goal in mind: to realize the very best prices for each and every piece. Heritage, the world's third largest auction house, can help you accomplish that. WILLIAM ROBINSON LEIGH Home, Sweet Home, 1932 (detail) Oil on canvas. 40 x 60 in. Sold for: $1,195,000, November 2011 HA.com/5085*70040 YOUR CONSIGNMENT DECISION Heritage knows that educating yourself is the most important step in the process of selecting your auctioneer and we want to make sure you know absolutely everything you need to in order to make an educated decision. -
In Memoriam: Dr. Robert Rankin White (1942-2014)
New Mexico Historical Review Volume 90 Number 1 Article 6 1-1-2015 In Memoriam: Dr. Robert Rankin White (1942-2014) Follow this and additional works at: https://digitalrepository.unm.edu/nmhr Recommended Citation . "In Memoriam: Dr. Robert Rankin White (1942-2014)." New Mexico Historical Review 90, 1 (2015). https://digitalrepository.unm.edu/nmhr/vol90/iss1/6 This Article is brought to you for free and open access by UNM Digital Repository. It has been accepted for inclusion in New Mexico Historical Review by an authorized editor of UNM Digital Repository. For more information, please contact [email protected], [email protected], [email protected]. • In Memoriam • Dr. Robert Rankin White (1942–2014) Steve Watson obert Rankin White, preeminent southwestern art historian and author, passed away in Albu- querque, New Mexico, on 17 July 2014. Born Rin Houston, Texas, on 8 February 1942, he graduated from the prestigious St. Stephen’s Episcopal School in Austin in 1960. He received a bachelor’s degree in geol- ogy from the University of Texas in 1964, served in the U.S. Army in Vietnam, and completed a master’s degree in hydrology from the University of Arizona in 1971. After a two-year stint in Texas, Robert worked for the U.S. Geological Survey in New Mexico as a hydrologist and editor for the next fifteen years. He then obtained his doctorate in American Studies at the University of New Mexico (UNM) in 1993. During the course of his career, Rob- ert authored or co-authored over fifty books, articles, chapters, and essays in history and the arts. -
Olio Volume 19 Issue 2 2002
~olio Volume 19 The ·po Issue 2 2002 The From the Director Norman Rockwell I am pleased to announce the formation the museum will offer of the Norman Rockwell Museum National a sampler of foods to Museum Council, upon the conclusion of our museum visitors at at Stockbridge national tour, Pictures for the American our new Terrace Cafe People. The Council will provide a forum during the summer and fall. Sip a refreshing BOARD OF TRUSTEES for the Museum's national patrons and iced tea and enjoy the view after your visit to Bobbie Crosby· President Perri Petricca • First Vice President collectors, who will serve as ambassadors our wonderful summer exhibitions. We thank Lee Williams' Second Vice President for the Museum across the nation. the Town of Stockbridge Board of Selectmen Steven Spielberg· Third Vice President James W. Ireland' Treasurer and the Red Lion Inn for being our partner in Roselle Kline Chartock • Clerk The Board of Trustees has nominated a offering hospitality to our visitors. Robert Berle Ann Fitzpatrick Brown select group of friends and supporters to Daniel M. Cain join us in the stewardship of our mission. Jan Cohn As part of the Berkshire County-wide arts Catharine B. Deely The Council is advisory to and complements festival, the Vienna Project, the museum Michelle Gillett Elaine S. Gunn the work of Norman Rockwell Museum opened Viennese illustrator Lisbeth Zwerger's Ellen Kahn Trustees and staff. Council members will Land of Oz with a Viennese coffee house, Jeffrey Kleiser Luisa Kreisberg provide national outreach and offer advice remarks by Dr. -
Norman Rockwell Museum Featured Illustrators, 1993–2008
