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Home-Stewart Plagiarism.-Art-As-Commodity-And-Strategies-For-Its-Negation.Pdf
British Library Cataloguing in Publication Data Plagiarism: art as commodity and strategies for its negation 1. Imitation in art — History — 20th century 2. Art — Reproduction — History — 20th century I. Home, Stewart 702.8'7 N7428 ISBN 0-948518-87-1 Second impression Aporia Press, 1987. No copyright: please copy & distribute freely. INTRODUCTION THIS is a pamphlet intended to accompany the debate that surrounds "The Festival Of Plagiarism", but it may also be read and used separately from any specific event. It should not be viewed as a cat alogue for the festival, as it contains opinions that bear no relation to those of a number of people participating in the event. Presented here are a number of divergent views on the subjects of plagiarism, art and culture. One of the problems inherent in left opposition to dominant culture is that there is no agreement on the use of specific terms. Thus while some of the 'essays' contained here are antagonistic towards the concept of art — defined in terms of the culture of the ruling elite — others use the term in a less specific sense and are consequently less critical of it. Since the term 'art' is popularly associated with cults of 'genius' it would seem expedient to stick to the term 'culture' — in a non-elitist sense — when describing our own endeavours. Although culture as a category appears to be a 'universal' experience, none of its individual expressions meet such a criteria. This is the basis of our principle objection to art — it claims to be 'universal' when it is very clearly class based. -
Principia Discordia.Pdf
RAW Intro | Omar Intro | Title Page | Index | Version Notes | INTRODUCTION You hold in your hands one of the Great Books of our century fnord. Some Great Books are recognized at once with a fusillade of critical huzzahs and gonfolons, like Joyce’s Ulysses. Others appear almost furtively and are only discovered 50 years later, like Moby Dick or Mendel’s great essay on genetics. The Principia Discordia entered our space-time continuum almost as unobtrusively as a cat-burglar creeping over a windowsill. In 1968, virtually nobody had heard of this wonderful book. In 1970, hundreds of people from coast to coast were talking about it and asking the identity of the mysterious author, Malaclypse the Younger. Rumors swept across the continent, from New York to Los Angeles, from Seattle to St. Joe. Malaclypse was actually Alan Watts, one heard. No, said another legend – the Principia was actually the work of the Sufi Order. A third, very intriguing myth held that Malaclypse was a pen-name for Richard M. Nixon, who had allegedly composed the Principia during a few moments of lucidity. I enjoyed each of these yarns and did my part to help spread them. I was also careful never to contradict the occasional rumors that I had actually written the whole thing myself during an acid trip. The legendry, the mystery, the cult grew very slowly. By the mid- 1970’s, thousands of people, some as far off as Hong Kong and Australia, were talking about the Principia, and since the original was out of print by then, xerox copies were beginning to circulate here and there. -
“Bob” Dobbs (192? — 1984, 1985 —) Living Avatar of Slack
Hidden Teachings and Deuterocanonical Texts o f J.R. “Bob” Dobbs (192? — 1984, 1985 —) Living Avatar of Slack Appointed to be Read in Churches Translated out of the Original Tongues by The SubGenius Foundation, Inc. “Dulling the Pain of Existence in a World Without Slack Since 1978” Thunder’s Mouth Press Avalon Publishing Group, New York CAUTION: May Be Habit Forming “I can’t believe I opened this book.” We can. You did it because it looked different. Most other people avoided it for that very reason. Maybe . just maybe . YOU are as “DIFFERENT” as this book is. You seek out the “different,” for its own sake, and that odd trait of yours has led you now to peruse this “funny book.” Or has it? What if some catalyst stronger than your engramatic programming, more powerful than the combined forces of the