12, 1970 30 Pages 10 Cents Apollo Heads for Landing on Moon
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Widescreen Weekend 2007 Brochure
The Widescreen Weekend welcomes all those fans of large format and widescreen films – CinemaScope, VistaVision, 70mm, Cinerama and Imax – and presents an array of past classics from the vaults of the National Media Museum. A weekend to wallow in the best of cinema. HOW THE WEST WAS WON NEW TODD-AO PRINT MAYERLING (70mm) BLACK TIGHTS (70mm) Saturday 17 March THOSE MAGNIFICENT MEN IN THEIR Monday 19 March Sunday 18 March Pictureville Cinema Pictureville Cinema FLYING MACHINES Pictureville Cinema Dir. Terence Young France 1960 130 mins (PG) Dirs. Henry Hathaway, John Ford, George Marshall USA 1962 Dir. Terence Young France/GB 1968 140 mins (PG) Zizi Jeanmaire, Cyd Charisse, Roland Petit, Moira Shearer, 162 mins (U) or How I Flew from London to Paris in 25 hours 11 minutes Omar Sharif, Catherine Deneuve, James Mason, Ava Gardner, Maurice Chevalier Debbie Reynolds, Henry Fonda, James Stewart, Gregory Peck, (70mm) James Robertson Justice, Geneviève Page Carroll Baker, John Wayne, Richard Widmark, George Peppard Sunday 18 March A very rare screening of this 70mm title from 1960. Before Pictureville Cinema It is the last days of the Austro-Hungarian Empire. The world is going on to direct Bond films (see our UK premiere of the There are westerns and then there are WESTERNS. How the Dir. Ken Annakin GB 1965 133 mins (U) changing, and Archduke Rudolph (Sharif), the young son of new digital print of From Russia with Love), Terence Young West was Won is something very special on the deep curved Stuart Whitman, Sarah Miles, James Fox, Alberto Sordi, Robert Emperor Franz-Josef (Mason) finds himself desperately looking delivered this French ballet film. -
The Advent Futures Studies and Research Curriculum Guide; the Advent Futures Studies and Learning Resources Guide
DOCUMENT MUNE ED 099 249 110 007 909 AUTHOR Miller, David C.; Hunt, Ronald L. TITLE The Advent Futures Studies and Research Curriculum Guide; The Advent Futures Studies and Learning Resources Guide. PUB DATE 73 NOTE 209p. AVAILABLE FROM DCM Associates, 908 fox Plaza, San Francisco, California 9410 2 (85.00 each for the curriculum and learning resources guides) EDRS PRICE MF-$0.75 RC Not Available from EDRS. PLUS POSTAGE. DESCRIPTORS Class Activities; Course Content; Curriculum Guides; *Futures (of Society); Higher Education; Instructional Materials; Lesson Plans; *Prediction; Reference Materials; Resource Guides; *Social Change; *Trend Analysis; *Values ABSTRACT This two-part curriculum and resource guide provides an undergraduate and graduate level coursemethodology tn contemporary future studies and research. The objectives ofthis curriculum are to create awareness and appreciation of the fundamental concepts, methods, and limitations of future studies. The curriculum design is conceptual, general in nature, and designed to be used with topical content and focus provided by the instructor and/or the students. The curriculum outline of 15 free-standing modules includes topics on standard study procedure, thetime-line, appraising futures reports, futures studies methods, change, alternative futures, forecastability, confidence in forecasts, attitudes toward futures, causality and futures, manageability of futures, values and futures, transcendental change, and stability. The learning resources guide is designed for use with the curriculum guide and includes suggested exercises, assignments, and references for each of the 15 modules; lists of basic reading references and useful 16mm films; and referral title lists of useful popular music recordings and future-oriented poems. (Author/DE) S OE PAR TmE N OF HEAL TN PERMISSION 10 Re P11000C1 THIS EDUCATION WLLFARE COPYRIGHTED MA II It 'At ST M1CRO NATIONAL soditToTta OF PICAUL ONI.YI4jS 90N C T D pY aDutAtiON wp lit ft 't 6'140 1 rA.I. -
