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The Arts Council of Great Britain was formed Mission statemen t in August 1946 to continue in peacetime The aims of the Arts Council of Grea t the work begun with government support by Britai n the Council for the Encouragement of Musi c '.J Or,• _nr '. -fm a!1S lU all and the Arts . The Arts Council operate s under a revised Royal Charter granted i n of al l 1967 in which its objects are stated as: . . r - (a)to develop and improve the knowledge, „ Ct~Ir ;Ipl .r iov.ition M lht' ar1 5
understanding and practice of the arts ; 'f'li rI' I rr !lid :'t3gG 71' ?iN .irI n
(b)to increase the accessibility of the art s r!s',r:i'!~5 . `,i1r q "~i CT( fllsrrl F, ~J r ICJ to the public throughout Great Britain ; (c) to advise and co-operate with By
departments of government, loca l .. ~~-r ;,~1'i f)+.."~i71 (' I(+ rft(':L ~rI15rr ilr( , authorities and other bodies . :U .;!, - I ' ado irv ~sI?JSIC, dull !h1»f wll u - n,•• u1%, The Arts Council, as a publicly accountabl e ; to the quallzy of 1 4 0 body, publishes an annual report and 1 'N ~ - . :35e for Itlc• ar15 d :'cl '.h!Er r accounts to provide Pariiament and th e general public with an overview of the year's _,-• .Ir-s~_ "p. rr'i1 ~Llj.fi)art ;ni? all LeE`rr. r work.
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FNGm CO4E11 REC'ral By DARO MOWAG W Of tot wrw4OQ WINE S Of rNE GREE14E "40 WA ,A/AGE 905 P TDCPAPNV CGIMMSSIONS. IN AiSOXA Sf.N MIN 1NE ARTS COUNCIL AND A[NE'N iN ERN MNAL
Cortents, l
ARTS COUNCIL L10RARY Contents 14 GREAT PEER STREET LONDON SW1p 3NQ
TEL 0171-973 651 7
/2 The arts are now well placed on the political agenda t o invigorate the cultural health of the nation, while the Millennium celebrations offer the chance to present ou r abundant artistic talent to the worl d
-rat's report/ 4 The Secretary-General looks back at a year of artistic vitalit y and administrative change and calls for a new opennes s throughout the arts funding syste m
,/6 Despite the recession, audiences for the arts have remaine d broadly level
/8 Arts Council departments and units highlight the year' s achievement s
Atlsh Art - 1. /3 2
'r.s C%)~-,,,, /33
E0 /34 Evelyn Glennie and Gillian Moore share their views on musi c education and the National Curriculum debat e
/36 Four artists describe what Arts Council support has helped them to achieve
/38
/40
/42
/4 5 Chairman's introduction
ed and uncertain time s er thus, hur the .iestniction that are red an anxien- facto r nl that of any othe r _ed ofinstantaneou s Icans that cvcn(S lnoV C ignificancc is oftcl l In Such tithes there is a 'CaSSUranCc, til e rn to abiding 1'31nCS . xiticS of `globa l 7overty and increasin g hroinpt the search for a Ind a sense o f
entral to that search , exerlipllf• the highes t 1'Ns'llich the huma n ble, In this iountn , le most .thtlnd .tll t dent in Europc . That is
Li fortune . It is also a ,e For %% hick we mus t pollsib1c . That nsihilit~ is fLlllllled hr nost inlaginaiis c loiration possible of narional artistic talen t the common good, d it hehoxcs es'cn. trimpating agency gukernment and th e wig ate sector - - working together in partnership to wir e ncc moment - tiincc hccomin g ( hairman of the arts l .u)U[161 ofOrca t Britain in 1989 I ave constantly asserte d ecessin ofpromotin g i the political agend,l .
Mill asset, they descr e I cannot clairn th e ct remains that thre e a Secretary of ' Stat e anent of National Chairman's introduction/ 3
"if we apply the additional resources that flow fro m the National Lottery to capital purposes, it will b e possible to refurbish the Cultural fabric of the nation . . . "
Heritage, giving voice to the needs of fester the practice, understanding an d acting, as hitherto, in isolation . the arts in Cabinet . The arts are plainl y the enjoyment of the arts in Grea t I am an optimist, but my optimis m visible in the Governmcnt 's strategic Britain. is not blind. The certainties that we see k thinking about the shape, feel an d Arts 2000 celebrates a particular art in these troubled times will he mad e quality of our civilised national life . The firm in a nominated city, town or manifest in the excellence of our artistic European Arts Festival marks the Britis h region on an annual basis from now • life. We must not he ambivalent abou t presidency of the EC and the Secretan• until the Millennium. It has begun , our European identity . Association with of State for National Heritage, in hi s triumphantly, with Birmingham as th e our European partners does no t speech at this ycar's Royal Academy City of Music for 1992 . In like manner , eliminate our national identity, as recent Dinner, gave a clarion call to the arts we shall celebrate Dance in the East political events have made only too when he said that administrations ar c Midlands in 1993 ; Drama in Mancheste r plain . The arts, above all, bind u s measured in history not fix thei r in 1994, Literature and Writing i n together. economic achievements, nor tier the Swansea in 1995; and the Visual Arts in While recording the achievement s the Northern Region in 1996 . Arts 2000 of the past year, this report will stress th e battles they win, but for the monuments ti they Icavc behind them as a yardstick of gives character and a renewed sense o f determination to exploit the the health ofa civilised socicry. purpose and civic pride to the city, tow n opportunities that are now on offer . The I can scarcely contain my or region in which the arts are European Arts Festival will illustrat e excitement at the possibilities that al l celebrated. both our talent and our ability to deploy this enthusiasm opens up. The arts wil l At last the Arts Council has its ow n that talent to masin]um effect . Let that be enabled to make their distinctiv e Architecture Unit to promote and raise be a precursor of Millennium festivities mark on late 20th ccntun' Britain , the level of public awareness of this mos t as memorable as the imperial celebratio n shaping the cultural quality of ou r %isible art form at a time when th e of our commercial achievement in 185 1 national life . In facing the daunting building and construction industry i s and as refreshing as that in 1951 afte r economic and political conundra of th e battered and bruised by the recession . the devastation caused by the Secon d world, we have the opportunity to mak e This is just the moment to signa l World War. this counm• truly civilised in concert optimism, waiting upon that time , If we apply the additional resources with our European partners . The arts are however painful and slow the interim , that flow from the National Lottery t o an influence for good whereycr they are for the revival that will surely occur . capital purposes, it will he possible t o fully enjoyed, For they transcen d I have long lilt the need for th e refurbish the cultural fabric of th e divisions of geography, race, colour or Arts Council to draw closer to othe r nation, as well as to commission new religion ; and they hind by speaking a organisations whose terms of reference , buildings to the highest standards and to universal language and by their appeal to at any rate in some respects, arc meet the needs of the day where there i s fundamental values . The Prime Minister complementary to our own and in this I lack of provision . The celebrations t o has indicated that the arts will be th e have enjoyed the support and mark the &Wlennitm will demonstrate beneficiarv of considerable sums o f encouragement of Lord St John of how responsible we are for the talent i n money allocated to them from the ne t Faw-slcv, Chairman of the Royal Fine Art this countrv, and whether we deserve it. proceeds of the National Lottery. I hope Commission . The Architecture emit has If those events arc truly a celebration of very much that this new money will be proNidcd the perfect vehicle for bringin g the arts - as well as illustrations of our allocated to capital projects. The effec t together the Royal Fine Art cultural health - the whole will be an will be little short of seismic, enablin g Commission, the Royal Academy, the expression of what this nation thinks o f the great resource of artistic talent t o Royal Institute of British Architects, the itself, the way in which we present erupt onto centre stage with coruscatin g rlrchitccturr Foundation, Englis h ourselves to the world and our perceived brilliance in pre-millennial Europe . Heritage and the Arts Council for the responsibility to that world . At the Government's request w e purpose of identifying a commo n have been working hard upon th e agenda; the first of such meetings National Arts and Media Strategy, proved a resounding success . I firml y canvassing the opinions of all affecte d believe that we stand a much greate r parties so that we can better fulfil our chance of achieving shared objective s Lord Palumbo purpose as stated in our Charter to through collective action rather than by Chairman . Arts Council of Great Britain 4/Set retary-Genera l' s report
Secretary-General's report Secretary-General 's report/5
The Arts Council and the Regional Arts closely with the RABs, the British Fil m Boards j K-Us) have had a good year , Insdture and the Crafts Council . but a testing one . Our task has been to A number of key themes have reform the funding system, while at th e emerged which include : a new- emphasi s same time continuing to provide a n on support for the individual creative efficient service. artist ; the overriding importance of The way has been smoothed by a further developing education in the arts ; remarkable series of increases in th e the abolition of the artificial harrier CFovernment's annual grant . Betwee n between the amateur and the 1990/91 and 1992/93 this has risen by professional artist; the urgent need to 26 per cent. The great network o f renew the stock of arts buildings ; and permanent arts organisations - art the importance of encouraging galleries, theatres, orchestras, opera an d international exchange . dance companies - which the Arts 'ncc organisational reforms have Council has helped to maintain or, been expensive both in time and money . often, to bring into being in all parts of How are we ur judge whether or no t the countn-, was looking impoverishe d they have been successful? The Arts and insecure at the end of the las t Council is the ser vant, not the master, of decade . In partnership with loca l the arts and, indeed, of the taxpayer. authorities, we have now been able to Our work should be judged according go a long way towards restoring thei r to nyo treasures . The first is cost- finances. The result has been more effectiveness : we aim to avoid needless artistic activity, higher standards and a duplication among tite funding bodies , renewed self-confidence . to define objectives in as sharp a focus a s The lies%• money was handed ove r passible and to monitor outcomes on stricr conditions . Recipients were carefully . asked to demonstrate the return on Second, arts funding bodies need to increased public investment, both i n he open, f ricndly and expeditious . Here terms of earnings and of artisti c there is still much to be done ifou r production. The%, rose triumphantly to quality of service is to be exemplary . the challenge. Those oho work for the Arts Council Meanwhile most of those workin g and the RABs are dedicated and highly for the arts funning system were busy skilled specialists, but some of ou r changing it . rwcive Regional Art s procedures are opaque and un- Associations have given way to te n accommodating . By next year 1 hope t o RABs. A unified planning process ha s rcporr significant, early improvements . been devised . The Arts Council ha s But in the last analysis the onl y restructured and reduced its staff. performance indicator that really matter s Further delegation of fundin g is the vitality of the artistic scene and th e responsibilities to the regions is planned . enthusiasm with which the public At the same time a tar-reachin g responds to that vitality . Here all is set consultation exercise has taken place and fair. In every art, talent flourishes - has led to the setting cif new prioritie s whether its aim be to renew the master - ti)r the arts in the National Arts an d works of the past, to address the concerns Media Strategy, to be published shortly . of the present day or, in addition, to reac h c (insonant xvith these priorities, a to the unborn audiences of posterity . t harter for the arts in Scotland has bee n ; ,rt educed and the Welsh Arts Counci l established its own blueprint for th e Anthony Everitt (:Iopment of the arts in the Principalin - secrrtan General, Arts Council of , ,UIhotit we have collaborated Great Britain
#/AudFenees
The arts maintain their audiences
The graphics below, based on two-rear periods and on a comparacke index, retlcc r the nuanbers of attenders in each period 1100 represen(, the )inure ft)r the First of the
three-year periods') . The ris ores in purple tiho,,A actual figures fir 1991 j92 attcnders . It is encrntragln , that . despite the recession, the numbers of people attending arts cvents lime broadl} remained l0d, 311110LIgh there %sere srrbacks tllr jazz and
contemporaR, dance.
Ph" Oper a Ballet 10.4m atteflKWS 2 .7m attender s 2 .8m attenders .ado (3 .0% .of all adult9.) _ (5.996 of all aduitsl 100 113-7 (6..3% of all adults} loo 100. 7 . . sotlt.i 4 r 110 . 5 n 100.3
2986/631 d =71/68 t4l6/8i'1987/88 1998Jr$'~ 0 29e7/88
S9BB/HO. & 19N79P 198$/a4 & 1489/90 29e9/$9& 4989 9U 'j, 1990/91 & 1991 t I 1990,91 & 1991/87 1!90/91 8 :99192
Contemporary dance Classical music Jazz 1 .4rn attender 5 5 .3m attenders 2 .7m attenders (3-1% of all adults ) IOn 111 .7% of all adults) 100 (5.9% of all adults). so0 108!.3 :104 101.1 y 102.9
$6 .5
!1.886/97 & 1987168 I 19e8/87i 1487/88 ~, 1488f 87 & 1987/ae -
19738/89 & 1989/4 0 WW, 'W& 1989.'90 1988/89 b 1999, -u~ t - r 199o/91 & 191 1990/91 & 1991/92 - 1990/91 & 1991/92
Art galleries/exhlbitiart s Any of the 7 9.5m attender 5 16 .4m attenders (21 .1% of all adults ) 100 138 .3% of all adults) 100
100.7 102 .9
100.4 101.4
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Cross-departmental units
Training Unit I is Trant ;rt~, UnICS ten succcsstir l Trainee, t yre wrantnte conrinues With 30 verung pcerplc'torking in all area,, of the arts industn . Thi,, prograrrtmc ottcrs a vtondertirl opportunir. for the trainee i 'tork alongsicic a national organisatio n vthikt still it,t'iric; tune to attend Othe r training courses and placements . ']'he i _.dIL_ _.dli~ a ceintacts made during this'year wil l in a blueprint fitr futurt RT C bcnctit toung People in arts managc- detclopment . No longer will R'1 ( :. ment for the rest of- their %% caking lives . provide short courses Dole lust '% ill al%u We offered 44 bursaries this tea r dctclop a provision to offer innsultant ' giving the opportunitt for c ycrience d and brokerage sen'ic.cs as well as arts practitioners - including Black an d responding to the needs of individua l disabled arts practitioners - to dry Is e organisations . their own training: progr:unntes . We have started a rcvic\v ,ft' Arts
The current trend in setting, Council policies and schemes which Avil l Standards and aicreditatiort goes er n result in a long-tens strategy tier trainin g apace and " c are active on ntan .v front s provision and will underpin th e here, both with cstablisftcd academi c philosophy that training is integral to a institutions and qualification%, and \tit h health,, organmition - the :arts and h.ntert alnntent -1-raining Council which is tinting the standards tier \emork V(A:atirntal Lualitication s Pat Shimmon We ,tint to ]talc all Regional Tnlinin g Head of ]'raining Centre I RTC i courses accredite d including, our kmn trainee programme . We have joined \tith our Regiona l Arts Board colleagues to detisc a join t training strategy in liaison With tanou s other arts training ; crrganismions . 'l'hc pilot 10 for the ,uuthrrrl and south ea>tern part of the ciruntr' - art s braining; South - nas set up in 1991 anci opened in Alin] 1992 . This bring;% the total number of IkI 'Us operating i n 17:171glartd to tour . Neucastle RT(' IMLI a fu 11 appr-ai%al this year and, bell(\ ing a report b y outside cottsultarit ., urnlcrtook a majo r retie'\ of its %%ork 'v hick has Cuhttinatcd Cross-departmental units/9
Education Uni t adcocacv, co-ordination, informatio n helped to produce responses to th e arts education is constantly evol ving. and research, training, and resources. National Curriculum Art, Music an d Artists and companies initiate Over the past year, the Education Physical Education Working Groups' developments by working in innovative , Unit has produced Evaluation, the Interim and Final Reports and Statutor y diverse and lively ways. They work in second pack in the Partners Series, giving Orders. theatres, museums, galleries, libraries , advice, information, questions, example s Two other projects carried out i n shopping centres, factories, prisons , and guidelines for artists and teachers . It 1991/92 included research into arts hospitals and the open air as well as in has also established the second year o f education agencies, in partnership wit h the fornnal educational environments . the Artists in Education Training Project the Paul Hamlyn Foundation, and the The Education Unit's policy i s at Lciccstcr Polytechnic and the firs t support of a youth arts festival i n based on the guiding principles o f year of the Opportunity not Svrnpatlw lltracombc for young people to work strategic action, partnership and equal training course at Charlotte Maso n with artists, participate in skorkshops an d opportunities . It seeks to co-ordinate th e College for artists working in specia l share their own arts work with other Arts Council's various educationa l needs contexts . Both courses provid e youth groups . activities, ensure efficient managemen t artists with the knowledge, skills an d of the resources that are available and b e understanding needed to work in flexible in the face of change . educational settings . The Arts Council's Educatio n In collaboration with Arts Counci l Maggie Semple Policy has identified five strategic rules : art form departments, the unit has Head of Education
10/Cross-0epartmental unit s
Arts and Disability Uni t
I Ite l},,rh ;l: . t- Itit pllhlishcIf the .Arts I]5\ 0%1 .748~ V .011 xOI I'%IF 2 \o . I C- D zh al)ilttl 1lirectarr- secttrcd lon g DISABILITY ARTS AZINE tum hlnding for the newly established Disabilirv Alts -ltrtryn :,ine and funded , tier the first time, the National Disahili n Arts Forum . This •car also saw Phase One ofth e Initiative to Increase the Emploenu•nt o f Disabled Pcoplc in the Arts - a join t venture lilmicd by the Arts OAMCil, the then (thee of arts and Libraries and th e Dcpartntem ot'Emplo 'ymcm The repor t Still he published in earls 1993 . The initiative set 0111 To CoIlVCA. to non-arts disabilin- organisations th e many tisasr people can and do ssork i n the arts, and to inform arts emplovers boss the.\' can set about cntploVin g disabled people . It also acted as a n intitrntation gathering exercise, lookin g at the barriers which prcvc m emplovrttcnt ofdisabled people and rit e changes that arc needed .
Wendy Harpe I ir.uf ~~f :1rn anFi hisability
Cross-depart mental units/11
Women in the Art s Cultural Diversity Uni t The Women in the Arts Project wa s fhc Cultural Dkersm Unit continues t o established as a policy developmen t promote the development of a coheren t initiative . The initial %work of the projec t and interconnected constituency of arts
falls into three distinct stages: research, practitioners and ser v ice organisations . consultation and, ultimately, the The process Itas involved encouraging adoption of a strategy for action . international travel opportunities for art s Over the past year, Worsen in th e practitioners as well as conductin g Arts has commissioned research into th e research and widespread consultation , development or existence of similar work tied in with the National Arts and Medi a in other countries . This has led to Strategy. The aim has been to encourag e the publication of a highly successfu l local, national, trans-European and report, Women in Arts: Nettvorkinrt global networking of cultural worker s Internationally, complete v6th a contact The unit's successful publication , list of over 500 women working i n Introducton, Guide to Travel Opportu- the arts . nities for Black Arts Practitioners, has Work was also begun on an been updated and a Euro-seminar i s
international database of women in th e planned for the future . Funds have also , 1~ . ~_ - -1QTAAYWVV 1bYEAApC . . . . arts which, it is hoped, will facilitate th e been made available for practitioners to exchange of information on working , attend various conferences in the USA - business and funding opportunities fo r 20 delegates went to Open Dialoquc V, women in the arts, particularly in areas the Association of American Cultures ' %where they are under-represented . biennial symposium.
The Women in the Arts p roject Work was initiated to increase th e initiated a tour by the American artist s national profile of British Chinese artist s lacki Clipsham and Robert Harris whic h and research was carried out to explore cuhninated in a seminar held at the Art s ways of improving sponsorship Council on gender, disability and equin • opportunities for Black arts groups . %within the arts . This work was made A feasibility study has bee n possible %with financial support from th e commissioned into the development of British Council and Paul Haml•n an independent Black arts co-ordinatin g Foundation . body . This process included discussions In line %%ith its research strategy with the Regional Arts Boards and art s Women in the Arts has also completed practitioners . The results will b e work on women as artists, as arts published in a report once the study ha s managers/administrators and a s been completed. 'consumers'. This research will be published as Women in Arts. Notions of E-Quality in the autumn of 1992 an d Peter Blackman will act as the discussion document tie r I lead of Cultural Diversity the Women in the Arts symposium in March 1993
Alex Ankrah Policy Projects Officer with responsibility for Women in the Arts National arts and media strategy
The \amoral arts and .Midis 5l 1 .11 CL \ I)I'I nN Ikd Ln .1 tt a1 1111LC11 SLLItS 111 1 and tllc auociatcd ckc•rclscs in Sctitla!IcJ ,0111munitics to cc'hiclt they at}pi' - rLlr : : and Walcs, ucrc commissioned he the or urban, VOL111t; or old, male or temalc . then Minister ti or the arts in 1990. Th e disabled or nun-disabled . Arts Council, the Regional arts Bt)ards , Thc resulting document ,peak~ fo r the British Film histiture and tllc Craft s the arts and till- those +,hip %yurk in th e Council decided that ni make full use o f' arts. \lorcnycr, it challenL;c, The art s this uppOrtunitt they +hould seek th e Council and its funding, partner, to lin e sieus of the art% COM1111111M throug h up to high standards of openness an d d3SCU-,SiOn document, and seminar,; yualitc . nfscryice. C)ut of This complc X cunurlission ,1 Sur\ey of put1lic attitudes and icngthl process Ila, conic a vita l ur the arts; and minbolisc their statement for the tilturC of arts support . partrlcr,hip syith local gns'crnment b y establishing a strarrgy nl JILL] planning Czert:ise cyer undertake n Srrarcg} t-n the arts in 0-cat Britain. "l he stratcgy deals L%ith .1 sast r,ulg e ofissk,WS, some 11 the 1C%Cl Ofprinciple, sunk \ern specific . But it MIC had t o choose two \kords to suns up it s underlying philosophy, thc% would he gL1alin•' and 'oppnrinniry' . Artistic qualiry null he the pre-eminen t criterion fir- funding, hilt 1111alltt iS nu t cnntincd to part ictlar tilrins or particula r scales Iif artistic aclrk . In Our support o f yLlalin %le tllusr retiect and cclcbratc th e diycrsm which characterises the British arts and media scene . (lpporlunity iS th e other sick ul this coils . (lplturlunitics t o Cnjlsy and participMC in rhC arts MUNI hC Departmental report/1 3 Combined arts The 110 unit tyas created to bring together, and respond to, activitie s which cross and merge art forms . The unit's responsibilities include Schemes us assist artists who wish to work in a multi- and interdisciplinary way as Wei l as areas transferred from othe r departments such as arts centres , Building Feasibility Studies , International Initiatives, Notring Hill 0 Carnival and the Youth Fund . Interdisciplinary work was supported through Nc.y Collaboration s and Live Art funds . Thirty-one projec t grants totalling 1240,000 from Ne w Collaborations produced a range o f work including Platform's project Still Watcrs- a series of interdisciplinary projects exploring four of London's los t The Notting Hill Carnival Band s rivers ; and a large-scale film animation , and Carnival Enterprise Committee - 31) construction, sound, voice and organisers of Europe's largest stree t performance event in the Philharmoni c carnival - continued to receive support . Hall in Liverpool presented by Jackdaw Eleven national youth arts umbrella Xledia and Urban Straw•bern- Lunch . organisations %vere tiinded for a variet y Seven organisations were given funds t o of projects including; training, educatio n commission nenv performance Nyork and use of professionals to work wit h 1MCOME ANALYSIS - n :: r :GUAES Sri a, ~i.._~.uRCESOr THE SUETTn 5N% CENTF~ .' - tinder the Live Art Commissions . young people . T:r These included a mixed medi a Twenty-one Feasibility Studies o n . . . : is E y .tT1rER EMNEQ INCOME performance in collaboration wit h the development of new and existing ",[ ~. r~~r,a~ :, A ;rn!v >:x:BGr ruMOrnE•, Central TVS Junior TV Workshop and arts venues received grants. Completed a reports are kept at the Arts Council fo r awards to artists to create work for 22 .919 three-day rural festival in Cumbria . consultation. The two arts centres funded by th e Arts Council - London ' s South Bank Centre and Institute of Comemporan , lain Reid Arts - continued to produce a range of Direcn )r of Arts Developmen t work which crossed all art forms . The Sally Stote exhibition of Toulouse-Lautrec OIL the Head of Combined Arts Hayward Gallery was a major success and the Institute of Contemporary Art s promoted the return of Foals Bar n Theatre after ten years residence i n France. The International Initiatives Fun d assisted 20 promoters in bringing work to Great Britain, including; support for the Japan Festival and a Europea n Seminar organised by the Disability Art s Forum. 14 dance Departmental report/1 5 In spring 1991, the Leicester Inter- work. Nottingham Playhouse F national Dance Festival presented Opera commissioned Llichacl Clark's Modern Sportifat the Granby Halls, a vast indoo r afarterpiece, which attracted critical sports venue. Over IOU local people acclaim and large audiences throughou t with an interest in dance or spor t the country . performed with The Cholmondelcys in a The Birmingham Hippodrome ha s production directed by choreographe r placed a high priority oft the needs o f LEFT RAFNRA l;a! . ,, ~ . cMANCE r0 Lea Anderson . dancers and dance audiences . Improve- ^AW-F PROJECT,-i I:+' -UR WTE RAGE"'CHAE1 CLARK' S Later that year, on the stage of the ments to its stage and auditorium hav e NOLIERN MAyfERPH.IE Birmingham Hippodrome, hundreds o f made it one of the best theatres i n young people demonstrated the variety Europe fix large-scale dance . The and y ttaht' of dance in the Wes t Birmingham Royal Ballet's programm e Midlands in a performance which The of new work and the best of the balle t Birmingham Royal Ballet's Educatio n heritage has attracted full houses at the Unit had initiated. Hippodrome . At the Royal Opera These are just two examples of th e House, the Royal Ballet's performance,, range of dance happening throughout of William Forsvthe's In the Middle, the country . Somewhat Elevated demonstrated th e Enthusiasm for dancers' technical excellence and, like ballroom dancing , Jonathan Burrows's Stoics, brought a bhangr -beat, new dimension to ballet . traditional folk, Successful contemporary dance 1u Ipular and social companies - such as Adventures i n dances continue s Motion Pictures, The Cholmondelevs , unabated . In DVS Physical Theatre and Siobha n INCOME ANALY&M clubs, exercis e Davies Dance Company - have for th e THE RGVRrS SHON THE INCOME SOURCES OF THE COUNCIL 5 MAI N studios, theatres, on television and on first time been offered two-year grants , DANCE CLIENTS 14 ENGLAM7 the street, dance is integral to our culture . enabling them to increase touring , BOA OFFICE 6 OTHER EARNED POWM E Dance has its own programm e attract new sources of funding, plan SP04SORSHIP At within the National Curriculum : it is further ahead and take more time t o AVTHMIN 6 OTHER PLSLIC FUMHN a elan :ovNCU suoslav established as a school examinations develop artistic ideas. The achievements subject and university degree and can he of Adzido, Britain's largest Black 33 .565 studied at postgraduate level . Chi the performing arts organisation, have been Move, a directory of young people's recognised with a move to revenu e 30 .&17 dance, gives evidence of the quality and status and increased funding. diversity of dance activity . Sadly, until British dance has been too modest grants for dance training become in proclaiming its achievements . mandatorv, many talented young peopl e Promoters throughout Europe are will not have the chance to realise their impressed by the diversity and originality full potential . of our dance . The talents and needs o f The network of national dance our dancers deserve greater recognition agencies is increasing opportunities for in Britain . Dance organisations such a s dancers of all ages, backgrounds, interests Dance UK, ADiTi and the Community and abilities. Green Candle was the first Dance and Mime Foundation ensure th e annually subsidised dance company to dancer's voice is heard . Dance is wel l appoint a dancer Who uses a .wheelchair. placed to gain the respect, profile an d Theatres are beginning to seize th e status it merits. chance to present imaginative dance Sue Hoyle programmes and to commission new Director of Dance E000' . IS/Departmental repor t dram Dcpartrriow,,l ruport, 1 7 L The Drama Department has corke d tout7114 Cnmpam, t.-entury, marked it s over the past six years to maintain the sustained growth into a fully national present provision of huilding- base d role by its move to a specially built bas e theatre rhroughnur England and to in Crewe - a superb example of enlight- support non-buRding-bascd companie s coed local authori n, support for theatre . of all kinds, whether funded year after The Royal Shakespeare (,ompany , year or project by project . It has as a result of generous new City o f succeeded so far in its first aim . I n 1 .011don funding, matched by the Art s pursuing its second, it has increased the Council, reopened a full season at th e number of innovative and excitin g Barbican Theatre in March 1992 . smaller touring companies it fund s Nieantimc, the Royal National Theatre , regularly from 20 at 1 April 1936 to 3 1 haying been appraised under the Arts at I April 1992, while significantl y Council's ~sell-established appraisa l increasing funds fir single projects . This system Ii)und its need for additiona l sustaining and opening of oppomrnitl ' funds recognised . allows theatre to recimllse Itself and be Appraisal reports have led to the more available to all . strengthening of the artistic an d Six companies - Black Mim e administrative work of companies and Theatre, Gloria, Gay Sweatshop , generous awards over the last thre e I:ahoodle, Double Edgc and Compass autumns have begun to take effcct . The - ~were awarded three-year funding for theatre is poised to establish itself afres h the first time, for 1992/95- In women's as the quintessential English art firm i n theatre,'Women'% -Theatre Group an unbroken tradition flowing from th e marked its revised identity- by renamin g last millennium intO the next. itself The Sphinx . Talawa Theatr e Ian Brown Company opened its season at th e Director of Dram a Jeanctta Cochrane Theatre in Marc h 1992, so becoming tite first specificalIN ~NCOW A .1-LI S g building-based company producin kkV1 Black theatre in Britain . A fund to support small touring companie s wishing to employ disabled actors and staff was established. The hugel successful Dywma in Schools booklet , offering authorirttiyc advice on the plac e ()f drama in the National Curriculun7 , was prepared ready fir its launch in Apri l 1992 . The Shakespeare Mernorial Theatre Trust ser up the Mever- Whityworth Award, worth LS,000 to its first winner, Roy ,~MacGregor, for Chr r Own acid, produccd at the Bush Theatre . This range and variety of activity %%,is sustained by the deyclopment an d u ork of man%- other companies . The enterprise and imaginative achievemen t of the much praised Ipswich 1Volsey Theatre production of !situ TTir lVoods is only one example among many of th e high qualin- of work now available i n rcgional theatre . The longstanding film, video a nc~ broadcasting Departmental report/19 AA . How the arts and broadcasting relate t o dancer Celeste Dancfiker, was shown o n each other is a perennial source o f BB< .2 and reached an audience of 1 .8 passionate debate, although th e million . Then came Dance House. contentious medium is television - radi o Following on from these successes, a does not seem to be an issue in the sam e new two-year scheme with BBC:2, Danc e way. Does television feed parasitically off For the CarncrEt, has been launched to rile arts or is it the major Cultura l commission 1 S-minute collaborativ e provider? Arc the arts a primary programmes by choreographers an d ABOVE (:OWBOFS A" B y RHJL •: . . .0f MADE FOR THE ART S COVNCR/CHMOKI FOUR ANIMA'0 1, AWARDS SCHEME EE" A STIU. FROM experience and television essentialh, directors . This focus results from th e TWO FAUMG TOO FAR. ONE OF' ~Jw EF OANCE ''ADEOS MADE M 1991 FOR THE TAPED sGrtME OMOSTM PFW[ STAIN BY SIAION .UMMEI l MAM I•DR wcondan,? In the home, choice alread y dance sector's real desire to engag e THE AFTM COUNCILMM: 'wE i 7f 5HOW OMr AM u lrawsWN extends to include home videos, the C D crcativ-ciy with television . 