spirit-world, compelled you to pick it up and begin reading? Just took control of your body, mind and soul and got you to Page 2 before easing back in the cockpit. Just inside the door. You are one of the Chosen — and this book falling into your hands was NO LIES ACCIDENT! Every word in this book is here because you are reading it. In the hands of “The Others,” this would be FORBIDDEN KNOWLEDGE. But for you, it’s what you’ve always wanted, what you always deserved, what you thought you could never have: SOMETHING FOR NOTHING It Can All Be Yours EVERYTHING YOU KNOW IS TRUE “BOB” IS THE PROOF BEFORE AFTER The prudes, prigs, wheezers and weenises, jocks and jerks, pencil-necks and ninnies, super-patriots and fundamentalist fanatics, all think there should be more RELIGION in this country. -
00A Inside Cover CC
Access Provided by University of Manchester at 08/14/11 9:17PM GMT 05 Thoburn_CC #78 7/15/2011 10:59 Page 119 TO CONQUER THE ANONYMOUS AUTHORSHIP AND MYTH IN THE WU MING FOUNDATION Nicholas Thoburn It is said that Mao never forgave Khrushchev for his 1956 “Secret Speech” on the crimes of the Stalin era (Li, 115–16). Of the aspects of the speech that were damaging to Mao, the most troubling was no doubt Khrushchev’s attack on the “cult of personality” (7), not only in Stalin’s example, but in principle, as a “perversion” of Marxism. As Alain Badiou has remarked, the cult of personality was something of an “invariant feature of communist states and parties,” one that was brought to a point of “paroxysm” in China’s Cultural Revolution (505). It should hence not surprise us that Mao responded in 1958 with a defense of the axiom as properly communist. In delineating “correct” and “incorrect” kinds of personality cult, Mao insisted: “The ques- tion at issue is not whether or not there should be a cult of the indi- vidual, but rather whether or not the individual concerned represents the truth. If he does, then he should be revered” (99–100). Not unex- pectedly, Marx, Engels, Lenin, and “the correct side of Stalin” are Mao’s given examples of leaders that should be “revere[d] for ever” (38). Marx himself, however, was somewhat hostile to such practice, a point Khrushchev sought to stress in quoting from Marx’s November 1877 letter to Wilhelm Blos: “From my antipathy to any cult of the individ - ual, I never made public during the existence of the International the numerous addresses from various countries which recognized my merits and which annoyed me. -
Apocrypha Discordiadiscordia Ðe Seconde Edityon
ApocryphaApocrypha DiscordiaDiscordia Ðe Seconde Edityon Compy’eled fromme Dyverƒ Sorƒeƒ by Hiƒ Wholineß ðe Rev DrJon Swabey Wið ILLUMINATIONS by Pope Phil Wlodarczyk III To the Prettiest One and to Blade, without whom. and in honour: Mal2 and Omar; Greg and Kerry; A couple of guys, A couple of saints. Dance with the Goddess (Jiggy-Jiggy) ILLUMINATIONS BY POPE PHIL WLODARCZYK III Content and Layout The Rev DrJon Swabey & a whole bunch of other Erisians, Discordians and Weirdos far too many to list here on this tiny page (sorry). Where identified, they’re all credited in the text. All effort has been made to verify the (K) status of individual items, however in the event of non - (K) items being accidentally included, please notify, and said items will be removed in subsequent editions. ( K ) 2001 ALL RITES REVERSED REPRINT WHAT YOU LIKE Second Edition 2002 3 5 7 9 8 6 4 2 Apocrypha Discordia with ILLUMINATIONS by Pope Phil Wlodarczyk III Assembled by His Wholiness the Rev DrJon on behalf of The Committee for Public Safety Approved for abuse in schools Give me your tired, your poor, Your huddled masses yearning to be free The wretched refuse of your teeming shore This country always needs more Soylent Green HAIL ERIS! — καλλιχτι — ALL HAIL DISCORDIA! Eristroduction You should have put that in there...”I found out I was dying, and used my last days to create a Discordian Manual...” Prince MuChao, Private correspodance, January 2002 Of course, I was wrong, Little Deluded Dupe that I am. Seven days before I was scheduled for Surgery, that quiet voice which I imagine also talks to Zen monks, Sufi mullahs and other Disreputable Persons at the End, rapped sharply on my skull and told me to get my shit in order within the week. -