Summer Classic Film Series, Now in Its 43Rd Year
Austin has changed a lot over the past decade, but one tradition you can always count on is the Paramount Summer Classic Film Series, now in its 43rd year. We are presenting more than 110 films this summer, so look forward to more well-preserved film prints and dazzling digital restorations, romance and laughs and thrills and more. Escape the unbearable heat (another Austin tradition that isn’t going anywhere) and join us for a three-month-long celebration of the movies! Films screening at SUMMER CLASSIC FILM SERIES the Paramount will be marked with a , while films screening at Stateside will be marked with an . Presented by: A Weekend to Remember – Thurs, May 24 – Sun, May 27 We’re DEFINITELY Not in Kansas Anymore – Sun, June 3 We get the summer started with a weekend of characters and performers you’ll never forget These characters are stepping very far outside their comfort zones OPENING NIGHT FILM! Peter Sellers turns in not one but three incomparably Back to the Future 50TH ANNIVERSARY! hilarious performances, and director Stanley Kubrick Casablanca delivers pitch-dark comedy in this riotous satire of (1985, 116min/color, 35mm) Michael J. Fox, Planet of the Apes (1942, 102min/b&w, 35mm) Humphrey Bogart, Cold War paranoia that suggests we shouldn’t be as Christopher Lloyd, Lea Thompson, and Crispin (1968, 112min/color, 35mm) Charlton Heston, Ingrid Bergman, Paul Henreid, Claude Rains, Conrad worried about the bomb as we are about the inept Glover . Directed by Robert Zemeckis . Time travel- Roddy McDowell, and Kim Hunter. Directed by Veidt, Sydney Greenstreet, and Peter Lorre. -
Sky and Telescope
SkyandTelescope.com The Lunar 100 By Charles A. Wood Just about every telescope user is familiar with French comet hunter Charles Messier's catalog of fuzzy objects. Messier's 18th-century listing of 109 galaxies, clusters, and nebulae contains some of the largest, brightest, and most visually interesting deep-sky treasures visible from the Northern Hemisphere. Little wonder that observing all the M objects is regarded as a virtual rite of passage for amateur astronomers. But the night sky offers an object that is larger, brighter, and more visually captivating than anything on Messier's list: the Moon. Yet many backyard astronomers never go beyond the astro-tourist stage to acquire the knowledge and understanding necessary to really appreciate what they're looking at, and how magnificent and amazing it truly is. Perhaps this is because after they identify a few of the Moon's most conspicuous features, many amateurs don't know where Many Lunar 100 selections are plainly visible in this image of the full Moon, while others require to look next. a more detailed view, different illumination, or favorable libration. North is up. S&T: Gary The Lunar 100 list is an attempt to provide Moon lovers with Seronik something akin to what deep-sky observers enjoy with the Messier catalog: a selection of telescopic sights to ignite interest and enhance understanding. Presented here is a selection of the Moon's 100 most interesting regions, craters, basins, mountains, rilles, and domes. I challenge observers to find and observe them all and, more important, to consider what each feature tells us about lunar and Earth history. -
Exploring Films About Ethical Leadership: Can Lessons Be Learned?
