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Daft Punk Collectible Sales Skyrocket After Breakup: 'I Could've Made
BILLBOARD COUNTRY UPDATE APRIL 13, 2020 | PAGE 4 OF 19 ON THE CHARTS JIM ASKER [email protected] Bulletin SamHunt’s Southside Rules Top Country YOURAlbu DAILYms; BrettENTERTAINMENT Young ‘Catc NEWSh UPDATE’-es Fifth AirplayFEBRUARY 25, 2021 Page 1 of 37 Leader; Travis Denning Makes History INSIDE Daft Punk Collectible Sales Sam Hunt’s second studio full-length, and first in over five years, Southside sales (up 21%) in the tracking week. On Country Airplay, it hops 18-15 (11.9 mil- (MCA Nashville/Universal Music Group Nashville), debutsSkyrocket at No. 1 on Billboard’s lion audience After impressions, Breakup: up 16%). Top Country• Spotify Albums Takes onchart dated April 18. In its first week (ending April 9), it earned$1.3B 46,000 in equivalentDebt album units, including 16,000 in album sales, ac- TRY TO ‘CATCH’ UP WITH YOUNG Brett Youngachieves his fifth consecutive cording• Taylor to Nielsen Swift Music/MRCFiles Data. ‘I Could’veand total Made Country Airplay No.$100,000’ 1 as “Catch” (Big Machine Label Group) ascends SouthsideHer Own marks Lawsuit Hunt’s in second No. 1 on the 2-1, increasing 13% to 36.6 million impressions. chartEscalating and fourth Theme top 10. It follows freshman LP BY STEVE KNOPPER Young’s first of six chart entries, “Sleep With- MontevalloPark, which Battle arrived at the summit in No - out You,” reached No. 2 in December 2016. He vember 2014 and reigned for nine weeks. To date, followed with the multiweek No. 1s “In Case You In the 24 hours following Daft Punk’s breakup Thomas, who figured out how to build the helmets Montevallo• Mumford has andearned Sons’ 3.9 million units, with 1.4 Didn’t Know” (two weeks, June 2017), “Like I Loved millionBen in Lovettalbum sales. -
Intersectionality and the Disability Rights Movement: the Black Panthers, the Butterfly Brigade, and the United Farm Workers of America
JW Marriott Austin, Texas July 19-23, 2021 Intersectionality and the Disability Rights Movement: The Black Panthers, the Butterfly Brigade, and the United Farm Workers of America Paul Grossman, J.D., P.A. Mary Lee Vance, Ph.D. Jamie Axelrod, M.S. JW Marriott Austin, Texas July 19-23, 2021 Faculty Grossman, Axelrod and Vance Consulting, Beyond the ADA Paul Grossman, J.D., P.A. US, ED, OCR, Chief Regional Civil Rights Attorney, SF, retired Guest Lecturer for Disability Law, Harvard Graduate School of Education, Hastings and Berkeley Colleges of Law, U.C. NAADAC, OCR DisNet, & CAPED Faculty Member Former AHEAD Board Member; Blosser Awardee AHEAD and CHADD Public Policy Committees Member The Law of Disability Discrimination for Higher Education Professionals, Carolina Academic Press (updated annually) JW Marriott Austin, Texas July 19-23, 2021 Faculty Grossman, Axelrod and Vance Consulting, Beyond the ADA Jamie Axelrod, M.S. Mary Lee Vance, Ph.D. Dir., Disability Resources, Northern Arizona University Dir., Services for Students with Disabilities, Sacramento State University ADA Coordinator/Section 504 Compliance Officer, Northern Arizona Former AHEAD Bd. Member; University Member, JPED Editorial Bd.; Immediate Past President AHEAD Board Member, Coalition for Disability Reviewer, NACADA National Advising Journal Access in Health Science and Education Co-editor, Beyond the ADA (NASPA 2014) Member AHEAD Public Policy Committee JW Marriott Austin, Texas July 19-23, 2021 Caveat This presentation and its associated materials are provided for informational purposes only and are not to be construed as legal advice. You should seek your Systemwide or house counsel to resolve the individualized legal issues that you are responsible for addressing. -
The American Film Musical and the Place(Less)Ness of Entertainment: Cabaret’S “International Sensation” and American Identity in Crisis