KEROUAC, JACK, 1922-1969. John Sampas Collection of Jack Kerouac Material, Circa 1900-2005
KEROUAC, JACK, 1922-1969. John Sampas collection of Jack Kerouac material, circa 1900-2005 Emory University Stuart A. Rose Manuscript, Archives, and Rare Book Library Atlanta, GA 30322 404-727-6887 [email protected] Descriptive Summary Creator: Kerouac, Jack, 1922-1969. Title: John Sampas collection of Jack Kerouac material, circa 1900-2005 Call Number: Manuscript Collection No. 1343 Extent: 2 linear feet (4 boxes) and 1 oversized papers box (OP) Abstract: Material collected by John Sampas relating to Jack Kerouac and including correspondence, photographs, and manuscripts. Language: Materials entirely in English. Administrative Information Restrictions on Access Special restrictions apply: Use copies have not been made for audiovisual material in this collection. Researchers must contact the Rose Library at least two weeks in advance for access to these items. Collection restrictions, copyright limitations, or technical complications may hinder the Rose Library's ability to provide access to audiovisual material. Terms Governing Use and Reproduction All requests subject to limitations noted in departmental policies on reproduction. Related Materials in Other Repositories Jack Kerouac papers, New York Public Library Related Materials in This Repository Jack Kerouac collection and Jack and Stella Sampas Kerouac papers Source Purchase, 2015 Emory Libraries provides copies of its finding aids for use only in research and private study. Copies supplied may not be copied for others or otherwise distributed without prior consent of the holding repository. John Sampas collection of Jack Kerouac material, circa 1900-2005 Manuscript Collection No. 1343 Citation [after identification of item(s)], John Sampas collection of Jack Kerouac material, Stuart A. Rose Manuscript, Archives, and Rare Book Library, Emory University. -
The New York City Draft Riots of 1863
University of Kentucky UKnowledge United States History History 1974 The Armies of the Streets: The New York City Draft Riots of 1863 Adrian Cook Click here to let us know how access to this document benefits ou.y Thanks to the University of Kentucky Libraries and the University Press of Kentucky, this book is freely available to current faculty, students, and staff at the University of Kentucky. Find other University of Kentucky Books at uknowledge.uky.edu/upk. For more information, please contact UKnowledge at [email protected]. Recommended Citation Cook, Adrian, "The Armies of the Streets: The New York City Draft Riots of 1863" (1974). United States History. 56. https://uknowledge.uky.edu/upk_united_states_history/56 THE ARMIES OF THE STREETS This page intentionally left blank THE ARMIES OF THE STREETS TheNew York City Draft Riots of 1863 ADRIAN COOK THE UNIVERSITY PRESS OF KENTUCKY ISBN: 978-0-8131-5182-3 Library of Congress Catalog Card Number: 73-80463 Copyright© 1974 by The University Press of Kentucky A statewide cooperative scholarly publishing agency serving Berea College, Centre College of Kentucky, Eastern Kentucky University, Georgetown College, Kentucky Historical Society, Kentucky State University, Morehead State University, Murray State University, Northern Kentucky State College, Transylvania University, University of Kentucky, University of Louisville, and Western Kentucky University. Editorial and Sales Offices: Lexington, Kentucky 40506 To My Mother This page intentionally left blank Contents Acknowledgments ix -
Selected Chronology of Political Protests and Events in Lawrence