4Ve koo k scHE w player and, before long, the digital forward to other art firms taking up th e delights of CD -I (compact disc challenge. interactive 1- Perhaps it is time to accept During the year over 7 0 that most people will, given the programmes across the range of th e opportunity, experience the arts in a department's activities were number of ways and concentrate o n commissioned through which broader ensuring there is the best for them t o Arts Council objectives are engaged , choose from . including cultural diversity (Black Arts Telexision is a versatile medium that Vicico Project ). and arts and disability can record the arts, but also do more . (7he Fall, Behind the Eve) . A drive t o Even the most familiar ofarts improve gender balance in artists' fil m doCUmentary involves a combination o f and video has resulted in 26 out of 5 1 awards going to women . The Black Arts Video project was set up to provid e `training through doing' for newcomers . While the need fir the video scheme t o onitinue is clear, plans are in hand for an enhanced scheme to encourage 'now to television ' directors . The issue of new technologies i s emerging as a major theme in policy intcrxicws, artworks, archnc trim, phot o developments : multi-media offers graphs and locations not possible in any opportunities of reaching new audience s other medium. This idea is taken further in new ways . Our first significan t by original mark for trlevision, an arts in volvement in this area has been t o experience involving a new synthesis of commission an interactive video software an art firm and television based on programme for educational use , collaboration between practitioners fro m provisionally titled l avs of'Lookinq . Such different creative practices. This is bot h technology heralds a -wealth of exciting an appropriate kind of programme for possibilities for active and creative the Arts Council to support and a good engagement by the user. way of contributing to the mix of Programmes the public can choose from . The catalyst has been dance . Earl% in the year The Fall, made by choreographer/director Darshan Sing h Rodney Wilson Bhuller, in collaboration wit h Director of Film, Video an d cameraman Alike Fox and disabled Broadcasting 2 o literature Departmental report/21 It is good to report that 1991/92 was a the department is the way in whic h of Literature and Writing in 1995 woul d year in which the Literature Depart- litcrary books are often overshadowed i n be focused on Swansea . mcnt, against a general trend, wa s libraries by expanding information At the end of the year P 1) James enlarged by rwo additional part-tim e serv ices. A major conference in York , gave up the Chair of the Literatur e members of staff, one of'whom, Jo Rradiurr the Future, addressed the issues Panel after tour years in which she had Shapcott, is the only person to win th e and its findings are to be published . presided over growth and a renexs•al o f National Poctry Competition twice. She There was great demand fo r public and self respect . The Arts Council and Jackie Kay, our Literature Tourin g Litcraturc Belorrgr to Ei,oyone: A Report owes her an incalculable debt . Authors Co-ordinator whose first book of•poems , on Widcuirtq Aeccss to Literaturr of her calibre - during the year we also 73ir Adoption Papers, WAS published compiled by Violet Hughes and focusin g inv olved in the affairs of the departmen t during the year, arc two of the best on the response of librarians, writers , Paul Bailey, James Berry, A S Byatt, Ji m young poets to the country . trades unionists and educators to th e C:race, Donald Da%ic, Doris Lessing, Thcre is a growing demand fo r apparent fear which many people have o f Pcnclopc Lively and Peter Purtc r writers to appear in person, reading fro m entering bookshops and libraries . The - ensure that the writing and reading o f and discussing their work . This was problem ~tarts when people arc ver y good literature remain our highes t confirmed by a report we commissione d Voting. The department, with th e priority. from Book Marketing Ltd, sown to he sponsorship of W H Smith, wa s published, analysing why audience s therefore happy to find its firs t attend such events and how they arc Children's Literature Summer School , Alastair Nlve n influenced by them . ti4canwhile student s held in Oxford, cnormoush- over - Director o1 Litcraturc from Leicester Polytechnic were invited subscribed and clearly filling a gap . to look at the facilities available for The Raymond Williams Community writers and audiences at venues up an d Publishing Prize, in its second year , down the country as part of a B A 'discovered' the elderly writer Joyc e project. Storey, whose Joyce s' War was publishe d The touring Section of th e by Bristol Broadsides . Despite bring one PICOM AAWSi s THE F--IC'.F,;-A ' ..c 41. ; 4E. N_RCESOr THE COMMI VA N department presented Claribel Alcgri a of the leading community presses in th e l''E'ni1'%RE LA" •~ t`4,i~'.iI (Nicaragua) and I .niSa Valcnzuela countn', Bristol Broadsides recently' - WO CFr Ct S OTEUq UJUIED AMW (Argentina) reading in both English and became a casualty of the recession . WONSORS . W Spanish . Their tour extended int o However, it is good to report that Joyce's tOfX .µTTNd111Y ~ O1NFA Ol1~JC FilNPl w - .FT5 carom SO SIM Scotland. Writers from Guyana, which l ar has been taken on by Virago , 1-575 tbllowcd it, played, as all our tours hav e guaranteeing it a renewed life . Staving i n done, to packed houses and reached into the area of literary prizes, much work Wales. Martin Carter, Fred D ' Aguiar , was undertaken in preparation for th e Wilson Harris and Grace Nichols , announcement of'The David Cohe n representing three generations of British Literature Prize, the largest Guyanese authorship, provided a uniqu e literary award in the UK. camera-shot of mo dcrn Caribbea n Othcr highlights of the yea r writing. included the establishment of a workin g We also began a series o f pam- to look at the artistic quality an d international residencies with the financial performance of literary Jamaican writer Olive Senior spendin g magazines in England; planning a nevv three months in the south-west, and we writcrs in prison scheme in partnershi p expanded our quarterly bulletin LI'rittrs with the Home Office, enhancement bs on Tour which goes to hundreds o f the British Council of our translatio n publishers and promoters . programme ; the maintenance of a The predicament of our publi c buoyant bursaries programme to assis t library service was much in the nays individual wrircrs ; and the during the year . Of particular concern to announcement that the Arts 2000 Year 0' 40 )f , 7 4 4- i P- .19 io Departmental report/2 3 I t wotdd normally be wrong to loo k Rc%careh, part-fimclcd by the Art s inwards at the start of a review wvhic h Council, identified the beginning of a n attempts to capture in very limited space uneven distrlbntn7n nanonall' O f the range and excellence of a year' s instrumental teaching which, if allowe d music in Britain . However, this was a to grow, could damage professiona l year in which the Music Officer posts a t standards in years to come. Three- the arts Council here redesigned t o quartcrs of the players currently in Ou r serve [tic new arts funding system, an d major orchestras benefited from fre e Kathryn McDowell, Andrew Pinnock , instrumental teaching at school an d Martin Scott and Olivia Low-son from the experience of playing in local rewarded by the Prudential Oper a recruited to fill them . Kathryn and youth orchestras run by local education Award . The potential for smaller-scal e Olivia had previously worked i n authorities . organisations to complement the work orchestra] and opera development , The strength of our orchestras has of the major opera companies was taking the work of publicly funded in part been built up through the work identified in a report by Graham Devlin , organisations to people who would of the Association of British Orchestra s published by the Gulbenkia n probably not have experienced it a whose annual conference and year - Foundation . The Arts Council will, as a decade ago . Now-, almost every majo r round programme of professiona l result, more than double its financia l opera company and orchestra i s support have helped make our orchestras support for small-scale companies committed to education in th e some of the most. timvard-thinkin g enabling them to reach a wider audience broadest sense . internationally. During the year th e throughout the country and to promot e Music organisations large and small , association's most ambitious project to new approaches to the art form . centrally or regionally funded, arc well - date Was announced : Niith support from placed to enhance music in schools a s the Arts Councils of Northern Ireland , Kenneth Baird the National Scotland, Wales and Great Britain, som e Director of hlu .sic Curriculum i s 500 schools throughout the Unite d introduced from Kingdom will be involved in the work of INCOME AN.NSIS . r. . ,i , I ' ;,F '/iIJNCIL3 MAIN atl t u 11111 1992 , 16 major orchestras, with a new work b y t and every pupi l Sir Peter Maxwell Davies acting as a aged 5 -14 is catalyst to encourage children to L;X-L 1 0 111 :1- 1 L- given the compose, perform and listen to music i n w5 to ; Nt.-, r. ss~, , opportunity u r an informed way . W perform and During the year the refurbishmen t as well as to appraise it. of the hall for the Royal Liverpool l he .-1rt . i , ~i ncrl made every effort Philharmonic Orchestra was announced . during the hmrmuiation of the This billows the City of Birmingha m curriculum to ensure that th e Symphony Orchestra's first season i n prokramme of study remained broad Birmingham's new Symphony Hall . As •tnd that those working in jazz, th e further plans progress fur other new traditional music ofthe United halls, nothing can have given greate r Kingdom, music of non-western culture s pleasure than the acquisition of [h e ur with new technology, would be abl e London Coliseum as a permanent hom e to make a valuable contribution . What for English National Opera - a compan y arc essentially perfornling organisation s that has led the way in widening th e cannot, however, replace the skille d audience for opera . The Royal Opera music teacher, and the changes in th e also drew man people to opera for th e pattern of instrumental teachin g first time with tcn performances of continue to be of the greatest possible Ttirandut at the Wembley Arena, an d concern . During the year, a study by th e the innovative work of Opera Nort h National Foundation for Educational dyer the past season has been justly Itr]L•, 24/Departmental report SUM IMMIE VCTOOM 1 VUL ♦S CAMC CM N MONAEIM VUU TNGT7E-s i11p CTON Or SW W LW MM WNTMiORMn WSS NETWORK TOUR Ti Wa N.LEX PAM MUM%yip ChAWK IOIOEN M NOVEMO t 19919M MWNENVaW1r WdX IETMOfdt s ana09CTa Or GOtE19 ly S a I must begin by paying tribute to lac k in the Transport Museum, Bradford , Phipps, who presided over the majority seems likely to be the harbinger of a of 1991/92 as he had over touring series of event taking place i n arrangements for the majority of the unconventional performance spaces , previous 22 years . His contribution ha s thus opening up many ncu• possibilitie s been quite remarkable and he tt•ill be a of working in different trays and playing desperately hard act to follow . to ncty audiences . The cause o f There .sere many pleasin g international work in regional venue s do:vclopments during the year of th e was considerably advanced by successfu l regular large-scale work of th e performances of the Romania n department . New long-term funding production of A Midsrrrnnter• N irhr's arrangements were put in place for the Drenrrr in Sheffield, Oxford an d English Shakespeare Company and for Cambridge, promoted by the Londo n London City Ballet . Our large-scal e International Festival Theatre ('LIFT') . companies had some notable artistic A start was made on dex-0oping a successes, including, fix example, Welsh broader base for touring work fo r National Opera's Pelleas et Mclisande, children tt•ith an excellent and yen , Opera North's L'Etoilc and Northern much appreciated tour by Theatre Ballet Theatre's Ronco and Juliet and Centre of The Secret Garden, and with a Sivan Lake . NBT secured a marvellous French production, Blra d'EcadIcs. sponsorship from British Telecom . The The end of the year presented a Prudential Great Orchestras scheme, i n mixture of uncertainty and optimism . the last year of its splendid sponsorshi p The arrival of a ucty director in a recently from Prudential, further consolidate d restructured department and of scycral the new relationship between th e new Touring Board members coincided de'partme' nt and the major Londo n with the report on touring by Gralia m orchestras . National arts marketin g Marchant, titled Wherc Do We Go Ncyt? networks (bctwccn marketing officers o f which suggested a number of directions . touring companies and venues wit h The future seems likely to hold a stronge r similar interests) were successfully set up relationship with venues and promoters , and a new marketing consortium i n and a more actiycly dct•clopmental rule Birmingham joined the rapidly in presenting new t pcs of wor k developing system of regional Marketin g - including international, culturall y Resource Centres. The Contemporar y diverse and highly innovative work - to Music Netvork continued to flourish . nett• audiences in ncty trays . We loo k Some very interesting new initiatives fonyards with considerable enthusiasm . were also highly successful . Deborah Andrew Kyle Warner's production of Electra, playing Dircctor of Touring J : . amra4vw, T rA 0 r kk 4D N. iW90A 40 fi AL 0 4 r w' Departmental report/4 7 11i n:nwi Iv+o•:.r. ;c~wi ~• . ~[rcr. wlw.[G C. ..f G. r•= •_ - \IfMAti:1i ANAPC :4Yr. ~ I. i.oyD n01 VAIIIf1 W"r, i[!TT I V ~ ..~~' - n!h.Gn ^yf .d-t . lit Wi SI iOM . ~y GAwSICY 0.KN4i1.`.' WU~V.~4 a. .n .nti af~,fpt+~G'+'><:tL,*GSI[sE•n a : :nE Swi'a~l .•.'-ar, - . .'.1~1'! i. 14,u.L flit 1'•. :i : CIGGIARI GAO>.r !-~ .u+-..F :~. ; ;.oNGi - . . . . .i pit,', -. ti • Education across the Visual arts ha s created in 1992 for a trial three-yea r the Pacific Rini and Asia alongside work become an increasingly central focus tie r period . The unit grows out of th e by 'artists of colour' from Britain, Europ e the department . The publication of th e department's work in improvin g and the USA. The next phas e draft final orders for the new Nationa l collaboration between artists an d concentrates on establishing a building Curriculum %vas a crucial point for th e architects and complements th e base, creating an organisational structure future of art in England and lVales . continuing work on the creation of as well as creating new work i n Despite the Arts Council's continuin g public commissions for artists . exhibitions and publishing . worries about the range and balance o f Prrrrut far Art: A Revii by Gallcry marketing work wa s the curriculum, the authors had take n Phyllida Shaw was published to giv e furthered with the completion of notice of the departnent's argument s further guidance and evidence on important pilot and research work in the and evidence in photography and art . Percent tirr Art in principle and practice . north-west, the results of which hav e The department will go on to publish its Artists' initiatives were also supported become part of a marketing manual an d own guidelines for schools on with grants to A\IS in Leeds - helpin g a series of regional workshops . Most of photography along with the results o f to create a National Artists Index - and the local authority gallery developmen t project work already carried out i n to AN Publications to bring togethe r partnerships have nos- been delegated to secondary schools in partnership with information about exchange initiatives their respeitiVC Regional Arts Boards, the Crafts Council . A major national in- in Europe . and three local authority galleries - scr-ice training course is now bein g Photography initiatives included th e Eastbourne, Hull and Wolverhampton created with the Open University whic h lmeaae 90s competition sponsored by - arc able to boost their contemporan, will help the de\clopniem of thos e Greene King iPA in associatitmnyith art acquisitions through the help of th e Athena International, which provide d Contemporan, Arts Socicnr. the largest commission opportunity i n Britain ti)r young photographers . Sandy Naime Projects UK organised the third Director of Visual Arts National Photography Conference i n Durham, Em-opeart Cio-)-eats, whic h brought together practitioners, curators , IMAM( A011 sM IHt "WRL5 swi. ti 5 i. : ~ . .lr.i:ll S Pi teachers and critics from th e .11 UAL ARTS CLIENTS Ir. --i teaching the visual art . m I % and independent sector from across Europe . : :.~.~o+icw+t secondary schools . A major training initiative has Nsoii The fifth Chrisi Bailcy Memorial culminated in the creation ofa new Xtk - k Aunewy a 0i RIlIIC Rocs Award for photography education wor k course jointly devised Mth the Royal - &Ws Coto" SUMMY with young children syas awarded i o College of Art - Visual Art s Bidwell Brook Special Schtxwl in Devon . Administration : C:urating and Important educational initiatives als o Commissioning Contemporary ,Arts . included the completion of an inductio n Taking its first 12 students in October , manual for gallery education wor k this course is unique in combinin g written by Sara Selwood. and Sue Clivc-, training in conrcmp ft* '61 3 Soo • a 40, 0 • externa l relations Departmental report/2 9 The new External Relations Departmen t The Public Relations Unit has bee n digests of the main findings fro m at the Arts Council has two trai n involved in the development of a fres h research fin seven art firms, an d purposes : it communicates Arts Counci l graphic identity for the Arts Counci l organised a seminar with the Marke t policy and activities to key audiences and ,which reflects the Council's new role a s Research Society . The development of it provides marketing and development the main national strategic body in th e marketing in the visual arts has bee n advice and research to artists and arts arts funding system . Following th e another key focus; among the projects organisations . The department's rescheduling of the national conference initiated were research into attitudes t o Sponsorship Unit secures partnershi p on broadcasting and the arts, titled Tro t contemporary arts and the publication of funding from the private sector fo r Odd Couple, to Brighton in Octobe r a visual arts marketing manual, title d certain Arts Council initiatives . 1992, the unit continues to steer the .11arketirrrt the Arts. In a year which included th e conference towards those debates an d A drive to enhance the effectiveness General Election, the announcement o f collaborations which are crucial during of arts publicity was launched by th e the National Lottery and the launch o f this pivotal period in arts broadcasting . unit including qualitative research int o the National Arts and Media Strategy , -There is a rapidly growing interes t how audiences use leaflets, guidelines o n the Arts Council had an important rol e in cultural developments in, an d choosing and briefing designers to play in making the voice of the arts co-operation with, the arts in Europ e and a major conference titled is orchestrating a campaign to inform ,LEI T . INU 50'JN 1rWl AT tgµyilNE 4'. 'NED MPs of the benefits that a lottery coul d 11)PfK1CUCE1ME d 7 5 bring to the arts . x'i-M n;E PRU6"7 J own.: :. A successful press visit to Yorkshire reflect the importance the Arts Counci l was arranged by the Press Office as part attaches to this area . It gathers and of a long-term strategy to encourage arts disseminates information on policies, journalists from the national press t o structures, founding opportunities, good visit the arts in the regions . There has practice and contacts, and has produce d been wide coverage of the launch of Th e nvo new guides : Whe Dots What in David Cohen British Literature Priz e Europe? and Arts Nrturnrkinn in Europt ? sponsored by Courts & Co, Art s The Development Unit, which Council Young Conductors sponsore d seeks to secure increased funding for th e by English Estates, Image 90s sponsore d arts, has produced _ embers .11atter: by Grccnc King IPA in association wit h Practical Guidelines into Friends and Athena International and the Theatre Members .Schevnes and is currently and Disability Conference supported b y working on the important area of the TSB Foundation for England and training for board members . Wales. The unit has also been invol ved The Marketing and Marke t in promoting the Prudential Awards fo r Research Unit continues to help art s the Arts and in particular the Arts organisations make better use o f Council Award which will be presented research : the unit compiled an index o f its November 1992 . market research reports, together with Finance and resources The ncty Finance and Rc%(mrcc S pavillents ti, chcnts . The programme ,> t Di%ision teas created to bring roguthc r client appraiSais, to tvhlch the hnailic the Arss f'ouncil'S finance, personnel , Department pnrvidcS crucial input, Jg311 1 information and office scrvitc . I t Succrcdcd in prnyidint: tlinStrttttiyC follotjcd a major rcStrnctUring. of the' criticism and assessment otregula r Arts ( :ounciI'S staffing estab] ishnlent an d clicnt5' tyork. internal costs, which saved nearl y Working in partnership with 1'61111,0011 . Pik saying, tr)gcthcr with a Regional Art . Boards and other fieldin g further 1400,01H1, which will be save d bodies, uc have begun m develop il l '-* by the rcor,"nisa6m elf the Regiona l integrated information strategy designe d Arts Boards, has become ayailahlc t o to Supttort tho: i'unding bodies' tlecds for support arts activity in 1992/93 an d the next decade . t Ilcrcaftcr . Lihranv services hayc hrr n Expo%inml of the financial nods o f reorganised anti inlprs.,vcd, and the .Art s the arts to the Govcrtuncrtt fiends a kcv C'ouncil's premises in Great pcicr Street part of the division 's work and, based on were rcturbishcd to ftcilitatc bette r a sunny ofclicnts ' requirements, w e access for disabled people . Succeeded in gaining; a Governmen t grant Suhstantialh above '.ghat hats hrr n predittcd. We were able to advise clients Lew Hodge s of their grant% fi,r 1992/93 carlicr tha n DlTc,:o,r of finance and Resource s for Many year,, . Furthermore, we have tried t o Slnlpllfl . aspect . of the ill timllatlol l required front actual and prospective clients, Mid piloted 110% Startdal_ds fin- the prompt dcyatrll of oftcrs and cash Departmental report/31 Policy and planning competitive tendering to local aurhorin- run arts services ; the benefits to the arts from the proposed National Lottery ; and planning in audit to establish nationally the capital needs of the arts. A joint Horne Office/Arts Counci l report nn the work of arts in prisons an d a directon ,, Arts Activities in Prisons, have been published folloNsing collaborations ber-wren the firme r planning and Development Department and various Government departments . A Home Office Working Party - t o include Arts Council representation -- wil l continue to monitor this work. Noss- a part of the Policy and Planning t Tnit, the Secretariat continue s to organise and service Council meeting s the turner Planning and Developmen t and provide support to the senio r Department's work in helping to co - management team . The Secretariat ha s )rdinate and advise on the establishmen t also been involved in developing an of the integrated arts funding and integrated advisory structure for the dcvelopment system . The unit also system and in formulating a programm e manages the Regional Arts Shard s to enhance the Arts Council 's standards RABs) and, in consultation wit h of service . regional and national colleagues, nety procedures have been established for assessing RAB four-year plans. Work has Robin Partington continued on the development of Assistant Director of Policy and performance indicators for the art s Planning banding system. The unit has co- ordinated the drawing-up of the Art s Lawrence Mackintosh Council's own fOUr-year plan . Head of Seeretarat Ali important area of the unit's work involves responding to a variety o f policy issues. These include : the Arts i osmcil's response to the Government's ~,(Aal to extend compulson , 32/ScomSh arts Counci l Scottish arts council Scotland's ( hartcr Ii Ir 1 1, .Arlo . (,ri r the art, ( )nc of the dm inc l 'i rcc ,, tt crc ;uccec•dcd be Professor 17ougla s omtribution to the Naij lrtal .Arts and behind the Empire Theatre prtiject, fo r Davin, a poet of internatlrinal repute an d Media Strategy, dommatcd latch of c ,kamplc, is Edinburgh and Lothian 1,cs1cr Thomson . ('nnltrnlnication s 1991 1 9 2 . ( onlbinin, threes with th e Enterprise l .td . Highlands and Island s Mannvcr at United Distillers . ("tmrcntinn of Stottish L .nCal Enterprise, with the Scottish Arts Authorities and the Scottish Film an d Cotln :il, has produced a rcport cm th e \luseunl ('ouncils, nc undertook a Ictr l economic and mwial impact of the art ,, Seona Rei d Ofconstlltation preriousl tntknonrn i n tchich protidcs a hasfs for an arts DIrC :ti Ir, Scottish Arts Coun :I I Scotland, We have gaMcd Writ only a n strategy fisr the Highlands and Islands intisrmed and tridelr supprsrtcd charter , arca . .Anl Scottish Enterprise Tayside but also significantly imprmc d ItaS not ooh' stlpprsrtcd Pitlochrr :ommurticatioil hcrnrrcn the Scottis h I hcatrc, it has also spearheaded a nct a arts ( ount it and the arts ronuliurtitr , public art programme in Pcrth an d i .: Arts fisrunt of na g >n .ll tiuldin g a tcasibiht,, . study into a nett arts centr e in Dmidcc. Scotland is rightl .% proud ot'it s internationalism . We hate seen th e derclclpnu'nt of demos such as th e 'I'ranttcas' which thrilled w, audience s wudt pcrtilrmamt: work from Russia, Japan, ( :ana .da and Frantic ; tcstiral suc h as Ncn Alores trhi :)t presente d i1mmalit'c• :onteri1pnrar%, dank from all dgCnLICS tc-tllI11L; aLILl able to wor k over the world ; and iniO.1m'es such as coliaboratircl ' 1d 'indfrtll 91 trhich brought 20 youn g Ina rear marked M' a record hunyc•an artists together to make lrork numhcr of ntt' and n'ftirbished art s fiir .III abandoned Seaman's Mission by dtuildingS, the ( :cl[I«tit'r Cialietj' store d the Miter ('Irde in Glasgim . At a n into splendid new premises i n institutional Icrel, the Scottish Art,,, Edinbun;h ; the Ciri/cns Theme-c opene d ('ou1101, with Sirmhclydc Kegiona l its spring season frith three pert mnin g Council, signed a Mcmorandum of spaces instead of one ; the Koval Liccun l Understanding q ith the National .Art s Theatre reopened after a major front an d COLIMA of 5ingapnrc us develop cultura l LER hackstagc• rctlo%miO l ; I hc'atrc Work - etchan4lO And we worked triIII the shop apt racded its drsabled aCCC I S and }-:dinhurgh Ronk Fcsn\al io organise the fisrer arras ; and the funding ++'as finally N 11 llmm 111te1'natndial Wrltcrs ' ag,recd to citable' the Empire I hc•,nrc i n { nnf ' mice imol ving diuirtguishrd Edinburgh - with its magnificent listed tt'ritcrs trom many t:otjwric ,,. auditoriurlt - its be transformed tra m Sir Alan Pcacock retired .1 S bingo (tall edit, thc city ' s ma}or theatre { 'hairntan otlhr s:llttlsh Aris Counci l tier opera, ballet and large scale thcai r at the end of the year His indepen- The Scottish .Arts Council ha s dence of mind, intellectual ri,-our and worked hard to enable the Fruit Marke t sense o1 humour till be grcatlr. missed . Callen', Ek irtl)Ur•glt and the "Third Eve Dr William Brown, (had rman of ~ Ccntrc, Olasgott' - both }tweed to clos e Scottish Trlcrlsioll, is his distinLUishc d through financial di1ECLIltics - t o sncce\\(1r. Allan Massie and Ia n reopen in su'ciiplimcd bmn - Hallihurton rcured from ( ooncil afte r ,:nltlsll C :onotnic derelopIIICII I making owsiderakle omtribmions i n agencies have been naive in supporting the ti&IS ter literature and music . The, Welsh arts council/3 3 Welsh arts counci l For much of the past financial year, th e L4 ii, tinder the Welsh Office Vallcti ~ Ful[ advantage had been r5kcn 14 the arts world in Wales was occupicd wit h Inula:i%c . It is a matter of great Enhancement Funding Scheme, and its the twin tasks of deciding on a strategy inip,)rtancc to offer an arts progranun c predecessor, the Incentive Fundin g and a structure, the outcome of whic h in these halls. Scheme, to consolidate excellence so will be reported in 1992/93 . Finaliv, at a cost of ncarh . Lim of that additional funds can be used i n The arts map in Wale-, moved neare r Welsh Office money, the Lyric Wales for true: dcyclopmcnt . to completion in 1991/92 . In Rhyl, cinema/theatre in Carmarthen was rUthough changes in Counci l Rhyddlan Borough Council opened th e refurbished and extended, and %will open membership are noted elsewhere in thi s splendid Pavilion Theatre, a large venu e in early 1992/93 . Work was als o annual report, we would like to express which has already proved invaluable to Completed by Clwyd County Council on our (Might that Mathew Prichard CBE. arts organisations, including Wels h a netiy pavilion at Hangollen otlering a has been ro:aplxrintcd to serve a s National Opera . The announcement year-round venue as well as niceting the Chairman for [992/94 . that the new Foundation for Sport an d needs of the flourishing Internationa l the Arts had granted 1'500,000 for th e Musical Eisteddfod . The Welsh Arts proposed 1,500-seat theatre in Council will eagerly seize th e Tom Ome n 1.1andudno brings ftinyard the prospect opportunity to use these buildings i n Director, Welsh Arts Council that a major touring venue `sill be touring the arts, at all levels, to th e located in North Wales, which has bee n whole of 1Vales. a priority of the Welsh Arts Council for During 1991/92, the Counci l many years . The Foundation for Sport appraised many arts organisations , and the Arts made many other grants to including the two largest - the BBC the artistic life of Wales. Welsh Symphony Orchestra and Welsh In South Walcs eight halls in th e National Opera . All were found to be i n valleys were refurbished at a cost of goocl health, anistically and financially . 34/EGucatwn Education BR OW Student's existing set of rjgr d mIcs . Thus , the stun- of the snare drum lesu 1r1 has a moral, sthich I hope goes bCtond muSiC . Initialh, the nett Nationa l Curriculum tier Music protrdCd a 1lnsm%o: opportunity to encourage suc h pcr'sonaI expression by allost'ing ter more practical work, and by enablin g proitcssional musicians to visit School s trcqucntI%. to impart their experience . I 1icl that a great oppoml ;lin' has beCl l missed . In nn' tio there is mm tw o much emphasis oil aCIdenli C requircincrI s - it is presumabh easier t o stark students on their kn(mIcdgc o f 13CCth0ne1's dates 111,111 it is to judgC personal expression . We are, aster all , mitlg to engendcr a uniquely emotiona l Without question learning a nTtrsical 11 ia mg, quietly [sofil\-i in the tCntr e human experience - that of music . instrunlCnt Can irtlprrnc our disCiplin e of the druin produces a dif}crem trpC o f Postscript : I have just realised that I and ability uo work %%ith others, but i t ' C; 6W to that produced at the edge . Could not gi%C trlu RCCthnyen's cx,tC t has an even grearcr potenrial . 1 ttoul d SuddCnh' we have a choice . It is a clads \x'ifllMIt looking them tip . DOO like to tell you What oCCUrs almos t S7 u[ljective choice . Roth parts of the dt-tt m This mean that I would tail? without exception Micricyer I giv e can he used to fultil the composer' s nlasterclasscs . A good ex,tm111c is th e reeluiresnent of piano . I enCrxiragC 111 0 snare drum lessen . suldCnt n1 CxpCrimCnl until the n'pe o f Evelyn Glennie Playing in the centre of tllc dru m gold is the' +' ;ty he or she w ,11CS . Crcaic% a deep, tat sound . flaring on th e Surprisingly in the end it is no t edge of the drum produCCS a thin , pruduiing the ditlerCnt qualIV 01 " Sonnd weak sound . that snidest," find ditliCnlt, bet whic h When aSkCd Io play quiCd , gtralin ofSotuui to usC in a particular- students invariably play at till' CligC of situation . TIrCy scant instructions fro m the dr11111 AS it is easier to accomphs h 1110 and Cls\ . at ."WCT's . and, .lm%vav, this is often hose then har c 11y task then is to widen thei r been taught . Heweyer, plating at th e horizons by Showing hot% the notes e n edge only produces a quiet, thin sound , the page arc mcrcls a guide and that th e Si , if 1 ask a SttldCnl 1() plat- a quiet, fa t real nttrsiC inruh'Cs a series ofpersona l sound, he or she N% ill m first b e dCCisiirm . If I proiicic file ans%tcrs, the n conllusrd, to planing slit edge of th e the music is mine and the studcnts ar c drum brict]t and tIlCn usual) gixC up . n1crcly imitating . Flies must makc thei r This raise d1c important point tha t MN n decisions and di .scmer their ou- n the student has taken the wards of his o r justiticatinrts . her teacher as gospel instead el ' Lr lltllrtllnal Cll' at this stage W C expcrirllenting and learning about the normally run out of time . \ctcrthclcss , capabilities of rhC Limn t"Or his or I hope that I hate managed, at [Cast i n herself . I give around 40 mastc•rclasse" a part, to 11Clp the ntu .icnt bC amare of a rear anti spend all my time trying r o new freedom within the,lpp'arcntlt Stric t break students' csternallr or self - rules of classical music pcrtirrntance h r imlxwscd sets o1 rules . plaorip. I new perspective on the ~tlcatb~~~~t': This spring, Simon Rattle appeared o n project . This year, ti0r exarttplc, Mark 'fhe late Shotiiv , Pierre Boulez wrote t o Anthony Turmtge's tclc%kion opera for the Guardian, and Sir Harriso n the BB(', Killit{q `I ime, was inspired by liirnyistlc, Sir Michael 'rippett and Si r his work with the London Sintimietta i n r Charles Groves added their names it) a Wormwood Scrubs . l ocrtbrmers involved list of starry signatures as long as you r in education work have to develop skill s arm in a letter to the Primc Minister . in new directions, lcarnint; to tic flexibl e Thcy were all talking about the Nationa l and responsive, to improvise an d ('urri :ulmt0 in i'Vl[tsic, and protesting a t compose, to be able to ero%% the harrie r the changes which the then Secrctan• o f bmvecn popular and serious music and State for Education anti SCiClICC , to work with musicians from othe r Kenneth Clarke, had made to the cultures . proposals ol•a specialist %Vorking grou p in order to strengthen these ne w of' which I was a member . skills in their musicians, some orchestra s But why was all this media ;utentio n offer training schemes in composing , given to music education, a subjec t improvising, non western music , which is surch , not `scxy'? And why were working in groups and communication . our leading conductors, pert6rmer% and Many o! ncc techniques used in these uompcosen taking an interest in th e sessions have been borrowed directly ~saarrrii . . . ctunwc o~rrxinr~r s minutiae of what is taught in schook? from teachers in schools . The same way s was protectift pillars of the One answer must be that, Oyer the• of working which have made primary classical musical establishment - sonic of last decade our so, the music protestin n and secondar %choxol music iessehtt s the ludicrous requirements hav e has had a direct influence over wha t come alive over the past 20 vears hav e diSappcarcd from the final orders and w e happens in schools and, perhaps mor e ti Lind uo be directly rcleyanr i n havc a music :urri:ult[nt which , surprisingly, deyelcoptnents in Schoo l developing the skills of t}tc co[m[!'y 's to p ,hithough it nta)• l0ave missed %Olli e music have had a significant ctfcct oil musicians . cxcitinc, opportunities, will allow cite vet- top ofthe music protission . It is hardly surprising thar, ar a tim e teacher% and professional 111LISieiA S to o -rho kind of cduratiout programme s when the music profession found itsel f continue to do good work in %churls . witi:h orchestras and opera companie s being radiial[sed by contact with musi c have developed dyer the last decade hav e in schools, they were dismavcd to fin d seen a shift away from the concert%-fo r that we were in danger ofrcgressing inu o Gillian Moom schot)ls approach which, Itrnycyc r the dark ages of music education . M r Education Dir :'Ctor . IA)ndon Sinfionietta Valuable, aimed simply t o help youn g Clarke saw the Music Working Group' s people appreciate musi : `a% it is', an d proposals as advocating exoticism at th e have moved imi Ards a creative ail expcnw ofthe Weston Oassica l participatory style which allows them t o tradition and practical work at th e have a sav over `how it could Ix' . expense of knowledge . His draft order~ The fact that leading musicians have were a defensive shoring , up ofwhat he regular working, contact with childre n perceived as the Western Classica l and schools and, lnr That matter, wit h tradition - a Hundred Rest T inrr world people in prisons, in adult education an d which excluded tnvthing non-Western , in the wider community is, in my view , anything h6ore 1000, .tnvthing by a hcgi[hnmg to have tangible effects o n living comi0oscr (with the exception of music making at the highest level . Michael Tippot) and, most cclchratcdly, Composers can open up their %vork to a named only two musical timns as worthy wider sct of inilucnc", and some hav e of legal enforcement - symphon y said that the actual notes they put on the and oratorio . page have been directly atiectcd by But thanks to the imcnention of , involvement with a particular education the very people Mr ('larke thought he Making it happen . . . >]atc 198 my sulc income has coni c I ,+rite this on our dat' off be[i,rc vv c frorn citing, fear n+o Years I carnet{ move into abbe% ]toad studios to begi n virtually nothing . 