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19Th, 20Th and 21St Century Marine Art VOLUME 6 NUMBER 8 - 9 PUBLISHED by J

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VOLUME 7 NUMBER 10-11 PUBLISHED by J. RUSSELL JINISHIAN © FALL/WINTER 2006-2007 / $12.00 19th, 20th and 21st Century Marine Art VOLUME 6 NUMBER 8 - 9 PUBLISHED by J. RUSSELL JINISHIAN © FALL/WINTER 2006 / $12.00 Special Double Issue ™ An Insider’s Guide to Marine Art for Collectors and Historians What’s Inside: • Latest News from Today’s Premier Marine Artists, Learn What they’re Working on in their Studios right now • Latest Marine Art Sales & Prices • Marine Art Exhibitions Across the Country Anthony Blake (detail) U.S. Naval Academy Cruise leaving Newport, Rhode Island, 1865 Oil 36” x 48” $55,000 MARION MACEDONIAN AMERICA U.S.S. CONSTITUTION • Upcoming Auctions Wick Ahrens Steve Cryan Glen Hacker Lloyd McCaffery Randy Puckett • Book Reviews Dimetrious Athas R.B. Dance James Harrington Joseph McGurl Keith Reynolds John Atwater William R. Davis Cooper Hart John Mecray Marek Sarba Anthony Blake Don Demers André Harvey Jerry Melton Arthur Shilstone Robert Blazek Louis Dodd Geoff Hunt Stanley Meltzoff Kathy Spalding Christopher Blossom William P. Duffy James Iams Leonard Mizerek Robert Sticker Lou Bonamarte Willem Eerland Antonio Jacobsen William G. Muller John Stobart Willard Bond Carl Evers Michael Keane Rob Napier David Thimgan Peter Bowe William Ewen Loretta Krupinski William Oakley Jr. Tim Thompson Bernd Braatz James Flood Richard Dana Kuchta Russ Kramer Kent Ullberg Al Bross Flick Ford Robert LaGasse Roberto Osti Peter Vincent James Buttersworth Paul Garnett Gerald Levey Yves Parent William Walsh Marc Castelli William Gilkerson Patrick Livingstone Ed Parker Patricia Warfield Scott Chambers James Griffiths Ian Marshall Charles Peterson Robert Weiss Terry Culpan Robert Grimson Victor Mays James Prosek Bert Wright J. Russell Jinishian Gallery, Inc. 1657 POST ROAD, FAIRFIELD, CT 06824 2159 RT. 129 SOUTH BRISTOL, ME Just up the hill from the Swing Bridge towards Christmas Cove. (203) 259-8753 Look for the leaping fish. August only. 207-644-1102 Specializing in 19th, 20th, and 21st Century Marine and Fishing Art from Europe and America. Accepting artwork on consignment from collectors throughout the year. HOURS: Tuesday - Saturday 10-5 p.m. and by appointment. We invite you to stop by and visit the gallery located just 1 hour from NYC just off I-95 at Exit 21. Visit our website: www.jrusselljinishiangallery.com E-mail: [email protected] with News From the Artists ANT L I G I V s usual, this has been a busy period in the given. Among those winners were Len Mizerek of it, making small sketches on sight, taking them In this dramatic marine art world with new exhibitions, New York, Ken Wallen of Georgia, Bill Lowe of back to the studio and working them up into larger II. A projects, and artwork being created all over California, Jeffrey Hull of Oregon. The exhibi- compositions as artists have done for centuries. the globe—so let’s get right to the news. tion coincided with an exhibition of historic photo- “For philosophical and technical reasons, I com- YRIE LK graphs from the museum’s 30,000 piece collection pletely avoid the use of the camera, preferring to A We’ll start with the American Society of Marine V Artists, an organization, which, by their own entitled “The Curator’s View of Oregon’s Maritime rely instead on direct observation, my memory, and description, is “dedicated to the promotion of History.” Founded in 1950, the Coos Art Museum imagination. The resulting artwork is a synthesis is the 3rd oldest art museum in Oregon, and well of my interaction with a particular aspect of our $25,000 Marine Art and the free exchange of ideas between artists.” Not a bad mission. They held their annual worth a visit if you are out that way. Information world and my own artistic philosophies.” It seems meeting this year in Cape May, New Jersey for on them can be found at www.coosart.org. to be working pretty well for Joe. He had a very just those purposes. The first order of business On the East Coast, Maine based artist Loretta successful one-man exhibition at the Hammer was to elect a replacement for out-going president Krupinski reports that she has been using histor- Gallery in New York City this fall, with paintings and her challenger selling between $15,000-$75,000. Oil 27” x 43” x 43” Oil 27” Kim Weiland. Watercolorist, author and naval ic photographs of fishing, shipbuilding and steam th th ANT historian Ian Marshall was tapped for the honor, boating from the mid-19 to early 20 century in William Duffy is another artist who works in this L I which means