MIXED MEDIA and CONCRETE $455 Tom O'connell July 8–12, 1
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READ ME FIRST Here Are Some Tips on How to Best Navigate, find and Read the Articles You Want in This Issue
READ ME FIRST Here are some tips on how to best navigate, find and read the articles you want in this issue. Down the side of your screen you will see thumbnails of all the pages in this issue. Click on any of the pages and you’ll see a full-size enlargement of the double page spread. Contents Page The Table of Contents has the links to the opening pages of all the articles in this issue. Click on any of the articles listed on the Contents Page and it will take you directly to the opening spread of that article. Click on the ‘down’ arrow on the bottom right of your screen to see all the following spreads. You can return to the Contents Page by clicking on the link at the bottom of the left hand page of each spread. Direct links to the websites you want All the websites mentioned in the magazine are linked. Roll over and click any website address and it will take you directly to the gallery’s website. Keep and fi le the issues on your desktop All the issue downloads are labeled with the issue number and current date. Once you have downloaded the issue you’ll be able to keep it and refer back to all the articles. Print out any article or Advertisement Print out any part of the magazine but only in low resolution. Subscriber Security We value your business and understand you have paid money to receive the virtual magazine as part of your subscription. Consequently only you can access the content of any issue. -
Cody High Style Is High Fashion Contemporary Artist Jim Bama What
PW-FALL-07A 8/29/07 11:35 AM Page 1 BUFFALO BILL HISTORICAL CENTER I CODY, WYOMING I FALL 2007 Cody High Style is high fashion Contemporary artist Jim Bama What you didn’t know about the Johnson County War Yellowstone news PW-FALL-07A 8/29/07 11:35 AM Page 2 Director’s Desk © 2007 Buffalo Bill Historical Center. Written permission is required to copy, reprint, or distribute Points West materials in any medium or format. All photographs in Points West are BBHC photos unless otherwise noted. Questions about image rights and reproduction should be directed to Associate Registrar Ann Marie Donoghue at [email protected] or 307.578.4024. Bibliographies, works cited, and footnotes, etc. are purposely omitted to conserve space. However, such information is a vailable by contacting the editor. Address correspondence to Editor, Points West, Buffalo Bill Historical Center, 720 Sheridan Avenue, Cody, Wyoming 82414 or [email protected]. Senior Editor Mr. Lee Haines Managing Editor Ms. Marguerite House Copy Editors by Wally Reber. Ms. Lynn Pitet, Ms. Joanne Patterson, Ms. Nancy McClure Interim Director Designer Ms. Jan Woods–Krier/Prodesign Photography Staff Ms. Chris Gimmeson, Mr. Sean Campbell ith this issue of Points West, we bid farewell Book Reviews to Executive Director Dr. Robert E. Shimp. Dr. Kurt Graham Bob has safely arrived in Lexington, W Historical Photographs Kentucky, where he’s begun his well-deserved retirement. Ms. Mary Robinson; Ms. Megan Peacock As we here at the Buffalo Bill Historical Center (BBHC) Rights and Reproductions Ann Marie Donoghue search for a new director, we thank Bob for his five years Calendar of Events at the helm of the BBHC. -
Brinkman Collection Los Angeles | February 8, 2019
The L.D. “Brink” Brinkman Collection Los Angeles | February 8, 2019 The L.D. “Brink” Brinkman Collection Los Angeles | Friday February 8, 2019 at 12pm BONHAMS BIDS INQUIRIES PROPERTY COLLECTION 7601 W. Sunset Boulevard +1 (323) 850 7500 [email protected] NOTICE Los Angeles, California 90046 +1 (323) 850 6090 fax Please note that all lots will be bonhams.com [email protected] Los Angeles available for collection from Scot Levitt Bonhams Los Angeles for two PREVIEW To bid via the internet please visit Director, Fine Arts weeks following the end of the Los Angeles www.bonhams.com/25476 Vice President sale during Bonhams hours Saturday February 2 +1 (323) 436 5425 (Monday to Friday, 9am to 12pm to 5pm Please note that bids should be 4:30pm). After Friday, February Sunday February 3 submitted no later than 24hrs Kathy Wong 22, all uncollected lots will 12pm to 5pm prior to the sale. New and Specialist, Fine Arts be removed to Withey & Co. Monday February 4 returning bidders will need valid +1 (323) 436 5415 beginning on Monday, February 10am to 5pm proof of identity on file. Failure to 25. Items sent to Withey & Co. Tuesday February 5 do so may result in your bid not Elizabeth Grose will be subject to transfer and 10am to 5pm being processed. Project Coordinator storage charges. All lots must Wednesday February 6 be paid in full before they will be 10am to 5pm LIVE ONLINE BIDDING IS San Francisco released either by Bonhams or Thursday February 7 AVAILABLE FOR THIS SALE Aaron Bastian Withey & Co. -
2019 Workshops
2019 WORKSHOPS 1 WELCOME TO ARROWMONT IMPORTANT DATES AT A GLANCE “I want to live in a society where people are intoxicated with the joy of making things.” — WILLIAM S. COPERTHWAITE ARTISTS-IN-RESIDENCE In 2019, Arrowmont School of Arts and Crafts will offer over 160 workshops where students and APPLICATION DEADLINE instructors will make things. But while creating paintings, baskets, sculptures, quilts, jewelry, February 1, 2019 wooden vessels, books, chairs, musical instrument, clay vessels and much more, students will be researching, problem-solving, designing — and exploring concepts, techniques and materials. It is EARLY REGISTRATION DEADLINE through learning and the creative process that the joy is realized. The world shapes us and we must REGISTRATION FEE OF $50 IS find ways to shape the world. Be a maker. WAIVED FOR EARLY REGISTRATION February 1, 2019 “A community is a group of people who agree to grow together.” — SIMON SINEK EDUCATIONAL ASSISTANTS Students, instructors, staff, artists-in-residence, volunteers, and educational assistants form the PROGRAM APPLICATION DEADLINE creative community that is the heart of the “Arrowmont Experience.” People come together in March 1, 2019 settings which encourage the exchange of ideas and a shared sense of accomplishment. These settings extend outside the studios. Arrowmont’s campus allows students in one studio to visit and SCHOLARSHIP interact, even collaborate, with those working in other media. The galleries, library, dining hall, APPLICATION DEADLINE porches, and quiet gathering places throughout campus provide opportunity for research, March 1, 2019 reflection, and conversation. Growth occurs inside and outside the studios. We grow together. Please check the website “We meet no ordinary people in our lives.” — C.S. -