SELECTED CHRONOLOGY OF POLITICAL PROTESTS AND EVENTS IN LAWRENCE 1960-1973 By Clark H. Coan January 1, 2001 LAV1tRE ~\JCE~ ~')lJ~3lj(~ ~~JGR§~~Frlt 707 Vf~ f·1~J1()NT .STFie~:T LA1JVi~f:NCE! i(At.. lSAG GG044 INTRODUCTION Civil Rights & Black Power Movements. Lawrence, the Free State or anti-slavery capital of Kansas during Bleeding Kansas, was dubbed the "Cradle of Liberty" by Abraham Lincoln. Partly due to this reputation, a vibrant Black community developed in the town in the years following the Civil War. White Lawrencians were fairly tolerant of Black people during this period, though three Black men were lynched from the Kaw River Bridge in 1882 during an economic depression in Lawrence. When the U.S. Supreme Court ruled in 1894 that "separate but equal" was constitutional, racial attitudes hardened. Gradually Jim Crow segregation was instituted in the former bastion of freedom with many facilities becoming segregated around the time Black Poet Laureate Langston Hughes lived in the dty-asa child. Then in the 1920s a Ku Klux Klan rally with a burning cross was attended by 2,000 hooded participants near Centennial Park. Racial discrimination subsequently became rampant and segregation solidified. Change was in the air after World "vV ar II. The Lawrence League for the Practice of Democracy (LLPD) formed in 1945 and was in the vanguard of Post-war efforts to end racial segregation and discrimination. This was a bi-racial group composed of many KU faculty and Lawrence residents. A chapter of Congress on Racial Equality (CORE) formed in Lawrence in 1947 and on April 15 of the following year, 25 members held a sit-in at Brick's Cafe to force it to serve everyone equally. -
The History and Philosophy of the Postwar American Counterculture
The History and Philosophy of the Postwar American Counterculture: Anarchy, the Beats and the Psychedelic Transformation of Consciousness By Ed D’Angelo Copyright © Ed D’Angelo 2019 A much shortened version of this paper appeared as “Anarchism and the Beats” in The Philosophy of the Beats, edited by Sharin Elkholy and published by University Press of Kentucky in 2012. 1 The postwar American counterculture was established by a small circle of so- called “beat” poets located primarily in New York and San Francisco in the late 1940s and 1950s. Were it not for the beats of the early postwar years there would have been no “hippies” in the 1960s. And in spite of the apparent differences between the hippies and the “punks,” were it not for the hippies and the beats, there would have been no punks in the 1970s or 80s, either. The beats not only anticipated nearly every aspect of hippy culture in the late 1940s and 1950s, but many of those who led the hippy movement in the 1960s such as Gary Snyder and Allen Ginsberg were themselves beat poets. By the 1970s Allen Ginsberg could be found with such icons of the early punk movement as Patty Smith and the Clash. The beat poet William Burroughs was a punk before there were “punks,” and was much loved by punks when there were. The beat poets, therefore, helped shape the culture of generations of Americans who grew up in the postwar years. But rarely if ever has the philosophy of the postwar American counterculture been seriously studied by philosophers. -
TAZ, Ontological Anarchy, Poetic Terrorism.Pdf
T. A. Z. The Temporary Autonomous Zone, Ontological Anarchy, Poetic Terrorism By Hakim Bey Autonomedia Anti-copyright, 1985, 1991. May be freely pirated & quoted-- the author & publisher, however, would like to be informed at: Autonomedia P. O. Box 568 Williamsburgh Station Brooklyn, NY 11211-0568 Book design & typesetting: Dave Mandl HTML version: Mike Morrison Printed in the United States of America Part 1 T. A. Z. The Temporary Autonomous Zone, Ontological Anarchy, Poetic Terrorism By Hakim Bey ACKNOWLEDGMENTS CHAOS: THE BROADSHEETS OF ONTOLOGICAL ANARCHISM was first published in 1985 by Grim Reaper Press of Weehawken, New Jersey; a later re-issue was published in Providence, Rhode Island, and this edition was pirated in Boulder, Colorado. Another edition was released by Verlag Golem of Providence in 1990, and pirated in Santa Cruz, California, by We Press. "The Temporary Autonomous Zone" was performed at the Jack Kerouac School of Disembodied Poetics in Boulder, and on WBAI-FM in New York City, in 1990. Thanx to the following publications, current and defunct, in which some of these pieces appeared (no doubt I've lost or forgotten many--sorry!): KAOS (London); Ganymede (London); Pan (Amsterdam); Popular Reality; Exquisite Corpse (also Stiffest of the Corpse, City