we may not see as direct manner. Bill described his G I V roared off to an early lead in 25 knot winds, winds, knot 25 in lead early an to off roared many paintings from Ian over his process recently in an interview II term of the next four years as with Charles Raskob Robinson YRIE we are used to, but it’s good to in the American Society of Marine LK know the Society is in good hands. Artists Newsletter. He says he first A V Among the 35 artists in attendance does two to three inch thumb- were David Bareford, Christine nail pencil sketches to develop a Diehlmann, William Duffy, Jim composition. Then he does more Iams, Willard Bond, Loretta sketches on a toned paper to Krupinski, Richard Moore, establish the values (the lights John Roach, Len Tantillo, Russ and darks) of his painting. As Kramer, Mike Killelea, and Don he says, “Composition for me is Norris. Ian said it was a great a complex exercise of arranging weekend for exchanging ideas squares and rectangles broken by and shop talk, highlighted by subtle curves and angles and acti- special presentations by painters vated by a graduated system of Russ Kramer and Len Tantillo. warm and cool colors, hopefully fit- If you are a fan of Ian Marshall’s ting into a cohesive whole. It tends own paintings, you can finally to be a geometric for me—even look forward to the publication of the clouds—where I found the his new book on naval cruisers, structure of my painting is built entitled Cruisers and ‘La Guerre on geometry.” But then Bill adds de Course’ which is scheduled to other levels. Discussing his palette be published by Mystic Seaport Tim Thompson Schooner Yacht Westward off the Dover Cliffs Oil 22” x 30” $32,000 he says, “My colors go from a cool Museum this upcoming summer. to a warm, to create a feeling of It features text and 50 watercolors by Ian on mid-coast Maine to create a series of 40 paintings light and atmosphere…” He actu- the history of this class of smaller naval vessels for a book to be published by Down East Books. ally tones his entire canvas with a neutral color, designed for speed and maneuverability which Loretta says, “I have 20 more paintings to go, and slowly building up his shapes, which will later factored into all the world’s modern navies from lots of writing to do with two years until comple- become buildings, boats, buoys, clouds, or the sea. In fact he says, “If the painting is large, this foun- the American Civil War until WWI. tion before I can sleep through the night again!” dation ends up looking nearly monochromatic.” The Society is continuing to expand its educa- While the debate is an ongoing one concerning the He then begins to add his colors on top. Evoking a tional rolex, offering workshops for artists in 2007 place of photography within the context of creating sense of place is very much in Bill’s mind when he in conjunction with two leading East Coast art paintings, Loretta’s approach is pretty straightfor- paints. As he says, “Light, atmosphere, local color schools: The Maine College of Art in Portland, ward. “The shutter clicked on someone’s camera a and texture play major roles, enabling the viewer Maine, June 9-10, instructor Sergio Roffo; hundred years ago: those few seconds on that day to say, yes, this is Nantucket, Cape Cod, Ireland, October 20-21, instructor Don Demers. For infor- in their life has now become history—and mine etc.” Of the certain element in Bill’s paintings he Heavy Weather Start Weather Heavy mation call 207-775-5158 or meca.edu/cs. Lyme to paint.” Translating black and white photographs calls an emotional or spiritual content he says, is seen dropping her jib topsail at the start in preparation for the stormy race ahead. Although ahead. race stormy the for preparation in start the at topsail jib her dropping seen is College of Fine Arts in Lyme, Connecticut, into accurate and pleasing color paintings poses “This is the most difficult for me to articulate. ANT June 9-10, instructor William Duffy; September its own problems for painters. This is compounded Success with regard to a painting will have a life L I G by the desire for historical accuracy in all the I 29-30, instructor Len Tantillo. For information beyond itself—it will stir one’s soul.” Anyone who V call 860-434-5230 ext. 120. details which may not be clearly visible in the pho- has had the opportunity to view one of Bill’s subtle tograph. Different artists approach the problems and evocative paintings firsthand will know what While Ian says the Society is formulating plans differently. If it involves a vessel, they may refer for its next national exhibition in 2008, a number he is speaking of here.
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