EXPLORING FILMS ABOUT ETHICAL LEADERSHIP: CAN LESSONS BE LEARNED? By Richard J. Stillman II University of Colorado at Denver and Health Sciences Center Public Administration and Management Volume Eleven, Number 3, pp. 103-305 2006 104 DEDICATED TO THOSE ETHICAL LEADERS WHO LOST THEIR LIVES IN THE 9/11 TERROIST ATTACKS — MAY THEIR HEORISM BE REMEMBERED 105 TABLE OF CONTENTS Preface 106 Advancing Our Understanding of Ethical Leadership through Films 108 Notes on Selecting Films about Ethical Leadership 142 Index by Subject 301 106 PREFACE In his preface to James M cG regor B urns‘ Pulitzer–prizewinning book, Leadership (1978), the author w rote that ―… an im m ense reservoir of data and analysis and theories have developed,‖ but ―w e have no school of leadership.‖ R ather, ―… scholars have worked in separate disciplines and sub-disciplines in pursuit of different and often related questions and problem s.‖ (p.3) B urns argued that the tim e w as ripe to draw together this vast accumulation of research and analysis from humanities and social sciences in order to arrive at a conceptual synthesis, even an intellectual breakthrough for understanding of this critically important subject. Of course, that was the aim of his magisterial scholarly work, and while unquestionably impressive, his tome turned out to be by no means the last word on the topic. Indeed over the intervening quarter century, quite to the contrary, we witnessed a continuously increasing outpouring of specialized political science, historical, philosophical, psychological, and other disciplinary studies with clearly ―no school of leadership‖with a single unifying theory emerging. -
Apollo 12 Photography Index
%uem%xed_ uo!:q.oe_ s1:s._l"e,d_e_em'I flxos'p_zedns O_q _/ " uo,re_ "O X_ pea-eden{ Z 0 (D I I 696L R_K_D._(I _ m,_ -4 0", _z 0', l',,o ._ rT1 0 X mm9t _ m_o& ]G[GNI XHdV_OOZOHd Z L 0T'I0_V 0 0 11_IdVdONI_OM T_OINHDZZ L6L_-6 GYM J_OV}KJ_IO0VSVN 0 C O_i_lOd-VJD_IfO1_d 0 _ •'_ i wO _U -4 -_" _ 0 _4 _O-69-gM& "oN GSVH/O_q / .-, Z9946T-_D-VSVN FOREWORD This working paper presents the screening results of Apollo 12, 70mmand 16mmphotography. Photographic frame descriptions, along with ground coverage footprints of the Apollo 12 Mission are inaluded within, by Appendix. This report was prepared by Lockheed Electronics Company,Houston Aerospace Systems Division, under Contract NAS9-5191 in response to Job Order 62-094 Action Document094.24-10, "Apollo 12 Screening IndeX', issued by the Mapping Sciences Laboratory, MannedSpacecraft Center, Houston, Texas. Acknowledgement is made to those membersof the Mapping Sciences Department, Image Analysis Section, who contributed to the results of this documentation. Messrs. H. Almond, G. Baron, F. Beatty, W. Daley, J. Disler, C. Dole, I. Duggan, D. Hixon, T. Johnson, A. Kryszewski, R. Pinter, F. Solomon, and S. Topiwalla. Acknowledgementis also made to R. Kassey and E. Mager of Raytheon Antometric Company ! I ii TABLE OF CONTENTS Section Forward ii I. Introduction I II. Procedures 1 III. Discussion 2 IV. Conclusions 3 V. Recommendations 3 VI. Appendix - Magazine Summary and Index 70mm Magazine Q II II R ii It S II II T II I! U II t! V tl It .X ,, ,, y II tl Z I! If EE S0-158 Experiment AA, BB, CC, & DD 16mm Magazines A through P VII. -
Fashion and Non-Fashion and the Beat Generation
Fashion and Non-Fashion and the Beat Generation By Sally Norton The 1950s Beat Movement in San Francisco was a non-fashion moment. Clothing was of minimal importance to the San Francisco writers, poets and musicians in North Beach. Words, music and ideas mattered. Clothing was practical, necessary and of little aesthetic value. Look through the photo gallery on The Beat Page (http://www.rooknet.com/beatpage/gallery/index.html). You’ll see people wearing ordinary, everyday clothing that reflects 1950s styles of modestly priced clothing. The fit of these clothes is merely adequate. This is clothing as covering; it is not intentionally non-fashion. It is non-fashion because fashion is simply of no importance to these people. There is minimal effort to personalize one’s ensemble. None of the women wear jewelry. Those men wearing hats choose informal, comfortable, soft cloth caps rather than business fedoras. From a fashion perspective, the Beats owe more to the socialist labor movement in the 1930s than to 1950s style icons Christian Dior, Pierre Balmain and Norman Norell. All that said, there is still something compelling about these images. It is partly the stark expressive quality of black and white photography; but, dramatic photography is not solely responsible for the appeal of these images and these people. They didn’t have fashion but, they had style; an indefinable something that is a combination of confidence and insouciance. As the movement gained national attention, fashionistas put other influences into the Beat Movement such as the costumes worn by Martha Graham's dancers in the 1940s. -