1iv first no,cl, 1h e recording Dust Ginrauui, one of the Gtwd Re-pubt %vas published in 1990 , London Classical Plaecr ' s major projects tn5 second, Lepin-cllo, conics out thi s this year. Others include music br a aurunin . I cannot complain that I an i r:utgc• of composers from I'alestrina t o poorle paid - I have chns(:n to lire as I Bnthnis, and all are works that I shal l do - and in% publishers and agent hav e want to conduct again suun . It is a been as generous and snppc,rtt+t a s Isntastic way to learn repertoire and I thcv can . IM C ti,und v+orking vv ith hover But, ti,r mc, tltc award of a Writer' s Norrington continually fascinating an d Bnrsan' was criticai . I had outrun nt r exciting . oxcniraft, hcen ill and was behind with It is also a dcliwdit to work vv it h rite timetable I had sct ntvscifto finish playcrs and singers of such high quality . env second novel . Thcrc is no doubt tha t Thci are helping, ntc to be much clearer the award cleared m+ mind tier o crucia l in nrv mind tbont what it is a conducTCn• pctiod and enabled nic to,vurn full - actually tuts - when rou arc needed an d time about tm work, nut hills and debts . ,v hen you arc not . And this crucial «Titers can and will write with littl e experience conics a ithout the o+'cral l recognition or much hope, and regard - responsihilin li,r the project vxhich ca n less of prizes and awards - but I het w cosily be a distraction . de, help ! 1'hc financial support from English ]-:states and the arts Council, and th e William Palme r confidence that has given me, ha s \o,'clis t enabled ntc to devote time and encrg , l .rporellaa is prthlishrd 1n Secke•r a lbiwburq to m deNclopnu•nl is a conductor. It has hcen irIk rcd1b1V valuable . Roger Hamilton Rgjyr Hrawilton is sprndinor it rear ou the' ,•irts ( ;uuatcil s rotten Condtrrtnr• 5ehiaa¢c, sponsored Gv Frtrllish E'states, as Assistan t ( ?onduetan- to R gi1er Nen•a-inRgron and the Landem ( h sviorl PIavers Making it fiappen/3 7 Since forming in 1986, DV8 Physical Theatre has consistent1v won awards an d built substantial popularity in Britai n and abroad for its stage and film works . However, such acclaim also brings wit h it the danger of becoming trapped b y success as defincd by public approval . Flic capacity to take artistic risks is hampered by the Fear of losing that approval, and without risk eventually ,tagnation overtakes creativity. DV8 has fought continuously to eictinc and identill its creative needs , ~IAIIf;mg. the approach to each new ire gect according to its particular natur e and Circumstances. In response to our requests, recen t Arts Council handing to research an d I tlnd it dithcult to ~ tone to con1InlJsion : develop new ideas has allowed LIS room my work seems to originate not from a n to experiment free from performance idea - .whether it is my own idea o r obligations, giving us time and space to saneone else's makes little difference, I push beyond the traditional confines o f tind both equally deadening - but fro m dance, broadening our understanding of an impulse ; and there is usually a n movement considerably ; something impulse towards s(imething and an private sponsorship has never offered . equally strong impulse away from it. The It is the Arts Council's ability to writing of the play then becomes, not a n listen to our needs which gives isle th e attempt to resolve this conflict (whic h opportunity to keep creating and would kill [he work immediately,, but a attempting neNy discoveries independen t process of allowing it to happen . With of commercial pressure . It is thi s luck, the play eventually emerges: not resource that gives me the incentive t o the play that someone else wanted you cam. on. to write, or the play you wanted to write even, but the one you had to write. All uoyd Newson of %%hich takes time, and time is money , Artistic Director, and having the time and freedom to DVS Physical Theatre write like this is money also . What 1 a m really Ming to say is : thank you for th e money . Rod Wooden Play%%righ t lVinno- o-f the 1991 Jobe Whitinyj Award Jim Your Home in the Nest, produced b y the Afival F,wbangc heatre CompanY, Manrilerte r. 38/The Counci l Denys Hodson CBE William Brown CBE , he D .Uni v D,l 3-3,, la ,,, a , The Counci l Dire,:l Art, and Rr .rcanlrrl ti l r ',ti e!lia^t Rr la c• Inc, I : : E11a^sc„luun F3r~r„tt¢h 1,I1,p,t+ File I , [ r,tinol tn,rn 19 - 4 pre-scriTh ( ita!m!a r 1992 , He „a, h,m m ti:ottt,h Tile, hl, IT I 192 .2 and ,ttldied a t and „t `, l,m, h Nlarlhllrough ( :t,llcgc Anlicablc l it c acrd -1'nnr :v ( .tlllcgc . l5tiurancc Cr/clct,' . a Olrurd . l', sll, Mi illy a dlrc:r,a -e Ci,H„ t The Lord Palumbo of career III (,here Cre e \1,ortnng 1~Ckcl,u, n Walbrook and Ell. l,c ,las li \1 }l and of Radl o apF,l .mtcd first ( hdc . Hr has %%Ol d ( ,ntrolier of Arts and 1tldch lsithil l r 1 1 i .l T1 , I r the art , 1(c: rcatum fi O r lndcpcrtdcnt icll,lwtg l ( lulll :if II 1 )So) Il c 'S o Illdlln l( Ilrtlllgh and Ila„cnc'd on ri, c n ahn ( } IJ"l11 of th e (-,Illtlel1 11112 h a hoard, ell both I' I dj , pedl C, IIIITII i(tlC fo r ttlm,l'r Ch,iimian ti t .mold Chu,rul 1'41u r - I I t nc~' rc,n,rane>n o f the ( ntrtllil o f has alm,, wro cd -v th e P .iin,hill Park flu ha, Re 4nlnal Art , btrards o} the• 1a,ttrs h nren a. Ill ,I th e Aat,clarturh And o1 Opera, I hcatrl' ll l au G if fun . Chairma n lotithcrll arts, And lia, and *t'otri,}r \anurl,l l of rill I itc (ialIcrc hccn a heard membe r Orchc,tra , 1~n1111d,rtinn alto] a Of thou Ilr'Irt,h Fi}nt tru,l ec 1111llc institute, He is a Professor Christophe r L' 'itnelha}x'I All ti Irnici dil'o ltl+r of the Fraylin g Ge IIIC V Ftrun .l .irwn . O,h)rd filar . ('o llia m hri,t,,-pl,cr Fra, Ile n Members of th e He " is Cd11,At,',f a r And Oil Chatnman III ' I ' rnft'„ur Ill ( ' ultur .t l Council and Polic y hton and )Vorccster thou 1 'nhlntan Art , Hur,n1 u„t head o1 and Finance ( ollcge . OVilyd . \crtrnrk . thr taculn i t Committee as at Jul y „here he read 1114 . Hunlariall at thou 1992 Af3Cr ,,nrkinlt till Beverly Anderson KO, al (ol legc (It Ar t ( lim " ll, and }latllhro , I(r,crh' Andcr,ntl is an an hi,ttlri,ul, s CIT111C . ,I n~,lc.ony to (g ot' , (tank, he j,)ined nc c cdtil oomiil n r writer anti I stairs : (a 11111, .11111 l•:Tt, 1'011 is It and hn,ade,utci . lim n bro .idca,ici, he ,l a , . + q n, pri rt, u, the atld I,rolleht up el l CdLICAMI At RCptll n Lin, :'S! Hall l GI . l in ,% here it h,n ]aill.lica, ,11C MClIded tiehl Rll and ( '.hurcltil l 41 ' ail &ov:^ CBE n , prop)„ tell ',I 1111C ,L111 Wi llc,lc', ( ,liege t o ( o11Cgc . [ ' ,unbridge sta1111 .11 dol C14 III, licilt, - the U A "hurl ,fit- '101CrC hC Allldic,I 31nt,(hh' the Marl'i' m read hl,tl,n' and hist'm at BA and 1 ' 111 ) F 1 ,.,l Square ,ehcull' . politic, . Ahcr hou r Inch r ahcr cla n ( ),our T11 .1m ,car% he ha , vcar, In the la111 .11ia n plcting hi, doituratc , F~TLITf S Ir i' ter . p!zr: r Fr ;..rvlin r 0 1111'iee11 1'-llrnpeal, fi Irl'Igll ,ci-N I c ,he Ill ie :tll 'vd at Fxcte r h,leinll:w Pi liarrl ("H F .111,1 111u'rlcan rolte m Calve h, I'.ngland I u and Bat It l - nncr,l(ii',, Art : . l lr, t 4 .n :I! UB E pose pairltulp anti 11 .111 .1, l prirnal Y and be'ialnC a fll n l ,:1011+t1u'e IS %%4:11 a s , :ltrrul rc .t,hcr II I are}ti,i,r at thou a111e,1nC trlrnirllrC An d 1966 . }urni ol lc hea d lrrtpenal War Nluwl ,Giese And,nlt .tg r of a pi l o l i n In 1979 he firtu,ded Sul, . R,o .. ' Lars . tic goc, regulark ( )Nord and .r ,crl W ncc I)cpartrllenl 111 CF;F D L to opera . ballet an d Icltllrt'r lu Cducalltrn ( rilrtiral I lnton an d LI l:a P,, : . 1>L, theatre, He is a pai ll At 061rd Pod oo oo 1111 E 1o :1111A Oil I411111aicnlc , tit Vv allxuo'r rll ionl Cnll,oran ' ,hc n Peter Gumme r Studio, two theatre then as head of th e Chairman of ncc ric w arts administrator fo r 1115titutc o f Peter Gt111a11acr i s companies, an d Ellicicncv Unit . He PLwhouse iWllitchall I clients including the - echnology 1970-71 . Chairman and Chie f educational initiatives carried out for the Company and a Rural National He is the senio r Exe'cutivc o f Design Dimension government in 1983 trustee of tile 'flicarre Thcatrc and is now partner of Colin ti t Shandwick, The largest Project and ril e file special financial of Cortlcdv a% well as E%ccut.ivc Directo r 1,,ohn Wilso n public relations grou p Calderdalc College scrutinies ofthc Roya l tltc Lord's'1'averners . tar the Englis h Partners, architects o f in du world . Pete r Enterprise C :antpus . ()pcra House and th e III is the %'icc I ord Shakcspearc Company . the nett Britis h Ciummer was educated Ernest Hall arntinuc s Royal Shakespear e l .ictrtenant r,f Grcatc r Until her appointmen t I. .ihrary at St Pancras . at Selwyn Collcgc , his career as a musiccat l C umpany . He wa s London and the to the Arts Counci l A book of hi s Cambridge and, after a and appears as xihris t im'Itcd to join Britis h AtIhot 0f scyerai she was President [ A architectural cssay°s , period of working, on with several orchestras . 'FcIccom as a directo r hooks, the latest bein g The '1'hcarrica l titled Architertural local newspapers, hel d ( 1983-881 . He is a The history o f Managenien t Reflections has recently a nctmbcr o! public Clare Mulholland mcmllcr of th e theatrical touring. Tou r Association and been published . H e relations posts befor e Clare Mulholland is Ad%ison Council of air Farce. Chairman and ~ icc - was a trustee of the Cunning Shand%s ick i n Director of the Bu%ton Festival, a Chairman respectivel y ' Cate Gallen• t 1973 - 1974 . He is a Programmes at th e goycrnorolthe RSC Sally Sha w of the Dancer% ' 801, of the :NAEL0113 1 contributor to Indepeneicor 'Cclcyisio n and a rttcntbcr of th e Sally Sha%% was Vic e Resettlement `Crust G,tllcn f 1977-80) and rllarkc•ting, advertisin g Commission. She was Councit of S t Chairman of :Nort h and fund . a mcaiher of th e and public relation s burn in Glasgow i n Bartholomew ' s West Arts ti n Syndics of Eli e publications both here 1939 anti srudie d Hospital Mcdica l Oct„bcr 1982 to )uri c Anthony Smith CBE Fitrµ'illiam Museu m and abroad and French and German i t Collcge . He rc•x'icn%c d 1991 . After readin g Anthony Smith is the ( 198 5)-90) . He is a regularly lecture s Citasgovv Univer%ir . arts funding i n English at Lad v President of \lagdalc n parrot of Art and around The world . H e \toot of her career ha s Northern. Ireland lir r Margaret Hall, Oxford , College, Oxiord . 13 9 Architecture and ha s holds a number o f beenspcntill the Government i n she moved to training, a tclC%ision recently been elected (toil-C' xC•i tttll'e• Independen t 1992 . Manchester, and fro m produCcr, he seas fo r to membership of th e positions s%hic h 1 -cl e yision, first ill 1 ,1 1" 1968-1990 rt•pre%cntcd tell years in BBC I't' Royal Acadcm_y o f include the London companies, then with Lord Rix CBE D L an inner cm• area on (Current Affairs anti is Art+ . board of the Halifa x the IBA in Bristol , lead Rix i% the Manchorcr ('ity author of a number o f Building Society, the Birmingham an d Chairman of (Council . She has bee n books dealing with th e National Hcalt h LRJId~,n- She i% a \IEN( :AI' i Roya l Chainnat) o f eyoWriort of the Ser vice folic) Board , icllow of file Roya l Society tnr Alentall y hlartchcstcr Education media . He was fo r and CIA Group . Hi s •1 clef iron Society . Handicapped C :hildre n and Cultural many years involved i n main leisure acEMUC s and Adults) . He wa s Conintittecs, and is a the Iaationat debat e a re opera, music, Mathew Prichard barn in Cottingltarn , govcnior and torntc r which led to rile CBE rugby and :nekct . Yorkshire•, in 1924 . Chaimlan o f f0tindation ufChanne l Chairman of Welsh Lord Rix was an actor - Mancheste r Four of which tic %%a s Arts Counci l manager from 1948- Polytechnic . From tic finer years a board Ernest Hal l \lathcw Prichard i s 80, hest known for 1977 . 79 she was a director . Betwee n Chap man of Yorkshir e the grandson o f presenting and member ctf•Th e 1979 and 1988 he wa s O W, Hurnbcrside Arts dcrectiye writer Bo&ro: . appearing in farce at NIanpower Senicc s director of the British Agath .i Christie, an d Ernest Hall, ti,unde r the Whitehall anti Cmimiksion Film Institute durin g Chairman 4A Booke r of Dean Clough, nce Garrick Theatres an d representing loca l which time the ne w Entertainment . ti c enterprise, arts an d on television . He i s authorities. She i s Museum of th e was born in 1943 an d educational ccnrrc i n Chairman of the rounder member of Moving Image o n educated at Eton anti Haiifax,l 'Vcst Monitorin g Manchester Council o f London's South Ban k Ncw College, Oxford . 1'ork+hire, Studied Cmuinntce on Art s Community Rclanorts . was conceived an d He has a number o f piano and compositio n and Disahlcd People Currently she is a constnlcled . artistic interests i n at the Royal and leading an enquiry director of the Royal Walcs, centering st n Manchester College o f into the lack of jol t F.xchangc and Contact the Wclsh Arts Professor Coli n Music in the fifties . I n prospects in the art s lhcatre companie s Council, the Nationa l (Sandy) St Joh n 1961 Ire launched his filr people with and of C :ornerhous e Wilso n MIISCUT11 of IVACs an d oven tc %tilt• compan y disabilities . He is also Contcrttporary Art s Professor Colin CarditPBay I)eyelnP- Mounrain Mills, and Chairman of Ubcrtas , Centre . ISandy) St John Ialcllt Curpur.111011 . in the late seventie s a group of chanties 1Vlison, thorn 19221 , e is married To architec t the company change d Clive Priestley C 8 dedicated to makin g Prudence Sken s M 1 Long and wa s from textiles to Chairman of Lontfo o audio tours availabl e PrUde11CC Skene wa property . After retirin g Arts Boar d for people wit h appointed a s educated at Fclstcd : from this company i n Clive PrieStIcs' is a disabilities to art Chairman of the Corpus Chnsn 1983 he began freelance managemen t galicrics, museums , Adyison Panel on Colicgc, Cambridge , turning Dean Clough, consultant, He wa s exhibitions, hisioncal Danec in Ala% 1992 . and nce University o f formerly a Victoria n educated at buildings, an d She has been in art s lemdun . He wa s carpet faCTOry and by Nottingham Universiry Chainnan of th e administration l6r appointed a% lecture r then derelict an d (hisron . ) and Harv ard Friends of ncarh 20 years , i 19561 and in 1975 as empty, into a `practical (goyemment ) . ,As a Nornlansfield, where working with Ballc t Professor o f utopia' . It noxv houses civil scn ant i 1960 83 1 he is attempting to Rambert from 1975 - Archlteitnre A T around 20 0 Clive Priestley worked make available to a 1986, firstly a s Cambridge . retiring as companies, over 3,00 0 latterly in the Prime xyider Pnhlii a maitltl C Administrator an d Entcnrus Proiisspr in workers, an art gallery , Minister's Office, as Victorian Thcatr c Then as Executiv e 1984 and was Bemi s the Hcnn' Moore chief of staff ro Si r situated at th e Dirc,ctor. Shc ha s Professor at th e SCUlprlrre Trust Derck 1L3%ner and hospital He is worked as a freelance \lassachuserts 40/Staff Membership of council and staff Counci l ARTS COUNCIL OF GREAT BRITAIN Visual Art s ' , ..' Nand% \aunt • a,p,-mi,:o a, t not a Secretariat Shirley Larb i WELSH ART S Drama SCOTTISH ART S Literature taw•rcncc Icnnifcr Oakle y COUNCI L Michael Baite r COUNCI L W .111cr (_ .lira s r Dir ; t tap . Mackintos h Emer O'Sullivan Directo Head of.Secretaria t Sian Ogleh y C'athcrinc :Man Janet Robinso n Sarah lvatt s Shonagla Ir vin e Elizabeth ScI I Director's Offic e Ludy Purd y Director's office Carol Stone 'I cull ( h% el l Yvette Vaugha n 5cona Rci d National Arts an d 1)trel. tFi r Jones Directo r Combined Arts Nicola'Fhorol d Media Strategy Unit Gwcnidl Morga n IAluisa ( roc s John Muljlh t Vanessa Tru .s I loo and 1Vcbbcr ` Fll m 1)n•crtnr Ma N a1]er Finance and Mike S%%ec t Finance and Lyn 1Alckhar1 Dvb Ashby * Information Administratio n Dirrcto r Administration Annie Tliackera y M Iv im C:halians* A Andresy MAI Sara Dodd Graham Ber n Drama and Dance Hrad o1'1>epartmen t Dirrrrn r Director Nicola l oscph ' Anna Stapleton Teresa Bea n Janet Boyl e [Cane William,, ' Literature Sylvia Adam s Directrrr Mark Bradle y Hilar. Farr I m 111andl i Syd Frase r ('harlcs Bel l Stcphcn Chappell Jane Gott % Directo r External Relations Doreen Pryd e Fiona Binning Ion Feldmann ' Wendy Hind Gleyneth Evans Perdita Hunt` t Moira Sinclai r Parricia Vckcrsle y Nigel Wilki e Sharon lantc s Directo r Nan Griffiths Gina 1Vallac c Mary Fhv nn Geraint Morgan to Baldsri n Angela Howell s Hilan 1Vc>.)d Ivan Hannah office Service s Sinclai facyui Barke r Heather r Elin ap Hy-xcc l Geraldine Wilso n Zelda Bavcystock e Sarn Turne r Christine -l'owndrow Marlene Powel l Planning and Head of " Df-parfinen t D .1% id Woodliffe Development Mary Ellems Music Comelius 1)cs111ond t hrr tine Hamilto n AnneMaric Musi c Matthew Rook e Michael FI_luracre Directo r Enemaku-White Art Roy Bohan a Director Kathleen HitwO n Directo r Susan Gallowa y Rod Fishe r PClcr Jones Christina Blac k Yvonne Hurvt ' Directo r Denise Gibbon s Sarah Gooderson Gina Evan s Helen Jamieso n Sle ycn Gould Ithian Haste n Keith Griffi n Mandy Robertso n Icrcmy Greensmirh Monica Reid Eric Pickcrsftil l Peter Buglcr Daphnc MacBean Paolo Vestri C'atherinc Jenkins " Frank Quin n Hugh Chileelt t Maddy Morton AK Judith Rci n Neil Davi d ORIEL Communications Teresa Needha m Lindsay Gordo n William Koache Lisa Edgar Maruarci Barbic r Director Sac Rose Jcan Stcvcl1s 8 Judith Garrow-Smit h Gallery James C .arwi i Anne Barlo w Jcan Steven s ' Alan Wheatle y Tessa Harto g F,ainc Dunlo p Ronald Baxter Juhe Tavlo r Nun) Spencer-Davi d Glenford Williams * Isabel Hirchma n Hrad n}'Gallery M .lr prct Kilgou r Maggie Bol t Monica Tross Roy Wood Amanda 1,nosemore Joy Goodtellow Virginic Renard Irene Campbell Peter Vcnvev e Walter Woodic y Linda Shakcspcarc Peta Gnnlshar Susan (1risti c Valmai Ward Maureen Hollan d Fiona Gricrso FINANCE AND n RESOURCES DIVISION Personnel David wilds Hazel Hughes Elizabeth Hutchings Mcn•l Jone s I .cw' Hodgc0 t ltarv Wra€cl i Robert I-ivingstone Director Directo r Craft Duct Rowlands Michael Mason Marion Brown Margaret Shackleton Rogcr 1,c4eyrc Netia Woolcc Lesley MacRa e Amanda Hunnings 1 hrr eto r Nora Park Finance Marjorie Jame s tialYdra Bosanquc l Booksho p Peter Gro g l .A)uisc Nun n Peter Finc h 1 : aaa meal C-'nrrrrolLm Danc e Hrad of Hooki-hop Julia AI-Adwani ' Maldwyn Pat e Julie Davies r ( iris Austi n fixed rerm contract Directo Nick Davie s lackic Baptiste t member of th e Diane Heb b Mari Gordon Alex Bear d Senior Managemen t C :hen-1 Walters Rhian Hogg Ian Blatchfur d 'ream Catherine Jone s Mary-Jane Burcher * pan-time Glcnys Jones Monica Chestnovitc h secondment Mair Lewi s Cathy Ching David Llewellyn Andrea Davidson Janet Da y Sonia Dressckie Lyn Gathercol c Paul Hamlyn Camilla Haughton * Elgrina Libadic 42/Advisory structure Advisory structur e Dance Education an d Advisory Panel on Outreach Committe e Rim . Video & Broadcasting Elaine Foste r Clare Mulhollan d Bulncrr;a^ 11 . . . : I. - - Kate ( a.stlc Sartrcc•ccni l)utta I Inda Jaspe r ~l? . 1'crnrirca robbin s l)at :d Flart :c.i, . ~ A kcS clement of rltc Council ' , rcnrgamsarn,rl Advisory Panel on Art Photography Advisory Nlckt Rci d N1101Ael lack,+ it t Grou p its adris(1n structure of panels, hoards , Professo r Ntgcl 11'arrac k Shohana Ic%a,utglt Christo Phcr Fra,lin g Sall% Shaw committer, and groups . Their mcmlters arc Uhsrr:•rrs Creua Norri s I)a,ld .AlstS` n /arena Murrill appointed h} ( ounce] from nornittati .+ns,ehiO i 1Nrtn Marc . RAB Michael ( )' I 'ra x l)at3d A Balle t Andrets I)csednc s are ope n Gillian Burke . HM I Andrea S1"onf .r Helen ( hadl%ki Philippa 61)odal l t+ . the pribK Mollbcrs. „ho ,cnc x+)luntan h 11 .14f:ic Sempl e Iuhn WvNc r 1)arrd Hhoit 1)a,id Herd tctr up ro t ;7ur %ears, arc gcncrallti spccrali,r, I n ULsrn•rrs Jonathan Hane y Amanda Hopkinso n each arts discipline ; xorking artists, an s Advisory Panel on I•,hn Bradsha,, . RA B Foss larm Val [ .bri e administrator, scholar, and critics . I•her advise Drama Dr Scan ,M LcwN, B ( Rita Kcega n Eanlonn 11c( abc Lord Rix CBF 1) L and assist the ( .-nuncil and its officer, on ncc Ihrccu,r, of SA( ' an d Icnm Loma x Ila%c ltt,~hard s ti,rmulatiun and iniplenlentariun saf poIic ~ Beverly Andcrson WA( arc irtritcd i s Saran .\lahara j ]lark Seals ' (ibwe cr, . Listed below arc mcmhen of the advisor Paol Allc n llaurccn I'alcv Icrn Sourham commirtccs (1f the Arts ( mined i as at 31 ruf f Piker Atkin , Arts Rims Productio n Hcicn Ree s OLsrrre n Roger ( haprria n 1992 i and the Scottish and Welsh Council, Committee Adam Kern,ddf Lind,ae SA ( Hugh 1{uds-m 1),oic , ithenlsches :omrnittcc%of ncc (uunci l Mick Csake . l :r ( )Lsen-i Alistair Maine}, Utl ](11711 Gal e Saki I>as lc , Lindsa, Gordon, SA ( I'crcr Inncs, WA ( Stella I{ .il l Bold indicates chair or rice chair . 1,01111 FIJI , Teter hmcs, WA ( I(r tt K .ngers . B( Hilan- H,unmon d Kim Flan , Henn Mc•cric 1{ughc, . 1 ' ikki I o"ood At1(' studs fair Arts and Entcrtunincri l B ( Slick Gob i Advisory Panel on 1 - rairlinF ( ounc d PhOlida Llrn d \1 .trtin Pirr,, H\1 1 Dance Maureen \lc ( ti c Perm \eate n B( , British Counci l .Amanda Ryan . PA B Prudence Skene 1 ' 11gcsh 1Vall a I)chorah 1'.11ge CC :, Crafts ( '.nunci l Pcicr Badey - )arlc 1 1' e11 c' .0e r Tintherlak e BF1, lintish F11111 Institut e Art Projects fcrn Brau n Wcricnhakcr OIlse me r H1II . Hcr Alajt,t) 's lnspc'cotr Committe e Amiv Stamp, I(AB Or I'i rcr l''r im m Ohvrrvrr ~ RAA, Regional Art, A-Rociatnm [Wales i 1)at id A Baile y Kate € aT t 'Dint Buichard, B ( IL-M Kegional Arts Board \laijuric .Alldwrpc - Elaine Foste r Artists* Rim & Video (,iueU .ri Shea ( mim,%• KA B SAC, ScutiMi Art, ( otrnci l Committe e Nigcl Hind s I R William, . I{,11 1 11•A( (l .unci l -1 unt Arc•li n Michael 0'1'ra, ' ., 1Gckh Art% Dr Stc l , hanic I+•rd .w Sacha Craddoc k %M, WcIsh Otlicc Simnlt Flci d Graltanlc \Joni, Theatre Writing and Francis Gonttl a ~Lma €{alt=nu n Ashlcv Page Bursaries Committe e 4111 .1 [YI toll 11 .11L. % ( hri„7r Ile s Angela Scror ., Paul Allen 1•ong I'lim'I'ham l Tina Kean e Piall It'l l Dchmah Paige Isabel 1 ame•ti r Patrick Kerne r (*wr rer,: Gilcs ('rota 7 racer 11 are Anna ](idle r 1(( ()hsenc r Nona Chcppltard Observer Tnm 11'arai s KkB i )i+,cn c• r Paul Ulmi n .Amanda King, I(Ai3 ( bsc7i ,rr '€' iriberlake 11' c•rtc•nbakc r Icons .Attsl a Dance Development Architecture Advisory Advisory Tea m ,11101 .rel \filer s Grou p I~hn :1,hlsor d Rita LVOI1 Advisory Panel o n Prcnfcssnr Colin S t Literature rohn Wilson Chercca Beani e Fku r Ad . uc k Ri :hard Burio n Hilan ( ..ten Projects Committe e .Alison Mai Stella Hal l r Joanna I)rrsc ( BF. Sinbhan I)arie s 1 ' ndcr+o(, d 1-h1an. I Luturt+,nd Slichacl Hopkin, ('B F F.mnta Gladston e Professor arih' n Dal id I .c a tiunlra ( ;okal a Vikki I Ivv%%ol'd Butle r s Fri, Tarn Anthom' Pcppiari ('aroIrn 1,uc .t John ( dd%Ircatn , Ilugh I'carm,u i Penns Male Pat ( irlcnta n Victoria l hornrwi l'crtnr Alcl'hlllil. + Fred €)'Aguia r Andre„ Sain t Nona . Shepphard Ferdinand I)cnni s Charles Wa,hingion ( hri, Chi plc[ I)al'Id Godu i n lames Runcic• Marina Warner OLrerrrr 7 Graham Frttcr, IINI 1 Dr Harriet Hamer Wood, M i(AB observer Advisory structure/4 3 Advisory Panel on Advisory Board o n Scottish Arts Counci l Art Committee Dance and Mim e Writer 's Bursaries Panel Music (As at 3 1 Touring Myer Lacomc Peter Lincol n March 1992 ) Deirdre Kcancy Beverly Anderson Counci l Paul Dowd s Pae :r Clcrkc I fron t Sir George Christie Stephen Phillips October 1991 1 'Fom Adair Sir Alan Peacock (it , Sari) Ainslcv Richard Berna s 31 March 1992 , (aniline Dochern, Elora Alexande r Stephen Browning Sheila Broc k Andrew Bur n Dr William Brow n Sarah Hill Douglas Dun n Hilan Carry Chairma n Thomas Joshu a Conrad Cork Ruth Mackenzi e f from I April 1992 ) Coipc r Paulcnc 1-0-ert y Ian MacDonald (fro m July 1991 1 I .eslic Eas t Brian M, Maste r Brian Ivory , Edward Gage Elaine McDonal d n Vice Chairma n OR E lonty Harriso Lucy Neal Martin Hopkinson Tess Knighton Peter Cochran e Martin Milne Music David Parmorc Keith Ingha m i Paul Doads Sheridan Nico l Rita McAllister Nicola I-ckaru Andre Piaszynski Bill Slot t Douglas Dunn I fion r Peter Royston (fro m Richard Chester Jane Mannin g Ian Rceki c Frances Walke r I April 1992 ) October 1991 ) Hailidi Hailgrimsso n Priti Painia l Pctcr Wilson '11c Hon . Mrs Mark Saunders (t o Ian Halliburton ( m Rolacrt Saxto n A tvards Pa ree l April 1991 ) Observers Elizabeth Fairburn December 1991 ) Willard Whit e Bill Scot t John Buston, RsaB Gordon Hallewel l Sheila Whyte Colin MacKay Observe r Doug Aubrey (from Manlta Yadav Tom Dwcn, WAC- Ian Hclliburton (t o Carol Alain (fro m , October 1991 } Leon Crickmorc Scona Rcid, SA C December 1991 ) December 1991 ) HM I ,Mall Cowie Represen ratives Keith Ingha m Dram a Linda Ormiston Jun Bcirnc, RA B Gloria Chalmers Hugh Hudson Davies, Deirdre Kcanc y Douglas McArthur Michael Sudlow Glvnrlc Stackhouse , Drama Pane l AndrcNy Kerr Thomas Ioshti a n William Swccnc B c Coope r Kathie Fin v Grahame Morris , Myer Lacome Gordon Hallewel l Sheena Wellington Dance Pane l Andrew Gues t Peter Lincol n (from Decembe r Contemporary Music Ian Howard Joy Hendry (fro m 1991) Networ k Rita McAlliste r October 1991 1 Kirsts McGhic (r o Arts & Disabilit y Alan Lyddiard David Patmorc Monitorin g Douglas McArthu r February 1992 ) Roy MCEavan (to John Casken Committee Colin NlacKa y Tran• McKenna (from October 1991 ) Brmitie Col e Lord Rix CBE DL John Angus Macka y 01,tobcr1991 ) Marv Marqui s Richard Cook Audrey Barker Allan Massie (t o August 1991 1 Aileen Ritchie Derck Dresche r Chris Davies Fxbibitions Panel Man Marqui s Catherine Robin s 'hone 1) udIcv- Evan s Matt Doyl e Sheila Brock Linda Ormisto n Robert Robson Sally Groves Ebony Gra y David Bert Douglas Sinclai r Edwin Stiven Linda Hirst Bill Kirb y Edward Gage m d Leslev 'Chomson (tro m Clare Higncy (m o Shcila Thomson (fro Brian Morto n Paddv AJascliel October 1991 ; I April 1992 ) OLtiber 1991 ) Adam Reynold s Frances Walker Margaret MacKa y Education Committe e Pain Raiber`ts LRerature Margaret Maclea n C;iaran Monagha n Denys Hodson CBE Sarah Slot t ISOED Asscssor l Deirdre Kcanc Andrew Nairne (to y Dr Manuel Alvarado Katherine Walsh November 1991 1 Deirdre Chapman it o March 1992 1 Eric Bolto n Observers Planning an d Paul Stirto n Selwyn Goldsmit h Resources Committe e Douglas Dun n Sylvia Dcnnlara Nicola White Bruce Gil l Sir Alan Peacock Frederic Lindsay fro 31 March 1992 , Toni Wilson (fro m Geraldine Hurl Training Committee March 1992 1 lshbcl MacLea n Dr William Brown Simon Lanzo n Anthony Smith CBE ,from I April 1992'. Ian M4C"-owa i Michael Marlan d Rashecd Araee n Brian Ivory Combined Arts .Idlan Massie i t o .August 1991 I Nargis Rashid OBE. Hclcu Crackricl l Peter Cochran c John Anl us Macka y Dorothy porte r Neil Railimel l Fcrgus Earl y -ncc Hon . Ai n Bridget McConnel l Peter R--nshaaa Malcolm Kcrrel l Elizabeth Fairhur n Margaret Bennet t Bonk Awards Panel Professor Kc n Stuart Lain g Andrew Kerr :Angela Dobbic Robinso n Deirdre Chapman Linda Lucdwi n Scona Rei d Alistair McCallu m ~ from Januan 1 1)92 1 Janni Clavie r Observers Genista McIntos h ony knigh t Anne Marwick (fro m Deirdre Kcancy (t o ' p David Pease Ethnic Minority Arts Advisory Pane l January 1992 ) March 1992 ) Peter Young, HMI Lola Youn g Ito July 1991 ) Douglas Sinclai r John Idnklatc r Regional Training Clive Andrew s m Centre Observers David Taylo r Brian McCabe (fro Pck Ycony Bcrr y March 1992 ) Chris Maugha n Jenny Wilson PcrLy Fernand o Dorothy Porte r Keith Pickard Marion IAW C Iarrv It Welsh Arts Counci l Dance Literature FJiidian Da%ics MI \\won Thomas THE ARTS COUNCIL OF GREAT BRITAIN - ANNUAL REPORT AND ACCOUNTS SURVE Y To improve the value of our Annual Report in terms of both content and distribution, we should be grateful if you could complete the shor t questionnaire below and return this card to the FREEPOST address overleaf. 1 . Distributio n How did you receive your copy of the Arts Council's Annual Report ? q Requested by post q Sent automatically by post q Other If you were sent it automatically by post, was the information on the address label correct? Yes/No (please delete emboldened text as appropriate) . If no, we shall amend our records against your details below, or should a colleague/contact receive the Annual Report as well as/ instead of you? Colleague's Name Job Title Organisation Address Would you and/or your colleague like to receive any other relevant publications/information from the Arts Council? Yes/No ? 2. Content Which parts of the Annual Report interested you ? q All q Chairman's introduction/Secretary-General's report q Audience research q Arts review : all/one department - please state which q Scottish Arts Council report/Welsh Arts Council report q Education articles/Artists articles q Annual accounts q Council/Staff/Advisory Panel list s Any other comments Name Job Title Organisation Address Annual Report Questionnair e Arts Council of Great Britain FREEPOST London SW1P 3YY Annual accounts/4 5 Annual accounts for the year ended 31 March 1992 Finance Director's notes/46 Foreword/47 Arts Council of Great Britain accounts/48 Scottish Arts Council accounts/7 7 Welsh Arts Council accounts/9 7 Arts Council spending in England by region/11 3 Sponsorship/11 4 Arts Council Collection purchases/115 46/Arts Council of Great Britai n Finance director's note s 1 Deficit for the period 4 Arts expenditure The accounts show that with income o f The Council's arts expenditure increased £206 .143m including direct promotions, th e from £169 .7 million in 1990/91 to £199 .7 m Arts Council ended the year 1991/92 with a in 1991/92 . This in part reflects the increase i n deficit of £0 .822m which was in line with th e the Government's general grant-in-aid, but i t agreed budget . The Scottish Arts Council also includes a specific grant of £10 .8m whic h showed a surplus of £0.065m and the Wels h enabled English National Opera to purchase Arts Council a deficit of £0 .036m . the freehold of the Coliseum . Details of th e grants and guarantees offered are listed i n 2 Allocation of surplu s schedule 1 to the accounts . The accumulated surplus disclosed in the balance sheet now stands at £1 .740m . Of this 5 Regional arts associations and board s figure, £1 .194m represents underspending i n The reforms to the arts funding system hav e 1991/92 and the Council has agreed that thi s meant that both RAAs and RABs were funded sum can be carried forward and spent i n in 1991/92, the transitional year . Operating 1992/93. grants to RAAs and RABs totalled £37.03m, of which £18 .69m was awarded to RAAs and 3 Re-organisation of the arts funding £ 18 .34m was awarded to RABs . structure A further £0 .119m was made available to Organisationally, the year was dominated by RAAs and a further £0 .234m to RABs for a the reform of the arts funding structure . Ten variety of schemes and activities which are new regional Arts Boards (RABs) took over shown in the relevant category of schedule 1 to from 12 Regional Arts Associations (RAAs), the accounts . and progress was made on common plannin g and monitoring systems . In December 1991 the Council introduced a revised management and departmenta l structure . This was established to provid e strategic guidance for the funding system a s well as efficient management of the Council's activities . The new structure is planned to save annual overhead expenditure of approximatel y £600,000 for the Arts Council, and a further £400,000 for the ten RABs . Arts Council of Great Britain/47 Foreword 31 March 1992 History and review of activitie s A joint negotiating committee meets I'hc Secrcrary-General's preface includes a regularly to discuss matters relating to terms history and review of the CounciPs activities- and conditions of employment and there are frequent informal management/union Employee communication s meetings at which similar matters are pursued . During the %car, arrangements have been continued to promote effectiv e Employment polic y communications with all staff. All departments The Arts Council is comtrdurd to a policy of have regular staff mcetings at which miner s equality ofopportunity in its cmploymcnt relating to the council's activities are discussed pracuces . and staff arc regularly bricfcd on the matter s In Particular the Council aims to ensure that discussed At senior nt,%Etagemcnt Anil Council no potential or actual cmplovee receives mor e Meetings . Meetings of all staff arc held periodically . or less favourable treatment on the grounds o f race, colour, ethnic or national origins, marita l The Council produces an internal staff status, gender, sex orientation, disability o r bullcrin containing Lvrrcnt news of interest t o religious beliefs. staff. THE FIGURES 5HOW 11111 1uR Wt Ii ~1 FORM AND THE HW(AII E SWIM of RI( CDIJNCIC S MAIN C11EN75 IN (WA AND TURNOVER AY ART IpRM UM" S TURNOVER 6T"(W RYCOM9'L51p1)' F UMIATLRE GOMOINW AR75 'bLA WN Wp om(t 6 11THEA EARNED INCOME 'hN.N LOYAL .0-111" A OTHER IRMILC FINDING LG'S C[ILNCIL SG95lO7 zs4,s~e :34 .289 222 .505 119,166 464% Mra roles'. 