Norman Rockwell Museum Featured Illustrators, 1993–2008 Contemporary Artists Jessica Abel John Burgoyne Leon Alaric Shafer Elizabeth Buttler Fahimeh Amiri Chris Calle Robert Alexander Anderson Paul Calle Roy Anderson Eric Carle Margot Apple Alice Carter Marshall Arisman Roz Chast Natalie Asencios Jean Claverie Istvan Banyai Sue Coe James Barkley Raúl Colon Mary Brigid Barrett Ken Condon Gary Baseman Laurie Cormier Leonard Baskin Christin Couture Melinda Beck Kinuko Y. Craft Harry Beckhoff R. Crumb Nnekka Bennett Howard Cruse Jan and Stan Berenstain (deceased) Robert M. Cunningham Michael Berenstain Jerry Dadds John Berkey (deceased) Ken Dallison Jean-Louis Besson Paul Davis Diane Bigda John Dawson Guy Billout Michael Deas Cathie Bleck Etienne Delessert R.O. Blechman Jacques de Loustal Harry Bliss Vincent DiFate Barry Blitt Cora Lynn Deibler Keith Birdsong Diane and Leo Dillon Thomas Blackshear Steve Ditko Higgins Bond Libby Dorsett Thiel William H. Bond Eric Drooker Juliette Borda Walter DuBois Richards Braldt Bralds Michael Dudash Robin Brickman Elaine Duillo Steve Brodner Jane Dyer Steve Buchanan Will Eisner Yvonne Buchanan Dean Ellis Mark English Richard Leech Teresa Fasolino George Lemoine Monique Felix Gary Lippincott Ian Falconer Dennis Lyall Brian Fies Fred Lynch Theodore Fijal David Macaulay Floc’h Matt Madden Bart Forbes Gloria Malcolm Arnold Bernie Fuchs Mariscal Nicholas Gaetano Bob Marstall John Gilmore Marvin Mattelson Julio Granda Lorenzo Mattotti Robert Guisti Sally Mavor Carter Goodrich Bruce McCall Mary GrandPré Robert T. McCall Jim Griffiths Wilson McClean Milt Gross Richard McGuire James Gurney Robert McGinnis Charles Harper James McMullan Marc Hempel Kim Mellema Niko Henrichon David Meltzer Mark Hess Ever Meulen Al Hirschfeld (deceased) Ron Miller John Howe Dean Mitchell Roberto Innocenti Daniel Moore Susan Jeffers Françoise Mouly Frances Jetter Gregory Manchess Stephen T. -
Encyklopédia Kresťanského Umenia
Marie Žúborová - Němcová: Encyklopédia kresťanského umenia americká architektúra - pozri chicagská škola, prériová škola, organická architektúra, Queen Anne style v Spojených štátoch, Usonia americká ilustrácia - pozri zlatý vek americkej ilustrácie americká retuš - retuš americká americká ruleta/americké zrnidlo - oceľové ozubené koliesko na zahnutej ose, užívané na zazrnenie plochy kovového štočku; plocha spracovaná do čiarok, pravidelných aj nepravidelných zŕn nedosahuje kvality plochy spracovanej kolískou americká scéna - american scene americké architektky - pozri americkí architekti http://en.wikipedia.org/wiki/Category:American_women_architects americké sklo - secesné výrobky z krištáľového skla od Luisa Comforta Tiffaniho, ktoré silno ovplyvnili európsku sklársku produkciu; vyznačujú sa jemnou farebnou škálou a novými tvarmi americké litografky - pozri americkí litografi http://en.wikipedia.org/wiki/Category:American_women_printmakers A Anne Appleby Dotty Atti Alicia Austin B Peggy Bacon Belle Baranceanu Santa Barraza Jennifer Bartlett Virginia Berresford Camille Billops Isabel Bishop Lee Bontec Kate Borcherding Hilary Brace C Allie máj "AM" Carpenter Mary Cassatt Vija Celminš Irene Chan Amelia R. Coats Susan Crile D Janet Doubí Erickson Dale DeArmond Margaret Dobson E Ronnie Elliott Maria Epes F Frances Foy Juliette mája Fraser Edith Frohock G Wanda Gag Esther Gentle Heslo AMERICKÁ - AMES Strana 1 z 152 Marie Žúborová - Němcová: Encyklopédia kresťanského umenia Charlotte Gilbertson Anne Goldthwaite Blanche Grambs H Ellen Day -
AYER YY HOYHOY Enen TAOSTAOS Yesterday and Today in Taos County and Northern New Mexico Spring 2015 Fall 2014 Issue #38
AYERAYER YY HOYHOY enen TAOSTAOS Yesterday and Today in Taos County and Northern New Mexico Spring 2015 Fall 2014 Issue #38 100 YEARS OF THE TAOS SOCIETY OF ARTISTS Back row: Ufer, Dunton, Higgins and Adams. Seated: Hennings, Phillips, Couse and Berninghaus. Kneeling: Sharp and Blumenschein. Missing: Critcher and Rolshoven Acequia de Los Lovatos: The Partido System Tricentennial 1715 of New to Mexico 2015 © Jivan Lee A publication of the Taos County Historical Society A Message from the CONTENTS TCHS President Taos and the American Art Colony Movement: Dear Members, The Search for an American School of Art ......... 3 by Virginia Couse Leavitt The TCHS Board of Directors would like to invite everyone to The Hollyhocks .................................................6 the various events that the Society will be hosting throughout the year. In by Bertha and Francis Quintana 1915, the Taos Society of Artists was La Acequia de Los Lovatos: Tricentennial .... 