humanities Article The American Film Musical and the Place(less)ness of Entertainment: Cabaret’s “International Sensation” and American Identity in Crisis Florian Zitzelsberger English and American Literary Studies, Universität Passau, 94032 Passau, Germany; fl[email protected] Received: 20 March 2019; Accepted: 14 May 2019; Published: 19 May 2019 Abstract: This article looks at cosmopolitanism in the American film musical through the lens of the genre’s self-reflexivity. By incorporating musical numbers into its narrative, the musical mirrors the entertainment industry mise en abyme, and establishes an intrinsic link to America through the act of (cultural) performance. Drawing on Mikhail Bakhtin’s notion of the chronotope and its recent application to the genre of the musical, I read the implicitly spatial backstage/stage duality overlaying narrative and number—the musical’s dual registers—as a means of challenging representations of Americanness, nationhood, and belonging. The incongruities arising from the segmentation into dual registers, realms complying with their own rules, destabilize the narrative structure of the musical and, as such, put the semantic differences between narrative and number into critical focus. A close reading of the 1972 film Cabaret, whose narrative is set in 1931 Berlin, shows that the cosmopolitanism of the American film musical lies in this juxtaposition of non-American and American (at least connotatively) spaces and the self-reflexive interweaving of their associated registers and narrative levels. If metalepsis designates the transgression of (onto)logically separate syntactic units of film, then it also symbolically constitutes a transgression and rejection of national boundaries. In the case of Cabaret, such incongruities and transgressions eventually undermine the notion of a stable American identity, exposing the American Dream as an illusion produced by the inherent heteronormativity of the entertainment industry. -
At Play Fall-Winter 03.Qxd
representing the american theatre by publishing and licensing the works of new and established playwrights JacquesBrelisAliveandWell Polly Pen on Writing Musicals Cowgirls’ Mary Murfitt Issue 9, Fall/Winter 2003 MUSICALS INTERVIEW WITH A BAT BOY Director of Professional Rights Robert Vaughan and Director of Publications Michael Fellmeth met with Bat Boy in the Palm Court of the Plaza Hotel in Manhattan to talk about growing up in a cave in Hope Falls, West Virginia, Bat Boy: The Musical, and his rise to global celebrity as the lead in a hit show about his own life. The pointy- eared, fanged star arrived with an entourage of bodyguards, personal assistants, agent, lawyer and publi- cist. Bat Boy, immaculately clad in Savile Row, seemed only vaguely aware of their presence. He greeted us warmly, sat down, lit a miniature cigar and ordered a bloody mary. continued on next page FELLMETH. Let me begin by saying how taken I EDGAR. Ahhh, Jenna. Jenna the Menace, that lips” motion.) Perhaps we’d best not discuss Dr. am with your voice, Bat Boy. Did you have any was my pet name for her. She was such a terror. Parker. That is a difficult subject for me. formal training? The media had it all wrong, though. It was she FELLMETH. Understandably so. A father who BAT BOY. Please don’t call me Bat Boy. My name who took to following me. After I finally got a abandoned you in infancy to be raised by bats is Edgar. restraining order she went on that binge in Texas and then — as if that weren’t enough — tried to FELLMETH. -
Large-Print-Mag-Nov-19.Pdf
CHAPTER 11.19 ART Garth Evans But, Hands Have Eyes: Six decades of sculpture Until 26.01.20 ‘But, Hands Have Eyes’ is a solo exhibition featuring six decades of sculpture. Alongside works produced in the UK in the 1960s and 70s, Evans also presents a body of work for their UK premiere, that he has produced in the United States since his move there in 1981. The work of Garth Evans is integral to the history of British sculpture. Experimenting with the potential of scale, weight, medium and form, Evans’ work comprises both a formal and conceptual approach. He is always interested in interrogating established boundaries and, as a result, his sculptures are made from a diverse range of materials including ceramics, steel, leather and fibreglass. Evans states that many of his works, even when most abstract, are “triggers for, and containers of, particular identifiable memories”. Ultimately, Garth Evans’ works are ambiguous, multi-faceted and completely original. Talks at 4 16.11.19 FREE Are you interested