48/Arts Council of Great Britai n Income and expenditure account for the year ended 31 March 199 2 1999 1 qP 1 £OOOs £OOOs L000s L000 s Income Parliamentary grant in aid : Note 2 205,000 175,792 Other income : Note 3 Grants and guarantees accrued in previous years, not now require d 17 1 205,594 Expenditure Administration of subsidies and service s Staff costs : Note 4 4,202 3,403 Depreciation : Note 9 253 263 Operational costs : Note 5 4,324 3,368 Redundancy and early retirement costs : Note 12 355 9,134 - 7,03 4 Incentive Funding Schem e expenditure : Note 13 3,17 2 4,71 8 Grants and guarantees - England: Note 6 126,26 0 100,19 7 Grants to Regional Arts Board s and Associations 37,03 0 33,41 1 Grants to Scottish Arts Counci l 19,693 17,45 1 Grants to Welsh Arts Counci l 11,03 0 10,61 7 Other activities : Note 6 1,070 1,389 Direct promotions - net costs : Note 7 1,492 General expenditure on the arts in Britai n 199,747 169,674 Operating (deficit)/surplu s Interest Receivable (Deficit)/Surplus for the financial year (2,729) 45 8 Transfer(to)/from reserves & provisions : Redundancy & early retirement costs : Note 12 (500) Revenue Reserv e 46 2 Incentive Funding Schem e Reserve : Note 13 (282 ) Capital Reserve : Note 2 1 (99) Net Surplus/(Deficit) : Note 8 3 9 Accumulated Surplus brought forward 2,56 2 2,52 3 ACCUMULATED SURPLU S CARRIED FORWARD : Note 1 8 1,740 2,56 2 Arts Council of Great Britain/49 Balance sheet as at 31 March 1992 1992 1991 £OOOs £OOO s £000s £OOO s Fixed assets Tangible assets : Note 9 3,787 3,704 Investments : Note 1 0 3 3 3,79 0 3,707 Current assets Stocks : Note 11 40 3 1 Debtors and prepayments : Grant in aid receivable : Note 2 11,874 11,874 Othe r 1,537 2,84 1 Grants and guarantees paid in advance 1,756 2,61 7 Cash at bank and in hand Current liabilities Grants and guarantees outstandin g 13,361 12,22 9 Creditors : amount falling due withi n one yea r 1,417 1,70 0 Scottish Arts Council an d Welsh Arts Council - 18 5 14,778 14,11 4 Net current assets 625 3,43 7 Total assets less current liabilitie s 4,415 7,144 Financed by Provision for liabilitie s and charges : Redundancv and early retirement costs : Note 12 35 0 500 Income and expenditure accoun t 1,74 0 2,562 Reserves : Incentive Funding Reserve : Note 1 3 625 2,497 Capital Reserve : Note 21 1,585 Lord Palumb o Chairman Anthony Everitt Secretary-General 16 September 1992 SO/Arts Council of Great Britai n Cash flow statement for the year ended 31 March 1992 1992 1991 LOOOS Looos f000s £000 s Net cash inflow/(outflow) from operating activities : Note (i) (207) 1,446 Pavments to and on behalf of th e Arts Foundation - (1,220 ) Returns on investments an d services of finance : Interest received on short ter m cash deposits 601 798 Interest received for th e Arts Foundation - 144 Net cash inflow from returns o n investments and servicing of finance 601 942 Investing activities : Fixed assets purchased (465) (2,318 ) Fixed assets sold 9 44 Net cash outflow from investin g activities (456) (2,274 ) Financing : Contributions toward s the purchase of fixed assets 70 - Increase/(decrease) in cash an d cash equivalents 8 (1,106 ) Cash and cash equivalents a t beginning of period 188 1,294 196 18 8 Note (i) : Reconciliation ofoperatin surplus/(deficit) to net cast outflo w from operating activitie s Operating surplus/(deficit) (3,287) (281 ) Grants and guarantees accrued in previous vears, not now required (171) (89 ) Depreciation charges 275 30 0 Loss on reclassification of fixed assets 32 - (Profit)/loss on disposal of fixed assets (9) 4 0 (Increase)/decrease in stocks (9) - (Increase)/decrease in debtors and prepayments 1,297 (1,629 ) (Increase)/decrease in grants and guarantees paid in advance 861 (558 ) Increase in grants and guarantees outstanding 1,303 4,34 0 Increase/(decrease) in creditors (314) 47 9 Increase/(decrease) in amounts due to SAC and WAC (185) (1,245 ) Net cash outflow from operating activities (207) 226 Arts Council of Great Britain notes to the accounts/5 1 Notes to the accounts as at 31 March 1992 1 Accounting policie s d) Stocks a) The financial statements are prepared unde r Stocks are stated at the lower of cost and ne t the historical cost convention . The accounts realisable value . meet the requirements of the Companies Acts , and of the Statements of Standard Accounting e) Consolidation Practice issued and adopted by the Accountin g The Arts Council of Great Britain is legall y Standards Board, so far as those requirement s responsible for the affairs of the Scottish Arts are appropriate . Council and the Welsh Arts Council, which ar e Significant departures from Statements o f by constitution committees of the Council. Standard Accounting Practice are disclosed i n However, in view of the powers delegated to the notes to these accounts and the financial those committees they present separat e effect is quantified where it is practicable to accounts which are not consolidated wit h do so. those of the Arts Council. b) Accruals conventio n 1) Lease s (i) All income and expenditure is taken int o Costs in respect of operating leases are charge d account in the financial year to which it relates . to the Income and Expenditure Account on a (ii) Subsidy expenditure is incurred in th e straight line basis over the life of the lease . form of grants and guarantees which ar e formally offered to and accepted by the g) Taxatio n Council's clients. Grants and guarantees ar e The Arts Council of Great Britain as a registere d charged to the Income and Expenditur e charity (number 313039 ;1 is exempt fro m Account in the year in which funded activities corporation tax under the Income an d take place, if this is not determinable they ar e Corporation Taxes Act 1970 and accordingly charged in the year in which activities begin . no provision for any such liability is made . Any amounts unpaid from grants an d guarantees at the year end are shown a s h) Pension s creditors in the Balance Sheet and any advance The total pension cost arising in 1991/92, payments to the client in anticipation of grant s including the Welsh and Scottish Arts and guarantees to be charged in the following Councils, was £437,527 (1991 .C680,249) . financial year are shown in the Balance Sheet a s The Arts Council provides a defined benefits assets . pension scheme for its employees. The Scheme is funded by payments by the Council and c) Depreciation and fixed assets employees to a Trustee-administered fun d Depreciation is provided on all tangible fixe d independent of the Council§ finances . These assets at rates calculated to write off the cost contributions are invested in a managed fun d less estimated residual value of each asset run by a leading insurance company . systematically over its expected useful life a s Contributions payable in the financial yea r follows : 1991/92 are based on an actuarial valuation o f Freehold buildings the scheme as at 1 April 1990, carried out usin g over 50 year s the Projected Unit Method, and are charge d Leasehold building s against the Income and Expenditure Account . over the life of the lease The actuarial valuation revealed that , Equipment, fixtures and fittings assuming a long-term investment return of 9%, over 4 years pensionable salary increases of 7 .5% per Motor vehicle s annum and pension increases of 5 .5%, the net over 4 years market value of the scheme assets.amountin g Freehold land is not depreciated. to £13,149,940 represented 104% of accrue d Works of Art are shown at historical cost, benefits . This result enabled the employers t o and an amount equal to the value of the ne t accept the Trustees' recommendation that th e purchases each year is transferred out of th e following contribution rates should apply Income and Expenditure Account to a separate from 1 April 1991 : Arts Council 9 .4% capital reserve (Note 21) . This policy reflect s (previously 15 .9%), South Bank Centre 8 .8% the fact that works of art are not assets which (previously 15 .3%) . The employers also agree d have a finite useful economic life . to allow male members at 6 April 1978 t o retire at age 60 without actuarial reduction , thus bringing them into line with female members with the same service . 52/Arts Council of Great Britain notes to the account s 2 Grant-in-aid Parliamentar grant-in-aid is voted to meet the Arts Council's cash payments falling due during the financial year . The Arts Council accounts for its expenditure on an accruals basis, and incurs liabilities during a financial yea r which will not need to be satisfied by cash payments until future financial years . The grant-in-aid figure shown i n the Income and Expenditure Account includes a sum to finance these unmarured liabilities, which will be met fro m cash grant-in-aid receivable in future financial years . The parliamentary grant-in-aid as shown in the Income an d Expenditure Account reconciles with the cash sum voted by Parliament in 1991/92 as follows : L000s Cash grant-in-aid voted by Parliament and laid in full i n 1991/92 as published in the Parliamentar y Supply Estimates Class XII Vote 2 194,20 0 Supplementary grant-in-aid 10,80 0 Less debtor for grant-in-aid accrued a t 1 April 1991 11,874 193,126 Plus debtor for accrued grant-in-aid outstanding at 31 March 1992 11,874 Grant-in-aid shown in Income an d Expenditure Account 205,000 The supplementary grant-in-aid of L10,800,000 was provided specifically to enable English National Opera to purchase the freehold of the Coliseum Theatre . LOWS L000s 3 Other Income Prudential Orchestral Touring 119 11 2 Traineeships 32 5 0 Visual Art Fellowships - 5 1 VAT recovered - 10 1 Profit on sale of fixed assets : Note 9 9 - Attributable to London Arts Board : Note 23 41 - Sundry income 222 232 423 546 Sundry income includes a £12,000 BSIS award for the sponsorship of the Tate lecture series `Art, Architecture and the Environment, and a £25,000 BSIS award for sponsorship of the `Image 90s' photographic competition . 4 Administration of Salaries and wages 3,301 2,785 subsidies and services Employer's National Insurance Staff costs 244 21 0 A .C .G.B. Retirement Plan (1975) 266 408 Subtotal 3,811 3,40 3 Attributable to London Arts Board : Note 23 Salaries and wages 350 - Employer's National Insurance 32 - Employers pension contributions 9 - Subtotal 391 - Total 4,202 3,403 Arts Council of Great Britain notes to the accounts/5 3 4 Administration of The chairman, Council and pane l subsidies and services members are not paid for their service s Staff costs (continued) The average weekly number of employees during the year was No No made up as follows: Administration of subsidie s and services 165 173 Direct promotions 10 1 0 Subtotal 175 18 3 London Arts Board : Note 23 Administration of subsidies and services 33 - Total 208 18 3 £48,635 (1991 £48,412) of administrative staff costs have been allocated to direct promotions as detailed i n Note 7 A further £21,900 (1991 £33,564) have been allocated to Incentive Funding (Note 13). LOWS LOW S 290 5 Administration of Travelling, subsistence and entertainment 308 subsidies and services Rent and rates 1,806 1,594 Operational costs Fuel, light and house expenses 173 14 1 Publicity and promotions 134 10 9 Postage and telephone 152 13 3 Agency staff costs 85 6 8 Stationery and printing 217 17 6 Professional fees 193 43 8 National Arts & Media strategy 240 - Office and sundry 491 38 5 Loss on reclassification of fixed assets : Note 9 32 - Loss on disposal of fixed assets : Note 9 - 3 4 Costs attributable to London Arts Board : Note 23 493 - 4,324 3,368 £98,570 (1991 £90,094) of operational costs have been allocated to direct promotions detailed in Note 7 . A further £36,322 (1991 £49,151) have been allocated to incentive funding (Note 13) . LOWS £OOO s 6 Expenditure LOWS LOWS Danc e by art form Grants and guarantees 18,236 15,10 2 Other activities 42 3 3 18,278 15,13 5 Drama and Mime Grants and guarantees 36,022 31,75 7 Scheme expenses 15 19 36,037 31,776 Film, Video & Broadcastin g Grants and guarantees 192 20 0 Production and other activities : Note 7 966 1,42 2 1,158 1,62 2 International Initiatives Fund Grants and guarantees 279 25 2 Literature Grants and guarantees 1,154 879 Publications and promotions 117 7 1 95 0 Marketing Initiatives 1,271 Grants and guarantees 1 3 Research and other activities 221 326 222 329 Multi-Disciplinary Arts and Arts Centres Grants and guarantees 13,171 12,11 5 Other activities 56 8 13,227 12,12 3 Carried forward 70,472 62,187 S4/Arts Council of Great Britain notes to the accounts 1992 1991 LWOs L000s Looo s L000 s Broughtforward 70,472 62,18 7 6 Expenditure Musi c by art form Grants and guarantees 43,234 27,57 0 (continued) African & Caribbean Music Circuit Income (40) Expenditure 204 164 35 5 Other activities 13 7 43,411 27,93 2 Planning & Developmen t Grants and guarantees 320 546 AEMS Project Income - Expenditure - - 1 1 Other activities 112 12 9 432 68 6 Touring Grants and guarantees 8,845 8,35 6 Publicitv, Fees and Sundry Expenses 98 26 3 8,943 8,61 9 Contemporary Music Network : Note 7 Income (220) (119) Expenditure 746 588 526 469 Training in the arts Grants and guarantees 640 564 Short courses & training schemes 56 5 5 696 Visual Arts 61 9 Grants and guarantees 3,566 2,853 Other activities 175 11 2 "Cities of Culture" Initiative 3,741 2,965 Grant to Birmingham , City of Music 1992 250 - Expenditure by London Arts Board Note 23 Grants and guarantees 351 - English Arts expenditure excluding Regional Arts Boards 128,822 103,47 7 Summary Grants and guarantees 126,260 100,19 7 Direct promotions 1,492 1,89 1 Other activities ],070 1,389 English Arts expenditure excluding Regional Arts 128,822 103,47 7 The above note excludes expenditure on Regional Arts Boards and Associations, as well as grants to the Scottis h and Welsh Arts Councils . These amounts are shown on the face ofthe Income and Expenditure Account . This is a change ofpresentation from the previous year, and the comparative figures have been adjusted accordingly. Music grants and guarantees include a special grant ofL10,800,000 to enable English National Opera to purchas e the freehold ofthe Coliseum Theatre. Arts Council of Great Britain notes to the accounts/5 5 Contemporary Music Networ k Film Production Totals 19~ 1AA1 19 1AA1 QQ1D 19A1 7 Direct Promotions L000s L000S L000s L000s L000s L000 s Income 220 119 329 442 549 56 1 Staff costs : Salaries and wages 91 82 213 192 304 27 4 Employers N .I. 7 6 15 14 22 2 0 Retirement plan 9 13 19 30 28 4 3 107 101 247 236 354 33 7 Operational costs 634 482 1,038 1,613 1,672 2,095 Depreciation costs 5 5 10 15 15 2 0 Total costs 746 588 1,295 1,864 2,041 2,452 1,89 1 Net costs 526 469 966 1,422 1,492 Staff and operational costs include a proportion of administrative overheads as detailed in Note 4 and Note 5 . Contemporary Music Network income includes a L25,000 BSIS award for sponsorship of the "Rolling Rock " jazz tour . L. 199 1 £000s L000 s 8 (Deflcit)/surplus (822) 39 for the year Stated after chargin g (a) Auditors remuneration 50 5 8 (b) Operating leases 1,879 1,616 (c) Employees receiving remuneration over L30,000 No No L30,001 - L35,000 5 3 L35,001 - L40,000 5 2 L40,001 - L45,000 3 3 L45,001- L50,000 1 - L50,001 - L55,000 1 1 (d) The Chief Executives total annual remuneration, including taxable benefits and 9 .4% contributions to the Councils pension scheme, was L59,284 . Equipment Land and Fixtures Works Buildings & Fittings Vehicles of Art Tota l L000s L000s E000s L000s L000 s 9 Tangible fixed assets Cost at 1 April 1991 1,737 1,163 11 19585 4,49 6 Additions 203 72 - 115 39 0 Less : Disposals - 207 - - 207 Cost at 31 March 1992 1,940 1,028 11 1,700 4 9 67 9 Depreciation at 1 April 1991 185 601 6 - 792 Provided 1991/92 66 206 3 - 275 Less : Depreciation on Disposals 1991/92 - 175 - - 175 Depreciation at 31 March 1992 251 632 9 - 892 NBV at 1 April 1991 1,552 562 5 1,585 3,704 NBV at 31 March 1992 1,689 396 2 1,700 3,787 56/Arts Council of Great Britain notes to the account s 100 9 £OOOs 9 Tangible Depreciation is allocated to fixed assets Subsidies and service s 25 3 26 3 (continued) Direct promotion s 1S 2 0 Incentive funding 7 1 7 275 300 The net book value of land an d buildings comprise s Freehol d 29 0 26 4 Short leasehold improvements 1,39 9 1,28 8 1,689 1,55 2 The net book value as at 31 March 1992 includes assets with an historical cost of L259,493 which have been full y depreciated . During the year the Council increased the monetary threshold adopted for capitalisation of fixed assets to £ 1,00 0 per item . This change was implemented retrospectively . Items capitalised prior to 1 April 1991 but no longe r treated as fixed assets have been shown as disposals in these accounts . The book loss resulting from this change o f treatment has been shown under operational costs in Note 5, while the profit on assets sold during the year ha s been included in other income (Note 3) . The value of the Councils art collection at 31 March 1990, in the opinion of the Secretary-General, wa s approximately £22 million. The collection§ curator has confirmed that in her opinion, this valuation remains vali d at 31 March 1992 . The purpose of the collection is to increase the understanding and appreciation of contemporary art and to wide n its audience through loans to other galleries and public institutions and touring exhibitions . It is not held fo r investment or resale . £OOOs £OOO s 10 Investment s Equities Investment Fund fo r Charities (5870 units marke t value £28,602) 3 3 11 Stock Film s 21 1 4 Stationery 19 16 Bar 1 40 3 1 Balance at Amounts Net Balance a t i April utilise d Appro- Movement 31 March 1991 in yea r priations in reserve 199 2 £OOOs £OOOs £OOOs £OOOs £OOOs 12 Provision for 500 (355) 205 (150) 35 0 redundancy and early retirement costs In 1991, the Council reorganised its staffing establishment in order to allow more of its resources to be directly applied to arts activity . Staffing reductions in the year resulted in redundancy and early retirement costs o f £354,744 which have been charged in these accounts against the provision set up for this purpose . It is possibl e that some further reorganisation will be necessarv, and accordingly an addition of £204,744 has been made to the remaining provision . The Council believes that the total provision of £350,000 at 31 March 1992 will be sufficien t to cover future restructuring costs. Arts Council of Great Britain notes to the accounts/5 7 1992 1991 L000s L000s L000s £000s 13 Reserve for 1991/92 Grant-in-aid Allocation 1,300 5,000 incentive funding Expenditure : Annual grants 3,037 3,82 4 Extension scheme - 4 1 Extension scheme - grants to other funding bodies - 483 3,037 4,348 Scheme operating costs : Salaries & Wages 60 11 1 Social Security Costs 5 8 ACGB Retirement Plan (1975) 11 1 7 76 13 6 Assessment Costs - 79 Operational Costs 52 8 8 Depreciation 7 1 7 Administration Grants to other funding bodies - 5 0 135 370 Total Expenditure 3,172 4,71 8 Transfer to/(from) reserve (1,872) 282 Reserve at 1 April 1991 2,497 2,21 5 Reserve at 31 March 1992 625 2,497 The balance of the Council's forward commitments for the Incentive Funding Scheme is shown in Note 14 . 14 Grant Commitments Incentive Funding : Total Commitments at 1 April 1991 4,569 4,23 8 Commitments made in 1991/92 - 4,679 4,569 8,91 7 Less Committed from 1991/9 2 Grant-in-aid Allocation 3,037 4,348 Total Commitments at 31 March 1992 1,533 4,569 Forward Funding : 1992/93 155,798 175,729 1993/94 763 78,57 1 156,561 254,300 15 Leases At 31 March 1992 the Council had Land & Land & annual commitments under non- Buildings Other Buildings Othe r cancellable operating leases as set out below . Operating Leases which expire : in the second to fifth years inclusive - 66 37 6 3 over five years 1,749 - 1,749 - 1,749 66 1,786 6 3 16 Capital Commitments Authorised but not Contracted - - Contracted - 14 1 17 Tax and Social The amounts owing were as follows : 105 12 Security Creditors SS/Arts Council of Great Britain notes to the account s L000s 18 Great Britain Balance remaining from 1990/91 allocation 20 7 Touring Fund Earmarked funds included in 1991/92 Grant-in-Aid 2,000 Less : commitments in 1991/92 (1,811) Balance available for commitment in 1992/93 396 The Great Britain Touring Fund represents Grant-in-Aid specifically earmarked by the Minister. The balance o f £395,910 has been included in the accumulated surplus carried forward of £1,740,086 and will be spent o n additional touring during 1992/93 . 19 South Bank Centre Lease The Council owns the National Film Theatre, the Museum of the Moving Image, the Havxard Gallerv, the Quee n Elizabeth Hall, the Purcell Room and the Roval Festival Hall, which are leased to the South Bank Centre . In th e light of the terms of the lease, no value has been placed on these assets in these accounts . 20 Royal National Theatre The Council own the freehold of the Roval National Theatre site, which is leased to the South Bank Theatr e Board Limited and occupied by the Royal National Theatre Board Limited under licence . In the light of the term s of these lease and licence arrangements, no value has been placed on these assets in these accounts . E000 s 21 Capital Reserve Balance at 1 April 1991 1,58 5 Appropriations in 1991/92 11 5 Balance at 31 March 1992 1,70 0 As stated in Note 9, the Council's art collection is not held for the purposes of investment or resale . Accordingly, although the asset is not depreciated, the Council sets aside a Capital Reserve equal to the cost of additions to the collection, net of disposals and write-offs . 22 Contingent Liability The Council is in discussion with Customs & Excise regarding the amounts of Value Added Tax (VAT) it is entitle d to recover. The Council does not consider that any further liability will arise . However, should the outcome of discussions prove unfavourable, the maximum potential liability is estimated at £400,000 . 23 London Arts Board On 1 October 1991, a special committee of the Arts Council was formed to undertake certain responsibilities o f Greater London Arts Limited, acting as agent for that company . These included the employment of staff, the settlement of prior commitments of Greater London Arts Limited, and the approval of certain new commitment s on its behalf. On 1 April 1992, these responsibilities and the whole of the undertaking of Greater London Art s Limited were transferred to a new company, London Arts Board Limited . The income and expenditure attributable to the London Arts Board during the six month period from 1 October 1991 to 31 March 1992, and its assets and liabilities at the end of the period have been consolidated in th e Council's accounts, but because of the temporary nature of the arrangements referred to above, the comparativ e figures have not been adjusted . A creditor of £13,538 has been set up to reflect the value of the net asset s transferred to London Arts Board Limited on 1 April 1992, in full settlement of the Council's liabilities unde r these arrangements . 24 South Bank Estate On 31 March 1992 the Council acquired the freehold of certain land on the South Bank, for a nomina l consideration. On 1 April 1992, the Council gave a long lease of the land to the South Bank Board, also for a nominal consideration . 25 Enhancement Funding In November 1990 the then Minister for the Arts announced that a sum of £22 .5 million would be made availabl e over a period of three years from 1 April 1991 for the establishment of an Enhancement Fund with the followin g objectives : to strengthen leading arts organisations across the country and further enhance their current hig h standards ; to improve business and financial planning; and to provide a challenge, where appropriate, for matchin g funds . During the year ended 31 March 1992 the Council committed expenditure of £7 .318 million out of thi s fund, and the balance will be applied in future years for the furtherance of these objectives . Comptroller and Auditor General's Certificate I have examined the financial statements on pages 48 to 58 in accordance with the National Audit Office auditin g standards. In my opinion the financial statements give a true and fair view of the state of affairs of the Arts Counci l of Great Britain at 31 March 1992 and of its deficit and cash flows for the year then ended and have been properl y prepared in accordance with the directions made by the Secretary of State for National Heritage . N Gal e Associate Directo r for the Comptroller and Auditor General National Audit Office 17 September 1992 Schedule 1 England/59 £ £ Schedule Ito the accounts Brought Forward 8,500 17,413,255 For the year ended 31 March 1992 Artangel Trus t 1,500 Laurie Booth 25,000 Carouse l 5,000 Nigel Charnock 5,000 Emilyn Clai d 4,00 0 Michael Clark 25,000 Company Hamilton 20,000 Contemporary Dance Trust 15,000 Gaynor Coward and David Waring 8,000 Dance Advance 10,000 Grants and guarantee s Dance Quorum/Yolande Snaith 20,000 Dartington Arts 1,000 The Featherstonehaughs 10,000 DANCE Kate Flatt and Sally Jacob s 4,000 National Clients £ Pushkala Gopal and Unnikrishna n 23,000 Royal Opera House 10,051,000 Karen Greenhough 8,000 10,051,00 0 Suraya Hila l 48,000 Imlata 5,000 Revenue Clients Jiving Lindy Hoppers 12,000 Rambert Dance Company 917,550 Keith Khan 10,000 Contemporary Dance Trust 833,400 Lasy a 10,000 English National Ballet 3,412,85 0 Rosemary Le e 19,500 Northern Ballet Theatre 761,350 Leicester International Dance Festival 10,000 0 5,925,15 0 Russell Maliphant 5,00 David Massingham 15,000 Motionhouse 25,000 Annual Clients Mark Murphy and Sue Cost (V-Tol) 10,000 ADiTi 65,000 H Patten 10,000 Adventures in Motion Picture s 65,000 Priya Pawar 7,500 Adzido Dance Compan y 311,25 0 Anthony Peppiatt 1,150 Black Dance Development Trust 31,100 Sakoba 10,000 The Cholmondeley s 85,000 25,000 Community Dance and Mime Foundation 40,000 Kumar Saswa t Nahid Siddiqui 20,000 Dance Umbrell a 88,450 Valli Subbiah 30,000 Siobhan Davie s 65,000 Catherine Tucker 5,000 DV 8 40,000 Miranda Tufnell 5,000 Green Candl e 75,000 Union Dance Company 14,000 ShobanaJeyasingh 52,900 Kinetics of Social Harmony (KOSH) 149,050 490,15 0 Kokuma 95,750 1,163,500 Awards to Composers Creative Dance Artists Trust 20,000 Regional Dance Agencies 20,00 0 Dance Cit y 12,500 Dance 4 (East Midlands Dance Agency ) 12,500 Outreach Projects and Awards National Dance Agency for Birmingha m 22,500 ADiTi 4,00 0 The Place Theatre 16,500 Adventures in Motion Pictures 3,00 0 Thamesdown Dance Studi o 52,500 Adzido Dance Compan y 4,00 0 Yorkshire Dance Centr e 52,500 Anjana Batr a 1,500 169,000 Carousel 1,500 Contemporary Dance Trust 4,00 0 Jean Johnson Jone s 1,500 Management Placement Scheme Kala Chethena Kathkali Troup e 1,500 Artslab To o 400 2,500 Sabita Banjerji Bergh 3,000 Cecilia Macfarlan e 2,500 Chisenhale Dance Space 33,650 David Massingha m y 1,000 East Midlands Arts 7,600 National Youth Dance Compan Norfolk Music Works 3,500 The Place Theatre 26,390 Kumar Saswat 2,000 Sadler's Wells Trust Ltd 25,565 South Asian Dance Education Foru m 1,500 West Midlands Arts Board 8,000 Suffolk Dance 2,500 104,60 5 Union Dance Company 3,500 Nigel Warrac k 5,000 Dance Project s Yorshire Dance Centr e 4,000 500 ADiTi 49,00 0 Amici 8,000 Carried Forward 8,500 17,413,255 Carried Forward - 17,972,405 60/Schedule 1 Englan d Brought Forward 1 7,9172,405 Brought Forward 17, .20,00 0 Phoenix Dance Company Revenue Clients Yorkshire Arts 32,400 Alternative Theatre Company Ltd 123,50 0 Belgrade Theatre Trust (Coventry) Ltd 366,50 0 32,400 Birmingham Repertory Theatre Ltd 604,000 Promoters Research and Development Bristol Old Vic Trust Ltd 478,000 Caryl Jenner Productions Ltd ADiTi S,000 254,000 Crucible Theatre Trust Ltd Bush Hartshorn/The Green Room 750 650,000 English Stage Company Ltd Cambridge Arts Theatre 750 800,000 Hampstead Theatre Ltd Chisenhale Dance Space 10,500 190 1 000 Dance Croy 600 Leeds Theatre Trust Ltd 713,000 Leicester Theatre Trust Ltd George Dzikunu 11000 771,000 Fergus Earl 800 Liverpool Repertorv Theatre Ltd 527,300 Manchester Young People's Theatre Ltd Jackie Guv 11 000 343,000 Mersevside Everyman Theatre Co William Jones 300 . Ltd 318,700 Norfolk and Suffolk Theatre Consortium Chris Layhe 300 50,000 Nottingham Theatre Trust Ltd Don McClure 500 558,000 Octagon Theatre Trust Ltd Marie MCCluskey 750 211,000 Oldham Coliseum Theatre Ltd Midlands Arts Centre 250 173,00 0 Polka Children's Theatre Ltd Robert Moore 500 215,00 0 Royal Exchange Theatre Company Ltd Frances Moran 200 1,206,00 0 Sallshut\ , Arts Theatre Ltd Julia Murfin 350 180,50 0 South West Theatre Consortium Meg Nutt 150 165,00 0 Southampton Nuffield Theatre Trust Ltd Kevna Paul 350 280,00 0 Stoke on Trent & North Staffs Theatre The Place Theatre 500 313,00 0 Theatre Royal (Pivmouth) Ltd Penn- Rae 500 437,500 Tvne Theatre Trust Ltd Iona Sadler 200 360,500 Watford Civic Theatre Trust Ltd Shinkansen 500 135,000 Southern Arts Board 4,000 Wolsey Theatre Company Ltd 224,000 Lou Stein 250 York Citizens' Theatre Trust Ltd 352,500 Carolvn Stewart 200 Young Vic Company Ltd 312,000 Sarah Wilsdon 350 11,322,000 Yorkshire Dance Centre 650 31,000 Annual Clients Bath Arts Workshop Ltd 96,50 0 New Initiatives Black Theatre Co-operative Ltd 124,50 0 Adzido Dance Company 40,000 Black Theatre Forum Ltd 20,00 0 Amici 2,000 Cambridge Theatre Company 419,50 0 Candoco 2,000 Centurv Theatre (Touring) Ltd 306,50 0 Dance UK 5,000 Double Edge Theatre Company Ltd 20,000 Forkbeard Fantasy Shobana Jevasingh 10,000 54,500 Greenwich Theatre Ltd National Organisation for Dance 11 100 153 1 000 International Workshop Festival 30,000 60,100 London International Festival of Theatre 351,000 Lumiere and Son Theatre Company Ltd 95,500 Great Britain Touring Fund Lyric Theatre Hammersmith Trust 353,000 Adventures in Motion Pictures 35,000 Mime Action Group 20,000 Adzido Dance Company 5,000 The Monstrous Regiment Ltd 88,200 Nigel Charnock 2,500 Northcott Devon Theatre & Arts Centre 260,000 Michael Clark 2,500 Paines Plough Ltd 124,000 Siobhan Davies 35,000 Red Ladder Theatre Company Ltd 96,00 0 Suraya Hilal 5,000 Soho Theatre Company Ltd 78,00 0 Motionhouse 5,000 Talawa Theatre Company Ltd 281,50 0 Northern Ballet Theatre 40,000 Temba Theatre Company Ltd 178,00 0 Janet Smith 10,000 Theatre de Complicite Ltd 80,00 0 140,000 Trestle Theatre Company Ltd 110,00 0 Dance total as per note 6 18,235,905 3,137,70 0 Three year franchise clients (touring) DRAMA Actors Touring Company (London) Ltd 94,500 National Companies Cheek by Jowl Theatre Company Ltd 90,000 Royal National Theatre 9,850,000 Galactic Smallholdings Ltd 350,000 Royal Shakespeare Theatre 7,870,000 IOU Ltd 98,000 17,720,000 Major Road Theatre Company 100,500 The Oily Cart Company Ltd 65,000 Carried Forward - 17,720,000 Carried Forward 598,000 32,179,700 Schedule 1 England/61 Brought Forward 598,000 32,179,700 Brought Forward 803,126 34,231,700- - Oxford Stage Company Ltd 450,000 Pirate Productions 23,900 The People Show Ltd 65,500 Plain Clothes Productions 20,000 Pop-Up Theatre Ltd 66,000 Pocket Theatre Cumbria Ltd 4,090 Red Shift Theatre Company 88,000 Deborah Pope 9,960 Remould Theatre Company Ltd 511 500 Proper Job Theatre Company Ltd 22,300 Shared Experience Ltd 124,000 Public Parts Theatre Company 5,250 Tara Arts Group Ltd 155,000 The Puppet Centre Trust 3,000 Theatre Centre Ltd 257,500 Ra-Ra Zoo Ltd 10,950 Theatre of Thelema Ltd 106,500 Right Size Ltd 22,900 The Women's Theatre Group Ltd 90,000 Sanctuary Productions 28,200 Scat Theatre Company 4,290 2,052,000 Second Stride 3,000 Steve Shill 24,400 PROJECTS, SCHEMES, AWARDS Snapdragon Circus 24,800 Drama and Mime Projects Snarling Beasties Theatre Company 17,450 Heather Ackroyd and Daniel Harvey 8,850 Talking Pictures 17,600 Action Transport Theatre Company 12,250 Tamasha Theatre Company 33,290 Altered States Theatre Company 6,000 Theatre Company Blab Blab Blab! 24,450 Alison Andrews 23,700 TNT (The New Theatre) 6,400 Bobby Baker 16,000 Touch and Go Arts Co-operative 5,800 Battimamzel Productions 37,000 Travelling Light YPT 12,500 Big Brum TIE Company Ltd 12,000 Umoja Theatre Company 27,760 Black Mime Theatre 29,500 Walk The Plank 24,000 Boi de Mamao 2,240 Walks on Water Ltd 27,600 Breakout Theatre Company 18,819 Claudette Williams 9,770 b .v .d . 