7 formed by six men who loved the light, colors and beauty of Taos. This by Juanita J. Lavadie year we celebrate this auspicious event, The Partido System in New Mexico .............. 8 commemorating the original members of The Taos Society of by Michael Miller Artists that was formed 100 years ago by Oscar E. Berninghaus, Ernest L. AYER Y HOY en TAOS Blumenschein, E.Irving Couse, W. Herbert “Buck” Dunton, Bert Geer Yesterday and Today in Taos County Phillips, and Joseph H. Sharp. and Northern New Mexico Taos County Historical Society will be honoring Virginia Couse- Spring 2015 Issue No. 38 Leavitt, granddaughter of E.I. Couse at our annual luncheon in ISSN 1088-5285 May. -
Book Reviews
Book Reviews America and the Sea: A Literary History. By Haskell Springer. Reviewed by William E. Lenz 167 Natives and Newcomers: Ethnic Southerners and Southern Ethnics. By George Brown Tindall. Reviewed by Howard N. Rabinowitz 168 The Oxford History of the American West. Edited by Clyde A. Milner II, Carol A. O'Connor, and Martha A. Sandweiss. Reviewed by Susan Armitage 169 Discovering the Difference: Contemporary Essays in American Culture. Edited by Christoph K. Lohmann. Reviewed by Warren Hedges 171 American Literature and Science. By Robert J. Scholnick. Reviewed by David W. Noble 172 Salem Story: Reading the Witch Trials of 1692. By Bernard Rosenthal. Reviewed by Bryan Le Beau 173 Inventing New England: Regional Tourism in the Nineteenth Century. By Dona Brown. Reviewed by John A. Jakle 174 Partisans of the Southern Press: Editorial Spokesmen of the Nineteenth Century. By Carl R. Osthaus. Reviewed by H. Lewis Suggs 175 The Emergence of the African-American Artist: Robert S. Duncanson, 1821-1872. By Joseph D. Ketner. Reviewed by Pamela J. Smith 176 Harriet Beecher Stowe: A Life. By Joan D. Hedrick. Reviewed by Theodore R. Hovet 178 Ozark Vernacular Houses: A Study in Rural Homeplaces in the Arkansas Ozarks, 1830-1930. By Jean Sizemore. Reviewed by Dennis Domer....l79 Walt Whitman's America: A Cultural Biography. By David S. Reynolds. Reviewed by Melvin Landsberg 180 Walt Whitman's Native Representations. By Ed Folsom. Reviewed by Martin Klammer 182 The Vacant Chair: The Northern Soldier Leaves Home. By Reid Mitchell. Reviewed by Herman Hattaway 183 165 Lincoln In American Memory. By Merrill D. -
"Ernest L. Blumenschein: the Life of an American Artist"
http://www.santafenewmexican.com/pasatiempo/books/book_reviews/ernest-l-blumenschein-the- life-of-an-american-artist/article_743a6102-10f8-11e3-b4c3-001a4bcf6878.html "Ernest L. Blumenschein: The Life of An American Artist" Nancy Coggeshall Aug 30, 2013 Ernest L. Blumenschein: The Life of An American Artist by Robert W. Larson and Carole B. Larson, University of Oklahoma Press, 344 pages "Ernest L. Blumenschein: The Life of An American Artist" | Book Reviews | santafenewmexican.com Early in 1898, Ernest Leonard Blumenschein and Bert Geer Phillips, both illustrators in New York, planned a painting trip to Mexico as a break from their work. Although they were ignorant about the outdoors, equine care, and western customs, they would cope. In Denver they purchased camping equipment, two horses, and a wagon. Their route followed the eastern flank of the Rocky Mountains. A coin toss and a late summer’s rain-washed road in Northern New Mexico dictated a fateful change in their travel plans. Blumenschein rode the 20 miles to Taos, lugging the wheel that broke when their wagon slipped into a rut and “suddenly sat down.” Approaching the town, the novice equestrian and Paris-educated artist was exhilarated at the sight of the Taos valley’s “magnificent country,” and he realized it signaled their destination. He later commented that it was “the first unforgettable inspiration of [his] life.” Blumenschein’s trajectory from that moment arced toward more study in Paris, greater recognition as an illustrator, numerous awards and prizes, and an international reputation as an artist. In May 2011, his 1922 painting White Robe and Blue Spruce sold for $1,583,500 at Sotheby’s.