in finding out a little bit more about our latest exhibition? Then why not join us for a free and informal guided tour! Our ‘Talks at 4’ are led by our wonderful gallery assistants and are a great way to delve a little deeper into our current exhibition by Garth Evans and his approach to his work. No two talks are the same so come along and be a part of the conversation. Art in the Bar Jon Pountney Waiting For The Light Until 14.02.20 ‘Waiting for the Light’ is a body of photographic works that capture a particular type of light; a harsh, acutely angled low sunlight that gives the scenes in Jon Pountney’s images a somewhat surreal and melancholy feel. -
Reminder List of Productions Eligible for the 90Th Academy Awards Alien
REMINDER LIST OF PRODUCTIONS ELIGIBLE FOR THE 90TH ACADEMY AWARDS ALIEN: COVENANT Actors: Michael Fassbender. Billy Crudup. Danny McBride. Demian Bichir. Jussie Smollett. Nathaniel Dean. Alexander England. Benjamin Rigby. Uli Latukefu. Goran D. Kleut. Actresses: Katherine Waterston. Carmen Ejogo. Callie Hernandez. Amy Seimetz. Tess Haubrich. Lorelei King. ALL I SEE IS YOU Actors: Jason Clarke. Wes Chatham. Danny Huston. Actresses: Blake Lively. Ahna O'Reilly. Yvonne Strahovski. ALL THE MONEY IN THE WORLD Actors: Christopher Plummer. Mark Wahlberg. Romain Duris. Timothy Hutton. Charlie Plummer. Charlie Shotwell. Andrew Buchan. Marco Leonardi. Giuseppe Bonifati. Nicolas Vaporidis. Actresses: Michelle Williams. ALL THESE SLEEPLESS NIGHTS AMERICAN ASSASSIN Actors: Dylan O'Brien. Michael Keaton. David Suchet. Navid Negahban. Scott Adkins. Taylor Kitsch. Actresses: Sanaa Lathan. Shiva Negar. AMERICAN MADE Actors: Tom Cruise. Domhnall Gleeson. Actresses: Sarah Wright. AND THE WINNER ISN'T ANNABELLE: CREATION Actors: Anthony LaPaglia. Brad Greenquist. Mark Bramhall. Joseph Bishara. Adam Bartley. Brian Howe. Ward Horton. Fred Tatasciore. Actresses: Stephanie Sigman. Talitha Bateman. Lulu Wilson. Miranda Otto. Grace Fulton. Philippa Coulthard. Samara Lee. Tayler Buck. Lou Lou Safran. Alicia Vela-Bailey. ARCHITECTS OF DENIAL ATOMIC BLONDE Actors: James McAvoy. John Goodman. Til Schweiger. Eddie Marsan. Toby Jones. Actresses: Charlize Theron. Sofia Boutella. 90th Academy Awards Page 1 of 34 AZIMUTH Actors: Sammy Sheik. Yiftach Klein. Actresses: Naama Preis. Samar Qupty. BPM (BEATS PER MINUTE) Actors: 1DKXHO 3«UH] %LVFD\DUW $UQDXG 9DORLV $QWRLQH 5HLQDUW] )«OL[ 0DULWDXG 0«GKL 7RXU« Actresses: $GªOH +DHQHO THE B-SIDE: ELSA DORFMAN'S PORTRAIT PHOTOGRAPHY BABY DRIVER Actors: Ansel Elgort. Kevin Spacey. Jon Bernthal. Jon Hamm. Jamie Foxx. -
A List of Influential Native Americans
Tuesday, 4.21.15 ON THE WEB: www.yankton.net views VIEWS PAGE: [email protected] PAGE 4 PRESS&DAKOTAN The Press Dakotan THE DAKOTAS’ OLDEST NEWSPAPER | FOUndED 1861 Yankton Media, Inc., 319 Walnut St., Yankton, SD 57078 CONTACT US OPINION PHONE: (605) 665-7811 (800) 743-2968 Oklahoma City In NEWS FAX: (605) 665-1721 ADVERTISING FAX: (605) 665-0288 A Post-9/11 Age WEBSITE: www.yankton.net erhaps the obsessive nature of our post-9/11 universe can best be ––––– illustrated by how much attention that we, as a nation, generally SUBSCRIPTIONS/ DIDN’T devote to the 20th anniversary of the Oklahoma City bomb- CIRCULATION ing this past weekend. PTo be sure, there was attention paid to that terrible event back in Extension 104 [email protected] 1995, when 168 people, including 19 children, were killed and more than CLASSIFIED ADS 600 were injured in a shocking act of domestic terrorism. Up until 9/11, Extension 108 this event was the single deadliest terrorist attack on U.S. soil, and it was [email protected] treated as such when it happened. But judging from the general national conversation, the anniversary NEWS DEPT. seemed more like a recollection of echoes from a long-ago time that only The Rez Of The Story Extension 114 moderately resonates today. [email protected] This isn’t true, of course, but we have changed a lot since that awful SPORTS DEPT. morning 20 years ago. And amid those momentous changes— and after all Extension 106 the grieving we have endured from other events and other re-alterations of [email protected] our thinking — it may be somewhat understandable that we see Oklahoma A List Of Influential ADVERTISING DEPT. -
