Yang Family, Yang Style by Sam Masich
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Yang Family, Yang Style楊家,楊式
Yang Family, Yang Style 楊家,楊式 by Sam Masich Frequently I am asked questions about the curriculum of Yang Style Taijiquan. What does it include? Why do some schools include material that others don’t? Why are some practices considered legitimate by some teachers but not by others? In order to understand the variances in curriculum from school to school it is first necessary to understand a few historical factors relating to the creation of this branch of Taijiquan as well as the opinions of the Yang family itself. In 1990 I had the fortune of riding with master Yang Zhenduo from Winchester, Virginia to Washington D.C. in a van filled with Tai Chi players. We were all going to the Smithsonian institute and to see the sights. It was a sunny day and everyone in the vehicle was in very good spirit after an intense, upbeat five-day workshop. The mood was relaxed and, as I was sitting close to Master Yang and his translator, I took the opportunity to ask some questions about his life in China, his impressions of America, his training and his views on Tai Chi. At some point I came to the subject of curriculum and asked him, among other things, what he thought about the 88 movement Yang Style Taijiquan San Shou (Sparring) routine. Master Yang said, "This is Yang Style Taijiquan not Yang Family Taijiquan." He went on further to explain that this was the creation of his fathers’ students and that, while it adhered well to the principles of his father’s teachings, it was not to be considered part of the Yang Family Taijiquan. -
2019 Saturday & Sunday Workshop Descriptions and Instructor Bio's
2019 Saturday & Sunday Workshop Descriptions and Instructor Bio’s Arms don't move; or do they? Frames of reference (Saturday, 5:10 to 6:20) Instruction: DAVID BRIGGS Description: Explore the body mechanics of movement within your form and practice. Improve your own practice with a better understanding of the development of Qi and power through connected movement. BIO: Dave Briggs started training Martial Arts in 1970. He started Tai Chi Chuan in 1980 under Susanna DeRosa and through her met and studied with Master JouTsung Hwa. He has dedicated his life to the motto "Seek not the masters of old .. seek what they sought." Tai Chi Warmups (Saturday, 10:20 to 11:30) Instruction: DAVID CHANDLER, Waterford, CT (www.eaglesquesttaichi.com) Description: This set of Tai Chi Warm ups, put together by David Chandler, include Qigong, Soon Ku, Indonesian Hand Dances, Circular Patterns, Swinging Motions and stretching practices culled from many different traditions of Tai Chi Chuan. These simple techniques can be done alone or prior to Form work for dynamic health benefits. Appropriate for all levels. An instructional DVD is available for purchase for home practice. Sun Style Basics (Saturday, 5:10 to 6:20) Instruction: DAVID CHANDLER, Waterford, CT (www.eaglesquesttaichi.com) Description: Sun Style Tai Chi, also known as Open Close Tai Chi, is a synthesis of Hsing-I, Bagua and Tai Chi, promoting maximum cultivation and flow of energy. Movements help the player to develop balance, flexibility and strength while amplifying internal energy awareness. This workshop will cover the basic fundamentals of Sun Style as well as the beginning movements of a Sun Form. -
Taiji Jest Tylko Jedno
Taiji jest tylko jedno 1 Spis treści Zamiast wstępu…………………………………………………………..……………………………………………………………………………….…………………………………………………3 Podziękowanie………………………………………………………………………………………………………………………………………………..………………………………………………5 Drzewo genealogiczne stylu Yang Taiji rodziny Fu…………………………………………………………………………………………………………………6 Część I. Autor: Marvin Smalheiser Ostatni Wywiad z Fu Zhongwen’em………………………………………………………………………………………………………………………………………………7 Część II. Autor: Ted W. Knecht Niezapomniane spotkanie z Fu Zhongwen’em………………………………………………………………………………………….