28,000 Yorkshire Theatre Company Ltd 19,080 Carib Theatre Productions 14,930 Zuriya Theatre Company 2,810 Collar and TIE 17,220 Commotion 8,080 1,238,67 6 Consortium of Small Scale Touring 3,500 David Glass New Mime Ensemble 30,000 Small-Scale Tourin g Dorothy Talk 2,040 Act Theatre Company 13,980 Double Edge Theatre Company Ltd 16,400 Compass Theatre Co (Actors Cabal Ltd) 18,300 East Sussex County Council 1,500 Dr Fosters Travelling Theatre 10,340 Electric Theatre Company 9,900 Forced Entertainment Theatre Co-op 12,700 Emergency Exit Arts 20,000 Gate Theatre Club 24,300 Faulty Optic, Theatre of Animation 6,000 Hijinx Theatre Co-operative 2,850 Forced Entertainment Theatre Co-op 38,400 Kaboodle Productions Ltd 9,850 Gambolling Guizers 4,700 Kneehigh Theatre Trust Ltd 15,000 Garden Productions 5,320 Graeme Miller 6,600 Gay Sweatshop 46,300 Peta Lily Mime Theatre 7,600 Geese Theatre Company 3,900 Pilot Theatre Ltd 7,700 Glanceaskance Theatre Company 1,900 Public Parts Theatre Company 1,672 Gloria Theatre Ltd 20,000 Theatre Alibi 17,000 Graeae Theatre Company 25,850 Volcano Theatre Company Ltd 10,560 Hijinx Theatre Co-operative 3,750 158,45 2 Inside Out Theatre Company Ltd 2,100 4,750 Insomniac Ltd Special Initiatives Kaboodle Productions Ltd 34,850 Forkbeard Fantasy 20,000 7,500 Kali Theatre Company Red Ladder Theatre Company Ltd 4,000 Keith Khan 20,000 South West Theatre Consortium 20,000 Lambeth Children's Theatre Company 21,450 44,00 0 Limn Gaza 5,620 Lip Service 13,050 Theatre Writin g London International Mime Festival 48,150 Playwrights' Organisations The Magdalena Project 23,100 New Playwrights Trust 7,500 Merseyside Young People's Theatre Co 16,600 North West Playwrights' Workshop 10,000 Mime Theatre Project 18,020 Northern Playwrights' Society 7,500 Mockbeggar Theatre Company 26,000 5,000 Neti-Neti Theatre Company 27,800 Yorkshire Playwrights New Breed Theatre 13,300 30 9 00 0 Northern Mime Festival =86 7 Open Hand Theatre Company 15,330 Commission or Option Award s Pan Project Ltd 10,710 African Peoples Theatre 1,979 Pilot Theatre Ltd 8,880 Altered States Theatre Company 19 900 Carried Forward 803,126 34,231,700 Carried Forward 3,879 35,702,828 62/Schedule 1 Englan d £ £ £ £ Brought Forward 3,879 35,702,828 Brought Forward 42,000 35,813,01 2 Babel Theatre Company 1,500 Polka Children's Theatre Ltd 7,00 0 Black S%van ],084 Salisbun Arts Theatre Ltd 3,50 0 Britannia Theatrical Services 2,000 Theatre Centre Ltd 3,50 0 Cannon Hill Puppet Theatre 1,625 The Women's Theatre Group Ltd 3,500 Chichester Festival Theatre 1,900 59,500 Clean Break Theatre Companv 1,99 6 European Stage Company 1,250 Writers' Workshops Forced Entertainment Theatre Co-operative 2,000 Belgrade Theatre Trust (Coventry) Ltd 950 Gate Theatre Club 1+ 000 Car-%, I Jenner Productions Ltd 532 Graeae Theatre Company 3,184 New Playwrights' Trust 2,000 Great Eastern Stage 1,925 Paines Plough Ltd 2,91 7 Half Moon Young People's Theatre 2,000 Raw Cotton Theatre Company Ltd 1,623 Inner Cin Theatre Company 2,000 Salisbun Arts Theatre Ltd 1,700 Institute of Contemporary Arts :4000 Wolsev Writers' Workshop 500 Jack Drum Arts 1,92 1 King's Head Theatre 1,921 10,22 2 Major Road Theatre Company 2,00 0 Merseyside Young People's Theatre Co 3,000 Second Production Award s Midnight Theatre Company 4,342 Belgrade Theatre Trust (Coventry) Ltd 3,000 Molecule Theatre Ltd 1,784 Bristol Old Vic Trust Ltd 3,000 The Monstrous Regiment Ltd 3,653 British Asian Theatre Ltd 3,000 Neti-Neti Theatre Company 1,750 English Stage Company Ltd 3,000 Pit Prop Theatre 2,800 Gloucestershire Even, man Theatre 3,000 Pocket Theatre Cumbria Ltd 2,250 Kneehigh Theatre Trust Ltd 3,000 Pop-Up Theatre Ltd 2,000 London Actors Theatre Company 3,000 Portugal 600 Ltd 2,000 Manchester Young People's Theatre Ltd 3,000 Raw Cotton Theatre Company Ltd 1,967 Midnight Theatre Company 3,000 Ra-Ra Zoo Ltd 1,921 New Perspectives Theatre Company 3,000 Soapbox Theatre Company Ltd 1,786 Northcott Devon Theatre and Arts Centre 3,000 Trouble and Strife Theatre Company 1,921 Phoenix Beam Theatre Company Ltd 3,000 Vauxy Theatre 11900 Profundis Theatre Company 3,000 The Women's Theatre Group Ltd 2,425 Screaming Pavement Theatre Company 3,000 Watford Civic Theatre Trust Ltd 3,000 69,684 Worcester Arts Association 3,000 Royalty Supplement Grants 48,00 0 Jean Binnie 2,600 Theatre Translators Scheme Tony Craze 1,300 David Bryer 0 Mac McDonald 1,300 3,00 Claire Schrader 1,300 Sian Evans 3,000 Tinch Minter 3,00 0 6,500 Anthony Vivis 3,00 0 Bursarles 12,000 Kay Adshead 3,000 Michael Black 5,000 John Whiting Awar d Neil Duffield 4,000 Terrv Johnson 4,018 Peter Granger-Taylor 5,000 4,018 David Halliwell 5,000 Peta Lily 3,000 Drama Educatio n Steve Shill 3,000 Geraldine Berridge 1,42 0 Roger Stennett 3,000 British Centre of Assitej Ltd 5,00 0 Nick Warren 3,000 Mary Cooper 1,20 0 Crucible Theatre Trust Ltd 34,000 50 0 Fiona Mac 19 16 0 Resident Dramatist Attachment Award Gill Nathanson 1,210 National Drama Bristol Old Vic Trust Ltd 3,500 2,00 0 Practical Arts 1 00 0 Caryl Jenner Productions 3,500 1 Southern Arts Board 2,00 0 Cleveland Theatre Company 3,500 Karen Tovell 57 0 Mersevside Everyman Theatre Company 3,500 Nottingham Theatre Trust Ltd 7,000 Trestle Theatre Company Ltd 1100 0 Orchard Theatre Company 3,500 17,060 Paines Plough Ltd 3,500 Pioneer Theatres Ltd 10,500 Pit Prop Theatre 3,500 Carried Forward 42,000 35,813,012 Carried Forward 35,963,812 Schedule 1 England/6 3 Brought Forward 35,963,81 2 GREAT BRITAIN TOURING FUND INTERNATIONAL INITIATIVES FUN D Middle-Scale Touring Arad Goch (Paraply Teatret) 5,00 0 Oxford Stage Company Ltd 33,000 Artweek (International Artists' Plener) 7,50 0 Southampton Nuffield Theatre Trust Ltd 25,000 Artworks Wales (European Sculpture Exhibition, "Displacement and Change") 5,00 0 58,000 Assembly Theatre (Creative Dance Residency) 15,00 0 Drama total as per note 6 36,021,812 Dixon and Dart (Age of the Saints) 13,00 0 Ecole Philippe Gaulier (London Schoo l FILM, VIDEO AND BROADCASTING DEPARTMENT project and tour) 20,00 0 Annual Clients Folkworks (European project) 4,25 0 London Video Access 12,000 Ikon Gallery Ltd (Honeymoon / Miralda project) 15,00 0 12,000 Institute of Contemporary Arts (Les Pierres) 10,00 0 Film and Video Awards Japan Festival 1991 50,00 0 BP Expo 1,500 Leicester Polytechnic (MA course i n European Studies) 2,50 0 Cornerhouse 7,500 London Disability Arts Foru m Alnoor Dewshi 980 (Euroday '91) 2,00 0 Mike Dunford 2,100 London International Festival of Theatre 7,50 0 Catherine Elwes 500 Manchester International Festival o f Exeter and Devon Arts Centre 3,000 Expressionism 25,00 0 David Finch 3,300 Roland Miller (Clyde/Danube project) 5,00 0 Sera Furneaux 3,000 Projects UK (European Photograph y Peter Gidal 4,500 Festival) 12,00 0 Inger Lise Hansen 2,000 Sheffield City Council (Spirit of'9 1 Festival) 50,00 0 Stuart Hilton 6,000 South Bank Board (Colour of Europe) 10,00 0 Hull Time Based Arts 3,000 South West Jazz (Anglo-Georgian project) 3,00 0 Institute of Contemporary Arts 111000 Theatre Taliesin Wales (The Frogs) 17,00 0 David Leister 3,500 Landon Filmmakers Co-operative 6,763 International Initiatives Fund total as per note 6 278,75 0 London Video Access 4,00 0 Victoria Mapplebeck 3,00 0 Michael Maziere 1,946 LITERATUR E Sarah Miles 4,000 Revenue Clients 57,50 0 Merseyside Moviola 5,500 Anvil Press Poetry Limited 57,50 0 Sarah Pucill 6,000 Book Trust 0 State of Eight 1,000 Carcanet Press Limited 62,10 64,00 0 Cordelia Swann 8,000 Password Books Limited 21,00 0 Alia Syed 2,500 Poetry Book Society 138 00 0 Tanya Syed 2,000 The Poetry Society 9 Sarah Turner 2,000 400,10 0 WEAVE 3,32 0 Chris Welsby 7,000 Annual Clients Agenda & Editions Charitable Trust 12,80 0 108,909 Ambit 8,00 0 Carcanet Press Limited 16,10 0 Film and Video Venue-Based Commissioning 10,50 0 Bluecoat Gallery 2,500 Federation of Worker Writers 4,00 0 Camden Arts and Entertainments 11000 Interzone 21,32 5 Dulwich Picture Gallen 3,500 The London Magazine 25,30 0 Kettle's Yard Gallery 7,000 London Review of Books 6,40 0 Left Hand Right Hand 2,000 Wasafiri Merseyside Moviola 5,710 104,42 5 Serpentine Gallery 4,910 Chris Welsby 11000 Bursaries 6,00 0 27,620 Biyi Bandele-Thomas Michael Donaghy 6,00 0 6,00 0 Great Britain Touring Fund Carol Ann Duffy 6,00 0 Film and Video Umbrella 43,000 Meirion and Susie Harries Deborah Levy 6,00 0 43,000 Sean O'Brien 6,00 0 Film, Video and Broadcasting Department Peter Sansom 6,00 0 total as per note 6 191,529 Mary Scott 6,00 0 Atima Srivastava 6,00 0 Matthew Sweeney 6,00 0 Carried Forward 60,000 504,525 64/Schedule 1 England £ £ £ £ Brought Forward 60,000 504.525 Brought Forward 783,672 Harr- Tait 6,000 Translation s Ruel White 6,000 Absolute Press 2,500 1,500 72,000 Bloodaxe Books Limited British Centre for Literary Translation 7,850 Dedalus Limited 2,500 Client Development East-West Review 7,000 Acumen Magazine 1,300 Forest Books 8,160 Ambit 8,000 Heinemann International Literatur e Anon Foundation 8,500 & Textbooks 30,000 Carcanct Press Limited 2,000 Katabasis 1,500 Password Books Limited 8,000 Peter Owen Limited 2,500 Wasatiri 5,000 The Poetry Societe 11000 32,800 Readers International 4,83 0 Serpent's Tail 1,60 0 Community Publishing Prize Street Editions 1,30 0 Bristol Broadsides Limited 11 518 The Translators Association 1100 0 Lifeline to Freedom Group 1,017 Turton & Chambers 3,00 0 Jovice Storev 512 Stephen Watts 5,00 0 Wellswcep Press 3,500 3,047 84,740 Cultural Diversity Fund Apples & Snakes 12,500 Work with School s Black Literature Project 2,405 NATE 11,00 0 Commonwealth Institute 7,500 Westminster College 13,50 0 Crick-Crack Club 11,000 24,500 Friends of Bogle 3,00 0 North West Arts Board 2,000 Writers and Audience s Northern Arts Board 2,000 Federation of Worker Writers =4 6 Panrun Collective 3,000 Nottingham University 5,00 0 Tagorc Centre 4,713 Open College of the Arts 6,00 0 Yorkshire Arts 8,000 12,146 56,118 Writers and Prisons Disability Projects East Midlands Arts Board 2,50 0 Apples & Snakes 4,632 H M Prison Leyhill 30,00 0 Disabilirv Arts in London 3,800 Opera London Limited 6,00 0 Lamp Community Bookshop 5,000 38,500 Shape London 2,000 Survivors Poetry 11,750 General Literature Projects 27,182 Africa Research & Information Bureau 7,50 0 Apples & Snakes 70 0 Grants to Writers Aquarius Magazine 2,00 0 Galloping Snapshots 3,000 British Centre for Literary Translation 41,62 0 Socictv of Authors 12,000 British Council 5,00 0 15,000 Commonwealth Institute 1,000 East Midlands Arts 8,300 Libraries Eastern Arts Board 12,000 Fast Sussex Counrv Library 2,000 English Centre of International P.E .N . 6,500 Liverpool Croy Council 500 English National Opera 5,000 Northumberland Countv Council 4,000 Garden Gate Productions Limited 5,000 Suffolk County Council 2,000 Michael Horovitz 51 2 Rachel Van Riel 1,000 Jonathan Cape 1,450 Merseyside Arts 6,000 9,500 NATE 3,800 National Association of Writers 3,400 Small Presses National Life Storv Collection 5,000 Dedalus Limited 4,000 North West Arts Board 3,500 Forest Books 8,000 Northern Arts Board 28,500 Littlewood Arc 5,000 Outposts Poetry Quarterly 11000 Mantra Publishing 18,000 Password Books Limited 5,296 Norvik Press 5,500 Reading University 2,500 Peepal Tree Press 18,000 South Bank Board 15,000 Stride Publications 5,000 South East Arts Board 9,000 63,50 0 Carried Forward 783,672 Carried Forward 179,578 943,558 Schedule 1 England/6 5 Brought Forward 179,578 943,558 Brought Forward 13, 099, 915 South West Arts Board 5,000 Multi-Disciplinary Unallocated Southern Arts Board 13,000 Notting Hill Carnival Enterprise West Midlands Arts Board 12,000 Committee 1,400 1,400 209,578 s Great Britain Touring Fund Notting Hill Carnival Band b David Lambert 600 Arts Neuville Carnival Clu 500 Adun Society 500 600 Afghan Refugee Musicians Worksho p 500 Literature total as per note 6 1,153,736 Afro Caribbean Cultural Associatio n 800 Balisaye Carnival Club 1,700 Battimamzel Production s 1,000 MARKETING AND RESOURCES DEPARTMENT Bayie Busuofo 1,000 Richard Clarke 650 Bukom Arts Worksho p 500 Marketing Initiatives total as per note 6 650 Camden Black Parents & Teachers 500 1 Caribbean Sunset Clu b 500 Chats Palace 1,000 MULTI-DISCIPLINARY ARTS & ARTS CENTRE S Children & Parents Carnival Associatio n 1,000 Revenue Client s Cocoye a 3,900 South Bank Board 12,076,100 Commission for Filipino Migrant Worker s 500 Institute of Contemporary Arts 701,500 Dallaway Masquerade Bank & Cultural Asso c 600 Notting Hill Carnival Enterprise Ltd 57,000 Dem Grove Mas Band 500 12,834,600 Design in Min d 1,720 The East London Black Women's Organisation 500 Inter-Disciplinary Wor k Ebony Steelband Trust 3,200 Acting U p 5,100 Elimu Ma s 2,900 Artangel Trus t 8,260 Emashi African Arts & Entertainmen t 500 The Ar k 6,600 Emergency Exit Art s 500 Auditorium 5,000 Flamboyan Carnival Club 2,100 Nicola Baldwi n 16,00 0 Flamingo Carnival Clu b 1,700 Beaford Centr e 4,820 Flyover Carnival & Social Clu b 1,100 Book Works London Ltd 11,00 0 Genesis Carnival Grou p 3,600 Circus Irritan t 4,93 0 The Greenlight Youth Clu b 500 Costume Designers Club 5,00 0 Grenada Shortne y 700 Da Da Dumb Production s 5,00 0 Hackney United Carnival Clu b 2,900 Film & Video Umbrell a 3,50 0 Hibiscus Carnival Grou p 1,400 Fine Rats Internationa l 5,00 0 Hippos Mas Band 1,000 Green Candl e 7,20 0 L & H Wajang s 500 Housewatc h 20,00 0 Lion Youth Carnival Ban d 3,200 Jackdaw Medi a 7,00 0 London Lighthouse 500 London International Festival of Theatre 5,00 0 London School of Samb a 500 Loophole Cinem a 4,00 0 Mahogany Carnival Clu b 800 Jacob Marley and Judith Hope 1,40 0 Mangrove Steel Ban d 2,300 The Nia Centr e 3,00 0 Mas-o-rama Art s 600 Panchayat Partnershi p 4,95 0 Nostalgia Carnival Clu b 700 Keith Piper 4,90 5 Peoples War Carnival Ban d 1,000 Platform 5,00 0 Pioneers and their Offsprin g 50 0 Second Strid e 52,00 0 Perpetual Beauty Carnival Club 3,50 0 Shinkanse n 23,22 0 Quintessence Carnival Ban d 1,80 0 Solid State Opera Company 5,00 0 St Clement & St James Community Projec t 1,00 0 Sound & Language 4,72 5 St Mary of the Angel s 1,60 0 Those Environmental Artists 4,99 5 Shango Promotion s 50 0 Voice Ove r 2,93 0 South Connections 1,20 0 Silvia Ziranek 4,780 Stamford Hill Carnival Clu b 50 0 240,315 Stardust Ma s 2,20 0 Sugumugu Sunday 80 0 s Multi-Disciplinary Magazine Trinidad & Tobago Carnival Clu b 1,00 0 m South Asian Arts Foru Twelfth Century Carnival Designs 3,60 0 (Bazaar Magazine ) 25,000 West Indian Development Organisation 50 0 25,00 0 Yaa Asantewaa Arts Centre 2,00 0 70,]20 Multi-Disciplinary Arts & Arts Centres total as per note 6 13,171,435 Carried Forward 13, 099, 915 66/Schedule 1 England Brought Forward 73,250 41,914,590 MUSIC South West Arts Board 2,00 0 National Clients Southern Arts Board 2,00 0 English National Opera 21,232,300 Yorkshire Arts Board 2,50 0 Roval Opera House 7,749,200 79,75 0 28,981,500 Awards to Trainee Conductors Revenue Clients London Philharmonic Orchestra 10,000 Aldeburgh Foundation Limited 70,600 Royal Liverpool Philharmoni c Asian Music Circuit 183,600 Orchestra 10,000 Bath Festival Society 43,300 20,00 0 Birmingham Contemporary Music Group 40,000 Bournemouth Orchestras 1,302,800 Commission s Cheltenham Arts Festival Limited 43,300 Aldeburgh Foundation Limite d City of Birmingham SymPhone (Harrison Birtwistle) 1,500 Orchestra 1,062,500 Barton Workshop (Frank Denser) 2,100 Earn , Music Centre 69,000 Bath Festival Society (David Matthews) 3,000 Eastern Orchestral Board 315,180 Bingham String Quartet Halle Concerts Society 1,040,500 (Deborah Broderick and Luc% Luce) 2,00 0 Huddersfield Contemporary Music Festival 50,000 Bournemouth Orchestras (H .K. Gruber) 5,00 0 Jazz Services Limited 123,100 Christopher Bowers-Broadben t London Philharmonic Orchestra 46].,920 (Henryk Gorecki) 1,50 0 London Symphony Orchestra :4048,000 Britten Quartet (Piers Hellawell) 1150 0 Northern Sinfonia Concert Society 469,800 Cavatina (Gar' Carpenter) 1100 0 Opera North Limited 3,414,200 Centre Europeen Pour la Recherch e Musicale (RolfGehlhaar) 2,50 0 The Philharmonia 568,940 Cheltenham Arts Festival Limited Roval Liverpool Philharmonic Society 1,308,000 (Hugh Wood) 3,50 0 Royal Philharmonic Orchestra 459,140 Composers Ensembl e Sinfonietta Productions Limited 378,600 (Harrison Birtwistle) 3,500 Society for the Promotion of New Music 40,000 Stephen Cottrell (Graham Fitkin) 1,200 Sonic Arts Network 50,000 Peter Cropper (Douglas Young) 2,000 Three Choirs Festival Association 22,530 Philip Curtis (Jonty Harrison) 11 500 Eleanor Dawson (Evelyn Ficarra) 12,565,010 1,500 Duo Contemporain (Anthony Gilbert) 2,000 Eastern Touring Agency Annual Clients (Michael Finnissv) 5,000 British Music Information Centre Trust 33,750 English Chamber Orchester Manor Jazz Festivals Limited 25,000 (Howard Skempton) 2,000 National Federation of Music Societies 18,000 Ensemble Jahrhundert (Simon Holt) 3,500 National Youth Jazz Orchestra 7,600 Ensemble X (Errollyn Wallen) 2,50 0 Opera Factory 100,000 Erica Fox (-) 6 5 Westminster City Council/Wigmore Hall 135,700 Fretwork (Simon Bainbridge) 2,75 0 Youth and Music 48,030 James Fulkerson (Michael Vaughan) 1,30 0 368,080 Gemini (Josephine Wilson) 1,20 0 Stefan Grasse (Vivienne Olive) 85 0 Animateurs and Education Guildhall String Ensemble (John Woolrich) 2,00 0 Battimamzel Productions 2,600 Het Trio (Rolf Gchlhaar) 2,40 0 Drake Research Project 5,000 Hilliard Ensemble (Brian Elias) 1,80 0 Eastern Arts Board 2,000 Hilliard Ensemble (Piers Hellawell) 1,75 0 Ebonv Steelband Trust 5,000 Huddersfield Contemporary Music Festiva l (Simon Bainbridge) 3,000 Heart'N Soul 5,50,50 0 Christopher Hyde-Smith & Jane Dod d Jazz Services Limited 3,000 (Stephen Dodgson) 600 Musicians Union 7,500 Icebreaker (Gavin Bryars) 2,500 National Foundation for Educational Jazz Serv ices Limited (Bheki Mseleku) 2,500 Research 5,00 0 Shobana Jeyasingh (Christos Hatzis) 3,000 Norfolk Music Works 1,500 John Kenny (George Nicholson) 1 1 000 Northern Arts Board 3,50 0 Kinetics of Social Harmon v Northern Sinfonia Concert Society 3,500 (Howard Davidson) 3,000 Opera 80 5,000 London Chinese Orchestra (Ho Wai-On) 2,000 Performing Rights Society 4,500 London Symphony Orchestra RiffRaff 2,000 (Dominic Muldowney) 3,000 Royal Liverpool Philharmonic Society 3,650 Lontano (John Metcalf) 5,00 0 Sinfonietta Productions Limited 1 1500 Lontano (Lindsev Cooper) 5,00 0 Sound Sense 10,500 Lontano (Paul Barker) 4,00 0 South East Arts Board 2,000 Penelope Lynex (Peter Dickinson) 1150 0 Carried Forward 73,250 41,914,590 Carried Forward 98,515 42,014,340 Schedule 1 England/6 7 £ £ £ £ Brought Forward 98,515 42,014,340 Brought Forward 42,261,255 Netherlands Wind Ensemble Early Music Projects 3,000 (Alexander Goehr) Early English Opera Society 5,000 Orchestra of St . Johns Smith Square Earlv Music Centre 10,785 (Diana Bussell) 3,500 English Concert 20,000 Orkest de Volharding (Michael Finnissy) 5,000 Ex Cathedra 10,000 The Philharmonia (Harrison Birtwistle) 5,000 Fretwork ],500 Rambert Dance Company (Glyn Perrin) 3,000 Gabrieli Consort 10,000 Charles Ramirez (Jeremy Dale Roberts) 1,500 London Bach Society 4,800 Redbyrd (Barry Guy) 2,500 London Classical Players 4,000 Rosemary Lee Projects (Simon Limbrick) 3,000 Monteverdi Choir and Players 12,000 Rova Saxophone Quartet (Lindsay Cooper) 2,500 Musica Antiqua 3,000 Royal Liverpool Philharmonic Society (Dominic Muldowney) 6,000 Orchestra of the Age of Enlightenment 10 + 000 Kumar Saswat (Kumar Saswat) 2,000 Orlando Consort 2,000 Second Stride (Orlando Gough) 4,000 Rose Consort of Viols 4,000 Aaron Short (Sidika Ozdil-Gardner) 4,000 St . James' Baroque Players 18,000 Smfonia of St . Paulo (Richard Leigh) 2,000 115 08 5 Smfonietta Productions Limite d + (Detlev Muller-Siemens) 5,000 Electro-Acoustic Bursarie s Smfonietta Productions Limited (Dmitri Smirnov) 2,500 Javier Alvarez 3,500 Smfonietta Productions Limited Ian Dearden 3,000 (James MacMillan) 700 Robert Godman 2,400 Siobhan Davies Dance Company Simon Limbrick 2,000 (Kevin Volans) 5 1- 000 Sonia Maria Prazeres 3,000 Sonic Arts Network (Bennett Hogg) 1,250 Sohrab Uduman 1,500 Sonic Arts Network (Javier Alvarez) 3,500 Errollyn Wallen 3,500 Sonic Arts Network (John Kefala-Kerr) 1,250 John Wynne 2,500 South Bank Board (Barry Guy) 5,00 0 21,400 South Bank Board (Harrison Birtwistle) 2,500 Stichting Nieuw Ensemble (Jonathan Harvey) 3,50 0 Improvised Music Touring Takacs Quartet (Brian Elias) 4,000 Bauer/Silva/Todd/Turner Quartet 3,20 0 Three Choirs Festival Association (Hugh Wood) 11000 Baylis/Lebaigue/Garside Trio 1,75 0 Three Choirs Festival Association John Butcher 3,00 0 (Philip Cannon) 1,600 Free Jazz. Quartet 2,50 0 Robert Van Sice (James Wood) 2,500 Hession/Wilkinson/Fell 1190 0 Vanbrugh String Quartet (Robert Simpson) 2,800 John La%v 1150 0 Vocem (Karen Wimhurst) 3,000 Steve Noble 1,75 0 Hugh Webb (Paul Archbold) 1,200 Skits 1150 0 Women in Music (-) 1,500 Slip and Slant 2 900 0 Simon Wynberg (Michael Blake) 11000 Stock Hausen and Walkman 1190 0 JosLwaanenburg (Stephen Montague) 1,600 21,000 195,915 Jazz Bursarie s Composers' Bursaries Martin Archer 55 0 Richard Arnell 3,000 Stephen Berry 80 0 Michael Berkeley 5,000 Francis Campbell 1100 0 Chris Burn 1,400 Deirdre Cartwright 1,70 0 Gary Carpenter 3,000 Paul Dunmall 1,00 0 Graham Collier 2,500 Phil Durrant 75 0 Hugh Davies 2,700 Peter Fairclough 50 0 Michael Finnissy 3,000 Gus Garside 75 0 Barry Guy 11500 Andy Harewood 2,65 5 Mark Lockett 1 1000 Dick Heckstall-Smith 1,00 0 Paul Mitchell-Davidson 1,400 Ken Hvder 1,00 0 Katherine Norman 19500 Ed Jones 1,00 0 Sidika Ozdil-Gardner 2,000 Dorota Kotz 90 0 Jenni Rodd 3,000 Diane McLoughlin 1,24 5 31,000 Eddie Prevost 1,00 0 Ken Rattenbury 45 0 Composers in Association Ken Stubbs 1,85 0 Bournemouth Orchestras 10,000 Stan Tracey 2,35 0 Halle Concerts Society 10,000 Katherine Zeserson 90 0 20,000 21,40 0 Carried Forward 42,261,255 Carried Forward - 42,440,140 68/Schedule 1 England £ £ £ £ Brought Forward - 42,440,140 Brought Forward 42,695,68 1 London Based Chamber Orchestras Opera Development City of London Sinfonia 59,500 Emergency Exit Arts 5,00 0 English Chamber Orchestra 10,000 English National Opera 30,00 0 Haydn-Mozart Society 5 1 000 Green Light Music Theatre 5,00 0 Orchestra of St . Johns Smith Square 8,088 Royal Opera House 30,00 0 Scottish Opera 5,000 82,588 Steve Shill 7,000 South East Arts Board 5,000 Music for Small Groups Trevor Wishart 6,000 Bahar of U .K . 4,00 0 Blue Ticket 3,000 93,000 Carifesta U .K . 3,000 Opera/Music Theatre Projects Cayatina 2,500 Aquariusuariu s 5,000 1,500 Buxton Festival Opera 7,000 Chione Oboe Trio 5,000 English Bach Festival Trust 10,000 DeltaDe Saxophone Quartet ],000 Lontano 5,000 English Serenata 2,500 Mecklenburgh Opera 6,000 Fiori Musicali 2,000 Modern Music Theatre Troupe 5,000 3,500 Fretwork Northern Sinfonia Concert Society 7,000 Lcfr Hand Right Hand 1,500 45,00 0 London Veena Music Group 3,500 Metalworks 1+880 Orchestral Developments in the Eastern Region Musicos de Camara 11000 East Midlands Arts Board 9,000 Opera Restor'd 3,000 Eastern Arts Board 41,00 0 Regular Music 11800 Lincolnshire and Humberside Arts Sounds For Silents 3,000 Association 25,00 0 Sounds Positive 1,500 75,000 Syncopace 3,000 Troika 2,000 Recording s Ah-Um Records 5,00 0 509180 Backshift Music 1,30 0 Bruce's Fingers 1,00 0 Non-Western Music Projects Collins Classics 27,50 0 Afrikan Kultural Kontractors 3,000 Continuum Limited 10,00 0 Aliana People's Dance & Drumming 3,000 Diffusion I Media 7,50 0 Ancestral Rhvthms 4,750 EMI 20,000 Apna Arts 5,000 Hothouse Records 5,000 Beat the Border 1,000 Kameleon Records 12,000 Black Voices 7,000 Keda Records 11,740 Gaspar Lawal and the Oro Band 4,000 Lontano 17,000 London Chinese Orchestra 3,523 New Music Cassettes Limited 25,000 London Veena Music Group 1,000 Pavan Productions 6,500 NAAD International Instrumental 24,50 Music Academy 4,000 Unicorn Kanchana Records 0 Pan Plavers Academv Limited 1,000 Virgin Classics 15,000 Sangit Examinations U .K . 2,500 189,04 0 Nitin Sawhnev 4,50 0 General Project s Serious Productions 3,500 Birmingham Contemporary Music Group 15,000 Shikisha Arts 5,000 Bournemouth Orchestras 40,000 Shiva Nova 4,000 Caroline Collingridge 533 Mick Taylor 3,000 Graham Fitkin 12 0 U .K. Circuit for Indian Classical Music 8,000 Grand Union 4,50 0 WOMAD Foundation 51000 Halle Concerts Society 25,00 0 72,773 London Classical Players 10,00 0 National Federation of Music Societies 30 0 Opera Commissions The National Music Council 1100 0 English National Opera 21,000 Northern Sinfonia Concert Society 10,00 0 Music Theatre Manchester 3,500 106,453 Opera Factory 7,000 Opera Theatre Company 3,500 Great Britain Touring Fund Roval Opera House 1.5,000 Jazz Services Limited 30,000 50,000 30,000 Music total as per note 6 43,234,174 Carried Forward 42,695,681 Schedule 1 England/6 9 Brought Forward 250,10 0 PERSONNEL & TRAINING DEPARTMENT Traineeships Annual Clients Margaret Agana 6,000 National Opera Studio 99,500 Carla Amie 7,000 Mohammed Barrie 7,000 99,500 Mel Bell-Grey 3,500 Alison Braithwaite 8,000 Regional Training Centres ridge 7,000 Leicester Polytechnic (EMA) 18,200 Valeriealerie e Brown 7,000 Liverpool University (NWAB) 18,200 Su e a5,00 0 Newcastle Polytechnic (NAB) 18,200 Owen n Bywater 8,00 0 54,600 Jennifer Clarke 1,60 0 Louise Cole 8,00 0 Regional Training Centres Development Michael Dalton 2,00 0 University of Sussex 10,450 Urmila Dayalji 7,00 0 10,450 Bearnie Demonick 3,50 0 Claire Evans 12,00 0 Individual Bursaries Anna Farthing 3,00 0 Gaby Agis 11500 Jackie Friend 6,93 3 Ruby Almeida 11000 Friends of the Guidhall School 5,000 Kwesi Amissah 1,900 Oliver Garland 700 Peter Bush 1,500 Emily Grant 8,000 Anne Cartwright 2,015 Rajan Hooper 3,500 Caroline Collingridge 1,500 Richard Hylton 3,520 Peter Curran 3,000 Barry James 12,000 Ann Dickie 2,500 Lionel Jones 6,000 Anna Douglas 1,810 Edward Lynch 8,000 Alistair Elliot 1,000 Catherine Manuel 4,666 Ken Fero 2,000 David Mason 5,020 John Fox 2,500 Nana Mensah 8,00 0 Philippe Giraudeau 2,400 Nadia Molinari 7,00 0 Martin Glynn 1,600 Virginia Nimarkoh 3,52 0 Peter Harvey 3,000 Rebecca Owen 8,00 0 0 Shirley Henry 2,000 Richard Peirson 4,00 0 David Hevey 3,000 Jacqueline Robinson 8,00 Suraya Hilal 2,400 Donald Rodney 7,00 0 Mimi Khalvati 11000 Ester White 8,00 0 1,20 0 Katie London 1,500 Michael Wicherek 8,00 0 Jonathan Lunn 2,000 David Wynne Michael McMillan 1,750 221,659 Maraline Morgan 2,30 0 Carole Morrison 2,100 Management Development Initiative s Penny Rae 2,000 Artrain 3,000 Helen Reddington 1,925 Fooltime Centre for Circus Skills 25,000 John Retallack 1,300 Independent Theatre Council SO,000 Uri Roodner 1,500 Leicester Polytechnic 7,500 Rivca Rubin 2,000 The Management Centre 5,000 Paul Rummer 1,015 Northern Arts Board 4,00 0 Indira Sengupta 1,175 Theatrical Management Association 5,00 0 Fatimo Shobakin 1,825 Yorkshire Arts 5,00 0 a-dZiko Simba 1 1500 64,50 0 Sylvia Simmonds 1,000 Carole Spedding 2,00 0 Training Projects Julie Storey 2,000 ADiTi 16 ,50 0 Catherine Tucke r 1,200 Administration Research Training Service 1,50 0 T the ishnan 2,00 0 .K . Arts Marketing Ancy Verghese 4,000 ASConsortia of U 3,00 0 2,700 Maxine Walker Bhavan Centre 6,000 2,000 Lvnn Warburton Camerawork 1,500 1,000 Paulette Warner Capoeira Performance Dance Workshops 2,400 2,135 Jeremy Whittle Caryl Jenner Productions 500 2,500 Val Williams Central School of Speech and Drama 3,000 Lynn Wvfe 1,500 Chisenhale Dance Space 2,000 85,550 Clean Break Theatre Company 1,500 Carried Forward 250,100 Carried Forward 37,900 536,259 70/Schedule 1 England £ £ £ Brought Forward 37,900 536,259 Brought Forward 102,308 Ebony Steelband Trust 3,250 Building for the Arts Federation of Worker Writers 3,500 Alston Moor Development Team 1150 0 Free Focus 10,000 Arena Theatre 2,000 Green Candle 11000 Bluecoat Arts Centre 4,000 Half Moon Young People's Theatre 2,830 Concrete Creations Group 2,000 Independance ],000 The Continental Theatre Development Trust 3,000 The International Summer School 11900 The Green Room 4,500 Jiving Lindy Hoppers 51000 Irie Dance Company 4,000 Laurie Booth International Summer School 5,000 Langbaurgh Local Authority Art s Live Music Nowl 1,245 Development Agency 5,000 Migrant Media Collective .11SOO Leicester Arts Centre 6,00 0 Mime Action Group 10,000 London Print Workshop 1,00 0 Motionhouse 11 000 Musicworks 2,00 0 Password Books Ltd 2,500 Oxford Playhouse 5,00 0 Roval National Institute for the Blind 4,500 Perpetual Beauty Carnival Club 2,000 Shinkanscn 11515 Petherton Arts Trust 1,500 Strathcona Theatre Company 5,000 Shire Training Workshops 11 500 Suffolk Dance 2,000 Tate in East Anglia Project 5,000 Training Action Group 1,500 Trafford Metropolitan Borough Council 4,000 Voice Over 2,030 Theatre Roval (Plvmouth) 3,000 Trestle Theatre Company 2,000 104,17,1700 Visability 11000 Training in the Arts total as per note 6 640,429 60,000 Departmental Initiatives PLANNING & DEVELOPMENT Arts Development Association 10,00 0 Arts Access - Revenue Client Yorkshire & Humberside Arts Board 50 0 Minorities Arts Advisory Service 59,500 10,50 0 59,500 Education Arts Access - Arts & Disability Strategic Initiatives Eastern Arts Board 4,67 0 The Disability Arts Magazine 10,000 Bath College of Higher Education 5,000 Graeae Theatre Company 565 National Association of Youth Theatres 10,000 National Disability Arts Forum 3,024 National Foundation for Arts Education 5,00 0 The Shape Network 5,000 National Youth Arts Festival 5,00 0 18,589 29,67 0 Arts Access - Cultural Diversity Strategic Initiatives Arts in Prison s Safuran Ara 38 5 Blantyre House Prison 2,250 Black Arts Alliance 44 2 2,250 Black Literature Project 38 5 Black Women 1992 500 Research Projects David Bruan 330 British American Arts Association 16,87 0 Different Aesthetics 4,000 Community Development Foundation 3,75 0 Institute of Commonwealth Studies 600 The Drake Research Project 6,00 0 Mahdu Javswal 207 Policy Studies Institute 12,32 5 Amy Lai 580 38,945 Michael McMillan 1,32 5 Youth Companies i./iinorities Arts Advisory Service 33 5 ADiTi New Playwrights Trust 2,00 0 10,00 0 The Nia Centre 28 0 British Federation of Youth Choirs 5,000 British Youth Opera Notting Hill Carnival Enterprise Committee 1,50 0 5,000 National Association of Youth Theatres The Open Forum Meeting Fund 2,500 9 9 000 National Youth Choir Sadler§ Wells Trust 2,500 10,000 National Youth Dance Company Spectrum Internation Radio 635 6,000 National Youth Music Theatre Theatrical Management Association 1,750 5,00 0 National Youth Orchestra 5,00 Windsor Fellowship 2 9 200 0 National Youth Theatre of Great Britain 5900 0 22,454 Young Persons Concert Foundation 10,00 0 Arts Access - Women in the Arts Strategic Initiative s Youth Clubs U .K . 5,000 National Alliance for Women of Africa n 75,00 0 Descent 45 0 Independent Theatre Council 1,315 Planning and Development total as per note 6 318,67 3 1,76 5 Carried Forward 102,308 Schedule 1 England/7 1 Brought Forward 6,801,64 3 REGIONAL ARTS ASSOCIATIONS AND BOARDS Dance Project s Basic Grants Artslab Too 10,000 Eastern Arts Assoc ./Board 2,690,464 Kinetics of Social Harmony 25,000 East Midlands Arts Assoc./Board 2,292,000 Suraya Hilal 14,000 Greater London Arts Assoc ./London Arts Board 7,862,194 49,00 0 Lincolnshire & Humberside Arts Assoc. 1,066,054 Development Pool Merseyside Arts Assoc . 337,575 Northern Arts Assoc./Board 4,408,714 Brewhouse Theatre and Arts Centre 1,000 North West Arts Assoc ./Board 3,910,011 Millstream Touring 5,000 Southern Arts Assoc ./Board 2,302,000 Opera 80 5,000 South East Arts Assoc ./Board 2,121,000 Theatre Royal (Norwich) Trust 7,000 South West Arts Assoc ./Board 2,266,000 18,000 West Midlands Arts Assoc./Board 3,125,000 Yorkshire Arts Assoc . /Yorkshire & Drama Projects : Large Scale Humberside Arts Board 3,084,076 Armada Productions Limited 20,000 35,465,088 Bill Kenwright Limited 35,000 Compass Theatre Limited 100,000 Reform Implementation Costs New Shakespeare Company Limited 30,000 Eastern Arts Board 131,000 New Vic Touring Theatr e Company Limited 94,000 East Midlands Arts Board 511 100 Royal National Theatre 37,600 Lincolnshire & Humberside Arts Assoc. 258,500 Thelma Holt Limited 60,000 London Arts Board 185,000 Northern Arts Board 25,000 376,600 North West Arts Board 330,000 Yorkshire & Humberside Arts Board 186,500 Drama Projects : Middle Scale Restructuring costs 373,000 Arts Admin 12,000 Birmingham Repertory Theatre Limited 15,00 0 11,540,100 Channel Theatre Company 10,000 Regional Contingency Chicken Shed Theatre Company 6,000 National Childrens Play and Communicado Theatre Company 30,00 0 Recreation Unit 1,000 Co-Producers 19,200 West Midlands Arts Board 25,000 David Glass New Mime Ensemble 20,000 Hull Truck Productions Limited 15,00 0 26,000 New Shakespeare Company Limited 30,000 Regional Arts Associations and Boards total 37,031,188 Ra-Ra Zoo Limited 40,000 197,200 TOURING Revenue Clients Opera Project s Opera North 624,500 Music Theatre Wales 5,000 Royal Shakespeare Theatre 490,500 Northern Sinfonia Concert Society 50,000 Welsh National Opera 3,420,000 Opera 80 11,00 0 4,535,000 66,000 Annual Clients Operetta/Musical s City of Birmingham Touring Opera 150,000 Armada Productions Limted 50,000 English National Ballet 85,000 50,00 0 English Shakespeare Company 250,000 Glyndebourne Productions Limited 516,000 Venue Development Millstream Touring 55,000 Arts Centre, Warwick 6,70 0 Opera 80 556,500 Nottingham Theatre Trust Limited 10,17 5 Royal Exchange Theatre Company 95,000 Swindon Wyvern Theatre 2,70 0 Royal National Theatre 218,000 Theatre Royal, Bury St . Edmunds 6,50 0 Scottish Ballet 91,143 West Yorkshire Playhouse 4,00 0 Scottish Opera 250,000 30,07 5 2,266,643 General Projects Sadlerls Wells Trust Limited 30,00 0 Visiting Arts 161,500 191,50 0 Carried Forward 6,801,643 Carried Forward - 7,780,018 72/Schedule 1 Englan d Brought Forward - 7,780,01 8 Marketing Initiatives VISUAL ARTS DEPARTMENT Arts Marketing Company Limited 26,850 Revenue Clients Arts About Manchester 16,245 Arnolfini Gallen Ltd 202,000 Arts Centre, Wanyick 11 000 Free Form Arts Trust Ltd 51,500 Vanessa Ashton 10,000 Ikon Gallen Ltd 250,500 Birmingham Arts Marketing 8,750 Museum of Modern Art (Oxford) Ltd 304,750 East Midlands Arts Board 2,000 The Photographers' Gallen 284,500 English Shakespeare Company Limited 5,550 Serpentine Gallen 199,000 Grand Theatre and Opera House 2,600 Whitechapel Art Gallen Ltd 405,700 MAX - Marketing the Arts in Oxfordshire 17,620 1,697,950 Midland Arts Marketing 10,000 Opera 80 7,000 Annual Clients Opera North Limited 3,850 Artists Newsletter 17,50 0 Orchard Theatre, Dartford 550 Creative Camera 50,10 0 Oxford Playhouse 3,000 Edge International 73,00 0 Rambert Dance Company 11000 Performance Magazine 22,00 0 Scottish Opera 6,400 Ten . 