Maps and Meanings: Urban Cartography and Urban Design
Maps and Meanings: Urban Cartography and Urban Design Julie Nichols A thesis submitted in fulfilment of the requirements of the degree of Doctor of Philosophy The University of Adelaide School of Architecture, Landscape Architecture and Urban Design Centre for Asian and Middle Eastern Architecture (CAMEA) Adelaide, 20 December 2012 1 CONTENTS CONTENTS.............................................................................................................................. 2 ABSTRACT .............................................................................................................................. 4 ACKNOWLEDGEMENT ....................................................................................................... 6 LIST OF FIGURES ................................................................................................................. 7 INTRODUCTION: AIMS AND METHOD ........................................................................ 11 Aims and Definitions ............................................................................................ 12 Research Parameters: Space and Time ................................................................. 17 Method .................................................................................................................. 21 Limitations and Contributions .............................................................................. 26 Thesis Layout ....................................................................................................... 28 -
Oct-Dec Press Listings
ANTHOLOGY FILM ARCHIVES OCTOBER – DECEMBER PRESS LISTINGS OCTOBER 2013 PRESS LISTINGS MIX NYC PRESENTS: Tommy Goetz A BRIDE FOR BRENDA 1969, 62 min, 35mm MIX NYC, the producer of the NY Queer Experimental Film Festival, presents a special screening of sexploitation oddity A BRIDE FOR BRENDA, a lesbian-themed grindhouse cheapie set against the now-tantalizing backdrop of late-60s Manhattan. Shot in Central Park, Times Square, the Village, and elsewhere, A BRIDE FOR BRENDA narrates (quite literally – the story is told via female-voiced omniscient narration rather than dialogue) the experiences of NYC-neophyte Brenda as she moves into an apartment with Millie and Jane. These apparently unremarkable roommates soon prove themselves to be flesh-hungry lesbians, spying on Brenda as she undresses, attempting to seduce her, and making her forget all about her paramour Nick (and his partners in masculinity). As the narrator intones, “Once a young girl has been loved by a lesbian, it’s difficult to feel satisfaction from a man again.” –Thurs, Oct 3 at 7:30. TAYLOR MEAD MEMORIAL SCREENING Who didn’t love Taylor Mead? Irrepressible and irreverent, made of silly putty yet always sharp- witted, he was an underground icon in the Lower East Side and around the world. While THE FLOWER THIEF put him on the map, and Andy Warhol lifted him to Superstardom, Taylor truly made his mark in the incredibly vast array of films and videos he made with notables and nobodies alike. A poster child of the beat era, Mead was a scene-stealer who was equally vibrant on screen, on stage, or in a café reading his hilarious, aphoristic poetry. -
UN I TED STATES DEPARTMENT of the INTERIOR Center Of