………………………..15 Bibliografia………………………………………………………………………………………………………………………………………………………………………………………………………18 2 Zamiast wstępu Opracowanie „Taiji jest tylko jedno” zawiera dwa artykuły na temat działalności Wielkiego Mistrza stylu Yang Taijiquan – Fu Zhong Wen’a. Pochodzą one z pierwszej połowy lat 90-tych ubiegłego wieku i zostały opublikowane w czasopiśmie T’ai Chi Magazine, opisującym chińskie, wewnętrzne sztuki walki. Marvin Smalheiser1, założyciel, wydawca i redaktor naczelny tego działającego od 1977 roku periodyku przez niemal czterdzieści lat prowadził badania na temat stylu Yang taijiquan. Jego dociekliwość i przy tym duża otwartość na ludzi zapewniała licznym studentom oraz anglojęzycznym pasjonatom tej sztuki walki dostęp do wiarogodnych informacji źródłowych. Wiedzę tę gromadził latami. Na bazie wieloletnich doświadczeń wyniesionych z pracy szkoleniowej z mistrzami kungfu dawał innym praktykom taiji nieocenione wsparcie poradnicze z zakresu ćwiczeń mających na celu utrzymanie ciała w dobrej kondycji i sprawności -
Historia TAI CHI CHUAN - Opracowanie Na Podstawie Informacji Z Internetu I Książek (M.In
pokolenie historia TAI CHI CHUAN www.chentaichi.pl - opracowanie na podstawie informacji z internetu i książek (m.in. "Chen Żywe Taijiquan w klasycznym stylu" - Jan Silberstorff) - w razie zauważonych błędów proszę o kontakt: [email protected] 1 Chen Bu (1368 - 1644) 4* STYL CHEN … … … … 9 Chen Wang Ting (1597 - 1664) 1* powstanie tai chi 10 Jiang Fa Chen Ruxin 11 Chen Dakun Chen Dufeng 12 Chen Shantong Chen Shanzi 13 Chen Bingqi Chen Bingren Cheng Bing Wang POCZĄTEK STYLU YANG 14 Chen Chang Xing - stara forma - (1771 - 1853) 2* 15 Chen Gengyun Chen Ho Hai Yang Lu Chan (1799-1872) 7* 16 Chen Yannian Chen Yan Xi (mistrz starego stylu) Yang Banhou (1837-1892) Yang Jianhou (1839-1917) 17 Chen Lianke Chen Dengke Chen Fa Ke (1887 - 1957) 3* Quan You (1834-1902) nowy styl WU Yang Shaohu Yang Chengfu (1803-1935) 8* Xu Yusheng Założyciel dzisiejszego YANG 18 Chen Zhaochi Chen Zhaotanhg Chen Zhaoxu - 5* Chen ZhaoKui (1928-1981) 19* Wu Jianquan (1870-1902) nowy styl WU Chen Zhaopi 19* Chen Zhaopu Ma Yuliang (1901-1998) Fu Zhongwen Yang Zhenduo (ur. 1925) 9* Zheng Manquing Chen Weiming Chen Zhaohai obecny spadkobierca Yang 19 Chen Yinghe Chen Xiaowang (1945) 10* Chen Xiaoxing 14* Ma Jiangbao (ur. 1941) najstarszy syn brat Chen Xiaowang Chen Bing Chen Jun Chen Yingjun 16* najstarszy syn Chen Xiaoxinga (1971-) pierwszy syn mistrza drugi syn mistrza Chen Ziqiang 15* Chen Zhenglei 13* Wang Xi'an 12* Zhu Tiancai 11* 4 smoki rodziny chen, główni spadkobiercy stylu. Większość obecnie znanych mistrzów Chen Taiji zostało wytrenowanych przez dwóch mistrzów 18 pokolenia rodziny Chen. -
Tai Chi Chuan Martial Applications: Advanced Yang Style Tai Chi Chaun Pdf
FREE TAI CHI CHUAN MARTIAL APPLICATIONS: ADVANCED YANG STYLE TAI CHI CHAUN PDF Jwing-Ming Yang | 364 pages | 05 Nov 1996 | YMAA Publication Center | 9781886969445 | English | Rochdale, United States Tai Chi Chuan Martial Applications: Advanced Yang Style by Jwing-Ming Yang The Yang family first became involved in the study of t'ai chi ch'uan taijiquan in the early 19th century. Yang became a teacher in his own right, and his subsequent expression of t'ai chi ch'uan became known as the Yang-style, and directly led to the development of other three major styles of t'ai chi ch'uan see below. Yang Luchan and some would say the art of t'ai chi ch'uan, in general came to prominence as a result of his being hired by the Chinese Imperial family to teach t'ai chi ch'uan to the elite Palace Battalion of the Imperial Guards ina position he held until his death. Yang Jianhou the third son Yang Chien-hou Jianhou — passed on the middle frame long form, sometimes called the 2nd generation Yang form or the Yang Jian hou form to his disciples who still pass on this more martial form that is when seen more reminiscent of Chen style for which it is closer to in time as well as form than the Yang Cheng fu form or 3rd generation styles. Thus, Yang Chengfu is largely responsible for standardizing and popularizing the Yang-style t'ai chi ch'uan widely practised today. Yang Chengfu developed his own shortened "large frame" version of the Yang long Form, in order to make it easier to teach to modern students who are busy with modern life. -