8 35,80 0 Solent Arts Marketing 32,05 0 198,40 0 Sussex Arts Marketing 550 Winchester Theatre Royal 1,500 Art Development Strategy Clients 156,515 Carlisle City Art Gallery 16,00 0 Cartwright Hall, Bradford 60,00 0 GREAT BRITAIN TOURING FUND Cleveland City Art Gallen 6,000 Dance Touring Contemporary Art Society 35,000 Adzido Dance Company 35,000 European Visual Arts Centre, Ipswich 40,000 Alhambra Theatre 510 Ferens Art Gallery, Hull 25,000 The Cholmondelevs 4,000 Harris Museum and Art Gallery, Preston 40,000 Dance Umbrella Limited 16,000 Ipswich Borough Council 4,000 London City Ballet Trust Limited 89,000 Laing Art Gallery, Newcastle upon Tyne 70,000 Phoenix Dance Company 25,000 Manchester City An Gallery 90,000 Nottingham Castle Museum and Gallery 40,000 169,510 Plymouth City Museum and Art Gallery 22,000 Rochdale City Art Gallery 5,000 Drama Touring Sheffield Citv Art Gallery 45,000 Alhambra Theatre 3,500 Sheffield Public Art 11,000 John Ashford 750 Southampton City Art Gallery 10,000 Dance Umbrella Limited 28,000 Stoke City Museum and Art Gallery 29,000 English Shakespeare Company Limited 150,000 Walsall Art Gallery 20,000 Gavin Henderson 750 Wolverhampton Art Gallery 20,000 Kings Head Theatre 12,000 London International Festival of Theatre 13,000 588,000 Paines Plough 13,900 Theatre Centre Limited 55,000 Black Visual Arts Exhibition Franchise s Theatre Royal (Plymouth) Limited 13,000 African and Asian Visual Artists Archive 16,74 0 Association of Caribbean Families 289,900 and Friends 16,25 0 Chinese View 20,00 0 Opera Touring Panchayat Partnership 6,00 0 Opera North Limited 130,000 West Midlands Arts Board 3,80 0 Welsh National Opera 50,000 Yorkshire Arts (The Pavilion) 12,00 0 180,000 74,79 0 Orchestral Touring Exhibitions London Philharmonic Orchestra 78,838 Artangel Trust : exhibition programme 15,00 0 The Philharmonia 83,759 Bedford Hill Gallery & Workshops : Art in Prisons 6,000 Royal Philharmonic Orchestra 106,021 Brewery Arts Centre : Andrea Fisher 6,500 268,618 Building One : "The House of Beauty and Design" 7,000 Touring total as per note 6 8,844,561 Cambridge Darkroom : "Hospital" 8,000 Camden Arts Centre : "Mark Gertler" 5,000 Eddie Chambers : "4 x 4" 13,725 Chisenhale Gallery : exhibition programme 6,000 Cornerhouse : Adrian Piper 6,000 Carried Forward 73,225 2,559,140 Schedule 1 England/7 3 £ £ £ £ Brought Forward 73,225 2,559,140 Brought Forward 2,963,938 Greenwich Citizens Gallery : Photography Publications "re-Vision" 8,925 Camerawork : "Empty Land : Huddersfield Art Galleries : In the Australian Image" 7,70 0 "Wave/Another Country" 6,000 Central Books 2,32 5 Huddersfield Art Galleries : Cornerhouse 16,10 0 "Balraj Khanna" 3,025 Institute of ConteContemporarym Arts : ImPressions Gallery : " Photovideo " 8,120 Craigie Horsfield, Photographs" 7,90 0 Institute of Contemporary Art : Lawrence & Wishart Ltd : Ian Hamilton Finlay 5,045 "Notting Hill in the Sixties" 3,60 0 John Hansard Gallery : Susan Trangmar 5,000 Routledge : "The Creatures Time Forgot" 13,00 0 John Hansard Gallery : Trentham Books Ltd : "Down, But Not Out" 6,90 0 "Refusing to Surface" 10,000 Virago Press : "Women War Photographers" 10,50 0 Kettle§ Yard Gallery : 4,50 0 "Excavating the Present" 6,000 Virago Press : "What is a Child?" Middlesex Polytechnic : 72,52 5 "Household Choices" 10,000 Performance Art Minorities Art Gallery : Dalwood, Fullard & Startup" 4,000 Bluecoat Gallery 9,500 Norfolk Institute of Art & Design : Contemporary Archives 10,000 "Marginalisation & Alienation" 4,000 Edge Biennale Trust 7,500 Projects U .K. "Soundbites" 10,000 Hull Time Based Arts 10,000 Usher Gallery 2,100 Leicester Polytechnic 4,000 Whitworth Art Gallery : London International Young Contemporaries 2,500 Festival of Theatre (LIFT) 8,000 157,940 Serpentine Gallery 6,000 55,00 0 Visual Arts Magazines Great Britain Touring - And Association 6,000 Touring Exhibition Development Grant s Art Monthly 24,600 Sutapa Biswas : "Cross Cultural Influences Artscribe 5,000 Leading to Transcultural Expression" 4,150 Audio Arts 12,750 Bluecoat Gallery : "Trophies of Empire" 5,000 Durian Publications 3,000 Ilona Bryan : "Hands On" 5,00 0 Feminist Art News 18,240 Camden Arts Centre : "French Connections" 2,00 0 Kala Press 42,000 Cornerhouse : "Sin Frontera" 4,90 0 Women Artists Slide Library 23,000 Tacita Dean : Exhange exhibition 5,00 0 Design Museum : "The Impact of Black 134,590 Popular Culture on the Design in Britain" 5,00 0 Edge Biennale Trust : "Hemispheres" 5,00 0 Percent For Art/Research/Conference Sunil Gupta : "Disrupted Borders" 5,00 0 Attic Producers Publishing Co . Ltd . 20,000 Ikon Gallery Ltd : "Cultural Differences Block Books 2,500 Within a United Europe" 5,00 0 Camerawork 3,485 Institute of Contemporary Arts : "David Hammons" 1190 0 Design Service Group 4,000 Laing Art Gallery : "New Europe - 5,000 Edge Biennale Trust New Identities" 3,00 0 3,000 Susan Foster/International Artists' Plener Ma~p~n Art Gallery : Middlesex Polytechnic 5,000 "Three Women Artists" 2,000 Northumberland County Council 10,000 Museum of Modern Art (Oxford) Ltd : 0 Photocall 2,000 "International Video Sculpture" 4,70 Projects Environment 2,000 Norfolk Institute of Art & Design : "South East North West" 4,200 Public Arts Development Trust 1,500 Northern Centre for Contemporary Art : Spastics Society 8,000 "Holocaust" 3,100 66,485 Naomi Salaman : "Below the Belt" 1 1 900 Ten . 8 : "Beyond the Frame : Exploring First World Ikons in Visual Ants Publications Franchises Photography" 5,000 Attic Producers Publishing Ltd 9,809 Martin Young . "Manuel Cardenas" 2,000 Book Works London Ltd 10,23 6 73,85 0 British American Arts Association "The Artist in the Changing City" 4,000 Great Britain Touring - Estamp 2,000 Photography Touring Franchises Institute of Contemporary Arts : Autograph 11 50 0 "Thinking Art" 3,863 Cambridge Darkroom 1,33 2 Institute of Contemporary Arts : Camerawork 26,90 8 "Public Fantasy" 2,500 Impressions Gallery 1,50 0 Oram Press : "Photovideo - Photography in the Age of Computers" 11,500 Laing Art Gallery 8,00 0 17,70 0 Woollev Dale Press : "The Terminator Line" 1,875 Light House Media Centre 45,783 Carried Forward 2,963,938 Carried Forward 56,940 3,165,313 74/Schedule 1 England £ £ Brought Forward 56,940 3,165,31 3 Brought Forward 3,552,450 Anthony Roberts 5,72 7 Strategic Initiatives - Performance Art The Side Gallen• 5,300 Susan Andi 2,000 Watershed Trust 34,310 David Hughes 11,700 Yorkshire Arts 16,700 13,700 Yorkshire and Humbershide Arts Board 25,000 143,97 7 Visual Arts total as per note 6 3,566,15 0 Strategic Initiatives - Visual Arts Arlis 2,000 Artangel Trust 12,000 Art Monthly 2,00 0 Axis 10,00 0 Contemporary Art Society ],99 0 Deafivorks 50 0 Eastern Arts 12,00 0 Free Form Arts Trust Ltd 10,000 Susan Jones ],700 Polytechnic of Central London 10,000 Public Art Forum 8,000 Public Arts Development Trust 2,500 Ten . 8 15,000 Visual Arts and Galleries Association 17,000 104,69 0 Strategic Initiatives - Cultural Diversit y African and Asian Visual Artists Archive 2,000 Kala Press 3 .000 5,000 Strategic Initiatives - Visual Arts Education ACCCP 9,00 0 The Design Council 5,00 0 Hatchwarren Primary School 25 6 National Association for Fine Art Education 4,00 0 National Association for Gallen, Education 14,584 Organisation and Imagination 11000 Stoke Citv Museum and Art Gallery 500 Walsall Art Gallen 1.000 35,34 0 Strategic Initiatives - Photography Cultural Diversit y Autograph, Association o f Black Photographers 26,900 26,900 Strategic Initiatives - Photography Education The Blackfriars Photography Project 3,00 0 Media Education Magazine 3,76 0 Middlesex Polytechnic 1,32 0 Northern Arts Board 2,00 0 Northumberland County Council 12,00 0 Prolific Pamphleteer 1,750 Ten . 8 3,500 Wakefield District Council 8,400 West Sussex County Council 8,000 43,73 0 Strategic Initiatives - Photograph y Projects U .K . : National Photography Conference 7,500 South West Arts : Watershed 20,000 27,500 Carried Forward 3,552,450 Schedule 2 England/7 5 Schedule 2 to the account s Brought Forward 64,82 0 422,35 1 For the year ended 31 March 1992 Arts Connection 12,57 0 Birmingham Repertory Theatre 45,00 0 Bournemouth Orchestras 60,00 0 Brewhouse Arts Centre 23,00 0 Bury Metropolitan Arts Association 21,00 0 Bury St Edmunds Theatre Royal 36,00 0 Buxton Opera House 21,50 0 Chichester Festival Theatre 50,00 0 City of London Sinfonia 40900 0 Grants and guarantee s Corby Community Arts Association 4,10 0 Cornerhouse (Gtr. Manchester Arts Centre) 39,00 0 English Stage Company 40,00 0 Folkworks 4,50 0 INCENTIVE FUNDING AWARDS Gemini Trust 4,00 0 Scheme 1/Current Yea r £ Grand Union Music 14,00 0 Aldeburgh Foundatio n 14,665 Haydn - Mozart Society 33,00 0 Amber Associate s 3,000 Hull Truck Theatre Company 16,500 Arvon Foundatio n 3,250 Ikon Gallery 13,000 Benesh Institute 2,264 London Review of Books 15,000 Cheltenham Arts Festiva l 3,000 London Video Access 14,000 Chester Gateway Theatre 4,90 0 M6 Theatre 11,250 Colway Theatre Trust 4,90 0 Orange Tree Theatre 24,000 Contemporary Dance Trust (The Place) 3,70 0 Phoenix Dance Company 19,260 Cumbernauld Theatre 3,00 0 Photography Workshop (Edinburgh) 12,200 Durham Theatr e 3,37 5 Pioneers Art 5,300 English National Oper a 25,00 0 Poole Arts Centre 30 9 000 Environmental Art Organisation 4,65 0 Projects UK 3,000 Free Form Arts Trust 16,50 0 Proper Job Theatre 6,700 Glasgow Print Studi o 2,85 0 Public Art Commissions Agency 8,500 Glyndebourne Touring Oper a 10,80 0 Royal Liverpool Philharmonic Society 84,000 Hampstead Theatr e 2,917 Royal National Theatre 100,000 Leadmill Arts Centre 25,00 0 Royal Opera House 25,000 Leeds Theatre Trust 25,00 0 St David's Hall, Cardiff 58,000 London Bubble Theatre 5,00 0 Scottish Ballet 65,000 London Philharmonic Orchestra 15,00 0 Scottish Opera 74,000 London Symphony Orchestra 15,00 0 Shropshire Music Trust 6,500 Museum of Modern Art 9,00 0 Southern Artlink 12,650 Arts Development Associatio n 2,60 0 Trestle Theatre Company 21,819 Northern Chamber Orchestr a 3,00 0 Arts Centre (University of Warwick) 57,00 0 Opera Nort h 20,00 0 Welfare State International 20,00 0 Peterloo Poets 3,62 5 Women Artists' Slide Library Journal 14,40 0 Pitlochry Festival Society 9,60 0 Welsh National Opera 50,00 0 Rambert Dance Compan y 2,40 0 World of Music, Arts & Dance Foundation 24,00 0 Royal Exchange Theatr e 15,00 0 Yorkshire Art Circus Ltd 6900 0 Royal Shakespeare Theatre 25,000 Zap Art 22,80 0 Scarborough Theatre 9,550 1,332,369 Scottish Chamber Orchestra 15,000 South Bank Board 25,000 INCENTIVE FUNDING AWARD S South Yorkshire Photography Project 3,430 Annual Grants/Scheme 3 Theatre Royal Plymout h 25,000 15,00 0 Tricycle Theatr e 38,000 Aberystwyth Arts Centre 4,50 0 Trinity Centre 1,575 Adventures in Motion Pictures 11,25 0 Watermill Arts Centr e 5,000 Adzido Dance Company 65,00 0 Whitechapel Art Gallery 7,400 Almeida Theatre Company 10,00 0 Yorkshire Dance Centr e 3,400 An Lanntair 4,80 0 Yorkshire Film & Video Centr e 1,500 Art of Change 13,00 0 Yorkshire Sculpture Par k 3,500 Artswork Beaumont Street Recording Studios 7,00 0 422 ,351 0 Belgrade Theatre 42,00 0 Birmingham Royal Ballet 60,00 INCENTIVE FUNDING AWARDS 7,000 Blackfriars Arts Centre Annual Grants/Scheme 2 Brewery Arts Centre 58,000 APNA Arts 4,000 British American Arts Association 15,000 All Change Art s 14,120 Camerata, Manchester 22,500 Artangel Trust 19,000 Chapter Arts Centre 16,000 Attic Producers Publishing Company 27,700 Carried Forward 64,820 422,351 Carried Forward 351,050 1,754,720 76/Schedule 2 Englan d £ £ Brought Forward 351,050 1,754,72 0 Citv of Birmingham Symphonv Orchestra 69,000 Clonter Farm Music Trust 4,000 Contemporary Art Society 36,000 Contemporary Dance Trust 45,000 Cultural Partnerships 22,500 Cywaith Cvmru 4,620 English National Ballet 67,500 Fiori Musicali 10,000 Gardner Arts Centre 7,000 Hackney Empire 33,000 Halle Concerts Society 48,000 Horse and Bamboo Theatre 6,860 Impressions Gallen 19,000 Index on Censorship 15,000 Inkworks Project 7,500 Interzone 10,000 Kettle's Yard 15,000 King's Consort 18,000 Lambeth Children's Theatre 3,750 Lighthouse Media Centre 7,500 London Print Workshop 12,000 Lontano 7,500 Minories Art Gallen 7,000 Monteverdi Choir and Orchestra 53,000 New Perspectives Theatre 6,000 Northern Sinfonia 25,00 0 Oldham Coliseum Theatre 23,50 0 Oily Cart 6,00 0 Old Dairy Studios 6,00 0 Opera 80 18,00 0 Photo Fusion 12,72 0 Photographers' Gallen 31,00 0 Public Art Development Trust 3.8,00 0 Public Arts 13,50 0 Queen's Hall, Edinburgh 20,00 0 Royal Lyceum Theatre (Edinburgh) 40,00 0 St Donats Arts Centre 18,60 0 Sherman Theatre 24,00 0 Take Art 3,50 0 Tron Theatre 22,50 0 Vallev and Vale Community Arts 6,25 0 Waterman's Arts Centre 22,00 0 Wildcat Stage Productions 35,70 0 Windows 3,80 0 Wolsey Theatre 50,000 1,281,850 Total Annual Grants 3,036,570 Scottish Arts Council/7 7 Finance director's report The Scottish Arts Council is a self accountin g 5 Grants and Guarantee s division of ACGB with responsibility fo r Schedule 1 to the Accounts details the grants implementing its objectives in Scotland and guarantees offered by the Scottish Arts through its own Council (appointed by th e Council in 1991/92 . Arts Council of Great Britain) and Committe e structure . All staff of the Scottish Arts Council 6 Centre for Contemporary Arts are employed by the Arts Council of Grea t During the year the Third Eye Centre in Britain and enjoy common conditions of Glasgow went into insolvent liquidation . In service . The grant administered by the Scottis h order to preserve the availability of this venue Arts Council is allocated annually by the Arts for contemporary arts the Scottish Arts Council of Great Britain on a formula basis . Council made arrangements to purchase the property and equipment, and retained th e i Result for the perio d services of some key members of staff. Events The accounts show that the total income of th e which took place at the Centre after the date o f Scottish Arts Council for the year was liquidation were therefore wholly organised by £19.9 million, £18 .4 million of which was the Scottish Arts Council in anticipation of a spent on the Arts in Scotland . After accounting new company being formed to undertake for general administrative and operating costs a promotion of contemporary visual an d net surplus of £65,200 was achieved . performing arts . 2 Accumulated Surplu s The accumulated surplus, increased by the surplus for the year now stands at £806,723 . The majority of this reserve is required to fun d the Scottish Arts Council's assets . 3 Fixed Asset s The Scottish Arts Council has increased it s investment in facilities and equipment by improving access to the offices for people with disabilities, by installing a modern switchboar d and telephone system and by continuing t o upgrade computing facilities . 4 Expenditure Two major events during the year resulted i n increased costs, these were the Charter for th e Arts and the implementation of a structural review which involved an increase in staff levels . Expenditure on the Charter will reduce in 1992/93 but the increased staffing will result in a permanent rise in administrative costs . 78/Scottish Arts Counci l Income and expenditure account for the year ended 31 March 1992 1992 1991 £0008 £0009 L000s Loons Income Grant from Arts Council of Great Britain : Note 2 19,693 17,52 2 Other Operating income : Note 3 78 6 9 19,77 1 Grants and Guarantees accrued i n previous years, now not required 4 3 19,814 Expenditure Administration of subsidies an d services Staff costs : Note 4 748 70 6 Depreciation : Note 9 54 3 8 Operational costs : Note 5 1,26 3 Grants and Guarantees : Note 6 18,086 16,00 8 Other activities : Note 6 178 174 Direct promotions : net costs : Note 7 10 2 General expenditure on the arts in Scotland : Note 6 18,404 16,28 4 19,83 6 Operating surplus/(deficit) (22) Interest receivable Surplus for the financial yea r Transfer from reserves : Note 1 0 3 0 Transfer to capital reserve : Note 1 4 (29) Net Surplus : Note 8 6 5 Accumulated surplus brought forward Accumulated surplus carried forward 806 741 Scottish Arts Council/7 9 Balance sheet as at 31 March 199 2 1992 £OOOs £OOOs Fixed assets Tangible assets : Note 9 63 6 Current asset s Debtors and Prepayment s 12 5 Grants and Guarantees paid in advance 1,516 Cash at bank and in hand : Note 15 417 Current liabilities Grants and Guarantees outstandin g 1,397 1,27 8 Creditors : amount falling due within one year 9 2 1,37 0 Net current assets 540 53 5 Total assets less curren t liabilitie s 1,17 6 1,11 2 Financed by Income and Expenditure Accoun t 80 6 74 1 Reserves : Note 10 3 0 Capital Reserve : Note 14 37 0 1,176 Dr William Brown CBE Chairman, Scottish Arts Council Anthony Everitt Secretary General 16 September 1992 SO/Scottish Arts Counci l Cash flow statement for year ended 31 March 199 2 1992 £OOOS LOOO S Net Cash Flow from operatin g activities : Note 1 6 (601) Return on Investments and servicin g of Finance : Interest received on short ter m cash deposit s 8 3 Investing Activities : Fixed Assets Purchase d (96) (107) Fixed Assets Sol d 2 (94) 11 (96) Increase/(Decrease) in Cash an d Cash equivalents : Note 17 (612) 1,009 Scottish Arts Council notes to the accounts/8 1 Notes to the accounts as at 31 March 199 2 1 Accounting Policies c) Depreciation and Fixed Assets a) The financial statements are prepared unde r Depreciation is provided on all tangible fixe d the historical cost convention . Without assets at rates calculated to write off the cos t limiting the information given, the account s less estimated residual value of each asset meet the requirements of the Companies Act systematically over its expected useful life a s 1985, and of the Statements of Standar d follows : Accounting Practice issued by the Accounting Freehold buildings over 50 year s Standards Board as far as those requirements Leasehold buildings over the life of the lease are appropriate . Significant departures fro m Fixtures & Fittings over 4 years Statements of Standard Accounting Practic e Motor vehicles over 4 years are disclosed in the notes to these accounts an d Freehold land is not depreciated . Works of Art the financial effect is quantified where are shown at historical cost, and an amoun t practicable to do so . equal to the value of the net purchases eac h year is transferred out of the Income and b) Accruals Convention Expenditure Account to a separate Capital (i) All income and expenditure is taken into reserve (Note 14) . This reflects the fact that account in the financial year to which it relates . works of art are not assets which have a finit e Setting up costs incurred on an exhibitio n useful economic life . promoted by the Council are charged to th e year in which that exhibition is officiall y d) Leases opened to the public . Setting up costs incurred Costs in respect of operating leases are charge d in a year prior to that opening are treated a s to the Income and Expenditure Account on a prepayments . straight line basis over the life of the lease . (ii) Subsidy expenditure is incurred in the for m of grants and guarantees which are formally e) The total pension cost arising in 1991/9 2 offered to and accepted by the Council's was £56,126 (1991 £89,825) . clients . Grants and guarantees are charged to The Arts Council provides a defined benefi t the Income and Expenditure Account in th e pension scheme for its employees . The schem e year in which funded activities take place ; if is funded by payments by the Council an d this is not determinable they are charged in th e employees to a Trustee-administered fun d year in which activities begin . Any amount s independent of the Council's finances . These unpaid from grants and guarantees at the yea r contributions are invested in a managed fun d end are shown as liabilities in the Balance Shee t run by a leading insurance company . and any advance payments to the client i n Contributions payable in the financial yea r anticipation of grants and guarantees to be 1991/92 are based on an actuarial valuation o f charged in the following financial year are the scheme as at 1 April 1990, carried ou t shown in the Balance Sheet as assets . using the Projected Unit Method, and ar e charged against the Income and Expenditur e Account . The actuarial valuation revealed that , assuming a long-term investment return of 9% , pensionable salary increases of 75% per annum and pension increases of 5 .5%, the net marke t value of the scheme assets amounting t o £13,149,940 represented 104% of accrue d benefits . This result enabled the employers to accept the Trustees' recommendation that th e following contribution rates should apply fro m 1 April 1991 : Arts Council 9 .4% (previousl y 15.9%) . The employers also agreed to allow male members at 6 April 1978 to retire at age 60 without actuarial reduction, thus bringing them into line with female members with th e same service . 82/Scottish Arts Council notes to the accounts 1992 1991 Lows £000s 2 Grants from the Arts Council Revenue Grant 19,693 17,45 1 of Great Britain Incentive Funding Grants - 7 1 3 Other operating income Suncirv Income 32 1 9 Rental Income 45 4 4 Profit on sale of fixed assets 1 6 78 6 9 4 Administration of subsidies Salaries and Wages 655 58 1 and services Employers National Insurance 41 4 3 Staffcosts Arts Council of Great Britain Retirement Plan (1975) 52 8 2 748 706 The Chairman, Council and Committee Members are not paid for their services . The average weekly number o f employees during the year was made up as follows : NO N O Administration of subsidie s and services 47 4 2 Direct Promotions 7 5 Employees receiving remuneratio n within the range £30,000-£39,999 2 1 The total actual remuneration of the Director of the Scottish Arts Council including taxable benefits was £37,479 . The Director is an ordinarv member of the Arts Council Pension Scheme . 5 Administration of subsidies Travelling and subsistence 83 5 8 and services Rent and rates 127 124 Fuel, light and house expenses 42 42 Publicitv and entertainment 45 39 Postage and telephone 52 29 Stationery and printing 117 72 Professional fees 54 4 7 Office and sundrv 55 9 0 Agency staff 35 8 Staff Recruitment costs 20 10 Scottish Arts Council notes to the accounts/8 3 1992 1A91 $000s £000s E000s £000 s 6 Expenditure by art form Musi c Grants and Guarantee s 6,971 6,66 2 Dance and Mime Grants and Guarantee s 1,917 1,72 7 Tourin g Grants and Guarantee s 215 204 Less : Local Authority Contributions Kirkcaldy District Counci l 4 215 200 With effect from 1 April 1990 , Local Authority contribution s are now generally paid direct to the Touring Company . Dram a Grants and Guarantee s 3,390 3,29 3 Art Grants and Guarantee s 1,367 1,36 6 Net cost of exhibitions : Note 7 150 10 5 Provision of studio - Amsterdam 4 2 Net cost of maintaining collection : Note 7 (10 ) (3) Lecture schem e 20 1 7 1,531 1,48 7 Fil m Grants and Guarantees 34 32 Literature Grants and Guarantees 613 59 7 Poetry readings 6 8 Writers in Schools and in Publi c 103 85 Other activitie s 1 Scottish/Canadian Writers Fellowship 5 5 Magazines to libraries scheme 5 6 Readers fees and book purchases 8 10 74 1 71 1 Festivals Grants and Guarantee s 78 4 704 Combined Art s Grants and Guarantee s 1,22 6 1,25 5 Reports, surveys and seminar s 2 6 4 1 Central Fund s Grants and Guarantees 1,460 7 2 Housing the Arts Grants 109 General expenditure on the arts in Scotland 18,404 84/Scottish Arts Council notes to the account s 1992 199 1 LOGOS LOGOS £ooos £ooos 6 Expenditure by art form Summary (continued) Grant and Guarantees 18,086 16,00 8 Other activities 178 17 4 Direct promotions 140 10 2 18,404 16,28 4 Included in the figure ofL1,226,283 for Combined Arts Grants and Guarantees, is a sum ofL60,608 which i s the amount spent in supporting activities at the Centre for Contemporary Arts in Glasgow between the date o f liquidation of the Third Eve Centre Ltd, 1st November 1991 and 31st March 1992 . 7 Direct promotions Income 1 1 1 Exhibition s Staff cost s Salaries (70) (42 ) Employers National Insurance (6) (4) Arts Council of Great Britai n Retirement Plan (1975) (4) (7) (80) (53 ) Operational Costs (69) (59) Depreciation (2) (4) (150) (105 ) Collectio n Income 15 1 3 Operational Cost (5) (10) 10 3 Net deficit (140) (102 ) 8 Surplus for the year 65 21 6 Stated after charging (a) Auditors remuneration 19 1 8 (b) Leases in this financial year : Land and Buildings 132 12 5 Others 37 3 6 9 Tangible fixed assets Land and Fixtures Vehicles Works Tota l Building s & Fittings of Art LOGO S LOGOS LOGOS LOOOs LOGOS Cost at 1 April 1991 214 205 90 341 850 Additions 15 41 30 29 115 Disposals a t 31 March 1992 - ( 2) (4) - (6 ) 22 9 244 116 370 95 9 Depreciation as at 1 April 1991 7 5 145 53 - 27 3 Provided 1991/92 6 32 18 - 5 6 Less depreciation o n disposals in 1991/92 - (2) (4) - (6 ) 8 1 175 67 - 32 3 Net book value at 1 April 1991 13 9 60 37 341 57 7 Net book value at 31 March 1992 148 69 49 370 636 Scottish Arts Council notes to the accounts/8 5 1992 1991 LOGOS LOGOS 9 Tangible fixed asset s Depreciation is allocated t o (continued) Subsidies and services 54 3 8 Direct promotions : Note 7 2 4 56 42 The net book value of land an d buildings comprise s Freehold 109 112 Short leasehold improvements 39 2 7 148 139 The purpose of the Council's art collection is to increase the understanding and appreciation of contemporar y art and to widen its audience through loans to organisations and installations and for exhibitions . It is not hel d for investment or resale . The Council's art collection was valued on 31st March 1991 by Aitken Dott Plc at L 1 .9 million . In the opinio n of the Director of the Council, the value of the Collection at 31st March 1992 is not less than this figure . Balance at Transfer from Appro- Balance at 1 April 1991 reserves priations 31 March 1992 LOWS £OOOs LOWS LOOOs 10 Reserves 30 30 - - 11 Leases At 31 March 1992 the Counci l had annual commitments unde r non-cancellable operatin g leases as set out below : 1992 1991 Land and Other Land and Othe r Building s Building s LOGOS LOGO S LOGOS LOOO s Operating leases which expire : within one year - - 2 in the second to fifth years inclusive - 9 13 over five years 132 24 125 15 132 33 125 3 0 12 Capital commitments Contracted - Authorised but not contracted 124 13 Grant commitments As at 31 March 1992 the Council offered grants in respect of futur e years as follows : Forward funding - 1992/93 10,064 8,83 0 14 Capital reserve Balance at 1 April 1991 34 1 31 2 Appropriations in 1991/92 2 9 Balance at 31 March 1992 37 0 34 1 15 Cash at Bank and In hand Cash in transit (balance due fro m Arts Council of Great Britain) 40 0 80 0 Other Cash 17 22 9 417 1,02 9 86/Scottish Arts Council notes to the account s L. £0009 .C000 s 16 Net cash flow from Operating surplus/(deficit ) (22) 12 6 operating activities Depreciation charge s 56 42 Profit on sale of fixed assets (1) (6 ) Decrease in Debtors & Prepavments 41 98 Increase in Grants & Guarantee s paid in advance (803 ) (225 ) Increase in Creditor s 9 2 4 Increase/(Decrease) in Grants & Guarantees outstandin g 119 (152 ) Decrease in amount due fro m Arts Council of Great Britain 1,10 0 1,00 7 1991 Change in Yea r LOWS L000s £0009 17 Decrease in cash an d Analysis of the balance of cash cash equivalents and cash requirements : Cash at bank and in hand 417 1,029 (612 ) Comptroller and Autitor General's Certiflcate I have examined the financial statements on pages 78 to 86 in accordance with the National Audit Office auditing standards . In my opinion the financial statements give a true and fair view of the state of affairs of the Scottish Art s Council at 31 March 1992 and of its surplus and cash flows for the year then ended and have been properly prepared in accordance with the directions made by the Secretary of State for National Heritage . N Gal e Associate Director for the Comptroller and Auditor Genera l National Audit Offic e 17 September 1992 Schedule 1 Scotland/87 £ £ Schedule 1 to the accounts Brought Forward 67,125 6,555,300 New Town Concerts Society Ltd 5,25 0 AS at 31 March 1992 Elgin : Gordonstoun Concert Society 3,00 0 Ettrick & Lauderdale District Council 2,40 0 Fife Regional Council 65 0 Forfar Arts Guild 500 Gatehouse Musical Society 1,150 Georgian Concert Society 10,000 Girvan Arts Guild 100 Glasgow : Asian Artistes Association 5,250 Jazz Network Ltd 53,000 Grants and guarantees Pan African Arts Scotland 2,500 that date) (Includi ;tq subsidics offered, but not paid at Westbourne Music 5,000 Glenkens & District Music Club 1,650 MUSIC Haddington Music Club 2,90 0 Opera £ £ Hamilton District Arts Guild 50 0 3,000 Ayr : Opera West Hawick Music Club 1,50 0 11000 Edinburgh Grand Opera Helensburgh Music Society 75 0 : Fife Opera 2,000 Kirkcaldy Highland : Friends of Scottish Opera Scottish Opera Limited 3,860,000 Highland Branch 60 0 3,866,000 Invergordon Arts Society 2,50 0 Irvine Burns Club 1,45 0 4,20 0 Concert Promoters - Performing Companies Kelso Music Society 3,00 0 Cappella Nova Limited 8,500 Kilmardinny Music Circle Kintyre Music Club 3,500 ECAT Contemporary Music Ltd 21,500 2,500 Edinburgh Chamber Music Trust 20,000 Kirkcaldy Music Society Lanark Arts Guild Music Club 1,000 John Currie Singers Ltd 17,000 Lewis and Harris Piping Society 750 The Leda Trust 2,000 Lewis and Harris Traditional Music Society 900 Paragon Ensemble Ltd 25,500 Linlithgow Arts Guild 2,500 Royal Scottish Orchestra Society Limited 1,737,800 Lochaber Music Club 1,650 Scottish Baroque Ensemble Ltd 107,000 Lockerbie Musical Society 550 Scottish Chamber Orchestra Ltd 735,000 Melrose Music Society 75 0 Scottish Early Music Associations 15,000 Miingavie Music Club 5,00 0 Moffat and District Musical Society 67 5 2,689,300 Moray Arts Club 70 0 Motherwell & District Music Society Soo Concert Promoters - Other Musselburgh : Loretto Concert Society 50 0 Aberdeen : Aberdeen Chamber Music Club 3,500 Nairn Performing Arts Guild 75 0 Aberdeen Jazz Society 3,000 National Association of Music Societies 42,00 0 Haddo House Choral & Operatic Society 2,500 Newton Stewart & District Music Club 1,75 0 Isle of Arran Music Society 1,400 Chan Music Society 1,350 Ayr : Ayr Arts Guild 4,750 Music in Peebles 2,000 Ayr Music Club 1,500 Perth Chamber Music Society 750 Banffshire Arts Guild 11 500 Platform Inverness 4,000 Beith Arts Club 19 500 Prestwick Arts Guild 250 Berneray Community Association 800 St Andrews Music Club 2,250 Biggar Music Club 3,750 Shetland Arts Society 2,000 Blair Atholl : Music in Blair Atholl 1,000 Skye : Skye Arts Guild 3,00 0 Bute Arts Society 600 Urras an Eilein 35 0 Caird Hall Organ Trust 300 Stonehaven Music Club 1,50 0 Carnoustie Music Club 1,000 Stranraer Music Association 3,35 0 Cowal Music Club 1,800 Strathearn Music Society 2,25 0 Culzean Arts Guild 350 Thurso Live Music Association 1,00 0 Dalkeith and District Arts Guild 650 Troon Arts Guild 35 0 Dollar Music Society 600 University of Dundee 2,50 0 Dumfries Music Club 1,400 West Kilbride Music Club 1,05 0 Dunblane Cathedral Arts Guild 3,750 West Linton Music Society 1,15 0 Dundee : Dundee Chamber Music Club 3,450 St Mary's Rectory 300 270,350 Dunfermline Arts Guild 1,250 East Kilbride Music Club 950 Concerts In School s Edinburgh : Assembly Direct Ltd 18,000 Ayr Academy 60 Edinburgh Indian Association 2,250 Belhaven Hill School 50 Heart Beat World Music 3,400 Borders Regional Council 1,350 Live Music Now Ltd 1,875 Dumfries and Galloway Regional Council 75 Carried Forward 67,125 6,555,300 Carried Forward 1,535 6,825,650 88/Schedule 1 Scotland £ £ £ £ Brought Forward 1,535 6,825,650 Brought Forward 93,22 0 Mlchatten Primary School 50 Glasgo w Lochaber High School 75 Glasgow District Council - Tramway 2,500 Nairn Academy 75 Glasgow District Council 3,000 Oban High School 75 Asian Artistes Association 3,500 Orkney Arts Society 75 Rosina Bonsu 11500 Oxenford Castle School 75 Dance Consortium 8,000 Tavside Regional Council 75 Flint Theatre 800 Tobermory High School 75 Katrina McPherson 11000 Mayfest Limited 6,135 2,110 Mary Niblett 1,200 Contemporary Music Randomoptic Pick Up Company 11500 Southside Asian Artistes Association 300 Assembly Direct Limited 2,040 TAG Theatre Company 10,000 Glasgow University Music Department 715 Third Eve Centre 20,00 0 University of Dundee 11000 Christine Whyte 1,14 5 3,755 Grampian Regional Counci l Aberdeen District Council 6,00 0 Other Activities Aberdeen D C Art Gallery & Museum 6,00 0 Awards 8,050 Asian Social & Cultural Association 2,000 Commissions 314850 Banff & Buchan District Council 4,000 Other Applications 2],395 Grampian Youth Dance 880 Performing Materials 8,579 Highland Regional Counci l Pianos 850 Ross & Cromartv District Council 370 The Queen§ Hall (Edinburgh) Limited 12,500 Lothian Regional Council Scottish Music Information Centre Ltd 26,000 Out of Order 11 000 West Lothian District Council 109,224 1 1 900 Strathclyde Regional Council Recordings Cunninghame District Council 450 Cappella Nova Limited 9,000 Jigsaw Theatre 2,500 Kenneth Elliot 2,000 The Scottish Ballet Limited 1,610,869 New Music Group of Scotland Trust 7,500 Strathclyde Regional Council 8,000 Olympia Compact Discs Limited 2,000 Strathclyde Department of Education 11 000 The Scottish Chamber Orchestra Limited 10,000 Tayside Regional Counci l Asian Cultural Associatio n 30,500 (Tayside & Fife) 3,50 0 Dundee Repertory Theatre Limited 70,62 0 Total per note 6 6,971,239 Grace Mangan 1100 0 State Theta 5,00 0 DANCE & MIME Others Borders Dance Festival 7,500 Conran Roche Planning 1,500 Borders Regional Council 370 The Featherstonehaughs ]1000 Central Regional Council Stirling Dance David Glass New Mime Ensemble 500 Theatre 500 Kala Chethena Kathakali/Mohinattem Troupe 3,000 Dumfries & Galloway Regional Council The Kosh 4,000 Dalbeatie Dance Group 400 London Citv Ballet 1,000 Dumfries & Galloway Arts Association 4,000 SAORSA 5,000 Edinburgh Talking Pictures 1,400 Assembly Theatre Limited 15,000 Trestle Theatre Company 1,700 Benchtours 16,00,0000 Watson & Co 1,500 Alan Caig 1,500 Bursaries Edinburgh District Council (Dance Base) 3,700 Dance & Mime 17,080 Edinburgh Indian Association 3,000 Edinburgh International Folk Dance Group 100 Total per note 6 1,916,56 9 Alan Greig 1,200 Susan Hay Administrations 2,000 TOURINA G STAGE 1 National Youth Jazz Dance Festival 5,000 Adamdam SmitSmithh Theatre 15,00 0 Scottish Youth Dance Festival 16,000 Gaiety Theatre 5,00 0 Traverse Theatre 11,000 His Majesty§ Theatre 81,00 0 Wildstage Theatre Company 1,000 King1s Theatre 37,500 X-Factor 1,300 Palace Theatre 7,000 Fife Regional Council Theatre Royal 60,000 Area One 400 Visiting Arts Office of Great Britain an d Arts in Fife 750 Northern Ireland 9,000 Fife Regional Council 2,500 Total per note 6 214,500 Carried Forward 93,220 Schedule 1 Scotland/8 9 DRAMA Brought Forward 2,417,908 Borders Regional Council Highland Regional Counci l Rideout Theatre Company 11,000 Clown Jewels 20,000 Dumfries & Galloway Arts Association 6,000 Eden Court Theatre 25,000 Edinburgh National Gaelic Arts Project 10,500 American Connexion Theatre Ordag is Sgealbag 8,000 Company Ltd 6,000 Ross and Cromarty District Council 2,500 Anne Bonnar 300 Thurso Players 500 Benchtours 1 1 000 Lothian Regional Council Communicado Theatre Company 130,260 Brunton Theatre - Revenue 41,468 Craigmillar Festival Society 1 + 000 IPB Productions 4,00 0 Edinburgh Playwrights Workshop 1,000 Theatre for Young People Working Parry 22 0 Edinburgh Puppet Theatre 6,000 West Lothian District Council 1,20 0 Edinburgh Touring Circuit 1,500 Strathclyde Regional Council Fifth Estate 8,000 Black Box Puppet Theatre Company 35 0 Grassmarket Project 2 ;000 Borderline Theatre Company Ltd 149,02 5 Hullaballoo Childrens Theatre 5,000 Clydesdale District Council 1,00 0 Pat Keysell/Edinburgh Dance Base 1,330 Cumbernauld Theatre 3,25 0 Mandela Theatre Company 11,000 New Lanark Conservation Trust 2,00 0 Royal Lyceum Theatre Company Ltd 493,671 Tayside Regional Counci l Scottish