Lights); Anarchy (Columbia, MO); Factsheet Five; Dharma Combat; OVO; City Lights Review; Rants and Incendiary Tracts (Amok); Apocalypse Culture (Amok); Mondo 2000; The Sporadical; Black Eye; Moorish Science Monitor; FEH!; Fag Rag; The Storm!; Panic (Chicago); Bolo Log (Zurich); Anathema; Seditious Delicious; Minor Problems (London); AQUA; Prakilpana. Also, thanx to the following individuals: Jim Fleming; James Koehnline; Sue Ann Harkey; Sharon Gannon; Dave Mandl; Bob Black; Robert Anton Wilson; William Burroughs; "P.M."; Joel Birroco; Adam Parfrey; Brett Rutherford; Jake Rabinowitz; Allen Ginsberg; Anne Waldman; Frank Torey; Andr Codrescu; Dave Crowbar; Ivan Stang; Nathaniel Tarn; Chris Funkhauser; Steve Englander; Alex Trotter. -
Libertarian Forum
A Monthly Newsletter THE Libertarian Forum Joseph R. Peden, Publisher Murray N. Rothbard. Editor VOLUME 111, NO. 4 April, 1971 75c The Conning Of America Never let it be said that the Lib. Forum is a grim, that, in addition, the true humanity - the individuation of relentless monolith. Indeed, even within the Sober Center every person and his full creative development - would be of the anarcho-capitalist movement, we have a range stifled in the bud, would be destroyed on the altar of the of views stretching all the way from Jerry Tuccille to crippling and profoundly anti-human ideal of equality and myself. Everyone else, from Bill Buckley to Ed Muskie to uniformity. Abbie Hoffman, is a damned extremist, outside of our Reich's hatred of work and the division of labor erupts mainstream dialogue. in all sorts of ways: for example, his glorification of Thus, I disagree totally with Jerry's overall estimate of hippie youth because they wear all-purpose uniforms, Charles Reich and his "greening*. To the contrary, I where one set of clothes suffices every person for all his regard Reich's Con Game as largely a P. R. shuck, and to activities: playing, sleeping, etc. Those of us who wear the extent that the phenomenon is real, as a symptom of suits for working, dressier clothes for parties, shorts for a diseased society and a degenerate culture rather than athletics, pa jamas for sleeping, etc. are reviled for any sort of ally in the fight for liberty. "alienating" themselves by splitting themselves up into To raise the least important point first, the aesthetics different roles. -
King Mob Echo: from Gordon Riots to Situationists & Sex Pistols
KING MOB ECHO FROM 1780 GORDON RIOTS TO SITUATIONISTS SEX PISTOLS AND BEYOND BY TOM VAGUE INCOMPLETE WORKS OF KING MOB WITH ILLUSTRATIONS IN TWO VOLUMES DARK STAR LONDON ·- - � --- Printed by Polestar AUP Aberdeen Limited, Rareness Rd., Altens Industrial Estate, Aberdeen AB12 3LE § 11JJJDJJDILIEJMIIENf1r 1f(Q) KIINCGr JMI(Q)IB3 JECCIHI(Q) ENGLISH SECTION OF THE SITUATIONIST INTERNATIONAL IF([J)IF ffiIE V ([J) IL lUilII ([J) W §IFIEIEIIJ) IHIII§il([J) ffiY ADDITIONAL RESEARCH BY DEREK HARRIS AND MALCOLM HOPKINS Illustrations: 'The Riots in Moorfields' (cover), 'The London Riots', 'at Langdale's' by 'Phiz' Hablot K. Browne, Horwood's 1792-9 'Plan of London', 'The Great Rock'n'Roll Swindle', 'Oliver Twist Manifesto' by Malcolm McLaren. Vagrants and historical shout outs: Sandra Belgrave, Stewart Home, Mark Jackson, Mark Saunders, Joe D. Stevens at NDTC, Boz & Phiz, J. Paul de Castro, Blue Bredren, Cockney Visionaries, Dempsey, Boss Goodman, Lord George Gordon, Chris Gray, Jonathon Green, Jefferson Hack, Christopher Hibbert, Hoppy, Ian Gilmour, Ish, Dzifa & Simone at The Grape, Barry Jennings, Joe Jones, Shaun Kerr, Layla, Lucas, Malcolm McLaren, John Mead, Simon Morrissey, Don Nicholson-Smith, Michel Prigent (pre-publicity), Charlie Radcliffe, Jamie Reid, George Robertson & Melinda Mash, Dragan Rad, George Rude, Naveen Saleh, Jon Savage, Valerie Solanas, Carolyn Starren & co at Kensington Library, Mark Stewart, Toko, Alex Trocchi, Fred & Judy Vermorel, Warren, Dr. Watson, Viv Westwood, Jack Wilkes, Dave & Stuart Wise Soundtrack: 'It's a London Thing' Scott Garcia, 'Going Mobile' The Who, 'Living for the City' Stevie Wonder, 'Boston Tea Party' Alex Harvey, 'Catholic Day' Adam and the Ants, 'Do the Strand' Roxy Music', 'Rev.