IN REPLY REFER TO: UN I TED STATES DEPARTMENT OF THE INTERIOR GEOLOGICAL SURVEY Center of Astrogeology 601 East Cedar Avenue Flagsta.ff, Arizona 86001 November 30, 1971 Memorar1dum To Noel Hinr~ers, Chairman, ad hoc Site Selection Group, A,p_ollo 17 From William R. Muehlberger, Principal Investigator, s~059 Apoll~ Field Geology Investigations Subject: Candidate Apollo 17 landing sites The attached memorandum presents a summary of the recommen_ded sites for Apoilo 17'by. the.photogeologic mappers of the U.S. Geol6gical Survey and my group of Co-investigator's. Please consider this as our basic input to.your ad hoc site selection. group. You will note thaf Alphousus is third on our list--actually it is on the list only because it had b~en a candidate site for Apollo 17 }' c during the Apollo 16 deliberations. None of our group voted for it as their first choice in the slate of three sites herein presented. Littrow highlands was a bare majority over Gassendi; we would be pleased with either side for the Apollo 17 landing site. if·there is further information that we can contribute to your deliberations, please let me know and I'll get it to you. c .. "' . November 30, 1971 ·'· o. APOLLO FIELD GEOLOGY INVESTIGATIONS (S-059) EXPERIMENT GROUP RECOMMENDATIONS FOR APOLLO 17 LANDING SITES R<~;tionale a11c1 Recommemdations ·, Rationale The Apollo 17 mi·ssion to the moon will be 'the culmination and must provide the optim~l realization of the first stage of.man's sci"entific exp-loration of the moon. Our knowle·dge of the maori derived from the preceding Apollo mi~sions has grown with sufficient order~iness and comprehensiveness to indicate unambiguously that the m.a'jor unexplored region. -
Dr. Strangelove's America
Dr. Strangelove’s America Literature and the Visual Arts in the Atomic Age Lecturer: Priv.-Doz. Dr. Stefan L. Brandt, Guest Professor Room: AR-H 204 Office Hours: Wednesdays 4-6 pm Term: Summer 2011 Course Type: Lecture Series (Vorlesung) Selected Bibliography Non-Fiction A Abrams, Murray H. A Glossary of Literary Terms. Seventh Edition. Fort Worth, Philadelphia, et al: Harcourt Brace College Publ., 1999. Abrams, Nathan, and Julie Hughes, eds. Containing America: Cultural Production and Consumption in the Fifties America. Birmingham, UK: University of Birmingham Press, 2000. Adler, Kathleen, and Marcia Pointon, eds. The Body Imaged. Cambridge: Cambridge Univ. Press, 1993. Alexander, Charles C. Holding the Line: The Eisenhower Era, 1952-1961. Bloomington, Indiana: Indiana Univ. Press, 1975. Allen, Donald M., ed. The New American Poetry, 1945-1960. New York: Grove Press, 1960. ——, and Warren Tallman, eds. Poetics of the New American Poetry. New York: Grove Press, 1973. Allen, Richard. Projecting Illusion: Film Spectatorship and the Impression of Reality. Cambridge: Cambridge Univ. Press, 1997. Allsop, Kenneth. The Angry Decade: A Survey of the Cultural Revolt of the Nineteen-Fifties. [1958]. London: Peter Owen Limited, 1964. Ambrose, Stephen E. Eisenhower: The President. New York: Simon and Schuster, 1984. “Anatomic Bomb: Starlet Linda Christians brings the new atomic age to Hollywood.” Life 3 Sept. 1945: 53. Anderson, Christopher. Hollywood TV: The Studio System in the Fifties. Austin: Univ. of Texas Press, 1994. Anderson, Jack, and Ronald May. McCarthy: the Man, the Senator, the ‘Ism’. Boston: Beacon Press, 1952. Anderson, Lindsay. “The Last Sequence of On the Waterfront.” Sight and Sound Jan.-Mar. -
Lunar Club Observations
Guys & Gals, Here, belatedly, is my Christmas present to you. I couldn’t buy each of you a lunar map, so I did the next best thing. Below this letter you’ll find a guide for observing each of the 100 lunar features on the A. L.’s Lunar Club observing list. My guide tells you what the features are, where they are located, what instrument (naked eyes, binoculars or telescope) will give you the best view of them and what you can expect to see when you find them. It may or may not look like it, but this project involved a massive amount of work. In preparing it, I relied heavily on three resources: *The lunar map I used to determine which quadrant of the Moon each feature resides in is the laminated Sky & Telescope Lunar Map – specifically, the one that shows the Moon as we see it naked-eye or in binoculars. (S&T also sells one with the features reversed to match the view in a refracting telescope for the same price.); and *The text consists of information from (a) my own observing notes and (b) material in Ernest Cherrington’s Exploring the Moon Through Binoculars and Small Telescopes. Both the map and Cherrington’s book were door prizes at our Dec. Christmas party. My goal, of course, is to get you interested in learning more about our nearest neighbor in space. The Moon is a fascinating and lovely place, and one that all too often is overlooked by amateur astronomers. But of all the objects in the night sky, the Moon is the most accessible and easiest to observe.