Community Drama Association 400 Dundee Repertory Theatre Ltd 254,16 9 Scottish International Childrens Festival 17,000 Perth Repertory Theatre Ltd 226,988 Speakeasy Theatre Company 2,000 Pitlochry Festival Society Ltd 197,32 7 Symon MacIntyre 100 Island Authorities Theatre Alba Company Ltd 5,000 Islesburgh Entertainments Committee 500 Theatre Co-Op 4,000 Orkney Youth Theatre 15,000 Theatre Workshop 11,400 Other s Traverse Theatre (Scotland) Ltd 301,350 Electric Theatre 1,200 Fife Regional Council Horse and Bamboo Theatre 4,000 Byre Theatre of St. Andrews Ltd 99,114 International Workshop Festival 2,500 FederationF of Scottish Theatr e 12,000 Northumberland Theatre Company 1,500 Glasgo w Actual Theatre 11 000 3,390,105 Annexe Theatre Company Ltd 21,500 - ART Citizens' Theatre Ltd 490,272 Edinburgh : Citizens' Theatre Ltd - TAG 103,898 Robert Adam 25 0 Clyde Unity Theatre 20,000 Alba Magazine - Revenue 24,00 0 Fablevision 20,000 Art in Partnership 16,80 0 Giant Productions Ltd 3,400 Art into Prisons 1,30 0 Glasgow Fair Project 11500 Artlink 3,50 0 Iain Heggie 4,000 The Ash Gallery 5,00 0 Ferelith Lean 300 Gloria Chalmers 55 7 Opening Acts Theatre Company Ltd 15,000 Rebecca Coggins 6 3 Pen Name Theatre 25,000 Collective Gallery 9,00 0 Performance Exchange 800 Tony Cooper 5,000 Renfrew District Council 2,500 190 Fred Crayk 350 Sally Rew East Unit Art Fund (E . Gen . Hospital) 266 Scottish Youth Theatre Ltd 21,000 Eastern General Hospital 1,000 Scottish Student Drama Festival 2,000 Edinburgh Biennial - Edinburgh D C 2,500 7 :84 Theatre Company (Scotland) Ltd 168,073 Edinburgh City Arts Centre 1,300 Phyllis Steel 400 Edinburgh Printmakers Workshop 49,450 Theatre Machine 4,000 Edinburgh Sculpture Workshop 14,000 Tron Theatre Ltd 165,111 Karen Forbes 10,000 Wildcat Theatre Stage Productions Ltd 172,439 Fruitmarket Gallery 260,15 1 Winged Horse Touring Productions 3 :1,000 James Gavin 175 Rita Winters 300 Graeme Murray Gallery 9,12 5 Grampian District Council Keith Grant (Amsterdam Studio) 5,25 0 Banff and Buchan District Council 1,000 Grindlay Court Adult Training Centre 77 0 North East Arts Touring 5,000 John Hunter 35 0 Texaco Theatre School 800 Douglas Jones 20 0 Bob Last 35 0 Geoffrey MacEwan 25 0 McIlroy Coates (Percent for Arts) 2,60 0 Carried Forward 2,417,908 Carried Forward 423,557 90/Schedule 1 Scotlan d Brought Forward 413,557 Brought Forward %%'cndv McMurdo 5,000 Needlework s Alistair Mack 350 Sarah Nevil l Walter Mille r 250 Cordelia Olive r Gordon Munr o 350 Jacki Parr% Lawrence Nowosa d 500 Jim Pattiso n Frances Parke r =69 Projectabilin Percent for Art s 4,775 Craig Richardso n Portfolio Gallery 15,000 Alan Robertso n Portfolio Magazin e 10,000 Springburn Museum Trus t Philip Powe r 500 Street Level Photography Gallery & Richard Demarco Galle n 7,500 Worksho p Tina Lappanen-Ritchi e 250 Fiona Sutherlan d Hilary Robinson 120 Transmission Galle n Lorraine Robso n 197 Variant Magazin e Royal Edinburgh Hospital 5,500 WASPS s Sally Schofield 395 Cathy Wilke Windfall '9 1 Sculpture North 4,000 Borders Slide Worksho p 4,000 Society of Scottish Artist s 3,000 Ettrick & Lauderdale District Counci l Stills Galle n 52,426 Borders Festiva l Liz Tainish 200 Borders Museum Foru m Tweeddale District Council Talbot Rice Arts Centre 20 9000 Mary Walter s 400 Centra l WHAL E 2,550 Alan Park Gallery Donald White 300 Brian William Jenkin s Angela Wrapson 300 MacRobert Arts Centr e Glasgo w Scottish Sculpture Trust ACME Presentations 2,000 Stirling Royal Infirmary (Forth Valley Health Board) David Allen 300 Smith Museum & Art Galler y Glasgow Museums & Art Gallerie s 5 ,850 Dumfries & Gallowav Oladele Bamgboye 2,500 Dumfries & Gallowav Arts Associatio n Fiona Byrne-Sutton 400 Gracefield Arts Centr e Castlemilk Fringe Phtography Project 5,250 Stewartry District Council Rosanne Cherubin i 300 Wigtown District Counci l Nathan Coley 350 Fife Collins Gallen 7,200 Art in Fife Compass Gallery 7'259 Crawford Arts Centre (St . Andrews) Lt d Cranhill Arts Projec t 209000 Neil Stuart Chapman Louise Crawford 375 Dunfermline District Counci l Joseph Davi e 2,000 Kirkaldy Museum & Art Gallery Drumchapel Community Organisation s Council Lt d 6,000 William MacLean Andrew Stenhous e Alan Dunn 19000 Easterhouse Arts Projec t 2,500 Grampian Anne Ellio t 2,500 Aberdeen City Arts Departmen t Eventspace 7,500 Frederick Bush e Helen Flockhart 200 Grampian Hospital Arts Project Glasgow Arts Centr e 1,310 NEAT Glasgow Mel a 5,000 Peacock Printmakers Worksho p Glasgow Milestones 3 9 500 Scottish Sculpture Worksho p Glasgow Print Studio 70,400 David White Glasgow Sculpture Studi o 15,000 Highland Graeme Murray Gallery 12,000 An Tuireann Art Centre Catriona Grant/Martha McCulloch 289 British Artists Blacksmith Associatio n Stephen Grant 350 Highland Printmakers Workshop & Gallen Lt d Maxwell Griffiths/Ian Hamilton 250 Highland Regional Counci l Joan Hughso n 2 ,000 Invergordon Community Arts Project Hunterian Art Galler y 1 ,500 Lyth Arts Centre Stephen Hurre l 380 Ross & Cromarti District Counci l Lorna Hutcheo n 218 Lothian Lobby Dosser Statue Fun d 2,000 West Lothian District Counci l Kevin Low 300 Strathclvd e Keith McIntir e 200 Alpha Project David McMillan 1 1 000 Carried Forward 751,870 Carried Forward Schedule 1 Scotland/91 Brought Forward 1,139,732 Brought Forward 229,000 Anne Bontke 63 Magazines Jim Buckley 5,000 Books in Scotland 12,000 Dick Institute 8,142 Cencrastus 12,00 0 Drumpellier Country Park 2,000 Chapman 12,00 0 East Kilbride District Council 657 Edinburgh Review 6,00 0 East Kilbride Development Corporation 5,469 Gairfish 95 0 Inverclyde Resources - The Art Works 3,586 Gairm Publications 12,80 0 Irvine Development Co-Operation 4,750 Lallans 1,80 0 Kirklands Arts Project 5,000 Lines Review 8,24 0 Kyle & Carrick District Council 1,500 Northlight Poetry Review ],00 0 Lillie Art Gallery 470 Tocher 1,50 0 MacLaurin Gallery 9,225 Verse 1,65 0 Motherwell District Council 3,450 West Coast Magazine 2,400 Scottish Society for the History of Scottish Book Collector 2,400 Photography 167 74 ,74 0 Summerlea Heritage Trust 92 1 Louise Turmine 1,626 Literary Events Tayside Asian Artistes Association 1,400 Angus District Council 2,250 Ceilidh Place Writers Weekend 790 Art and Nature Gallery 3,800 Chapman 1,500 Duncan of Jordanstone College 2,000 Urras An Eilean 900 Dundee Photographic Society 200 Fair City Story Festival 750 Dundee Printmakers Workshop 71,500 Lothian Racial Equality Council 21 0 Dundee Public Arts 10,000 Netherbow Arts Centre 2,50 0 Elizabeth McFall 350 Scottish P.E .N . 80 0 McManus Gallery 1,990 Stirling University Poetry Reading 70 0 Malcolm Miles 300 St . Andrew, Poetry Festival 1,50 0 Perth Royal Infirmary 1,200 James Tait Black Memorial Prizes 1992 1150 0 Royal Victoria Hospital 1,200 12,550 Strathmartine Hospital 5,000 Grants to Publishers n estern Isles Aberdeen University Pres s Isles 33,641 WA La Rural Life in Victorian Aberdeenshir e Sue MacDonald 350 by William Alexander edited b y Margins 3,000 Professor Ian Carter 1,000 Douglas Muir 400 Wild Plants of Glasgow and their Conservation by Dr J H Dickson 11000 Orkney Arts Society 300 The Collected Poems of Alexander Scott Pier Arts Centre 25,628 edited by David Robb 1,500 Shetland Arts Trust 5,357 Acair Limited 400 Stromness Academy MacLean, A Celebration on his 80th Western Isles Arts Council 450 Birthday edited by Angus Peter Campbel l 1,500 Western Isles Health Board 1,000 A Shilling for your Scowl by Other James Shaw Grant 1,00 0 AXIS 2,000 Balnain Books Julie Brook 2,500 A Writers Ceilidh for Neil Gun n edited by Aonghas MacNeacail 50 0 National Disability Arts Forum 175 Happy for the Child by Robin Jenkins 11 00 0 Total per note 6 1,366,749 These Other Times by Bess Ross 1,00 0 The Key Above the Door by Maurice Walsh 1,00 0 1,00 0 FILM The Governors by Sian Hayton Scottish Film Production Fund 26,774 Eureka/The Sea-King§ Daughter by George Mackay Brown 1,25 0 Scottish Film Training Trust 7,497 B & W Publishin g Total per note 6 34,271 Close by James Robertson 1,000 Black Ace Enterprises Crumbs ofLove by Hunter Steele 750 LITERATURE Association for Scottish Literary Studies 14,500 Canongate Press Goose Girl and Other Stories b y Book Trust (Scotland) 36,500 Eric Linklater 1,500 Edinburgh Book Festival 16,750 Experiencing Peru by Tom Pow 11000 Gaelic Book Council 79,000 Smeur an Dochais/Waiting for the Scottish Poetry Library Association 18,250 Brambles by Ruaraidh MacThomais 1,000 Scottish Publishers Association 64,000 Jack the Lad by Duncan Williamson 1,000 60 0 229,000 Alps Secret War by Donald Lightwood M"Beth edited by Robin Lorimer 1,00 0 Journey to Livingston by Timothy Holmes 1,00 0 Carried Forward 229,000 Carried Forward 20,600 316,290 92/Schedule 1 Scotland £ £ £ £ Brought Forward 20,600 316,290 Brought Forward 69,950 316,290 Chapman Polygo n Singing Seals by Gordon Meade 500 Scots Baronial by John Dixon 75 0 Charto & Windus A Friend ofHumanity: Selected Shor t 0 Talkies by Robert Crawford 600 Stories by George Friel 1,00 0 W & R Chambers Rolling by Thomas Heal 50 Scottish Biographical Dictionary Darkness Throws Down The Sun b y edited by Rosemary Goring 4,000 Peter Plate 75 0 Edinburgh University Press The Manufacture of Scottish Histor y edited by Ian Donnachie an d The Arts of Alasdair Grav edited b y Christopher Whatley 1,000 Robert Crawford and Thom Nairn 11000 Last Orders and Other Stories Gilbert Stuart : A Lifef Amon The by James Meek 750 Enlightment Literati by William Zachs 11000 The Sang's The Thing edited by y ns: The SScottish Folk Plav Sheila Douglas 1,250 bby BBrianr Hayward 11000 Cultural Weapons : Scotland and Survival lain Crichton Smith edited by in the New Europe edited by Colin Nicholson ],250 Christopher Harvic ]1 000 The Dundas Despotism by Michael Fry 2,500 Under The Frog by Tibor Fischer 1,000 Reading Douglas Dunn (Modern Scottish Alias M"Alias by Hamish Henderson 1,500 Writers Series) edited by Robert Crawford and David Kinloch 11 000 Alice in Shadowtime by Iona MacGregor 750 Faber and Faber Limited Coming Out With It by Angela McSeveney 500 The Faber Book ofTwentieth-Century Presses Universitaires de Grenoble Scottish Poetry edited by Douglas Dunn 11 000 Docberty by William McIlvanney & Floris Books The Green Isle of the Great Deep by Neil Gunn (translated) 1 1 000 Carmina Gadelica by s Alexander Carmichael .1,500 Pheonix Pres Galliard Thirst by Harry Laing 400 August Morning On Tweed by Ramsay Head Pres s Deric Bolton 500 Seven Valleys by Tessa Ransford 500 Dundee Doldrums by W N Herbert 500 The Saltire Societ y Gair6sh The Odyssey translated by William Neill 1 1 000 Dundee - A Dundee Anthology edited Scotsou n by W N Herbert 500 Sangshaw and Penny Wheep by Harper Collins : Hugh MacDiarmid 500 The Laughing Playmate (Scottish Short Into the White World by Kenneth White 500 Stories 1992) 5,100 Schiltron Publishin g John Murray (Publishers) Ltd Short Stories of Robert Louis Stevenson Vinland by George MacKay Brown 1 1000 - Vol 2 narrated by Robert Trotter 500 Kinmor Music Beattock for Moffat and Other Stories The Tree of Strings by Sanger and narrated by Robert Trotter 300 Kinnaird 11000 Jock narrated by Russell Hunter 400 Luath Press Ltd Salute to Adventurers by John Buchan 750 Selected Scots Poems by William Neill 1,250 Sinclair-Stevenson Lt d Mainstream Publishing Death of a Doctor by Elspeth Davie 1,250 Spanish Drums by Harry Chapman 1,500 The Bird That Never Flew by John Steele 1,000 Italians Forward. A Visual History of the Scottish Libraries Association British Italian Community by Terri Colpi 2,000 The Scot and His Maps by Margaret Wilkes 750 British Working Class Art/People's Art Taranis Book s 1750-1990 by Emmanuel Cooper 2,000 The Mating of Dinosaurs by William of Myself by Anne Lorne Gillies 1,500 Oliphant 600 The Claim of Croft~ing by James Hunter 2,000 Ergonomic Work Stations and Spinning Gods Peculiar Care by Patrick Roscoe 1,250 Tea Cans by Brian Whittingham 75 0 This Dangerous Menace: Dundee and the Telo Martius 500 River Tay at War 1939-45 by Andrew Jeffrey 1,500 91,400 Scotland's Music by John Purser 4,000 Pilgrim ofthe Void by Kenneth White 750 Writing Fellowships The Age of MacDiarmid (reprint) edited by Moira Burgess : Renfrew District Council 5,00 0 B Davis and Paul Scott 1,250 Angus Peter Campbell : Sabhal Mor Ostaig 5,00 0 Joan Eardley (reprint) by Cordelia Oliver 1,000 Donald Campbell : Perth & Kinross District Morning Star Publications Council 5,00 0 Morning Star Folios: 212, 213, 214 & 311 650 Valerie Gillies : Midlothian/East Lothia n Keith Murray Publishing Fellowship 5,00 0 The Greatest Gift by Angus Peter Campbell 750 Graham Harrill : Motherwell District Council 5,00 0 Selected Poems by Ken Morrice 500 Harvey Holton : Duncan of Jordanston e National Galleries of Scotland College 5,00 0 Newhaven : The Fishermen and Women of Sousa Jamba : Dumfries & Galloway Arts the Firth of Forth by Sarah Stevenson 3,500 Association 2,50 0 Carried Forward 69,950 316,290 Carried Forward 32,500 407,690 Schedule 1 Scotland/9 3 £ £ £ £ Brought Forward 32,500 407,690 Brought Forward 733,986 Kathleen Jamei : Dundee University 5,000 Feis Rois 2,400 Alison Kennedy: East Kilbride Social Work Highland Traditional Music Festival 230 Department 5,000 Lothia n Tom Leonard: Strathclyde University 3,330 TMSA Kirrimuir Festival 430 Janet Paisley: Pollockshields Library 4,166 Strathclyd e Thomas Nairn : Ross & Cromarty District Ayrshire Arts Festival 3,000 5,500 Council Clydesdale Arts Festival 500 5,000 Owens : Renfrew District Council Isle Festival 500 5,000 Walter Perrie: Strathkelvin District Council sle ofof Bute jazz Festival 585 5,000 Dilys Rose : Castlemilk Library Monklands Festival 500 5,000 Alan Spence: Edinburgh University Tayside 75,496 Blairgowrie Folk & Blues Festival 400 Dundee Jazz Festival 500 Book Awards 11,500 Perth Festival of the Arts Limited 17,353 Western Isle s Bursarles & Travel Grants 72,637 Comunn Feis Bharraidh 2,470 Orkney Traditional Folk Festival 1,415 Childrens Book Groups 2,840 Shetland Folk Festival 1,605 St. Magnus Festival - Orkney Island s 18,115 Scottish Paperbacks 13,500 Limited Total per note 6 783,989 Neil Gunn Fellowship 15,500 Scottish/Canadian Fellowship COMBINED ARTS Joan Clark 10,000 Edinburgh Artiink (Edinburgh & Lothians) 17,525 General Development Reserve 4,000 Lung Ha's Theatre Company 2,000 Total per note 6 613,163 Muirhouse Festival Activities Centre 2,000 Pilton Arts Project 3,710 Scottish Arts and Disability Forum Steering FESTIVALS Group 400 Edinburgh Streets Ahead Theatre Company 480 Craigmillar Festival Society 19,603 Theatre Workshop 99,750 Edinburgh Festival Fringe Society 23,562 Wester HailesWor Representative Council 5,000 Edinburgh Harp Festival 1,470 Glasgow Edinburgh International Festival Soc . 592,584 Bearsden & Miingavie Arts Guild 886 Edinburgh International Folk Festival 5,355 Bengali Performing Arts 500 Gorgie/Dalry Community Festival 250 Centre for Contemporary Arts 60,608 Glasgow Glasgow Arts Centre 4,320 Arts is Magic Festival 5,000 Glasgow Folk &Traditional Arts Test Department Productions/Beltane Fire Trust Ltd. 6,295 Festival 500 5,000 Glasgow International Folk Festival 1,605 New Beginnings Project Ability 6,475 Glasgow International Jazz Festival 6,000 Barbara Orton 500 Mayfest Ltd 53,007 STUC 19,450 Borders Third Eye Centre (Glasgow) Ltd . 302,770 Borders Festival 8,385 Central Dumfries & Galloway 155,936 Dumfries & Galloway Arts Festival Soc . 7,950 MacRobert Arts Centre Artlink (Central) 2,500 Fife Dumfries & Galloway Pittenweem Arts Festival 600 Dumfries & Galloway Arts Association 23,326 Highlan d Wigtown District Council 7,363 Aberdeen Alternative Festival 7,065 Fife Dornoch Firth Festival 500 Arts in Fife 12,360 Feis Catach 300 Dunfermline District Arts Council 500 Feis Nan Garbh-Chriochan 250 Highland Aberdeen Arts Carnival 2,400 Aberdeen Arts Centre Association 4,850 An Tuireann Arts Centre 1,894 CLIAR 2,500 Eden Court Theatre 195,564 Gaelic Arts Officer 26,860 Invergordon Community Arts Project 2,300 Inverness Folksong Club 695 National Gaelic Arts Project 16,000 Carried Forward 733,986 Carried Forward 992,717 94/Schedule 1 Scotland £ £ £ £ Brought Forward 992,717 Brought Forward 12,000 80,356 SEALL 11 000 Test Department 15,700 L'llapool Entertainments 2,664 27,70 0 West Coast Arts 2,140 Conferences and Seminars Lothian British Health Care Arts Centre 2,500 East Lothian Communitv Historv & Arts Edinburgh Trust 8 + 500 Salvo 2,130 Lamp of Lothian Collegiate Trust 7,060 Scottish Publishers Association 1,500 Traditional Music and Song Association of Highlands &Islands Enterprise 1,500 Scotland 20,016 Strathclyde 7,630 Development Ballachulish Community Arts Societe 300 Association of Scottish Lit . Studies 4,000 Clydesdale District Council 6,754 Business in The Arts 5,000 Cumbernauld Theatre 94,485 Eden Court Theatre 5,000 Greenock Arts Guild 11180 Edinburgh Harbour Arts Centre 2,7355 Book Trust Scotland 6,375 Islay Arts Association 1,680 Edinburgh District Council 5,000 Mid Argyll Arts Association 2,250 Edinburgh Sculpture Workshop Group 5,000 Paisley Arts Centre 15,250 Photography Worksho p Shorts Arts Guild 2,800 (Edinburgh) Ltd . 20,000 Strathaven Arts Guild 1,130 Royal Lyceum Theatre Co West Kilbride & Garnock Expressive Arts ., Ltd . 14,500 Festival 446 The Scottish Chamber Orchestra Ltd . 20,000 Tavside Scottish International Festival of Photography 29,000 Dundee Arts Centre 4,000 Scottish Poetry Librarv Association 6,000 Glenfarg Folk Feast 196 Feisan Nan Gaiedheil 4,000 Kindrogan Field Centre 2,000 Glasgow Western Isle s Glasgow Sculpture Studios 5,00 0 An Comunn Gaidhealach 6 ,500 The Scottish Information Centre Ltd . 5,000 An Lanntair 6,615 Street Level Gallery 10,00 0 Comhairle Nan Eilean 200 National Federation of Music Societies 5,00 0 Ealain Nan Eilean 11 000 National Gaelic Arts Project 25,00 0 Lyth Arts Centre 7,810 Perth Repertory Theatre Ltd . 15,00 0 Orkney Arts Society 4,710 Music Commission Fee Subsidy Scheme 5,00 0 Shetland Arts Trust 28,365 Multi-cultural Arts Officer 8,610 Tir A' Mhurain 1,800 202,48 5 Total per note 6 1,226,283 NATIONAL ARTS STRATEGY 60,63 8 CENTRAL FUNDS Research and Consultancy ENHANCEMEN T Jo Beddoe 5,200 Edinburgh Borders Regional Council 8,500 Art in Partnership - Scotland 10,00 0 Dumfries and Galloway Arts Association 5,000 Collective Gallery 15,40 0 Duncan of Jordanstone College of Art 2,800 Edinburgh Book Festival 15,000 Edinburgh Edinburgh Festival Soc ., Ltd . 1,500 Edinburgh District Council 5,000 Edinburgh International Festival 75,000 Portfolio Gallery 1,500 The Scottish Chamber Orchestra Ltd . 101,500 Scottish Tourist Board 7,500 Scottish Poetry Library Association 15,000 Theatre Workshop Edinburgh Ltd 11500 The Slide Workshop 2,000 The Traverse Theatre (Scotland) Ltd 2,500 Stills Gallery 1,500 Barbara Orton 1,949 Glasgo w Policy Studies Institute 14,215 Citizens' Theatre Limited 90,000 University of Stirling 14,942 Cranhill Arts Project 15,000 Strathpeffer Pavilion Arts 8,250 Glasgow District Council 150,000 TMSA 1,500 Glasgow Sculpture Studios 1,500 Mayfest Limited 50,000 80,356 Royal Scottish Orchestra Soc . Ltd . 100,000 Scottish Opera Limited 150,000 Cross Media 7 :84 Theatre Co ., Ltd . 1,500 Caledon Arts Trust 3,000 Street Level Gallery IS,000 Edinburgh International Festival 5,000 Tag Theatre Company 1,500 E .L .C .H.A .T. 1 1 500 Scottish Sculpture Workshop 1 1000 Glasgow Collins Gallery 2,000 812,400 Ken Davidson 500 Carried Forward 12,000 80,356 Carried Forward 1,191,209 Schedule 1 Scotland/9 5 Brought Forward 1,191,20 9 Strategic Initiatives HOUSING THE ARTS Dundee Repertory Theatre Ltd. 6,000 An Tuireann Arts Centre 10,00 0 The Empire Theatre Project 25,000 Arts in Fife 5,00 0 Project Ability Ltd . 11,000 Drumchapel Community Organisations Council Lt 5,00 0 42,000 Dundee Repertory Theatre Limited 7,50 0 Edinburgh Touring A .C .G .B. Edinburgh City Art Centre 10,00 0 Edinburgh The Empire Theatre Project 25,00 0 Photography Workshop (Edinburgh) Ltd .10,000 The Royal Lyceum Theatre Co . Ltd 10,00 0 . Royal Lyceum Theatre Co ., Ltd 20,000 Theatre Workshop Edinburgh Ltd 10,00 0 . The Scottish Chamber Orchestra Ltd 19,000 Galloway Arts Project Ltd 5,00 0 Scottish Photography Group Ltd . 7,500 Haddo House Choral and Operatic Soc . 7,00 0 Scottish Poetry Library 2,000 The Meffan Institute 14,00 0 Talbot Rice Arts Centre 7950 0 Glasgow Total per note 6 108,50 0 Book Trust (Scotland) 4,25 0 Gaelic Books Council 2900 0 Graeme Murray Gallery 10,00 0 The Scottish Ballet Ltd . 30,00 0 Scottish Opera Ltd . 75,00 0 Perth Repertory Theatre Ltd . 20,00 0 Ross and Cromarty District Council 10,000 217,25 0 Trainin g Borderline Theatre Co ., Ltd . 9 9 Edinburg h Amtis 3,00 0 Dance Initiative 19 6 Martin Dowds 11 00 0 Edinburgh Printmakers Workshop 20 0 First Base Theatre 7 6 Heart Beat World Music 10 0 Hullaballoo Childrens Theatre 1,52 Mandela Theatre Company 19 6 The Queen's Hall 180 The Scottish Chamber Orchestra Ltd . 290 Theatre Royal 100 The X Factor 76 Gallus Stage Productions 29 1 Glasgow Citizens' Theatre Ltd . 100 Cranhill Arts Project 120 Fablevision 152 Glasgow Arts Centre 100 Grey Coast Theatre Company 272 Scottish Music Information Centre 100 Scottish Youth Theatre Ltd . 100 Theatre Royal 100 Highlands and Islands Enterprise 100 MacRobert Arts Centre 400 Plan B 152 Prime Productions Ltd . 152 Tron Theatre Ltd. 57 Ethnic Minority Seminars 1,393 9,25 4 Total per note 6 1,459,713 96/Schemes and awards Scotlan d Schemes and awards for the year ended 31 March 1992 MUSI C Provision of ART Small Assistance MIM E Award s Performing Bursarie s Grants Training Bursaries Peter Alexander-Wilso n Materia l Amsterdam Studi o Neil Chapman Peter Bane s John Christi e Sally Beamis h Keith Gran t Rosann Cherubm i Olivia Dawson Elizabeth Donner John Bevan-Bake r Karen Forbe s Nathan Cole v Emma Dingwal l Alison Gree n LN ell Cress" el l Cost s Louise Crawfor d Edinburgh District Nick% Hin d Bruce Frase r Jim Buckle% Fred Crack Council : Allan MacDonald Jane Gardne r Ton% Coope r Helen Flockhart Dance Bas e David McGuinnes s Nickv Hin d William MacLea n James Gavin Stewart Enni s Peter Markham Peter Nelso n Wendv McMurdo Stephen Gran t Louise Flvn n Gregory Squir e Edward McGuire Andrew Stenhous e John Hunte r Pat Kevsel l Katherine Thompso n Kevin Murra v Richard Hough Douglas Jone s Anna Newel l Malcolm Watso n Ronald Stevenso n Photographv Bursar% Bob Las t Mark Saunders Mantra Yada v William Sweene v Oladele Bamgbov e Tuna Leppanen Ritchi e Kevin Low Commissions LITERATURE Award s Sam MacDonald Anstruther Philharmoni c Bursarie s Julie Broo k Geoffrev MacEwa n Societ% Jim Crumle y Joseph Davi e Alistair Mack Bruce Frase r Jonathan Fall a Brian Jenkins Keith McIntvr e Borders Festival Limite d Jim Gle n Jacki Parrv Walter Miller Savourna Stevenson Thomas Heal v Frances Parke r Douglas Mui r Cappella Nova Limite d Frank Kuppne r David White Gordon Munr o Thomas Wilso n Brian McCab e Sarah Nevill ECAT Contemporary Norman Malcol m Travel Grants Lawrence Nowosa d Musi c Macdonal d Robert Ada m Jim Pattison Richard Avre s John McKenzi e Edinburgh Printmaker s Philip Powe r ECAT Contemporar % Hugh McMillan Workshop Alan Robertso n Musi c Marv Montgomery David Alle n Lorraine Robson Gordon McPherson Gillian Nelson Transmission Galler y Fiona Sutherlan d SCAT Contemporar y Jamyang Norb u Ann Bontk e Liz Tainsh Musi c Harry Smar t Maclaurin Gallery Marv Walter s Nigel Osborn e Alan Temperle y Frederick Bush e Cathy Wilke s Glasgow Festival String s Scottish Sculpture Edward McGuir e Travel and Research Workshop DRAMA Beverh Grav Grants Fiona Bvrne-Sutto n Bursarie s Janet Beat Freddy Anderson freelance writer Richard Baron Leda Piano Tri o Robin Bel l Gloria Chalmers Anne Bonna r Edward Harpe r Margaret Bennett Portfolio Galler y Caroline Hall R L C Lorime r Alan Bol d Rebecca Coggin s Internationa l Ronald Stevenson Rosalind Brackenburv Stills Gallerv Workshop Festiva l Paisley International David Campbel l Stuart Duffi n Pat Kevsel l Organ Festiva l Bob Can t Glasgow Print Studio Edinburgh Dance Base Martin Dalb v John Cunningha m Catriona Grant an d Ferelith Lea n Paragon Ensemble Limite d Sheila Dougla s Martha McCulloc h Svmon Macintvr e Violeta Dinescv Margaret Elphinston e Street Level Gallerv John Mitchel l St . Magnus Festiva l Gerrie Fellows Mansell Griffiths an d Performance Exchange Limite d Duncan Gle n Ian Hamilton Sallv Re w Paul Ruder s Martin Goodma n Kev Gallery Phvllis Stee l The Scottish Chambe r Robin Llovd-Jones Stephen Hurrell an d Rita Winter s Orchestra Limited Norman MacCai g Lorna Hutcheo n Ann Wood Peter Maxwell Davie s Mick McCluske v Glasgow Film an d The Scottish Chambe r Ian MacDougal l Video Worksho p DANC E Orchestra Limited Alison Prince Elizabeth McFall an d Training Bursaries Edward McGuire Peter Whitebrook Malcolm Mile s Alex Craig The Scottish Internationa l British Health Care Art s Tamsin Grainge r Piano Competition Book Awards Centre Grampian Dance Contact Robert Crawfor d Elspeth Barke r Hilary Robinso n Karen Gran t The Scottish Society for D M Blac k Alb a Joint Action the Prevention of George Mackay Brown Scottish Society for th e Nikki Milican Crueltv to Animals John Burnsid e Historv of Photography Caroline Reagh Jane Gardne r James Campbel l Angela Wrapson Ross & Cromart v Peter Seivewright Janice Gallowa y District Council Rorv Bovl e Jackie Kav Vanessa Smith Peter Seivewrigh t James Kelman Sandra Wilson Robert Crawfor d Robbie Kvdd Chirstinn Whvte Soundstrata Gordon Legge Vivienne Oliv e Michael Lvnch Brvden Thomso n William Mdlvanne% John Maxwell-Geddes Edwin Morgan Welsh Arts Council/9 7 Income and expenditure account for the year ended 31 March 1992 1992 1991 $000s s000s L000s L000 s Income Grant from Arts Council of Grea t Britain : Note 2 11,030 9,808 Grant from Crafts Council 9 0 8 5 Grant from British Film Institute 6 7 5 3 Other operating income: Notes 3115 7 8 47 11,265 Grants and guarantees accrued in previous years, not now required 2 6 11,291 10,01 4 Expenditure Administration of subsidies an d service s Staff costs : Note 4 630 64 7 Operational costs : Note 5 37 1 29 7 Depreciation : Note 10 4 7 1,048 Grants and guarantees : Note 6 9,45 5 8,336 Other activities : Note 6 20 6 12 8 Direct promotions : net deficit : Note 7 67 8 64 6 General expenditure on the art s in Wales : Note 6 10,339 9,110 11,387 10,09 8 Operating deficit before exceptional items (96 ) (84) Exceptional item s Supplementary grant from Art s Council of Great Britain: Notes 218 - 842 Supplementary grant to Wels h National Opera - (842 ) Operating deficit (96) Interest receivable 6 0 (Deficit)/surplus for the financial year : Note 9 (36) Accumulated surplus brough t forward 10 2 Accumulated surplus carrie d forward 66 10 2 98/Welsh Arts Counci l Balance sheet as at 31 March 1992 1992 1991 L0009 £000 s L000s £000s Fixed Assets Tangible assets : Note 1 0 1,216 1,25 2 Current Assets Stocks : Note 1 1 13 1 11 0 Grants due from Arts Council o f Great Britai n 18 5 Grants and guarantees paid in advance 17 5 14 3 Other debtors and prepayments : Note 1 2 38 7 53 4 Cash at bank and in hand : Note 13 222 3 5 Current Liabilities Grants and guarantees outstandin g Creditors: amounts falling due within one year : Note 1 4 250 396 1,116 1,190 Net current liabilities (183 ) Total assets less current liabilitie s 1,069 Financed by Income and expenditure account 66 102 Deferred capital grant account : Note 15 80 7 825 Capital reserve : Note 1 6 142 1,015 Mathew Prichar d Chairman of the Welsh Arts Counci l Anthony Everitt Secretary-Genera l 16 September 1992 Welsh Arts Council/9 9 Cash flow statement for the year ended 31 March 1992 1992 1991 Sooos Sooos £ooos LOOO S Net cash inflow from operating activities : Note 17a 172 2 1 Return on investment an d servicing of finance Interest received on short term cash deposits 59 7 4 Net cash inflow from returns on investment and servicin g 4 of finance 59 7 Investing activities Fixed assets purchased (44) (90 ) Fixed assets sold _ 4 Net cash outflow from Investing activities (44) (86 ) Increase in cash and cash equivalents : Note 17b 187 9 100/Welsh Arts Council notes to the account s Notes to the Accounts as at 31 March 1992 i Accounting policie s Works of Art arc shown at historical cost, an d benefits . This result enabled the employers t o a) The financial statements are prepared under an amount equal to the value of the net accept the Trustees' recommendation that a the historical cost convention . Withou t purchases each year is transferred out of th e contribution rate of 9 .4% should apply fro m limiting the information given, the account s Income and Expenditure Account to a separate 1 April 1991 (previously 15 .9%) . The meet the requirements of the Companies Ac t capital reserv e (Note 16) . This policy reflect s employers also agreed to allow male member s 1985 and of the statements of Standard the fact that works of art are not assets whic h at 6 April 1978 to retire at age 60 without Accounting Practice issued by the Accountin g have a finite useful economic life . actuarial reduction, thus bringing them int o Standards Board so far as those requirements line with female members with the sam e arc appropriate . Significant departures from d) Capital grants ser vice. Statements of Standard Accounting Practic e Grants received towards the cost of fixed asset s are disclosed in the notes to these accounts an d are taken to the Income and Expenditure the financial effect is quantified where Account over the useful life of the asset practicable to do so . concerned ; the credit is included in othe r operating income . The amount of such grant s b) Accruals conventio n still to be taken to the Income and Expenditur e (i) All income and expenditure is taken int o Account is shown on the Balance Sheet as a account in the financial vear to which it relates . deferred capital grant account . Setting up costs incurred on any event promoted by the Council are charged to th e e) Stocks vear in which that event takes place . Setting u p Stocks are stated at the lower of cost and ne t costs incurred in a year prior to that openin g realisable value. are treated as a prepayment. (ii) Subsidv expenditure is incurred in the form f) Lease s of grants and guarantees which are formall y Operating leases are taken into the Income an d offered to and accepted by the Council's Expenditure Account on a straight line basis clients . Grants and guarantees are charged to over the life of the lease . the Income and Expenditure Account in th e year in which funded activities take place ; if g) Pension s this is not determinable they are charged in th e The total pension cost for the period was year in which activities begin . Any amount s £76,388 (1991 £122,844) . unpaid from grants and guarantees at the yea r The Arts Council provides a defined benefi t end are shown as creditors in the Balance Shee t pension scheme for its employees . The Scheme and any advance payments to clients i n is funded by payments by the Council an d anticipation of grants and guarantees to b e employees to a Trustee-administered fun d charged in the following financial year ar e independent of the Council's finances . These shown in the Balance Sheet as debtors. contributions are invested in a managed fun d run by a leading insurance company . c) Depreciation and fixed asset s Contributions payable in the financial year Depreciation is provided on all tangible fixe d 1991/92 are based on an actuarial valuation o f assets at rates calculated to write off the cost the scheme as at 1 April 1990, carried out usin g less estimated residual value of each asse t the Projected Unit Method, and are charged systematically over its expected useful life a s against the Income and Expenditure Account. follows: The actuarial valuation revealed that , Freehold buildings over 50 years assuming a long-term investment return of 9% , Leasehold buildings over the life of the lease pensionable salary increases of 7.5% per annum Fixtures and fittings over 4 years and pension increases of 5 .5%, the net market Motor vehicles over 4 years value of the scheme assets amounting t o Freehold land is not depreciated. £ 13,149,940 represented 104% of accrued Welsh Arts Council notes to the accounts/10 1 1992 1991 L000 s £000s 2 Grant from Arts Council Revenue grant 11,03 0 9,77 5 of Great Britain Incentive Funding grant s 3 3 11,03 0 9,80 8 Supplementary grant for Wels h National Opera 3 Other operating income Contributions towards special projects 1 Grant administration charges 7 Collectorplan charge s 12 Sundry incom e 8 Profit on sale of fixed assets 1 Transfer from deferred capita l grant account (note 15) 4 Administration of subsidies Salaries and wage s 53 4 50 8 and services Employers National Insuranc e 42 3 8 Staff costs Arts Council of Great Britai n Retirement Plan (1975) 5 4 8 6 Redundancy paymen t The Chairman, Council and Committee Members are not paid for their services . The average weekly number of employees during the year wa s made up as follows : N o N o Administration of subsidies an d service s 42 42 Direct promotions 2 1 £92,881(1991 £75,324) of administrative sniff costs have been allocated t o direct promotions detailed in note 7 L000s 000 s 5 Administration of subsidies Agency staff cost s 3 5 and services Contract hire charges - car s 19 2 0 Operational costs Travelling and subsistence 68 63 Rent and rates 68 74 Fuel, light and house expense s 19 19 Public relations and hospitality 15 3 Postage and telephon e 28 2 5 Stationery and printin g 16 1 3 Professional fees 54 3 5 Bad debts provided fo r 10 2 Office and sundry 40 38 Strategy and Restructuring costs 19 Uninsured losses £22,843 (1991 £16,356) of operational costs have been allocated to direct promotions detailed in note 7 102/Welsh Arts Council notes to the accounts 1992 1991 £0009 E000s L000s £000 5 6 Expenditure by art form Music Grants and guarantees 3,163 2,72 1 Scheme expenses 3 2 Young Welsh Singer Competition 9 - Concert programme : Note 7 185 172 3,360 2,895 Festivals Grants and guarantees 156 142 Dance Grants and guarantees 435 356 Feasibility Studv (National Centre for Dance and Choreography) 2 - 437 35 6 Drama Grants and guarantees 2,461 2,22 6 Scheme expenses 6 1 2,467 2,22 7 Art Grants and guarantees 611 53 9 Exhibition services : Note 7 137 13 7 "ArtNews" 11 1 0 Collectorplan, Artists Register , Slide Librarv and other activities 21 1 6 Scheme expenses 2 7 782 709 Fil m Grants and guarantees 119 8 2 Other activities 21 1 1 Cost of commissioned film - 1 0 Depreciation - 1 Scheme expenses 6 1 Contribution to Film Archiv e Project : Note 22 11 - International Fellowship 36 - 193 105 Literature Grants and guarantees 804 740 Scheme expenses 2 2 Competitions and events 5 9 Other activities 12 1 7 Marketing Development Project 22 - 845 76 8 Regiona l Grants and guarantees 11 199 1,066 Other activities 1 1 1,200 1,06 7 Inter Arts Grants and guarantees 403 36 8 Carried Forward 9,843 8,637 Welsh Arts Council notes to the accounts/10 3 1992 1991 £OOOs £000s L000s L000s Brought Forward 9,843 8,63 7 6 Expenditure by art form Craft (continued) Grants and guarantees 73 6 1 Showcase network and exhibitions 6 9 "Crefft" and craftsmen's register 14 1 2 Depreciation 2 2 95 8 4 Incentive Funding Consultanc y Award s Grants and guarantees - 3 0 Other activities - 4 34 Special projects Grants and guarantees 30 5 Earnings Research Project 1 - Contribution to Film Archive Project 22 : Note 22 - 13 Feasibility study - Cardiff Oper a House 14 - 45 1 8 Oriel Bookshop and Gallery : Note 7 356 33 7 General expenditure on the arts in Wales 10,339 9,11 0 Summary Grants and guarantees 9,455 8,33 6 Other activities 206 12 8 Direct promotions : Note 7 678 646 General expenditure on the art s in Wales 10,339 9,11 0 7 Direct promotions Exhibition Oriel Bookshop services Concerts and Gallery Tota l 1992 1991 1992 1991 1992 1991 1992 199 1 L000s L000s £OOOs L000s £OOOs L000s £OOOs L000 s Income 3 2 147 59 428 349 578 41 0 Staff costs Salaries and wages 76 74 11 8 235 208 322 29 0 Employers National Insurance 6 6 1 1 16 14 23 2 1 Arts Council of Great Britai n Retirement Plan (1975) 7 12 1 2 14 23 22 3 7 89 92 13 11 265 245 367 348 Operational costs 46 42 319 220 492 414 857 676 Depreciation 5 5 - - 27 27 32 3 2 Total costs 140 139 332 231 784 686 1,256 1,056 Net deficit (137) (137) (185) (172) (356) (337) (678) (646) Staff and operational costs include a proportion of indirect overheads as detailed in notes 4 and 5 . 