The National Bank of Indianapolis Summer Nights Film Series Returns to Newfields 6/4 Tickets Go on Sale May 21 for Members, May 28 for Public
FOR IMMEDIATE RELEASE Images available upon request. The National Bank of Indianapolis Summer Nights Film Series returns to Newfields 6/4 Tickets go on sale May 21 for members, May 28 for public INDIANAPOLIS, May 17, 2021–The beloved summer tradition, The National Bank of Indianapolis Summer Nights Film Series returns to Newfields on Fridays and select Saturdays this June, July and August. Over the summer, 14 films will be shown —everything from classic black-and-white films to modern blockbusters. “Supporting the Summer Nights Film Series is a way for us to give back to our city, and to support our community in an engaging and meaningful way,” said Ann Merkel, senior vice president and chief market development officer at The National Bank of Indianapolis. “We dedicate our resources to activities that create a stronger community and enhance the quality of life for all who live here. We are pleased to be celebrating 10 years as the title sponsor of this beloved program.” New this year and to maintain a safe social distance and reduced capacity in The Amphitheater, Summer Nights tickets will be sold as boxed seating that can accommodate one to four individuals. Each box will be seven feet by eight feet and be spaced six feet apart from others. For everyone’s health and safety, the boxes will be sold at a fixed price with a maximum of four tickets. Tickets go on sale for members on May 21 at 11 a.m. and for the public on May 28 at 11 a.m. Ticket boxes of four are $36 for members and $48 for public. -
CV George Every 1St AD
GEORGE EVERY, 1ST A.D. Full Member of the British AD Guild for Films & Commercials CURRICULUM VITAE Diary Service : EXEC Management Mob : +44 (0)7515 385 491 Tel 01753 646 677 [email protected] [email protected] RESUME I have been a 1st AD for 22 years. I have wide experience in features, tv drama and commercials. My credits as a key 1st include features for Oscar winners James Ivory, Norman Jewison, Kevin Macdonald, Régis Wargnier, Florian Zeller and Graham Moore as well as Oscar nominated Tran Anh Hung. I have worked with a large number of A-list talent and have extensive experience of working abroad, including the Far East, South America, Africa, and all over Europe. I was based in Paris for 15 years and speak bilingual French. I returned to London in 2007. FILM & TV DRAMA CREDITS as 1st AD Year Film Format Director 2021 The Son (See Saw Films) Feature Florian Zeller Cast : Hugh Jackman, Laura Dern, Vanessa Kirby, Zen Macgrath Wraps 1st October 2021 Living (Number 9 Films) Feature Oliver Hermanus Cast : Bill Nighy, Aimee Lou Wood, Alex Sharp Period : 1950s. Location : London 2021 The Outfit (FilmNation) Feature Graham Moore Cast : Sir Mark Rylance, Sir Simon Russell Beale, Johnny Flynn, Dylan O’Brien Period : 1950s. Location : Studio,London 2020 My Name is Lizzie (Story Films) TV Drama Niall MacCormick 4-part mini series for Channel 4 Cast : Niamh Algar, Harry Treadaway, Sion Daniel Young Period : 1990s. Location : London 2019 The Father (Trademark Films) Feature Florian Zeller Cast : Sir Anthony Hopkins, Olivia Colman, Rufus Sewell, Olivia Williams, Mark Gatiss. -
35 Years of Nominees and Winners 36
3635 Years of Nominees and Winners 2021 Nominees (Winners in bold) BEST FEATURE JOHN CASSAVETES AWARD BEST MALE LEAD (Award given to the producer) (Award given to the best feature made for under *RIZ AHMED - Sound of Metal $500,000; award given to the writer, director, *NOMADLAND and producer) CHADWICK BOSEMAN - Ma Rainey’s Black Bottom PRODUCERS: Mollye Asher, Dan Janvey, ADARSH GOURAV - The White Tiger Frances McDormand, Peter Spears, Chloé Zhao *RESIDUE WRITER/DIRECTOR: Merawi Gerima ROB MORGAN - Bull FIRST COW PRODUCERS: Neil Kopp, Vincent Savino, THE KILLING OF TWO LOVERS STEVEN YEUN - Minari Anish Savjani WRITER/DIRECTOR/PRODUCER: Robert Machoian PRODUCERS: Scott Christopherson, BEST SUPPORTING FEMALE MA RAINEY’S BLACK BOTTOM Clayne Crawford PRODUCERS: Todd Black, Denzel Washington, *YUH-JUNG YOUN - Minari Dany Wolf LA LEYENDA NEGRA ALEXIS CHIKAEZE - Miss