Tuishou Interstyles Rencontre Nationale FAEMC 23 Et 24 Mars 2019 À Laillé (Rennes Métropole)
Tuishou Interstyles Rencontre Nationale FAEMC 23 et 24 mars 2019 à Laillé (Rennes Métropole) A propos du Tuishou Le Tuishou ou « poussée des mains » ou « mains collantes » est surtout connu dans les Arts Martiaux Internes (Neijia). Partie essentielle du Taiji Quan, il est aussi pratiqué dans le Yi Quan, le Bagua Zang. On le retrouve également dans les Arts Martiaux Chinois Externes (Weijia) comme le Shuai Jiao, le Wingchun (chisao) et certains styles de Gong Fu Wushu (Saolim Kung Fu). Son principe majeur est de cultiver l’extrême détente musculaire (Song) pour accueillir (Jiejin), transformer (huajin) et retourner (fajin) la force donnée par le partenaire, que ce soit à pas fixes ou à pas mobiles. Chaque style de Taiji Quan est riche de nombreux Tuishou d’école. Ils permettent de découvrir les bases du Tuishou grâce à une structure bien charpentée d’exercices pour affiner au fil des années la sensibilité dans l’écoute du partenaire (dingjin). La multiplicité des techniques utilisées se développe autour des huit potentiels Peng (parer), Lu (dévier, tirer), An (pousser), Ji (presser), cai (cueillir, saisir, tirer vers le bas, trancher), lie (fendre, séparer, tordre), zhou (coup de coude) et kao (coup d’épaule). La compétition de Tuishou permet d’éprouver la difficulté du principe du « moindre effort pour un effet suffisant voir maximum » dans un cadre de règles contraintes, sur un temps imparti. Il permet aux pratiquants d’Arts Martiaux Chinois d’origine différente de se rencontrer. Enfin, le Tuishou libre, basé sur le principe avancé plus haut, permet à des pratiquants d’arts martiaux de toute origine de pratiquer ensemble et d’échanger. -
Sistema De Ranking Para O Estilo Yang De Tai Chi Chuan
Tai Chi - Ranking Seguindo as necessidades e o desenvolvimento das artes marciais, o Instituto de Artes Marciais Chinesas implementou em 1997, o sistema de graduações para as artes marciais chinesas, para avaliar o nível de habili- dade e contribuições dos praticantes e das pessoas que trabalham no campo das artes marciais formalmente. Nos últimos dois anos de desenvolvimento, alcançou sucesso entre os praticantes e artistas marciais profi s- sionais. A Associação Internacional, com o objetivo de adaptar à ordem atual das artes marciais chinesas e melhorar o desenvolvimento futuro do Tai Chi Chuan, criou o sistema de graduações para os praticantes do Tai Chi Chuan. A estrutura da Associação do Sistema de Graduações está baseada no “Sistema de Ranks das Artes Marciais Chinesas”. Sistema de Ranking para o Estilo Yang de Tai Chi Chuan Artigo I – Propósito Este sistema de ranking foi desenvolvido especifi camente para promover o desenvolvimento do Estilo Yang de Tai Chi Chuan, elevar o nível de habilidade e teoria dentro do Estilo Yang de Tai Chi Chuan e estabelecer um sistema de treino unifi cado dentro do mesmo. Artigo II – Nomes dos Graus Há nove graus que serão nomeados de acordo com uma variedade de fatores. O tempo de pratica, o nível de habilidade e teórico do praticante. Pesquisas realizadas, o respeito ao código ético das artes marciais e as contribuições para o desenvolvimento do Estilo Yang de Tai Chi Chuan, são considerados na avaliação dos graus. Estes são como segue: • Graduação de Iniciante: Um, dois e três. • Graduação Intermediária: Quatro, cinco e seis. • Graduação Avançada: Sete, oito e nove. -
Lift Hands Magazine Volume 10, June 2019