104/Welsh Arts Council notes to the accounts 8 Exceptional Item In February 1991 the Welsh Office announced that it was making a grant of£842,000 to Welsh National Opera . To effect this grant funds were transferred via the office of Arts and Libraries and the Arts Council of Great Britain to the Welsh Arts Council which duly paid the grant to Welsh National Opera . 1992 1991 L000s £ooos 9 (Deficit)/surplus for the year (36) 1 Stated after charging or (crediting ) (a) Auditors remuneration 17 1 5 (b) Operating leases : buildings 183 18 2 plant and machinery• 19 2 0 (c) Rental income (62) (62 ) (d) Emplovees receivin g remuneration over £30,000 No N o £30,000-£39,999 3 2 £40,000-£49,999 1 - The Chief Executive's total actual remuneration including taxable benefits was £44,148 (1991 : £43,059) . The Chief Executive is an ordinary member of the Council's pension scheme . 10 Tangible fixed assets Land & Fixtures Vehicles Work s Buildings & Fittings of Art Tota l £0009 £0009 E000s L000s £0008 Cost at 1 April 1991 1 1108 353 54 142 1,65 7 Additions - 15 29 - 44 Disposals - - (12) - (12) Cost at 31 March 1992 11108 368 71 142 1,689 Depreciation at 1 April 1991 104 256 45 - 405 Provided 1991/92 28 41 11 - 80 Less depreciation on disposals in 1991/92 - - (12) - (12) 132 297 44 - 473 Net book value at 1 April 1991 1,004 97 9 142 1,252 Net book value at 31 March 1992 976 71 27 142 1,21 6 1992 19A1 L000s £000s Depreciation is allocated to : Subsidies and services 47 44 Direct promotions : Note 7 32 3 2 Art departments 1 3 80 79 The net book value of land an d buildings comprise s Freehold 816 83 4 Long leasehold improvements - - Short leasehold improvements 160 170 976 1,004 Land and buildings includes property amounting to £8,500 at 1978 valuation . The freehold land and buildings are occupied by third-parties under the terms of operating leases . The Welsh Arts Council intends to transfer to the National Museum of Wales the Council's art collection . Parliamentary approval has not vet been granted and negotiations with the Treasury are continuing . The value of the Council's art collection of some 1300 works at 31 March, 1992, in the opinion of its Art Director, wa s approximately £2 .9m . Welsh Arts Council notes to the accounts/10 5 1992 1 1 LOGOS L000s 11 Stocks Trading stocks 120 10 6 Other 11 4 131 11 0 12 Other debtors Collectorplan loans 93 14 0 and prepayments Other 294 394 387 53 4 13 Cash at bank Cash in transit (balance due from and in hand Arts Council of Great Britain) 200 - Other cash 22 3 5 222 3 5 14 Creditors Amounts falling due within on e year comprise : Taxation and social security 24 2 2 Other creditors 226 374 250 39 6 15 Deferred capital Balance at 1 April 1991 825 843 grant account Transfer to income an d expenditure account 18 1 8 Balance at 31 March 1992 807 82 5 16 Capital reserve Balance at 31 March 1992 142 14 2 17 Notes to cash flow a) Reconciliation of operatin g statement deficit to net cash inflow from operating activities Operating deficit (96) (84) Transfer from deferred capita l grant account (18) (18) Depreciation charges 80 79 Profit on sale of fixed assets - (1) Decrease/(increase) in debtors and prepayments 148 (123 ) Increase in stocks (21) (28) (Increase)/decrease in grants and guarantees paid in advance (32) 3 5 Decrease in amounts due fro m Arts Council of Great Britain 185 14 5 Increase in grants an d guarantees outstanding 72 1 2 (Decrease)/increase in creditors (146) 4 Exceptional income from Art s Council of Great Britain - 842 Exceptional expenditure on grant to Welsh National Opera - (842 ) Net cash flow from operatin g activities 172 21 b) Analysis of the balances of cash and cash equivalents . Cash in transit, at ban k and in hand : as at 1 April 35 2 6 as at 31 March 222 3 5 c) The Council operates by disbursing substantially all of the revenue grant it receives from Government each year , and it has no long term capital finance . Transfers to and from the capital reserve reflect additions to or disposal s from the Council's art collection (note 1c) . 106/Welsh Arts Council notes to the accounts 1992 1991 LOGOS £000 s IS Investments Unlisted investmen t UAPT - Infolink PLC 1,142 `A' Ordinary 25p shares Nil Nil The Welsh Arts Council had been a member of the United Association for the Protection of Trade Limited i n order to obtain credit references for loans made under its Collectorplan scheme . As a member of that Compare , the Welsh Arts Council was allotted, free of any cost, 1,142 `A' Ordinar Shares of 25p each, fully paid, at a premium of 75p, in UAPT - Infolink PLC under a Scheme of Arrangement which became effective o n 27 March, 1987. Due to the nature of the holding no market value has yet been ascribed to these shares . 19 Leases As at 31 March 1992 the Council had annual commitments under non-cancellable operating leases as set out below : Land and buildings Land and building s LOGOS £OOO s Operating leases which expire : Within one yea r In the second to fifth year inclusive Over five years 192 192 192 192 Motor vehicles Motor vehicle s LOGOS LOGO S Within one vea r 14 6 In the second to fifth year inclusive 4 1 5 18 21 20 Capital commitments As at 31 March, 1992 the Welsh Arts Council had no contractual commitments for capital expenditure (1991 nil) . LOGOS £OOO s 21 Grant commitments Forward funding 1992/93 - grants formally offered 2,954 1,066 22 National Film and a) the Welsh Arts Council is providing administrative and accounting support to a pilot project working toward s Video Archive project the establishment of a National Film and Video Archive for Wales . During the pilot project costs were bein g matched with income and therefore at 31 March 1992 the balance of income, received in advance of relate d expenditure, is treated as a creditor. In 1991/92 the Welsh Arts Council contributed £10,500 to the project (1990/91 : £13,500) and this is recorded in the Income and Expenditure Account as part of General Expenditure on the Arts in Wales . Gross income an d expenditure figures for 1991/92 and the balance at 31 March, 1992 were : 1992 1991 _ Loons £000 s Balance from previous year 17 2 8 Income received 98 3 3 Expenditure (109) (44 ) Carried forward at 31 March 6 1 7 b) Post balance sheet event . During 1991/92 the partners in the pilot project agreed to the establishment of a permanent National Film an d Video Archive to be operated under the auspices of the Wales Film Council . The balance of £6,401 will b e transferred to the Wales Film Council as at 1 April 1992 . Future support by the Welsh Arts Council will be i n the form of grant-aid . Welsh Arts Council notes to the accounts/10 7 23 Japan Festival 1991 During the year the Welsh Arts Council acted as agent for Japan Festival Ltd in co-ordinating the festival in Wales . The Council contracted Chapter (Cardiff) Ltd to undertake the management of the festival . Receipts and matching payments totalling £173,416 were passed from Japan Festival Ltd to Chapter (Cardiff) Ltd and have bee n netted-off in the Council's accounts . 24 Adjustment of 1991 figures Transfer from deferred capital grant account of £17,942 shown under a separate heading in 1991 has bee n transferred to other operating income (note 3) . Comptroller and Auditor General's Certificate I have examined the financial statements on pages 97 to 107 in accordance with the National Audit Office auditin g standards . In my opinion the financial statements give a true and fair view of the state of affairs of the Welsh Art s Council at 31 March 1992 and of its deficit and cash flows for the year then ended and have been properly prepared in accordance with the directions made by the Secretary of State for National Heritage . N Gale Associate Directo r for the Comptroller and Auditor General National Audit Office 17 September 1992 108/Schedule 1 Wale s Schedule 1 to the accounts DANC E As at 31 March 1992 Performing Company Diversions Welsh Repertor Dance Compan y 221,650 Community Dance Clwyd Dance 13,220 Dawns Dyfed 14,770 Dawns Gwynedd 5,485 Powys Dance 29,330 Rhondda Community Arts 9,52 0 Valley and Vale 6,020 Grants and guarantee s Welsh Dance Theatre Trust - Rubicon 42,430 (Including subsidies offered, but not paid at that date) West Glamorgan Dance Project 15,070 135,84 5 MUSIC Community Dance Choreographic Commissions Oper a Clwyd Dance 510 Welsh National Opera 2,304,750 Powys Dance 510 1,02 0 Other Organisations BBC Welsh Symphony Orchestr a 517,350 GB Touring Fun d Merlin Music Societ y 4,600 Cwmni Dawns Camre Cain 4,705 Mid Wales Opera 3,015 Dance Wales 2 9015 Music Theatre Wale s 20,020 Dance Season at St . Stephens 1,479 North Wales Philharmoni a 2,215 Gwent Ballet Theatre 1,19 0 St . David's Hall 669530 Wveside Arts Centre 51 0 Society for Promotion of New Music 510 9,89 9 University College of North Wales : Archive of Welsh Traditional Musi c 1,76 5 Welsh Amateur Music Federatio n 1089040 Independent Projects Welsh Jazz Society 28,030 Andy Howitt & Charlie Barber 9,02 0 Welsh Music Information Centr e 37,230 Clwyd Dance 51 0 Cwmm Dawns Camre Cain 10,02 0 789,305 Earthfall Dance 19,52 0 Awards to Individuals Paradox Shuffle 11,02 0 Commissions to composer s 22,680 Yellow Label Dance Company 4,01 5 Awards for advanced stud y 17,450 Awards to individuals .1,46 0 40,130 55,56 5 Touring Enhancement GB Fun d Music Theatre Wale s 21,630 Trainin g St. Donats Arts Centre Communitv Dance Wales 1101 5 22,825 Diversions Welsh Repertory Dance Co . 2,015 Publication s Welsh Independent Dancers 29015 Guild for the Promotion of Welsh Music 5,015 Awards to individuals 2,55 0 Taplas Folk Music journal 610 7,59 5 5,625 Educational Development Project Total as note 6 (page 102 ) 3,162,635 Dyfed Education Authority 1,515 Welsh College of Music and Drama 36 0 Festival s Welsh Folk Dance Society L515 Brecon Jazz Festiva l 2,715 3,39 0 Fishguard Music Festival 23,180 Gregynog Festiva l 2,715 Total as note 6 (page 102 ) 434,96 4 Llangollen International Musical Eisteddfo d 34,030 Llantilio Crossenny Festival of Music and Dram a 3,265 Lower Machen Festiva l 3,415 DRAM A North Wales Music Festival 19,320 Mainstream Producing Companies St . David's Cathedral Bach Festiva l 3,015 Sherman Theatre 294,35 0 St . David's Hall : Cardiff Festival of Music 25,030 Theatr Clwyd 403,45 0 Swansea Festival of Music and the Arts 24,980 Theatr Gwynedd 129,64 0 Vale of Glamorgan Festival 14,170 Torch Theatre 197,572 Total as note 6 (page 102) 155,835 1,025,012 Carried Forward 1,025,01 2 Schedule 1 Wales/10 9 £ £ £ £ Brought Forward 1,025,012 Brought Forward 2,525 2,442,748 Welsh Language Producing Companies Gwyl Dinefor 1,010 Cwmni Hwyl a Fflag 86,430 Hwyl a Fflag 7,030 Cwmni Theatr Cymru 11,040 Pontypridd Community Play 760 Dalier Sylw 70,230 Sherman Theatre 1,520 Theatr Bara Caws 97,230 Welsh College of Music and Drama 2,515 Awards to individuals 3,015 264,930 18,37 5 Theatre in Education and Community Touring Total as note 6 (page 102) 2,46],]2 3 Arad Goch 93,018 Cwmni'r Fran Wen 43,32 0 ART Cwmni Theatr Outreach 47,481 Grants to Gallerie s Gwent Theatre 44,481 Ffotogallery 70,422 Hijinx Theatre 89,030 Clwyd tounty Council : Wrexham 48,785 Spectacle Theatre Art Ce 41,44 2 Theatre West Glamorgan 64,830 Newport Borough Council : Newport Theatr Iolo Morgannwg 38,478 Museum and Art Gallery 35,98 5 Theatr Powys 82,961 Oriel Mostyn 117,03 4 Oriel 31, Newtown : Davies Memoria l 552,384 Gallery 55,410 Sculpture at Margam 12,26 0 Development Production Companies and Projects Swansea City Council : Glynn Vivia n Brith Gof 110,040 Art Gallery 36,75 0 Centre for Performance Research 60,030 University College of Wales, Aberystwyth : Made in Wales Stage Company 117,740 Aberystwyth Arts Centre 47,56 2 Magdalena 25,950 416,865 Moving Being 163,040 Grants for Artists Exhibiting Fee s Theatr Taliesin Wales 37,830 Cadw 26 0 Volcano Theatre 16,220 Cardiff City Council .1,040 530,850 Cardiff Institute of Higher Education 410 Carmarthenshire College of Technology Touring Fund Enhancement (GB Fund) and Art 1,700 Arad Goch 5,015 Ceredigion District Council 250 Y Cwmni 4,015 Chapter 2,53 5 Green Ginger Puppets 510 Clwyd County Council 865 Theatr Clwvd 15,020 Cowbridge Arts Group 510 Volcano Theatre 10,020 Dyfed County Council 77 0 Whare Teg 13,020 Festival of the Countryside 165 WOT Theatre 510 Fishguard Festival 130 Gwynedd County Council 135 48,110 Llanelli Borough Council 180 Llanover Hall Arts Centre 885 Development Schemes Llantarnam Grange Arts Centre 880 Training Lliw Valley Borough Council 590 Actors Touring Company 3,715 Mid Glamorgan County Council : Arad Goch 3,015 Rhondda Heritage Park 260 Brith Gof 130 Polytechnic of Wales 510 Centre for Performance Research 2,015 Sculpture at Margam 400 Cwrs Drama Ieunctid Cymru 2,067 Taff Ely Borough Council 125 Is-Bwyllgor Cymraeg Assitej 765 West Glamorgan County Council 1,07 7 Magdalena Project 510 13'67 7 Man Act 510 National Youth Theatre of Wales 5,760 Revenue Grants to Art Organisation s St . Donats Art Centre 810 Association of Artists and Designers Theatr Gwvnedd 155 in Wales 14,06 0 Theatr West Glamorgan 510 The Pioneers 15,14 0 Volcano Theatre 510 Cywaith Cymru .Amvorks Wales 72,56 0 Welsh Language TIE Conference Gweled 12,98 0 (Y Cvnhadledd) 460 114,740 Awards to individuals 2,530 21,462 Artists in Residence North Wales Arts Association 6,52 0 South-East Wales Arts Association 10,02 0 Theatre Writing West Wales Association for the Arts 8,52 0 Daher Syhv 1,010 Eisteddfod Genedlaethol Frenhinol Cymru : 25,060 Bro Delyn 1,515 Carried Forward 2,525 2,442,748 Carried Forward 570,342 110/Schedule 1 Wale s Brought Forward 570,342 Brought Forward 72,490 Projects Training Art Station 760 Butetown History and Arts Project 510 AXIS 1,230 Media Education Centre 378 Barn 1 1 115 Awards to individuals 260 Bleddfa Trust 1,415 1,148 Clock 510 Cywaith Cymru .Artworks Wales 11010 International Film Bursarie s Garden Festival Wales 3,015 Awards to individuals 4,53 4 Henn• Thomas Gallerv 760 National Eisteddfod of Wales 1992 11010 Revenue Funded Organisations South Vales Intercultural Communit Arts 1,515 Creu Cof 15,02 0 Trasnu-Trosi 1,010 Red Flannel Films 8,22 0 Awards to individuals 1,520 Valley and Vale Commumav Arts 6,82 0 14,870 West Glamorgan Video and Film Workshop 2,51 5 Wrecsam Community Video 8,620 Travel, Masterclass and Industria l Experience Grants 41,195 Awards to individuals 23,825 Total as note 6 (page 102) 119,367 Loans to Artists Loans made 37,595 LITERATURE Less amounts repaid (35,358) Grants to Organisation s Cvmdeithas Gerdd Dafod 41,580 2 '237 Gwasg Gomer 7,02 0 Total as note 6 (page 102) 611,274 Gwasg Gregynog 12,40 0 Hay on Wye Festival of Literature 7,445 Polytechnic of Wales 11010 FILM Seren Books (Poetry Wales Press) 46,45 5 Education The Taliesin Trust 26,98 0 Abergavenny Film Society 155 Welsh Books Council 199,00 0 Media Education Centre 12,635 Yr Academi Gymreig 85,76 0 North East Wales Institute of Higher Education 510 427,650 The Video Workshop 2,015 Wrexham Community Video 2,015 Production Grants Cvhoeddiad Barddas 5,220 17,330 Gwasg Gee 4,015 Gwasg Gomer Ethnic Minority Projects 13,62 0 Gwasg Pantycelyn 3,215 Butetown History and Arts Project 6,020 Gwasg Prifysgol Cymru 4,33 0 Poetry Wales Press Exhibition and Festivals 4,215 Welsh Union of Writers 3,26 Aberystw th International Film Festival 2,515 5 y Yr Academi Gymreig 1,66 Cardiff International Animation Festival 10,030 5 Awards to individuals 1,81 Celtic Film Festival 7,030 5 South-East Wales Arts Association 6,020 41,36 0 25,595 Children's Literatur e Gwasg Gomer Development Projects 15,80 0 Gwasg Prifysgol Cymru Carmarthen Film and Television Script 3,580 Course 260 Gwasg y Lolfa 11915 Chapter Film Workshop/ Awards to individuals 3,335 Make it Media 2,660 24,63 0 Ffilm Cymru 4,015 Happy Valley Camera Club 1,515 Period as' Sue Rowe Animations 1,010 `Barddas 7,705 West Glamorgan Video and Film Workshop 3,865 `Barn' 35,645 Awards to individuals 605 `Cambrensis' 17 5 13,930 `Y Casglwr' 1,79 0 `Complete Responses' 20 5 Small Scale Production Projects `Y Faner' 5,015 Awards to individuals 9,615 `Golwg' 57,83 0 `Momentum' 33 4 Carried Forward 72,490 Carried Forward 493,640 Schedule 1 Wales/11 1 Brought Forward INTER-ARTS `The New Welsh Review' 21,760 Butetown History and Arts Project 2,76 5 `Planet' 66,490 Centre for Performance Research 11 010 `Poetry Wales' 14,920 Chapter 392,05 0 `Taliesin' 15,120 South Wales Intercultural Community Arts 7,03 0 `Y Traethodydd' 5,715 Total as note 6 (page 102) 402,85 5 232,704 CRAFT Prizes Residencies and Regional Activities Awards to individuals 10,000 North Wales Arts Association 5,52 0 Writers on Tour South-East Wales Arts Association 8,07 0 North Wales Arts Association 4,285 West Wales Association for the Arts 5,77 0 South-East Wales Arts Association 4,285 19,360 West Wales Association for the Arts 4,285 Exhibition Support Grants 12,855 Aberystwyth Arts Centre 5,015 Writers' Bursaries and Residencies Bleddfa Trust 510 North Wales Arts Association 3,915 Clwyd County Council : 510 South-East Wales Arts Association 3,915 Bodelwyddan Castle : European Centre for West Wales Association for the Arts 3,865 Clwyd County Council Traditional and Regional Cultures 1,52 0 Awards to individuals 43,140 Clwyd County Council : 54,835 Ruthin Craft Centre 5,52 0 Dyfed Cultural Services 1,010 Total as note 6 (page 102) 804,034 Llantarnam Grange Arts Centre 1,215 Mostyn Oriel 1,515 REGIONAL Oriel 31, Newtown : Davies Memorial Gallery 510 Arts Associations 17,325 North Wales Arts Association 244,95 0 South-East Wales Arts Association 400,850 Special Projects and Award s West Wales Association for the Arts 223 9 800 Aberystwyth Arts Centre 810 Dyfed County Council 910 869,600 Glynn Vivian Art Gallery 610 Other Organisations International Potters' Festival 2,015 Drama Association of Wales 46,780 Llantarnam Grange Arts Centre 410 Visiting Arts 6,520 Makers Guild in Wales 1,515 Model House Craft and Design Centre 1,520 53,300 Oriel 31, Newtown : Davies Memorial Gallery 310 Touring Oriel 31, Welshpool 310 Chapter 2,015 Our Lady of the Taper RC Church , New Theatre 820 Cardigan 510 North Wales Arts Association 65,101 St . Donats Art Centre 510 South-East Wales Arts Association 79,138 South-East Wales Arts Association 439 Theatr Hafren 4,015 South Wales Potters 470 West Wales Association for the Arts 66,629 Awards to individuals 5,036 217,718 15,37 5 Arts and Disability Projects Regional Craft Centres Arts for Disabled People in Wales 5,370 Clwyd County Council : Ruthin Craft Centre 3,315 North Wales Arts Association 10,120 Gwasg Gregynog 14,270 South-East Wales Arts Association 4,715 Model House Craft and Design Centre 1,26 5 West Wales Association for the Arts 4,715 University College of Wales, Aberystwyth 2,26 5 24,920 21,115 Total as note 6 (page 103) 73,17 5 Marketing Organisations Arts Marketing in Dyfed 7,520 SPECIAL PROJECTS Cardiff Arts Marketing 15,750 Brecon Jazz Festival 5,320 Swansea Arts Marketing 11,020 Dylan Thomas Birthplace Appeal 3,015 34,290 Garden Festival Wales 7,520 Hay on Wye Festival of Literature 510 Total as note 6 (page 102) 1,199 9828 North Wales Arts Association 5,591 Policy Studies Institute 11515 St . Donats Arts Centre 1,265 South-East Wales Arts Association 5,015 Total as note 6 (page 103) 29,751 112/Schemes and awards Wale s Schemes and awards Year ended 31 March 1992 MUSIC DANCE Loans to artists LITERATUR E Commissions to Independent projects Jeffrev Aldridge Children's literature composers Kiran Ram a Christopher Batte y Marion Eame s Charles Barber Bethan Whit e Leonard Bear d Hilma Llovd Edwards Cardiff Festival of Musi c Ruth Collin s Rav Evan s Lvn Davie s Trainin g Josephine Co% Mair Wvnn Hughe s Eisteddfod fenedlaethol Diane Heb b Elizabeth Cramp Geraint Lewi s Frenhino Cvmru , Sioned Huw s Glenn Davidson Sian Lewi s Abervstwvth Phillip Piggin Robin Lorne Davies Gweneth Lill v Gwvl Gregynog Marc Ree s Roger Edbrook e J Selwvn Llov d Lower Machen Festiva l Simon Thorne Annette Frv Jack Selwood Claude Depp a Stephanie Gardine r South Wales Intercultural DRAM A Tract• Gardine r Prize s Communitv Arts Training David Gep p John Davie s Osian Ellis Matthew Ara n Mark Guilfovle Menna Elfvn Criccieth Arts Mai Jones Jonathan He al e Geraint H Jenkins Association Peter Stace v Danuta Hedle v Russell Celvn Jone s Dalwvn Henshal l Stephan Stockto n John Hedlev Alan Llwv d Abcrvsrw_vth Music David William s Sarah Hopkins Moelwvn Merchant Festiva l Sian Hutchinson Shecnagh Pugh Alun Hoddinott Theatre Writing Linda James Bernice Rubens National Youth Brass Ed Thoma s Ian Kay Gwvn Thoma s Band of Wale s Paul Bothwell Kincai d Robert Watson Brian Hughes ART Graham Littley Cantorion Glan Alun Travel, masterclass Stewart Macindoe Writer's bursaries and Richard Roderick Jone s and Industria l Nigel Marti n residencies Oakdale Youth Choir experience grant s Dorothy Morri s Glenda Beaga n Tredegar Town Ban d Charles Aithie Malcolm Morri s Gloria Evans Davie s William Mathias Patricia Aithie Paul Morri s Oliver Davie s Abcrvstwvth Ol d Richard Batt David Newma n James Frie l Students Associatio n Paul Brewe r Ravmond O'Neil l Elfin ap Hvwc l John Metcal f Michael Brimble Karen Pearce Nesta Wvn Jone s Aberystwyth Musi c Maurice Burns Peter Scabourn e Margiad Roberts Festival Alex Campbell William Selwvn Roger Stephens Jone s Coleg Telvn Cvmr u George Chapma n Andrew Smit h Pavel Nova k Philip Child s Leslev Sunderlan d CRAF T Cardiff Festival of Musi c Terrv Chin n Maria Wals h Special projects and Ian Parrott Rebecca Fav Elizabeth Webbe r awards Lower Machen Festival Peter Fink Terence Wetherilt Julic Bissctt University College of David Ge P P Jonathan Whitake r Helen Campbel l Wales Aberystwyth - Michael Gree n Gwyn William s Martin Donli n Department of Extr a Graham Hembroug h Martin William s Jackie Duckwort h Mural Studie s Amber Hiscott Pat Yallu p Morgen Hal l John Pickard Catrin Jones Amber Hiscott National Youth Bras s Deborah Jone s FIL M Catrin Jones Band of Wale s Nigel Judge Small scal e Christina Mitchel l Robert Kevin Smith Valerie Coffin Price development project s Keith Munroe South Wales Intercultura l Timothy Pugh Rachel Calder Mandy Nash Community Art s David Smith Stephanie Dinkelbac h Linda Roberts Welsh Jazz Society Kate Sully Stuart Evan s Allan Shiers Jaroslav Stastny John Llewellvn Tavlo r Justine Ennio n Angela Swa n Cardiff Festival of Music Gwenan Thomas Clive Flowers John W Thomas Adrian William s Roger Tile y Jane Hubbard Aberystwyth Musi c Sian Trenbert h Graham Jone s Festiva l Emrys William s Stephen Kingston Gareth Wood Robert Worley Penny Stemple European Brass Ban d Christine Watkin s Championship (Welsh Region ) Development projects : St . David's Hal l education and training Welsh Proms . Gerald Con n Michelle Fitzsimmo n Awards for advanced Jane Hubbar d study Chris Rushton Ruth Bingham Dyfed Wvn Evan s International fil m Carol Foulke s bursarle s Gwvn Hughes Jone s Teresa Javne Hanlon George Hylan d Richard Urbanski Claire Lewi s Jeremv Mannings Xiang-Sebastian See-Schiercnber g Susan Thoma s Sally Ann Wilkes Council of Great SrltrdWtom I Arts Council Spending by Region in England 1991/9 2 n The graph shows the total spending for eac h Spending per capita, region per head of population . Each colum n CiuMSBFJYFlnXif~Ali llEWrl . is divided into three areas which show how the funding can be analysed into three mai n - DPWV e ►FIIaM er .rne OM 1~t RM, elements . Firstly, direct funding which is oF+wna tQ rpi+ patrgwwrmt+sttearM .~iurawrm awarded by the Arts Council for activitie s which take place within specific regions. aea Secondly, the main grants made to th e ate Regional Arts Boards during the year . I ~ - Thirdly, grants awarded by the Arts Council , am i b such as publishing and research grants, whic h I cannot be aruibuted to one or more specifi c 2-78 regions and which are regarded as benefitin g x.so all regions equally . The graph also shows the amoun t allocated to the national companies per hea d of population in Fngland . This expenditure i s x.t>o not included in the per capita analysis . Glossary i_eo Revenue Clients -- are regularly funded art s organisations who receive at least 12 months ' %mss notice d funding is withdrawn . e.tta Annual Clients - are arts organisations wh o o.*a are regularly funded for an annual a.rn programme ofwork . on Project Clients - arts organisations who receive one-off grants for specific projects. a wo The table shows the spending of the arts R89W Total Gtants L Pe Council throughout England in the form ot - Mop eapiti 1 Eastcro 5,873 1 -0; grants Io revenue and annual clients and short term projects within each of the 10 areas 2 East ,Midlands 5,272 1 .5F 3 Landoll 23,390 3 .441 covered by the Kegional Arts Boards . The [alai value of grants awarded during the year 4 Northern 7,527 2 .4; 5 North West 13,061 2A~ was L:I53 .6m . 7,990 t Of this total the sum of 158 .1 m { 38 .0 j 6 Southern 1 .7 7 South East 3,632 0 .9t was awarded to the following companies : The B 7,508 1 .9( Royal Shakespeare Company, Royal Opera South West 9 West Midlands 9,139 1 .71 House, English National Dpera, Royal 1M'orkshire & Humberside 12,077 2 .44 National Theatre and the South Bank Board . The regional total of E95 .5m includes 95,467 2,0( the sum of.06 .0nt which %vas ot3crrd directky National Campaitics 78,113 1 .2 1 to the Regional Arts Boards in 1991/92 an d L537111 on client spending by the council . Total 153,580 3 .21 114/Arts Council of Great Britai n Sponsorship The Arts Council would like to thank th e Wragge & Co . The Paul Hamlyn Foundatio n following companies and trusts for thei r supporter of The Arts & the Data Protection Act, sponsor of Partners a series of informatio n generous support : organised by the External Relation s packs for artists and teachers, organised by the English Estate s Department; Education Unit ; supporter of Visual Arts sponsor of Arts Council Young Conductors , Nomura International Administration : Curating & Commissioning organised by the Music Department; sponsor of Effective Communication: Sponsorship Contemporary Art two year MA, organised b y Greene King IPA in a Recession seminar, January 1992 ; the Visual Arts Department in partnership with sponsor of Image 90s photography commission s Digital Equipment Company Ltd the Royal College of Art; and co-sponsor of th e in association with the Arts Council and Athen a sponsor of a lunch to promote the Taped: Dance Women in Arts seminar on gender and International, organised by the Photography Videos in Education scheme, February 1992 ; disabilitv in the arts ; Unit. (This sponsorship was recognised by an Lemon Hart Ru m British Council (Washington USA ) award under the Government's Business supporter of the press conference for The Real co-sponsor of the Women in Arts panel whic h Sponsorship Incentive Scheme which i s Calypsonians Tour in the African & Caribbean represented the UK at the Women's Caucus fo r administered by the Association for Busines s Music Circuit's 1991/92 touring programme ; Arts conference, Washington, USA . Sponsorship of the Arts) ; The Mil l Labatt Brewing U K supporter of Arts Council/Channel Fou r The following are thanked for their support an d sponsor of the Rolling Rock Jazz Tours in the Animation Awards winner Mario Cavalli's advice : Arts Council's Contemporary Music Network Soho Square organised by the Film, Video & John Boyd QC, Director, Legal Services, Digita l 1991/92 touring programme, organised by th e Broadcasting Department ; Equipment Company Ltd; Touring Department. (This sponsorship wa s Coutts & Co. Keith Clarke, freelance sponsorship consultant ; recognised by an award under the BSIS) ; sponsor of the David Cohen British Literature Algy Cluff, Chairman, Cluff Resources plc; IME Ltd Prize, organised by the Literature Department; Sir John Egan, Chief Executive, BAA plc ; sponsor of design and production of new Art s The David Cohen Family Charitable Trus t Robin Hambro, freelance sponsorship Council Library publications including printed sponsor of the David Cohen British Literature consultant ; edition of the Market Research Index, Prize, organised by the Literature Department; Caroline Kay, Head of External Affairs , organised by the Information Department ; The Esmde Fairbairn Charitable rust Association for Business Sponsorship of th e WH Smith Group pl c supporter of Visual Arts Administration : Arts ; sponsor of Arts Council Children's Literatur e Curating & Commissioning Contemporary Ar t Michael Perry CBE, Chairman, Unilever plc ; Summer School, Oxford, August 1991 , two year MA, organised by the Visual Art s Mathew Prichard CBE, Chairman, Welsh Art s organised by the Literature Department ; Department in partnership with the Royal Council ; British Gas plc College of Art ; Peter Gummer, Chairman, Shandwick plc; Art s sponsor of the Arts Council/British Gas The TSB Foundation for England & Wales Council . Awards Working for Cities, organised by the supporter of the first national conference on External Relations Department; theatre and disability, Manchester, June 1992 , Prudential Corporation pl c organised by the Drama Department ; sponsor of the Arts Council Award presented i n The Mercers' Company association with the Prudential Awards for th e sponsor of Composers for Dance Award s Arts ; and of the Prudential Great Orchestra 1992/93, organised by the Dance and Musi c Series in partnership with the Arts Counci l Departments ; and of traineeships for director s 1989-92 ; and designers in theatre for young people an d UNUM Ltd overseas fellowships in theatre for youn g sponsor of the Arts Council Directory of Arts people, organised by the Drama Departmen t & Disability, organised by the Disability Unit ; and the Training Unit ; B P The Gulbenkian Foundation sponsor of the BP Arts Journalism Awards , sponsor of Watching Brief a scheme which organised by the Arts Council in association places theatre artists in schools to observe th e with the Regional Arts Boards and Society of operation of the National Curriculum, Arts Publicists ; organised by the Drama Department ; Arts Council of Great Britain/11 5 Arts Council collectio n Purchases of works of art for 1991/9 2 Title of Work Year Artist Irish Liberation in Shades of Red 1989 Michael Minni s Unlikely Bedfellows 1989 Richard Livingstone Bisto the Consumer 1989 Richard Livingstone Self Portrait 1986 Richard Livingstone Big Dark Boat 1989 Deirdre O'Connel l No Fire in the Heart, No Sun in the South I 1985 Deirdre O'Connel l No Fire in the Heart, No Sun in the South II 1985 Deirdre O'Connel l Sectarian Murder (15 Prints) 1991 Paul Seawigh t Extractor 1988 Stephen Hughe s Damsel 1989 Kirti Pate l Mythic Stone : The Trossachs 1983-88 Thomas J Coope r Mythic Stone : Near Weatherville 1984-88 Thomas J Coope r Over and Under 1990 Carol Robertson Apple Green 1991 Balraj Khann a Construction 1989 Oleg Kudryasho v Men Kill Sleeping Women 1989 David Austen On the Edge of Night 1991 David Austen Untitled (Pale Green I) 1990 Fiona Rae This Brief Transit 1989 Jacinta Feene y Container One 1991 Stephen Hughe s Iron Gates of Life : Strength & Sweetness 1991 Mikey Cuddih y Untitled 1990 Henry Mundy Land 1990 Kathy Prendergas t Friendship 1990 Trevor Sutton TV Room 1991 Paul Winstanley Tall Very Dark Blue 1991 Edwina Leapman Untitled Sand Prints (7 prints) 1986 Susan Derge s Hermetica 1989 Susan Derge s Woodbridge Haven Buoy No . 2 1988 Simon Read Breda 1990 Diarmuid Delarg y Change 1991 Shirley Chubb Uneasy Landscapes (11 photographs) 1975-90 Eddie Dayan Adrift 1991 Susan Bonvin Lead Fall - Chrome Yellow 1991 Maria Lalic Apple Painting with Hyacinth Blue Brush Strokes 1986 Gera Urko m Red Segments with in-the-centre Brush Stroke 1991 Gera Urko m Medium Segment - Red with Black Brush Stroke 1990 Gera Urko m Small Segment - Red with Black Brush Stroke 1988 Gera Urko m Double Cross (Study/Red) 1990 Denis Masi Untitled (After Monet) 1991 Alex Hartley Olive 1990 Micky Donnelly Landscape Painting No . 5 (after Paul Henry) 1991 Micky Donnelly Houses and Occupants No . 3 1991 Abigail Lan e An Early Start 1989-90 Jo Stockham Archive 1989 Vic Moreton Double Window 1991 Bruce Allan Ming 1988 Ian Tyson Three Vertical Prints 1989-90 Ian Tyson Wave-Wall 2 1992 Charlie Hooker Untitled (August 1958) 1958 N H Stubbing Obuabang SRS : B Painting No . 8 (Art from the Heart) 1991 Henry Obuaban Two Identified Forms 1991 Callum Innes Red Deer 1990 Peter Doig Cryptbrick 1991 Padraig McCan n Churnwood 1990 Helene Fesenmaier The Surface Beneath 1991 Helen Sear Untitled 1988 Perry Roberts The Grind 1987 Darrell Viner The Audience 1991 Angela Peers Untitled (Vertical Cardstack) 1991 Lesley Foxcroft Untitled 1991 Padraig Timoney Painting No . 19 Mark Rothko/Betty Parsons 1992 Douglas Gordo n Drawer III 1990 Hilary Wilson 116/Arts Council of Great Britai n This annual report is available in large print . If you require the report in additional formats such as audiotape, braille or computer disc , please contact Teresa Needham, Publi c Relations Manager, at the Arts Council . ISBN 0-7287-0652-0 0 Arts Council of Great Britain 14 Great Peter Stree t London SW1P 3NQ October 1992