Juneteenth WRITER/DIRECTOR: Patricia Vidal Delgado MINARI YERI HAN - Minari PRODUCERS: Alicia Herder, Marcel Perez PRODUCERS: Dede Gardner, Jeremy Kleiner, VALERIE MAHAFFEY - French Exit Christina Oh LINGUA FRANCA WRITER/DIRECTOR/PRODUCER: Isabel Sandoval TALIA RYDER - Never Rarely Sometimes Always NEVER RARELY SOMETIMES ALWAYS PRODUCERS: Darlene Catly Malimas, Jhett Tolentino, PRODUCERS: Sara Murphy, Adele Romanski Carlo Velayo BEST SUPPORTING MALE BEST FIRST FEATURE SAINT FRANCES *PAUL RACI - Sound of Metal (Award given to the director and producer) DIRECTOR/PRODUCER: Alex Thompson COLMAN DOMINGO - Ma Rainey’s Black Bottom WRITER: Kelly O’Sullivan *SOUND OF METAL ORION LEE - First -
Did a Summer Camp Help Spark a Disability Revolution? Transcript
THE LAURA FLANDERS SHOW DID A SUMMER CAMP HELP SPARK A DISABILITY REVOLUTION? LAURA FLANDERS: What can a small pocket of inclusive culture make possible for people who are normally marginalized or excluded from mainstream society? Crip Camp: A Disability Revolution is a Peabody award-winning documentary from Netflix and Higher Ground Productions that tells the story of Camp Jened, a summer camp in Upstate New York in the 1960s where disabled young people could be themselves. The film follows former campers into their adulthoods as activists whose work during the '70s and '80s helped secure federal civil rights for disabled people and eventually led to the passage of the Americans with Disabilities Act in 1990. But the story doesn't end there, the disability rights movement, like so many movements in American history, prioritized at first the leadership visibility and needs mostly of white straight cis-gender disabled people. Recognizing this, the directors and producers of Crip Camp are using their film's release to educate audiences about the next step in the revolution, disability justice. That movement centers the leadership of disabled queer, trans, Black, Indigenous and people of color. If the inclusive culture of Camp Jened could help transform American society in the second half of the 20th century they ask, what could a truly intersectional disability justice movement change for everyone today? Joining me are co-producers and co-directors of Crip Camp: A Disability Revolution, Jim LeBrecht and Nicole Newnham. And Andraéa LaVant, she's chief inclusion officer of LaVant Consulting, Inc. I'd like to begin first with congratulating you all for the Peabody award, which was announced this June. -
Une Issue Grâce À La Pandémie ? La Covid-19 Ne Fait Pas Que Fermer Des Portes
woxx déi aner wochenzeitung l’autre hebdomadaire 1574/20 ISSN 2354-4597 2.50 € 03.04.2020 Une issue grâce à la pandémie ? La Covid-19 ne fait pas que fermer des portes. Avec les mesures prises pour les toxicomanes, certain-e-s pourraient sortir plus facilement de leur dépendance qu’avant. Regards p. 4 EDITO NEWS REGARDS 0 1 5 7 4 Wer ist hier ein Virus? S. 2 Gesundheit und Sicherheit gehen vor S. 3 Grenzen digitalen Lernens S. 6 Die Covid-19-Krise ruft sehr fragewürdige In Bezug auf die Änderungen des Arbeits- Von einem Tag auf den anderen mussten ökologische Diskussionen hervor, rechts wegen der Coronakrise wird die Bildungsinstitutionen auf Fernlehre die zu einem gefährlichen Diskurs befürchtet, dass Arbeitnehmer*innen- umsteigen. Manche Betroffene kommen 5 453000 211009 führen könnten. rechte beschnitten werden. damit besser zurecht als andere. 2 NEWS woxx | 03 04 2020 | Nr 1574 EDITORIAL Covid-19 uNd Ökologie NEWS Das wahre Virus Joël Adami Sind wir Menschen ein Virus, das die Menschen, die ihn verbreiten, sich den Planeten bedroht, und Covid-19 vermutlich um unsere natürliche Um- die Rache der Natur? Solche Ideen welt sorgen, liegt diesem Gedanken sind nicht nur unsinnig, sondern paradoxerweise ein äußerst anthro- richtig gefährlich. pozentrisches Weltbild zugrunde: Die Menschheit und die Natur als sich In vielen Ländern der Welt be- bekämpfende Gegenspielerinnen, die stehen derzeit Ausgangsverbote, die nichts miteinander zu tun haben. wirtschaftliche Aktivität wird auf ein Dabei verhält sich die Sache ganz Minimum zurückgefahren. Das hat anders. selbstverständlich auch Auswirkun- Das Virus ist überhaupt nur des- gen auf die natürliche Umwelt.