April 7, 2018 • Session II
April 7, 2018 • Session II Front Cover 211 Charles Russell 1864-1926 Indian On Horseback Oil on canvas 13 ¾ x 10 ½ inches Signed lower left and dated 1898 Estimate: $300,000 - 500,000 Opposite 248 Carl Rungius 1869-1959 Old Men on the Ram River Oil on canvas 25 x 30 inches Signed lower right Estimate: $250,000 - 350,000 Back Cover 221 Thomas Moran 1837-1926 Solitude, the Coconino Forest, Arizona Oil on canvas 20 x 30 inches Signed lower left and dated 1907; Signed, titled and dated verso Estimate: $400,000 - 600,000 Saturday • April 7, 2018 SCOTTSDALE ART AUCTION 71 S SCOTTSDALE ART AUCTION A SaturdaySaturda y • April• April 7, 8,2018 2017 MICHAEL FROST JACK A. MORRIS JR. BRAD RICHARDSON Friday, April 7 j.n. bartfield galleries south carolina saa, llc legacy gallery 10:00am–5:00pm...............................................................................................BozemanRegis t•r aJacksontion & HolePrev i•e Scottsdalew 6:00pm–8:00pm ..........................................................................................................Cocktail Preview 60 W. 55th Street 79 Baynard Cove Road 7178 Main Street New York,Satu rNYday ,10019 April 8 Hilton Head Island, SC 29928 Scottsdale, AZ 85251 212.245.88908:30am–9:30am.................................................................................................843.785.2318 480.945.1113Registration & | P307.733.2353review 9:30am .............................................................................................................First Session: Lots 1–141 11:30am...............................................................................................................................Lunch -
Sarasota, Florida • Sept 30-Oct
American Society of Marine Artists Spring 2010 DeDicateD to the Promotion of american marine art anD the free exchange of iDeas Between artists ASMA 2010 AGM Hyatt Regency Beginning on Page 13 SeptemberTHE ASMA 2010 AGM30 IS- SCHEDULEDOctober FOR 3, 2010 INSIDE: UpDate of Events Sarasota,Visit our Web Site Florida at: www.americansocietyofmarineartists.com From The President A Word About The American Society of Marine Artists I enjoy a lovely sky; most often it will occur at the very beginning, or else towards the end of The American Society of Marine Artists the day, and I always try and learn something. is a non-profit organization whose I also take a lot of pleasure in visiting a gallery, purpose is to recognize and promote and in trying to figure-out the secret of another marine art and maritime history. We seek to encourage cooperation among artist’s achievements. One’s taste changes, artists, historians, marine enthusiasts and perception of beauty evolves from year to year, and it is always a thrill to others engaged in activities relating to discover something new and wonderful in someone’s work with which marine art and maritime history. Since its one has been familiar for years but never appreciated up to now. founding in 1978, the Society has brought together some of America’s most talented There is a sensual pleasure in looking at a measured congruence contemporary artists in the marine art field. of beautiful colors, or in recognition of a striking arrangement in ✺ composition, and there is a more intellectual kind of pleasure to be gained from catching evidence of a mood, a phase in the weather, or of FELLOWS OF THE SOCIETY a human presence. -
HILTON HEAD ART AUCTION October 5, 2013 Index
HILTON HEAD ART AUCTION October 5, 2013 Index ARTIST LOT NUMBER ARTIST LOT NUMBER ARTIST LOT NUMBER Ken Auster ................................89 Dan Graziano ..................110, 111 Joseph Orr ...............................120 William Ahrendt .......................98 Jonathan Green ...................21, 26 Robert Palevitz ..........................74 Bobby Bagley ............................22 Walter Greer ....62, 63, 64, 65, 104 Addison Palmer .........................42 Frank Weston Benson..............1, 2 Edward M. Griffith .............36, 57 Jim Palmer ....................11, 12, 41 William Berra ......................34, 67 Ben Ham ..................................43 Guido Petruzzi ........................109 George Biddle .........................113 Michael Harrell ...................52, 56 Margaret Petterson ...72A, 72B, 72C Joe Bowler ...............................101 Betsy Havens ...........................108 Joe Pinckney......14, 15, 49, 50, 51 Thomas Buechner .....................60 Barbara Hill.................................6 Joan Potter ................................99 Alan Campbell ..........................37 William C. Hook ......................19 Laura Robb ...............................75 Henry Casselli ...........................80 Clark Hulings ............................68 Peter Rolfe .................................16 James E. Calk ..........................121 Lynn Boque Hunt ..........Cover, 58 Linda Rorer .............................105 Kang Cho ..................................78 Mandy Johnson