Traduzione dall’inglese dell’articolo originale “Erle Montaigue 1949-2011” tratto dalla rivista Lift Hands: The Internal Arts Magazine Vol. 10, giugno 2019 – Editore: Nasser Butt Link: https://issuu.com/nasserbutt/docs/lift_hands_vol.10_june_2019 - Traduttore: Ramon Soranzo È vietato riprodurre o pubblicare integralmente o in parte questo documento altrove senza l'esplicito permesso scritto del proprietario del copyright. Tutti i diritti riservati. rle Montaigue nacque nel 1949 in un piccolo villaggio minerario a circa 50 miglia a sud di Sydney, nel Nuovo Galles del Sud, in Australia. Iniziò a prendere lezioni di arti marziali all'età di 11 anni, allenandosi nel karate e nel judo presso il locale Police Boys Club in Australia, e anche nel wrestling, che lo portò in seguito ad essere, per un certo periodo, un lottatore professionista! Nel 1967, durante un corso per manutenzione telefonica, Erle incontrò il suo primo insegnante di Taijiquan, il signor Wong Eog. La gente lo avrebbe erroneamente chiamato "Tokyo Joe", pensando che fosse giapponese! Lo stile che Erle apprese dal signor Wong si rivelò essere la forma veloce di Dong [per un po’ pensò erroneamente che questa fosse la versione più antica della famiglia Yang Taiji] sviluppata da Dong Yingjie, discepolo di Yang Cheng-fu. Nel 1974, durante un periodo di tre anni in Inghilterra, Erle conobbe il suo secondo istruttore di Taijiquan. Mr. Chu King-hung - uno dei soli tre discepoli del defunto Yang Sau-chung, il figlio maggiore del nipote di Yang Lu-chan, Yang Cheng-fu. Fu Chu a introdurre Erle per la prima volta il Taiji come arte di combattimento e questo avrebbe suscitato la sua curiosità nella ricerca del perché l'arte fosse chiamata "boxe suprema definitiva". -
Grandmaster Yang Jun on the Tai Chi Transformation
LIFE / HEALTH & FITNESS / FITNESS & EXERCISE Grandmaster Yang Jun on the Tai Chi transformation August 16, 2014 1:15 PM MST View all 18 photos Grandmaster Yang Jun (in white) demonstrated Two-person Tai Chi. Li Ping Five years ago at the first International Tai Chi (Taiji) Symposium, Grandmaster Yang Jun demonstrated his leadership by uniting all five major Tai Chi families together. At the time he was still under the tutelage of his grandfather Grandmaster Yang Zhenduo on Tai Chi chuan. Now at age 46, he is one of the youngest grandmasters in the world of Tai Chi chuan. Violet Li Born in 1968, Grandmaster Yang Un is the 6th generation descendant of the creator of Yang Style Tai Chi chuan and the future bearer of the Yang Family heritage. During the recent 2014 International Tai Chi Symposium held in Louisville, KY, Grandmaster Yang was the last keynote speaker. With confidence and pride, he agilely skipped up a few steps to the stage in his polo shirt and blue jeans. He delivered a solid speech in English without a translator. He spoke about his ancestor Grandmaster Yang Luchan studied Tai Chi from the 14th generation Chen family Grandmaster Chen Changxin. Having completed his training, Yang Luchan returned to Beijing and taught many the art of Tai Chi chuan and one of his students was Grandmaster Wu Yuxian, who later also went to study Chen Tai Chi directly from a Chen family member and created Wu/Hao Tai Chi style. The Wu style and the Sun Style were directly and indirectly influenced by the Chen Style as well as the Yang Style. -
The Dynamically Balanced Expression of Oppositional Energies
THE DYNAMICALLY BALANCED EXPRESSION OF OPPOSITIONAL ENERGIES Relaxation, Opening and Extending in Tai Chi Chuan Practice Yang Zhenduo on Relaxation (Fang Song) This section of the chapter is an explanation of the role and concept of ‘fang song’ or relaxation in the practice of Tai Chi Chuan. The material is excerpted from Grandmaster Yang Zhenduo’s book, Zhong Guo Yang Shi Taiji, 1997, ‘Thoughts on Practice’ p163-164. Earlier in this book I have already talked quite a bit on the subject of ‘fang song’ or relaxation. Let’s connect related concepts by separately mentioning the terms ‘soft’ (rou) , ‘limp’ (ruan), ‘strength’ (li) and ‘energy’ (jing) so that these can be distinguished, which is helpful in practicing Tai Chi Chuan. In martial arts, we often hear the analogy made between ‘steel’ and ‘energy’ (jing). Likewise, ‘coarse strength’ (juo li) can be likened to ‘iron,’ because ‘steel’ comes from ‘iron’ and the source of ‘energy’ is also naturally from ‘coarse strength.’ Coarse strength is natural strength and is an inherent product of the human body. Coincidentally, the current graph used in Chinese for ‘energy’ (jing) includes ‘strength’ (li) with ‘work’ (gong) added to it. I am not sure if this was really the intent of those who designed this graph, but looking at this graph can surely help serve to explain the relationship of the two. ‘Adding work’ or refining, refers to the way in which, during the process of production, we use the method of high temperature forging; correspondingly for coarse strength we use the method of relaxation (fang song) to remove the stiffness of coarse strength. -
杨澄浦太极拳说十要 Yang Chengfu's Taijiquan Theory: Ten Essential
杨澄浦太极拳说十要 Yang Chengfu’s Taijiquan Theory: Ten Essential Points Yang Chengfu, Recorded by Chen Weiming Translation and Commentary by Lee Fife Translation and commentary copyright (c) 2013 - 2017 Lee Fife. You can reuse this content as long as you attribute me and the resultant work is also reusable. This work is licensed under the Creative Commons Attribution-ShareAlike 4.0 International License. To view a copy of this license, visit http://creativecommons.org/licenses/by-sa/4.0/ . 1 Introduction Lists of important points for taijiquan practice are one of the most common formats used to convey taijiquan theory. Ben Lo created his five principles; Zheng Manqing (Cheng Manching) recorded several different lists of important points in his writings, ranging from six points to twelve and more; the first school I studied at, Y.C. Chang’s school in the Bay Area, had a number of different lists including one with over twenty points. This list of ten points is attributed to Yang Chengfu as recorded by Chen Weiming from Chengfu’s spoken instruction. The ten points summarize the essential aspects of taijiquan. Each point consists of a short mnemonic phrase followed by a paragraph or more of explanation. The ten points are: 1) Xu Ling Ding Jin 2) Contain the Chest, Raise the Back 3) Song the Yao 4) Separate Empty and Full 5) Sink Shoulder, Drop Elbow 6) Use Yi, Don’t Use Li 7) Upper and Lower Mutually Follow 8) Inner and Outer Mutually Harmonize 9) Mutually Linked Without Gaps 10) Move Center, Seek Stillness The points themselves were intended to be memorized and may well have been recited or chanted. -
Tuishou Interstyles Rencontre Nationale FAEMC 23 Et 24 Mars 2019 À Laillé (Rennes Métropole)
Tuishou Interstyles Rencontre Nationale FAEMC 23 et 24 mars 2019 à Laillé (Rennes Métropole) A propos du Tuishou Le Tuishou ou « poussée des mains » ou « mains collantes » est surtout connu dans les Arts Martiaux Internes (Neijia). Partie essentielle du Taiji Quan, il est aussi pratiqué dans le Yi Quan, le Bagua Zang. On le retrouve également dans les Arts Martiaux Chinois Externes (Weijia) comme le Shuai Jiao, le Wingchun (chisao) et certains styles de Gong Fu Wushu (Saolim Kung Fu). Son principe majeur est de cultiver l’extrême détente musculaire (Song) pour accueillir (Jiejin), transformer (huajin) et retourner (fajin) la force donnée par le partenaire, que ce soit à pas fixes ou à pas mobiles. Chaque style de Taiji Quan est riche de nombreux Tuishou d’école. Ils permettent de découvrir les bases du Tuishou grâce à une structure bien charpentée d’exercices pour affiner au fil des années la sensibilité dans l’écoute du partenaire (dingjin). La multiplicité des techniques utilisées se développe autour des huit potentiels Peng (parer), Lu (dévier, tirer), An (pousser), Ji (presser), cai (cueillir, saisir, tirer vers le bas, trancher), lie (fendre, séparer, tordre), zhou (coup de coude) et kao (coup d’épaule). La compétition de Tuishou permet d’éprouver la difficulté du principe du « moindre effort pour un effet suffisant voir maximum » dans un cadre de règles contraintes, sur un temps imparti. Il permet aux pratiquants d’Arts Martiaux Chinois d’origine différente de se rencontrer. Enfin, le Tuishou libre, basé sur le principe avancé plus haut, permet à des pratiquants d’arts martiaux de toute origine de pratiquer ensemble et d’échanger.